ISBN:
9780190604608
Language:
English
Pages:
1 Online-Ressource
,
Illustrations (black and white)
Series Statement:
Oxford scholarship online
DDC:
781.6550973
Keywords:
Shorter, Wayne
;
Hancock, Herbie
;
Corea, Chick
;
Geschichte 1960-1970
;
Jazz
;
Musikalische Analyse
;
USA
Abstract:
Innovations in postbop jazz compositions of the 1960s occurred in several dimensions, including harmony, form, and melody. Postbop jazz composers such as Wayne Shorter, Herbie Hancock, Chick Corea, along with others (Booker Little, Joe Henderson, Woody Shaw) broke with earlier tonal jazz traditions. Their compositions marked a departure from the techniques of jazz standards and original compositions that defined small-group repertory through the 1950s: single-key orientation, schematic 32-bar frameworks (in AABA or ABAC forms), and tonal harmonic progressions. The text develops analytical pathways through a number of compositions, including 'El Gaucho,' 'Penelope,' 'Pinocchio,' 'Face of the Deep' (Shorter); 'King Cobra,' 'Dolphin Dance,' 'Jessica' (Hancock); 'Windows,' 'Inner Space,' 'Song of the Wind' (Corea); as well as 'We Speak' (Little); 'Punjab' (Henderson); and 'Beyond All Limits' (Shaw).
Note:
Also issued in print: 2019
,
Includes bibliographical references, discography and index
DOI:
10.1093/oso/9780190604578.001.0001
URL:
https://dx.doi.org/10.1093/oso/9780190604578.001.0001
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