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  • 2020-2024  (154)
  • History  (104)
  • Immigrants
  • Monografische Reihe
  • Musicology  (133)
  • American Studies  (22)
Language
Years
Year
Keywords
  • 1
    Journal/Serial
    Journal/Serial
    Heidelberg : Universitätsverlag Winter | München : Fink ; 55.1983 -
    ISSN: 0178-1987
    Language: English
    Dates of Publication: 55.1983 -
    Additional Information: 62=2 von Charles-Sealsfield-Gesellschaft Schriftenreihe der Charles-Sealsfield-Gesellschaft Stuttgart : Verl. d. Charles-Sealsfield-Ges., 1986 0932-5069
    Parallel Title: Erscheint auch als American studies
    Former Title: Vorg. Amerikastudien / Eine Schriftenreihe
    DDC: 050
    RVK:
    Keywords: Monografische Reihe ; Nordamerika ; Zeitschrift
    Note: Unter diesem Titel ersch. auch spätere Aufl. einzelner Bd. d. Vorg.
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  • 2
    Journal/Serial
    Journal/Serial
    Innsbruck : StudienVerl. ; 1.2008 -
    Language: German
    Dates of Publication: 1.2008 -
    DDC: 780
    RVK:
    Keywords: Monografische Reihe
    Note: Ersch. unregelmäßig
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  • 3
    Journal/Serial
    Journal/Serial
    Dublin : Four Courts | Dublin : Irish Academy Press ; 1.1990 -
    Language: English
    Dates of Publication: 1.1990 -
    DDC: 780
    RVK:
    Keywords: Music ; Ireland ; Monografische Reihe ; Irland ; Musik
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  • 4
    Journal/Serial
    Journal/Serial
    Wien : Universal Ed. ; 1970 -
    Language: German
    Dates of Publication: 1970 -
    DDC: 780
    RVK:
    RVK:
    Keywords: Monografische Reihe
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  • 5
    Musical Score
    Musical Score
    München : mph, Musikproduktion Höflich
    Show associated volumes/articles
    Language: Undetermined
    RVK:
    RVK:
    Keywords: Monografische Reihe
    Note: Reprints urheberrechtsfreier, meist vergriffener Noten als Studienpartituren , Anmerkung zum abweichenden Titel: Der Titel der Reihe ist auf der Homepage des Verlages nicht genau zu definieren, vermutlich handelt es sich bei "Study score" lediglich um eine Ausgabebezeichnung
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  • 6
    Journal/Serial
    Journal/Serial
    Augsburg : Wißner ; 1.1992 -
    Show associated volumes/articles
    ISSN: 0946-543X
    Language: German
    Dates of Publication: 1.1992 -
    Additional Information: 1=[1]; 2=[2]; 6=3; 13=4; 21=5; 27=[6]; 35=[7]; 44=8 von Musikpädagogische Forschungsberichte Augsburg : Wißner, 1992-2004 0946-5073
    Additional Information: 20=1 von Reihe Wißner-Lehrbuch Augsburg : Wißner, 1998-
    RVK:
    Keywords: Musikerziehung ; Vorschulerziehung ; Monografische Reihe ; Musikerziehung ; Vorschulerziehung
    Description / Table of Contents: Das Gesamtwerk gliedert sich teils in ungezählte Unterreihen
    Note: 48.2002 Buch und CD; 70.2005 CD-ROM; ersch. unregelmäßig
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  • 7
    Language: Undetermined
    DDC: 305.896073
    RVK:
    Keywords: Black persons Social conditions ; History ; United States ; Anthologie ; Du Bois, William E. B. 1868-1963 ; Rede
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  • 8
    Journal/Serial
    Journal/Serial
    Wilhelmshaven ; Amsterdam ; Locarno : Heinrichshofen | Wilhelmshaven : Heinrichshofen | Wilhelmshaven : Noetzel, Heinrichshofen-Bücher | Wilhelmshaven : Noetzel | Wilhelmshaven : Florian Noetzel Verlag, Heinrichshofen-Bücher ; 1.1969 -
    ISSN: 0082-1969 , 0082-1969
    Language: German
    Dates of Publication: 1.1969 -
    RVK:
    Keywords: Monografische Reihe
    Note: Ersch. unregelmäßig
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  • 9
    Journal/Serial
    Journal/Serial
    Paris : UN ; 1.1977 -
    ISSN: 0251-5164
    Language: Undetermined
    Dates of Publication: 1.1977 -
    Parallel Title: Erscheint auch als Protection du patrimoine culturel / Cahiers techniques: musées et monuments
    DDC: 050
    RVK:
    Keywords: Monografische Reihe
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  • 10
    Journal/Serial
    Journal/Serial
    Leipzig : Zentralhaus-Publ. | Leipzig : Kabinett für Kulturarbeit der Stadt Leipzig | Leipzig : Gruppe Folkländer ; 1.1978 -
    Language: German
    Dates of Publication: 1.1978 -
    Additional Information: Einzelne Bd. zugl. Bd. von Bibliographie der Literatur zum deutschen Volkslied Leipzig : Zentralhaus-Publ., 1987
    DDC: 780
    RVK:
    RVK:
    Keywords: Monografische Reihe ; Deutsch ; Volkslied
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  • 11
    Journal/Serial
    Journal/Serial
    Aachen : Shaker | Bamberg : Univ.-Bibliothek Bamberg | Münster : MV Wiss., Verl.-Haus Monsenstein und Vannerdat OHG ; 1.1990(1992) -
    ISSN: 0943-4224
    Language: German
    Pages: 21 cm
    Additional Material: CD-ROMs als Beil
    Dates of Publication: 1.1990(1992) -
    Former Title: Berichte aus dem ICTM-Nationalkomitee Deutschland
    Former Title: Bericht über die Tagung des Nationalkomitees der Bundesrepublik Deutschland im International Council for Traditional Music (UNESCO) am
    Former Title: Berichte aus dem Nationalkomitee der Bundesrepublik Deutschland im ICTM
    Former Title: Berichte aus dem Nationalkomitee der Bundesrepublik Deutschland im International Council for Traditional Music (ICTM/UNESCO)
    DDC: 780.8905
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Monografische Reihe ; Musikethnologie
    Note: Bis 8.1998 mit Kassettenbeil.; ab 9/10.1999/2000 mit CD-Beil , Ersch. unregelmäßig; enthaltener Kongress ab 20/21.2010/2013 als Monografie behandelt
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  • 12
    Journal/Serial
    Journal/Serial
    Wiesbaden : Harrassowitz ; 1.2004 -
    ISSN: 1613-7493 , ISSN 2748-9523
    Language: German
    Dates of Publication: 1.2004 -
    Parallel Title: Erscheint auch als Jüdische Musik
    DDC: 780
    RVK:
    RVK:
    Keywords: Monografische Reihe ; Juden ; Musik
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  • 13
    Journal/Serial
    Journal/Serial
    Bonn : Militärmusikdienst der Bundeswehr ; 1.2006 -
    Language: German
    Pages: 21 cm
    Dates of Publication: 1.2006 -
    DDC: 780
    RVK:
    Keywords: Monografische Reihe
    Note: Ersch. unregelmäßig
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  • 14
    Journal/Serial
    Journal/Serial
    München : Musikverlag Katzbichler | Stuttgart : Musikwiss. Verl.-Ges. ; 1.1970 -
    Language: German
    Dates of Publication: 1.1970 -
    DDC: 780
    RVK:
    Keywords: Monografische Reihe ; Musikwissenschaft
    Note: Ersch. unregelmäßig
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  • 15
    Journal/Serial
    Journal/Serial
    Beograd : Etnografski Inst. SANU ; 1.1950 -
    Language: Serbian , English
    Dates of Publication: 1.1950 -
    Additional Information: 1=158; 8=271 von Srpska akademija nauka i umetnosti Posebna izdanja Beograd : [Wechselnde Verleger], 1960 0352-1850
    Additional Information: 1=158; 8=271 von Srpska akademija nauka i umetnosti Posebna izdanja Beograd : [Wechselnde Verleger], 1960 0352-1850
    DDC: 300
    RVK:
    Keywords: Monografische Reihe
    Note: Wechselnde Parallelsacht , Urh. anfangs: Srpska Akademija Nauk, Etnografski Institut , Ersch. unregelmäßig , Teils in kyrill. Schr.; Text serb.
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  • 16
    Journal/Serial
    Journal/Serial
    Leipzig : Dt. Verl. für Musik ; 1.1971 -
    ISSN: 0323-8318
    Language: German
    Dates of Publication: 1.1971 -
    DDC: 050
    RVK:
    Keywords: Monografische Reihe ; Deutschland ; Musikwissenschaft
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  • 17
    Language: Undetermined
    DDC: 305.896073
    RVK:
    Keywords: Black persons Social conditions ; History ; United States ; Anthologie ; Du Bois, William E. B. 1868-1963 ; Rede
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  • 18
    Journal/Serial
    Journal/Serial
    Wien : Universal Ed. ; 1970 -
    Language: German
    Dates of Publication: 1970 -
    DDC: 780
    RVK:
    RVK:
    Keywords: Monografische Reihe
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  • 19
    Language: Serbian , English
    Dates of Publication: 1.1950 -
    Additional Information: 1=158; 8=271 von Srpska akademija nauka i umetnosti Posebna izdanja / Srpska Akademija Nauka i Umetnosti Beograd : [Wechselnde Verleger], 1960 0352-1850
    Additional Information: 1=158; 8=271 von Srpska akademija nauka i umetnosti Posebna izdanja / Srpska Akademija Nauka i Umetnosti Beograd : [Wechselnde Verleger], 1960 0352-1850
    DDC: 300
    RVK:
    Keywords: Monografische Reihe
    Note: Wechselnde Parallelsacht , Urh. anfangs: Srpska Akademija Nauk, Etnografski Institut , Ersch. unregelmäßig , Teils in kyrill. Schr.; Text serb.
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  • 20
    Language: Serbian , English
    Dates of Publication: 1.1950 -
    Additional Information: 1=158; 8=271 von Srpska akademija nauka i umetnosti Posebna izdanja / Srpska Akademija Nauka i Umetnosti Beograd : [Wechselnde Verleger], 1960 0352-1850
    Additional Information: 1=158; 8=271 von Srpska akademija nauka i umetnosti Posebna izdanja / Srpska Akademija Nauka i Umetnosti Beograd : [Wechselnde Verleger], 1960 0352-1850
    DDC: 300
    RVK:
    Keywords: Monografische Reihe
    Note: Wechselnde Parallelsacht , Urh. anfangs: Srpska Akademija Nauk, Etnografski Institut , Ersch. unregelmäßig , Teils in kyrill. Schr.; Text serb.
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  • 21
    Journal/Serial
    Journal/Serial
    Kassel : Merseburger | Köln [u.a.] : Staufen-Verl. | Köln : Volk ; H. 1.1952 -
    ISSN: 0522-7046
    Language: German
    Dates of Publication: H. 1.1952 -
    Additional Information: Index 1/155=82a von Arbeitsgemeinschaft für Rheinische Musikgeschichte Mitteilungen / Arbeitsgemeinschaft für Rheinische Musikgeschichte e.V. Köln, 1955 0948-1222
    Additional Information: 136=1984; 140=1985; 142=1986; 149=1991; 157=1992; 155=1995; 159=1998 von Arbeitsgemeinschaft für Rheinische Musikgeschichte Bericht über die Jahrestagung / Arbeitsgemeinschaft für Rheinische Musikgeschichte Kassel : Merseburger, 1986 0522-7046
    Additional Information: 136=1984; 140=1985; 142=1986; 149=1991; 157=1992; 155=1995; 159=1998 von Arbeitsgemeinschaft für Rheinische Musikgeschichte Bericht über die Jahrestagung / Arbeitsgemeinschaft für Rheinische Musikgeschichte Kassel : Merseburger, 1986 0522-7046
    Additional Information: 6=1; 125=2 von Beiträge zur Musikgeschichte der Stadt Aachen Köln [u.a.], 1954
    Additional Information: 20=1; 52=2; 62=3; 112-4;119=5 von Studien zur Musikgeschichte des Rheinlandes Köln : Volk, 1956
    Additional Information: 26=1957 von "Referate der Jahrestagung für Rheinische Musikgeschichte"
    Additional Information: 43=1; 53=2; 58=3; 64=4; 69=5; 80=6; 97=7; 111=8; 150=10 von Rheinische Musiker Kassel : Merseburger, 1960
    Additional Information: 61=1 von Musik in Mönchengladbach Mönchengladbach : Kulturamt, 1965
    Additional Information: 61=[1]; 109=2 u.a. von Studien zur Musikgeschichte der Stadt Mönchengladbach Köln : Volk, 1965
    Additional Information: 104,1=2; 104,2=3 von Josef-Rheinberger-Archiv (Vaduz) Veröffentlichungen des Josef Rheinberger-Archivs, Vaduz Köln : Volk, 1974
    Additional Information: 121=7 von Musikalische Volkskunde Essen : Verl. Die Blaue Eule, 1971
    Additional Information: 149=1249; 155=1255; 157=1257; 159=1259; 169=1269; 170=1270; 172=1272; 173=1273 von Edition Merseburger Kassel : Verlag Merseburger, 1947
    Additional Information: 170=2004 von Arbeitsgemeinschaft für Rheinische Musikgeschichte Bericht über die Tagung der Arbeitsgemeinschaft für Rheinische Musikgeschichte ... Kassel : Merseburger, 2005
    Former Title: Veröffentlichungen der Arbeitsgemeinschaft für Rheinische Musikgeschichte e.V.
    DDC: 780
    RVK:
    Keywords: Monografische Reihe ; Rheinland ; Musik ; Geschichte ; Rheinland ; Musik ; Geschichte
    Note: Einzelne Bd. Medienkombination aus Druckwerken und Tonträger , Darin: Jahrestagung / Arbeitsgemeinschaft für Rheinische Musikgeschichte , Springende Ersch.-Jahre; ersch. unregelmäßig
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  • 22
    Journal/Serial
    Journal/Serial
    Leipzig : Dt. Verl. für Musik ; 1.1971 -
    ISSN: 0323-8318
    Language: German
    Dates of Publication: 1.1971 -
    DDC: 050
    RVK:
    Keywords: Monografische Reihe ; Deutschland ; Musikwissenschaft
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  • 23
    Language: Serbian , English
    Dates of Publication: 1.1950 -
    Additional Information: 1=158; 8=271 von Srpska akademija nauka i umetnosti Posebna izdanja / Srpska Akademija Nauka i Umetnosti Beograd : [Wechselnde Verleger], 1960 0352-1850
    Additional Information: 1=158; 8=271 von Srpska akademija nauka i umetnosti Posebna izdanja / Srpska Akademija Nauka i Umetnosti Beograd : [Wechselnde Verleger], 1960 0352-1850
    DDC: 300
    RVK:
    Keywords: Monografische Reihe
    Note: Wechselnde Parallelsacht , Urh. anfangs: Srpska Akademija Nauk, Etnografski Institut , Ersch. unregelmäßig , Teils in kyrill. Schr.; Text serb.
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  • 24
    ISSN: 0081-7341
    Language: German
    Pages: 25 cm
    Dates of Publication: 1.1965 -
    Former Title: Studien zur Musikgeschichte des neunzehnten Jahrhunderts
    DDC: 050
    RVK:
    Keywords: Monografische Reihe ; Musik ; Geschichte 1800-1900
    Note: Bd. 20; 32 u. 45 nicht ersch.; unregelmäßig
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  • 25
    Journal/Serial
    Journal/Serial
    Wilhelmshaven : Noetzel | Heidelberg : Quelle & Meyer | Wilhelmshaven : Heinrichshofen ; 1.1959 -
    Language: German
    Dates of Publication: 1.1959 -
    Former Title: Vorg. Musikpädagogische Bibliothek
    DDC: 780
    RVK:
    Keywords: Monografische Reihe ; Musikerziehung
    Note: Repr.: Walluf bei Wiesbaden : Sändig
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  • 26
    Language: German
    Dates of Publication: 2.1992 -
    Former Title: Vorg. Beiträge zur Jazzforschung
    DDC: 780
    RVK:
    Keywords: Monografische Reihe ; Jazz
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  • 27
    Language: German
    Dates of Publication: 2.1992 -
    Former Title: Vorg. Beiträge zur Jazzforschung
    DDC: 780
    RVK:
    Keywords: Monografische Reihe ; Jazz
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  • 28
    Journal/Serial
    Journal/Serial
    Göttingen : Hubert | Kassel : Bärenreiter-Antiquariat [in Komm.] ; 1.[1941]; 2.1972 -
    Language: German
    Dates of Publication: 1.[1941]; 2.1972 -
    DDC: 050
    RVK:
    Keywords: Monografische Reihe ; Musikwissenschaft
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  • 29
    Journal/Serial
    Journal/Serial
    Wiesbaden : Harrassowitz ; 1.2004 -
    ISSN: 1613-7493 , 2748-9523
    Language: German
    Dates of Publication: 1.2004 -
    Parallel Title: Erscheint auch als Jüdische Musik
    DDC: 780
    RVK:
    RVK:
    Keywords: Monografische Reihe ; Juden ; Musik
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  • 30
    Journal/Serial
    Journal/Serial
    Chico, Calif. : Scholars Press ; 1.1983 -
    Language: English
    Dates of Publication: 1.1983 -
    Former Title: Scholars Press studies in the humanities
    DDC: 050
    RVK:
    Keywords: Monografische Reihe
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  • 31
    Journal/Serial
    Journal/Serial
    Tübingen : University Press | Neuhausen-Stuttgart : Haenssler | Tutzing : Schneider ; 1.1972 -
    Language: German
    Dates of Publication: 1.1972 -
    Parallel Title: Erscheint auch als Tübinger Beiträge zur Musikwissenschaft
    DDC: 780
    RVK:
    Keywords: Monografische Reihe
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  • 32
    Journal/Serial
    Journal/Serial
    Kassel : Merseburger | Köln [u.a.] : Staufen-Verl. | Köln : Volk ; H. 1.1952 -
    ISSN: 0522-7046
    Language: German
    Dates of Publication: H. 1.1952 -
    Additional Information: Index 1/155=82a von Arbeitsgemeinschaft für Rheinische Musikgeschichte Mitteilungen / Arbeitsgemeinschaft für Rheinische Musikgeschichte e.V. Köln, 1955 0948-1222
    Additional Information: 136=1984; 140=1985; 142=1986; 149=1991; 157=1992; 155=1995; 159=1998 von Arbeitsgemeinschaft für Rheinische Musikgeschichte Bericht über die Jahrestagung / Arbeitsgemeinschaft für Rheinische Musikgeschichte Kassel : Merseburger, 1986 0522-7046
    Additional Information: 136=1984; 140=1985; 142=1986; 149=1991; 157=1992; 155=1995; 159=1998 von Arbeitsgemeinschaft für Rheinische Musikgeschichte Bericht über die Jahrestagung / Arbeitsgemeinschaft für Rheinische Musikgeschichte Kassel : Merseburger, 1986 0522-7046
    Additional Information: 6=1; 125=2 von Beiträge zur Musikgeschichte der Stadt Aachen Köln [u.a.], 1954
    Additional Information: 20=1; 52=2; 62=3; 112-4;119=5 von Studien zur Musikgeschichte des Rheinlandes Köln : Volk, 1956
    Additional Information: 26=1957 von "Referate der Jahrestagung für Rheinische Musikgeschichte"
    Additional Information: 43=1; 53=2; 58=3; 64=4; 69=5; 80=6; 97=7; 111=8; 150=10 von Rheinische Musiker Kassel : Merseburger, 1960
    Additional Information: 61=1 von Musik in Mönchengladbach Mönchengladbach : Kulturamt, 1965
    Additional Information: 61=[1]; 109=2 u.a. von Studien zur Musikgeschichte der Stadt Mönchengladbach Köln : Volk, 1965
    Additional Information: 104,1=2; 104,2=3 von Josef-Rheinberger-Archiv (Vaduz) Veröffentlichungen des Josef Rheinberger-Archivs, Vaduz Köln : Volk, 1974
    Additional Information: 121=7 von Musikalische Volkskunde Essen : Verl. Die Blaue Eule, 1971
    Additional Information: 149=1249; 155=1255; 157=1257; 159=1259; 169=1269; 170=1270; 172=1272; 173=1273 von Edition Merseburger Kassel : Verlag Merseburger, 1947
    Additional Information: 170=2004 von Arbeitsgemeinschaft für Rheinische Musikgeschichte Bericht über die Tagung der Arbeitsgemeinschaft für Rheinische Musikgeschichte ... Kassel : Merseburger, 2005
    Former Title: Veröffentlichungen der Arbeitsgemeinschaft für Rheinische Musikgeschichte e.V.
    DDC: 780
    RVK:
    Keywords: Monografische Reihe ; Rheinland ; Musik ; Geschichte ; Rheinland ; Musik ; Geschichte
    Note: Einzelne Bd. Medienkombination aus Druckwerken und Tonträger , Darin: Jahrestagung / Arbeitsgemeinschaft für Rheinische Musikgeschichte , Springende Ersch.-Jahre; ersch. unregelmäßig
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  • 33
    ISSN: 0081-7341
    Language: German
    Pages: 25 cm
    Dates of Publication: 1.1965 -
    Former Title: Studien zur Musikgeschichte des neunzehnten Jahrhunderts
    DDC: 050
    RVK:
    Keywords: Monografische Reihe ; Musik ; Geschichte 1800-1900
    Note: Bd. 20; 32 u. 45 nicht ersch.; unregelmäßig
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  • 34
    Journal/Serial
    Journal/Serial
    Heidelberg : Universitätsverlag Winter | München : Fink ; 55.1983 -
    ISSN: 0178-1987
    Language: English
    Dates of Publication: 55.1983 -
    Additional Information: 62=2 von Charles-Sealsfield-Gesellschaft Schriftenreihe der Charles-Sealsfield-Gesellschaft Stuttgart : Verl. d. Charles-Sealsfield-Ges., 1986 0932-5069
    Parallel Title: Erscheint auch als American studies
    Former Title: Vorg. Amerikastudien / Eine Schriftenreihe
    DDC: 050
    RVK:
    Keywords: Monografische Reihe ; Nordamerika ; Zeitschrift
    Note: Unter diesem Titel ersch. auch spätere Aufl. einzelner Bd. d. Vorg.
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  • 35
    Journal/Serial
    Journal/Serial
    Paris : UN ; 1.1977 -
    ISSN: 0251-5164
    Language: Undetermined
    Dates of Publication: 1.1977 -
    Parallel Title: Erscheint auch als Protection du patrimoine culturel / Cahiers techniques: musées et monuments
    DDC: 050
    RVK:
    Keywords: Monografische Reihe
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  • 36
    Journal/Serial
    Journal/Serial
    Dublin : Four Courts | Dublin : Irish Academy Press ; 1.1990 -
    Language: English
    Dates of Publication: 1.1990 -
    DDC: 780
    RVK:
    Keywords: Music ; Ireland ; Monografische Reihe ; Irland ; Musik
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  • 37
    Journal/Serial
    Journal/Serial
    Innsbruck : StudienVerl. ; 1.2008 -
    Language: German
    Dates of Publication: 1.2008 -
    DDC: 780
    RVK:
    Keywords: Monografische Reihe
    Note: Ersch. unregelmäßig
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  • 38
    Journal/Serial
    Journal/Serial
    Leipzig : Zentralhaus-Publ. | Leipzig : Kabinett für Kulturarbeit der Stadt Leipzig | Leipzig : Gruppe Folkländer ; 1.1978 -
    Language: German
    Dates of Publication: 1.1978 -
    Additional Information: Einzelne Bd. zugl. Bd. von Bibliographie der Literatur zum deutschen Volkslied Leipzig : Zentralhaus-Publ., 1987
    DDC: 780
    RVK:
    RVK:
    Keywords: Monografische Reihe ; Deutsch ; Volkslied
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  • 39
    Journal/Serial
    Journal/Serial
    Aachen : Shaker | Bamberg : Univ.-Bibliothek Bamberg | Münster : MV Wiss., Verl.-Haus Monsenstein und Vannerdat OHG ; 1.1990(1992) -
    ISSN: 0943-4224
    Language: German
    Pages: 21 cm
    Additional Material: CD-ROMs als Beil
    Dates of Publication: 1.1990(1992) -
    Former Title: Berichte aus dem ICTM-Nationalkomitee Deutschland
    Former Title: Bericht über die Tagung des Nationalkomitees der Bundesrepublik Deutschland im International Council for Traditional Music (UNESCO) am
    Former Title: Berichte aus dem Nationalkomitee der Bundesrepublik Deutschland im ICTM
    Former Title: Berichte aus dem Nationalkomitee der Bundesrepublik Deutschland im International Council for Traditional Music (ICTM/UNESCO)
    DDC: 780.8905
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    Keywords: Monografische Reihe ; Musikethnologie
    Note: Bis 8.1998 mit Kassettenbeil.; ab 9/10.1999/2000 mit CD-Beil , Ersch. unregelmäßig; enthaltener Kongress ab 20/21.2010/2013 als Monografie behandelt
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  • 40
    Journal/Serial
    Journal/Serial
    Mainz : Schott ; B 1-
    ISSN: 0172-7222
    Language: German
    Dates of Publication: B 1-
    Former Title: Bausteine für Musikerziehung und Musikpflege. Schriftenreihe
    DDC: 780
    RVK:
    Keywords: Monografische Reihe
    Note: Einzelne Bände zugleich Bände von: Die Musikschule , Teilweise ohne Zusatz: Schriftenreihe
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  • 41
    Journal/Serial
    Journal/Serial
    Augsburg : Wißner ; 1.1992 -
    ISSN: 0946-543X
    Language: German
    Dates of Publication: 1.1992 -
    Additional Information: 1=[1]; 2=[2]; 6=3; 13=4; 21=5; 27=[6]; 35=[7]; 44=8 von Musikpädagogische Forschungsberichte Augsburg : Wißner, 1992 0946-5073
    Additional Information: 20=1 von Reihe Wißner-Lehrbuch Augsburg : Wißner, 1998
    DDC: 780
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    Keywords: Monografische Reihe ; Musikerziehung ; Vorschulerziehung
    Note: Das Gesamtwerk gliedert sich teils in ungezählte Unterreihen , 48.2002 Buch und CD; 70.2005 CD-ROM; ersch. unregelmäßig
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  • 42
    Journal/Serial
    Journal/Serial
    Leipzig : Dt. Verl. für Musik ; 1.1971 -
    ISSN: 0323-8318
    Language: German
    Dates of Publication: 1.1971 -
    DDC: 050
    RVK:
    Keywords: Monografische Reihe ; Deutschland ; Musikwissenschaft
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  • 43
    ISSN: 0511-9294
    Language: German
    Dates of Publication: 1.1955 -
    Additional Information: 14=Repr. 1813 von Wiener allgemeine musikalische Zeitung Wien : Tandler, 1813
    DDC: 050
    RVK:
    Keywords: Monografische Reihe ; Musik ; Musik
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  • 44
    ISSN: 0418-3827
    Language: German
    Dates of Publication: 1.1961 -
    Additional Information: 1-9=1481-1489 von Edition Merseburger Kassel : Verlag Merseburger, 1947
    DDC: 780
    RVK:
    Keywords: Monografische Reihe ; Neue Musik ; Musikwissenschaft ; Unterhaltungsmusik ; Klassische Musik ; Musikwissenschaft ; Neue Musik
    Note: Teilweise ungezählte Beilage: Sonderband
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  • 45
    Language: German
    Dates of Publication: 13.1967 -
    Former Title: Vorg. Landesinstitut für Musikforschung in Kiel Schriften des Landesinstituts für Musikforschung in Kiel
    DDC: 780
    RVK:
    Keywords: Monografische Reihe ; Musikwissenschaft
    Note: Ersch. unregemäßig
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  • 46
    Journal/Serial
    Journal/Serial
    Bielefeld : Transcript | Baden-Baden : CODA | Hamburg : ASPM ; 1.1987 -
    ISSN: 0943-9242 , 2567-3351 , 2567-3351
    Language: German
    Dates of Publication: 1.1987 -
    Additional Information: 11=1992,1; 12=1992,2; 15/16=1995; 19/20=1996; 19/20,Nachtr.=1996,Nachtr.; 25/26=10; 27/28=11; 29/30=[12] von Arbeitskreis Studium Populärer Musik Referate der ASPM-Jahrestagung Baden-Baden : CODA, 1993
    Parallel Title: Erscheint auch als Beiträge zur Popularmusikforschung
    DDC: 780
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    Keywords: Monografische Reihe ; Unterhaltungsmusik
    Note: Beteil. Körp. bis 39.2013: Arbeitskreis Studium Populärer Musik , Ersch. unregelmäßig
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  • 47
    Journal/Serial
    Journal/Serial
    Wilhelmshaven : Noetzel | Heidelberg : Quelle & Meyer | Wilhelmshaven : Heinrichshofen ; 1.1959 -
    Language: German
    Dates of Publication: 1.1959 -
    Former Title: Vorg. Musikpädagogische Bibliothek
    DDC: 780
    RVK:
    Keywords: Monografische Reihe ; Musikerziehung
    Note: Repr.: Walluf bei Wiesbaden : Sändig
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  • 48
    Journal/Serial
    Journal/Serial
    München [u.a.] : Katzbichler ; 1.1976 -
    ISSN: 0175-5609
    Language: German
    Dates of Publication: 1.1976 -
    DDC: 050
    RVK:
    Keywords: Monografische Reihe
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  • 49
    Journal/Serial
    Journal/Serial
    Aachen : Shaker | Bamberg : Univ.-Bibliothek Bamberg | Münster : MV Wiss., Verl.-Haus Monsenstein und Vannerdat OHG ; 1.1990(1992) -
    ISSN: 0943-4224
    Language: German
    Pages: 21 cm
    Additional Material: CD-ROMs als Beil
    Dates of Publication: 1.1990(1992) -
    Former Title: Berichte aus dem ICTM-Nationalkomitee Deutschland
    Former Title: Bericht über die Tagung des Nationalkomitees der Bundesrepublik Deutschland im International Council for Traditional Music (UNESCO) am
    Former Title: Berichte aus dem Nationalkomitee der Bundesrepublik Deutschland im ICTM
    Former Title: Berichte aus dem Nationalkomitee der Bundesrepublik Deutschland im International Council for Traditional Music (ICTM/UNESCO)
    DDC: 780.8905
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    Keywords: Monografische Reihe ; Musikethnologie
    Note: Bis 8.1998 mit Kassettenbeil.; ab 9/10.1999/2000 mit CD-Beil , Ersch. unregelmäßig; enthaltener Kongress ab 20/21.2010/2013 als Monografie behandelt
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  • 50
    Journal/Serial
    Journal/Serial
    Stuttgart : Franz Steiner Verlag | Wiesbaden : Steiner ; 1.1966 -
    In:  Archiv für Musikwissenschaft
    ISSN: 0570-6769 , 0003-9292 , 2699-3198 , 2699-3198
    Language: German
    Dates of Publication: 1.1966 -
    Parallel Title: Erscheint auch als Beihefte zum Archiv für Musikwissenschaft
    Former Title: Beihefte
    Titel der Quelle: Archiv für Musikwissenschaft
    Publ. der Quelle: Stuttgart : Steiner, 1918
    DDC: 780
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    Keywords: Monografische Reihe ; Musik ; Geschichte ; Musikwissenschaft ; Kompositionslehre ; Musikgeschichtsschreibung
    Note: Index 1/35.1966/93 d. Beih. u. 1/50.1918/93 d. Hauptzeitschr. in: 50 Jahrgänge Archiv für Musikwissenschaft, 1994
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  • 51
    Journal/Serial
    Journal/Serial
    Münster : Waxmann | Essen : Verl. Die Blaue Eule | Laaber : Laaber-Verl. Müller-Buscher ; 1.1980 -
    ISSN: 0937-3993
    Language: German
    Dates of Publication: 1.1980 -
    Additional Information: 1=1; 2=2 von Arbeitskreis Musikpädagogische Forschung AMPF-Tagung Laaber, 1979
    Additional Information: 22=2000 von Arbeitskreis Musikpädagogische Forschung Jahrestagung ... des AMPF Essen : Verl. Die Blaue Eule, 2000
    Parallel Title: Erscheint auch als Musikpädagogische Forschung
    DDC: 780
    RVK:
    Keywords: Monografische Reihe ; Musikerziehung
    Note: Parallelsacht. ab 32.2011 , Ab 6.1985 als Schriftenreihe; unregelmäßig
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  • 52
    ISBN: 9781478025702 , 9781478020967
    Language: English
    Pages: xii, 242 Seiten , Illustrationen
    Series Statement: Anima
    Series Statement: critical race studies otherwise
    Parallel Title: Erscheint auch als Luciano, Dana How the earth feels
    Parallel Title: Erscheint auch als Luciano, Dana How the earth feels
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    Keywords: c 1800 to c 1900 ; 19. Jahrhundert (1800 bis 1899 n. Chr.) ; Geology in literature ; Geology Social aspects 19th century ; History ; Geology History 19th century ; American literature History 19th century ; NATURE / Environmental Conservation & Protection ; HISTORY / Modern / 19th Century ; Conservation of the environment ; General & world history ; Geschichte allgemein und Weltgeschichte ; SOC069000 ; Umweltschutz
    Abstract: "By the start of the nineteenth century, the impact of the geological sciences and advancements in the field had radically expanded people's perception of the Earth's age. In How the Earth Feels, Dana Luciano maps the emergence of a "geological fantasy," in which increased knowledge of planetary life was used to racialize Native peoples as fossils and curiosities. Further, the geological fantasy served to cement the notion that the Earth had been preparing for the presence of humans, and that humans were in fact the ultimate expression of the Earth's teleological development in a both scientific and spiritual sense. Counterposing a range of texts-from early European and US geological texts to Indigenous accounts of earthquakes to African American men's anti-slavery writing featuring geological tropes-Luciano reveals the workings of the geological fantasy as it operated across the racial and biopolitical discourses of the nineteenth-century United States. Luciano offers a rich and historically nuanced account of how imagined relations with the non-human world have long served as a means of avoiding engagement with the dynamics of racial and colonial power"
    Abstract: Dana Luciano examines the impacts of the new science of geology on nineteenth-century US culture, showing how it catalyzed transformative conversations regarding the intersections between humans and the nonhuman world
    Description / Table of Contents: The "Fashionable Science" -- 'The Infinite Go-Before of the Present': Geological Time, Worldmaking, and Race in the Nineteenth Century -- Unsettled Ground: Indigenous Prophecy, Geological Fantasy, and the New Madrid Earthquakes -- Romancing the Trace: Ichnology, Affect, Race -- Matters of Spirit: Vibrant Materiality and White Femme Geophilia -- The Natural History of Freedom: Blackness, Geomorphology, Worldmaking -- Ishmael's Anthropocenes and Others: Geological Fantasy in the Twentiethfirst Century.
    Note: Includes bibliographical references and index
    URL: Cover  (lizenzpflichtig)
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  • 53
    ISBN: 9783828850569
    Language: German
    Pages: 1 Online-Ressource (IX, 189 Seiten) , Notenbeispiele
    Series Statement: Systematische Musikwissenschaft und Musikkulturen der Gegenwart Band 9
    Series Statement: Systematische Musikwissenschaft und Musikkulturen der Gegenwart
    Parallel Title: Erscheint auch als Bugert, Thomas Das Jahr der Innovationen im Jazz
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    Keywords: Geschichte ; Analyse ; Improvisation ; Musik ; Rezeptionsgeschichte ; 50er Jahre ; History ; music ; analysis ; Musikgeschichte ; Music History ; reception history ; Jazz ; 1950s ; origins ; Ursprünge ; 1959 ; albums ; Alben ; harmonic concepts ; Bill Evans ; Dave Brubeck ; Giant Steps ; jazz albums ; harmonisch-melodische Konzepte ; melodic concepts ; Jazzalben ; Jazz-Alben ; precursors ; John Coltrane ; records ; Kind of Blue ; Miles Davis ; Ornette Coleman ; Portrait in Jazz ; Schallplatten ; The Shape of Jazz to Come ; Time Out ; Vorläufer
    Abstract: 1959 entstanden mit Dave Brubecks "Time Out", John Coltranes "Giant Steps", Miles Davis' "Kind of Blue", Bill Evans' "Portrait in Jazz" und Ornette Colemans "The Shape of Jazz to Come" stilprägende Alben, die für die weitere Entwicklung des Jazz wegweisend waren. In ihnen finden sich metrische und harmonisch-melodische Konzepte sowie grundlegende Neuerungen in der Organisation des Zusammenspiels und im Umgang mit improvisierter Musik, die heute fester Bestandteil des Jazz sind. Der Autor geht den Ursprüngen und Vorläufern dieser Konzepte nach, untersucht die biografischen Bezüge der Protagonisten zu den Konzepten und zum Zeitgeist und betrachtet die Rezeptionsgeschichte der Alben.
    Abstract: The year 1959 saw the release of Dave Brubeck's "Time Out", John Coltrane's "Giant Steps", Miles Davis' "Kind of Blue", Bill Evans' "Portrait in Jazz" and Ornette Coleman's "The Shape of Jazz to Come", all style-defining albums that were groundbreaking in the development of jazz. They contain metrical and harmonic-melodic concepts as well as fundamental innovations in the organisation of ensemble playing and the handling of improvised music, which are an integral part of jazz today. The author traces the origins and antecedents of these concepts, examines the protagonists' biographical references to the concepts and the zeitgeist, and looks at the reception history of the albums.
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  • 54
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
    DDC: 781.650973
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    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 55
    ISBN: 9783447111058
    Language: English
    Pages: XIX, 475 Seiten , Illustrationen
    Series Statement: Jüdische Musik Band 17
    Series Statement: Jüdische Musik
    Parallel Title: Erscheint auch als
    DDC: 780
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    Keywords: Geschichte 1908-1938 ; Musik ; Juden ; Musikethnologie ; Neue jüdische Schule ; Moskau ; Wien ; Sankt Petersburg ; Cultural Studies ; East European Studies ; Folkore Studies ; History ; Jewish Studies ; Klezmer ; Musicology ; Religious Studies ; Sankt Petersburg ; Moskau ; Wien ; Neue jüdische Schule ; Juden ; Musik ; Musikethnologie ; Geschichte 1908-1938
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  • 56
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197685914
    Language: English
    Pages: x, 222 Seiten , Illustrationen, Notenbeispiele , 25 cm
    Parallel Title: Erscheint auch als Hild, Elaine Stratton Music in medieval rituals for the end of life
    DDC: 781.5/880902
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    Keywords: Gregorian chants History and criticism ; Death Religious aspects To 1500 ; Christianity ; History ; Death Social aspects To 1500 ; History ; Funeral rites and ceremonies, Medieval History ; Sterben ; Musik ; Liturgie ; Geschichte 600-1500 ; Requiem ; Geschichte 600-1500
    Abstract: "Medieval documents reveal that for centuries of European history, singing for a person at the moment of death was considered to be the ideal accompaniment to a life's ending. Rituals for the dying were well developed, practiced widely, and thoroughly integrated with music. Indeed, these rituals reveal that music, rather than the Eucharist, held a privileged position at the final breath. Music in Medieval Rituals for the End of Life examines and recovers, to the extent possible, the music sung for the dying during the Middle Ages. The book offers a view of the plainchant repertory through the sources of individual institutions. The first four chapters contain a series of "case studies": close readings of rituals from diverse communities, each as they appear in a single source. The rituals' chants are transcribed into modern notation and analyzed, both for their relationships between text and melody and for their functions within the rituals. Created for the powerful and the poor, the educated and the uneducated, women and men, monastics, clerics, and laity, these manuscripts offer a glimpse into the religious practices that distinguished communities from one another and bound them together within a single tradition. The book provides the first editions of the rituals' chants and considers the functions of the music. Why was music given such a prominent position within the deathbed liturgies? Why did communities gather and sing when a loved one was dying? The manuscripts reveal a lost art of comforting the dying and the grieving"--
    Description / Table of Contents: Introduction : Contemporary approaches to medieval rituals for the dying -- Religious elites : Rome, "old Roman" tradition -- Political and religious leaders : Sens, Cathedral of Saint Stephen -- With the laity : Orsières, Switzerland -- Among women : Abbey of Saint Mary the Virgin and Saint Francis without Aldgate (England) -- Analysis : variation and continuity within the liturgical tradition -- Final considerations : Why sing?
    Note: Includes bibliographical references and index
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  • 57
    ISBN: 9781800737259 , 9781789200300
    Language: English
    Pages: 186 Seiten
    Series Statement: Austrian and Habsburg studies volume 24
    Series Statement: Austrian and Habsburg studies
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1890-1910 ; Varieté ; Volkssänger ; Juden ; Wien ; Jews / Austria / Vienna / History / 19th century ; Jews / Austria / Vienna / Identity ; Jews / Cultural assimilation / Austria / Vienna ; Vienna (Austria) / Social conditions / 19th century ; Vienna (Austria) / Ethnic relations ; Ethnic relations ; Jews ; Jews / Cultural assimilation ; Jews / Identity ; Social conditions ; Austria / Vienna ; 1800-1899 ; History ; Wien ; Juden ; Volkssänger ; Varieté ; Geschichte 1890-1910
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  • 58
    ISBN: 9781032413846 , 9781032413853
    Language: English
    Pages: XIII, 282 Seiten , Illustrationen, Notenbeispiele , 23 cm
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1700-1900 ; Maqām ; Sammlung ; Lied ; Quelle ; Reform ; Notenschrift ; Osmanisches Reich ; Istanbul ; Türkei ; Euterpe / (1830) ; Songs, Turkish / Turkey / Istanbul / 19th century / History and criticism ; Songs, Greek / Turkey / Istanbul / 19th century / History and criticism ; Songs, Turkish / Turkey / Analysis, appreciation ; Songs, Greek / Turkey / Analysis, appreciation ; Maqām / Turkey / 19th century / History and criticism ; Musical notation / Turkey / History / 19th century ; Music / Turkey / Western influences ; Turkey / History / Ottoman Empire, 1288-1918 ; Songs, Turkish / Turkey / Istanbul ; Songs, Greek / Turkey / Istanbul ; Euterpe (Foggia, Italy) ; Maqām ; Music / Western influences ; Musical notation ; Songs, Greek ; Songs, Turkish ; Turkey ; Turkey / Istanbul ; 1288-1918 ; Criticism, interpretation, etc ; History ; Scores ; Songs ; Songs ; Scores ; Quelle ; Kommentar ; Quelle ; Kommentar ; Türkei ; Istanbul ; Osmanisches Reich ; Maqām ; Lied ; Sammlung ; Quelle ; Notenschrift ; Reform ; Geschichte 1700-1900
    Abstract: "Reform, Notation and Ottoman music in Early 19th Century Istanbul presents the first complete set of transcription and edition of Euterpe (1830) from Byzantine neumatic notation into the modified staff notation used by classical Turkish music and is accompanied by a substantial examination of the related historical, theoretical and musical topics. Through a series of Ottoman/Turkish classical vocal music compositions that can be dated to 18th and 19th centuries, Euterpe and related sources reinforce a much broader picture of musical practice and transmission in which we clearly see that the Greek and Turkish traditions are linked. Reform, Notation and Ottoman music in Early 19th Century Istanbul is presented in two parts: historical discussion and musical analysis, and complete transcription and edition of Euterpe. This book will appeal to music scholars and university students interested in minorities, cosmopolitanism in the Middle East and Balkans, the relationship between music and national identity, musical notation, classical Ottoman/Turkish music, Byzantine music, and, most significantly, ethnomusicology"--
    Description / Table of Contents: Part I. Historical Discussion and Musical Analysis. Euterpe in an Ottoman context ; Makam, Usul, Repertoire and Style in Euterpe -- Part II. Transcription and Edition of Euterpe. Methodology ; Edition
    Note: Critical report in English; songs with words in Turkish or Greek
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  • 59
    Book
    Book
    Lanham ; Boulder ; New York ; London :Rowman & Littlefield,
    ISBN: 978-1-5381-7172-1
    Language: English
    Pages: xviii, 357 Seiten : , Illustrationen, Porträts ; , 24 cm.
    Parallel Title: Erscheint auch als
    DDC: 306.48426
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    Keywords: Geschichte 1970-2022 ; Punk rock music / Political aspects / History ; Punk rock musicians / Interviews ; Punk rock musicians ; Punk Rock. ; Rockmusiker. ; Rockmusikerin. ; Politischer Protest. ; Aktivismus. ; Soziale Bewegung. ; Interview ; History ; Interviews ; Oral histories ; Interview ; Interview ; Interview ; Punk Rock ; Rockmusiker ; Rockmusikerin ; Politischer Protest ; Aktivismus ; Soziale Bewegung ; Geschichte 1970-2022
    Abstract: "This is the most wide-ranging and provocative look at punk rock as a social change movement over the past forty-five years, told through first-hand accounts of roughly 250 musicians and activists. John Malkin brings together punk's most famous figures as well as underground voices, creating a new and insightful history of punk throughout the ages"--
    Description / Table of Contents: Introduction. What You Think Changes How You Act -- Acknowledgments & Gratitude -- Mixing Punk & Politics : Common Ground For The Revolution -- Do It Yourself : DIY Together -- We Are All Pussy Riot : Punk On The Frontlines, Russia To Myanmar, China To Mexico -- East Berlin Punk : Clandestine Concerts Behind The Berlin Wall -- Music Is That Powerful Tool : Blackfire Navajo Punks -- Tijuana No! : Latin Punk Rock From Peru To Mexico To East L.A. -- Pansy Division : Out Of The Closet Into The Slampit -- Positive Force : Mark Andersen And Fugazi In Washington D.C. -- Fight War Not Wars : Punk Rock, Militarism, And War -- Just Another Gulf War : Punk, U.S. Wars In Iraq And Afghanistan, And 9/ -- America! Fuck Yeah! : Punks Perform For U.S. Soldiers -- Nazi Trumps Fuck Off! : Punk In The Trump Era -- I Am An Anarchist : Anti-Authoritarian Soundtrack -- To Hell With Poverty : Capitalism And Class In Punk Rock -- White Riot : Race And Anti-Racism In Punk -- Equal But Different : Gender & Feminism In Punk -- The Revolution Is Personal : Politics With A Small "P" -- The Revolution Will Be Commodified -- Burn Punk London : Joe Corre' And Extinction Rebellion -- How Revolutionary Has Punk Rock Been? -- Where Is The Revolution Now?
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  • 60
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : University of California Press | The Hague : OAPEN FOUNDATION
    ISBN: 9780520383937 , 9780520383920
    Language: English
    DDC: 782.421649
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    Keywords: Light orchestral & big band music ; History of the Americas ; Ethnic studies ; Music ; History ; American Studies ; African American Studies
    Abstract: A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. How Hip Hop Became Hit Pop examines the programming practices at commercial radio stations in the 1980s and early 1990s to uncover how the radio industry facilitated hip hop's introduction into the musical mainstream. Constructed primarily by the Top 40 radio format, the musical mainstream featured mostly white artists for mostly white audiences. With the introduction of hip hop to these programs, the radio industry was fundamentally altered, as stations struggled to incorporate the genre's diverse audience. At the same time, as artists negotiated expanding audiences and industry pressure to make songs fit within the confines of radio formats, the sound of hip hop changed. Drawing from archival research, Amy Coddington shows how the racial structuring of the radio industry influenced the way hip hop was sold to the American public, and how the genre's growing popularity transformed ideas about who constitutes the mainstream.
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  • 61
    Online Resource
    Online Resource
    London : FOCAL | London : Taylor & Francis Group
    ISBN: 9781000913040 , 100091304X , 9781003027430 , 1003027431 , 9781000913064 , 1000913066
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Perspectives on music production
    DDC: 782.421649
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    Keywords: Sampler (Musical instrument) History ; Rap (Music) Production and direction ; History ; MUSIC / Recording & Reproduction ; TECHNOLOGY / Acoustics & Sound ; MUSIC / Genres & Styles / Rap & Hip Hop
    Abstract: Reimagining Sample-based Hip Hop: Making Records within Records presents the poetics of hip-hop record production and the significance of sample material in record making, providing analysis of key releases in hip-hop discography and interviews with experts from the world of Hip Hop and beyond. Beginning with the history of hip-hop music making, this book guides the reader through the alternative techniques deployed by beat-makers to avoid the use of copyrighted samples and concludes with a consideration of the future of Hip Hop, alongside a companion album that has been created using findings from this research. Challenging previous theoretical understandings about Hip Hop, the author focuses on deconstructing sonic phenomena using his hands-on engineering expertise and in-depth musicological knowledge about record production. With a significant emphasis on both practice and theory, Reimagining Sample-based Hip Hop will be of interest to advanced undergraduates, postgraduates, and researchers working in audio engineering, music production, hip-hop studies, and musicology
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  • 62
    ISBN: 9781529070644 , 1529070643
    Language: English
    Pages: 452 Seiten , Illustrationen , 24 cm
    Parallel Title: ebook version
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    Keywords: Electronic dance music / Great Britain / History and criticism ; Music / Political aspects / Great Britain / History / 20th century ; Music / Political aspects / Great Britain / History / 21st century ; Great Britain / Politics and government / 20th century ; Great Britain / Politics and government / 21st century ; Dance music / Grande-Bretagne / Histoire et critique ; Musique / Aspect politique / Grande-Bretagne / Histoire / 20e siècle ; Musique / Aspect politique / Grande-Bretagne / Histoire / 21e siècle ; Grande-Bretagne / Politique et gouvernement / 20e siècle ; Grande-Bretagne / Politique et gouvernement / 21e siècle ; Electronic dance music ; Music / Political aspects ; Politics and government ; Great Britain / https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP ; 1900-2099 ; Criticism, interpretation, etc ; History
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  • 63
    Book
    Book
    Manchester : Manchester University Press
    ISBN: 9781526168450
    Language: English
    Pages: viii, 365 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 942.733085
    RVK:
    RVK:
    Keywords: Geschichte 1979-2023 ; Stadtentwicklung ; Popkultur ; Sport ; Popmusik ; Manchester ; Popular culture / England / Manchester ; Popular music / England / Manchester ; Property / England / Manchester ; Soccer / England / Manchester ; Manchester (England) / History / 20th century ; Manchester (England) / History / 21st century ; Popular culture ; Popular music ; Property ; Soccer ; England / Manchester ; 1900-2099 ; History ; Manchester ; Popmusik ; Popkultur ; Sport ; Stadtentwicklung ; Geschichte 1979-2023
    Abstract: At the end of the 1970s, Manchester seemed to be sliding into the dustbin of history. Today the city is an international destination for culture and sport, and one of the fastest-growing urban regions in Europe. This book gives a first-hand account of what happened in between
    Note: Maps on lining paper
    URL: Cover  (lizenzpflichtig)
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  • 64
    Book
    Book
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781108837057 , 9781108940030
    Language: English
    Pages: xv, 295 Seiten
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte ; Musikleben ; Musikbranche ; K-Pop ; Popmusik ; Korea ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Music and transnationalism ; Popular music ; Sound recording industry ; Korea (South) ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; K-Pop ; Korea ; Popmusik ; Musikleben ; Musikbranche ; Geschichte
    Abstract: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Description / Table of Contents: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
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  • 65
    Book
    Book
    London ; New York ; Oxford ; New Delhi ; Sydney : I.B. Tauris
    ISBN: 9780755641819
    Language: English
    Pages: 284 Seiten
    Edition: Paperback edition
    Series Statement: The early and medieval Islamic world
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 800-1400 ; Musikleben ; Islam ; Musik ; Musiker ; Naher Osten ; Music / Islamic countries / History / To 1500 ; Musicians / Islamic countries / History / To 1500 ; Musicology / Islamic countries ; Islamic countries / Social conditions ; Music ; Musicians ; Musicology ; Social conditions ; Islamic countries ; To 1500 ; History ; Naher Osten ; Islam ; Musik ; Geschichte 800-1400 ; Naher Osten ; Islam ; Musikleben ; Musiker
    Abstract: "During the early medieval Islamicate period (800-1400 CE), discourses concerned with music and musicians were wide-ranging and contentious, and expressed in works on music theory and philosophy as well as literature and poetry. But in spite of attempts by influential scholars and political leaders to limit or control musical expression, music and sound permeated all layers of the social structure. Lisa Nielson here presents a rich social history of music, musicianship and the role of musicians in the early Islamicate era. Focusing primarily on Damascus, Baghdad and Jerusalem, Lisa Nielson draws on a wide variety of textual sources written for and about musicians and their professional/private environments -- including chronicles, literary sources, memoirs and musical treatises -- as well as the disciplinary approaches of musicology to offer insights into musical performances and the lives of musicians. In the process, the book sheds light onto the dynamics of medieval Islamicate courts, as well as how slavery, gender, status and religion intersected with music in courtly life. It will appeal to scholars of the Islamicate world and historical musicologists."--
    Note: Literaturverzeichnis Seite [255]-271
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  • 66
    ISBN: 9781032111209 , 9781032111230 , 9781032431147
    Language: English
    Pages: xvi, 218 Seiten
    Series Statement: SOAS studies in music
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1980- ; Gedenken ; Lied ; Katastrophe ; Kanada ; Maritime Provinzen ; Disasters / Atlantic Provinces / Songs and music / History and criticism ; Memorialization / Atlantic Provinces / History ; Canada ; Disasters / Songs and music ; Memorialization ; Canada / Atlantic Provinces ; Criticism, interpretation, etc ; History ; Kanada ; Maritime Provinzen ; Lied ; Katastrophe ; Gedenken ; Geschichte 1980-
    Abstract: "Disaster Songs as Intangible Memorials in Atlantic Canada draws on a collection of over 500 Atlantic Canadian songs relating to disasters from 1891 up until the present, and describes the characteristics that define them as intangible memorials. The book demonstrates the relationship between vernacular memorials - informal memorials collectively and spontaneously created from objects and notes by the general public - and disaster songs. Author identifies the features that define vernacular memorials, and applies them to disaster songs: spontaneity; ephemerality; importance of place; motivations and meaning-making; content, as well as the role of media in inspiring and disseminating memorials and songs"--
    Description / Table of Contents: Preface. Come All Ye -- Introduction -- Formal Memorials, Vernacular Memorials, and Disaster Songs -- Going Down in History : The Story of Disaster Songs -- Locating Meaning : The Place of Disasters in Songs -- Spontaneity & Ephemerality : The Timing of Memorialization -- Social Significance : The Motivation to Create Disaster Songs -- Personal Motivations : Relationships & Grief -- News & Social Media : Inspiring, Informing, and Disseminating Disaster Songs -- Conclusion
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  • 67
    ISBN: 9781793620392
    Language: English
    Pages: IX, 139 Seiten , Illustrationen, Porträts
    Series Statement: Critical perspectives on music and society
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1980-2022 ; Subkultur ; Techno ; Rave ; Musikwirtschaft ; Electronic dance music / Social aspects / History ; Rave culture ; Rave culture ; History ; Rave ; Techno ; Subkultur ; Musikwirtschaft ; Geschichte 1980-2022
    Abstract: "This text explores how the Electronic Dance Music subculture transitioned from a marginalized deviant subculture to a billion-dollar culture industry, looking at how the culture's success has undermined in-group solidarity and marginalized those who helped pioneer it"--
    Description / Table of Contents: Introduction -- Phase I : Beginnings (1980s-1995) Phase II : The Rise of the Rave Outlaw (1995-2009) -- Phase III : EDM as Culture Industry (2010-2022) -- Conclusion -- Appendix. The Rave Act
    Note: Noch nicht erschienen (Stand: 12.05.2023)
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  • 68
    Book
    Book
    Lanham ; Boulder ; New York ; London : Rowman & Littlefield
    ISBN: 9781538165300
    Language: English
    Pages: xi, 187 Seiten
    Series Statement: Popular musics matter: Social, political and cultural interventions
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte 1977-1980 ; Elektronische Musik ; Synthesizer ; Popmusik ; Großbritannien ; Electronica (Music) / Great Britain / History and criticism ; Popular music / Great Britain / 1971-1980 / History and criticism ; Synthesizer (Musical instrument) / Great Britain / History ; Electronica (Music) ; Popular music ; Synthesizer (Musical instrument) ; Great Britain ; 1971-1980 ; Criticism, interpretation, etc ; History ; Großbritannien ; Popmusik ; Synthesizer ; Elektronische Musik ; Geschichte 1977-1980
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  • 69
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197536292
    Language: English
    Pages: 1 Online-Ressource (xviii, 220 pages) , Illustrations (black and white, and colour).
    Series Statement: Oxford scholarship online
    DDC: 791.45097309045
    RVK:
    Keywords: Geschichte 1950-1969 ; Rock 'n' Roll ; Fernsehsendung ; Jugendkultur ; Rassendiskriminierung ; Television dance parties History 20th century ; Rock and roll dancing History 20th century ; Dance and race History 20th century ; Music and race History 20th century ; Performing Arts ; Films, cinema ; USA ; United States Race relations 20th century ; History
    Abstract: 'Dancing Black, Dancing White' offers a new look at a popular phenomenon of the 1950s and 1960s - the televised teen dance program. Through a social and cultural history lens, the book uses these shows to explore rock and roll and how it affected both white and Black teenagers. The crux of the book is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time.
    Note: Also issued in print: 2023 , Includes bibliographical references and index
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  • 70
    Book
    Book
    New York : Pantheon Books
    ISBN: 9781524748173
    Language: English
    Pages: 197 Seiten , Illustrationen
    Edition: First edition
    Parallel Title: Erscheint auch als Jefferson, Margo, 1947- Constructing a nervous system
    DDC: 305.896/073
    RVK:
    Keywords: Jefferson, Margo ; African American women Biography ; African American women critics Biography ; African Americans Race identity ; African Americans Intellectual life ; African Americans Social life and customs ; United States Anecdotes Race relations ; History ; United States Anecdotes Social life and customs
    Abstract: "Stunning for her daring originality, the author of Negroland gives us what she calls "a temperamental autobiography," comprised of visceral, intimate fragments that fuse criticism and memoir. Margo Jefferson constructs a nervous system with pieces of different lengths and tone, conjoining arts writing (poem, song, performance) with life writing (history, psychology). The book's structure is determined by signal moments of her life, those that trouble her as well as those that thrill and restore. In this nervous system: The sounds of a black spinning disc of a 1950's jazz LP as intimate and instructive as a parent's voice. The muscles and movements of a ballerina, spliced with those of an Olympic runner: template for what a female body could be. Harriet Beecher Stowe's Topsy finds her way into the art of Kara Walker and the songs of Cécile McLorin Salvant. Bing Crosby and Ike Turner become alter egos. W.E.B. DuBois and George Eliot meet illicitly, as he appropriates lines from her story "The Hidden Veil" to write his famous "behind the veil" passages in The Souls of Black Folk. The words of multiple others (writers, singers, film characters, friends, family) act as prompts and as dialogue. The fragments of this brilliant book, while not neglecting family, race, and class, are informed by a kind of aesthetic drive: longing, ecstasy, or even acute ambivalence. Constructing a nervous system is Jefferson's relentlessly galvanizing mis en scene for unconventional storytelling as well as a platform for unexpected dramatis personae"--
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  • 71
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197511084 , 0197511082 , 9780197511077 , 0197511074
    Language: English
    Pages: X, 277 Seiten , Illustrationen , 25 cm
    Parallel Title: Online version Niebur, Louis, 1971- Menergy
    DDC: 781.64815540979461
    RVK:
    Keywords: Disco music / California / San Francisco / History and criticism ; Electronic dance music / California / San Francisco / History and criticism ; Sound recording industry / California / San Francisco / History / 20th century ; Gay men / California / San Francisco / Social life and customs / 20th century ; Castro (San Francisco, Calif.) ; Disco (Musique) / Californie / San Francisco / Histoire et critique ; Dance music / Californie / San Francisco / Histoire et critique ; Homosexuels masculins / Californie / San Francisco / Mœurs et coutumes / 20e siècle ; Disco music ; Electronic dance music ; Gay men / Social life and customs ; Sound recording industry ; California / San Francisco ; California / San Francisco / Castro ; 1900-1999 ; Criticism, interpretation, etc ; History
    Abstract: "Menergy tells the story of a "post-disco" recording industry in San Francisco between the years 1978-1984. For most of America, disco died in 1979. Gay men, however, continued to dance, and in the gay enclave of the Castro neighborhood in San Francisco, enterprising gay DJs, record producers, and musicians started their own small dance music record labels to make up for the lack of new, danceable music. These independent labels' music did more than copy what the larger industry had been doing, however. Instead, the upstart companies built upon the musical experiments their roster of local musicians and producers had been exploring over the last several years, developing a distinctive style of its own. Known as "high energy," the music reveled in electronics, fast tempos, disco and DJ culture, and, above all, gay liberation as it had emerged over the previous decade in the Castro neighborhood by so called "Castro clones" (a gay subculture of exaggerated masculinity with a strong presence in the city's nightlife). The sound, like the new revolutionary ethos, derived its aesthetic from San Francisco's unique configuration of elements, but immediately this music had a reach far beyond the Bay, with Megatone Records, Moby Dick Records, and other labels achieving worldwide success with San Francisco artists such as Sylvester, Patrick Cowley, Paul Parker, Lisa, Loverde, and Jolo, creating the world's first gay-owned, gay-produced music for a dancing audience"--
    Description / Table of Contents: Introduction : Setting up the sound -- Disco, the Castro and gay liberation -- Liberation for some : The continued expansion of gay San Francisco in the late 1970s -- Sylvester's fantasy comes true -- The first wave of the San Francisco sound -- Blecman and Hedges -- Disco's dead/not dead -- The San Francisco sound thrives -- New heights -- Trouble in Paradise -- Dancing with AIDS -- Everything falls apart -- In retrospect
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  • 72
    ISBN: 9781469667249 , 9781469667232
    Language: English
    Pages: 228 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Kooperation ; Musik ; Urheberrecht ; Jamaika ; Popular music / Jamaica / History and criticism ; Popular music / Social aspects / Jamaica / History ; Music trade / Jamaica ; Copyright / Music / Jamaica ; Music and race / Jamaica ; Musique populaire / Jamaïque / Histoire et critique ; Musique populaire / Aspect social / Jamaïque / Histoire ; Musique / Industrie / Jamaïque ; Droit d'auteur / Musique / Jamaïque ; Musique et race / Jamaïque ; Copyright / Music ; Music trade ; Popular music ; Popular music / Social aspects ; Jamaica ; Criticism, interpretation, etc ; History ; Jamaika ; Musik ; Kooperation ; Urheberrecht
    Abstract: "In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann reveals, goes beyond cultural concerns. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a postcolonial world, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization"--
    Description / Table of Contents: Introduction : Community originality and colonial copyright -- Voice of the people : Cultural survival as a musical imperative -- Every night it's something : Exilic authoritiy in the street dance -- Counteractions : Musical conversation against commodification -- Conclusion : New visions from old traditions : autonomy from the commons
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  • 73
    ISBN: 9780374139940
    Language: English
    Pages: XVI, 458 Seiten , Illustrationen, Karten
    Edition: First edition
    RVK:
    Keywords: J Dilla ; J Dilla / 1974-2006 ; J Dilla / 1974-2006 / Criticism and interpretation ; Sound recording executives and producers / United States / Biography ; Rap (Music) / Production and direction / History ; Rap (Music) / History and criticism ; Musical meter and rhythm ; Musique / Mesure et rythme ; MUSIC / History & Criticism ; J Dilla / 1974-2006 ; Musical meter and rhythm ; Rap (Music) ; Sound recording executives and producers ; United States ; Biography ; Biographies ; Criticism, interpretation, etc ; History ; Biographies ; Music criticism and reviews ; Biographies ; Comptes rendus de musique ; Biografie ; Biografie ; Biografie ; J Dilla 1974-2006
    Abstract: "Equal parts musicology, biography, and cultural history, Dilla Time chronicles the invention of a new kind of beat by the most underappreciated musical genius of our time"--
    Abstract: J Dilla wasn't known to mainstream audiences: in his lifetime he never had a pop hit. Since his death he has been revered by jazz musicians and rap icons for a new kind of musical time-feel that he created on a drum machine, which changed the way "traditional" musicians play. Charnas chronicles the life of James DeWitt Yancey, from a childhood in Detroit, to his rise as a Grammy-nominated hip-hop producer, to the rare blood disease that caused his premature death; and follows the people who kept him and his ideas alive. Along the way Charnas rewinds the histories of American rhythms, a story of Black culture in America and of what happens when human and machine times are synthesized into something new. -- adapted from jacket
    Description / Table of Contents: Wrong -- Straight Time / Swing Time -- Play Jay -- Machine Time -- Dee Jay -- Sample Time -- Jay Dee -- Dilla Time -- Partners -- Pay Jay -- Warp Time -- J Dilla -- Zealots -- Micro Time -- Descendants / Disciples -- Fragments
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  • 74
    ISBN: 9781541647176
    Language: English
    Pages: vii, 405 Seiten , Illustrationen , 25 cm
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 305.420907471
    RVK:
    RVK:
    Keywords: Glaspell, Susan ; Heterodoxy ; Geschichte 1912 ; Feminismus ; Künstlerinnenvereinigung ; New York- Greenwich Village ; Heterodoxy (Club) / History ; Feminism / New York (State) / New York / History / 20th century ; Greenwich Village (New York, N.Y.) / History / 20th century ; Féminisme / New York (État) / New York / Histoire / 20e siècle ; Heterodoxy (Club) ; Feminism ; New York (State) / New York ; New York (State) / New York / Greenwich Village ; SOCIAL SCIENCE / Sociology / General ; 1900-1999 ; History ; Glaspell, Susan 1876-1948 ; New York- Greenwich Village ; Heterodoxy ; Feminismus ; Künstlerinnenvereinigung ; Geschichte 1912
    Abstract: "On a Saturday afternoon in New York in late 1912, around the plain wooden tables of Polly's Restaurant in Greenwich Village, a group of women gathered, all of them convinced that they were going to change the world. It was the first meeting of "Heterodoxy," a secret supper club. The goals of the group were simple: They would meet to talk about their lives, their politics, and the still-not widely recognized idea that women were fundamentally equal to men. In a move of liberation, they kept no records of their meetings, leaving them free to discuss a new term borrowed from the French: feminism. Together, the women of Heterodoxy fostered not only a community, but a movement. The club became a defining agent within the Greenwich Village radical scene in the 1910s. Its members were passionate advocates of free love, equal marriage, and easier divorce; several lived openly in same-sex relationships.
    Abstract: The friendships of Heterodoxy made their unconventional lives possible, through its reassurance that other women felt differently about the world and wanted more from it than they had been raised to expect. Wealthy hostess Mabel Dodge invited artists to mingle with socialites and socialists at her apartment near Washington Square Park. Feminist rabble-rouser Henrietta Rodman turned the Liberal Club's headquarters into a home for plays, parties, and politics. Playwright Susan Glaspell launched the groundbreaking theater collective the Provincetown Players out of the summer home of her Heterodoxy friend Mary Heaton Vorse. For these women, everything from the way they dressed to the causes they championed was self-consciously new, and the daily pursuit of a future they were trying to imagine into being was exhausting. They needed each other; as inspiration and support, as friends and lovers.
    Abstract: Perfect for readers of The Barbizon and At The Existentialist Café, Hotbed is the never-before-told story of the bold women whose radical ideas, unruly lives, and extraordinary friendships blazed the trail for female ambition"--
    Description / Table of Contents: Introduction: a little world for us -- Way down south in Greenwich Village -- The type has changed -- The rebel girls and the mink brigade -- The new abolitionists -- What we want is a revolution -- To dynamite New York -- Femi-what? -- "That Mr. Freud, does he live in Greenwich Village?" -- Suppressed desires -- "The baby is the great problem" -- How long must we wait? -- A woman's war against war -- Pacifism versus patriotism -- Red scare, red summer -- The future of feminism
    Note: Includes bibliographical references and index
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  • 75
    ISBN: 9781003254805 , 1003254802 , 9781000783797 , 1000783790 , 9781000783858 , 1000783855
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Routledge advances in sociology
    DDC: 306.4/84209052
    RVK:
    RVK:
    Keywords: Music Social aspects 21st century ; History ; COVID-19 Pandemic, 2020- Social aspects
    Abstract: "This collection analyses the remaking of culture and music spaces during the ongoing COVID-19 pandemic. Its central focus is how cultural producers negotiated radically disrupted and uncertain conditions by creating, designing and curating new objects and events, and through making alternative combinations of practices and spaces. By examining contexts and practices of remaking culture and music, it goes beyond being a chronicle of how the pandemic disrupted cultural life and livelihoods. The book also raises crucial questions about the forms and dynamics of post-pandemic spaces of culture and music. Main themes include the affective and embodied dimensions that shape the experience, organisation and representation of cultural and musical activity; the restructuring of industries and practices of work and cultural production; the transformation of spaces of cultural expression and community; and the uncertainty and resilience of future culture and music. This collection will be instrumental for researchers, practitioners and students studying the spatial, material, and affective dimensions of cultural production in the fields of cultural sociology, cultural and creative industries research, festival and event and studies, and music studies. Its inter-disciplinary nature makes it beneficial reading for anyone interested in what has happened to culture and music during the global pandemic and beyond"--...
    Note: Includes bibliographical references and index
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  • 76
    Book
    Book
    Woodbridge :The Boydell Press,
    ISBN: 978-1-78327-673-8
    Language: English
    Pages: xiii, 246 Seiten : , Illustrationen.
    Series Statement: Music in Britain, 1600-2000 30
    Series Statement: Music in Britain, 1600-2000
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    RVK:
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    Keywords: Great Britain ; 1800-1899 ; Geschichte 1870-1900 ; Music / Social aspects / Great Britain / History / 19th century ; Exhibitions / Great Britain / History / 19th century ; Musicology / Great Britain / History / 19th century ; Exhibitions ; Music / Social aspects ; Musicology ; Internationale Ausstellung. ; Musik. ; Großbritannien. ; History ; Internationale Ausstellung ; Musik ; Geschichte 1870-1900
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  • 77
    Book
    Book
    Chicago ; London :The University of Chicago Press,
    ISBN: 978-0-226-81642-5 , 978-0-226-81641-8
    Language: English
    Pages: 195 Seiten.
    Series Statement: Thinking literature
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: United States ; 1900-1999 ; Geschichte 1955-1980 ; African American philosophy ; Philosophy, German ; African American aesthetics ; African Americans / Intellectual life / 20th century ; Critical theory / History ; Criticism / United States / History ; American literature / African American authors / German influences ; Critical theory ; Criticism ; African Americans / Intellectual life ; Schwarze. ; Identität. ; Kritische Theorie. ; Phänomenologie. ; USA. ; History ; Schwarze ; Identität ; Kritische Theorie ; Phänomenologie ; Geschichte 1955-1980
    Abstract: "Phenomenal Blackness examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka's writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas, Marcuse, and German thinkers was a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of African American religious thought. Mark Christian Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of blackness--a "Black aesthetic dimension" wherein aspirational models for Black liberation might emerge"--
    Description / Table of Contents: The essence of the matter -- The politics of Black friendship : Gadamer, Baldwin and the Black hermeneutic -- The Aardvark of history : Malcolm X, language and power -- Black aesthetic autonomy : Ralph Ellison, Amiri Baraka, and "literary Negro-ness" -- The revolutionary will not be hypnotized : Eldridge Cleaver and Black ideology -- Unrepeatable : Angela Y. Davis and Black critical theory -- Black aesthetic theory
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  • 78
    Image
    Image
    Boston : Academic Studies Press
    ISBN: 1644698943 , 9781644698945
    Language: English
    Pages: vi, 355 , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: Studies in the history and sociology of music
    DDC: 306.484209479
    RVK:
    Keywords: Since 1991 ; Music Social aspects ; History ; Music Political aspects ; History ; Communism and music ; Communism and music ; Manners and customs ; Music - Political aspects ; Music - Social aspects ; History ; Baltic States Social life and customs ; Baltic States History 1991- ; Baltic States ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: This volume provides a transnational study of the impact of musical cultures in the Eastern Baltics – Lithuania, Latvia, Poland, and Russia – at the end of the Cold War and in the early post-Communist period. Throughout the book, the contributors explore and conceptualize transnational musical collaboration and the diffusion of information, people, and ideas focusing on musical activity which shaped the moral and artistic outlook of several generations. The volume sheds light on the transformative power of politically and socially engaged music and offers a deeper understanding of the artistic potential of societies and its impact on social and political change.
    Note: Enthält Literaturangaben und ein Namenregister
    URL: Cover
    URL: Cover
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  • 79
    ISBN: 9789004516816 , 9004516816
    Language: English
    Pages: XV, 441 Seiten , Illustrationen , 25 cm
    Series Statement: Collected works of Jao Tsung-i 1
    Series Statement: Collected works of Jao Tsung-i
    Uniform Title: Works
    Parallel Title: Online version Rao, Zongyi Harmoniousness
    RVK:
    Keywords: Geschichte ; Musik ; Musikarchäologie ; Musikphilosophie ; China ; Music / China / History and criticism ; Music / China / Philosophy and aesthetics ; Music theory / China / History ; Music archaeology / China ; Music ; Music archaeology ; Music / Philosophy and aesthetics ; Music theory ; China ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik ; Musikarchäologie ; Musikphilosophie ; Geschichte
    Abstract: "From prehistoric bone flutes to Confucian bell-sets, from ancient divination to his beloved qin, this book presents translations of thirteen seminal essays on musical subjects by Jao Tsung-i. In language as elegant and refined as the ancient texts he so admired, his journey takes readers through Buddhist incantation, the philosophy of musical instruments, acoustical numerology, lyric poetry, historical and sociological contexts, manuscript studies, dance choreography, repertoire formulation, and opera texts. His voice is authoritative and intimate, the expert crafting his arguments, both accessible and sophisticated, succinct and richly tapestried; and concealed within a deft modesty is a thinker privileging us with his most profound observation. The musician's musician, the scholar's scholar, bold yet cautious, flamboyant yet restrained, a man for all seasons, a harmoniousness of time and place"--
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  • 80
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197511541
    Language: English
    Pages: 1 Online-Ressource (xvii, 313 pages) , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    DDC: 306.48420944
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    Keywords: Geschichte 1700-1800 ; Musik ; Musiker ; Soziale Situation ; Wirtschaftliche Lage ; Music Social aspects 18th century ; History ; Musicians Social conditions 18th century ; Musicians Economic conditions 18th century ; Frankreich ; France History First Republic, 1792-1804 ; Hochschulschrift
    Abstract: 'From Servant to Savant' exposes the fundamental role that the French Revolution played in the emergence of modern professional musicianship. Geoffroy-Schwinden demonstrates how the French Revolution set the stage for the emergence of so-called musical 'Romanticism' among the likes of Beethoven and the legacies that continue to haunt musical institutions and industries.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 81
    ISBN: 9781789384215 , 1789384214
    Language: English
    Pages: xxv, 446 Seiten , Illustrationen , 25 cm
    Parallel Title: Erscheint auch als Ainsworth, Alan John Sight Readings
    DDC: 781.650973
    RVK:
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    Keywords: Jazz in art ; Photography History 20th century ; Jazz History and criticism ; Jazz ; Jazz in art ; Photography ; Criticism, interpretation, etc ; History ; USA ; Fotografie ; Jazz ; Jazzmusiker ; Geschichte 1900-1960
    Note: Includes bibliographical references (pages 366-424) and index
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  • 82
    ISBN: 9783406791543 , 3406791549
    Language: German
    Pages: 164 Seiten , 5 Illustrationen , 21 cm
    Series Statement: C.H. Beck textura
    Series Statement: textura
    Parallel Title: Erscheint auch als Bois, W. E. B. Du 'Along the color line'
    DDC: 943
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    Keywords: Du Bois, W. E. B Travel ; 1900-1999 ; Racism History 20th century ; Antisemitismus ; Nationalsozialismus ; Diskriminierung ; Sozialgeschichte ; Rassismus ; Deutschland ; Reisebericht ; Drittes Reich ; Racisme - Allemagne - Histoire - 20e siècle ; Civilization ; Social conditions ; Travel ; Germany Race relations 20th century ; Political aspects ; History ; Germany Politics and government 1933-1945 ; Germany Description and travel ; Germany Social conditions 1933-1945 ; Germany Civilization 20th century ; Allemagne - Relations raciales - Aspect politique - Histoire - 20e siècle ; Allemagne - Politique et gouvernement - 1933-1945 ; Allemagne - Descriptions et voyages ; Allemagne - Conditions sociales - 1933-1945 ; Allemagne - Civilisation - 20e siècle ; Germany ; Reisebericht ; Reisebericht ; Afrikaner ; Schwarze ; Person of Color ; Nationalsozialismus ; Diskriminierung ; Sozialgeschichte ; Rassendiskriminierung ; Rassismus ; Deutschland ; Reisebericht ; Drittes Reich ; Antisemitismus ; Geschichte 1936
    Abstract: 1936 reist der afroamerikanische Bürgerrechtler W.E.B. Du Bois nach Deutschland. Als Kritiker des Rassismus in den USA beobachtet er das Leben in der totalitären Diktatur und die Entrechtung der Juden. Seine Reportagen aus diesen Monaten erscheinen hier erstmals auf Deutsch
    Abstract: 1936 reist der afroamerikanische Bürgerrechtler W. E. B. Du Bois nach Deutschland. Als Kritiker des Rassismus in den USA beobachtet er das Leben in der totalitären Diktatur und die Entrechtung der Juden. Seine Reportagen aus diesen Monaten erscheinen hier erstmals auf Deutsch. 1936 reist der afroamerikanische Soziologe W. E. B. Du Bois zu einem mehrmonatigen Forschungsaufenthalt ins nationalsozialistische Deutschland. Als scharfer Kritiker des Rassismus in seinem eigenen Land beobachtet er den Antisemitismus und die Entrechtung der Juden im "Dritten Reich". Seine wöchentlichen Reportagen aus diesen Monaten erscheinen hier zum ersten Mal in deutscher Sprache. Du Bois berichtet über die Wagner-Festspiele in Bayreuth und das Deutsche Museum in München, über deutsche Bierlokale und die Olympischen Spiele in Berlin, bei denen auch schwarze Sportler antreten. Mit der Vertrautheit des Deutschlandkenners und dem fremden Blick des schwarzen Amerikaners betrachtet er die totalitäre Diktatur. Du Bois beobachtet entlang der "Farbenlinie", "along the color line", und stellt überrascht fest, dass er persönlich kaum Diskriminierung erfährt. Umso mehr erschüttert ihn die Verfolgung der Juden: «Sie übertrifft an rachsüchtiger Grausamkeit und öffentlicher Herabwürdigung alles, was ich je erlebt habe», fasst er seine Eindrücke zusammen, «und ich habe einiges erlebt»
    Description / Table of Contents: Intro -- Titel -- Frontispiz -- Zum Buch -- Über die Autoren -- Inhalt -- Vorbemerkung zur historischen Begrifflichkeit -- W. E. B. Du Bois: «Forum für Fakten und Meinungen». Kolumnen aus dem «Pittsburgh Courier» -- 13. Juni 1936 -- 27. Juni 1936 -- Schadenfreude -- 29. August 1936 -- Kontakte -- Belgien -- Der Kongo -- 5. September 1936 -- England -- Die Rassengrenze -- Die gegenwärtige Krise -- 19. September 1936 -- Sport -- Gesundheit -- Die Olympischen Spiele -- Künftige Amateure -- Einkommen -- 26. September 1936 -- Europa -- Warum Europa? -- Zivilisation -- Rasse und Austausch
    Description / Table of Contents: Planungen und Kosten -- 3. Oktober 1936 -- Die Aufteilung des Lebens -- Das Deutsche Museum für Wissenschaft und Technik -- Bergbau -- Verkehr -- 10. Oktober 1936 -- Ruhm -- Mathematik und Elektrizität -- Klang und Musik -- Chemie -- Bau -- Astronomie -- Bekleidung und Lebensmittel -- 17. Oktober 1936 -- Pilgerstätten -- Wahnfried -- Bayreuth -- 24. Oktober 1936 -- Die Olympischen Spiele -- Spanien -- Der Balkan -- 31. Oktober 1936 -- Die Oper und die Schwarzen -- Die Meistersinger von Nürnberg -- «Parsifal» -- «Lohengrin» -- Der Ring -- 7. November 1936 -- Ausbildung in der Industrie -- Siemens
    Description / Table of Contents: Siemensstadt -- Ausbildende Industrie -- Die Schule -- Kontrolle -- 14. November 1936 -- München -- Rasse und Arbeiterklasse -- 21. November 1936 -- Rasse und Lebensumstände -- Einkommen -- 28. November 1936 -- Ägypten -- Landwirtschaft -- 5. Dezember 1936 -- Deutschland -- Deutschland und Hitler -- Der Hintergrund -- Depression und Revolution -- 12. Dezember 1936 -- Der Hitler-Staat -- Nationalsozialismus -- Die neue Philosophie -- Propaganda -- 19. Dezember 1936 -- Rassenvorurteile in Deutschland -- Antisemitismus -- Die gegenwärtige Not des deutschen Juden -- 26. Dezember 1936
    Description / Table of Contents: Weihnachten 1936 -- Wie lange wird Hitler sich halten? -- Gefahren für Hitler -- Profit -- 2. Januar 1937 -- Was die Deutschen denken -- Industrieprofit -- Die Nebelwand des Kommunismus -- Nationale oder internationale Wirtschaft -- Die deutschen Vorwürfe gegenüber den Juden -- 9. Januar 1937 -- Musik -- Wien -- Ostwärts -- 10. April 1937 -- Ausblick -- «Entlang der Farbenlinie». W. E. B. Du Bois in Nazi-Deutschland -- Der «schwarze Bismarck» -- Eine Zwischenzeit -- Von Berlin nach Hawaii -- Gleichstellung und Gleichschaltung -- Reisen ins Reich - aus der Ferne -- Afrikanische Blicke
    Description / Table of Contents: «Was ist mit der Farbenlinie?» -- Rassismus und Antisemitismus -- Editorische Anmerkungen -- Du Bois' Welt -- Dank -- Zeittafel -- Literaturverzeichnis -- W. E. B. Du Bois (chronologisch) -- Weitere Primärquellen -- Forschung zu W. E. B. Du Bois und Deutschland -- Weitere Forschung -- Filme -- Rechtenachweise -- Impressum
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Literaturverzeichnis: Seite 157-165 , German translation of columns originally appearing in the Pittsburgh courier, 1936-37 , Includes bibliographical references (pages 157-165) , Description based upon print version of record
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  • 83
    ISBN: 9781793613851
    Language: English
    Pages: x, 363 Seiten
    Parallel Title: Online version Fowler, Beth (Beth Nicole) Rock and roll, desegregation movements, and racism in the post-civil rights era
    DDC: 781.6609730904
    RVK:
    Keywords: Geschichte 1946-1964 ; Bürgerrechtsbewegung ; Rock 'n' Roll ; USA ; Rock music / United States / To 1961 / History and criticism ; Rock music / United States / 1961-1970 / History and criticism ; Rhythm and blues music / History and criticism ; Music and race / United States / History / 20th century ; Segregation / United States / History / 20th century ; Rock (Musique) / États-Unis / 1961-1970 / Histoire et critique ; Musique et race / États-Unis / Histoire / 20e siècle ; Ségrégation / États-Unis / Histoire / 20e siècle ; Rock (Musique) / États-Unis / Jusqu'à 1961 / Histoire et critique ; Music and race ; Rhythm and blues music ; Rock music ; Segregation ; United States ; To 1999 ; Criticism, interpretation, etc ; History ; Hochschulschrift ; Hochschulschrift ; USA ; Rock 'n' Roll ; Bürgerrechtsbewegung ; Geschichte 1946-1964
    Abstract: "This book uses archival research and analyses of musical performances and original oral histories to explore the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era"--
    Description / Table of Contents: Introduction. "A Subtle Defiance in the Songs" -- Shufflin' 'Til the Break of Dawn," 1946-1953 -- "If It's a Hit, It's a Hit," 1954-1956 -- "A Teen Ager in Love," 1957-1960 -- "They'd All Be Dancing Together," 1961-1964 -- "A Drummer With a Totally Different Beat," The Post-Civil Rights Era
    URL: Cover
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  • 84
    Book
    Book
    New York, NY : Pegasus Books
    ISBN: 9781639362073
    Language: English
    Pages: 388 Seiten, 16 ungezählte Blätter Tafeln , Illustrationen, Porträts
    Edition: First Pegasus Books cloth edition
    Parallel Title: Erscheint auch als
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    Keywords: The Rolling Stones ; Geschichte 1962-2022 ; Rolling Stones ; Rolling Stones / History ; Rock musicians / England / Biography ; Rolling Stones ; Rock musicians ; England ; Biographies ; History ; Biographies ; Biografie ; Biografie ; The Rolling Stones ; Geschichte 1962-2022
    Abstract: "An acclaimed rock and roll journalist evokes the legacy of The Rolling Stones--iconic, granitic, commercially unstoppable as a collective; and fascinating, contradictory, and occasionally disturbing as individuals. As Lesley-Ann Jones writes, the Rolling Stones are 'still roaming the globe like rusty tanks without a war to go to. Jumping, jacking, flashing, posturing, these septuagenarian caricatures with faces that might have been microwaved but coming on like eternal thirty-year-olds.' On 12th July 1962, the Rollin' Stones performed their first-ever gig at London's Marquee jazz club. Down the line, a 'g' was added, a spark was lit and their destiny was sealed. No going back. These five white British kids set out to play the music of black America. They honed a style that bled bluesy undertones into dark insinuations of women, sex, and drugs. Denounced as 'corruptors of youth' and 'messengers of the devil,' they created some of the most thrilling music ever recorded. Now their sound and attitude seem louder and more influential than ever. Elvis is dead and the Beatles are over, but Jagger and Richards bestride the world. The Stones may be gathering moss, but on they roll. Yet how did the ultimate anti-establishment misfits become the global brand we know today? Who were the casualties, and what are the forgotten legacies? Can the artist ever be truly divisible from the art? Lesley-Ann Jones's new history tracks this contradictory, disturbing, granitic and unstoppable band through hope, glory and exile, into the juggernaut years and beyond into rock's ongoing reckoning...where the Stones seem more at odds than ever with the values and heritage against which they have always rebelled. Good, bad, and often ugly, here are the Rolling Stones as never seen before"--
    Description / Table of Contents: Karma -- Joner -- Mick'n'keef -- Drum'n'bass -- Hustlers -- Heyday -- Reaction -- Marianne -- Anita -- Redlands -- Mouche -- Christopher Robin -- Altamont -- Exile -- Crisis -- Juggernaut -- Mandy -- Cliodhna -- Resonance -- So long -- Roots -- Out of timeline -- Stones women -- Chapter notes -- Quote, unquote -- Select bibliography -- Acknowledgements -- Index
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  • 85
    Book
    Book
    Lanham ; Boulder ; New York ; London : Lexington Books
    ISBN: 9781666900880
    Language: English
    Pages: xx, 241 Seiten , Illustrationen, Karten, Notenbeispiele
    Series Statement: The Lexington series in historical ethnomusicology: deep soundings
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte ; Rezeption ; Islam ; Ensemble ; Einflussnahme ; Hofmusik ; Malaysia ; Islamische Staaten ; Nobat ; Music / Southeast Asia / History and criticism ; Music / Political aspects / Southeast Asia / History ; Courts and courtiers / History ; Islam / Southeast Asia / History ; Courts and courtiers ; Islam ; Music ; Music / Political aspects ; Southeast Asia ; Criticism, interpretation, etc ; History ; Malaysia ; Islam ; Hofmusik ; Ensemble ; Einflussnahme ; Rezeption ; Islamische Staaten ; Geschichte
    Abstract: "The Malay Nobat: A History of Power, Acculturation, and Sovereignty explores the history and meaning of the nobat, its spread throughout the Muslim empire, and its emergence as a symbol of power and sovereignty, ultimately showing how existing nobat ensembles in Malaysia and Brunei are the last living legacy of the Mulism world"--
    Description / Table of Contents: Introduction -- Early Histories -- The Malay Nobat -- The Nobat in Early Malay Literature : A Lesson from Patani -- The Adat Aceh and 17th Century European Encounter -- From British Colonialism to Independence -- Conclusion
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  • 86
    Book
    Book
    Jefferson, North Carolina : McFarland & Company
    ISBN: 9781476687063
    Language: English
    Pages: ix, 257 Seiten
    DDC: 306.4/8420973
    RVK:
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    Keywords: Popular music Social aspects ; History ; Slurs History ; Music and language History ; Music and race History ; African Americans in popular culture ; African American comedians ; MUSIC / History & Criticism ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies
    Abstract: The N-Word's Musical Contours -- Out of Music : The N-Word's Material, Environmental, and Social Contours -- John Lennon's N-Word Moment -- Interlude. Diverse Opinions -- Philosorock : John Lennon, Bob Dylan, and Other White Musicians Who Sing the N-Word -- Black Demystification, White Bewilderment : Transformation and Numbing in Black Comedy and Black Music -- Muhammad Ali, Rap, and That Word -- A Hip-Hop Icon -- A Sensible Rule : A Case Study -- Inviting Destruction Beyond the Music -- Conclusion. Welcome to the Conversation, Country Music.
    Abstract: "The minstrelsy play, song, and dance "Jump, Jim Crow" did more than enable blackface performers to spread racist stereotypes about Black Americans. This widespread antebellum-era cultural phenomenon was instrumental in normalizing the N-word across several aspects of American life. Material culture, sporting culture, consumer products, house-pets, carnival games and even geographic landmarks obtained the racial slur as a formal and informal appellation. Music, it is argued, was the catalyst for normalizing and disseminating those two ugly syllables throughout society, well beyond the environs of plantation and urban slavery. This weighty and engaging look at the English language's most explosive slur, described by scholars as the "atomic bomb" of bigoted words, traces the N-word's journey through various music genres and across generations. The author uses private letters, newspaper accounts, exclusive interviews and, most importantly, music lyrics from artists in the fields of minstrelsy, folk, country, ragtime, blues, jazz, rock 'n' roll and hip hop. The result is a reflective account of how the music industry has channeled linguistic and cultural movements across eras, resulting in changes to the slur's meaning and spelling"--
    Note: Includes bibliographical references and index
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  • 87
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478018872 , 9781478016236
    Language: English
    Pages: xiv, 218 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; Rap (Music) / New York (State) / New York / History and criticism ; African American radio stations / New York (State) / New York ; Radio stations / New York (State) / New York / History ; Radio broadcasting / Deregulation / New York (State) / New York ; Radio in popular culture / New York (State) / New York ; MUSIC / Genres & Styles / Rap & Hip Hop ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; African American radio stations ; Radio broadcasting / Deregulation ; Radio in popular culture ; Radio stations ; Rap (Music) ; New York (State) / New York ; Criticism, interpretation, etc ; History ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Abstract: "Breaks in the Air provides a social and cultural history of rap music on Black radio in New York City from the late 1970s to the late 1980s. Radio shows were crucial in the growth of hip hop in New York, and Klaess explores the intertwined histories of sounds, institutions, communities, and legal formations converging in that post-Civil Rights period. John Klaess offers a careful analysis of the city's three crucial commercial radio stations-WBLS-FM 107.5, WRKS-FM 98.7, and WHBI-FM 105.9-drawing on an archive of tape recordings of the stations' broadcasts. Klaess moves from a history of deregulation in the broadcasting industry to the ways that American racial politics inflected the broadcast of rap and looks at how these radio stations engaged with this unique historical situation, how technologies both aided and limited their broadcasts, how their broadcasts were received, and what the public broadcast of this music and culture meant to young people of color in New York"--
    Description / Table of Contents: Deregulating radio -- Sounding Black progress in the post-civil rights era -- Commercializing rap with Mr. Magic's rap attack -- Programming the street at WRKS -- Broadcasting the Zulu Nation -- Listening to the labor of the Awesome II Show
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  • 88
    Book
    Book
    Waltham : Brandeis University Press
    ISBN: 9781684581412
    Language: English
    Pages: xviii, 462 Seiten , Illustrationen , 23 cm
    Edition: New edition ; with a new preface by the editors
    Parallel Title: Erscheint auch als
    DDC: 305.48896073009034
    RVK:
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    Keywords: Geschichte ; Politische Beteiligung ; Schwarze Frau ; Feminismus ; Geistesleben ; Weibliche Intellektuelle ; USA ; African American women / Intellectual life / 19th century ; African American women / Biography ; African American intellectuals / Biography ; African American women / Political activity / History / 19th century ; African Americans / Politics and government / 19th century ; African American philosophy ; Feminism / United States / History / 19th century ; African American intellectuals ; African American philosophy ; African American women ; African American women / Intellectual life ; African American women / Political activity ; African Americans / Politics and government ; Feminism ; United States ; 1800-1899 ; Biographies ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze Frau ; Weibliche Intellektuelle ; Politische Beteiligung ; Feminismus ; Geistesleben ; Geschichte
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  • 89
    ISBN: 9781496840448 , 9781496840455
    Language: English
    Pages: X, 175 Seiten
    Series Statement: Margaret Walker Alexander series in African American studies
    Parallel Title: Erscheint auch als Abdul-Ghani, Casarae Lavada Start a riot!
    DDC: 700.89/96073
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    Keywords: Black Arts movement ; African American arts Political aspects 20th century ; History ; Arts Political aspects 20th century ; History ; Black nationalism History 20th century ; United States Race relations 20th century ; History ; Black arts movement ; Literatur ; Aufruhr
    Abstract: Acknowledgments --Introduction: "I'm gonna start a riot!" --Chapter 1: The inability to compromise: examining Black rage and revolt in the revolutionary theatre of Amiri Baraka and Ben Caldwell --Chapter 2: "Blackblues": The BAM aesthetic and Black rage in Gwendolyn Brooks's "Riot" --Chapter 3: The crisis of Black revolutionary politics in Sonia Sanchez's "The Bronx Is next" (and "Sister Son/ji") --Chapter 4: Black politics and the neoliberal dilemma in Henry Dumas's "Riot or revolt?" --Epilogue --Notes --Bibliography --Index.
    Abstract: "While the legacy of Black urban rebellions during the turbulent 1960s continues to permeate throughout US histories and discourses, scholars seldom explore within scholarship examining Black Cultural Production, artist-writers of the Black Arts Movement (BAM) that addressed civil unrest, specifically riots, in their artistic writings. Start a Riot! Civil Unrest in Black Arts Movement Drama, Fiction, and Poetry analyzes riot iconography and its usefulness as a political strategy of protestation. Through a mixed-methods approach of literary close-reading, historical, and sociological analysis, Casarae Lavada Abdul-Ghani considers how BAM artist-writers like Amiri Baraka (LeRoi Jones), Ben Caldwell, Gwendolyn Brooks, Sonia Sanchez, and Henry Dumas challenge misconceptions regarding Black protest through experimental explorations in their writings. Representations of riots became more pronounced in the 1960s as pivotal leaders shaping Black consciousness, such as Malcolm X and Martin Luther King Jr., were assassinated. BAM artist-writers sought to override the public's interpretation in their literary expose̹s that a riot's disjointed and disorderly methods led to more chaos than reparative justice. Start a Riot! uncovers how BAM artist-writers expose anti-Black racism and, by extension, the United States' inability to compromise with Black America on matters related to citizenship rights, housing (in)security, economic inequality, and education-tenets emphasized during the Black Power Movement. Abdul-Ghani argues that BAM artist-writers did not merely write literature that reflected a spirit of protest; in many cases, they understood their texts, themselves, as acts of protest"--
    Note: Includes bibliographical references and index , Hier auch später erschienene, unveränderte Nachdrucke
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  • 90
    Online Resource
    Online Resource
    Oxford : Archaeopress publishing Ltd
    ISBN: 9781803271071
    Language: English
    Pages: 1 Online-Ressource (xvii, 144 Seiten) , Illustrationen, Karten
    Series Statement: Archaeopress Archaeology
    Parallel Title: Erscheint auch als Zeeuw, Hans de The Ottoman Tanbûr
    DDC: 787.8209
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    Keywords: Ṭanbūr History ; Ṭanbūr Construction ; History ; Folk music History and criticism ; Tanbur
    Abstract: Tanbūrs are long-necked lute-like instruments played in the art, Sufi, and folk musical traditions along the Silk Road and beyond. This book provides a detailed study of the history of the tanbūr, its role in Ottoman music, construction and playing technique
    Note: Also issued in print: 2022 , Includes bibliographical references, discography and index , Zielgruppe: Specialized
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  • 91
    ISBN: 9782877740838 , 2877740838
    Language: French
    Pages: 587 Seiten , Illustrationen , 22 cm
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    Keywords: Reggae ; Geschichte ; Kultur ; Reggae music / History and criticism ; Reggae / Histoire et critique ; Reggae music ; Criticism, interpretation, etc ; History ; Biographies ; Essays ; Biographies ; Essays ; Biographies ; Reggae ; Kultur ; Geschichte
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  • 92
    ISBN: 9781479806768 , 9781479871032
    Language: English
    Pages: 247 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
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    Keywords: Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Schwarze ; Islam ; Jazz ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Abstract: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa.
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  • 93
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226768359
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago scholarship online
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    Keywords: Geschichte 1968-1969 ; Rockmusik ; Black power ; Weiße ; Aktivismus ; Rock music Social aspects 20th century ; History ; Rock music History and criticism 1961-1970 ; Black power History 20th century ; Music and race History 20th century ; USA ; Großbritannien
    Abstract: 'Tear Down the Walls' sheds light on a significant but overlooked facet of 1960s rock and the Black Power era-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. It focuses on 1968 and 1969, years when the New Left in the US and UK began to combine cultural radicalism and political radicalism.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 94
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197548813
    Language: English
    Pages: 203 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Geschichte ; Arbeiterklasse ; Unterhaltungsmusik ; Rockmusik ; Rock 'n' Roll ; Rock music / Social aspects / History / 20th century ; Working class / Attitudes / History / 20th century ; Rock music / Social aspects ; Working class / Attitudes ; 1900-1999 ; History ; Rock 'n' Roll ; Rockmusik ; Unterhaltungsmusik ; Arbeiterklasse ; Geschichte
    Abstract: "We usually associate the sounds of classic rock 'n' roll with youthful rebellion, by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But an important strain of rock from the late 1960s onward spoke to and for a very different audience: the regular working-class fans who didn't want to change the world as much as they only wanted to protect their place in it. From Creedence Clearwater Revival to Bruce Springsteen, from Lynyrd Skynyrd to AC/DC, and from Judas Priest to Ted Nugent, the music provided the anthems of an increasingly distinct - and increasingly vulnerable - demographic, which has since become a key influence on political culture around the world"--
    Description / Table of Contents: Introduction. Dream On -- Salt of the Earth -- Wrote A Song For Everyone -- Free For All -- Workin' Man Blues -- Swamp Music -- British Steel -- For Those About to Rock -- Youngstown -- One In a Million -- Conclusion. Subdivisions
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  • 95
    Book
    Book
    Santa Barbara, California : ABC-CLIO, an imprint of ABC-CLIO, LLC
    ISBN: 9781440872488
    Language: English
    Pages: xix, 274 Seiten , Illustrationen , 25 cm
    Series Statement: Black history lives
    Parallel Title: Erscheint auch als
    DDC: 306.097309041
    RVK:
    Keywords: Washington, Booker T. ; African American intellectuals / Biography ; African American educators / Biography ; African American leadership / History ; African Americans / Politics and government ; African American civil rights workers / Biography ; African Americans / Relations with Africans ; African Americans / Social conditions / To 1964 ; African Americans / Intellectual life ; African American civil rights workers ; African American educators ; African American intellectuals ; African American leadership ; African Americans / Social conditions ; Influence (Literary, artistic, etc ; Washington, Booker T. / 1856-1915 ; Washington, Booker T. / 1856-1915 / Influence ; Tuskegee Institute / Biography ; Tuskegee Institute ; To 1964 ; Biographies ; History ; Biografie
    Abstract: "This biography provides readers with new insights into the life and times of Booker T. Washington and a deeper comprehension of his efficacy and legacy
    Note: Literatuverzeichnis Seite 257-266 , Historical context -- Childhood in bondage and Hampton Institute -- Tuskegee Institute and family matters -- The Atlanta Compromise and beyond -- Of Dr. W. E. B. Du Bois and others -- Africa in his mind and practice -- Why Booker T. Washington matters -- Timeline -- Primary documents
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  • 96
    Online Resource
    Online Resource
    London ; New York ; Oxford ; New Delhi ; Sydney : I.B. Tauris | London : Bloomsbury Publishing
    ISBN: 9780755617913 , 9780755617906 , 9780755617890
    Language: English
    Pages: 1 Online-Ressource (284 Seiten)
    Edition: First edition
    Series Statement: Early and Medieval Islamic World
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.9
    RVK:
    Keywords: Geschichte 800-1400 ; Music Islamic countries ; History ; Musicians Islamic countries ; History ; Musikleben ; Islam ; Musik ; Musiker ; Naher Osten ; Naher Osten ; Islam ; Musik ; Geschichte 800-1400 ; Naher Osten ; Islam ; Musikleben ; Musiker
    Abstract: "During the early medieval Islamicate period (800-1400 CE), discourses concerned with music and musicians were wide-ranging and contentious, and expressed in works on music theory and philosophy as well as literature and poetry. But in spite of attempts by influential scholars and political leaders to limit or control musical expression, music and sound permeated all layers of the social structure. Lisa Nielson here presents a rich social history of music, musicianship and the role of musicians in the early Islamicate era. Focusing primarily on Damascus, Baghdad and Jerusalem, Lisa Nielson draws on a wide variety of textual sources written for and about musicians and their professional/private environments -- including chronicles, literary sources, memoirs and musical treatises -- as well as the disciplinary approaches of musicology to offer insights into musical performances and the lives of musicians. In the process, the book sheds light onto the dynamics of medieval Islamicate courts, as well as how slavery, gender, status and religion intersected with music in courtly life. It will appeal to scholars of the Islamicate world and historical musicologists."
    Note: Section I. Musical culture in the early Islamic courts. Chapter 1. Music and musicians ; Chapter 2. Musicianship and performance ; Chapter 3. Patronage -- Section II. Representations of musicianship and identity. Chapter 4. Literary performance of music and reading musical identity ; Chapter 5.Slavery and gender ; Chapter 6. Ethnos and gens -- Section III. Diversions of pleasure Chapter 7. Discomfort and censure ; Chapter 8. "Sama" and practice ; Chapter 9. The politics of listening
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 97
    ISBN: 9789004464414
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Diagramme
    Series Statement: Scottish cultural review of language and literature volume 31
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Geschichte ; Volkslied ; Schottland ; Folk songs, Scots / Scotland / Sources ; Folk songs, English / Scotland / Sources ; Folk songs, Scots / Scotland / History and criticism ; Folk songs, English / Scotland / History and criticism ; Scots / Music / History and criticism ; Scottish Travellers (Nomadic people) / Music / History and criticism ; Music / Social aspects / Scotland / History ; Folk singers / Scotland ; Greig-Duncan folk song collection ; School of Scottish Studies Archives (Edinburgh) ; Folk singers ; Folk songs, English ; Folk songs, Scots ; Music / Social aspects ; Scotland ; Criticism, interpretation, etc ; History ; Sources ; Schottland ; Volkslied ; Geschichte
    Abstract: "This book offers a detailed analysis of two major Scottish folk song collections, the Greig-Duncan Collection, and the Scots folk song material of the School of Scottish Studies Archives. This exhaustive study of song transmission includes all contributors, not only notable singers. The scattered information, marshalled into quantifiable data, throws light on such topics as transmission within and outside the family, the role of literacy, the public reticence of women singers, the association between the Travellers and the big ballads, and the impact of social changes in the late nineteenth century, and of broadcast music in the 1920s. The new opportunities opened up by digitisation are explored here for the first time."
    Description / Table of Contents: Introduction -- Weighing the Catch -- Did Greig and Duncan Neglect the Travellers? -- Song Transmission -- The Reticence of Female Singers -- The Devolution of the Child Ballads to the Travellers -- Social Change and Education versus Tradition -- The Missing Singers of the 1920s -- Conclusions
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 98
    Book
    Book
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9780815391784 , 9780815391777
    Language: English
    Pages: xii, 236 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.640943
    RVK:
    Keywords: Geschichte ; Unterhaltungsmusik ; Deutschland ; Popular music / Germany / History and criticism ; Popular music / Social aspects / Germany / History ; Popular music / Political aspects / Germany / History ; Popular music ; Popular music / Political aspects ; Popular music / Social aspects ; Germany ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Unterhaltungsmusik ; Geschichte
    Abstract: "Made in Germany: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary German popular music. Each essay, written by a leading scholar of German music, covers the major figures, styles, and social contexts of pop music in Germany and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Germany, followed by essays organized into thematic sections: Historical Spotlights; Globally German; Also "Made in Germany"; Explicitly German; and Reluctantly German"--
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  • 99
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226768212 , 9780226768182
    Language: English
    Pages: 225 Seiten, 12 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.421661592
    RVK:
    Keywords: Geschichte 1968-1969 ; Rockmusik ; Aktivismus ; Black power ; Weiße ; USA ; Großbritannien ; Rock music / Social aspects / United States / History / 20th century ; Rock music / United States / 1961-1970 / History and criticism ; Black power / United States / History / 20th century ; Music and race / United States / History / 20th century ; Black power ; Music and race ; Rock music ; Rock music / Social aspects ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; USA ; Großbritannien ; Rockmusik ; Weiße ; Black power ; Aktivismus ; Geschichte 1968-1969
    Abstract: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
    Description / Table of Contents: Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18
    Note: Includes bibliographical references and index
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  • 100
    ISBN: 9781496832115 , 9781496832108
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele, Porträt
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 2005-2019 ; Ethnische Identität ; Schwarze ; Improvisation ; Jazz ; Sänger ; USA ; Jazz / 2001-2010 / History and criticism ; Jazz / 2011-2020 / History and criticism ; Jazz / Political aspects / United States / History / 21st century ; African Americans / Music / 21st century / History and criticism ; African Americans / Music ; Jazz ; United States ; 2000-2099 ; Criticism, interpretation, etc ; History ; USA ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; Geschichte 2005-2019
    Abstract: "In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today"--
    Description / Table of Contents: Foreword / Robin D. G. Kelley -- Introduction. Entering a theory of black musical space -- Terence Blanchard and the politics of breathing -- Billy Higgins in the zone : brushwork, breath, and imagination -- The social science music of Terri Lyne Carrington -- Ambrose Akinmusire's satchel of origami -- Unified fragmentation : Andrew Hill's street theory of black musical space -- Epilogue. The sonic archive of black spatiality
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