Note: Zusatz wechselt , Ungezählte Beil.: Supplement; Sonderedition; 1989,1 - 1990,8: Ausstellungen; 1990,9 - 1992,7: Kulturkalender , Teils ohne Jg.-Zählung; Periodizität: 10x jährl. , Index 1941/91 in: Sonderh. zu 51.1991,601

Note: Zusatz wechselt , Teils ohne Jg.-Zählung; Periodizität: 10x jährl. , Index 1941/91 in: Sonderh. zu 51.1991,601

Note: Einzelne Bände zugleich Bände von: Zeitschrift für Kanada-Studien. Sonderband , Heftzählung ab Jg. 33.2013 durchgehend und schließt auch die Sonderbände mit ein (Sonderband 2018,1 = Heft 67) , Erscheint jährlich, früher zweimal jährlich; ab 34.2014 published on demand , Text dt., engl. franz. , Index 1/10.1981/90 in: 14.1994=Bd.25; 11/20=H.19/38.1991/2000 in: 21.2001,2=Bd.40; 21/30.2001/2010 in: 31.2011,1

Note: Zusatz wechselt , Teils ohne Jg.-Zählung; Periodizität: 10x jährl. , Index 1941/91 in: Sonderh. zu 51.1991,601

Note: Zusatz wechselt , Ungezählte Beil.: Supplement; Sonderedition; 1989,1 - 1990,8: Ausstellungen; 1990,9 - 1992,7: Kulturkalender , Teils ohne Jg.-Zählung; Periodizität: 10x jährl. , Index 1941/91 in: Sonderh. zu 51.1991,601

Note: Zusatz wechselt , Teils ohne Jg.-Zählung; Periodizität: 10x jährl. , Index 1941/91 in: Sonderh. zu 51.1991,601

Note: Zusatz wechselt , Teils ohne Jg.-Zählung; Periodizität: 10x jährl. , Index 1941/91 in: Sonderh. zu 51.1991,601

Note: Zusatz wechselt , Ungezählte Beil.: Supplement; Sonderedition; 1989,1 - 1990,8: Ausstellungen; 1990,9 - 1992,7: Kulturkalender , Teils ohne Jg.-Zählung; Periodizität: 10x jährl. , Index 1941/91 in: Sonderh. zu 51.1991,601

Note: Zusatz wechselt , Ungezählte Beil.: Supplement; Sonderedition; 1989,1 - 1990,8: Ausstellungen; 1990,9 - 1992,7: Kulturkalender , Teils ohne Jg.-Zählung; Periodizität: 10x jährl. , Index 1941/91 in: Sonderh. zu 51.1991,601

Note: Zusatz wechselt , Ungezählte Beil.: Supplement; Sonderedition; 1989,1 - 1990,8: Ausstellungen; 1990,9 - 1992,7: Kulturkalender , Teils ohne Jg.-Zählung; Periodizität: 10x jährl. , Index 1941/91 in: Sonderh. zu 51.1991,601

Note: Zusatz wechselt , Ungezählte Beil.: Supplement; Sonderedition; 1989,1 - 1990,8: Ausstellungen; 1990,9 - 1992,7: Kulturkalender , Teils ohne Jg.-Zählung; Periodizität: 10x jährl. , Index 1941/91 in: Sonderh. zu 51.1991,601

Note: Online-Ausg.:

Note: Literaturverz. S. 249 - 290

Note: Hier auch später erschienene, unveränderte Nachdrucke

Note: Literaturverzeichnis: Seite [270]-283

Note: Online resource; title from title screen (viewed June 27, 2019)

Note: Includes bibliographical references and index , Evolution and Victorian fiction , Between specimen and imagination : photography in the age of evolution , Early cinema and evolution , Evolution and victorian art , "I'm evolving!" : varieties of evolution on the Victorian stage , Dance and evolutionary thought in late Victorian discourse , The "non-Darwinian" revolution and the great chain of musical being , Development and display : progressive evolution in British Victorian architecture and architectural theory , Dramas of development : exhibitions and evolution in Victorian Britain , The popularization of evolution and victorian culture

Note: Description based upon print version of record

Note: Literaturverz. (S. [271] - 288)

Note: Includes bibliographical references

Note: Literaturverzeichnis (Seite 223-237) und Index

Note: Rev. ed. of: Encyclopedia of Southern culture. 1991. -- "Sponsored by The Center for the Study of Southern Culture at the University of Mississippi." , Includes bibliographical references and indexes

Note: Literaturverz. S. [221] - 233

Note: Literaturverzeichnis Seite 181-196. - Hier auch später erschienene, unveränderte Nachdrucke

Note: "The Israel Science Foundation and the Goldstein-Goren International Center for Jewish Thought at Ben-Gurion University of the Negev funded the International Symposium "Religious Culture in the Early Modern Period: Tradition, Authority, Heterodoxy" (2005), in which many of the contributors to the present volume participated" (Titelrückseite)

Note: Issued also in electronic format , Literaturverzeichnis Seite 317-352

Note: Includes bibliographical references and index

Note: Literaturangaben

Note: Print version record

Note: Description based on publisher supplied metadata and other sources

Note: Description based on publisher supplied metadata and other sources

Note: Hier auch später erschienene, unveränderte Nachdrucke , Literaturverzeichnis: Seite 285-310 und Register

Note: Literaturverzeichnis ungezählte Seite 674 , Literaturangaben , Mit Register , pt. 1 Expansions : There are no visual media , pt. 1 Expansions :There are no visual media , The (in)human spatial condition : a visual essay ; Mapping non-conformity : post-bubble urban strategies , X-reality : interview with the virtual cannibal , On software, or the persistence of visual knowledge , Notes on the photographic image , Queer faces : photography and subcultural lives , Currents of worldmaking in contemporary art , Sublimated with mineral fury : prelim notes on sounding pandemonium Asia , The sea and the land : biopower and visuality from slavery to Katrina , pt. 2 Globalization, war and visual economy : (a) War and violence : The archaeology of violence : the king's head , On the actuarial gaze : from 9/11 to Abu Ghraib , American military imaginaries and Iraqi cities , Zeroing in : overhead imagery, infrastructure ruins, and datalands in Afghanistan and Iraq , What Greg Roberts saw : visuality, intelligibility, and sovereignty : 36,000km over the equator , Media and martyrdom , Live true life or die trying , (b) Attention and visualizing economy : Kino-I, Kino-world : notes on the cinematic mode of production , On virtuosity , Faking globalization , Creativity and the problem of free labor , It's easier to imagine the end of the world than the end of capitalism , Do it yourself geo-politics , pt. 3 The body, coloniality and visuality : (a) Bodies and minds : Optics , Blindness and visual culture : an eye witness account , Reduplicative desires , The persistence of vision , The body and/in representation , Forever modern : Mami Wata visual culture and history in Africa , (b) Histories and memories : The mobilized and virtual gaze in modernity : fl(c)Øneur/fl(c)Øneuse ; Tourism and "sacred ground" : the space of ground zero , Maps, mother/goddesses, and martyrdom in modern India , Museums in late democracies , The fact of blackness , The case of blackness , (c) (Post/de/neo)colonial visualities : Orientalism and the exhibitionary order , from The colonial harem , Vodun art, social history and the slave trade , Between cult and culture : Bamiyan, Islamic iconoclasm and the museum , The postcolonial constellation : contemporary art in a state of permanent transition , Urban warfare : walking through walls , pt. 4 Media and mediations : U.S. operating systems at midcentury : the intertwining of race and unix , Rethinking the digital age , The unworkable interface , On the superiority of the analog , Digital racial formations and networked images of the body , Imagination, multimodality and embodied interaction : a discussion of sound and movement in two cases of laboratory and clinical magnetic resonance imaging , The (in)human spatial condition : a visual essay ; Mapping non-conformity : post-bubble urban strategies , X-reality : interview with the virtual cannibal , On software, or the persistence of visual knowledge , Notes on the photographic image , Queer faces : photography and subcultural lives , Currents of worldmaking in contemporary art , Sublimated with mineral fury : prelim notes on sounding pandemonium Asia , The sea and the land : biopower and visuality from slavery to Katrina , pt. 2 Globalization, war and visual economy : (a) War and violence :The archaeology of violence : the king's head , On the actuarial gaze : from 9/11 to Abu Ghraib , American military imaginaries and Iraqi cities , Zeroing in : overhead imagery, infrastructure ruins, and datalands in Afghanistan and Iraq , What Greg Roberts saw : visuality, intelligibility, and sovereignty : 36,000km over the equator , Media and martyrdom , Live true life or die trying , (b) Attention and visualizing economy :Kino-I, Kino-world : notes on the cinematic mode of production , On virtuosity , Faking globalization , Creativity and the problem of free labor , It's easier to imagine the end of the world than the end of capitalism , Do it yourself geo-politics , pt. 3 The body, coloniality and visuality : (a) Bodies and minds :Optics , Blindness and visual culture : an eye witness account , Reduplicative desires , The persistence of vision , The body and/in representation , Forever modern : Mami Wata visual culture and history in Africa , (b) Histories and memories :The mobilized and virtual gaze in modernity : flâneur/flâneuse ; Tourism and "sacred ground" : the space of ground zero , Maps, mother/goddesses, and martyrdom in modern India , Museums in late democracies , The fact of blackness , The case of blackness , (c) (Post/de/neo)colonial visualities :Orientalism and the exhibitionary order , fromThe colonial harem , Vodun art, social history and the slave trade , Between cult and culture : Bamiyan, Islamic iconoclasm and the museum , The postcolonial constellation : contemporary art in a state of permanent transition , Urban warfare : walking through walls , pt. 4 Media and mediations :U.S. operating systems at midcentury : the intertwining of race and unix , Rethinking the digital age , The unworkable interface , On the superiority of the analog , Digital racial formations and networked images of the body , Imagination, multimodality and embodied interaction : a discussion of sound and movement in two cases of laboratory and clinical magnetic resonance imaging

Note: Literaturangaben

Note: Formerly CIP Uk. - Includes bibliographical references

Note: Literaturverz. S. [285] - 302

Note: Includes bibliographical references and index

Note: Erscheinungsjahr der Druckausgabe: 2010

Note: Hier auch später erschienene, unveränderte Nachdrucke

Note: Includes bibliographical references and index , Machine generated contents note: Chronology; Introduction

Note: Literaturangaben und Index , Die amerikan. Originalausg. erschien erstmals 1978 unter dem Titel "Orientalism" im Verlag Pantheon Books, New York

Note: Zsfassung in schwed. Sprache , Zsfassung in schwed. Sprache

Note: Includes bibliographical references (S. 485 - 489) and index

Note: Hardback , Hier auch später erschienene, unveränderte Nachdrucke