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  • Criticism, interpretation, etc
  • Ethnology  (67)
  • English Studies  (62)
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Keywords
  • 1
    ISBN: 9780197532492 , 9780197532485
    Language: English
    Pages: xxi, 225 Seiten , Illustrationen , 24 cm
    Series Statement: Currents in Latin American and Iberian music series
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1940-1070 ; Sammlung ; Indigenes Volk ; Musikethnologie ; Volksmusik ; Amerika ; Indigenous peoples / America / Music / History and criticism ; Folk music / America / Music / History and criticism ; Ethnomusicology / America / History / 20th century ; Ethnomusicologie / Amérique / Histoire / 20e siècle ; Ethnomusicology ; America ; 1900-1999 ; Criticism, interpretation, etc ; History ; Amerika ; Indigenes Volk ; Volksmusik ; Sammlung ; Musikethnologie ; Geschichte 1940-1070
    Abstract: "In the middle decades of the twentieth century, transnational networks sparked a range of cultural projects focused on collecting Indigenous music and folklore in the Americas. Indigenous Audibilities follows the social relations that created these collections in four interconnected case studies linking the U.S., Mexico, Nicaragua, and Chile. Indigenous collections were embedded in political projects that negotiated issues of cultural diplomacy, national canons, and heritage. The case studies recuperate the traces of marginalized voices in archives, paying special attention to female researchers and Indigenous collaborators. Despite the dominant agendas of national and international institutions, the diverse actors and the multi-directional influences often created unexpected outcomes. The book brings together theories of collection, voice, media, writing, and recording to challenge the transparency of archives as a historical source. Indigenous Audibilities presents a social-historical method of listening, reading, and thinking beyond the referentiality of archived texts, and in the process uncovers neglected genealogies of cultural music research in the Americas"
    Description / Table of Contents: Between the Ear and the Letter : Oral History and U.S. Borderlands -- Radio, Recording, and Inter-American Indigenismo in Mexico -- Folklore, Region, and Revolution in Nicaragua -- Indigenous Collections and Integrative Arts in Chile
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  • 2
    Book
    Book
    Chicago : The University of Chicago Press
    ISBN: 9780226825335 , 0226825337
    Language: English
    Pages: xiii, 299 Seiten , Illustrationen , 23 cm
    DDC: 203/.32094202
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    Keywords: Geschichte 200-1500 ; Zauberformel ; Amulett ; Charms History To 1500 ; Magic History To 1500 ; English literature History and criticism Middle English, 1100-1500 ; English literature History and criticism Old English, ca ; Latin literature, Medieval and modern History and criticism ; Anglo-Norman literature History and criticism ; SOCIAL SCIENCE / Folklore & Mythology ; Anglo-Norman literature ; Charms ; English literature Middle English ; English literature Old English ; Latin literature, Medieval and modern ; Magic ; England ; England ; Criticism, interpretation, etc ; History
    Abstract: "Katherine Storm Hindley explores words at their most powerful: words that people expected would physically change the world. Medieval Europeans often resorted to the use of spoken or written charms to ensure health or fend off danger. Here Hindley draws on an unprecedented archive, based on her own extensive research, and the result is an original sampling of more than a thousand charms from medieval England, more than twice the number gathered, transcribed, and edited in previous studies, including many texts still unknown to specialists on this topic. Focusing on charms from the so-called fallow period (1100-1350) of English history, and on previously unremarked texts in Latin, Anglo-Norman, French, and English, Hindley addresses important questions about how people thought about language, belief, and power, while also injecting a bit of fun into the mix. She describes 700 years of the dynamic, shifting cultural landscape, where multiple languages, invented alphabets, and modes of transmission gained and lost their protective and healing power. Where previous scholarship has bemoaned a lack of continuity in the English charm tradition, Hindley finds surprising links between languages and eras, all without losing sight of the extraordinary variety of the medieval charm tradition: a continuous, deeply rooted part of the English Middle Ages. Textual Magic will be important reading for historians and manuscript studies scholars, and for students from various disciplines in medieval English culture wanting to learn about the many weird and wonderful types and uses of charms during this period. And Hindley's new findings will appeal to a wide number of specialists, including those in literary and religious studies, the medical humanities, and the history of magic. The book should also find a wider general audience, always eager to read about magic and charms
    Note: Literaturangaben
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  • 3
    ISBN: 9798887193212 , 9798887192130
    Language: English
    Pages: 193 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Hanuka, Assaf ; Comic ; Hanuka, Assaf / Criticism and interpretation ; Comic books, strips, etc / Israel / History and criticism ; Comic books, strips, etc ; Israel ; Comics criticism ; Criticism, interpretation, etc ; Comics criticism ; Critiques de bandes dessinées et de romans graphiques ; Hanuka, Assaf 1974- ; Comic
    Abstract: "The Comics of Asaf Hanuka: Telling Particular and Universal Stories tells the story of how cartoonist Asaf Hanuka illustrates both universal and particular narratives. Through close readings of Hanuka's entire catalogue of comics and graphic narratives, Hanuka's work is situated within the broader story of his own experiences of being an insider (as a Jew and Israeli) and an outsider (as a Mizrahi, or Judeo-Arab) in Israeli society. By moving chronologically through Hanuka's works, the book traces how Hanuka navigates these disparate particular identities alongside more universal concerns about how to be a present partner to his spouse and to his children"--
    Description / Table of Contents: Collaborating on projects and developing an artistic voice -- Autographics in The realist -- Responsible adulting in The divine -- Narrating the near and distant past in Hayehudi Haʻaravi -- Concluding The realist and pursuing new projects
    Note: 2311
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  • 4
    ISBN: 9798887192802
    Language: English
    Pages: vi, 418 Seiten
    Series Statement: Polish Studies
    Uniform Title: Odpamiętywanie polsko-żydowskie
    Parallel Title: Erscheint auch als
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    Keywords: Judentum ; Kollektives Gedächtnis ; Judenvernichtung ; Literatur ; Polen ; Polish literature / Jewish authors / History and criticism ; Polish literature / 20th century / History and criticism ; Polish literature / 21st century / History and criticism ; Holocaust, Jewish (1939-1945), in literature ; Collective memory in literature ; Słucki, Arnold / 1920-1972 / Criticism and interpretation ; Littérature polonaise / Auteurs juifs / Histoire et critique ; Littérature polonaise / 20e siècle / Histoire et critique ; Littérature polonaise / 21e siècle / Histoire et critique ; Holocauste, 1939-1945, dans la littérature ; Mémoire collective dans la littérature ; Słucki, Arnold / 1920-1972 ; Collective memory in literature ; Holocaust, Jewish (1939-1945) in literature ; Polish literature ; Polish literature / Jewish authors ; 1900-2099 ; Criticism, interpretation, etc ; Literary criticism ; Literary criticism ; Critiques littéraires ; Polen ; Judentum ; Judenvernichtung ; Kollektives Gedächtnis ; Literatur
    Abstract: "The title of this monograph, 'Polish-Jewish Re-Remembering', refers to the post-1989, thirty-year-long process of reviving attention to Polish-Jewish relations in historical, cultural, and literary studies, including the impact of Jews on the development of Polish culture, their presence in Polish social life, and the relationships between Jews and non-Jews in Poland. The book consists of four parts: the first focuses on Polish, Jewish and Polish-Jewish Literature (dealing mainly with pre-1939 literary works); the second, on the post-war literary output of the Polish-Jewish writer Arnold Słucki (1920-1972); the third, on Polish-Israeli literary images in the works of writers who were active in Israel (1948-2018); and the fourth, on recent (after 2000) Polish Holocaust literature"--
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  • 5
    Book
    Book
    Regina, Saskatchewan, Canada : University of Regina Press
    ISBN: 9780889779211 , 088977921X , 9780889779181 , 088977918X
    Language: English
    Pages: 202 pages , illustrations , 24 cm
    Parallel Title: Online version Hernandez, Sarah (Sarah Raquel) We are the stars
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    Keywords: Dakota literature / History and criticism ; Dakota women / Social life and customs ; Assiniboine women / Social life and customs ; Lakota women / Social life and customs ; Oral tradition / United States ; Collective memory / United States ; Collective memory ; Dakota literature ; Oral tradition ; United States ; Criticism, interpretation, etc
    Abstract: "An emerging Lakota scholar’s critical interrogation of settler-colonial nations that re-centers Oceti Sakowin (Dakota) women as the tribe’s traditional culture keepers and bearers. We Are the Stars is a literary recovery project that seeks to reconstruct a genealogy of Oceti Sakowin (Dakota) literature, and study in-depth the linkages between settler colonialism, literature, nationalism, and gender via analysis of tribal and settler colonial narratives about women and land. Sarah Hernandez begins by exploring how settler colonizers used the printing press and boarding schools to displace Oceti Sakowin women as traditional culture keepers and bearers, with the goal of assimilating completely the Dakota, Nakota, and Lakota nations. She then shifts her focus to decolonization, exploring how contemporary Oceti Sakowin writers and scholars have started to reclaim Dakota, Nakota, and Lakota literatures to decolonize and heal their families, communities, and nations."--
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  • 6
    Online Resource
    Online Resource
    New York, NY : Routledge
    ISBN: 9780429317828
    Language: English
    Pages: 1 Online-Ressource (668 Seiten) , Illustrationen
    Series Statement: Routledge literature handbooks
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    Keywords: Science fiction / Minority authors / History and criticism ; Futurism (Literary movement) ; Minorities in literature ; Criticism, interpretation, etc ; Essays ; Literary criticism ; Essays
    Abstract: "The Routledge Handbook of CoFuturisms delivers a new, inclusive examination of science fiction, from close analyses of single texts to large-scale movements, providing readers with decolonized models of the future, including print, media, race, gender, and social justice. This comprehensive overview of the field explores representations of possible futures arising from non-Western cultures and ethnic histories that disrupt the "imperial gaze." In four parts, The Routledge Handbook of CoFuturisms considers the look of futures from the margins, foregrounding the issues of Indigenous groups, racial, ethnic, religious, and sexual minorities, and any people whose stakes in the global order of envisioning futures are generally constrained due to the mechanics of our contemporary world. The book extends current discussions in the area, looking at cutting-edge developments in the discipline of science fiction and diverse futurisms as a whole. Offering a dynamic mix of approaches and expansive perspectives, this volume will appeal to academics and researchers seeking to orient their own interventions into broader contexts"--
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    ISBN: 9781474476164
    Language: English
    Pages: xiv, 282 Seiten , Illustrationen , 25 cm
    Series Statement: Film and fashions
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    Keywords: Dokumentarfilm ; Dokumentarfotografie ; Mode ; Geschichte ; Documentary films / History and criticism ; Fashion in motion pictures ; Fashion in mass media ; Celebrities in mass media ; Documentary films ; Criticism, interpretation, etc ; Konferenzschrift 2018 ; Konferenzschrift 2018 ; Mode ; Dokumentarfilm ; Dokumentarfotografie ; Geschichte
    Abstract: How and why did fashion documentaries and non-fiction media become so popular? Documenting Fashion explores and reassesses the role of documentary media by tracing its history in shaping our understanding of fashion across multiple platforms and different national contexts, including industrial films, newsreels, TV shows, documentary films, digital media and photography. The essays in this collection underpin and profile a scholarly space in which a dialogue between fashion and documentary studies can evolve by drawing from different methodologies and approaches, such as media and cultural studies, ethnography, archival and museum studies, gender studies, marketing and public relations
    Note: "This edited collection originates from the symposium 'Sewing Reality: Fashion and Non-Fiction Media' organised at the University of Bedfordshire, UK in June 2018" (acknowledgements) , Literaturangaben
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  • 8
    ISBN: 9781032120140 , 1032120142 , 9781032120157 , 1032120150
    Language: English
    Pages: 101 Seiten
    Series Statement: Routledge focus on gender, sexuality, and comics
    Parallel Title: Online version Roman, Christopher M. Queering Wolverine in comics and fanfiction
    DDC: 741.5973
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    Keywords: Wolverine ; Fan-Fiction ; Comic ; Geschlechterforschung ; Wolverine / (Fictitious character) ; Sexual minorities in comics ; Comic books, strips, etc / United States / History and criticism ; Fan fiction / History and criticism ; Wolverine / (Fictitious character) ; Comic books, strips, etc ; Fan fiction ; United States ; Comics criticism ; Criticism, interpretation, etc ; Literary criticism ; Comics criticism ; Literary criticism ; Wolverine Fiktive Gestalt ; Comic ; Fan-Fiction ; Geschlechterforschung
    Abstract: "Queering Wolverine in Comics and Fanfiction: A Fastball Special interrogates the ways in which the Marvel Comics character Wolverine is a queer hero and examines his representation as an open, vulnerable, and kinship-oriented, queer hero in both comics and fanfiction. Despite claims that Wolverine embodies Reagan-era conservatism or hegemonic hyper-masculinity, Wolverine does not conform to gender or sex norms, not only because of his mutant status, but also because his character, throughout his publication history, resists normalization, making him a site for a queer-heroic futurity. Rather than focus on overt queer representations that have appeared in some comic forms, this book explores the queer representations that have preceded Wolverine's bisexual and gay characterizations, and in particular focuses on his porous and vulnerable body. Through important, but not overly analyzed storylines, representations of his open body that is always in process (both visually and narratively), his creation of queer kinships with his fellow mutants, and his eroticized same-sex relationships as depicted in fan fiction, this book traces a queer genealogy of Wolverine. This book is ideal reading for students and scholars of comics studies, cultural studies, gender studies, sexuality studies and literature"--
    Description / Table of Contents: Introduction: A fastball special -- Wolverine and the open body -- Wolverine and queer kinships -- Queering Wolverine in fan fiction -- Conclusion: Wolverine in queer time
    Note: 2305
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  • 9
    ISBN: 9781646425044 , 1646425049 , 9781646424238 , 1646424239
    Language: English
    Pages: xiii, 396 Seiten , Illustrationen, Karten
    Parallel Title: Erscheint auch als Restall, Matthew Friar and the maya
    DDC: 972/.65
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    Keywords: Landa, Diego de Criticism, Textual ; Mayas Antiquities ; Mayas Antiquités ; Antiquities ; Mayas Antiquities ; Yucatán (Mexico : State) History ; Yucatán (Mexico : State) Antiquities ; Yucatán (Mexique : État) Histoire ; Mexico ; Criticism, interpretation, etc ; History
    Abstract: "The Friar and the Maya offers a new translation of Relación de las Cosas de Yucatán (Account of the Things of Yucatan), created over more than a decade from the original manuscript held by the Academia Real in Madrid
    Note: Includes bibliographical references and index. , Text in English and Spanish
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  • 10
    ISBN: 9781496838339 , 9781496838346
    Language: English
    Pages: ix, 286 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
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    DDC: 741.53529
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    Keywords: Geschichte 1930-2022 ; Superheld ; Weißsein ; Rassismus ; Comic ; USA ; Comic books, strips, etc / United States / History and criticism ; Comic books, strips, etc / Social aspects / United States ; Racism / United States / Comic books, strips, etc ; Racism and the arts / United States ; White people / Race identity / United States / Comic books, strips, etc ; Outlaws / Comic books, strips, etc ; Superheroes / Comic books, strips, etc ; Comic books, strips, etc ; Criticism, interpretation, etc ; USA ; Comic ; Superheld ; Rassismus ; Weißsein ; Geschichte 1930-2022
    Abstract: "American comics from the start have reflected the white supremacist culture out of which they arose. Superheroes and comic books in general are products of whiteness, and both signal and hide its presence. Even when comics creators and publishers sought to advance an antiracist agenda, their attempts were often undermined by a lack of awareness of their own whiteness and the ideological baggage that goes along with it. Even the most celebrated figures of the industry, such as Jerry Siegel and Joe Shuster, Jack Jackson, William Gaines, Stan Lee, Robert Crumb, Will Eisner, and Frank Miller, have not been able to distance themselves from the problematic racism embedded in their narratives despite their intentions or explanations. Bandits, Misfits, and Superheroes: Whiteness and Its Borderlands in American Comics and Graphic Novels provides a sober assessment of these creators and their role in perpetuating racism throughout the history of comics. Josef Benson and Doug Singsen identify how whiteness has been defined, transformed, and occasionally undermined over the course of eighty years in comics and in many genres, including westerns, horror, crime, funny animal, underground comix, autobiography, literary fiction, and historical fiction. This exciting and groundbreaking book assesses industry giants, highlights some of the most important episodes in American comic book history, and demonstrates how they relate to one another and form a larger pattern, in unexpected and surprising ways"
    Description / Table of Contents: Introduction -- Chapter one: Race and racism in the birth of the superhero -- Chapter two: The Southern outlaw and the white Indian in Western comics -- Chapter three: Colonialism and primitivism in US Comics -- Chapter four: Civil rights and the limits of liberalism -- Chapter five: Robert Crumb's cathartic racism -- Chapter six: Jewish exceptionalism and assimilation in the 1970s and 1980s -- Chapter seven: Racial borderlands in alternative comics -- Chapter eight: The deconstruction of the white superhero in Watchmen -- Chapter nine: Frank Miller's hyper masculine whiteness and the defense of Western culture -- Chapter ten: Reskinning narratives: taking off the mask -- Conclusion -- Notes -- Bibliography -- Index
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  • 11
    ISBN: 1529327733 , 9781529327731 , 1529327695 , 9781529327694 , 9781529389210
    Language: English
    Pages: vii, 326 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Andersen, Hans Christian ; Villeneuve, Gabrielle-Suzanne de ; Somadeva ; Basile, Giambattista ; Khudiakov, Ivan Aleksandrovich ; Diyāb, Ḥannā ; Grimm, Dorothea ; Märchenerzähler ; Geschichte ; Basile, Giambattista / approximately 1575-1632 ; Dyâb, Hanna ; Villeneuve, Gabrielle-Suzanne Barbot Gallon / dame de / approximately 1695-1755 ; Khudi͡akov, I. A. / (Ivan Aleksandrovich) / 1842-1876 ; Somadeva Bhaṭṭa / active 11th century ; Andersen, H. C. / (Hans Christian) / 1805-1875 ; Fairy tales / History and criticism ; Fairy tales / Social aspects ; Fairy tales / Authorship ; Fairy tales ; Fairy tales / Authorship ; Fairy tales / Social aspects ; Criticism, interpretation, etc ; Biographies ; Fairy tales ; Märchenerzähler ; Geschichte ; Grimm, Dorothea 1793-1867 ; Basile, Giambattista 1575-1632 ; Diyāb, Ḥannā 1689-XXXX ; Somadeva 11. Jh. ca. 11. Jh. ; Andersen, Hans Christian 1805-1875 ; Khudiakov, Ivan Aleksandrovich 1842-1876 ; Villeneuve, Gabrielle-Suzanne de 1695-1755
    Abstract: In this far-ranging quest, the author unearths the lives of the dreamers who made our most beloved fairy tales: inventors, thieves, rebels and forgotten geniuses who gave us classic tales such as Cinderella, Hansel and Gretel, Beauty and the Beast, and Baba Yaga
    Description / Table of Contents: A snail at the foot of the mountain, Giambattista Basile -- An accidental storyteller, Hanna Dyab -- Of shrews and salons, Gabrielle-Suzanne Barbot de Villeneuve -- The girl from the golden sun, Dortchen Wild -- The rise and fall of Ivan the fool, Ivan Khudiakov -- A valley haunted by demons, Somadeva -- A heart too warm for ice, Hans Christian Andersen
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  • 12
    Book
    Book
    New York, NY : W. W. Norton & Company
    ISBN: 9780393651386
    Language: English
    Pages: xvi, 325 Seiten , Illustrationen, Karten, Notenbeispiel
    Edition: First edition
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Nationalhymne ; USA ; Star-spangled banner (Song) ; Patriotic music / United States / History and criticism ; Musique patriotique / États-Unis / Histoire et critique ; MUSIC / History & Criticism ; Star-spangled banner (Song) ; Patriotic music ; United States ; Criticism, interpretation, etc ; USA ; Nationalhymne ; Geschichte
    Abstract: "The fascinating story of America's national anthem and an examination of its powerful meaning today. Most Americans learn the tale in elementary school: During the War of 1812, Francis Scott Key witnessed the daylong bombardment of Baltimore's Fort McHenry by British navy ships; seeing the Stars and Stripes still flying proudly at first light, he was inspired to pen his famous lyric. What Americans don't know is the story of how this everyday "broadside ballad," one of thousands of such topical songs that captured the events and emotions of early American life, rose to become the nation's one and only anthem and today's magnet for controversy. In O Say Can You Hear? Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song's use in sports, at times of war, and for political protest, he argues that the anthem's meaning reflects-and is reflected by-the nation's quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key's song is the story of America itself. Each chapter in the book explores a different facet of the anthem's story. In one, we learn the real history behind the singing of the anthem at sporting events; in another, Clague explores Key's complicated relationship with slavery and its repercussions today. An entire is chapter devoted to some of the most famous performances of the anthem, from Jimi Hendrix at Woodstock to Roseanne Barr at a baseball game to the iconic Whitney Houston version from the 1991 Super Bowl. At every turn, the book goes beyond the events to explore the song's resonance and meaning. From its first lines Key's lyric poses questions: "O say can you see?" "Does that banner yet wave?" Likewise, Clague's O Say Can You Hear? raises important questions about the anthem; what it meant in 1814, what it means to us today, and why it matters."
    Description / Table of Contents: Prologue -- American Dreams : Francis Scott Key and the Writing of The Star-Spangled Banner -- Origins of a Melody : The Music of The Star- Spangled Banner -- Banner Ballads : The Many Lyrics of The Star- Spangled Banner -- The Banner at War : A Song Sanctified -- Play Ball! : The Banner in Sports -- Singing Citizenship : A Tradition of Dissent -- Nation in Translation : Language and the Politics of Belonging -- The Anthem and Black Lives : An American History -- Performing Patriotism : Musical Style as Social Symbol -- Postlude. Composing Nation
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  • 13
    Book
    Book
    Lanham ; Boulder ; New York ; London : Lexington Books
    ISBN: 9781666900880
    Language: English
    Pages: xx, 241 Seiten , Illustrationen, Karten, Notenbeispiele
    Series Statement: The Lexington series in historical ethnomusicology: deep soundings
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Rezeption ; Islam ; Ensemble ; Einflussnahme ; Hofmusik ; Malaysia ; Islamische Staaten ; Nobat ; Music / Southeast Asia / History and criticism ; Music / Political aspects / Southeast Asia / History ; Courts and courtiers / History ; Islam / Southeast Asia / History ; Courts and courtiers ; Islam ; Music ; Music / Political aspects ; Southeast Asia ; Criticism, interpretation, etc ; History ; Malaysia ; Islam ; Hofmusik ; Ensemble ; Einflussnahme ; Rezeption ; Islamische Staaten ; Geschichte
    Abstract: "The Malay Nobat: A History of Power, Acculturation, and Sovereignty explores the history and meaning of the nobat, its spread throughout the Muslim empire, and its emergence as a symbol of power and sovereignty, ultimately showing how existing nobat ensembles in Malaysia and Brunei are the last living legacy of the Mulism world"--
    Description / Table of Contents: Introduction -- Early Histories -- The Malay Nobat -- The Nobat in Early Malay Literature : A Lesson from Patani -- The Adat Aceh and 17th Century European Encounter -- From British Colonialism to Independence -- Conclusion
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  • 14
    Book
    Book
    Lanham ; Bouder ; New York ; London : Lexington Books
    ISBN: 9781793637123
    Language: English
    Pages: xii, 217 Seiten
    Series Statement: Jewish science fiction and fantasy
    Parallel Title: Erscheint auch als
    DDC: 808.8398924
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    Keywords: Popkultur ; Juden ; USA ; Science fiction / History and criticism ; Science fiction / Religious aspects / Judaism ; Science fiction / Jewish authors ; Fantasy fiction / Jewish authors ; Jews / Fiction ; Criticism, interpretation, etc ; USA ; Juden ; Popkultur
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  • 15
    Book
    Book
    Newcastle upon Tyne, UK : Cambridge Scholars Publishing
    ISBN: 9781527567757
    Language: English
    Pages: vi, 238 Seiten , 22 cm
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    Keywords: Tzara, Tristan ; Andrade, Mário de ; Primitivismus ; Dadaismus ; Avantgarde ; Modernismus ; Frankreich ; Brasilien ; Tzara, Tristan / 1896-1963 / Criticism and interpretation ; Andrade, Mário de / 1893-1945 / Criticism and interpretation ; Andrade, Mário de / 1893-1945 ; Tzara, Tristan / 1896-1963 ; Modernism (Literature) / History ; Criticism, interpretation, etc ; Brasilien ; Frankreich ; Avantgarde ; Modernismus ; Dadaismus ; Primitivismus ; Tzara, Tristan 1896-1963 ; Andrade, Mário de 1893-1945
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  • 16
    Book
    Book
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 9780674052819
    Language: English
    Pages: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
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    Keywords: Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Abstract: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Note: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
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  • 17
    ISBN: 978-90-04-46425-4
    Language: English
    Pages: XVI, 312 Seiten ; , 25 cm.
    Series Statement: Youth in a globalizing world volume 15
    Series Statement: Youth in a globalizing world
    Parallel Title: Erscheint auch als
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    Keywords: 1900-2099 ; English fiction / 21st century / History and criticism ; English fiction / 20th century / History and criticism ; Youth in literature ; Postcolonialism in literature ; English fiction ; Englisch. ; Literatur. ; Postkolonialismus ; Jugend ; Aufsatzsammlung ; Criticism, interpretation, etc ; Englisch ; Literatur ; Postkolonialismus ; Jugend
    Abstract: "The concepts of 'youth' and the 'postcolonial' both inhabit a liminal locus where new ways of being in the world are rehearsed and struggle for recognition against the impositions of dominant power structures. Departing from this premise, the present volume focuses on the experience of postcolonial youngsters in contemporary Britain as rendered in fiction, thus envisioning the postcolonial as a site of fruitful and potentially transformative friction between different identitary variables or sociocultural interpellations. In so doing, this volume provides varied evidence of the ability of literature-and of the short story genre, in particular-to represent and swiftly respond to a rapidly changing world as well as to the new socio-cultural realities and conflicts affecting our current global order and the generations to come. Contributors are: Isabel M. Andrés-Cuevas, Isabel Carrera-Suárez, Claire Chambers, Blanka Grzegorczyk, Bettina Jansen, Indrani Karmakar, Carmen Lara-Rallo, Laura María Lojo-Rodríguez, Noemí Pereira-Ares, Gérald Préher, Susanne Reichl, Carla Rodríguez-González, Jorge Sacido-Romero, Karima Thomas and Laura Torres-Zúñiga"
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  • 18
    Online Resource
    Online Resource
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9781003036890
    Language: English
    Pages: 1 Online-Ressource (viii, 269 eiten)
    Series Statement: Routledge research in transnational indigenous perspectives
    Parallel Title: Erscheint auch als
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    Keywords: Indigenes Volk ; Indianer ; Gesundheit ; Medizin ; Literatur ; USA ; American literature / Indian authors / History and criticism ; Indians in literature ; Health in literature ; Medicine in literature ; Indians of North America / Health and hygiene / Sociological aspects ; Indians of North America / Social conditions ; American literature / Indian authors ; Health in literature ; Indians in literature ; Indians of North America / Social conditions ; Medicine in literature ; Criticism, interpretation, etc ; USA ; Indianer ; Literatur ; Gesundheit ; Medizin ; USA ; Indigenes Volk ; Literatur ; Gesundheit ; Medizin
    Abstract: "This book explores Native American literary responses to biomedical discourses and biomedicalization processes as they circulate in social and cultural contexts. Native American communities resist reductivism of biomedicine that excludes indigenous (and non-Western) epistemologies and instead draw attention to how illness, healing, treatment, and genetic research are socially constructed and dependent on inherently racialist thinking. This volume highlights how interventions into the hegemony of biomedicine are vigorously addressed in Native American literature. The chapters cover tuberculosis and diabetes epidemics, the emergence of Native American DNA, discoveries in biotechnology and the problematics of a biomedical model of psychiatry. They analyze work by writers including Louise Erdrich, Sherman Alexie and LeAnne Howe, Kim TallBear, Linda Hogan, Heid Erdrich, Elissa Washuta, and Frances Washburn. The book will appeal to scholars of Native American and Indigenous Studies, as well as to others with an interest in literature and medicine"
    Description / Table of Contents: Virgin soil theory, boarding schools, and medical experimentation : a history of tuberculosis among Native Americans -- Tuberculosis, biopower, and embodied resistance in Madonna Swan : a Lakota woman's story, as told through Mark S. Pierre and Louise Erdrich's LaRose -- Developing indigenous models of diabetes : from genetic fatalism to community-based approaches -- Beyond the biomedical model of diabetes : settler colonialism, traditional foodways, and historical trauma in Sherman Alexie's selected works and LeAnne Howe's Miko Kings : an Indian baseball story -- From blood memory to genetic memory, and the emergence of Native American DNA : a story of biocolonialism at the turn of the millennium -- "We remember our ancestors and their lives deep in our bodily cells" : mapping history in space and genes in Linda Hogan's autobiographical writing -- The traffic of cells and ideas : Heid E. Erdrich's biotechnological poetry -- Biomedical psychiatry, Native American identity, and the politics of visibility in Elissa Washuta's My body is a book of rules
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 19
    ISBN: 9781800730144
    Language: English
    Edition: First paperback edition
    Additional Information: Rezensiert in Gelderloos, Carl [Rezension von: Leucht, Robert, 1975-, Dynamiken politischer Imagination] 2017
    Series Statement: Austrian and Habsburg studies volume 19
    Series Statement: Austrian and Habsburg studies
    DDC: 830.9/943613
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    Keywords: Austrian literature History and criticism ; Austrian literature History and criticism 19th century ; Utopias in literature ; Colonies in literature ; Austrian literature History and criticism ; Austria ; Vienna ; Austrian literature History and criticism ; 19th century ; Utopias in literature ; Colonies in literature ; Austrian literature ; Colonies in literature ; Intellectual life ; Utopias in literature ; Vienna (Austria) Intellectual life 19th century ; Vienna (Austria) Intellectual life ; 19th century ; Austria ; Vienna ; Criticism, interpretation, etc ; Österreich ; Literatur ; Utopie ; Kolonialismus ; Geschichte 1870-1938
    Abstract: Introduction -- Utopian periphery -- Utopia or theosophy -- Seeking emptiness -- Vienna in Palestine -- Epilogue
    Note: Includes bibliographical references and index
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  • 20
    Book
    Book
    Lanham ; Boulder ; New York ; London :Lexington Books, an imprint of The Rowman & Littlefield Publishing Group, Inc.,
    ISBN: 978-1-7936-4438-1 , 978-1-79364-438-1
    Language: English
    Pages: XX, 165 Seiten ; , 24 cm.
    Parallel Title: Erscheint auch als
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    Keywords: Africa ; 1900-2099 ; Geschichte ; African fiction (English) / 20th century / History and criticism ; African fiction (English) / 21st century / History and criticism ; Motion pictures / Africa / History and criticism ; Women in motion pictures ; Women in literature ; Women / Africa / Social conditions ; African fiction (English) ; Motion pictures ; Women / Social conditions ; Frauenliteratur. ; Frau. ; Gesellschaft. ; Afrika. ; Criticism, interpretation, etc ; Frauenliteratur ; Frau ; Gesellschaft ; Geschichte
    Abstract: "This book explores the history and evolution of women's roles in African society and literature. The author examines oral stories and biographies to show how colonialization worked to oppress women in Africa and studies contemporary African literature and film to reveal the ways women and their roles, both in fiction and reality, have progressed"--
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  • 21
    ISBN: 9781978806030 , 9781978806047 , 1978806043
    Language: English
    Pages: 205 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 741.6
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    Keywords: Comic ; Geschlechterrolle ; Superheld ; USA ; Comic books, strips, etc / History and criticism ; Superheroes in literature ; Gender identity in literature ; Race awareness in literature ; National characteristics, American, in literature ; Comic books, strips, etc ; Gender identity in literature ; National characteristics, American, in literature ; Race awareness in literature ; Superheroes in literature ; Criticism, interpretation, etc ; USA ; Comic ; Superheld ; Geschlechterrolle
    Abstract: "Hot Pants and Spandex Suits looks at representations of gender and its intersection with sexuality and race through the figure of the superhero. It places superheroes in their socio-historical context, particularly those published by the 'Big Two' publishers in the industry: Marvel and DC. The superheroes are: Superman, Captain America, Iron Man, Wonder Woman, Supergirl, Wiccan, Hulkling, Batwoman, Luke Cage, Falcon, Storm and Ms Marvel. Focusing on superheroes' first appearance in World War II up to their current iterations, author Esther De Dauw looks at how superheroes have changed and adapted to either match or challenge prevailing ideas about gender, including views on masculinity and femininity in the US military, attitudes towards American national identity, how gender intersects with sexuality for gay superheroes and how the lack of representation of minority communities impacts the superhero of color. What do superheroes say about and to us? Considering how gender, race and sexuality are often inextricably enmeshed in representation politics, this book offers an analysis that examines how all these different identities intersect and how that intersection itself produces ideas about gender. What is it that superheroes teach us about what it means to be a man or a woman when we're white or gay or Black? Following this analysis, it offers strategies and solutions to the question of representation within both the comic book industry and comic book scholarship. This book will be of interest to anyone interested in superheroes, including comic book scholars, gender studies' scholars, Critical Race scholars and scholars in the field of American Studies"--
    Library Location Call Number Volume/Issue/Year Availability
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  • 22
    ISBN: 9789004464414
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Diagramme
    Series Statement: Scottish cultural review of language and literature volume 31
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Volkslied ; Schottland ; Folk songs, Scots / Scotland / Sources ; Folk songs, English / Scotland / Sources ; Folk songs, Scots / Scotland / History and criticism ; Folk songs, English / Scotland / History and criticism ; Scots / Music / History and criticism ; Scottish Travellers (Nomadic people) / Music / History and criticism ; Music / Social aspects / Scotland / History ; Folk singers / Scotland ; Greig-Duncan folk song collection ; School of Scottish Studies Archives (Edinburgh) ; Folk singers ; Folk songs, English ; Folk songs, Scots ; Music / Social aspects ; Scotland ; Criticism, interpretation, etc ; History ; Sources ; Schottland ; Volkslied ; Geschichte
    Abstract: "This book offers a detailed analysis of two major Scottish folk song collections, the Greig-Duncan Collection, and the Scots folk song material of the School of Scottish Studies Archives. This exhaustive study of song transmission includes all contributors, not only notable singers. The scattered information, marshalled into quantifiable data, throws light on such topics as transmission within and outside the family, the role of literacy, the public reticence of women singers, the association between the Travellers and the big ballads, and the impact of social changes in the late nineteenth century, and of broadcast music in the 1920s. The new opportunities opened up by digitisation are explored here for the first time."
    Description / Table of Contents: Introduction -- Weighing the Catch -- Did Greig and Duncan Neglect the Travellers? -- Song Transmission -- The Reticence of Female Singers -- The Devolution of the Child Ballads to the Travellers -- Social Change and Education versus Tradition -- The Missing Singers of the 1920s -- Conclusions
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 23
    ISBN: 9780367478520 , 9780367557683
    Language: English
    Pages: viii, 269 Seiten
    Series Statement: Routledge research in transnational indigenous perspectives
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 810.9/897
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    Keywords: Gesundheit ; Indigenes Volk ; Literatur ; Indianer ; Medizin ; USA ; American literature / Indian authors / History and criticism ; Indians in literature ; Health in literature ; Medicine in literature ; Indians of North America / Health and hygiene / Sociological aspects ; Indians of North America / Social conditions ; American literature / Indian authors ; Health in literature ; Indians in literature ; Indians of North America / Social conditions ; Medicine in literature ; Criticism, interpretation, etc ; USA ; Indigenes Volk ; Literatur ; Gesundheit ; Medizin ; USA ; Indianer ; Literatur ; Gesundheit ; Medizin
    Abstract: "This book explores Native American literary responses to biomedical discourses and biomedicalization processes as they circulate in social and cultural contexts. Native American communities resist reductivism of biomedicine that excludes indigenous (and non-Western) epistemologies and instead draw attention to how illness, healing, treatment, and genetic research are socially constructed and dependent on inherently racialist thinking. This volume highlights how interventions into the hegemony of biomedicine are vigorously addressed in Native American literature. The chapters cover tuberculosis and diabetes epidemics, the emergence of Native American DNA, discoveries in biotechnology and the problematics of a biomedical model of psychiatry. They analyze work by writers including Louise Erdrich, Sherman Alexie and LeAnne Howe, Kim TallBear, Linda Hogan, Heid Erdrich, Elissa Washuta, and Frances Washburn. The book will appeal to scholars of Native American and Indigenous Studies, as well as to others with an interest in literature and medicine"
    Description / Table of Contents: Virgin soil theory, boarding schools, and medical experimentation : a history of tuberculosis among Native Americans -- Tuberculosis, biopower, and embodied resistance in Madonna Swan : a Lakota woman's story, as told through Mark S. Pierre and Louise Erdrich's LaRose -- Developing indigenous models of diabetes : from genetic fatalism to community-based approaches -- Beyond the biomedical model of diabetes : settler colonialism, traditional foodways, and historical trauma in Sherman Alexie's selected works and LeAnne Howe's Miko Kings : an Indian baseball story -- From blood memory to genetic memory, and the emergence of Native American DNA : a story of biocolonialism at the turn of the millennium -- "We remember our ancestors and their lives deep in our bodily cells" : mapping history in space and genes in Linda Hogan's autobiographical writing -- The traffic of cells and ideas : Heid E. Erdrich's biotechnological poetry -- Biomedical psychiatry, Native American identity, and the politics of visibility in Elissa Washuta's My body is a book of rules
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  • 24
    ISBN: 9780190065423 , 9780190065416
    Language: English
    Pages: viii, 335 Seiten , Illustrationen , 25 cm
    Parallel Title: Erscheint auch als Jones, Alisha Lola Flaming?
    DDC: 782.25/40811
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    Keywords: Gospel music History and criticism ; African American male singers ; African Americans Sexual behavior ; Sex role in music ; African American male singers ; African Americans ; Sexual behavior ; Gospel music ; Sex role in music ; Criticism, interpretation, etc ; Gospelsong ; Afroamerikanische Musik
    Abstract: Setting the Atmosphere: an Introduction -- "I Am Delivert!" : The Pentecostal Altar Call and Vocalizing Black Men's Testimonies of Deliverance from Homosexuality -- "Men Don't Sing Soprano" : Black Countertenors and Gendered Sound in the Sermonic Selection -- Pole Dancing For Jesus : Pentecostal Religious Pluralism and The Bodily Performance of Sexual Ambiguity in Liturgical Dance -- "Peculiar 'Til I D.I.E." : War Cries, Undignified Praise in Gospel Go-Go Music -- "Wired" : (De)Coding Tonéx's Unapologetic Queer Body Theology -- Ritualizing the Unspoken : Memory, Separation, and The Rhetorical Art of Silence -- Church Realness : The Performance of Discretionary Devices and Heteropresentation in the House of God -- "Preaching to the Choir and Being Played" : An Altar Call.
    Abstract: ""Flaming?: The Peculiar Theo-Politics of Fire and Desire in Black Male Gospel Performance examines the rituals and social interactions of African American men who use gospel music making as a means of worshiping God and performing gendered identities. Prompted by the popular term "flaming(g)" that is used to identify over-the-top or peculiar performance of identity, Flaming? argues that these men wield and interweave a variety of multivalent aural-visual cues, including vocal style, gesture, attire, and homiletics, to position themselves along a spectrum of gender identities. These multi-sensory enactments empower artists (i.e., "peculiar people") to demonstrate modes of "competence" that affirm their fitness to minister through speech and song. Through a progression of transcongregational case studies, Flaming? observes the ways in which African American men traverse tightly knit social networks to negotiate their identities through and beyond the worship experience. Coded and "read" as either "hyper-masculine," queer, or sexually ambiguous, peculiar gospel performances are often a locus of nuanced protest, facilitating a critique of heteronormative theology, while affording African American men opportunities for greater visibility and access leadership. Same-sex relationships among men constitute an open secret that is carefully guarded by those who elect to remain silent in the face of traditional theology, but musically performed by those compelled to worship "in Spirit and in truth." This book thus examines the performative mechanisms through which black men acquire an aura of sexual ambiguity, exhibit an ostensible absence of sexual preference, and thereby gain social and ritual prestige in gospel music circles. ""--
    Note: Includes bibliographical references and index
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  • 25
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367260323
    Language: English
    Pages: xii, 151 Seiten , Karten
    Series Statement: Global Africa 14
    Series Statement: Routledge focus
    Series Statement: Global Africa
    Parallel Title: Erscheint auch als
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    Keywords: Yoruba ; Mündliche Überlieferung ; Nigeria ; Folk songs, Yoruba / Nigeria / Ilorin ; Folk songs, Yoruba / History and criticism ; Folk songs, Yoruba / Religious aspects / Islam ; Oral tradition / Nigeria / Ilorin ; Folk songs, Yoruba ; Oral tradition ; Nigeria / Ilorin ; Criticism, interpretation, etc ; Nigeria ; Yoruba ; Mündliche Überlieferung
    Description / Table of Contents: Geography and culture of Ilorin -- Performance, poetry and oral traditions overview -- Developmental stages of Dàdàkúàdá -- Influence of Islam on Dàdàkúàdá -- Performance techniques -- Politics, partisanship and traditional oral poetry: an example of Odolaye Aremu -- Aremu Ose and performance topicality -- Aesthetic and didactic dimensions in Dàdàkúàdá -- Some Dàdàkúádá songs: Jaigbade Alao, Aremu Ose, Odolaye Aremu, Omoekee Amao, Karimu Isale Abata
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  • 26
    Book
    Book
    Manchester : Manchester University Press
    ISBN: 9781526131348 , 9781526131362
    Language: English
    Pages: xx, 542 Seiten , Illustrationen
    Series Statement: Anthropology, creative practice and ethnography
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Ethnologischer Film ; Autorschaft ; Ethnographic films / Authorship ; Ethnographic films / History and criticism ; Ethnographic films ; Criticism, interpretation, etc ; Ethnologischer Film ; Autorschaft ; Geschichte
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 27
    Book
    Book
    Urbana ; Chicago ; Springfield :University of Illinois Press,
    ISBN: 978-0-252-04332-1 , 978-0-252-08631-1
    Language: English
    Pages: xi, 274 Seiten : , Illustrationen.
    Series Statement: 〈〈The〉〉 new Black studies series
    Parallel Title: Erscheint auch als
    DDC: 810.9896073
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    Keywords: United States ; American literature / African American authors / History and criticism ; American literature / Women authors / History and criticism ; Women and literature / United States / History ; African American women in literature ; African Americans in literature ; African American women / Intellectual life ; African American women / Social life and customs ; African Americans / Race identity ; American literature / African American authors ; American literature / Women authors ; Women and literature ; Schwarze Frau. ; Bürgerrecht. ; USA. ; Criticism, interpretation, etc ; History ; Schwarze Frau ; Bürgerrecht
    Abstract: "Most Americans would agree that devoted wives and mothers make families strong and that strong families are the bedrock of society. Yet, throughout this nation's history, black women have managed to become model mothers and wives, but their doing so has not kept them from being mistaken for "welfare queens" and "baby mamas," the stereotypes that most consistently shape U.S. public policy. In this book, Koritha Mitchell shows the evolving connections between black women's homemaking and citizenship from domesticities of the slave cabin and to Michelle Obama in the White House. Drawing on canonical texts by and about African American women, Mitchell begins by connecting the roles of black women as rape survivor, race mother, single lady, matriarch, the strong black woman, and the evolving black women to the various roles that the site of the home served in the eras of post-emancipation, the New Negro, Civil Rights, post-civil rights, and the "post-racial." By looking at key protagonists in literary texts by authors like Frances Harper, Zora Neale Hurston, Lorraine Hansberry, Octavia Butler, and Alice Walker, Mitchell exposes us to the palpable tension that emerges when African Americans, especially women, continue to invest in traditional domesticity even while seeing the signs that it will not yield for them the respectability and safety it should--black women might become decent housekeepers, but never homemakers. All in all, the confluence of these domestic locations and scripts shows that at every juncture, the home was a site where African American women and families negotiated and reasserted their citizenship in a society and culture that consistently and persistently continues to marginalize and assert violence against African Americans, regardless of how they met standards of respectability and citizenry."
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 28
    Book
    Book
    Amherst ; Boston : University of Massachusetts Press
    ISBN: 9781625345301 , 9781625345295
    Language: English
    Pages: xii, 220 Seiten
    Series Statement: American popular music
    Parallel Title: Erscheint auch als
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    Keywords: Gellert, Lawrence ; Geschichte ; Protestbewegung ; Folk music ; Afroamerikanische Musik ; African Americans / Music / History and criticism ; Folk music / United States / History and criticism ; Protest songs / United States / History and criticism ; Gellert, Lawrence / 1898-1979 ; Music / Historiography ; African Americans / Historiography ; Music / Political aspects / United States / History / 20th century ; Gellert, Lawrence / 1898-1979 ; African Americans / Historiography ; African Americans / Music ; Folk music ; Music / Historiography ; Music / Political aspects ; Protest songs ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Gellert, Lawrence 1898-1979 ; Afroamerikanische Musik ; Folk music ; Protestbewegung ; Geschichte
    Abstract: "Lawrence Gellert has long been a mysterious figure in American folk and blues studies, gaining prominence in the left-wing folk revival of the 1930s for his fieldwork in the U.S. South. A "lean, straggly-haired New Yorker," as Time magazine called him, Gellert was an independent music collector, without formal training, credentials, or affiliation. At a time of institutionalized suppression, he worked to introduce white audiences to a tradition of black musical protest that had been denied and overlooked by prior white collectors. By the folk and blues revival of the 1960s, however, when his work would again seem apt in the context of the civil rights movement, Gellert and his collection of Negro Songs of Protest were a conspicuous absence. A few leading figures in the revival defamed Gellert as a fraud, dismissing his archive of black vernacular protest as a fabrication-an example of left-wing propaganda and white interference. A Sound History is the story of an individual life, an excavation of African American musical resistance and dominant white historiography, and a cultural history of radical possibility and reversal in the defining middle decades of the U.S. twentieth century"--
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  • 29
    Online Resource
    Online Resource
    Minneapolis, London : University of Minnesota Press
    ISBN: 9781452961248
    Language: English
    Pages: 1 Online-Ressource (319 Seiten) , Illustrationen
    Series Statement: Indigenous Americas
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.8997071
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    Keywords: Geschichte 1990-2020 ; Indigenes Volk ; Kulturkontakt ; Entkolonialisierung ; Partizipation ; Musik ; Multikulturelle Gesellschaft ; Kanada ; Indigenous peoples / Canada / Music / History and criticism ; Music / Canada / History and criticism ; Decolonization / Canada ; Appropriation (Arts) / Canada ; Multiculturalism / Canada ; MUSIC / Ethnomusicology ; Appropriation (Arts) ; Decolonization ; Multiculturalism ; Music ; Canada ; Electronic books ; Electronic books ; Criticism, interpretation, etc ; Kanada ; Indigenes Volk ; Entkolonialisierung ; Musik ; Multikulturelle Gesellschaft ; Partizipation ; Kulturkontakt ; Geschichte 1990-2020
    Abstract: "This highly theoretical work of ethnomusicology is a reclamation of Indigenous ceremonial and artistic practice arguing that the inclusion and appropriation of Indigenous performers in classical music traditions only enriches the settler nation-state. Robinson gives shape to Western musical and aesthetic practices as well as to Indigenous listening practices in order to eschew traditional (Western) forms of musical analysis. Instead, the work argues that new modes of listening and studying reception, emerging out of critical Indigenous studies, are essential to understanding Indigenous musical expression in ways that do not reify the power of the settler state"--
    Description / Table of Contents: Introduction. Writing Indigenous Space -- Hungry Listening -- Event Score for Guest Listening I -- Writing about Musical Intersubjectivity -- xwélalà:m, Raven Chacon's Report -- Contemporary Encounters Between Indigenous and Early Music -- Event Score for Return -- Ethnographic Redress, Compositional Responsibility -- Event Score for Responsibility : "qimmit katajjaq / sqwélqwel tl'sqwmá:y" -- Feeling Reconciliation -- Event Score to Act
    URL: JSTOR
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  • 30
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496830609 , 9781496830524
    Language: English
    Pages: 272 Seiten , Illustrationen
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Davis, Betty ; Scott-Heron, Gil ; Khan, Chaka ; Geschichte 1970-1979 ; Soul ; Funk ; Blues ; USA ; Funk (Music) / History and criticism ; Funk (Music) ; Criticism, interpretation, etc ; USA ; Funk ; Blues ; Soul ; Geschichte 1970-1979 ; Khan, Chaka 1953- ; Scott-Heron, Gil 1949-2011 ; Davis, Betty 1945-2022 ; Funk
    Abstract: "Tony Bolden presents an innovative history of funk music focused on the performers, regarding them as intellectuals who fashioned a new aesthetic. Utilizing musicology, literary studies, performance studies, and African American intellectual history, Bolden explores what it means for music, or any cultural artifact, to be funky. Multitudes of African American musicians and dancers created aesthetic frameworks with artistic principles and cultural politics that proved transformative. Bolden approaches the study of funk and black musicians by examining aesthetics, poetics, cultural history, and intellectual history. The study traces the concept of funk from early blues culture to a metamorphosis into a full-fledged artistic framework and a named musical genre in the 1970s, and thereby Bolden presents an alternative reading of the blues tradition. In part one of this two-part book, Bolden undertakes a theoretical examination of the development of funk and the historical conditions in which black artists reimagined their music. In part two, he provides historical and biographical studies of key funk artists, all of whom transfigured elements of blues tradition into new styles and visions. Funk artists, like their blues relatives, tended to contest and contextualize racialized notions of blackness, sexualized notions of gender, and bourgeois notions of artistic value. Funk artists displayed contempt for the status quo and conveyed alternative stylistic concepts and social perspectives through multimedia expression. Bolden argues that on this road to cultural recognition, funk accentuated many of the qualities of black expression that had been stigmatized throughout much of American history"--
    Note: Intro , Groove theory: liner notes on funk aesthetics , Blue funk: the ugly beauty of stank , Sly Stone and the gospel of funk -- , Songbird: Chaka Khan as funk queen , Funky bluesology: Gil Scott-Heron as black organic intellectual , The kinkiness of turquoise: Betty Davis's liberated funk-rock
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  • 31
    Book
    Book
    Ottawa, Ontario : University of Ottawa Press
    ISBN: 9780776631202 , 9780776629926
    Language: English
    Pages: XXII, 247 Seiten , Illustrationen
    Series Statement: Canadian studies
    Uniform Title: De demonen van Leonard Cohen (2015)
    Parallel Title: Erscheint auch als Mus, Francis Demons of Leonard Cohen
    Parallel Title: Erscheint auch als Mus, Francis Demons of Leonard Cohen
    Parallel Title: Erscheint auch als Mus, Francis Demons of Leonard Cohen
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    Keywords: Cohen, Leonard ; Canadian poetry (English) / 20th century / History and criticism ; Poets, Canadian (English) / 20th century / Biography ; Cohen, Leonard / 1934-2016 / Criticism and interpretation ; Cohen, Leonard / 1934-2016 ; Criticism, interpretation, etc ; Biografie
    Abstract: "Who speaks in Leonard Cohen's oeuvre? By identifying the many guises in which Cohen presents himself to his audience, Francis Mus seeks to formulate an answer to this question. The countless roles assumed by Cohen's persona are not some innocent game, but strategies in response to the sometimes conflicting demands of a 'life in art': they serve as masks that represent the performer's face and state of mind in a heightened yet detached way. In and around the artistic work, they are embodied in different guises or 'demons': image (the poser), artistry (the writer and singer), alienation (the stranger and the confidant), religion (the worshipper, prophet, or priest), and power (the powerful or powerless). Ultimately, Cohen's artistic practice can be read as an attempt at forging interpersonal contact. The wide international circulation of Cohen's work has resulted in a partial severing with the context of its creation. Much of it has filtered through the public image forged by the artist and his critics in concerts, interviews and reflective texts. Consequently, this monograph is less a biography than a reception study, supplemented with extensive archival research, unpublished documents, and interviews with colleagues and privileged witnesses. At the same time, this book sheds new light on the dynamic of a comprehensive oeuvre spanning a period of sixty years.
    Note: Includes bibliographical references
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  • 32
    ISBN: 978-1-7936-1529-9
    Language: English
    Pages: xxxvii, 193 Seiten ; , 23 cm.
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Masculinity in literature ; Blacks in literature ; African literature / Black authors / History and criticism ; American literature / African American authors / History and criticism ; Caribbean literature / Black authors / History and criticism ; African literature / Black authors ; American literature / African American authors ; Caribbean literature / Black authors ; Schwarze. ; Literatur. ; Männlichkeit ; Afrika. ; Karibik. ; USA. ; Criticism, interpretation, etc ; Schwarze ; Literatur ; Männlichkeit
    Abstract: "Masculinity Under Construction analyzes Black male identity through the works of various authors from Africa, the Caribbean, and North America. The book discusses the works of canonical Black authors from the pan-African diaspora in order to identify similarities in the construction of male identity in global Black communities"--
    Description / Table of Contents: Introduction: Masculinity and Mutability -- Racialized Degendering: Creating the Black Beast in the Shadow of the Enlightenment -- Black Men, Oppositional Definitions, and Primordial Africa -- Black Masculine Identities from Their Own Histories -- A Word on Black Feminists, Womanists, Men, and Writers -- Concerns of the Heart(h): Three Black Women Writers and Masculinity -- Out of Necessity: Black Men Evaluate Definitions of Masculinity -- Conclusion
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  • 33
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030349240
    Language: English
    Pages: xv, 220 Seiten , Illustrationen
    Series Statement: Palgrave studies in literary anthropology
    Parallel Title: Erscheint auch als
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    Keywords: Autoethnografie ; Stadtentwicklung ; Ethnomethodologie ; Fiktion ; Bangalore ; Johannesburg ; Literature and anthropology / South Africa ; South African literature / History and criticism ; Ethnology / South Africa ; Literature and anthropology ; Ethnology ; Fiction / History and criticism ; Ethnology ; Fiction ; Literature and anthropology ; South African literature ; South Africa ; Criticism, interpretation, etc ; Johannesburg ; Bangalore ; Stadtentwicklung ; Autoethnografie ; Fiktion ; Ethnomethodologie
    Library Location Call Number Volume/Issue/Year Availability
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  • 34
    ISBN: 9781526143532 , 1526143534
    Language: English
    Pages: xi, 255 Seiten , 24 cm
    Edition: this edition first published
    Parallel Title: Äquivalent
    RVK:
    Keywords: Französisch ; Migrantenliteratur ; Nordafrika ; French literature / 20th century / History and criticism ; French literature / 21st century / History and criticism ; North Africans / France ; Immigrants in literature ; Immigrants in motion pictures ; Immigrants on television ; French literature ; Immigrants in literature ; Immigrants in motion pictures ; Immigrants on television ; North Africans ; France ; 1900-2099 ; Criticism, interpretation, etc ; Aufsatzsammlung ; Französisch ; Nordafrika ; Migrantenliteratur
    Note: First published by Manchester University Press in hardback 2018
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  • 35
    ISBN: 9781789381740 , 1789381746
    Language: English
    Pages: xiii, 223 Seiten , Illustrationen , 25 cm
    Parallel Title: Erscheint auch als
    DDC: 306.1
    RVK:
    Keywords: Punk culture Congresses ; Subculture Congresses ; Punk rock music Congresses History and criticism ; Punk culture ; Punk rock music ; Subculture ; Conference papers and proceedings ; Criticism, interpretation, etc ; Konferenzschrift Birmingham City Unviersity 2015 ; Konferenzschrift Birmingham City Unviersity 2015 ; Konferenzschrift Birmingham City Unviersity 2015 ; Punk Rock ; Subkultur
    Note: Literaturangaben , "... 2nd Annual Punk Scholars Network International Conference and Postgraduate Symposium, at Birmingham City University in 2015." - Vorwort
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  • 36
    Book
    Book
    Middletown, Connecticut : Wesleyan University Press
    ISBN: 9780819579164 , 9780819579157
    Language: English
    Pages: xxii, 249 Seiten , Illustrationen, 1 Karte , 23 cm
    Series Statement: Music/culture
    Parallel Title: Erscheint auch als Sonevytsky, Maria Wild music
    DDC: 781.6309477
    RVK:
    Keywords: Popular music History and criticism ; Popular music Social aspects 20th century ; History ; Popular music Social aspects 21st century ; History ; Popular music Political aspects 20th century ; History ; Popular music Political aspects 21st century ; History ; Ethnomusicology History 20th century ; Ethnomusicology History 21st century ; Ethnomusicology ; Popular music ; Popular music ; Political aspects ; Popular music ; Social aspects ; Ukraine ; Criticism, interpretation, etc ; History ; Ukraine ; Popmusik ; Wildheit ; Soziokultur ; Politischer Wandel ; Nationalismus ; Musikethnologie ; Geschichte 2004-2016
    Abstract: In Wild Music, Maria Sonevytsky tracks vernacular Ukrainian discourses of "wildness" as they manifested in popular music during a volatile decade of Ukrainian political history bracketed by two revolutions. From the Eurovision Song Contest to reality TV, from Indigenous radio to the revolution stage, Sonevytsky assesses how these practices exhibit and re-imagine Ukrainian tradition and culture. As the rise of global populism forces us to confront the category of state sovereignty anew, Sonevytsky proposes innovative paradigms for thinking through the creative practices that constitute sovereignty, citizenship, and nationalism.
    Description / Table of Contents: Introduction : On wildness -- Wild dances : ethnic intimacy, auto-exoticism, and infrastructural activism -- Freak cabaret : politics and aesthetics in the time of revolution -- Ungovernable timbres : the failures of the rural voice on reality TV -- Eastern music : the liminal sovereign imaginaries of Crimea -- Ethno-chaos : provincializing Russia through Ukrainian world music -- Conclusion : Dreamland : becoming acoustic citizens.
    Note: Literaturverzeichnis: Seite 211-231 , Enthält ein Register
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  • 37
    ISBN: 9783839446010
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Post_koloniale Medienwissenschaft 8
    Series Statement: Post-colonial media studies v. 8
    Parallel Title: Erscheint auch als We travel the space ways
    DDC: 000
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    Keywords: Afrofuturism ; African American art History and criticism ; Science fiction, African History and criticism ; Science fiction, American History and criticism ; American literature African American authors ; History and criticism ; African Americans Social conditions ; African diaspora ; Postcolonialism ; Art, African History and criticism ; Schwarze ; Identität ; SOCIAL SCIENCE / Gender Studies ; African diaspora ; Afrofuturism ; American literature ; African American authors ; Art, African ; Civilization ; Postcolonialism ; Science fiction, African ; Science fiction, American ; African Americans ; Social conditions ; Criticism, interpretation, etc ; African American art ; Africa Civilization ; Amerika ; Africa ; Aufsatzsammlung ; Künste ; Afrofuturismus
    Abstract: 0. Constellation --Black Astrophysics: A Homemade Field of Love /Gumbs, Alexis Pauline --Lift Off... an Introduction /Lynch, Kara / Gunkel, Henriette --I. --City of Mirage /Henda, Kiluanji Kia --Reach, Robot: AfroFuturist Technologies /Coleman, Grisha / Defrantz, Thomas F. --Glitches Running Trains Out In Negrizonia, A Gynocidal Western /Tate, Greg --To Win the War, You Fought It Sideways: Kojo Laing's Major Gentl and the Achimota Wars /Eshun, Kodwo --Black Atlantis /Hameed, Ayesha --II. --The Palace of the Quilombos /Two Feathers, Frohawk --The Sound of Afrofuturism /Alisch, Stefanie / Maier, Carla J. --The Revolutionist /Haimbe, Milumbe --The Crypt of Blackness: or Assotto Saint with Gilles Deleuze /Nyong'O, Tavia --Rise of the Astro Blacks /Tate, Greg --III. --The Archivist's Vault :: Door Of No Return /Lynch, Kara --An Afrofuturist Time Capsule - One Point in Space-Time in the Collective Consciousness of Black Speculation /Dukan, M. Asli --Organize Your Own Temporality: Notes on Self-Determined Temporalities and Radical Futurities /Phillips, Rasheedah --"I Feel Love": Race, Gender, Technē, and the (Im)Proper Sonic Habitus /Keeling, Kara --Afrofuturism On My Mind: Imagining Black Lives in a Post-Obama World /Everett, Anna --IV. --Brother Kyot /Schrade, Daniel Kojo --Intervening into the Future Script: A Conversation about Fiction, Magic, and the Speculative Power of Images /Henda, Kiluanji Kia / Siegert, Nadine --Dismantle Imperia /Smith, Robyn --Textures of Time - Abstraction, Afronauts, and the Archive in the Artwork of Daniel Kojo Schrade /Nagl, Tobias --There Are Storytellers Everywhere /Gbadamosi, Raimi --V. --Prophetika /DeVille, Abigail --The Secessionist Manifestos of Certain Received Wisdoms /Akomfrah, John / Eshun, Kodwo --They Sent You? /Chuchu, Jim --Alienation and Queer Discontent /Gunkel, Henriette --FAR SPACE-WISE - Without Edges a Center Cannot Exist in Stasis /Ajalon, Jamika --VI. Final Orbit --Future /Phillips, Rasheedah
    Abstract: A new take on Afrofuturism, this book gathers together a range of contemporary voices who, carrying legacies of 500 years of contact between Africa, Europe, and the Americas, reach towards the stars and unknown planets, galaxies, and ways of being. Writing from queer and feminist perspectives and circumnavigating continents, they recalibrate definitions of Afrofuturism.The editors and contributors of this exciting volume thus reflect on the re-emergence of Black visions of political and cultural futures, proposing practices, identities, and collectivities
    URL: Cover
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  • 38
    ISBN: 9781138483583
    Language: English
    Pages: xiii, 273 Seiten , Illustrationen , 23 cm
    Series Statement: Routledge advances in comics studies
    Parallel Title: Erscheint auch als
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    Keywords: Comic ; Graphic Novel ; Weltstadt ; Infrastruktur ; Stadt ; Schwellenländer ; Comic books, strips, etc / History and criticism ; Graphic novels / History and criticism ; Cities and towns in literature ; Public spaces in literature ; Infrastructure (Economics) in literature ; Narration (Rhetoric) ; Cities and towns in literature ; Comic books, strips, etc ; Graphic novels ; Infrastructure (Economics) in literature ; Narration (Rhetoric) ; Public spaces in literature ; Criticism, interpretation, etc ; Weltstadt ; Stadt ; Infrastruktur ; Schwellenländer ; Comic ; Comic ; Graphic Novel ; Stadt
    Abstract: This book makes an important and timely contribution both to comics studies and urban studies, offering a decolonisation and reconfiguration of both of these already interdisciplinary fields. With chapter-length discussions of comics from cities such as Cairo, Cape Town, New Orleans, Delhi and Beirut, this book shows how artistic collectives and urban social movements working across the global South are producing some of the most exciting and formally innovative graphic narratives of the contemporary moment. Throughout, the author reads an expansive range of graphic narratives through the vocabulary of urban studies to argue that these formal innovations should be thought of as a kind of infrastructure. This 'infrastructural form' allows urban comics to reveal that the built environments of our cities are not static, banal, or depoliticised, but rather highly charged material spaces that allow some forms of social life to exist while also prohibiting others. Built from a formal infrastructure of grids, gutters and panels, and capable of volumetric, multi-scalar perspectives, this book shows how urban comics are able to represent, repair and even rebuild contemporary global cities toward more socially just and sustainable ends. Operating at the intersection of comics studies and urban studies, and offering large global surveys alongside close textual and visual analyses, this book explores and opens up the fascinating relationship between comics and graphic narratives, on the one hand, and cities and urban spaces, on the other
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  • 39
    Book
    Book
    Sŏul : RHK Al Eich'i K'oria
    Orig.schr. Ausgabe: 1판
    Author, Corporation: 김 영대
    Publisher: 서울 : RHK 알에이치코리아
    ISBN: 9788925565828 , 892556582X
    Language: Korean
    Pages: 359 Seiten , Illustrationen , 22 cm
    Edition: 1-p'an
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    Keywords: BTS (Musical group) ; Rock musicians / Korea (South) ; Boy bands / Korea (South) ; Popular music / Korea (South) / History and criticism ; Boy bands ; Popular music ; Rock musicians ; Korea (South) ; Criticism, interpretation, etc
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  • 40
    ISBN: 9780786496419
    Language: English
    Pages: viii, 232 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als
    DDC: 741.59
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    Keywords: Comic ; Subkultur ; Punk ; Fan ; Comic books, strips, etc / History and criticism ; Punk rock music / History and criticism ; Music and literature ; Music, Influence of ; Punk culture and art ; Music in literature ; Comic books, strips, etc ; Music and literature ; Music in literature ; Music, Influence of ; Punk culture and art ; Punk rock music ; Criticism, interpretation, etc ; Aufsatzsammlung ; Comic ; Punk ; Fan ; Subkultur
    Abstract: "This collection of new essays provides for the first time a thorough analysis of the intersections between comics and punk. The contributors expand the discussion beyond the familiar U.S. and UK scenes to include the influence punk has had on comics produced in other countries, such as Spain and Turkey"--
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  • 41
    Orig.schr. Ausgabe: 초판
    Title: 케이팝 : 대한 민국 대중음악과 문화 기억 상실증과 경제혁신
    Publisher: 서울 : 소명
    ISBN: 9791159053757
    Language: Korean
    Pages: 365 Seiten , 23 cm
    Edition: Ch'op'an
    Uniform Title: K-pop : popular music, cultural amnesia, and economic innovation in South Korea
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    Keywords: Popular music / Korea (South) / History and criticism ; Popular music / Economic aspects / Korea (South) ; Popular music / Social aspects / Korea (South) ; Music and globalization / Korea (South) ; Music and globalization ; Popular music ; Popular music / Economic aspects ; Popular music / Social aspects ; Korea (South) ; Criticism, interpretation, etc
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  • 42
    Book
    Book
    Philadelphia, Pennsylvania : University of Pennsylvania Press
    ISBN: 9780812251616
    Language: English
    Pages: xv, 339 Seiten , Illustrationen, Pläne
    Series Statement: The Middle Ages series
    DDC: 303.3/7
    RVK:
    Keywords: Geschichte 500-1000 ; Geheimhaltung ; Recht ; Religion ; England ; Secrecy / England / History / To 1500 ; Secrecy / Law and legislation / England / History / To 1500 ; Concealment (Criminal law) / England / History / To 1500 ; Secrecy / Religious aspects / Christianity / History / To 1500 ; God (Christianity) / Omniscience / History of doctrines / Middle Ages, 600-1500 ; Monastic and religious life / England / History / To 1500 ; Spirituality / Christianity / History / Middle Ages, 600-1500 ; Christian hagiography / History / To 1500 ; Riddles, English (Old) / History and criticism ; Latin poetry, Medieval and modern / England / History and criticism ; Christian hagiography ; Concealment (Criminal law) ; Latin poetry, Medieval and modern ; Monastic and religious life ; Riddles, English (Old) ; Secrecy ; Secrecy / Law and legislation ; Secrecy / Religious aspects / Christianity ; Spirituality / Christianity / Middle Ages ; England ; To 1500 ; Criticism, interpretation, etc ; History ; England ; Geheimhaltung ; Religion ; Recht ; Geschichte 500-1000
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  • 43
    Book
    Book
    Peterborough, Ontario : Broadview Press
    ISBN: 9781554813650 , 1554813654
    Language: English
    Pages: 484 Seiten, , Illustrationen , 23 cm
    Edition: Fifth edition
    DDC: 398.2
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    Keywords: Fairy tales ; Tales ; Folk literature History and criticism ; Fairy tales History and criticism ; Fairy tales ; Folk literature ; Tales ; Criticism, interpretation, etc
    Abstract: "This bestselling anthology of folk and fairy tales brings together 54 stories, 9 critical articles, and 24 color illustrations from a range of historical and geographic traditions. Sections group tales together by theme or juxtapose variations of individual tales, inviting comparison and analysis across cultures and genres. An accessible section of critical selections provides a foundation for readers to analyze, debate, and interpret the tales for themselves. An expanded introduction by the editors looks at the history of folk and fairy tales and distinguishes between the genres, while revised introductions to individual sections provide more detailed history of particular tellers and tales, paying increased attention to the background and cultural origin of each tale. This new edition includes a larger selection of critical articles (including pieces by J.R.R. Tolkien and Marina Warner), more modern and cross-cultural variations on classic tales (including stories by Neil Gaiman and Emma Donoghue), and an expanded discussion of illustrations."--
    Note: Includes bibliographical references
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  • 44
    Online Resource
    Online Resource
    New York ; London : Routledge
    ISBN: 9781315307671
    Language: English
    Pages: 1 Online-Ressource (xx, 269 Seiten) , Illustrationen
    Series Statement: Routledge interdisciplinary perspectives on literature 85
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Gothic novel ; Popkultur ; Massenkultur ; gothic ; Schauerroman ; Lateinamerika ; Gothic fiction (Literary genre), Latin American / History and criticism ; Gothic revival (Literature) / Latin America ; Literature and society / Latin America ; Gothic fiction (Literary genre), Latin American ; Gothic revival (Literature) ; Literature and society ; Latin America ; Criticism, interpretation, etc ; Aufsatzsammlung ; Lateinamerika ; Massenkultur ; Popkultur ; gothic ; Gothic novel ; Schauerroman
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 45
    Book
    Book
    New York ; London : Routledge
    ISBN: 9781138234222
    Language: English
    Pages: xx, 269 Seiten , Illustrationen
    Series Statement: Routledge interdisciplinary perspectives on literature 85
    Series Statement: Routledge interdisciplinary perspectives on literature
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Gothic novel ; Popkultur ; Massenkultur ; gothic ; Schauerroman ; Lateinamerika ; Gothic fiction (Literary genre), Latin American / History and criticism ; Gothic revival (Literature) / Latin America ; Literature and society / Latin America ; Gothic fiction (Literary genre), Latin American ; Gothic revival (Literature) ; Literature and society ; Latin America ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Lateinamerika ; Massenkultur ; Popkultur ; gothic ; Gothic novel ; Schauerroman
    Library Location Call Number Volume/Issue/Year Availability
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  • 46
    Online Resource
    Online Resource
    Cambridge : Open Book Publishers in association with the Institute of English Studies School of Advanced Study, University of London
    ISBN: 9781783744572 , 178374457X , 9781783744589 , 1783744588 , 9781783744565 , 1783744561 , 9781783744541 , 9781783744558 , 178374457X , 1783744588 , 1783744561 , 9781783744541 , 9781783744558 , 9781783744572 , 9781783744589 , 9781783744565
    Language: English
    Pages: 1 Online-Ressource (lxxii, 612 pages)
    Series Statement: Yeats annual no. 21, special issue
    RVK:
    Keywords: Yeats, W. B ; Yeats, W. B ; Yeats, W. B ; Yeats, W. B Criticism and interpretation ; Yeats, W. B Interpretaton ; Yeats, W. B Influence ; Influence (Literary, artistic, etc.) ; Criticism, interpretation, etc ; Yeats, W. B ; POETRY ; English, Irish, Scottish, Welsh ; Yeats, William Butler 1865-1939
    Abstract: "The two great Yeats Family Sales of 2017 and the legacy of the Yeats family's 80-year tradition of generosity to Ireland's great cultural institutions provide the kaleidoscope through which these advanced research essays find their theme. Hannah Sullivan's brilliant history of Yeats's versecraft challenges Poundian definitions of Modernism; Denis Donoghue offers unique family memories of 1916 whilst tracing the political significance of the Easter Rising; Anita Feldman addresses Yeats's responses to the Rising's appropriation of his symbols and myths, the daring artistry of his ritual drama developed from Noh, his poetry of personal utterance, and his vision of art as a body reborn rather than a treasure preserved amid the testing of the illusions that hold civilizations together in ensuing wars. Warwick Gould looks at Yeats as founding Senator in the new Free State, and his valiant struggle against the literary censorship law of 1929 (with its present-day legacy of Irish anti-blasphemy law still presenting a constitutional challenge). Drawing on Gregory Estate documents, James Pethica looks at the evictions which preceded Yeats's purchase of Thoor Ballylee in Galway; Lauren Arrington looks back at Yeats, Ezra Pound, and the Ghosts of The Winding Stair (1929) in Rapallo. Having co-edited both versions of A Vision, Catherine Paul offers some profound reflections on 'Yeats and Belief'. Grevel Lindop provides a pioneering view of Yeats's impact on English mystical verse and on Charles Williams who, while at Oxford University Press, helped publish the Oxford Book of Modern Verse. Stanley van der Ziel looks at the presence of Shakespeare in Yeats's Purgatory. William H. O'Donnell examines the vexed textual legacy of his late work, On the Boiler while Gould considers the challenge Yeats's intentionalism posed for once-fashionable post-structuralist editorial theory. John Kelly recovers a startling autobiographical short story by Maud Gonne. While nine works of current biographical, textual and literary scholarship are reviewed, Maud Gonne is the focus of debate for two reviewers, as are Eva Gore-Booth, Constance and Casimir Markievicz, Rudyard Kipling, David Jones, T.S. Eliot and his presence on the radio."--Publisher's website
    Abstract: "The two great Yeats Family Sales of 2017 and the legacy of the Yeats family's 80-year tradition of generosity to Ireland's great cultural institutions provide the kaleidoscope through which these advanced research essays find their theme. Hannah Sullivan's brilliant history of Yeats's versecraft challenges Poundian definitions of Modernism; Denis Donoghue offers unique family memories of 1916 whilst tracing the political significance of the Easter Rising; Anita Feldman addresses Yeats's responses to the Rising's appropriation of his symbols and myths, the daring artistry of his ritual drama developed from Noh, his poetry of personal utterance, and his vision of art as a body reborn rather than a treasure preserved amid the testing of the illusions that hold civilizations together in ensuing wars. Warwick Gould looks at Yeats as founding Senator in the new Free State, and his valiant struggle against the literary censorship law of 1929 (with its present-day legacy of Irish anti-blasphemy law still presenting a constitutional challenge). Drawing on Gregory Estate documents, James Pethica looks at the evictions which preceded Yeats's purchase of Thoor Ballylee in Galway; Lauren Arrington looks back at Yeats, Ezra Pound, and the Ghosts of The Winding Stair (1929) in Rapallo. Having co-edited both versions of A Vision, Catherine Paul offers some profound reflections on 'Yeats and Belief'. Grevel Lindop provides a pioneering view of Yeats's impact on English mystical verse and on Charles Williams who, while at Oxford University Press, helped publish the Oxford Book of Modern Verse. Stanley van der Ziel looks at the presence of Shakespeare in Yeats's Purgatory. William H. O'Donnell examines the vexed textual legacy of his late work, On the Boiler while Gould considers the challenge Yeats's intentionalism posed for once-fashionable post-structuralist editorial theory. John Kelly recovers a startling autobiographical short story by Maud Gonne. While nine works of current biographical, textual and literary scholarship are reviewed, Maud Gonne is the focus of debate for two reviewers, as are Eva Gore-Booth, Constance and Casimir Markievicz, Rudyard Kipling, David Jones, T.S. Eliot and his presence on the radio."--Publisher's website
    Note: "Publications received": pages 599-609 -- Includes bibliographical references , "Yeats Annual is published by Open Book Publishers in association with the Institute of English Studies, University of London."--Publisher's Web site , Available through Open Book Publishers , Cover title: Yeats's legacies : Yeats annual no. 21 : a special issue
    URL: Volltext  (kostenfrei)
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  • 47
    Online Resource
    Online Resource
    Chicago : Northwestern University Press
    ISBN: 9780810136403 , 0810136414 , 0810136406 , 0810136392 , 0810136414 , 9780810136403 , 9780810136397 , 9780810136410
    Language: English
    Pages: 1 Online-Ressource (248 pages)
    Series Statement: Rethinking the Early Modern
    Parallel Title: Erscheint auch als Irish, Bradley J. Emotion in the Tudor court
    Parallel Title: Print version Irish, Bradley J Emotion in the Tudor Court : Literature, History, and Early Modern Feeling
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    Keywords: Emotions in literature ; English literature History and criticism Early modern, 1500-1700 ; Emotions in literature ; English literature ; Intellectual life ; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh ; Courts and courtiers ; England ; Emotions in literature ; Criticism, interpretation, etc ; History ; English literature ; Early modern ; England Court and courtiers 16th century ; History ; England Intellectual life 16th century ; History ; England ; England ; Hochschulschrift ; Englisch ; Literatur ; Gefühl ; Englisch ; Literatur ; Gefühl ; England ; Höfische Kultur ; Geschichte 1485-1603
    Abstract: ""Contents""; ""Acknowledgments""; ""List of Abbreviations""; ""Introduction""; ""Chapter 1. The Disgusting Cardinal Thomas Wolsey""; ""Chapter 2. The Envious Earl of Surrey""; ""Chapter 3. The Rejected Earl of Leicester, the Rejected Sir Philip Sidney""; ""Chapter 4. The Dreading, Dreadful Earl of Essex""; ""Notes""
    URL: Volltext  (kostenfrei)
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  • 48
    Language: English
    Pages: 1 Online-Ressource (x, 255 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Französisch ; Migrantenliteratur ; Nordafrika ; French literature / 20th century / History and criticism ; French literature / 21st century / History and criticism ; North Africans / France ; Immigrants in literature ; Immigrants in motion pictures ; Immigrants on television ; French literature ; Immigrants in literature ; Immigrants in motion pictures ; Immigrants on television ; North Africans ; France ; 18.25 French literature ; 1900-2099 ; Criticism, interpretation, etc ; Aufsatzsammlung ; Französisch ; Nordafrika ; Migrantenliteratur
    Abstract: This volume takes the pulse of French post-coloniality by studying representations of trans-Mediterranean immigration to France in recent literature, television and film. The writers and filmmakers examined have found new ways to conceptualize the French heritage of immigration from North Africa and to portray the state of multiculturalism within - and in spite of - a continuing Republican framework. Their work deflates stereotypes, promotes respect for cultural and ethnic minorities and gives a new dignity to subjects supposedly located on the margins of the Republic. Establishing a productive dialogue with Marianne Hirsch's ground-breaking concept of postmemory, this volume provides a much-needed vocabulary for rethinking the intergenerational legacy of trans-Mediterranean immigrants
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 49
    Book
    Book
    New York, NY, United States of America : Oxford University Press
    ISBN: 9780190852672 , 0190852674
    Language: English
    Pages: xvii, 218 Seiten , 25 cm
    Series Statement: Modernist literature & culture
    Parallel Title: Erscheint auch als
    DDC: 809.933552
    RVK:
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    Keywords: Geschichte 1900- ; Anthropologie ; Englisch ; Literatur ; Französisch ; Nordamerika ; Europa ; Literature and anthropology ; Anthropology in literature ; Ethnology in literature ; Culture in literature ; Literature, Modern / 20th century / History and criticism ; Anthropologists' writings / History and criticism ; Anthropologists' writings ; Anthropology in literature ; Culture in literature ; Ethnology in literature ; Literature and anthropology ; Literature, Modern ; BIOGRAPHY & AUTOBIOGRAPHY / Literary ; 1900-1999 ; Criticism, interpretation, etc ; Europa ; Nordamerika ; Englisch ; Französisch ; Literatur ; Anthropologie ; Geschichte 1900-
    Abstract: "Culture Writing argues that the period of decolonization witnessed dynamic exchanges between writers and anthropologists on both sides of the Atlantic. The book analyzes writers who engaged professionally with anthropology--Barbara Pym, Ursula Le Guin, Saul Bellow, Édouard Glissant--and anthropologists who adopted literary forms--Laura Bohannan, Michel Leiris, and Claude Lévi-Strauss"--
    Description / Table of Contents: Introduction: culture writing -- The anglophone Atlantic world. "Jumble sales are the same the world over": Barbara Pym and transatlantic anthropology; The sun also sets: anthropology at the end of empire in Ursula le Guin and Laura Bohannan; "Every guy has his own Africa": development and anthropology in Saul Bellow and Bessie Head -- The francophone Atlantic world. "L'ethnologue de soi-même": Édouard Glissant and francophone anthropology; Cultures in contact: memoir and ethnography in Michel Leiris -- Afterword: postcolonial anthropological literature: Amitav Ghosh and Erna Brodber
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  • 50
    ISBN: 9781498541817 , 149854181X
    Language: English
    Pages: xvii, 539 Seiten , 24 cm
    RVK:
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    Keywords: Christmas films History and criticism ; Christmas in motion pictures ; Films de Noël Histoire et critique ; Noël au cinéma ; Christmas films ; Christmas in motion pictures ; Criticism, interpretation, etc
    Note: Literaturverzeichnis Seite 479-500
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  • 51
    ISBN: 978-1-138-54094-1 , 1-138-54094-3
    Language: English
    Pages: xi, 169 Seiten ; , 23 cm.
    Series Statement: Routledge library editions. Virginia Woolf Volume 3
    Series Statement: Routledge library editions. Virginia Woolf
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Woolf, Virginia / 1882-1941 / Criticism and interpretation ; Woolf, Virginia / 1882-1941 ; Woolf, Virginia ; England ; 1900-1999 ; Psychological fiction, English / History and criticism ; Women and literature / England / History / 20th century ; Literature and mental illness / England / History / 20th century ; Psychoanalysis and literature / England ; Modernism (Literature) / England ; Literature and mental illness ; Modernism (Literature) ; Psychoanalysis and literature ; Psychological fiction, English ; Women and literature ; Patholinguistik. ; Hochschulschrift ; Criticism, interpretation, etc ; History ; 1882-1941 Woolf, Virginia ; Patholinguistik
    Note: First published in 1990 by Routledge
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  • 52
    ISBN: 9781786601278
    Language: English
    Pages: 1 Online-Ressource (x, 672 Seiten)
    Series Statement: Protest, media and culture
    Parallel Title: Erscheint auch als Songs of social protest
    RVK:
    RVK:
    Keywords: Protest songs History and criticism ; Music Political aspects ; MUSIC / Instruction & Study / Theory ; Music ; Political aspects ; Protest songs ; Criticism, interpretation, etc ; Electronic books
    Abstract: Cover; Songs of Social Protest; Series page; Songs of Social Protest: International Perspectives; Copyright page; Contents; Foreword; Introduction; Protest and the African American Experience; Chapter 1; Social Protest and Resistance in African American Song; The Oral Tradition; Language; Georgia Sea Island Singers; From Jim Crow to the Civil Rights Movement; Conclusions; Notes; Chapter 2; "You'll Never Hear Kumbaya the Same Way Again"; Didn't My Lord Deliver Daniel?; Come By Hyar; Which Side Are You On?; Singing Their Freedom; The Kumbaya Law; Black Liberation Then and Now
    Abstract: Taking Back "the real Kumbaya"Notes; Chapter 3; Billie Holiday's Popular Front Songs of Protest; "Strange Fruit," Café Society and the Left; "High Art" From Below; "Strange Fruit" for Billie Holiday; God Bless the Child; Race, Class, and the Musician as Organic Intellectual; Conclusion; Notes; Protest Genealogies; Chapter 4; Songs of Social Protest, Then and Now; Sociology and Music; Songs and Protest; Charismatic Leaders and the Transformation of Folk Songs; Social Movements; Popular Music as Protest Music; Conclusion; Note; Chapter 5; Pete Seeger and the Politics of Participation
    Abstract: The Road to a Constructionist ApproachRethinking "Political Music"; Audience Participation as Democratic Practice; Theorizing Audience Participation; Adorno Redux; Notes; Chapter 6; The Radicalisation of Phil Ochs, the Radicalisation of the Sixties; The Birth of a Radical; Reform, Resistance, Revolution; Radical Reform and Civil Rights; Student Power and Resistance; Goodbye to All That Liberalism; The Ringing of Revolution; Conclusion; Chapter 7; Ewan MacColl's Radio Ballads as Songs of Social Protest; Ewan MacColl: from dramatist to songwriter; The Radio Ballad concept
    Abstract: John Axon and the poetry of everyday speechWork and identity; Tape editing and heteroglossia; Against pop culture: On the Edge (1963); Conclusion; Notes; Chapter 8; 'Message Songs are a Drag'; Notes; Transforming Traditions; Chapter 9; Expressions of Māʻohi-ness in Contemporary Tahitian Popular Music; Expressions of Political and Social Protest in Tahiti; The Māʻohi Cultural Identity; The Tahitian Musical Landscape; Henri Hiro and his Intellectual Descendants; Orality; ʻAparima, Literature and Traditional Arts; Bobby Holcomb; Aldo Raveino; The Emergence of a new Generation of Musicians
    Abstract: NotesChapter 10; Casteism and Cultural Capital; Religious Songs as Social Songs; Songs of Mysticism; Songs of Devotion; Devotion as Obedience; Spiritual Autonomy; Moral Transformation as Societal Transformation; Dietary Abstinence and "Sanskritization"; Purity as Resistance; The Reformation of a Criminal Caste; Rediscovering "Roots"; Conclusion; Notes; Chapter 11; Singing Against the Empire; Licentiousness, Power and Possibility: Understanding the Anti-structure of Song; Máire Bhuí Ní Laeire (Yellow Mary O'Leary) and Singing Anti-colonial Discourse in Nineteenth-century Ireland
    Abstract: Songs of Social Protest is a comprehensive, cutting-edge companion guide to music and social protest globally. Bringing together established and emerging scholars from a range of fields, it explores a wide range of examples of, and contexts for, songs and their performance that have been deployed as part of local, regional and global social protest movements
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  • 53
    ISBN: 9781498565233
    Language: English
    Pages: vii, 236 Seiten , Illustrationen , 23 cm
    Series Statement: Music, culture, and identity in Latin America
    DDC: 305.80098
    RVK:
    Keywords: Group identity ; National characteristics, Latin American ; Music History and criticism ; Group identity ; Group identity ; Music ; Music ; National characteristics, Latin American ; National characteristics, Latin American ; Latin America ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Lateinamerika ; Kulturelle Identität ; Popmusik
    Abstract: "This book explores the key role of sound and image in the perception of nations throughout the history of the Americas. It subverts the strict chronology previously upheld by historians regarding the formation of national identities by looking at the development of countries in varied cultural, economic, and political situations" --
    Abstract: The national symbols of Costa Rica : a decolonial approach / María Isabel Carvajal Araya -- Another look at the history of tango : the intimate connection of rural and urban music in Argentina at the beginning of the twentieth century / Julia Chindemi and Pablo Vila -- Nationalisms and anti-indigenismos : Rudolph Holzmann and his contribution to a "Peruvian" music / Raúl R. Romero -- Music and cartoons in Brazil : complementarity in the representation of national identity / Waldomiro Vergueiro and Geisa Fernandes, translated by Ricardo Nogueira -- Divergent imaginaries of the nation in the new Chilean pop of the 1980s / Juan Pablo González, translated by Peggy Westwell and Pablo Vila -- Cumbias of the crisis : a hauntology of modern Uruguay / Matthew J. Van Hoose -- On the rise of middle-class Vallenato : the recreation of the national in a commodified musical genre / Héctor Fernández l'Hoeste -- Dancing palimpsests : "Bailando" and the choreographing of Cuba's international image / Susan Thomas -- Marc Anthony 3.0 : toward a critical salsa romántica / Frances R. Aparicio
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  • 54
    Musical Score
    Musical Score
    Basel : Basler Afrika Bibliographien
    ISBN: 3905758830 , 9783905758832
    Language: English
    Pages: xv, 188 Seiten , Illustrationen, Notenbeispiele , 25 cm
    Series Statement: Basel Southern Africa studies 11
    Series Statement: Basel Southern Africa studies
    DDC: 780/.96881
    RVK:
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    Keywords: Music History and criticism ; Music Social aspects ; Music ; Namibia ; Namibia ; Social aspects ; History and criticism ; Criticism, interpretation, etc ; Namibia Ethnie/Volk ; Ovambo (Volk) ; Musik ; Musikinstrumente ; Traditionelle Kultur ; Namibia Ethnic/national groups ; Music ; Musical instruments ; Traditional culture ; Namibia ; Ambo ; Musik ; Tanz ; Ausdruck
    Note: Includes bibliographical references (pages 177-181) and index
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  • 55
    ISBN: 9781783086245 , 1783086246 , 9781783086238 , 1783086254 , 1783086238 , 9781783086252
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Anthem nineteenth-century series
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: James, William ; Wells, H. G Criticism and interpretation ; Hinton, Charles Howard Criticism and interpretation ; James, Henry Criticism and interpretation ; James, William ; Wells, H. G ; Hinton, Charles Howard ; James, Henry ; English literature History and criticism 19th century ; English literature History and criticism 20th century ; English fiction History and criticism 19th century ; Hyperspace ; Fourth dimension ; Space and time in literature ; English literature ; English literature ; English fiction ; Hyperspace ; Fourth dimension ; Space and time in literature ; Hinton, Charles Howard ; Literature and literary studies ; Literature: history and criticism ; Literary studies: fiction, novelists and prose writers ; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh ; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh ; English fiction ; English literature ; Fourth dimension ; Hyperspace ; Space and time in literature ; James, Henry ; James, William ; Criticism, interpretation, etc ; Wells, H. G ; Electronic books
    Abstract: Part I: Reading the Fourth Dimension -- 1. Imagining 'Something Perfectly New': Problems of Language, Conception and Perception -- 2. Constructing the Fourth Dimension: the First Series of the Scientific Romances -- 3. The Four-Dimensional Self: Personal, Political and Untimely -- Part II:Reading Through the Fourth Dimension -- 4. Four-Dimensional Consciousness: the Correspondence between William James and Charles Howard Hinton -- 5. H.G. Wells's Four-Dimensional Literary Aesthetic -- 6. Exceeding the 'Trap of the Reflexive': Henry James's Dimensions of Consciousness
    Abstract: Part I: Reading the Fourth Dimension -- 1. Imagining 'Something Perfectly New': Problems of Language, Conception and Perception -- 2. Constructing the Fourth Dimension: the First Series of the Scientific Romances -- 3. The Four-Dimensional Self: Personal, Political and Untimely -- Part II:Reading Through the Fourth Dimension -- 4. Four-Dimensional Consciousness: the Correspondence between William James and Charles Howard Hinton -- 5. H.G. Wells's Four-Dimensional Literary Aesthetic -- 6. Exceeding the 'Trap of the Reflexive': Henry James's Dimensions of Consciousness
    Note: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
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  • 56
    ISBN: 9781137303585
    Language: English
    Pages: Online-Ressource (XI, 296 p. 30 illus., 27 illus. in color, online resource)
    Series Statement: Palgrave Gothic
    Series Statement: SpringerLink
    Series Statement: Bücher
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Druckausg. Conrich, Ian Gothic dissections in film and literature
    Parallel Title: Printed edition
    DDC: 791.4301
    RVK:
    Keywords: Culture Study and teaching ; Cultural and Media Studies ; Motion pictures History ; Motion pictures ; Film genres ; Literature Philosophy ; Gothic fiction (Literary genre) ; Horror films ; Human body in literature ; Human body in motion pictures ; Criticism, interpretation, etc ; Gothic novel ; Schauerroman ; Horrorfilm ; Körperteil ; Geschichte
    Abstract: This is the first book-length study to systematically and theoretically analyse the use and representation of individual body parts in Gothic fiction. Moving between filmic and literary texts and across the body-from the brain, hair and teeth, to hands, skin and the stomach-this book engages in unique readings by foregrounding a diversity of global representations. Building on scholarly work on the ‘Gothic body’ and ‘body horror’, Gothic Dissections in Film and Literature dissects the individual features that comprise the physical human corporeal form in its different functions. This very original and accessible study, which will appeal to a broad range of readers interested in the Gothic, centralises the use (and abuse) of limbs, organs, bones and appendages. It presents a set of unique global examinations; from Brazil, France and South Korea to name a few; that address the materiality of the Gothic body in depth in texts ranging from the nineteenth century to the present; from Nikolai Gogol, Edgar Allan Poe, Roald Dahl and Chuck Palahniuk, to David Cronenberg, Freddy Krueger and The Greasy Strangler. 
    Abstract: 1. Introduction -- 2. The Brain -- 3. Head and Face -- 4. Eyes -- 5. Ears and Nose -- 6. Teeth -- 7. The Tongue, Mouth, and Lips -- 8. Hair and Fingernails -- 9. Hands -- 10. Feet and Limbs -- 11. Bones -- 12. Skin -- 13. The Heart -- 14. Genitalia -- 15. The Uterus -- 16. The Stomach, Intestines, and the Anus -- 17. Epilogue
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 57
    Book
    Book
    Sŏul : Ihwa Yŏja Taehakkyo Ch'ulp'an Munhwawŏn
    Orig.schr. Ausgabe: 1판
    Title: 탈경계 사유와 서사의 윤리 : 한국문학과 이주
    Author, Corporation: 연 남경
    Publisher: 서울 : 이화 여자 대학교 출판 문화원
    ISBN: 9791158902490
    Language: Korean
    Pages: 373 Seiten , 23 cm
    Edition: 1 p'an
    Series Statement: Ihwa haksul ch'ongsŏ
    RVK:
    RVK:
    RVK:
    Keywords: Ch'oe, In-hun / Criticism and interpretation ; Ch'oe, In-hun ; Korean fiction / 21st century / History and criticism ; Korean fiction / 20th century / History and criticism ; Emigration and immigration in literature ; Immigrants in literature ; Aliens in literature ; Korean literature / Minority authors / History and criticism ; Aliens in literature ; Emigration and immigration in literature ; Immigrants in literature ; Korean fiction ; 1900-2099 ; Criticism, interpretation, etc
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  • 58
    ISBN: 9781137303578 , 1137303573
    Language: English
    Pages: xi, 296 Seiten , Illustrationen , 22 cm
    Series Statement: Palgrave Gothic
    Parallel Title: Erscheint auch als Conrich, Ian Gothic Dissections in Film and Literature
    DDC: 791.43/6164
    RVK:
    Keywords: Horror films History and criticism ; Gothic fiction (Literary genre) History and criticism ; Human body in motion pictures ; Human body in literature ; Gothic fiction (Literary genre) ; Horror films ; Human body in literature ; Human body in motion pictures ; Criticism, interpretation, etc ; Gothic ; Film ; Literatur ; Körperteil ; Verstümmelung
    Abstract: "This is the first book-length study to systematically and theoretically analyse the use and representation of individual body parts in Gothic fiction. Moving between filmic and literary texts and across the body-from the brain, hair and teeth, to hands, skin and the stomach-this book engages in unique readings by foregrounding a diversity of global representations. Building on scholarly work on the 'Gothic body' and 'body horror', 'Gothic Dissections in Film and Literature' dissects the individual features that comprise the physical human corporeal form in its different functions. This very original and accessible study, which will appeal to a broad range of readers interested in the Gothic, centralises the use (and abuse) of limbs, organs, bones and appendages. It presents a set of unique global examinations; from Brazil, France and South Korea to name a few; that address the materiality of the Gothic body in depth in texts ranging from the nineteenth century to the present; from Nikolai Gogol, Edgar Allan Poe, Roald Dahl and Chuck Palahniuk, to David Cronenberg, Freddy Krueger and The Greasy Strangler."--Cover page 4
    Note: Literaturangaben
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  • 59
    Online Resource
    Online Resource
    Manchester, Eng. : Manchester University Press | Berlin : Knowledge Unlatched
    ISBN: 9781526125132 , 1526121077 , 9781526121073
    Language: English
    Pages: 1 Online-Ressource (viii, 202 Seiten) , illustrations, figures, tables
    Series Statement: The Manchester Spenser
    Parallel Title: Print version Spenserian Satire, A Tradition of Indirection
    RVK:
    Keywords: Satire, English ; Satire, English ; Spenser, Edmund ; Spenser, Edmund ; Criticism, interpretation, etc ; Electronic books ; Electronic books ; Spenser, Edmund 1552-1599 ; Satire
    Abstract: Scholars of Edmund Spenser have focused much more on his accomplishments in epic and pastoral than his work in satire. Scholars of early modern English satire almost never discuss Spenser. However, these critical gaps stem from later developments in the canon rather than any insignificance in Spenser's accomplishments and influence on satiric poetry. This book argues that the indirect form of satire developed by Spenser served during and after Spenser's lifetime as an important model for other poets who wished to convey satirical messages with some degree of safety. The book connects key Spenserian texts in The Shepheardes Calender and the Complaints volume with poems by a range of authors in the late sixteenth and early seventeenth centuries, including Joseph Hall, Thomas Nashe, Tailboys Dymoke, Thomas Middleton and George Wither, to advance the thesis that Spenser was seen by his contemporaries as highly relevant to satire in Elizabethan England
    Note: eng
    URL: Volltext  (kostenfrei)
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  • 60
    ISBN: 9781498535182 , 9781498535205
    Language: English
    Pages: xxvi, 261 Seiten , Illustrationen , 24 cm
    Series Statement: Latin American decolonial and postcolonial literature
    DDC: 860.9/98
    RVK:
    Keywords: Latin American literature History and criticism ; Decolonization ; Indigenous peoples ; Postcolonialism in literature ; Decolonization ; Decolonization ; Indigenous peoples ; Indigenous peoples ; Latin American literature ; Latin American literature ; Postcolonialism in literature ; Postcolonialism in literature ; Criticism, interpretation, etc ; Lateinamerika ; Literatur ; Entkolonialisierung ; Lateinamerika ; Indigenes Volk ; Literatur ; Entkolonialisierung ; Ethnozentrismus ; Weiße
    Abstract: "While there are differences between cultures in different places and times, colonial representations of indigenous peoples generally suggest they are not capable of literature nor are they worthy of being represented as nations. Colonial representations of indigenous people continue on into the independence era and can still be detected in our time. The thesis of this book is that there are various ways to decolonize the representation of Amerindian peoples. Each chapter has its own decolonial thesis which it then resolves. Chapter 1 proves that there is coloniality in contemporary scholarship and argues that word choices can be improved to decolonize the way we describe the first Americans. Chapter 2 argues that literature in Latin American begins before 1492 and shows the long arc of Mayan expression, taking the Popol Wuj as a case study. Chapter 3 demonstrates how colonialist discourse is reinforced by a dualist rhetorical ploy of ignorance and arrogance in a Renaissance historical chronicle, Agustin de Zárate's Historia del descubrimiento y conquista del Perú. Chapter 4 shows how by inverting the Renaissance dualist configuration of civilization and barbarian, the Nahua (Aztecs) who were formerly considered barbarian can be "civilized" within Spanish norms. This is done by modeling the categories of civilization discussed at length by the Friar Bartolomé de las Casas as a template that can serve to evaluate Nahua civil society as encapsulated by the historiography of Fernando de Alva Ixtlilxochitl, a possibility that would have been available to Spaniards during that time. Chapter 5 maintains that the colonialities of the pre-Independence era survive, but that Criollo-indigenous dialogue is capable of excavating their roots to extirpate them. By comparing the discussions of the hacienda system by the Peruvian essayist Manuel González Prada and by the Mayan-Quiché eye-witness to history Rigoberta Menchú, this books shows that there is common ground between their viewpoints despite the different genres in which their work appears and despite the different countries and the eight decades that separated them, suggesting a universality to the problem of the hacienda which can be dissected. This book models five different decolonizing methods to extricate from the continuities of coloniality both indigenous writing and the representation of indigenous peoples by learned elites."--Publisher's website
    Abstract: "While there are differences between cultures in different places and times, colonial representations of indigenous peoples generally suggest they are not capable of literature nor are they worthy of being represented as nations. Colonial representations of indigenous people continue on into the independence era and can still be detected in our time. The thesis of this book is that there are various ways to decolonize the representation of Amerindian peoples. Each chapter has its own decolonial thesis which it then resolves. Chapter 1 proves that there is coloniality in contemporary scholarship and argues that word choices can be improved to decolonize the way we describe the first Americans. Chapter 2 argues that literature in Latin American begins before 1492 and shows the long arc of Mayan expression, taking the Popol Wuj as a case study.^. - Chapter 3 demonstrates how colonialist discourse is reinforced by a dualist rhetorical ploy of ignorance and arrogance in a Renaissance historical chronicle, Agustin de Zárate's Historia del descubrimiento y conquista del Perú. Chapter 4 shows how by inverting the Renaissance dualist configuration of civilization and barbarian, the Nahua (Aztecs) who were formerly considered barbarian can be "civilized" within Spanish norms. This is done by modeling the categories of civilization discussed at length by the Friar Bartolomé de las Casas as a template that can serve to evaluate Nahua civil society as encapsulated by the historiography of Fernando de Alva Ixtlilxochitl, a possibility that would have been available to Spaniards during that time. Chapter 5 maintains that the colonialities of the pre-Independence era survive, but that Criollo-indigenous dialogue is capable of excavating their roots to extirpate them.^. - By comparing the discussions of the hacienda system by the Peruvian essayist Manuel González Prada and by the Mayan-Quiché eye-witness to history Rigoberta Menchú, this books shows that there is common ground between their viewpoints despite the different genres in which their work appears and despite the different countries and the eight decades that separated them, suggesting a universality to the problem of the hacienda which can be dissected. This book models five different decolonizing methods to extricate from the continuities of coloniality both indigenous writing and the representation of indigenous peoples by learned elites."--Publisher's website
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  • 61
    Book
    Book
    Basel : Basler Afrika Bibliographien
    ISBN: 9783905758832 , 3905758830
    Language: English
    Pages: XV, 188 Seiten , Illustrationen, Notenbeispiele, Karte , 25 cm
    Series Statement: Basel Southern Africa Studies 11
    Series Statement: Basel Southern Africa Studies
    DDC: 780/.96881
    RVK:
    RVK:
    Keywords: Gesellschaft ; Musik ; Ambo ; Musikleben ; Musikanthropologie ; Namibia ; Music / Namibia / History and criticism ; Music / Social aspects / Namibia ; Music ; Music / Social aspects ; Namibia ; Criticism, interpretation, etc ; Namibia ; Ambo ; Musikleben ; Musikanthropologie
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  • 62
    ISBN: 9788188827718 , 8188827711
    Language: English
    Pages: VI, 253 Seiten , 25 cm
    Additional Information: Related source work Anthology of Indian music [Delhi] : Sundeep Prakashan, 1989 8185067228
    RVK:
    RVK:
    RVK:
    Keywords: Musik ; Traditionale Kultur ; Indien ; Music / India, South / History and criticism ; Carnatic music / History and criticism ; Carnatic music ; Music ; India, South ; Criticism, interpretation, etc ; Indien ; Traditionale Kultur ; Musik
    Abstract: With particular reference to India
    Note: "Earlier published with the title "An anthology of Indian music"--Title page verso
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  • 63
    Online Resource
    Online Resource
    Chicago : Northwestern University Press
    ISBN: 9780810134058 , 0810134047 , 0810134055 , 0810134039 , 0810134047 , 9780810134058 , 9780810134034 , 9780810134041
    Language: English
    Pages: 1 Online-Ressource (340 pages)
    Parallel Title: Erscheint auch als Stroh, Silke, 1974 - Gaelic Scotland in the colonial imagination
    Parallel Title: Print version Stroh, Silke Gaelic Scotland in the Colonial Imagination : Anglophone Writing from 1600 to 1900
    RVK:
    RVK:
    Keywords: Postcolonialism in literature ; Scottish literature History and criticism 18th century ; Scottish literature History and criticism 19th century ; Celts in literature ; Postcolonialism in literature ; Scottish literature ; Scottish literature ; Celts in literature ; Postcolonialism in literature ; Scottish literature ; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh ; Criticism, interpretation, etc ; Celts in literature ; Electronic books ; Englisch ; Literatur ; Kelten ; Geschichte 1600-1900 ; Schottland ; Postkoloniale Literatur ; Literaturwissenschaft
    Abstract: Can Scotland be considered an English colony? Is its experience and literature comparable to that of overseas postcolonial countries? Or are such comparisons no more than victimology to mask Scottish complicity in the British Empire and justify nationalism? These questions have been heatedly debated in the aftermath of the 2014 referendum on independence and amid a continuing campaign for more autonomy. Gaelic Scotland in the Colonial Imagination offers an introduction to the emerging field of postcolonial Scottish studies, assessing both its potential and limitations to promote further interdisciplinary dialogue. Accessible to readers from various backgrounds, the book combines overviews of theoretical, social, and cultural contexts with detailed case studies of literary and nonliterary texts. Silke Stroh shows how the image of Scotland's Gaelic margins changed under the influence of the emergence of the modern nation-state and the rise of overseas colonialism
    Abstract: Can Scotland be considered an English colony? Is its experience and literature comparable to that of overseas postcolonial countries? Or are such comparisons no more than victimology to mask Scottish complicity in the British Empire and justify nationalism? These questions have been heatedly debated in the aftermath of the 2014 referendum on independence and amid a continuing campaign for more autonomy. Gaelic Scotland in the Colonial Imagination offers an introduction to the emerging field of postcolonial Scottish studies, assessing both its potential and limitations to promote further interdisciplinary dialogue. Accessible to readers from various backgrounds, the book combines overviews of theoretical, social, and cultural contexts with detailed case studies of literary and nonliterary texts. Silke Stroh shows how the image of Scotland's Gaelic margins changed under the influence of the emergence of the modern nation-state and the rise of overseas colonialism
    Note: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
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  • 64
    Online Resource
    Online Resource
    New York : Fordham University Press
    ISBN: 9780823267859 , 0823267857
    Language: English
    Edition: First edition.
    Series Statement: Open Access e-Books
    Series Statement: Knowledge Unlatched
    Parallel Title: Erscheint auch als Rizzuto, Nicole M. Insurgent testimonies
    RVK:
    Keywords: English literature, 20th century History and criticism. ; Commonwealth literature (English) History and criticism. ; Nationalism and literature English-speaking countries. ; Literature and society English-speaking countries. ; Imperialism in literature. ; War in literature. ; Psychic trauma in literature. ; Justice, Administration of, in literature. ; Justice, Administration of, in literature ; Psychic trauma in literature ; War in literature ; Imperialism in literature ; Nationalism and literature ; Literature and society ; English literature ; Commonwealth literature (English) ; Imperialism in literature ; Justice, Administration of, in literature ; Literature and society ; Nationalism and literature ; Psychic trauma in literature ; War in literature ; POLITICAL SCIENCE ; Human Rights ; English-speaking countries ; Commonwealth literature (English) ; Criticism, interpretation, etc ; English literature ; Electronic books ; Englisch ; Postkoloniale Literatur ; Trauma
    Abstract: Introduction. Challenging ruptures: testimonial insurgencies, spectral witnesses -- Compelled confessions and forced attachments in Joseph Conrad's Under Western eyes and "Poland revisited" -- Traumas of nation and narrative: legal and literary witnessing in Rebecca West's wartime writings -- Vindicating the law: H.G. de Llisser, V.S. Reid, and the Morant Bay Rebellion -- Testimony and the crisis of the juridical order in Ngũgĩ wa Thiong'o's A grain of wheat
    Abstract: During the second half of the nineteenth century and the first half of the twentieth, insurgencies erupted in imperial states and colonies around the world, including Britain's. As Nicole Rizzuto shows, the writings of Ukrainian-born Joseph Conrad, Anglo-Irish Rebecca West, Jamaicans H.G. de Lisser and V.S. Reid, and Kenyan Ng gi wa Thiong'o testify to contested events in colonial modernity in ways that question premises underlying approaches in trauma and memory studies and invite us to reassess divisions and classifications in literary studies that generate such categories as modernist, colonial, postcolonial, national, and world literatures. Departing from tenets of modernist studies and from methods in the field of trauma and memory studies, Rizzuto contends that acute as well as chronic disruptions to imperial and national power and the legal and extra-legal responses they inspired shape the formal practices of literatures from the modernist, colonial, and postcolonial periods
    URL: Volltext  (kostenfrei)
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  • 65
    ISBN: 9781138963801 , 9780700706105
    Language: English , French , German , Italian , Armenian
    Pages: x, 436 Seiten , Illustrationen , 24 cm
    Edition: First issued in paperback
    Series Statement: Caucasus world
    Former Title: Vorangegangen ist
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    Keywords: Geschichte ; Kultur ; Armenien ; Armenia / History / Congresses ; Armenian language / Congresses ; Armenian literature / History and criticism / Congresses ; Armenian language ; Armenian literature ; Asia / Armenia ; Conference papers and proceedings ; Criticism, interpretation, etc ; History ; Konferenzschrift ; Armenien ; Kultur ; Geschichte
    Note: The first attempt to prepare a critical edition of the Armenian Bible , A further glimpse at the Armenian version of the epistle of James , Remarks on the text of the book of Revelation in Armenian , Mesrop or Maštocʻ? , The end of the Hittite Empire: Thracians in the Armenian highland? , De sainte Thècle à Anahit: une hypothèse d'interprétation du récit de la mort de l'empereur Valens dans les Buzandaran Patmutʻiwnkʻ , Ełišē's Armenian war as a metaphor for the spiritual life , Naxanj in the Letter of Łazar Pʻarpecʻi , Remarques sur la tradition bilingue (grec-arménien) des Progymnasmata d'Aelius Théon , The Armenian versions of Vita Silvestri , Collections of documents concerning Armenian-Byzantine ecclesiastical-political relations , Religion and politics in the reign of Hetʻum II , The poet and the tongue: some remarks on language and religion in medieval Armenian poetry , Interrelations between scholarship and folklore in medieval Armenian culture , Patriarch Minas Amtʻecʻi and his Diary , Mxitʻar Goš and his Lawcode , The theme of sacrifice in 'The vision of Death' by Yeghishe Charents: an attempt at an intertextual reading , Telling time by the sundial: Mandelstam's Journey to Armenia , Hrant Matevosjan et les ruralistes russes face au problème des traditions et de la modernité , Folk beliefs in Armenian proverbs , Anthroponyms: indicators of cultural contacts in Armenian history , A contribution to the specification of the Greek lexicons used by the translators of the [Yunatan proć] , Le grammatiche e i dizionari della lingua italiana, compilati in armeno, stampati durante i secoli XVII e XVIII , Consonant shifts in Armenian dialects during the post-classical period revisited , The phonology of voiced aspirates in the Armenian dialect of New Julfa , Computers in Armenian studies: information retrieval, storage and archiving , New reflections on Caucasian, Byzantine and European medieval architectural sculpture , The new Armenian inscriptions from Jerusalem , Armenische Persönlichkeiten auf byzantinischen Siegeln , Eine Mainzer Handschrift von 1391 mit Miniaturen , The historical background to Armenian state political doctrine , Mémoires de A.Y.B. sur les massacres de Mardine , "Like a policeman in a mob": the establishment of the U.S. consulate in Kharpert, Turkey, 1901-1905 , The Armenian question and international diplomacy after World War I , Modern Armenian culture: some basic trends between continuity and change, specificity and universality , Response to 'Modern Armenian culture': the distinguished lecture of Levon Zekiyan , Papers in English, French, German, or Italian, with some passages in Armenian
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  • 66
    ISBN: 9781442629547
    Language: English
    Pages: viii, 219 Seiten
    DDC: 891.8/2609006
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    Keywords: War and literature History 20th century ; Postmodernism ; Yugoslav literature History and criticism 20th century ; Yugoslav War, 1991-1995 Literature and the war ; Yugoslav literature History and criticism ; 20th century ; Yugoslav War, 1991-1995 Literature and the war ; War and literature History ; 20th century ; Yugoslavia ; Postmodernism Yugoslavia ; Postmodernism ; Postmodernism ; War and literature ; War and literature ; Yugoslav War, 1991-1995 ; Yugoslav literature ; Yugoslav literature ; Yugoslav War (1991-1995) ; Yugoslavia ; Criticism, interpretation, etc ; History ; 1900-1999 ; Balkanhalbinsel ; Literatur ; Nachkriegszeit ; Postmoderne ; Jugoslawien ; Literatur ; Bürgerkrieg ; Geschichte 1991-1995
    Abstract: "In Writing the Yugoslav Wars, Dragana Obradović analyses how the Yugoslav wars of secession helped shape the region's literary culture. Obradović argues that the crisis of the country's disintegration posed an ethical challenge to self-identified postmodernists. This book takes a transnational approach to literatures of the former Yugoslavia that have been, since the 1990s, studied separately, in line with geopolitical divisions. This post-socialist conflict was one of the moments that reshaped postmodernism for both local and international thinkers, much in the same way modernism was shaped by World War I and the advent of mechanized warfare."--
    Abstract: War, postmodernism, and literary immanence -- The spectacle of the siege -- The phantasmagoria and seduction of Kitsch -- The search for a language of the historical present -- The quickened moral pulse
    Note: Includes bibliographical references and index
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  • 67
    ISBN: 9781785331329
    Language: English
    Pages: vii, 143 Seiten
    Additional Information: Rezensiert in Gelderloos, Carl [Rezension von: Leucht, Robert, 1975-, Dynamiken politischer Imagination] 2017
    Series Statement: Austrian and Habsburg studies volume 19
    Series Statement: Austrian and Habsburg studies
    Parallel Title: Erscheint auch als
    DDC: 830.9/943613
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    Keywords: Austrian literature History and criticism ; Austrian literature History and criticism 19th century ; Utopias in literature ; Colonies in literature ; Austrian literature History and criticism ; Austria ; Vienna ; Austrian literature History and criticism ; 19th century ; Utopias in literature ; Colonies in literature ; Austrian literature ; Colonies in literature ; Intellectual life ; Utopias in literature ; Vienna (Austria) Intellectual life 19th century ; Vienna (Austria) Intellectual life ; 19th century ; Austria ; Vienna ; Criticism, interpretation, etc ; Österreich ; Literatur ; Utopie ; Kolonialismus ; Geschichte 1870-1938
    Abstract: Introduction -- Utopian periphery -- Utopia or theosophy -- Seeking emptiness -- Vienna in Palestine -- Epilogue
    Note: Includes bibliographical references and index
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  • 68
    ISBN: 9781506416854
    Language: English
    Pages: 1 Online-Ressource (xv, 510 Seiten) , Illustrationen, Porträts , 24 cm
    Edition: Online-Ausg.
    Parallel Title: Erscheint auch als Apocalypses in context
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    Keywords: Apocalyptic literature History and criticism ; Apocalypse in motion pictures ; Littérature apocalyptique - Histoire et critique ; Fin du monde au cinéma ; RELIGION - Theology ; Apocalypse in motion pictures ; Apocalyptic literature ; Criticism, interpretation, etc ; Weltuntergang ; Apokalyptik
    Abstract: Apocalyptic scenarios remain prevalent and powerful in popular culture (in television, film, comic books, and popular fiction), in politics (in debates on climate change, environmentalism, Middle East policy, and military planning), and in various religious traditions. Academic interest in apocalypticism is flourishing; indeed, the study of both ancient and contemporary apocalyptic phenomena has long been a focus of attention in scholarly research and a ready way to engage the religious studies classroom. Apocalypses in Context is designed for just such a classroom, bringing together the insights of scholars in various fields and using different methods to discuss the manifestations of apocalyptic enthusiasm in different ages (Part I: Ancient Apocalyptic Literature; Part II: Apocalypticism through the Ages; Part III: Apocalypticism in the Contemporary World). This approach enables the instructor to make connections and students to recognize continuities and contrasts across history. Apocalypses in Context features illustrations, graphs, study questions, and suggestions for further reading after each chapter, as well as recommended media and artwork to support the college classroom
    Note: Includes bibliographical references and index
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  • 69
    Book
    Book
    New York, NY, United States of America : Oxford University Press
    ISBN: 9780199844937 , 0199844933
    Language: English
    Pages: xx, 285 Seiten
    Parallel Title: Erscheint auch als Sorett, Josef Spirit in the dark
    DDC: 810.9/896073
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    Keywords: American literature African American authors ; History and criticism ; Religion and literature History 20th century ; Religion in literature ; African Americans in literature ; Blacks Race identity ; American literature African American authors ; History and criticism ; Religion and literature History ; 20th century ; United States ; Religion in literature ; African Americans in literature ; Blacks Race identity ; United States ; African Americans in literature ; American literature African American authors ; Blacks Race identity ; Religion and literature ; Religion in literature United States ; Criticism, interpretation, etc ; History ; USA ; Schwarze ; Literatur ; Das Religiöse ; Spiritualität ; Ethnische Identität ; Geschichte 1920-1960
    Abstract: Church, spirit, and the history of racial aesthetics -- The church and the Negro spirit -- Ancestral spirits -- Catholic spirits -- As the spirit moves -- An international spirit -- That spirit is Black -- Contrary spirits -- You can't keep a good church down!
    Note: Includes bibliographical references and index
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  • 70
    Online Resource
    Online Resource
    Oxford : Liverpool University Press
    ISBN: 9781786944115 , 1781383324 , 1781383766 , 1786944111 , 9781781383766 , 9781781383322
    Language: English
    Pages: 1 Online-Ressource (viii, 272 pages)
    Series Statement: Liverpool science fiction texts and studies [56]
    Parallel Title: Schmeink, Lars, 1975 - Biopunk dystopias
    Parallel Title: Print version Schmeink, Lars Biopunk dystopias : genetic engineering, society and science fiction
    DDC: 809.38762
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    Keywords: Science fiction History and criticism 21st century ; Biotechnology in literature ; Dystopias in literature ; Genetic engineering in literature ; Science fiction ; Biotechnology in literature ; Dystopias in literature ; Genetic engineering in literature ; BIOGRAPHY & AUTOBIOGRAPHY ; Literary ; LITERARY CRITICISM ; Science Fiction & Fantasy ; Biotechnology in literature ; Dystopias in literature ; Genetic engineering in literature ; Science fiction ; Fiction and related items ; Science fiction ; Criticism, interpretation, etc ; Electronic books ; Science-Fiction
    Abstract: 'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet
    Abstract: 'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet
    Note: Includes bibliographical references (pages 247-265) and index
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 71
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    ISBN: 9783839435410
    Language: English
    Pages: 1 Online-Ressource (240 p.)
    Edition: 1st ed.
    Series Statement: Lettre
    DDC: 810.9
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    Keywords: Brand, Dionne ; Lee, Chang-rae ; Yamashita, Karen Tei ; Stadt ; Globalisierung ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Criticism, interpretation, etc ; History ; Hochschulschrift ; Hochschulschrift ; Electronic books ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: Based on the structured analysis of selected North American novels, this work examines global cities as a literary phenomenon (»DiverCity«). By analyzing Dionne Brand's Toronto, »What We All Long For« (2005), Chang-rae Lee's New York, »Native Speaker« (1995), and Karen Tei Yamashita's Los Angeles, »Tropic of Orange« (1997), Melanie U. Pooch provides the connecting link for exploring the triad of globalization and its effects, global cities as cultural nodal points, and cultural diversity in a globalizing age as a literary phenomenon. Thus, she contributes to a global, interdisciplinary, and multi-perspectival understanding of literature, culture, and society.
    URL: Cover
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    URL: Cover  (lizenzpflichtig)
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    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 72
    Online Resource
    Online Resource
    West Lafayette, Indiana : Purdue University Press
    ISBN: 161249417X , 155753750X , 1557537313 , 9781612494173 , 9781557537508 , 9781557537317 , 9781612494210
    Language: English
    Pages: 1 Online-Ressource (1 online resource)
    Series Statement: Comparative cultures and literatures
    Parallel Title: Erscheint auch als Wilper, James Patrick Reconsidering the emergence of the gay novel in English and German
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    Keywords: Gays' writings History and criticism ; English fiction History and criticism ; German fiction History and criticism ; Homosexuality and literature ; Gay men in literature ; Lesbians in literature ; Electronic books ; LITERARY CRITICISM ; LGBT ; HISTORY ; Europe ; General ; English fiction ; Gay men in literature ; Gays' writings ; German fiction ; Homosexuality and literature ; Lesbians in literature ; English-speaking countries ; German-speaking Europe ; Criticism, interpretation, etc ; Electonic books
    Abstract: In Reconsidering the Emergence of the Gay Novel in English and German, James P. Wilper examines a key moment in the development of the modern gay novel by analyzing four novels by German, British, and American writers. Wilper studies how the texts are influenced by and respond and react to four schools of thought regarding male homosexuality in the late nineteenth and early twentieth centuries. The first is legal codes criminalizing sex acts between men and the religious doctrine that informs them. The second is the ancient Greek erotic philosophy, in which a revival of interest took place in the late nineteenth century. The third is sexual science (or sexology), which offered various medical and psychological explanations for same-sex desire and was employed variously to defend, as well as to attempt to cure, this "perversion." And fourth, in the wake of the scandal caused by his trials and conviction for "gross indecency," Oscar Wilde became associated with a homosexual stereotype based on "unmanly" behavior. Wilper analyzes the four novels: Thomas Mann's Death in Venice, E.M. Forster's Maurice, Edward Prime-Stevenson's Imre: A Memorandum, and John Henry Mackay's The Hustler, in relation to these schools of thought, and focuses on the exchange and cross-cultural influence between linguistic and cultural contexts on the subject of love and desire between men. This title was made Open Access by libraries from around the world through Knowledge Unlatched
    Abstract: Religion and law. Sin and crime -- Greek love. Transcending Greek love -- The "manly love of comrades" -- Science and sex. The highest being drawn down into decadence -- Health, masculinity, and the third sex -- Wild about Oscar Wilde? A tough act to follow : homosexuality in fiction after Oscar Wilde -- Das bildnis des Oskar Wilde.
    Note: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
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  • 73
    Book
    Book
    Amsterdam : Amsterdam University Press
    ISBN: 9789089645876 , 908964587X
    Language: English
    Pages: 280 Seiten , Illustrationen
    Series Statement: Asian cities 3
    Series Statement: IIAS publications
    Series Statement: Asian cities
    DDC: 950
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    Keywords: Chinese literature History and criticism ; China ; Shanghai ; Chinese literature China ; Shanghai ; Criticism, interpretation, etc ; Chinese literature History and criticism ; Popular culture ; Chinesisch ; Literatur ; Schanghai ; Wandel
    Abstract: Part of the contents:0Writing Shanghai: The City of Feeling Rising out of the City of Fact - CHAPTER 1 Mappings: Drawing Mental Maps of Memories - CHAPTER 2 Seduction: Reproducing the City as Femme Fatale - CHAPTER 3 Nostalgia: Restoring Old Buildings to Rewrite the Past - CHAPTER 4 Escape: Out of and Into Various Places 'Real' and Imagined - IN CONCLUSION The Shape of a City Changes Faster than the Human Heart Can Tell
    Note: Includes bibliographical references and index
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  • 74
    Online Resource
    Online Resource
    Tuscaloosa : The University of Alabama Press
    ISBN: 9780817387440 , 0817387447
    Language: English
    Pages: Online Ressource (xi, 258 pages) , illustrations.
    Series Statement: Jews and Judaism: history and culture
    Parallel Title: Erscheint auch als Tabachnick, Stephen Ely Quest for Jewish belief and identity in the graphic novel
    Parallel Title: Erscheint auch als Tabachnick, Stephen E., 1944 - The quest for Jewish belief and identity in the graphic novel
    DDC: 741.53529924
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    Keywords: Comic books, strips, etc Religious aspects ; Jewish literature History and criticism ; Jews Identity ; Judaism and literature ; Graphic novels ; Jews in literature ; Holocaust, Jewish (1939-1945), in literature ; Comic books, strips, etc Religious aspects ; Jewish literature History and criticism ; Jews Identity ; ART ; Techniques ; Drawing ; Comic books, strips, etc ; Religious aspects ; Graphic novels ; Holocaust, Jewish (1939-1945) in literature ; Jewish literature ; Jews ; Identity ; Jews in literature ; Judaism and literature ; Criticism, interpretation, etc ; Electronic books ; Electronic books Criticism, interpretation, etc ; Graphic Novel ; Judentum
    Abstract: "Many Jewish artists and writers contributed to the creation of popular comics and graphic novels, and in The Quest for Jewish Belief and Identity in the Graphic Novel, Stephen E. Tabachnick takes readers on an engaging tour of graphic novels that explore themes of Jewish identity and belief. The creators of Superman (Jerry Siegel and Joe Shuster), Batman (Bob Kane and Bill Finger), and the Marvel superheroes (Stan Lee and Jack Kirby), were Jewish, as was the founding editor of Mad magazine (Harvey Kurtzman). They often adapted Jewish folktales (like the Golem) or religious stories (such as the origin of Moses) for their comics, depicting characters wrestling with supernatural people and events. Likewise, some of the most significant graphic novels by Jews or about Jewish subject matter deal with questions of religious belief and Jewish identity. Their characters wrestle with belief--or nonbelief--in God, as well as with their own relationship to the Jews, the historical role of the Jewish people, the politics of Israel, and other issues related to Jewish identity. In The Quest for Jewish Belief and Identity in the Graphic Novel, Stephen E. Tabachnick delves into the vivid kaleidoscope of Jewish beliefs and identities, ranging from Orthodox belief to complete atheism, and a spectrum of feelings about identification with other Jews. He explores graphic novels at the highest echelon of the genre by more than thirty artists and writers, among them Harvey Pekar (American Splendor), Will Eisner (A Contract with God), Joann Sfar (The Rabbi's Cat), Miriam Katin (We Are On Our Own), Art Spiegelman (Maus), J.T. Waldman (Megillat Esther), Aline Kominsky Crumb (Need More Love), James Sturm (The Golem's Mighty Swing), Leela Corman (Unterzakhn), Ari Folman and David Polonsky (Waltz with Bashir), David Mairowitz and Robert Crumb's biography of Kafka, and many more. He also examines the work of a select few non-Jewish artists, such as Robert Crumb and Basil Wolverton, both of whom have created graphic adaptations of parts of the Hebrew Bible. Among the topics he discusses are graphic novel adaptations of the Bible; the Holocaust graphic novel; graphic novels about the Jews in Eastern and Western Europe and Africa, and the American Jewish immigrant experience; graphic novels about the lives of Jewish women; the Israel-centered graphic novel; and the Orthodox graphic novel. The book concludes with an extensive bibliography"--Provided by publisher
    Note: Includes bibliographical references and index. - Print version record
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  • 75
    Online Resource
    Online Resource
    Syracuse, New York : Syracuse University Press
    ISBN: 0815652321 , 9780815652328
    Language: English
    Pages: 1 Online-Ressource (288 pages) , illustrations, portraits
    Edition: First edition
    Series Statement: Contemporary issues in the Middle East
    Parallel Title: Erscheint auch als Long, Andrew C Reading Arabia : British Orientalism in the age of mass publication, 1880-1930
    DDC: 303.48/24105309041
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    Keywords: Orientalism History ; Arabs in popular culture History ; Arabs in mass media ; British literature History and criticism ; Arabs in literature ; Fantasy in literature ; Stereotypes (Social psychology) in literature ; HISTORY ; General ; Arabs in literature ; Arabs in mass media ; Arabs in popular culture ; British literature ; Fantasy in literature ; International relations ; Orientalism ; Public opinion, British ; Stereotypes (Social psychology) in literature ; SOCIAL SCIENCE ; General ; Criticism, interpretation, etc ; History ; Electronic books ; Arab countries Foreign public opinion, British ; Great Britain Relations ; Arab countries Relations ; Arab countries ; Great Britain ; Electronic books
    Abstract: Introduction: Britain at the fin de siècle and the Orientalist unconscious -- The two tangents of British Orientalism : Burton and Doughty, dandy and prophet in the 1880s -- Khartoum nightmare : popular literature of the British campaign in the Sudan -- A refusal and a traversal : Robert Cunninghame Graham's engagement with Orientalism in Mogreb-el-Acksa -- Orientalism from within and without : Marmaduke Pickthall -- The Arabist as abject modern : T.E. Lawrence -- Conclusion: How to read the Orientalist archive.
    Note: Includes bibliographical references and index
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  • 76
    Online Resource
    Online Resource
    Edinburgh : Edinburgh University Press
    ISBN: 9780748697120 , 0748690816 , 9781322980874 , 132298087X , 0748697128 , 9780748690800 , 9780748690817 , 0748690808
    Language: English
    Pages: 1 Online-Ressource (vii, 240 pages)
    Series Statement: Knowledge Unlatched
    Series Statement: Open Access e-Books
    Parallel Title: Print version Killeen, Jarlath, 1976- Emergence of Irish gothic fiction
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    Keywords: Gothic fiction (Literary genre), English History and criticism ; Irish fiction ; Monsters in literature ; Gothic fiction (Literary genre), English ; Irish fiction ; Monsters in literature ; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh ; LITERARY CRITICISM ; Gothic & Romance ; Gothic fiction (Literary genre), English ; Irish fiction ; Monsters in literature ; Literature ; Ireland ; Criticism, interpretation, etc ; Textbooks ; Textbooks ; Electronic books
    Abstract: Provides a new account of the emergence of Irish gothic fiction in mid-eighteenth century. This book provides a robustly theorised and thoroughly historicised account of the 'beginnings' of Irish gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. The main argument the book makes is that the Irish gothic should be read in the context of the split in Irish Anglican public opinion that opened in the 1750s, and seen as a fictional instrument of liberal Anglican opinion in a changing political landscape. By providing a fully historicized account of the beginnings of the genre in Ireland, the book also addresses the theoretical controversies that have bedevilled discussion of the Irish gothic in the 1980s, 1990s and 2000s. The book gives ample space to the critical debate, and rigorously defends a reading of the Irish gothic as an Anglican, Patriot tradition. This reading demonstrates the connections between little-known Irish gothic fictions of the mid-eighteenth century (The Adventures of Miss Sophia Berkley and Longsword), and the Irish gothic tradition more generally, and also the gothic as a genre of global significance. Key Features * Examines gothic texts including Mary Shelley's Frankenstein, Horace Walpole's The Castle of Otranto, Bram Stoker's Dracula, Charles Robert Maturin's Melmoth the Wanderer, (Anon), The Adventures of Miss Sophia Berkley and Thomas Leland's Longsword * Provides a rigorous and robust theory of the Irish Gothic * Reads early Irish gothic fully into the political context of mid-eighteenth century Ireland
    Description / Table of Contents: Introduction: Zombieland: From Gothic Ireland to Irish Gothic -- 1. Braindead: Locating the Gothic -- 2. The Creeping Unknown: Re-Making Meaning in the Gothic Novel -- 3. Mad Love: The Adventures of Miss Sophia Berkley and the Politics of Consent -- 4. The Monster Club: Monstrosity, Catholicism and Revising the (1641) Rising -- 5. Undead: Unmaking Monsters in Longsword -- Conclusion: Land of the Dead.
    Note: Includes bibliographical references (pages 209-230) and index , English
    URL: Volltext  (kostenfrei)
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  • 77
    ISBN: 9780814334874 , 0814334873
    Language: English
    Pages: x, 290 Seiten , Illustrationen , 23 cm
    Series Statement: Series in fairy-tale studies
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 2000-2013 ; Adaptations ; Criticism, interpretation, etc ; Fairy tales ; Fairy tales in literature ; Fairy tales in motion pictures ; Kunstmärchen ; Englisch ; Fairy tales History and criticism ; Fairy tales Adaptations ; Fairy tales in motion pictures ; Fairy tales in literature ; Fairy tales ; Kunstmärchen ; Englisch ; Verfilmung ; Märchen ; Adaption ; Kunstmärchen ; Englisch ; Märchen ; Adaption ; Verfilmung ; Geschichte 2000-2013 ; Englisch ; Märchen ; Adaption ; Verfilmung ; Englisch ; Kunstmärchen
    Abstract: "Fairy-tale adaptations are ubiquitous in modern popular culture, but readers and scholars alike may take for granted the many voices and traditions folded into today's tales. In Fairy Tales Transformed?: Twenty-First-Century Adaptations and the Politics of Wonder, accomplished fairy-tale scholar Cristina Bacchilega traces what she terms a "fairy-tale web" of multivocal influences in modern adaptations, asking how tales have been changed by and for the early twenty-first century. Dealing mainly with literary and cinematic adaptations for adults and young adults, Bacchilega investigates the linked and yet divergent social projects these fairy tales imagine, their participation and competition in multiple genre and media systems, and their relation to a politics of wonder that contests a naturalized hierarchy of Euro-American literary fairy tale over folktale and other wonder genres." ... Publisher website
    Note: Includes bibliographical references (pages 245-269), filmography (pages 271-273) and index
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  • 78
    Online Resource
    Online Resource
    Liverpool : Liverpool University Press
    ISBN: 9781781380895 , 1781380899 , 9781781385524 , 1781385521 , 9781846319587 , 1781386072 , 1846319587 , 9781781386071
    Language: English
    Pages: 1 Online-Ressource (x, 225 pages)
    Series Statement: Liverpool English texts and studies 63
    Parallel Title: Print version Youngs, Tim, 1961- Beastly journeys
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    Keywords: English literature History and criticism 19th century ; Shapeshifting ; Travel in literature ; Animals in literature ; Literature and society History 19th century ; English literature ; Shapeshifting ; Travel in literature ; Animals in literature ; Literature and society ; Literary studies: general ; Literature and literary studies ; Literature: history and criticism ; LITERARY CRITICISM ; Comparative Literature ; Animals in literature ; English literature ; Literature and society ; Shapeshifting ; Travel in literature ; English ; Languages & Literatures ; English Literature ; Great Britain ; Literary studies: c 1800 to c 1900 ; Criticism, interpretation, etc ; History ; Electronic books ; Electronic books
    Abstract: A critical exploration of travel, animals and shape-changing in fin de siècle literature. Bats, beetles, wolves, butterflies, bulls, panthers, apes, leopards and spiders are among the countless creatures that crowd the pages of literature of the late nineteenth century. Whether in Gothic novels, science fiction, fantasy, fairy tales, journalism, political discourse, realism or naturalism, the line between the human and the animal becomes blurred. Beastly Journeys examines these bestial transformations across a range of well-known and less familiar texts and shows how they are provoked not only by the mutations of Darwinism but by social and economic shifts that have been lost in retellings and readings of them. The physical alterations described by George Gissing, George MacDonald, Arthur Machen, Arthur Morrison, W.T. Stead, Bram Stoker, H.G. Wells, Oscar Wilde, and many of their contemporaries, are responses to changes in the social body as Britain underwent a series of social and economic crises. Metaphors of travel - social, spatial, temporal, mythical and psychological - keep these stories on the move, confusing literary genres along with the indeterminacy of physical shape that they relate. Beastly Journeys will appeal to anyone interested in the relationship between nineteenth-century literature and its contexts and especially to those interested in the fin de siècle and in metaphors of travel, animals and shape-changing
    Description / Table of Contents: Introduction: The Unchaining of the Beast -- 1. City Creatures -- 2. The Bat and the Beetle -- 3. Morlocks, Martians, and Beast-People -- 4. 'Beast and man so mixty': The Fairy Tales of George MacDonald -- 5. Oscar Wilde: 'an unclean beast' -- Conclusion.
    Note: Includes bibliographical references (pages 211-219) and index
    URL: Volltext  (kostenfrei)
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  • 79
    ISBN: 3839422515 , 9783839422519
    Language: German
    Pages: Online-Ressource (311 pages)
    Edition: Online-Ausg.
    Series Statement: Kultur und soziale Praxis
    Parallel Title: Print version Rap in Deutschland : Musik als Interaktionsmedium zwischen Partykultur und urbanen Anerkennungskämpfen
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    Keywords: Rap (Music) History and criticism ; Rap (Music) Social aspects ; MUSIC ; Instruction & Study ; Voice ; MUSIC ; Lyrics ; MUSIC ; Printed Music ; Vocal ; Rap (Music) ; Rap (Music) ; Social aspects ; Criticism, interpretation, etc ; Germany ; Deutschland ; Rap ; Musiksoziologie
    Abstract: 3.5 "Fremd im eigenen Land" als nationales Statement3.6 Rap im politischen Diskurs; 3.7 Das urbane Quartier im Rap; 3.8 Köln-Porz Deadline; 4 Einwanderungsland BRD; 4.1 Migrations-Diskurse in der multikulturellen Stadt; 4.2 Imaginierte Ghettos und Parallelgesellschaften; 4.3 Ethnische Kategorisierung im Kontext des Pluralismus; 4.4 Ethnisierung und rassistische Praxen; 4.5 Verweigerung von Zugehörigkeit und Anerkennung; 4.6 Zwischenbilanz; 5 Forschungsdesign der empirischen Untersuchung; 5.1 Die "Entdeckung" der Grounded Theory; 5.2 Die Methoden der Grounded Theory.
    Abstract: 5.3 Das dreifache Kodierparadigma nach Strauss und Corbin5.3.1 Offenes Kodieren; 5.3.2 Axiales Kodieren; 5.3.3 Selektives Kodieren; 5.4 Biographischer Ansatz; 5.5 Das narrative Interview; 5.6 Feldzugang und Forschungsprotokoll; 5.6.1 Interviewdurchführung; 5.6.2 Transkription; 5.6.3 Auswertung des empirischen Datenmaterials; 6 Kurzbiographien; 6.1 Die erste Generation von Rappern in Deutschland; 6.1.1 Asia; 6.1.2 Signore Rossi; 6.1.3 Hannes Loh; 6.1.4 Killa Hakan; 6.1.5 Scope; 6.2 Female MCs; 6.2.1 Duygu DAI; 6.2.2 MC Sinaya; 6.2.3 MISS PM; 6.2.4 Aziza A.; 6.2.5 Akua Naru; 6.2.6 MC Soom T.
    Abstract: 6.3 Rapper Generation 20006.3.1 OJ Kingpin; 6.3.2 Ja2NI; 6.3.3 Patrik; 6.3.4 Dihad; 6.3.5 Ashraf; 6.3.6 David; 6.3.7 MC Hasso; 6.3.8 Mighty Maho; 6.3.9 Chaoze One; 6.4 Expertinnen-Interviews; 7 Bildungswege: "Ganz locker eingeschult worden!"; 7.1 Familiärer Kontext und die Konstruktion von sozialen Schichten; 7.2 "Ich sag nicht Rap, weil ich mit Rappen überhaupt nichts am Hut hatte!"; 7.3 "Wir kannten nicht den Türken, den Italiener. Wir waren einfach Wir!"; 7.4 "Ich mags nicht, wenn man Deutsch-Türkin sagt!"; 7.5 "Für ein Mädchen ist die aber echt gut!"
    Abstract: 7.6 "Frauen sollen in Deutschland einfach nur als MCs akzeptiert werden!"7.7 "Die wichtigen Sachen, die vielleicht dazu beitragen, dass man das besser versteht, die haben die ausgelassen. So wie es halt im Journalismus ist."; 7.8 "Oh Gott, wo tun wir denn diese Scheibe hin in den Läden?"; 8 Resümee; Ausblick; Diskografie; Literaturverzeichnis.
    Abstract: Cover Rap in Deutschland; Inhalt; 1 Einleitung; 2 HipHop: Vier Elemente für eine Kultur; 2.1 DJing und Graffiti; 2.2 Dancing to the Beat: B-Boys and B-Girls; 2.3 Rap als letztes Element; 2.4 Das Urbane als das Zentrale; 2.5 Gangster-Rap; 2.6 HipHop-Kritik; 2.7 HipHop und die Rezeption als Widerstandskultur; 2.8 Female MCs -- Ladies First; 3 HipHop in der BRD; 3.1 One, two, three -- from New York to Germany; 3.2 Multikulturalität und Mehrsprachigkeit im HipHop: Ein aufgezwungenes Konzept; 3.3 HipHop im neuen Jahrtausend; 3.4 Ethnisierende Diskurse im HipHop.
    Abstract: Rap - für die einen der Inbegriff des subversiven Widerstands einer marginalisierten Unterschicht, für die anderen klanglicher Ausdruck von Homophobie, Misogynie und Gewaltverherrlichung. Vergessen wird dabei oft, dass Rap in erster Linie Partymusik ist. Seit der Entstehung des Stils in den 1970er Jahren ist die HipHop-Kultur ein stark umkämpftes Terrain. Ayla Güler Saieds Studie legt den empirischen Fokus auf die Biographien von Rapperinnen und Rappern verschiedener Genres und bettet diese in die theoretische Analyse der Entstehungsgeschichten des HipHop in Deutschland und den USA ein. Auf di
    Note: Includes bibliographical references and discography
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  • 80
    Online Resource
    Online Resource
    London : Anthem Press
    ISBN: 0857284568 , 0857284541 , 9780857284549 , 9780857284563
    Language: English
    Pages: 1 Online-Ressource (x, 245 pages) , illustrations
    Series Statement: Anthem scholarship in the digital age
    Parallel Title: Erscheint auch als
    DDC: 820.9/994
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    Keywords: Australian literature History and criticism ; Publishers and publishing History ; Booksellers and bookselling History ; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh ; LITERARY CRITICISM ; Australian & Oceanian ; Australian literature ; Booksellers and bookselling ; Publishers and publishing ; Australia ; Criticism, interpretation, etc ; History ; Literary theory ; Electronic book
    Abstract: 'Reading by Numbers: Recalibrating the Literary Field' explores the critical potential of digital and quantitative methods for producing new knowledge about literary and cultural history
    Abstract: I British Domination? 1940s to 1960sII The Golden Age? 1970s to 1980s; III Multinational Domination? 1990s to 2000s; IV The End of Local Publishing? 1990s to 2000s; Chapter 4 RECOVERING GENDER: RETHINKING THE NINETEENTH CENTURY; I Feminist Literary Criticism and the Nineteenth Century; II Serial Publishing; III Book Publishing: 1860s to 1880s; IV Gender and the 1890s; Chapter 5 THE 'RISE' OF THE WOMAN NOVELIST:POPULAR AND LITERARY TRENDS; I Male Domination? 1940s to 1960s; II Female Liberation? 1970s to 1980s; III Beyond Gender? 1990s to 2000s; Conclusion LITERARY STUDIESIN THE DIGITAL FUTURE.
    Abstract: NOTESIntroduction. A New History of the Australian Novel; Chapter 1. Literary Studies in the Digital Age; Chapter 2. Beyond the Book: Publishing in the Nineteenth Century; Chapter 3. Nostalgia and the Novel: Looking Back, Looking Forward; Chapter 4. Recovering Gender: Rethinking the Nineteenth Century; Chapter 5. The 'Rise' of the Woman Novelist:Popular and Literary Trends; Conclusion. Literary Studies in the Digital Future; BIBLIOGRAPHY; INDEX.
    Abstract: Reading by Numbers; CONTENTS; ACKNOWLEDGEMENTS; LIST OF TABLES AND FIGURES; Introduction A NEW HISTORY OF THE AUSTRALIAN NOVEL; Chapter 1 LITERARY STUDIES IN THE DIGITAL AGE; I Quantitative Method and its Critics; II Critical Quantifi cation: Book History and the Digital Humanities; Chapter 2 BEYOND THE BOOK: PUBLISHING IN THE NINETEENTH CENTURY; I Book Publishing: 1830s to 1850s; II Serial Publishing; III The Cycle of Serial and Book Publishing; IV Book Publishing: 1860s to 1880s; V Book Publishing: 1890s; Chapter 3 NOSTALGIA AND THE NOVEL:LOOKING BACK, LOOKING FORWARD.
    Note: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
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  • 81
    Online Resource
    Online Resource
    Frankfurt : Peter Lang GmbH, Internationaler Verlag der Wissenschaften
    ISBN: 9783653023893
    Language: English
    Pages: Online-Ressource
    Series Statement: Warsaw Studies in Jewish History and Memory 2
    Series Statement: Warsaw Studies in Jewish History and Memory
    Parallel Title: Druckausg.
    Parallel Title: Druckausg.
    Parallel Title: Druckausg.
    Parallel Title: Druckausg.
    Parallel Title: Druckausg. Reconstructing Jewish identity in pre- and post-holocaust literature and culture
    DDC: 305.8924
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    Keywords: Juden ; Identität ; Kultur ; Ethnische Gruppe ; (Produktform)Electronic book text ; (Zielgruppe)Fachpublikum/ Wissenschaft ; kashrut ; Israeli cinema ; Hasiddim ; Jewish photography ; anti-Semitism ; Poland ; Italy ; United States ; Nazi Germany ; (Publisher’s own category code)21.07: Ethnologie und Kulturwissenschaften; Judaistik ; (BISAC Subject Heading)DRA000000 ; (VLB-WN)9750 ; (BISAC Subject Heading)PHI000000 ; (BISAC Subject Heading)REL000000 ; (BISAC Subject Heading)SOC008000 ; (BIC subject category)AB ; (BIC subject category)HP ; (BIC subject category)HR ; (BIC subject category)JF ; Konferenzschrift 2011 ; Kongress ; Konferenzschrift 2011 ; Criticism, interpretation, etc ; Konferenzschrift 2011 ; Juden ; Identität ; Kultur ; Kongress ; Warschau 〈2011〉
    Note: Lizenzpflichtig
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  • 82
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    Online Resource
    Newcastle : Cambridge Scholars
    ISBN: 9781443830553 , 1443830550 , 1283142996 , 9781283142991
    Language: English
    Pages: Online Ressource , illustrations
    Parallel Title: Erscheint auch als Anti-Tales: the uses of disenchantment (2010 : Glasgow) Anti-tales
    DDC: 398.2
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    Keywords: Fairy tales History and criticism ; Antiheroes in literature ; Fairy tales History and criticism ; SOCIAL SCIENCE ; Folklore & Mythology ; Antiheroes in literature ; Fairy tales ; Märchen ; Entmythologisierung ; Ernüchterung ; Enttäuschung ; The arts ; Literature & literary studies ; Fiction & related items ; Criticism, interpretation, etc ; Glasgow 〈2010〉 ; Electronic books ; Electronic books Criticism, interpretation, etc ; Konferenzschrift ; Konferenzschrift 2010 ; Konferenzschrift 2010 ; Konferenzschrift 2010 ; Criticism, interpretation, etc ; Märchen ; Rezeption
    Abstract: The anti-(fairy) tale has long existed in the shadow of the traditional fairy tale as its flipside or evil twin. According to André Jolles in Einfache Formen (1930), such Antimärchen are contemporaneous Other some the earliest known oral variants of familiar tales. While fairy tales are generally characterised by a "spirit of optimism" (Tolkien) the anti-tale offers us no such assurances; for every "happily ever after," there is a dissenting "they all died horribly." The anti-tale is, however
    Note: Includes bibliographical references. - Print version record
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  • 83
    ISBN: 0230105629 , 9780230105621
    Language: English
    Pages: XV, 269 S , 23 cm
    Edition: 1. publ.
    Series Statement: Palgrave studies in cultural and intellectual history
    DDC: 220.5/9481109
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    Keywords: Bible Versions ; Bible Criticism, interpretation, etc ; Bible Translating ; Tamil language Style ; Protestantism History ; Identification (Religion) ; Bible ; Tamil ; Versions ; Bible ; Criticism, interpretation, etc ; Bible ; Translating ; Tamil language ; Style ; Protestantism ; India, South ; History ; Identification (Religion) ; Bibel ; Tamil ; Übersetzung ; Indien
    Abstract: "Religious Transactions in Colonial South India locates the "making" of Protestant identities in South India within several contesting discourses. It examines evolving attitudes to translation and translation practices in the Tamil literary and sacred landscapes initiated by early missionary translations of the Bible in Tamil. Situating the Tamil Bible firmly within intersecting religious, literary and social contexts, the book offers a fresh perspective on the translated Bible as a cultural object. It focuses on conflicts in three key areas of translation--locating a sacred lexicon, the politics of "standard versions" and categorizing genres--as discursive sites within which Protestant identities have been articulated by Tamils. By widening the cultural and historical framework of the Tamil Bible, this book is the first to analyze links between language use, translation practices and caste affiliations in the articulation of Protestant identities in India"--
    Abstract: Machine generated contents note: -- The Terms of the Debate: Translating the Bible in Nineteenth-century India * Locating the Sacred in Terminology * Symbolic Versions: the Power of Language Registers * Prose Truth versus Poetic Fiction: Sacred Translations in Competing Genres
    Description / Table of Contents: Machine generated contents note: -- The Terms of the Debate: Translating the Bible in Nineteenth-century India * Locating the Sacred in Terminology * Symbolic Versions: the Power of Language Registers * Prose Truth versus Poetic Fiction: Sacred Translations in Competing Genres.
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
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  • 84
    Online Resource
    Online Resource
    Cambridge : Open Book Publishers
    ISBN: 1906924325 , 1906924309 , 1906924317 , 9781906924324 , 9781906924317 , 9781906924300
    Language: English
    Pages: 1 Online-Ressource (xvi, 289 pages) , illustrations
    Parallel Title: Erscheint auch als
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    Keywords: Shelley, Percy Bysshe Dramatic works ; Criticism and interpretation ; Shelley, Percy Bysshe ; Shelley, Percy Bysshe ; Shelley, Percy Bysshe ; Shelley, Percy Bysshe ; Shelley, Percy Bysshe ; English drama History and criticism 19th century ; Shelley, Percy Bysshe ; Shelley, Percy Bysshe ; Drama ; Shelley, Percy Bysshe (1792-1822) ; Shelley, Percy Bysshe ; Oeuvres ; Théâtre ; Critique et interprétation ; Fürstliches Schauspielhaus ; Charles the First (Shelley, Percy Bysshe) ; Cenci (Shelley, Percy Bysshe) ; Prometheus unbound (Shelley, Percy Bysshe) ; LITERARY CRITICISM ; Gothic & Romance ; Literary studies: c 1800 to c 1900 ; Literary studies: general ; Literary studies: plays and playwrights ; Literature and literary studies ; Literature: history and criticism ; Criticism and interpretation ; English drama ; Aufführung ; Criticism, interpretation, etc ; Electronic books
    Abstract: "This is the first full-length study of Shelley's plays in performance. It offers a rich, meticulously researched history of Shelley's role as a playwright and dramatist and a reassessment of his 'closet dramas' as performable pieces of theatre. With chapters on each of Shelley's dramatic works, the book provides a thorough discussion of the poet's stagecraft, and analyses performances of his plays from the Georgian period to today. In addition, Mulhallen offers details of the productions Shelley saw in England and Italy, many not identified before, as well as a vivid account of the actors and personalities that constituted the theatrical scene of his time. Her research reveals Shelley as an extraordinarily talented playwright, whose fascination with contemporary theatrical theory and practice seriously challenges the notion that he was a reluctant dramatist"--Page 4 of cover
    Abstract: The Theatrical Context -- the Georgian Theatre in England --Shelley's Theatregoing, Playreading and Criticism --Practical Technique -- The Cenci --Turning History into Art -- Charles the First --Ideal Drama -- Prometheus Unbound --Drama for a Purpose -- Hellas & Fragments of an Unfinished Drama --Satirical Comedy -- Swellfoot the Tyrant --Appendices --List of Performances Seenby Shelley --The Programme of Songs with the Performance of Douglas.
    Note: Based on the author's thesis (Ph. D., Anglia Ruskin University) , Includes bibliographical references (pages 259-274) and index
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  • 85
    Online Resource
    Online Resource
    Hong Kong : Honk Kong University Press
    ISBN: 9622096727 , 9882200095 , 9622096735 , 9789622096721 , 9789882200098 , 9789622096738
    Language: English
    Pages: 1 Online-Ressource (vi, 208 pages) , illustrations
    Edition: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    Parallel Title: Print version Asian diasporas
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    Keywords: Oriental literature Congresses History and criticism ; Immigrants in literature Congresses ; Asian diaspora Congresses ; Literature Congresses History and criticism ; Littérature orientale - Écrivains américains d'origine asiatique - Histoire et critique - Congrès ; Immigrants dans la littérature - Congrès ; Asiatiques - Pays étrangers - Congrès ; Littérature orientale - Histoire et critique - Congrès ; Littérature - Histoire et critique - Congrès ; SOCIAL SCIENCE - Anthropology - Cultural ; POLITICAL SCIENCE - Public Policy - Cultural Policy ; SOCIAL SCIENCE - Popular Culture ; SOCIAL SCIENCE - Regional Studies ; Literature ; Asian diaspora ; Immigrants in literature ; Cultuurgoed ; Etnisch bewustzijn ; Conference papers and proceedings ; Criticism, interpretation, etc
    Abstract: The culture of Asian diasporas : integrating/interrogating (im)migration, habitus, textuality / Robbie B.H. Goh -- The uncertain configurations of a politics of location : the intersection of postcolonial, feminist, and nationalist discourses in understanding Chinese diasporic communities / Ann Brooks -- Diaspora and violence : cultural/spatial production, abjection, and exchange -- Robbie B.H. Goh -- Theorizing diasporas : three types of consciousness / Regina Lee -- Cultural citizenship in diaspora : a study of Chinese Australia / Wenche Ommundsen -- Mimics without menace : interrogating hybridity in Bharati Mukherjee's fiction / Rebecca Sultana -- The shadow of diasporic (auto)biography : the traveling-self in Michael Ondaatje's Running in the family / Carol E. Leon -- Translating Indian culture from diaspora / Alessandro Monti and Rajeshwar Mittapalli -- Claiming diaspora in Shirley Geok-lin Lim's Joss & gold / Jeffrey F.L. Partridge -- Writing the Chinese and Southeast Asian diasporas in Russell Leong's Phoenix eyes / Walter S.H. Lim -- Diasporic communities and identity politics : containing the political / Ryan Bishop and John Phillips
    Note: Includes bibliographical references (pages 185-198) and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 86
    Online Resource
    Online Resource
    Heidelberg : Universitätsverlag Winter
    ISBN: 9783825373221
    Language: English
    Pages: 1 Online-Ressource (244 pages) , color illustrations
    Series Statement: American studies volume 191
    Parallel Title: Erscheint auch als Native American studies across time and space : essays on the indigenous Americas
    DDC: 305.897
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    Keywords: Indians of North America Congresses Study and teaching ; American literature Congresses Indian authors ; History and criticism ; American literature ; Indian authors ; Indians of North America ; Study and teaching ; Conference papers and proceedings ; Criticism, interpretation, etc ; Konferenzschrift 2007 ; Konferenzschrift 2007
    Abstract: Acknowledgements; Oliver Scheiding -- Indtroduction: Native American Studies across Time and Spcae; Part I -- Theory and Method; Arnold Krupat -- Culturalismus and Its Discontents; Robert Warrior -- Contemporary Indigenous Approaches to Criticism Theory, and Method; Alfred Young Man -- A Critique of Anthropology from the Native Perspective; Part II -- Experience and Practice; Regina Harrison -- Economies of Exchange in the Colonial Ades; Catherine Julien -- What to Read on the Subject of Inca Religion; Luis Fernando Restrepo -- Memory and Justice
    Abstract: D. Dörr/Mark D. Cole -- Native American Nations between Termination and Self-DeterminationPart III -- Literature and Peformance; Gordon M. Sayre -- John Tanner, Métis: On the Impossibilites of Cultural Translation; Clemens Spahr -- Sherman Alexie and the Limits of Storytelling; Jeanne Perreault -- Stealing Souls: The Dynamics of Evil in Contemporary Indigenous Literature; Birgit Däwes -- ""We are the Canon""; Vera Städing -- Re-figuring Stereotypes and Intertribal Performance in Hanay Geiogamah's Foghorn; Contributors; Index
    Abstract: HauptbeschreibungThis collection of essays advocates a multidisciplinary dialogue that brings together an international group of scholars who work in the field of Latin American, Anglo-American, and Francophone Native Studies. To foster a more comprehensive and diverse curriculum of Native American Studies, this volume combines contributions from literary programs (English, Spanish, Comparative Literature) as well as from related fields in the humanities such as anthropology, history, and law. The goal of this collection of essays is to contribute to the development of Native Americ
    Note: Papers from a conference held 2007, Mainz , Includes bibliographical references and index
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  • 87
    Online Resource
    Online Resource
    Berlin : Walter De Gruyter | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9783110213560 , 3110213567
    Language: German
    Pages: 1 Online-Ressource (vi, 346 Seiten) , Illustrationen
    DDC: 809/.93354
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    Keywords: Geschichte ; Lebensalter ; Literatur ; Age groups in literature Congresses ; Literature Congresses History and criticism ; Age groups in art Congresses ; Aging Congresses Religious aspects ; Aging in art ; Aging in literature ; TRAVEL Special Interest ; Literary ; LITERARY CRITICISM General ; Age groups in art ; Age groups in literature ; Aging in art ; Aging in literature ; Aging Religious aspects ; Literature ; Konferenzschrift 2008 ; Conference papers and proceedings ; Criticism, interpretation, etc
    Note: Includes bibliographical references
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  • 88
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press
    ISBN: 0472024469 , 0472900471 , 0472070444 , 0472050443 , 1282445243 , 6612445246 , 9786612445248 , 9781282445246 , 9780472070442 , 9780472050444 , 9780472900473 , 9780472024469
    Language: English
    Pages: 1 Online-Ressource (xii, 284 pages) , illustrations
    Edition: [S.l.] HathiTrust Digital Library 2010 Electronic reproduction
    Parallel Title: Erscheint auch als Miller, Elizabeth Carolyn, 1974- Framed
    DDC: 823/.087209
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    Keywords: Female offenders in literature ; Terrorism in literature ; Consumption (Economics) in literature ; Feminism and literature History 19th century ; Literature and society History 19th century ; Detective and mystery films History and criticism ; Women in popular culture History 19th century ; Detective and mystery stories, English History and criticism ; English fiction History and criticism 19th century ; Detective and mystery films ; Detective and mystery stories, English ; English fiction ; Female offenders in literature ; Feminism and literature ; Literature and society ; Terrorism in literature ; Women in popular culture ; Literatur ; Weibliche Kriminelle ; Kultur ; Weibliche Kriminelle ; Frauenkriminalität ; Motiv ; Roman ; englischer ; Roman ; englischer ; Motiv ; Frauenkriminalität ; Kriminalliteratur ; englische ; Kriminalfilm ; Grossbritannien ; Kriminalliteratur ; englische ; Geschichte 19. Jh ; English Literature ; English ; Languages & Literatures ; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh ; Consumption (Economics) in literature ; Englisch ; Großbritannien ; Great Britain ; Criticism, interpretation, etc ; History
    Abstract: Framed uses fin de siècle British crime narrative to pose the question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? The author addresses this question, examining popular literary and cinematic culture from roughly 1880 to 1914 to shed light on an otherwise overlooked social and cultural type: the conspicuously glamorous New Woman criminal. In so doing, she breaks with the many Foucauldian studies of crime to emphasize the genuinely subversive aspects of these popular female figures. Drawing on a rich body of archival material, Miller argues that the New Woman Criminal exploited iconic elements of late nineteenth- and early twentieth-century commodity culture, including cosmetics and clothing, to fashion an illicit identity that enabled her to subvert legal authority in both the public and the private spheres
    Abstract: Private and public eyes : Sherlock Holmes and the invisible woman --Beautiful for ever! cosmetics, consumerism, L.T. Meade, and Madame Rachel --The limits of the gaze : class, gender, and authority in early British cinema --Dynamite, interrupted : gender in James's and Conrad's novels of failed terror --"An invitation to dynamite" : female revolutionaries in late-Victorian dynamite narrative.
    Note: Includes bibliographical references and index -- Includes filmography , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. , English
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  • 89
    Online Resource
    Online Resource
    London : Routledge
    ISBN: 0203022564 , 9780203022566
    Language: English
    Pages: 1 Online-Ressource (xii, 228 pages) , illustrations
    Parallel Title: Erscheint auch als Medhurst, Andy National joke
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    Keywords: Comedy films History and criticism ; Television comedies History and criticism ; English wit and humor History and criticism ; National characteristics, English ; PERFORMING ARTS ; Film & Video ; Reference ; Comedy films ; English wit and humor ; National characteristics, English ; Television comedies ; Comedy ; Fernsehen ; Fernsehkomödie ; Film ; Filmkomödie ; Humor ; Humor (grappigheden) ; Televisieseries ; Sociologische aspecten ; Filmkomedier ; historia ; Komediserier i tv ; historia ; Engelsk humor ; historia ; Nationalkaraktär ; Fernsehen ; Film ; Criticism, interpretation, etc ; Großbritannien ; Great Britain ; Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland
    Abstract: 2Concerning comedy9 --3Notions of nation26 --4Englishnesses39 --5Music hall: Contours and legacies63 --6Our gracious queens: English comedy's effeminate tradition87 --7Lads in love: Gender and togetherness in the male double act111 --8Thirty nibbles at the same cherry: Why the 'Carry Ons' carry on128 --9Bermuda my arse: Class, culture and 'The Royle Family'144 --10Anatomising England: Alan Bennett, Mike Leigh, Victoria Wood159 --11Togetherness through offensiveness: The importance of Roy 'Chubby' Brown187 --12Conclusion: A national sense of humour?204.
    Abstract: In 'A National Joke', Andy Medhurst investigates the Englishness of a century of English comedy. Using case studies of comic traditions and representations, the author shows how comedy plays a key role in the construction of cultural identity
    Note: Includes bibliographical references (pages 210-225) and index
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  • 90
    Book
    Book
    New Haven : Yale University Press
    ISBN: 9780300167856 , 0300117620 , 9780300117622
    Language: English
    Pages: xv, 169 Seiten , Illustrationen, Diagramme , 22 cm
    Series Statement: Terry lecture series
    DDC: 808
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    Keywords: Homer ; Sterne, Laurence ; Homer Iliad ; Sterne Laurence ; 1713-1768 ; Life and opinions of Tristram Shandy, gentleman ; Bible Criticism, interpretation, etc ; Bible O.T. ; Numbers ; Criticism, interpretation, etc ; Narration (Rhetoric) ; Narration (Rhetoric) ; Literatur ; Ringkomposition ; Erzähltechnik ; Trojanischer Sagenkreis ; Sterne, Laurence 1713-1768 The life and opinions of Tristram Shandy, gentleman
    Abstract: Ancient rings worldwide -- Modes and genres -- How to construct and recognize a ring -- Alternating bands : numbers -- The central place : numbers -- Modern, not-quite rings -- Tristram Shandy : testing for ring shape -- Two central places, two rings : the Iliad -- Alternating nights and days : the Iliad -- The ending : how to complete a ring -- The latch : Jakobson's conundrum
    Abstract: Ancient rings worldwide -- Modes and genres -- How to construct and recognize a ring -- Alternating bands : numbers -- The central place : numbers -- Modern, not-quite rings -- Tristram Shandy : testing for ring shape -- Two central places, two rings : the Iliad -- Alternating nights and days : the Iliad -- The ending : how to complete a ring -- The latch : Jakobson's conundrum
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  • 91
    ISBN: 0520245008 , 9780520245006 , 9780520260030 , 0520260031 , 9781423789635 , 1423789636
    Language: English
    Pages: xiv, 684 pages , maps , 24 cm
    Parallel Title: Print version Pollock, Sheldon I. Language of the gods in the world of men
    DDC: 306.4490954
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    Keywords: Geschichte 300 v. Chr.-1500 ; Sanskrit ; Sprachpolitik ; Literatur ; Sprachentwicklung ; Sanskrit literature / To 1500 / Political aspects ; Sanskrit literature / To 1500 / History and criticism ; Indic literature / To 1500 / History ; Indic literature / To 1500 / Political aspects ; Politics and literature / India / History ; Literature and society / India / History ; Indic literature ; Literature and society ; Politics and literature ; Sanskrit literature ; Sanskrit literature / Political aspects ; India ; Sanskrit ; India / társadalmi viszonyok ; India / történet ; India / kultúrtörténet ; Politics and literature / History / India ; Literature and society / History / India ; Indic literature / History and criticism ; Sanskrit literature / History and criticism ; Sanskrit language ; szanszkrit irodalom ; szanszkrit nyelv ; To 1500 ; Criticism, interpretation, etc ; History ; Sanskrit ; Sprachentwicklung ; Sprachpolitik ; Geschichte 300 v. Chr.-1500 ; Sanskrit ; Literatur
    Abstract: In this work of impressive scholarship, Sheldon Pollock explores the remarkable rise and fall of Sanskrit, India's ancient language, as a vehicle of poetry and polity. He traces the two great moments of its transformation: the first around the beginning of the Common Era, when Sanskrit, long a sacred language, was reinvented as a code for literary and political expression, the start of an amazing career that saw Sanskrit literary culture spread from Afghanistan to Java. The second moment occurred around the beginning of the second millennium, when local speech forms challenged and eventually replaced Sanskrit in both the literary and political arenas. Drawing striking parallels, chronologically as well as structurally, with the rise of Latin literature and the Roman empire, and with the new vernacular literatures and nation-states of late-medieval Europe, The Language of the Gods in the World of Men asks whether these very different histories challenge current theories of culture and power and suggest new possibilities for practice
    Description / Table of Contents: The language of the Gods enters the world -- Literature and the cosmopolitan -- The world conquest and regime of the cosmopolitan style -- Sanskrit culture as courtly practice -- The map of Sanskrit knowledge and the discourse on the ways of literature -- Political formations and cultural ethos -- A European countercosmopolis -- Beginnings, textualization, superposition -- Creating a regional world: the case of Kannada -- Vernacular poetries and politics in Southern Asia -- Comparative and connective vernacularization -- Actually existing theory and its discontents -- Indigenism and other culture-power concepts of modernity
    Note: "A Philip E. Lilienthal book"--1st printed page
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  • 92
    Online Resource
    Online Resource
    Liverpool : Liverpool University Press
    ISBN: 9780853238393 , 1846314186 , 0853238391 , 9781846314186
    Language: English
    Pages: 1 Online-Ressource (182 pages)
    Edition: [S.l.] HathiTrust Digital Library 2010 Electronic reproduction
    Series Statement: Liverpool English texts and studies 46
    Parallel Title: Print version Pedlar, Valerie Most dreadful visitation
    DDC: 823.8093561
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    Keywords: Mental illness in literature ; Men in literature ; Men Mental health ; English fiction History and criticism 19th century ; Mental illness in literature ; Men in literature ; Men ; English fiction ; History, 19th Century ; Medicine in Literature ; Men psychology ; Mental Disorders history ; History ; Named Groups ; Humanities ; Psychiatry and Psychology ; Literature ; Persons ; History, Modern 1601- ; Fiction and related items ; Crime and mystery ; Historical mysteries ; Medicine ; Other branches of medicine ; Clinical psychology ; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh ; English fiction ; Men in literature ; Men ; Mental health ; Mental illness in literature ; Criticism, interpretation, etc ; Great Britain ; Electronic books
    Abstract: "Victorian literature is rife with scenes of madness, with mental disorder functioning as everything from a simple plot device to a commentary on the foundations of Victorian society. But while madness in Victorian fiction has been much studied, most scholarship has focused on the portrayal of madness in women; male mental disorder in the period has suffered comparative neglect. This book corrects this imbalance by exploring a wide range of Victorian writings to consider the relationship between the portrayal of mental illness in literary works and the portrayal of similar disorders in the writings of doctors and psychologists. The book presents in-depth studies of Dickens' Barnaby Rudge, Tennyson's Maud, Wilkie Collins' Basil and Trollope's He Knew He Was Right, considering each work in the context of Victorian understandings -- and fears -- of mental degeneracy."--Publisher's description
    Description / Table of Contents: Insurrection and imagination : idiocy and Barnaby Rudge -- Thwarted lovers : Basil and Maud -- Wrongful confinement, sensationalism and Hard cash -- Madness and marriage -- The zoophagus maniac : madness and degeneracy in Dracula.
    Note: Includes bibliographical references (pages 163-177) and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. , English
    URL: Volltext  (kostenfrei)
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  • 93
    ISBN: 1417591064 , 9781417591060
    Language: English
    Pages: 383 p , 22 cm
    Edition: Boulder, Colo NetLibrary 2005 Online-Ressource E-Books von NetLibrary
    Series Statement: Costerus new ser. 155
    Series Statement: EBSCOhost eBook Collection
    Series Statement: Costerus
    Parallel Title: Erscheint auch als Hegerfeldt, Anne C Lies that tell the truth
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    Keywords: Magic realism (Literature) ; English fiction History and criticism. 20th century ; English fiction History and criticism ; 20th century ; Magic realism (Literature) ; English fiction History and criticism 20th century ; Magic realism (Literature) ; English fiction History and criticism. 20th century ; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh ; English fiction ; Magic realism (Literature) ; Criticism, interpretation, etc ; Englisch ; Magischer Realismus ; Rezeption ; Roman ; Electronic books. ; Electronic books. ; Electronic books Criticism, interpretation, etc ; Magischer Realismus ; Rezeption ; Englisch ; Roman ; Geschichte 1969-2000 ; Magischer Realismus ; Rezeption ; Englisch ; Roman ; Geschichte 1969-2000
    Abstract: The critical debate : an overview -- A working definition -- Magic "mongrel" realism : the adaptation of other genres and modes -- Through anOther's eyes : magic realist focalizers -- Mythos meets logos : paradigms of knowledge in magic realist fiction -- Making the real fantastic and the fantastic real : strategies of destabilization -- Making the immaterial matter : techniques of literalization -- Mimicking the mind : magic realism as an inquiry into human thought -- "The only real ism of these back-to-front and jabberwocky days" : mimicking a fantastic reality
    Abstract: Magic realism has long been treated as a phenomenon restricted to postcolonial literature. Drawing on works from Britain, Lies that Tell the Truth compellingly shows how magic realist fiction can be produced also at what is usually considered to be the cultural centre without forfeiting the mode's postcolonial attitude and aims. A close analysis of works by Angela Carter, Salman Rushdie, Jeanette Winterson, Robert Nye and others reveals how the techniques of magic realism generate a complex critique of the West's rational-empirical worldview from within a Western context itself. Understanding magic realism as a fictional analogue of anthropology and sociology, Lies that Tell the Truth reads the mode as a frequently humorous but at the same time critical investigation into people's attempts to make sense of their world. By laying bare the manifold strategies employed to make meaning, magic realist fiction indicates that knowledge and reality cannot be reduced to hard facts, but that people's dreams and fears, ideas, stories and beliefs must equally be taken into account; 1900 - 1999
    Note: Title from ebook title screen (viewed on May 2, 2005) , Includes bibliographical references and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2005
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  • 94
    ISBN: 1417566671 , 9781417566679
    Language: English
    Pages: Online-Ressource (269 p)
    Edition: Online-Ausg. Boulder, Colo NetLibrary E-Books von NetLibrary
    Series Statement: DQR studies in literature 35
    Series Statement: EBSCOhost eBook Collection
    Series Statement: DQR studies in literature
    Parallel Title: Print version Translating Shakespeare for the twenty-first century
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    Keywords: Shakespeare, William, Translations ; History and criticism. ; Shakespeare, William 1564-1616 Translations ; History and criticism ; Shakespeare, William Translations ; History and criticism ; Shakespeare, William Translations ; History and criticism ; Shakespeare, William, Translations ; History and criticism. ; Shakespeare, William ; English language Translating. ; Translating and interpreting. ; English language Translating ; Translating and interpreting ; English language Translating ; English language Translating ; Translating and interpreting ; English language Translating. ; Translating and interpreting. ; DRAMA ; Shakespeare ; English language ; Translating ; Translating and interpreting ; Translations ; English Literature ; English ; Languages & Literatures ; Criticism, interpretation, etc ; LITERARY CRITICISM ; Shakespeare ; Übersetzung ; Electronic books. ; Electronic books. ; Electronic books ; Shakespeare, William 1564-1616 ; Übersetzung ; Shakespeare, William 1564-1616 ; Übersetzung
    Note: Includes bibliographical references and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2004
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  • 95
    ISBN: 9781501717208 , 1501717200
    Language: English
    Pages: Online Ressource (xviii, 179 pages) , illustrations.
    Series Statement: Culture and society after socialism
    Parallel Title: Print version Urban, Michael E., 1947- Russia gets the blues
    DDC: 781.6430947
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    Keywords: Blues (Music) History and criticism ; Russia (Federation) ; Popular music History and criticism ; 1991-2000 ; Russia (Federation) ; Blues Histoire et critique ; Russie ; Musique populaire Histoire et critique ; 1991-2000 ; Russie ; Russia (Federation) ; Russland ; Russland 〈Sowjetrepublik〉 ; Criticism, interpretation, etc ; Blues (Music) History and criticism ; Popular music History and criticism 1991-2000 ; Popular music History and criticism 1991-2000 ; Blues (Music) History and criticism ; MUSIC / Instruction & Study / Theory ; SOCIAL SCIENCE / Anthropology / Cultural ; Blues (Music) ; Popular music ; Blues ; Blues ; Blues music ; Russia (Federation) ; History and criticism ; Criticism, interpretation, etc ; Russland ; Russland ; Russland 〈Sowjetrepublik〉 ; Russia (Federation) ; Electronic books ; Electronic books
    Abstract: Why blues? -- First encounters -- Moscow blues : musicians and their music -- Moscow blues : sites and sounds -- St. Petersburg and the provinces -- Identity and community -- Politics
    Note: Includes bibliographical references and index. - Print version record
    URL: Volltext  (lizenzpflichtig)
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  • 96
    Online Resource
    Online Resource
    Cambridge, UK : Cambridge University Press
    ISBN: 051107395X , 9780511073953 , 9780521816687 , 0521816688 , 0511073852 , 9780511073854 , 0511120826 , 9780511120824
    Language: English
    Pages: xviii, 328 p , ill , 24 cm
    Edition: Boulder, Colo NetLibrary 2004 Online-Ressource E-Books von NetLibrary
    Series Statement: Cambridge studies in Romanticism 54
    Series Statement: EBSCOhost eBook Collection
    Series Statement: Cambridge studies in romanticism
    Parallel Title: Erscheint auch als Craciun, Adriana, 1967- Fatal women of Romanticism
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    Keywords: English literature Women authors ; History and criticism. ; Women and literature History 19th century. ; English literature History and criticism. 19th century ; Femmes fatales in literature. ; Romanticism ; Women in literature. ; English literature Women authors ; History and criticism ; Women and literature History ; 19th century ; Great Britain ; English literature History and criticism ; 19th century ; Romanticism Great Britain ; Femmes fatales in literature ; Women in literature ; Romanticism ; English literature History and criticism 19th century ; English literature Women authors ; History and criticism ; Women and literature History 19th century ; English literature Women authors ; History and criticism. ; Women and literature History 19th century. ; English literature History and criticism. 19th century ; Femmes fatales in literature. ; Romanticism ; Women in literature. ; Electronic books Englisch ; Great Britain ; Femmes fatales in literature ; Romanticism ; Great Britain ; Women in literature ; English literature ; Women authors ; History and criticism ; English literature ; English literature ; Women authors ; Femmes fatales in literature ; Romanticism ; Women and literature ; Women in literature ; Women and literature ; Great Britain ; History ; 19th century ; English literature ; 19th century ; History and criticism ; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh ; Criticism, interpretation, etc ; History ; Online-Publikation ; Literatur ; Romantik ; Femme fatale ; Great Britain ; Englisch ; Electronic books. ; Electronic book ; Electronic books. ; Electronic books Online-Publikation ; Criticism, interpretation, etc ; History ; Englisch ; Literatur ; Femme fatale ; Romantik ; Geschichte 1790-1830 ; Englisch ; Literatur ; Femme fatale ; Romantik ; Geschichte 1790-1830
    Abstract: Cover; Half-title; Series-title; Title; Copyright; Dedication; Contents; List of illustrations; Acknowledgments; Abbreviations; Introduction; CHAPTER 1 The subject of violence: Mary Lamb, femme fatale; CHAPTER 2 Violence against difference: Mary Wollstonecraft, Mary Robinson, and women's strength; CHAPTER 3 "The aristocracy of genius": Mary Robinson and Marie Antoinette; CHAPTER 4 Unnatural, unsexed, undead: Charlotte Dacre's Gothic bodies; CHAPTER 5 "In seraph strains, unpitying, to destroy": Anne Bannerman's femmes fatales
    Abstract: Adriana Craciun demonstrates how portrayals of femmes fatales or fatal women played an important role in the development of Romantic women's poetic identities and informed their exploration of issues surrounding the body, sexuality and politics. Craciun covers a wide range of writers and genres from the 1790s through the 1830s
    Note: Includes bibliographical references (p. 291-318) and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2004
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  • 97
    ISBN: 1417523999 , 9781417523993
    Language: English
    Pages: ix, 206 p , 23 cm
    Edition: Boulder, Colo NetLibrary 2004 Online-Ressource E-Books von NetLibrary
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Print version Constructing a world
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    Keywords: Elizabeth In literature. ; Shakespeare, William, In literature. ; Shakespeare, William, Adaptations. ; Elizabeth, In literature. ; Elizabeth I 1533-1603 In literature ; Shakespeare, William 1564-1616 In literature ; Shakespeare, William 1564-1616 Adaptations ; Elizabeth In literature ; Shakespeare, William In literature ; Shakespeare, William Adaptations ; Shakespeare, William Adaptations ; Elizabeth In literature ; Shakespeare, William In literature ; Elizabeth In literature. ; Shakespeare, William, In literature. ; Shakespeare, William, Adaptations. ; Elizabeth, In literature. ; Elizabeth I 1533-1603 In literature ; Elizabeth ; Shakespeare, William ; Historical fiction, English History and criticism. ; American fiction History and criticism. 20th century ; English fiction History and criticism. 20th century ; Historical fiction, American History and criticism. ; Literature and history ; Historical fiction, English History and criticism ; American fiction History and criticism ; 20th century ; English fiction History and criticism ; 20th century ; Historical fiction, American History and criticism ; Literature and history English-speaking countries ; American fiction History and criticism 20th century ; English fiction History and criticism 20th century ; Historical fiction, American History and criticism ; Literature and history ; Historical fiction, English History and criticism ; Historical fiction, English History and criticism ; American fiction History and criticism 20th century ; English fiction History and criticism 20th century ; Historical fiction, American History and criticism ; Literature and history ; Historical fiction, English History and criticism. ; American fiction History and criticism. 20th century ; English fiction History and criticism. 20th century ; Historical fiction, American History and criticism. ; Literature and history ; Historiography ; Literature ; Literature and history ; Historical fiction, American ; Historical fiction, English ; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh ; American fiction ; English fiction ; Adaptations ; Criticism, interpretation, etc ; History ; Historische Prosa ; Rezeption ; Great Britain History Elizabeth, 1558-1603 ; Historiography. ; England In literature. ; Great Britain History ; Historiography ; Elizabeth, 1558-1603 ; England In literature ; England In literature ; Great Britain History Elizabeth, 1558-1603 ; Historiography ; England In literature ; Great Britain History Elizabeth, 1558-1603 ; Historiography ; Great Britain History Elizabeth, 1558-1603 ; Historiography. ; England In literature. ; England ; English-speaking countries ; Great Britain ; Electronic books. ; Electronic books. ; Electronic books ; Shakespeare, William 1564-1616 ; Rezeption ; Historische Prosa ; Geschichte 1550-2000 ; Shakespeare, William 1564-1616 ; Rezeption ; Historische Prosa ; Geschichte 1550-2000 ; Englisch ; Historische Prosa ; Geschichte 1550-2000
    Abstract: Introduction: historical fiction old and new -- Of narrators; or How the teller tells the tale -- Historical novelists at work: George Garrett and Anthony Burgess -- Barry Unsworth's Morality play and the origins of English secular drama -- Fictional Queen Elizabeths and women-centered historical fiction -- Rewriting Shakespeare: the Henriad with and without Falstaff -- Teaching Shakespeare's England through historical fiction
    Description / Table of Contents: Introduction: historical fiction old and new --Of narrators; or How the teller tells the tale --Historical novelists at work: George Garrett and Anthony Burgess --Barry Unsworth's Morality play and the origins of English secular drama --Fictional Queen Elizabeths and women-centered historical fiction --Rewriting Shakespeare: the Henriad with and without Falstaff --Teaching Shakespeare's England through historical fiction.
    Description / Table of Contents: Introduction: historical fiction old and newOf narrators; or How the teller tells the taleHistorical novelists at work: George Garrett and Anthony BurgessBarry Unsworth's Morality play and the origins of English secular dramaFictional Queen Elizabeths and women-centered historical fictionRewriting Shakespeare: the Henriad with and without FalstaffTeaching Shakespeare's England through historical fiction.
    Note: Includes bibliographical references (p. 185-198) and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2004
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  • 98
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 0511066058 , 9780511068188 , 0511068182 , 9780511066054 , 051111690X , 9780511116902 , 9780511485206 , 0511485204
    Language: English
    Pages: xiii, 232 p , 24 cm
    Edition: Boulder, Colo NetLibrary 2004 Online-Ressource E-Books von NetLibrary
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Print version James Joyce and the difference of language
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    Keywords: Joyce, James, Criticism and interpretation. ; Joyce, James, Language. ; Joyce, James 1882-1941 Criticism and interpretation ; Joyce, James 1882-1941 Language ; Joyce, James 1882-1941 Critique et interprétation ; Joyce, James 1882-1941 Langue ; Joyce, James ; Joyce, James Criticism and interpretation ; Joyce, James Language ; Joyce, James Language ; Joyce, James Criticism and interpretation ; Joyce, James, Criticism and interpretation. ; Joyce, James, Language. ; Joyce, James ; Joyce, James ; English language Style. ; English language Style ; Ireland ; Anglais (Langue) Stylistique ; Irlande ; Irlande dans la littérature ; English language Style ; English language Style ; English language Style. ; English language ; Style ; Language and languages ; Literature ; Taalgebruik ; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh ; Criticism, interpretation, etc ; Sprache ; Ireland In literature. ; Ireland In literature ; Ireland In literature ; Ireland In literature ; Ireland In literature. ; Ireland ; Electronic books. ; Electronic books. ; Electronic books ; Joyce, James 1882-1941 ; Sprache ; Joyce, James 1882-1941 ; Sprache
    Abstract: Combining close textual analysis and theoretically informed readings, an international team of leading scholars explores how Joyce's experiments with language repeatedly challenge our ways of reading. This volume is the first to comprehensively examine the critical diversity of Joyce's linguistic practices
    Abstract: Introduction: language(s) with a difference / Laurent Milesi -- Syntactic glides / Fritz Senn -- 'Cypherjugglers going the highroads': Joyce and contemporary linguistic theories / Benoit Tadié -- Madonnas of modernism / Beryl Schlossman -- Theoretical modelling: Joyce's women on display / Diane Elam -- The lapse and the lap: Joyce with Deleuze / Marie-Dominique Garnier -- 'sound sense'; or 'tralala'/'moocow': Joyce and the anathema of writing / Thomas Docherty -- Language, sexuality and the remainder in A portrait of the artist as a young man / Derek Attridge -- Border disputes / Ellen Carol Jones -- Errors and expectations: the ethics of desire in Finnegans wake / Patrick McGee -- Ex sterco Dantis: Dante's post-Babelian linguistics in the Wake / Lucia Boldrini -- No symbols where none intended: Derrida's war at Finnegans wake / Sam Slote
    Description / Table of Contents: Introduction: language(s) with a difference / Laurent Milesi -- Syntactic glides / Fritz Senn -- 'Cypherjugglers going the highroads': Joyce and contemporary linguistic theories / Benoit Tadié -- Madonnas of modernism / Beryl Schlossman -- Theoretical modelling: Joyce's women on display / Diane Elam -- The lapse and the lap: Joyce with Deleuze / Marie-Dominique Garnier -- 'sound sense'; or 'tralala'/'moocow': Joyce and the anathema of writing / Thomas Docherty -- Language, sexuality and the remainder in A portrait of the artist as a young man / Derek Attridge -- Border disputes / Ellen Carol Jones -- Errors and expectations: the ethics of desire in Finnegans wake / Patrick McGee -- Ex sterco Dantis: Dante's post-Babelian linguistics in the Wake / Lucia Boldrini -- No symbols where none intended: Derrida's war at Finnegans wake / Sam Slote
    Description / Table of Contents: Introduction: language(s) with a difference / Laurent MilesiSyntactic glides / Fritz Senn -- 'Cypherjugglers going the highroads': Joyce and contemporary linguistic theories / Benoit Tadié -- Madonnas of modernism / Beryl Schlossman -- Theoretical modelling: Joyce's women on display / Diane Elam -- The lapse and the lap: Joyce with Deleuze / Marie-Dominique Garnier -- 'sound sense'; or 'tralala'/'moocow': Joyce and the anathema of writing / Thomas Docherty -- Language, sexuality and the remainder in A portrait of the artist as a young man / Derek Attridge -- Border disputes / Ellen Carol Jones -- Errors and expectations: the ethics of desire in Finnegans wake / Patrick McGee -- Ex sterco Dantis: Dante's post-Babelian linguistics in the Wake / Lucia Boldrini -- No symbols where none intended: Derrida's war at Finnegans wake / Sam Slote.
    Note: Includes bibliographical references and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2004
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  • 99
    Online Resource
    Online Resource
    Cambridge, England : Cambridge University Press
    ISBN: 0511063199 , 9780511063190 , 0511071655 , 9780511071652
    Language: English
    Pages: x, 237 p , 24 cm
    Edition: Boulder, Colo NetLibrary 2004 Online-Ressource E-Books von NetLibrary
    Series Statement: Cambridge studies in modern theatre
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Erscheint auch als Aston, Elaine Feminist views on the English stage
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    Keywords: Feminist drama, English History and criticism. ; Feminism and literature History 20th century. ; Women and literature History 20th century. ; English drama Women authors ; History and criticism. ; English drama History and criticism. 20th century ; Feminist drama, English History and criticism ; Feminism and literature History ; 20th century ; Great Britain ; Women and literature History ; 20th century ; Great Britain ; English drama Women authors ; History and criticism ; English drama History and criticism ; 20th century ; Grande-Bretagne ; Great Britain ; Feminism and literature History 20th century ; Women and literature History 20th century ; English drama Women authors ; History and criticism ; English drama History and criticism 20th century ; Feminist drama, English History and criticism ; Feminist drama, English History and criticism. ; Feminism and literature History 20th century. ; Women and literature History 20th century. ; English drama Women authors ; History and criticism. ; English drama History and criticism. 20th century ; DRAMA ; English, Irish, Scottish, Welsh ; English drama ; English drama ; Women authors ; Feminism and literature ; Feminist drama, English ; Women and literature ; Théâtre anglais ; Théâtre féministe ; Féminisme ; Femme ; Littérature ; Écrivaine ; 20e siècle ; Criticism, interpretation, etc ; History ; Dramatikerin ; Englisch ; Feminismus ; Frauendrama ; Grande-Bretagne ; Great Britain ; Großbritannien ; Electronic books. ; Electronic books. ; Electronic books Criticism, interpretation, etc ; History ; Englisch ; Frauendrama ; Großbritannien ; Dramatikerin ; Feminismus ; Geschichte 1990-2000 ; Englisch ; Frauendrama ; Großbritannien ; Dramatikerin ; Feminismus ; Geschichte 1990-2000
    Abstract: A feminist view on the 1990s -- Telling feminist tales: Caryl Churchill -- Saying no to daddy: child sexual abuse, the 'Big Hysteria' -- Girl power, the new feminism? -- The 'bad girl of our stage?': Sarah Kane -- Performing identities -- Feminist connections to a multicultural 'scene' -- Feminism past, and future?: Timberlake Wertenbaker -- Tales for the twenty-first century: final reflections
    Abstract: This is a study of contemporary drama from a feminist perspective, one that challenges an idea of the 1990s as a 'post-feminist' decade and pays attention to women's playwriting marginalized by a 'renaissance' of angry young men. Working through a generational mix of writers, from Sarah Kane, the iconoclastic 'bad girl' of the stage, to the 'canonical' Caryl Churchill, Elaine Aston charts the significant political and aesthetic changes in women's playwriting at the century's end. Aston also explores new writing for the 1990s in theatre by Sarah Daniels, Bryony Lavery, Phyllis Nagy, Winsome Pinnock, Rebecca Prichard, Judy Upton and Timberlake Wertenbaker.--Publisher description; 1900 - 1999
    Description / Table of Contents: A feminist view on the 1990s -- Telling feminist tales: Caryl Churchill -- Saying no to daddy: child sexual abuse, the 'Big Hysteria' -- Girl power, the new feminism? -- The 'bad girl of our stage?': Sarah Kane -- Performing identities -- Feminist connections to a multicultural 'scene' -- Feminism past, and future?: Timberlake Wertenbaker -- Tales for the twenty-first century: final reflections
    Note: Includes bibliographical references (p. 215-228) and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2004
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  • 100
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 0511065272 , 9780511065279 , 0511058942 , 9780511058943 , 0511115911 , 9780511115912 , 0511067402 , 9780511067402
    Language: English
    Pages: xviii, 232 p , 24 cm
    Edition: Boulder, Colo NetLibrary 2004 Online-Ressource E-Books von NetLibrary
    Series Statement: Cambridge studies in modern theatre
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Erscheint auch als Patterson, Michael Strategies of political theatre
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    Keywords: English drama History and criticism. 20th century ; Politics and literature History 20th century. ; Theater Political aspects 20th century. ; History ; Political plays, English History and criticism. ; English drama History and criticism ; 20th century ; Politics and literature History ; 20th century ; Great Britain ; Theater Political aspects ; History ; 20th century ; Great Britain ; Political plays, English History and criticism ; Great Britain ; Politics and literature History 20th century ; Theater Political aspects 20th century ; History ; Political plays, English History and criticism ; English drama History and criticism 20th century ; English drama History and criticism. 20th century ; Politics and literature History 20th century. ; Theater Political aspects 20th century. ; History ; Political plays, English History and criticism. ; DRAMA ; English, Irish, Scottish, Welsh ; English drama ; Political plays, English ; Politics and literature ; Theater ; Political aspects ; Criticism, interpretation, etc ; History ; Englisch ; Politisches Theater ; Great Britain ; Electronic books. ; Electronic books. ; Electronic books Criticism, interpretation, etc ; History ; Englisch ; Politisches Theater ; Geschichte 1959-1979 ; Englisch ; Politisches Theater ; Geschichte 1959-1979
    Abstract: Strategies of political theatre : a theoretical overview -- 'Reflectionist' strategy : 'kitchen sink' realism in Arnold Wesker's Roots (1959) -- 'Interventionist' strategy : poetic politics in John Arden's Serjeant Musgrave's Dance (1959) -- Dialectics of comedgy : Trevor Griffith's Comedians (1975) -- Appropriating middle-class comedy : Howard Barker's Stripwell -- Staging the future : Howard Breton's The Churchill Play (1974) -- Agit-prop revisited : John McGrath's The Cheviot, the Stag, and the Black, Black Oil (1973) -- Brecht revisited : David Hare's Fanshen (1975) -- Rewriting Shakespeare : Edward Bond's Lear (1971) -- Stragegy of play : Caryl Churchill's Cloud Nine (1979)
    Abstract: This volume provides a theoretical framework for some of the most important play writing in Britain in the second half of the twentieth century. Examining representative plays by Arnold Wesker, John Arden, Trevor Griffiths, Howard Barker, Howard Brenton, Edward Bond, David Hare, John McGrath and Caryl Churchill, the author analyses their respective strategies for persuading audiences of the need for a radical restructuring of society. The book begins with a discussion of the way that theatre has been used to convey a political message. Each chapter is then devoted to an exploration of the engagement of individual playwrights with left-wing political theatre, including a detailed analysis of one of their major plays. Despite political change since the 1980s, political playwriting continues to be a significant element in contemporary playwriting, but in a very changed form.--Publisher description; 1900 - 1999
    Description / Table of Contents: Strategies of political theatre : a theoretical overview -- 'Reflectionist' strategy : 'kitchen sink' realism in Arnold Wesker's Roots (1959) -- 'Interventionist' strategy : poetic politics in John Arden's Serjeant Musgrave's Dance (1959) -- Dialectics of comedgy : Trevor Griffith's Comedians (1975) -- Appropriating middle-class comedy : Howard Barker's Stripwell -- Staging the future : Howard Breton's The Churchill Play (1974) -- Agit-prop revisited : John McGrath's The Cheviot, the Stag, and the Black, Black Oil (1973) -- Brecht revisited : David Hare's Fanshen (1975)
    Description / Table of Contents: Rewriting Shakespeare : Edward Bond's Lear (1971) -- Stragegy of play : Caryl Churchill's Cloud Nine (1979)
    Note: Includes bibliographical references (p. 202-222) and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2004
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
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