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Indigenous audibilities
music, heritage, and collections in the AmericasVerfasser: Minks, Amanda <1974->
(DE-588)1321055498978-0-19-753249-2; 978-0-19-753248-5
Schlagwörter: Klassenverhältnisse
; Kulturerbe ; Indigenes Volk ; Volksmusik ; Sammlung ; Erzählforschung ; Musikethnologie ; Geschichte 1940-1070
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Bestand im KOBV:
Fach:
Letzte Änderung: 05.03.2024
MARC-Felder:
Bestand im KOBV:
Fach:
- Ethnologie
Permalink:
https://gateway-bayern.de/BV049463502
Letzte Änderung: 05.03.2024
| Titel: | Indigenous audibilities |
|---|---|
| Untertitel: | music, heritage, and collections in the Americas |
| Von: | Amanda Minks |
| ISBN: | 978-0-19-753249-2 |
| Preis/Einband: | paperback |
| ISBN: | 978-0-19-753248-5 |
| Preis/Einband: | hardback |
| Erscheinungsort: | New York, NY |
| Verlag: | Oxford University Press |
| Erscheinungsjahr: | [2024] |
| Erscheinungsjahr: | © 2024 |
| Umfang: | xxi, 225 Seiten |
| Details: | Illustrationen |
| Serie/Reihe: | Currents in Latin American and Iberian music series |
| Format: | 24 cm |
| Abstract: | "In the middle decades of the twentieth century, transnational networks sparked a range of cultural projects focused on collecting Indigenous music and folklore in the Americas. Indigenous Audibilities follows the social relations that created these collections in four interconnected case studies linking the U.S., Mexico, Nicaragua, and Chile. Indigenous collections were embedded in political projects that negotiated issues of cultural diplomacy, national canons, and heritage. The case studies recuperate the traces of marginalized voices in archives, paying special attention to female researchers and Indigenous collaborators. Despite the dominant agendas of national and international institutions, the diverse actors and the multi-directional influences often created unexpected outcomes. The book brings together theories of collection, voice, media, writing, and recording to challenge the transparency of archives as a historical source. Indigenous Audibilities presents a social-historical method of listening, reading, and thinking beyond the referentiality of archived texts, and in the process uncovers neglected genealogies of cultural music research in the Americas" |
| Sprache: | eng |
| RVK-Notation: | LC 87595 |
| RVK-Notation: | LB 48595 |
| RVK-Notation: | LB 35595 |
| Fid-Notation: | SKA; MUS |
| Angaben zum Inhalt: | Between the Ear and the Letter : Oral History and U.S. Borderlands -- Radio, Recording, and Inter-American Indigenismo in Mexico -- Folklore, Region, and Revolution in Nicaragua -- Indigenous Collections and Integrative Arts in Chile |
| Andere Ausgabe: | Erscheint auch als |
| _Bemerkung: | Online-Ausgabe |
| Andere Ausgabe: | Erscheint auch als |
| _Bemerkung: | Online-Ausgabe |
| _ISBN: | 978-0-19-753251-5 |
| Thema (Schlagwort): | Klassenverhältnisse; Kulturerbe; Indigenes Volk; Volksmusik; Sammlung; Erzählforschung; Musikethnologie; Geschichte 1940-1070 |
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| 264 | 4 | |c © 2024 | |
| 300 | |a xxi, 225 Seiten |b Illustrationen |c 24 cm | ||
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| 490 | 0 | |a Currents in Latin American and Iberian music series | |
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| 520 | 3 | |a "In the middle decades of the twentieth century, transnational networks sparked a range of cultural projects focused on collecting Indigenous music and folklore in the Americas. Indigenous Audibilities follows the social relations that created these collections in four interconnected case studies linking the U.S., Mexico, Nicaragua, and Chile. Indigenous collections were embedded in political projects that negotiated issues of cultural diplomacy, national canons, and heritage. The case studies recuperate the traces of marginalized voices in archives, paying special attention to female researchers and Indigenous collaborators. Despite the dominant agendas of national and international institutions, the diverse actors and the multi-directional influences often created unexpected outcomes. The book brings together theories of collection, voice, media, writing, and recording to challenge the transparency of archives as a historical source. Indigenous Audibilities presents a social-historical method of listening, reading, and thinking beyond the referentiality of archived texts, and in the process uncovers neglected genealogies of cultural music research in the Americas" | |
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