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  • 2000-2004  (3)
  • NetLibrary, Inc  (3)
  • Amsterdam : Amsterdam University Press  (1)
  • Berkeley : University of California Press  (1)
  • Honolulu : University of Hawaiʿi Press  (1)
  • Deutsche  (2)
  • History  (2)
  • General works  (3)
Datasource
Material
Language
Years
  • 2000-2004  (3)
Year
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    City of darkness, city of light : émigré filmmakers in Paris 1929-1939 (2004)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 0585498180
    Language: English
    Pages: 253 S. , Ill. , 24 cm
    Edition: Online-Ausg. Boulder, Colo NetLibrary 2004 E-Books von NetLibrary
    Series Statement: Film culture in transition
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Druckausg. u.d.T. Phillips, Alastair, 1963 - City of darkness, city of light
    DDC: 791.43/0944361
    RVK:
    AP 44911
    Keywords: Motion picture producers and directors ; Germans ; Motion picture producers and directors ; Germans ; Motion picture producers and directors France ; Paris ; Germans France ; Paris ; Deutsche ; Exil ; Filmregisseur ; Filmschaffender ; Paris ; Electronic books ; Electronic books. ; Electronic books. ; Aufsatzsammlung ; Paris ; Deutsche ; Filmschaffender ; Filmregisseur ; Exil ; Geschichte 1929-1939 ; Frankreich ; Film
    Note: Includes bibliographical references (p. [221]-241) and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2004
    URL: Volltext  (Deutschlandweit zugänglich)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    MPI Ethno. Forsch.
  • 2
    Online Resource
    Online Resource
    Women through the lens : gender and nation in a century of Chinese cinema (2003)
    Honolulu : University of Hawaiʿi Press
    Details
    ISBN: 0585479143 , 9780585479149
    Language: English
    Pages: XXVI, 304 S. , Ill.
    Edition: Online-Ausg. Boulder, Colo NetLibrary 2003 E-Books von NetLibrary
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Erscheint auch als Cui, Shuqin Women through the lens
    RVK:
    AP 59761
    Keywords: Motion pictures History. ; Women in motion pictures. ; Sex role in motion pictures. ; Motion pictures History ; China ; Cinéma Histoire ; Chine ; Femmes au cinéma ; Rôle selon le sexe au cinéma China ; Women in motion pictures ; Sex role in motion pictures ; Motion pictures History ; Motion pictures History. ; Women in motion pictures. ; Sex role in motion pictures. ; Cinéma Histoire ; Chine ; Femmes au cinéma ; Motion pictures History ; China ; Rôle selon le sexe au cinéma China ; Sex role in motion pictures ; Women in motion pictures ; Motion pictures ; PERFORMING ARTS ; Film & Video ; Reference ; History ; Film ; Geschlechterrolle ; Nation ; China ; Electronic books. ; Electronic books ; Electronic books. ; Electronic books History ; China ; Film ; Geschlechterrolle ; Nation ; Geschichte 1900-2000 ; China ; Film ; Geschlechterverhältnis ; Nationalbewusstsein
    Abstract: Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon
    Description / Table of Contents: Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon
    Note: Includes bibliographical references (p. [287]-297) and index. - Filmography: p. [249]-267 , Filmography: p. [249]-267 , Electronic reproduction, Boulder, Colo : NetLibrary, 2003 , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    MPI Ethno. Forsch.
  • 3
    Online Resource
    Online Resource
    The dark mirror : German cinema between Hitler and Hollywood (2002)
    Berkeley : University of California Press
    Details
    ISBN: 0585466238 , 9780585466231 , 0520233115 , 9780520233119 , 9780520936355 , 0520936353 , 0520233107 , 9780520233102
    Language: English
    Pages: XII, 322 S. , Ill. , 24 cm
    Edition: Online-Ausg. Boulder, Colo NetLibrary 2003 E-Books von NetLibrary
    Series Statement: Weimar and now 32
    Series Statement: EBSCOhost eBook Collection
    Series Statement: Weimar and now
    Parallel Title: Print version Dark mirror
    RVK:
    AP 44910
    Keywords: Motion pictures Germany ; History ; Motion picture producers and directors Germany ; Biography ; Motion pictures History. ; Motion picture producers and directors Biography. ; Germans ; Cinéma Histoire. ; Producteurs et réalisateurs de cinéma Biographies. ; Allemands ; Germans California ; Los Angeles ; Motion picture producers and directors Biography ; Germany ; Motion pictures History ; Germany ; Cinéma Histoire ; Allemagne ; Producteurs et réalisateurs de cinéma Biographies ; Allemagne ; Allemands Californie ; Los Angeles ; California ; Los Angeles ; Germany ; Motion pictures History ; Motion picture producers and directors Biography ; Germans ; Germans ; Motion picture producers and directors Biography ; Motion pictures History ; Motion pictures History. ; Motion picture producers and directors Biography. ; Germans ; Cinéma Histoire. ; Producteurs et réalisateurs de cinéma Biographies. ; Allemands ; Motion picture producers and directors Germany ; PERFORMING ARTS ; Film & Video ; Reference ; Germans ; Motion picture producers and directors ; Motion pictures ; Music, Dance, Drama & Film ; Film ; Biographies ; History ; California ; Los Angeles ; Germany ; Electronic books. ; Electronic books ; Electronic books. ; Electronic books Biography ; History ; USA ; Film ; Nationalsozialismus ; Geschichte 1933-1955 ; Deutschland ; Film ; USA ; Geschichte 1933-1955 ; Berlin ; Film ; Geschichte 1933-1939 ; Los Angeles- Hollywood ; Exil ; Deutsche ; Filmschaffender ; Geschichte 1939-1955
    Abstract: "Lutz Koepnick analyzes the complicated relationship between two cinemas--Hollywood's and Nazi Germany's--in this theoretically and politically incisive study. The Dark Mirror examines the split course of German popular film from the early 1930s until the mid 1950s, showing how Nazi filmmakers appropriated Hollywood conventions and how German film exiles reworked German cultural material in their efforts to find a working base in the Hollywood studio system. Through detailed readings of specific films, Koepnick provides a vivid sense of the give and take between German and American cinema." http://www.loc.gov/catdir/description/ucal042/2001007068.html
    Abstract: Introduction: The Dark Mirror -- pt. 1. Hollywood in Berlin, 1933-1939. Ch. 1. Sounds of Silence: Nazi Cinema and the Quest for a National Culture Industry. Ch. 2. Incorporating the Underground: Curtis Bernhardt's The Tunnel. Ch. 3. Engendering Mass Culture: Zarah Leander and the Economy of Desire. Ch. 4. Siegfried Rides Again: Nazi Westerns and Modernity -- pt. 2. Berlin in Hollywood, 1939-1955. Ch. 5. Wagner at Warner's: German Sounds and Hollywood Studio Visions. Ch. 6. Berlin Noir: Robert Siodmak's Hollywood. Ch. 7. Pianos, Priests, and Popular Culture: Sirk, Lang, and the Legacy of American Populism. Ch. 8. Isolde Resurrected: Curtis Bernhardt's Interrupted Melody -- Epilogue: "Talking about Germany
    Description / Table of Contents: Introduction: The Dark Mirrorpt. 1. Hollywood in Berlin, 1933-1939. Ch. 1. Sounds of Silence: Nazi Cinema and the Quest for a National Culture Industry. Ch. 2. Incorporating the Underground: Curtis Bernhardt's The Tunnel. Ch. 3. Engendering Mass Culture: Zarah Leander and the Economy of Desire. Ch. 4. Siegfried Rides Again: Nazi Westerns and Modernity -- pt. 2. Berlin in Hollywood, 1939-1955. Ch. 5. Wagner at Warner's: German Sounds and Hollywood Studio Visions. Ch. 6. Berlin Noir: Robert Siodmak's Hollywood. Ch. 7. Pianos, Priests, and Popular Culture: Sirk, Lang, and the Legacy of American Populism. Ch. 8. Isolde Resurrected: Curtis Bernhardt's Interrupted Melody -- Epilogue: "Talking about Germany."
    Note: Includes bibliographical references (p. 273-307) and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2003
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    MPI Ethno. Forsch.
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