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  • 1
    ISBN: 9781913620752 , 1913620751
    Language: English
    Pages: 444 Seiten , 26 cm
    Edition: First edition
    DDC: 770.92396042
    RVK:
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    Keywords: 1900-1999 ; Women photographers ; Photographers, Black ; Photography, Artistic ; Photographie artistique ; Femmes photographes - Grande-Bretagne ; Photographes noirs - Grande-Bretagne ; art photography ; Photography, Artistic ; Social conditions ; Pictorial works ; Great Britain Pictorial works Social conditions 20th century ; Grande-Bretagne - Conditions sociales - 20e siècle - Ouvrages illustrés ; Great Britain ; Bildband ; Bildband ; Bildband ; Großbritannien ; Fotografin ; Weibliche Person of Color ; Fotografie ; Geschichte 1980-2000 ; Großbritannien ; Schwarze ; Fotografin ; Geschichte 1980-2000
    Note: Includes bibliographical references and index
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  • 2
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    Fort Worth : Amon Carter Museum of Art | Williamstown : Williams College Museum of Art | Oakland : University of California Press
    ISBN: 9780520393301
    Language: English
    Pages: 139 Seiten
    DDC: 730.973
    Keywords: ART / History / Contemporary (1945-) ; ART / History / Modern (late 19th Century to 1945) ; Art & design styles: from c 1960 ; Black & Asian studies ; Ethnic Studies ; Ethnische Gruppen und multikulturelle Studien ; HIS056000 ; History of art & design styles: from c 1900 - ; History of the Americas ; Kunstgeschichte ; Modernismus ; SOC056000 ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; Sozial- und Kulturgeschichte ; USA ; Ausstellungskatalog Amon Carter Museum of American Art 12.03.2023-09.07.2023 ; Ausstellungskatalog Newcomb Art Museum 05.08.2023-11.11.2023 ; Ausstellungskatalog Museum of Art 16.02.2024-16.06.2024 ; Aufsatzsammlung ; Ausstellungskatalog Amon Carter Museum of American Art 12.03.2023-09.07.2023 ; Ausstellungskatalog Newcomb Art Museum 05.08.2023-11.11.2023 ; Ausstellungskatalog Museum of Art 16.02.2024-16.06.2024 ; Aufsatzsammlung ; USA ; Schwarze ; Künste ; Geschichte 1800-2020 ; USA ; Schwarze ; Künste ; Kultur ; Bürgerrechtsbewegung ; Geschichte 1800-2020
    Abstract: This stunning exhibition catalog visualizes what freedom looks like for Black Americans today and the legacy of the Civil War in 2023 and beyond. Emancipation: The Unfinished Project of Liberation sits at the intersection of history and contemporary life. Building upon in-depth conversations about representations of enslavement and emancipation at the close of the Civil War, this project originates from an analysis of sculptor John Quincy Adams Ward's The Freedman (1863), one of the first bronze representations of a Black person in the United States, and expands into an investigation of how living artists envision emancipation, freedom, and liberation today. Featuring interviews with artists Sadie Barnette, Alfred Conteh, Maya Freelon, Hugh Hayden, Letitia Huckaby, Jeffrey Meris, and Sable Elyse Smith, the exhibition catalog explores their practices along with cutting-edge scholarship by Kirsten Pai Buick and Kelvin Parnell, among others, as well as a haunting story of embodiment and exploitation by celebrated science-fiction author N. K. Jemisin. Burdened by failed promises but buoyed by hope, this project is mournful and melancholy yet also reflective and celebratory in its aspirations for a brighter future. Published in association with the Amon Carter Museum of American Art Exhibition dates: Amon Carter Museum of American Art: March 12-July 9, 2023 Newcomb Art Museum at Tulane University: August 5-November 11, 2023 Williams College Museum of Art: February 16-June 16, 2024
    Note: Seite [140]: Published on the occasion of the exhibition "Emancipation: The Unfinished Project of Liberation", organized by the Amon Carter Musum of American Art, Fort Worth, Texas and the Williams College Museum of Art, Williamstown, Massachusetts. Exposition dates: Amon Carter Center of American Art, Fort Worth, Texas, March 12 through July 9, 2023. - New Comb Museum at Tulane University, New Orleans, Louisiana, August 5 through November 11, 2023. - Williams College Museum of Art, Williamstown, Massachusetts, February 16 through June 16, 2024 , Zielgruppe: 5PB, Bezug zu Personen: ethnische Gruppen, indogene Völker, Kulturen, Stämme und andere Gruppierungen von Menschen , Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 3
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    Washington : National Gallery of Art | New Haven : Yale University Press
    ISBN: 9780300267105
    Language: English
    Pages: 356 Seiten , Illustrationen , 29 cm
    Series Statement: Studies in the history of art 83
    Series Statement: Symposium papers 60
    Series Statement: Studies in the history of art
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    Keywords: Snowden, Sylvia - 1942- ; Stovall, Lou - 1937- ; Thomas, Alma - 1891-1978 ; Donaldson, Jeff - 1932-2004 ; Porter, James A. (James Amos) - 1905-1970 ; Burwell, Lilian Thomas - 1927- ; Coleman, Floyd W - 1939- ; Driskell, David C - 1931-2020 ; Gilliam, Sam - 1933-2022 ; Morrison, Keith - 1942- ; Puryear, Martin - 1941- ; Howard University - United States ; The Phillips Collection - United States ; African American Art - United States ; Konferenzschrift National Gallery of Art, Washington, DC ; Konferenzschrift National Gallery of Art, Washington, DC ; Washington, DC ; Schwarze ; Kunst ; Ästhetik ; Geschichte 1920-
    Abstract: In a twentieth century during which modern art largely abandoned beauty as its imperative, a group of Black artists from Washington, DC, made beauty the center of their art making. This book highlights these influential artists, including David C. Driskell, Sam Gilliam, Lois Mailou Jones, and Alma Thomas, in the context of what Jeffrey C. Stewart describes as the Washington Black Renaissance. Vibrant histories of key District institutions and the city's communities of educators, critics, and collectors animate a nuanced consideration of the evolution of an aesthetic dialectic from the 1920s up to the present day. The fifteen essays in the volume are grounded by voices from a live artist panel at the National Gallery of Art in 2017, which included Lilian Thomas Burwell, Floyd Coleman, David C. Driskell, Sam Gilliam, Keith Morrison, Martin Puryear, Sylvia Snowden, and Lou Stovall
    Note: Titelblattrückseite: This volume includes proceedings of the symposium "The African American Art World in Twentieth-Century Washington, DC", organized by the Center for Advanced Study in the Visual Arts, National gallery of Art, and sponsored by the Wyeth Foundation for American Art and the Arthur Vining Davis Foundations. The symposium was held March 16-17, 2017, in Washington , Includes bibliography and index , English
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  • 4
    ISBN: 9780300267389 , 030026738X , 9780300267389
    Language: English
    Pages: 226 Seiten
    DDC: 770
    RVK:
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    Keywords: Bildband ; Ausstellungskatalog New Orleans Museum of Art 15.09.2022-08.01.2023 ; Bildband ; Ausstellungskatalog New Orleans Museum of Art 15.09.2022-08.01.2023 ; USA ; Porträtfotografie ; Fotostudio ; Person of Color ; Geschichte 1860- ; USA ; Schwarze ; Fotostudio ; Fotografie ; Geschichte
    Note: Gegenüber Titelseite: "Called to the Camera: Black American Studio Photographers" ... exhibition dates: New Orleans Museum of Art, September 15, 2022-January 8, 2023
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  • 5
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    Washington : National Gallery of Art | New Haven : Yale University Press
    ISBN: 9780300269772 , 0300269773
    Language: English
    Pages: vii, 255 Seiten , Illustrationen , 26 cm
    Series Statement: Seminar papers / Center for Advanced Study in the Visual Arts 4
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    Keywords: Artists, Black Congresses ; Artists, Black Congresses Themes, motives ; African American artists Congresses ; Black people in art Congresses ; Art, Modern Congresses Themes, motives ; Aufsatzsammlung ; Aufsatzsammlung ; Kunstsoziologie ; Schwarze ; Künstler ; Künstlerin
    Abstract: Illustrated essays that broaden our understanding of modernism by centering Black artists and experiences, with a contribution featuring the work of Venice Biennale Golden Lion winner Simone Leigh. In this volume, ten leading scholars examine the contradictions of modernity and Black agency that continue to define the Western art world. Illustrated essays explore the work of artists such as Roy DeCarava, Ben Enwonwu, James Hampton, Norman Lewis, Nancy Elizabeth Prophet, Augusta Savage, and Carrie Mae Weems, always with an eye toward reframing our understanding of Black artistic producers. The interdisciplinary avenues of inquiry remake the boundaries of modernist art - its notions time and again focused on the singular white male European or American artist - with another set of imperatives, ethics, and histories, broadening our understanding of the past and present of modernism. -- Yale UP website
    Description / Table of Contents: Introduction: a troubled conjuncture / Huey Copeland and Steven Nelson -- Simone Leigh: acts of transformation / Steven Nelson -- Leave no mark: Blackness and inscription in the inquisitorial archive / Matthew Francis Rarey -- Bare feet, or, the ambivalence of emancipation: Camille Pissarro and the Caribbean / C. C. Mckee -- On European modernism and Black being / Simon Gikandi -- Nancy Elizabeth Prophet and Augusta Savage: Sculptural habits of Black modernism / Kellie Jones -- Numinous affect in Black Atlantic modernisms / Sylvester Okwunodu Ogbechie -- Darkness and the unvisible: Norman Lewis, Roy Decarava, and postwar abstraction / Kobena Mercer -- At the threshold of withholding: Stanley Brouwn's modernist repetitions / Adrienne Edwards -- Spaces in the shadows: archives and architectures in the work of Carrie Mae Weems / Mabel O. Wilson.
    Note: Studies in the history of art Symposiums 2018 and 2019, Washington, D.C , Includes bibliographical references and index
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  • 6
    ISBN: 9781643363202 , 9781643363219
    Language: English
    Pages: xviii, 209 Seiten
    Parallel Title: Erscheint auch als Koverman, Jill Beute The Words and Wares of David Drake
    DDC: 738.092
    Keywords: ART / American / African American ; ART / Collections, Catalogs, Exhibitions ; Ausstellungskataloge, Museumskataloge und Sammlungen ; Ceramic arts, pottery, glass ; Exhibition catalogues & specific collections ; HIS056000 ; HISTORY / United States / State & Local / South (AL, AR, FL, GA, KY, LA, MS, NC, SC, TN, VA, WV) ; History of art & design styles: from c 1900 - ; Individual artists, art monographs ; Keramik, Glas, Mosaikkunst ; Kunstgeschichte ; Sklaverei und Abschaffung der Sklaverei ; Slavery & abolition of slavery ; Social & cultural history ; Sozial- und Kulturgeschichte ; einzelne Künstler, Künstlermonografien ; South Carolina ; South Carolina ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Drake, David 1800-1870 ; Edgefield, SC ; Schwarze ; Keramik
    Abstract: David Drake, also known as Dave the Potter, was born enslaved in Edgefield, South Carolina, at the turn of the nineteenth century. Despite laws prohibiting enslaved people from learning to read or write, Drake was literate and signed some of his pots. This volume collects multifaceted scholarship about Drake and his craft
    Note: Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 7
    ISBN: 9780300272963
    Language: English
    Pages: 263 Seiten
    DDC: 702.81/20973
    RVK:
    Keywords: African American collage Exhibitions 21st century ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; USA ; Collage ; Person of Color ; Geschichte 1960- ; USA ; Schwarze ; Collage ; Geschichte 1980-2023
    Abstract: "The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"--
    Description / Table of Contents: Hurston's Law, or a Philosophy of Display / Richard J. Powell, PhD -- Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists / Patricia Hills -- Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories / Rebecca VanDiver, PhD -- Pon tu mano con la mía: Rhizomatic Pathways and Collage / María Elena Ortiz -- Meditations on the Multivalence of Black Womanhood / Valerie Cassel Oliver -- Minor Figures, Continuous Tension / Tiffany E. Barber, PhD -- also also also and and and: Digital Stitches and the Collage as Glitch / Anita N. Bateman, PhD.
    Note: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references
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  • 8
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    Durham : Duke University Press
    ISBN: 9781478025382 , 9781478020615
    Language: English
    Pages: xii, 267 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als Omelsky, Matthew Fugitive time
    Parallel Title: Erscheint auch als Omelsky, Matthew Fugitive Time
    Parallel Title: Erscheint auch als Omelsky, Matthew Fugitive Time
    RVK:
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    Keywords: Aesthetics, Black ; Time in literature ; Time and art ; Aesthetics in literature ; Literature Black authors ; Artists, Black ; Authors, Black ; Utopias in literature ; SOCIAL SCIENCE / Black Studies (Global) ; LITERARY CRITICISM / Semiotics & Theory ; Schwarze ; Person of Color ; Kunst ; Zeit
    Abstract: "In Fugitive Time, Matthew Omelsky theorizes the embodied experience of time in twentieth- and twenty-first-century black artforms from across the world. Through the lens of time, he charts the sensations and coursing thoughts that accompany desires for freedom as they appear in the work of artists as varied as Toni Morrison, Yvonne Vera, Aimé Césaire, and Issa Samb. "Fugitive time" names a distinct utopian desire directed at the anticipated moment when the body and mind have been unburdened of the violence that has consumed black life globally for centuries, bringing with it a new form of being. Omelsky shows how fugitive time is not about attaining this transcendent release, but instead sustaining the idea of it as an ecstatic social gathering. From the desire for ethereal queer worlds in the Black Audio Film Collective's Twilight City to Sun Ra's transformation of nineteenth-century scientific racism into an insurgent fugitive aesthetic, Omelsky shows how fugitive time evolves and how it remains a dominant form of imagining freedom in global black cultural expression"--
    Description / Table of Contents: Black Beyondness -- Toni Morrison's Anachronic Ease -- Aimé Césaire, Wifredo Lam, and the Aesthetics of Surging Life -- Black Audio's Archival Flight -- Sun Ra, Issa Samb, and the Drapetomaniacal Avant-Garde -- Yvonne Vera, NoViolet Bulawayo, and the Imminence of Dreaming Air -- Fugitive Ether.
    Note: Includes bibliographical references and index
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  • 9
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    Memphis, Tennessee : Dixon Gallery and Gardens | New Haven : Yale University Press
    ISBN: 9780300273465
    Language: English
    Pages: 143 Seiten , Illustrationen , 29 cm
    RVK:
    Keywords: Porter, James A Exhibitions ; Simpson, Merton D Exhibitions ; African American art Exhibitions 20th century ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Kunst ; Schwarze ; Geschichte 1950-1980
    Abstract: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Description / Table of Contents: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone.
    Note: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index
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  • 10
    ISBN: 9783422990791 , 3422990798
    Language: German
    Pages: 94 Seiten
    DDC: 305.8954
    RVK:
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    Keywords: Ausstellungskatalog Humboldt Forum 2022-2023$tBerlin ; Aufsatzsammlung ; Ausstellungskatalog Humboldt Forum 2022-2023 ; Ausstellungskatalog Humboldt Forum 2022-2023$tBerlin ; Aufsatzsammlung ; Ausstellungskatalog Humboldt Forum 2022-2023$tBerlin ; Aufsatzsammlung ; Ausstellungskatalog Humboldt Forum 2022-2023$tBerlin ; Aufsatzsammlung ; Ausstellungskatalog Humboldt Forum 2022-2023 ; Indien Nordost ; Naga ; Kulturelle Identität ; Gesellschaft ; Sachkultur ; Nagaland
    Note: Impressum: "Dieses Buch erscheint anlässlich der Ausstellung 'Naga Land, Stimmen aus Nordostindien' im Humboldt Forum Berlin, 2022-2023"
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 11
    ISBN: 9781984859433
    Language: English
    Pages: 283 Seiten , 27 cm
    Edition: First graphic edition
    Parallel Title: Erscheint auch als
    DDC: 741.5973
    Keywords: Rassismus ; Ethnische Beziehungen ; Soziale Gerechtigkeit ; Rassendiskriminierung ; Schwarze ; USA ; Racism / United States / History / Comic books, strips, etc ; United States / Race relations / Comic books, strips, etc ; Race discrimination / Political aspects / United States / Comic books, strips, etc ; Race discrimination / Economic aspects / United States / Comic books, strips, etc ; African Americans / Social conditions / History / Comic books, strips, etc ; African Americans / Social conditions / Comic books, strips, etc ; Racism against Black people / United States / Comic books, strips, etc ; Anti-racism / Comic books, strips, etc ; Social justice / Comic books, strips, etc ; Race Relations / history ; Black or African American ; Social Conditions / history ; Educational comics ; Graphic novel adaptations ; Comic ; Comic ; Comic ; USA ; Schwarze ; Rassismus ; Rassendiskriminierung ; Soziale Gerechtigkeit ; Ethnische Beziehungen
    Abstract: "A comprehensive history of anti-black racism in graphic-novel format focuses on the lives of five major players in American history and highlights the debates that took place between assimilationists and segregationists and between racists and anti-racists."--
    Note: Includes index , Cotton Mather -- , Thomas Jefferson -- , William Lloyd Garrison -- , W.E.B. Du Bois -- , Angela Davis
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  • 12
    ISBN: 9781636810164 , 1636810160
    Language: English
    Pages: 222 Seiten , 32 x 24 cm
    DDC: 704.0396073
    RVK:
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    Keywords: Los Angeles County Museum of Art Catalogs ; Los Angeles County Museum of Art ; African Americans Portraits ; Exhibitions ; Portrait photography Exhibitions ; African Americans in art Exhibitions ; Art, American Exhibitions ; Art Catalogs ; African Americans ; African Americans in art ; Art ; Art, American ; Portrait photography ; Catalogs ; Exhibition catalogs ; California - Los Angeles ; Ausstellungskatalog Los Angeles County Museum of Art 2021-2022 ; Ausstellungskatalog Spelman College 2023 ; Ausstellungskatalog Memphis Brooks Museum of Art 2023-2024 ; Bildband ; Los Angeles County Museum of Art ; Sammlung ; Porträtfotografie ; Person of Color ; USA ; Schwarze ; Kunst ; Bildnis ; Schwarze
    Abstract: Spanning over two centuries from around 1800 to the present day, Black American Portraits chronicles the ways in which Black Americans have used portraiture to envision themselves in their own eyes. Remembering Two Centuries of Black American Art, curated by David C. Driskell at LACMA 45 years ago, this book is a companion to the exhibition of the same name that reframes portraiture to center Black American subjects, sitters and spaces. This selection of approximately 140 works from LACMA's permanent collection highlights emancipation, scenes from the Harlem Renaissance, portraits from the Civil Rights and Black Power eras, multiculturalism of the 1990s and the spirit of Black Lives Matter.0Countering a visual culture that often demonizes Blackness and fetishizes the spectacle of Black pain, these images center love, abundance, family, community and exuberance. Black American Portraits depicts Black figures in a range of mediums such as painting, drawing, prints, photography, sculpture, mixed media and time-based media. In addition to work by artists of African descent, Black American Portraits includes several works by artists of other backgrounds who have exemplified a thoughtfulness about, sensitivity toward and commitment to Black artists, communities, histories and subjects.00Exhibition: Los Angeles County Museum of Art (LACMA), LA, USA (07.11.2021-07.04.2022)
    Note: Seite [224]: Published in conjunction with the exhibition "Black American Portraits". Itinerary Los Angeles County Museum of Art, November 7, 2021-April 17, 2022; Spelman College Museum of Fine Art, January 30-May 14, 2023; Memphis Brooks Museum of Art, September 23, 2023-July 1, 2024 , Artists include: Cedric Adams ; Laura Aguilar ; Alvin Baltrop ; Sadie Barnette ; Richmond Barthé ; Edward Biberman ; John Biggers ; Dannielle Bowman ; Diedrick Brackens ; Mark Bradford ; Kwame Brathwaite ; Frederick J. Brown ; Bisa Butler ; Micaiah Carter ; Jordan Casteel ; Elizabeth Catlett ; Jonathan Lyndon Chase ; Renee Cox ; Njideka Akunyili Crosby ; Kim Dacres ; Bruce Davidson ; Kenturah Davis ; Roy DeCarava ; Beauford Delaney ; Woody De Othelllo ; Emory Douglas ; Stan Douglas ; Sam Doyle ; David C. Driskell ; rafa esparza ; Shepard Fairey ; Kohshin Finley ; Genevieve Gaignard ; Charles Gaines ; Rico Gatson ; Jerrell Gibbs ; Todd Gray ; Chase Hall ; Lauren Halsey ; David Hammons ; Lyle Ashton Harris ; Miki Hayakawa ; William Armfield Hobday ; Reggie Burrows Hodges ; Janna Ireland ; Arthur Jafa ; Lee Jaffe ; Sargent Claude Johnson ; Kahlil Joseph ; Isaac Julien ; Glenn Kaino ; Consuelo Kanaga ; Clifford Prince King ; Jacob Lawrence ; Deana Lawson ; Samella Lewis ; Whitfield Lovell ; Kerry James Marshall ; Wangari Mathenge ; Willie Robert Middlebrook ; Nicole Miller ; Zora J. Murff ; Alice Neel ; Ralph Nelson ; Toyin Ojih Odutola ; Lorraine O'Grady ; Kambui Olujimi ; Catherine Opie ; Gordon Parks ; Ada Pinkston ; Robert Pruitt ; Otis Kwame Kye Quaicoe ; Nathaniel Mary Quinn ; Umar Rashid ; Calida Rawles ; Deborah Roberts ; Alison Saar ; Betye Saar ; Lezley Saar ; William Scott ; Paul Mpagi Sepuya ; Amy Sherald ; Xaviera Simmons ; Lorna Simpson ; Ming Smith ; Shinique Smith ; Edward Steichen ; Martine Syms ; Henry Taylor ; Mickalene Thomas ; Tourmaline ; Kent Twitchell ; James Van Der Zee ; Meta Vaux Warrick Fuller ; Fulton Leroy Washington (aka Mr. Wash) ; Timothy Washington ; Carrie Mae Weems ; Charles White ; Kehinde Wiley ; D'Angelo Lovell Williams ; Deborah Willis , Includes bibliographical references , Face it / , A museum's commitment to the Trayvon Generation / , Black American art at LACMA: a history / , Beyond the master / , Proof of life / , A lil' history of photography: Black American photography before Barack Obama / , The elusive body: Mark Bradford and David Hammons /
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  • 13
    ISBN: 9781606067857
    Language: English
    Pages: xiii, 137 Seiten , Illustrationen , 27 cm
    Parallel Title: Erscheint auch als Balthazar
    DDC: 704.9/484
    Keywords: Balthazar Art ; Art, Medieval Themes, motives ; Art, Renaissance Themes, motives ; Black people in art ; Africans in art ; Magi Art ; Ausstellungskatalog Getty Center 19.11.2019-16.02.2020 ; Aufsatzsammlung ; Ausstellungskatalog Getty Center 19.11.2019-16.02.2020 ; Aufsatzsammlung ; Ausstellungskatalog Getty Center 19.11.2019-16.02.2020 ; Aufsatzsammlung ; Drei Könige ; Balthasar Heiliger ; Afrikaner ; Schwarze ; Kunst ; Geschichte 1000-1600
    Abstract: "In this book, experts explore the representation of Balthazar as a Black African king. They examine medieval and Renaissance artworks that portray the European fantasy of the Black magus, offer clues about the Africans who may have inspired these images, and chronicle the Black presence in premodern Europe"--
    Note: Seite [138]: "This publication was inspired by the exhibition "Balthazar: A Black African King in Medieval and Renaissance Art", on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from November 19, 2019-February 16, 2020."--Colophon , Includes bibliographical references and index
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  • 14
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    Berlin ; München : Deutscher Kunstverlag
    ISBN: 9783422990807
    Language: English
    Pages: 94 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 305.8954
    RVK:
    Keywords: Geschichte ; Sachkultur ; Gesellschaft ; Kulturelle Identität ; Naga ; Indien ; Ausstellungskatalog Humboldt Forum 2022-2023 ; Ausstellungskatalog Humboldt Forum 2022-2023 ; Ausstellungskatalog ; Aufsatzsammlung ; Ausstellungskatalog ; Aufsatzsammlung ; Ausstellungskatalog ; Aufsatzsammlung ; Indien Nordost ; Naga ; Kulturelle Identität ; Gesellschaft ; Sachkultur ; Geschichte
    Note: Impressum: "Dieses Buch erscheint anlässlich der Ausstellung 'Naga Land. Stimmen aus Nordostindien' im Humboldt Forum Berlin, 2022-2023"
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 15
    ISBN: 9780271094939
    Language: English
    Pages: xvi, 187 Seiten, 10 ungezählte Seiten Bildtafeln , Illustrationen
    Additional Information: Rezensiert in Wolfskill, Phoebe [Rezension von: Mary Ann Calo, African American artists and the new deal art programs] 2023
    DDC: 700.89/96073
    Keywords: 1930 bis 1939 n. Chr ; c 1918 to c 1939 (Inter-war period) ; African American artists History 20th century ; African American art 20th century ; New Deal art ; Federal aid to the arts History 20th century ; Art and race ; 20th century history: c 1900 to c 2000 ; ART / American / African American ; ART / History / Modern (late 19th Century to 1945) ; Amerikanische Geschichte ; HIS056000 ; HISTORY / Social History ; HISTORY / United States / 20th Century ; History of art & design styles: from c 1900 - ; History of the Americas ; Kunstgeschichte ; Social & cultural history ; Sozial- und Kulturgeschichte ; USA ; Vereinigte Staaten von Amerika, USA ; Federal Art Project ; New Deal ; Schwarze ; Kunst ; Kunstförderung ; Geschichte 1935-1943
    Abstract: "Examines the involvement of African Americans in the New Deal art programs, shifting emphasis from individual artists toward broader issues informed by the uniqueness of Black experience"--
    Abstract: This book examines the involvement of African American artists in the New Deal art programs of the 1930s. Emphasizing broader issues informed by the uniqueness of Black experience rather than individual artists' works, Mary Ann Calo makes the case that the revolutionary vision of these federal art projects is best understood in the context of access to opportunity, mediated by the reality of racial segregation.Focusing primarily on the Federal Art Project (FAP) of the Works Progress Administration (WPA), Calo documents African American artists' participation in community art centers in Harlem, in St. Louis, and throughout the South. She examines the internal workings of the Harlem Artists' Guild, the Guild's activities during the 1930s, and its alliances with other groups, such as the Artists' Union and the National Negro Congress. Calo also explores African American artists' representation in the exhibitions sponsored by WPA administrators and the critical reception of their work. In doing so, she elucidates the evolving meanings of the terms race, culture, and community in the interwar era. The book concludes with an essay by Jacqueline Francis on Black artists in the early 1940s, after the end of the FAP program.Presenting essential new archival information and important insights into the experiences of Black New Deal artists, this study expands the factual record and positions the cumulative evidence within the landscape of critical race studies. It will be welcomed by art historians and American studies scholars specializing in early twentieth-century race relations
    Description / Table of Contents: Historiography -- Participation -- Advocacy -- Visibility -- Aftermath.
    Note: Includes bibliographical references and index , Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 16
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    Athens : The University of Georgia Press
    ISBN: 9780820360478
    Language: English
    Pages: xii, 233 Seiten , Illustrationen
    DDC: 700.89/96073
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    Keywords: African American art 20th century ; African American art 21st century ; Art and society History 20th century ; Art and society History 21st century ; USA ; Kunstsoziologie ; Kunst ; Schwarze ; Geschichte 1985-2015
    Abstract: "Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1990 to the present. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come. Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams"--
    Note: Includes bibliographical references and index
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  • 17
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    Oakland, California : University of California Press
    ISBN: 9780520392458 , 9780520359567
    Language: English
    Pages: x, 305 Seiten , Illustrationen
    DDC: 709.5
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    Keywords: Art, Comparative ; Art and race ; Artists, Black ; Kunstsoziologie ; Asien ; Schwarze ; Kunst ; Geschichte 1960-2020
    Abstract: "How do we embark on a history of art that proceeds from the assumption of a global majority? Taking as a rhetorical departure the construct of Afro Asia which doubles as both an ontological reference and an epistemological intervention, this book centers the worlds Black and Asian artists initiate through their work. Afro Asia breaks down delineated time into points, trajectories, angles, magnitudes and relative positions so that temporality and chronology figure primarily as questions of geometry: it asks if and how we can we be something other than what biology, politics, culture, and economics tells us we are or must become. Spanning North America, Europe, Asia, and Africa, this book challenges the institutionalization of contemporary art as a global enterprise increasingly governed by the judgments of a self-selecting minority"--
    Description / Table of Contents: Coincident intensities: friendship, comparison, and the Afro Asian body -- Angles of incidence: photographing interracial encounters in postwar Asia -- Integral tangents: Black arts of Asia -- Planes of collaboration: non-consensus spaces -- Circling Afro China: the new global majority.
    Note: Includes bibliographical references and index
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  • 18
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    Washington, DC : Smithsonian Books
    ISBN: 9781588347404 , 9781588347718
    Language: English
    Pages: 216 Seiten , 26 cm
    DDC: 305.896073
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    Keywords: Geschichte ; Popkultur ; Afrofuturismus ; Person of Color ; Schwarze ; USA ; Afrofuturism ; African American arts ; Black people in art ; Outer space / In art ; Black people in popular culture / United States ; National Museum of African American History and Culture (U.S.) / Catalogs ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; USA ; Schwarze ; Afrofuturismus ; Person of Color ; Popkultur ; Geschichte
    Abstract: "This illustrated companion book to an upcoming Smithsonian exhibition explores the power of Afrofuturism to reclaim the past and reimagine Black futures"
    Description / Table of Contents: Foreword / Kevin Young -- Introduction / Kevin M. Strait -- Afrofuturism as Space and Being / Ytasha L. Womack -- Interstellar / Tiffany E. Barber -- Black women change the face of spaceflight / Matthew Shindell -- I came to Africa on a spaceship / Ytasha L. Womack -- Notes from the cosmic underground : a history of the Afrofuturist movement and the changing world order / Reynaldo Anderson -- We are the stars : Black speculative narratives and the history of the future / John Jennings -- W.E.B. Du Bois : documenting the present, reinterpreting the past, and imagining the future / William S. Pretzer -- There's a reason / N. K. Jemisin -- Dialogues in space : Octavia Butler and Samuel Delany / Herb Boyd -- Black Panther : an escape to Utopia / Herb Boyd -- Black joy as resistance / Ariana Curtis
    Note: Includes bibliographical references and index. - Hier auch später erschienene, unveränderte Nachdrucke
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  • 19
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    New Brunswick ; Camden ; Newark ; London ; Oxford : Rutgers University Press
    ISBN: 9781978824652 , 9781978824669
    Language: English
    Pages: xv, 161 Seiten
    Uniform Title: The souls of black folk
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.8960730207
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    Keywords: Soziale Situation ; Rassendiskriminierung ; Schwarze ; USA ; Comic ; Comic ; Comic ; Comic ; Comic ; USA ; Rassendiskriminierung ; Schwarze ; Soziale Situation
    Abstract: With Souls of Black Folk (first published in 1903), W.E.B. Du Bois famously set forth his analysis of the folk culture, including religious folk culture, that would be the basis for future progress. In doing so, he pleaded for education and a new sensibility. But he made clear that the promise of these would not come from the outside
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  • 20
    ISBN: 9780774890649
    Language: English
    Pages: 255 Seiten , Illustrationen , 28 cm
    DDC: 704.03/96071
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    Keywords: Art, Black ; Artists, Black History ; Black people History ; Art museums Curatorship ; Social aspects ; Art noir - Canada ; Artistes noirs - Canada - Histoire ; Personnes noires - Canada - Histoire ; Musées d'art - Conservation - Aspect social - Canada ; Art, Black ; Artists, Black ; Black people ; History ; Canada ; Canada History ; Aufsatzsammlung ; Canada History ; Aufsatzsammlung ; Kanada ; Kunst ; Künstler ; Person of Color ; Geschichte 2000- ; Kanada ; Schwarze ; Kunst ; Schwarzenbild ; Museum ; Kulturelle Einrichtung ; Kunstgeschichtsschreibung ; Geschichte
    Abstract: "Making History is an unprecedented reflection on the positioning of Black history and art within the Canadian cultural landscape. Featuring boundary-breaking artists and others from the art world, Making History brings together poems, artist statements, and art portfolios that showcase a careful and thoughtful understanding of Black aesthetics. This beautifully illustrated book also discusses the presence of Black contemporary art in Canadian institutions and offers artistic perspectives on contemporary and historical art practices. The many voices and points of view within this publication present ideas that corroborate the state of cultural emergency in which we are living, where museums are rethinking and rewriting the stories of their collections. The book explores alternate ways of approaching the relationship between institutions, artists, and audiences, emphasizing the significance of collaboration, resisting hierarchical and hegemonic curatorial practices, and making room for multiple perspectives to bring about transformative change. Through powerful essays and striking visual art, Making History highlights the dynamism and complexity of African and diasporic experiences seen through the lens of museological interventions and artistic practices at large."--
    Note: Includes bibliographical references , Of Africa: A Reflection on "Speaking Back" / , Opening Spaces: Of Africa, Hauntings, Hesitations, and Possible Futures / , The Into the Heart of Africa Exhibition and the Coalition for the Truth about Africa: A Personal Journey / , Lessons Learned from the Heart of Afro-Canada: Into the Heart of Africa 30 Years Later / , A Life in the Day of an Object / , Here We Are Here: Creating in the Black Atlantic / , Sweet Childhood, Art, and Memory / , From Souvenir to How She Read: The Poetry behind the Design / , Between Absence and Presence: The Politics and Poetics of (In)Visibility in the Work of Sandra Brewster / , On Sucking Teeth / , Hoodies and Regimentals: Black Attire and Access in the Canadian Art Museum / , What to Wear in Canada in Winter / , Longing and Belonging: A Personal Journey through Art and Identity / , Singularity and Strangeness: One-on-One with Eddy Firmin / , On Quiet Happiness, Charcoal, Wood, and Metal: Charmaine Lurch's Being, Belonging and Grace / , Esmaa Mohamoud: Playing the Game / , Twisted Together: The Sweet Ironies of Belonging in the Art of Bushra Junaid / , A Self-Portrait of Creation: Depi m sòti nan Ginen / , Digging Us: Making Visible Black Canadian Narratives / , Travelling Exhibition: Here We Are Here at the Montreal Museum of Fine Arts / , Why Are There No Famous Black Canadian Artists? Here We Are Here and How Diversity and Inclusion Trump Aesthetic Critique / , The Pervasive Persistence of Primitivism: Face-to-Face and Exhibition Practices in the 21st Century /
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  • 21
    ISBN: 9789492852885 , 9492852888
    Language: Dutch
    Pages: 507 Seiten , Illustrationen
    Parallel Title: Parallele Sprachausgabe Perrée, Rob, 1947 - A black collage
    DDC: 700.411
    Keywords: USA ; Schwarze ; Kunst ; Museum ; Ausstellung ; Kunstbetrieb ; Geschichte 1990-2023
    Abstract: In dit boek vertelt Rob Perrée zijn geschiedenis met Afrikaans-Amerikaanse kunst. Van 1990 tot 2023. Hij doet dat door middel van een chronologische collage van nieuwe teksten, verbindende teksten, eerder gepubliceerde artikelen, essays, interviews, recensies, columns en korte verhalen. De nieuwe teksten plaatsen de andere in context. Tezamen geven ze de ontwikkeling van de Afrikaans Amerikaanse kunst weer en laten ze zien hoe de appreciatie ervoor en de perceptie ervan in de loop van de tijd is veranderd, in de VS, maar vooral ook in Nederland, bij het publiek, maar ook bij de instituties. Het is een blik achter de schermen die zijn passie voor deze kunst zichtbaar maakt.00Rob Perrée is kunsthistoricus, onafhankelijk schrijver en curator, oprichter van het online tijdschrift Africanah.org. Zijn artikelen zijn verschenen in diverse (kunst)tijdschriften, kranten en catalogi. Hij woont en werkt in Amsterdam en Brooklyn
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  • 22
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    New Haven : Yale University Press
    ISBN: 9780300259247
    Language: English
    Pages: xvii, 517 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    DDC: 306.094309045
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    Keywords: 20. Jahrhundert (1900 bis 1999 n. Chr.) ; Europäische Geschichte ; Geschichte allgemein und Weltgeschichte ; HISTORY / Europe / Germany ; HISTORY / Modern / 20th Century ; HISTORY / Social History ; History ; Sozial- und Kulturgeschichte ; Deutschland ; Westdeutschland ; Sozialgeschichte ; Kultur ; Geschichte 1900-1999 ; Westdeutschland ; Künste ; Gesellschaft ; Geschichte 1945-1990
    Abstract: "After World War II a mood of despair and impotence pervaded the arts in West Germany. The culture and institutions of the Third Reich were abruptly dismissed, yet there was no immediate return to the Weimar period's progressive ideals. In this moment of cultural stasis, how could West Germany's artists free themselves from their experiences of Nazism? Moving from 1945 to reunification, Michael H. Kater explores West German culture as it emerged from the darkness of the Third Reich. Examining periods of denial and complacency as well as attempts to reckon with the past, he shows how all postwar culture was touched by the vestiges of National Socialism. From the literature of Günter Grass to the happenings of Joseph Beuys and Karlheinz Stockhausen's innovations in electronic music, Kater shows how it was only through the reinvigoration of the cultural scene that West Germany could contend with its past - and eventually allow democracy to reemerge"--
    Abstract: A wide-ranging, insightful history of culture in West Germany-from literature, film, and music to theater and the visual arts
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 23
    ISBN: 1912520958 , 9781912520954
    Language: English
    Pages: 141 Seiten
    DDC: 700.8996073
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    Keywords: 1900-1999 ; African American art Exhibitions ; Artists, Black Exhibitions ; ART / General ; African American art ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; USA ; Künstler ; Person of Color ; Geschichte 1960- ; Schwarze ; Kunst
    Abstract: "For generations, Black artists from the American South have forged a unique art tradition. Working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, recycled and cast-off objects that articulate America's painful past -- the inhuman practice of enslavement, the cruel segregationist policies of the Jim Crow era, and institutionalised racism. Their works date from the early 20th century to today and respond to issues ranging from economic inequality, oppression and social marginalisation, to sexuality, the influence of place and ancestral memory. Among the sculptures, paintings, reliefs and drawings included here are works by Thornton Dial, Lonnie Holley, Ronald Lockett, Hawkins Bolden, Bessie Harvey, Charles Williams, Mary T. Smith, Purvis Young, Mose Tolliver, Nellie Mae Rowe, Mary Lee Bendolph, Marlene Bennett Jones, Martha Jane Pettway, Loretta Pettway, and Henry and Georgia Speller. Also featured are the celebrated quiltmakers of Gee's Bend, Alabama, and the neighbouring communities of Rehoboth and Alberta."--Page four of cover
    Note: Titelblattrückseite: ... published in occasion of the exhibition "Souls Grown Deep like the Rivers: Black Artists from the American South", Royal Academy of Arts, 17 March-18 June 2023 , Includes bibliographical references and index
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  • 24
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    London : Book Works | Southend-on-Sea : Focal Point Gallery
    ISBN: 9781912570140 , 1912570149
    Language: English
    Pages: 141 Seiten , Illustrationen , 20 cm
    Additional Material: 2 Beilagen (1 Leporello, 1 Blatt mit Stickern)
    Series Statement: Co-series no. 22
    Series Statement: Printet matter / Focal Point Gallery #107
    Series Statement: Co-Series
    Series Statement: Printed matter
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    Keywords: 2000-2099 ; Art, Modern 21st century ; Feminism ; Women, Black ; Popular culture ; Women artists, Black ; Black people in art Exhibitions ; Performance art ; Art, Modern ; Feminism ; Popular culture ; Women, Black ; Great Britain ; Großbritannien ; Schwarze ; Frauenkunst ; Performance ; Geschichte 2000-
    Abstract: "Comprising of new writing and works drawn from, and a part of, Uddoh's 2021 exhibition at Focal Point Gallery, Practice Makes Perfect focuses on themes of radical self-love, inspired by black feminist practice and writing. Through performance, film, installation and sound, Uddoh explores an infatuation with places, objects and celebrities in British popular culture, and the effects of these on self-formation. She is influenced by her architectural background, rooting stories in specific spaces and materials. Co-published by Book Works and Focal Point Gallery as part of our Co-Series, in association with the Bluecoat, and The Bower." -- publisher's description
    Note: Umschlagtitel
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  • 25
    ISBN: 9789898763877
    Language: Portuguese , English
    Pages: 206 Seiten , 28 cm
    DDC: 306
    Keywords: Ausstellungskatalog Museu de Lisboa, Palácio Pimenta 22.04.2022-11.12.2022 ; Aufsatzsammlung ; Lissabon ; Künste ; Kultur ; Lebensgefühl ; Gesellschaft ; Geschichte 1920-1930
    Note: Catalog of an exhibition held at the Palácio Pimenta, Lisbon, Portugal, April 22-December 11, 2022 , Text parallel in Portugiesisch und Englisch
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  • 26
    ISBN: 9788854912755
    Language: Italian , English , French
    Pages: 660 Seiten , Illustrationen , 28 cm
    Series Statement: Cronache - Monografie
    DDC: 307
    Keywords: Konferenzschrift 2020 ; Urbanität ; Landschaft ; Gesellschaft
    Note: Beiträge überwiegend italienisch, teilweise englisch, 1 Beitrag französisch , Contributions in Italian and English; abstracts in English and Italian
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  • 27
    ISBN: 9783406788017 , 3406788017
    Language: German
    Pages: 142 Seiten , Illustrationen , 24 cm x 17 cm
    Parallel Title: Erscheint auch als Mbuti, Ann, 1990 - Black artists now
    DDC: 704.03960905
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    Keywords: Schwarze ; Kunst ; Jugendbuch ; Jugendbuch ; Schwarze ; Künstler ; Kunst
    Abstract: "Black Artists Now!" ist ein Buch über 15 schwarze Künstlerinnen und Künstler aus aller Welt, die einen neuen "Spirit" in die noch überwiegend weiß und männlich dominierte Kunstwelt bringen. Jetzt endlich richtet sich der Blick verstärkt auf sie, jetzt endlich schließt sich eine Lücke in der westlichen Kunstgeschichte. Die Black Artists, die in diesem Buch vorgestellt werden, sind in den verschiedensten Medien tätig und verfolgen neue und vielseitige Ansätze. Neben Stars wie Kara Walker, deren Scherenschnitte weltweit für Aufsehen sorgen, oder Arthur Jafa, der neben seiner Videokunst Clips mit Beyoncé und Kanye West produziert, reicht der Bogen von El Anatsuis monumentalen Installationen aus bunt-schillernden Flaschenverschlüssen über Lynette Yiadom-Boakyes fiktive, rätselhafte Porträtmalerei bis hin zu Tabita Rezaires kybernetischer Medienkunst - sie alle haben einen Anteil daran, dass unser bisheriges Kunstverständnis neu aufgemischt wird. Ann Mbuti erzählt inspirierende Geschichten von zeitgenössischen schwarzen Künstlerinnen und Künstlern (die Jüngste von ihnen Jahrgang 1993, der Älteste Jahrgang 1944), die unsere Perspektive erweitern. „Ann Mbuti porträtiert in ihrem Buch 15 schwarze Künstlerinnen und Künstler. Dabei geht es ihr vor allem um die soziale Konstruktion des „Andersseins“. Die Autorin erzählt persönliche Geschichten, ohne sich je in einen Kunstslang zu versteigen“ (deutschlandfunkkultur.de)
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  • 28
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    Münster ; New York : Waxmann
    ISBN: 9783830945796 , 3830945795
    Language: German
    Pages: 196 Seiten , 23.5 cm x 21 cm
    Additional Material: Erratum
    Parallel Title: Erscheint auch als
    DDC: 297.0943
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    Keywords: Muslim ; Muslim ; Lebenswelt ; Alltag ; Interreligiöser Dialog ; Kulturkontakt ; Deutschland ; Islam ; Gebet und Moschee ; Geschichte der Muslime in Deutschland ; Islamophobie ; Antimuslimischer Rassismus ; Islamische Feste ; Die fünf Säulen des Islam ; Diversität ; interreligiöser Dialog ; religiöse Alltagspraxis ; Empirische Kulturwissenschaft ; Religiosität und Spiritualität ; Gesellschaft ; Alltag ; Geschichte ; Religionspädagogik ; Ausstellungskatalog RELíGIO Westfälisches Museum für religiöse Kultur 05.05.2022-28.08.2022 ; Ausstellungskatalog RELiGIO - Westfälisches Museum für Religiöse Kultur 05.05.2022-06.09.2022 ; Bildband ; Ausstellungskatalog RELIGIO - Westfälisches Museum für Religiöse Kultur 05.08.2022-22.08.2022 ; Ausstellungskatalog RELíGIO Westfälisches Museum für religiöse Kultur 05.05.2022-28.08.2022 ; Ausstellungskatalog RELiGIO - Westfälisches Museum für Religiöse Kultur 05.05.2022-06.09.2022 ; Bildband ; Ausstellungskatalog RELíGIO Westfälisches Museum für religiöse Kultur 05.05.2022-28.08.2022 ; Bildband ; Deutschland ; Muslim ; Lebenswelt ; Deutschland ; Muslim ; Alltag ; Deutschland ; Muslim ; Kulturkontakt ; Interreligiöser Dialog
    Note: Im Impressum "Katalog zur Ausstellung im RELíGIO Westfälisches Museum für religiöse Kultur 5. Mai bis 28. August 2022".
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  • 29
    ISBN: 9789995942793
    Language: German
    Pages: 503 Seiten , Illustrationen
    Edition: 1. Auflage
    DDC: 305.42092
    Keywords: Biografien: historisch, politisch, militärisch ; Sozial- und Kulturgeschichte ; Feminismus ; Frauen ; Gesellschaft ; Biografie ; Mayrisch de Saint-Hubert, Aline 1874-1947 ; Mayrisch de Saint-Hubert, Aline 1874-1947
    Abstract: Aline Mayrisch-de Saint-Hubert hat die Sozial- und Kulturgeschichte Luxemburgs entscheidend mitgeschrieben. Geprägt von dem unbedingten Willen zur Veränderung, der Bereitschaft Grenzen zu überschreiten, um das Frauenbild in der Gesellschaft neu zu formen, drang Aline Mayrisch in Bereiche vor, die Frauen zur Jahrhundertwende eigentlich noch längst verschlossen blieben. In einer von Männern dominierten Welt setzte sie sich für die Selbstbestimmung und Bildung von Frauen ein. Und doch ist sie auch heute noch vielen vorrangig als die Gattin des Industriellen Emil Mayrisch bekannt.Wissenschaftlich präzise zeichnet Historikerin und Literaturwissenschaftlerin Germaine Goetzinger in dieser Biografie das bewegte Leben und die vielseitige Persönlichkeit der emanzipierten Kunst- und Literaturliebhaberin nach. Dabei beleuchtet sie neben politischen und sozialen Errungenschaften das literarische Schaffen Mayrischs. Das Resultat ist eine umfassende und reich bebilderte Lebensgeschichte, die bisherige Forschungslücken schliesst
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 30
    ISBN: 9783777437347 , 3777437344
    Language: English
    Pages: 171 Seiten , Illustrationen , 26 cm
    DDC: 779.0899607307471
    Keywords: Bildband ; New York, NY ; Schwarze ; Fotograf ; New York- Harlem ; Streetphotography ; New York- Harlem ; Fotografie ; Geschichte
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 31
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    Berlin :parthasverlag,
    ISBN: 978-3-86964-130-0 , 3-86964-130-4
    Language: German
    Pages: 294 Seiten : , Illustrationen ; , 14.8 cm x 21 cm.
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    Keywords: Deutsche Wohnen AG. ; Wohnraumbewirtschaftung. ; Politische Bewegung. ; Enteignung. ; Wohnungspolitik. ; Wohnungsunternehmen. ; Gemeineigentum. ; Berlin. ; Deutschland. ; Profit ; Vergesellschaftung ; Miete ; Volksentscheid ; Wohnraum ; Berlin ; Immobilienkonzerne ; Initiative ; Wohnungskrise ; Wohnungspolitik ; Eigentum ; Initiative Deutsche Wohnen & Co enteignen ; Enteignung ; Gesellschaft ; Wohnraumbewirtschaftung ; Politische Bewegung ; Enteignung ; Wohnungspolitik ; Wohnungsunternehmen ; Gemeineigentum
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  • 32
    ISBN: 9788836651702 , 8836651704
    Language: Italian
    Pages: 134 Seiten , Illustrationen, Karten, Diagramme , 24 cm
    DDC: 709
    Keywords: Noirs ; Dans l'art ; Italie (nord) ; Noirs ; Conditions sociales ; 1500-1800 ; Noirs ; Conditions sociales ; 19e siècle ; Peinture ; Italie (nord) ; Thèmes, motifs ; Esclavage ; Dans l'art ; Italie (nord) ; Catalogues d'exposition ; Italie (nord) ; 16e siècle ; Italie (nord) ; 17e siècle ; Italie (nord) ; 18e siècle ; Italie (nord) ; 19e siècle ; Ausstellungskatalog MUDEC 13.05.2022-18.09.2022 ; Aufsatzsammlung ; Ausstellungskatalog MUDEC 13.05.2022-18.09.2022 ; Ausstellungskatalog MUDEC 13.05.2022-18.09.2022 ; Aufsatzsammlung ; Oberitalien ; Geschichte ; Schwarze ; Soziale Situation ; Soziale Stellung ; Lebensbedingungen ; Gemälde ; Malerei ; Sklaverei ; Diener ; Ausstellung ; Mailand ; MUDEC ; Ausstellungskatalog ; Oberitalien ; Kunst ; Sklave ; Schwarze ; Geschichte 1500-1900
    Abstract: Catalog of an exhibition held at the MUDEC, Milan, Italy May 13-September 18, 2022
    Abstract: "Il volume offre un primo contributo a un tema poco indagato della storia dell'Italia settentrionale : la presenza, fra Cinquecento e Ottocento, di persone orginarie del continente africano. La ricerca svolta su dipinti, sculture e opere a stampa fornisce una testimonianza diretta del loro ruolo nella società, della loro vita caratterizzata spesso da stenti e umiliazioni derivanti dalla schiavitù, ma a volte anche da percorsi di riscatto e perfino di successo personale. Il racconto si articola in sezioni dedicate alle diverse modalità di raffigurazione delle presenze africane - ora considderate per il loro ruolo storico o morale, ora per il loro valore mitico o leggendario, fra stereotipi e storie vere - e si chiude con i lavori di Theophilus Imani, ricercatore visivo italiano di origine ghanese, che attraverso i suoi dittici fotografici evidenzia il contrasto fra l'iconografia classica occidentale e la rappresentazione del corpo nero nella contemporaneità."
    Note: Seite [6]: La Voce Delle Ombre. Presenze Africane Nell'Arte Dell'Italia Settentrionale (XVI-XIX Secolo), 13 maggio-18 settembre 2022 , Veranstalter und Verfasser von Seite [6] und Umschlag , Literaturverzeichnis S. 126-134 , Autres auteurs : Silvio Leydi, Federica Morelli, Carolina Orsini, Sara Rizzo, Luca Tosi, Stefano Bruzzese, Carla Campanini, Claudia Cieri Via, Alessandra Di Gennaro, Stefano L'Occaso, Marco Pizzo
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  • 33
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    London : Thames and Hudson
    ISBN: 9780500024621 , 0500024626
    Language: English
    Pages: 303 Seiten , 25 cm
    DDC: 700.8996041
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    Keywords: Arts, Black Exhibitions 21st century ; Arts, Black ; History ; Bildband ; Ausstellungskatalog Hayward Gallery 29.06.2022-18.09.2022 ; Bildband ; Ausstellungskatalog Hayward Gallery 29.06.2022-18.09.2022 ; Afrikaner ; Fotografie ; Malerei ; Videokunst ; Plastik ; Mixed media ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Note: Titelblattrückseite: This book was published on the occasion of the exhibition In the Black Fantastic" at the Hayward Gallery, London (29 June-18 September 2022) , Includes bibliographical references, filmography, discography and index
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  • 34
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    New Heaven : Yale University Press
    ISBN: 0300257635 , 9780300257632
    Language: English
    Pages: x, 331 Seiten , Illustrationen , 26 cm
    DDC: 757.0973
    Keywords: Portrait painting, American ; Portraits, American ; Slaves Portraits ; Slavery in art ; Black people in art ; Portraits (peinture) - États-Unis ; Esclaves - États-Unis - Portraits ; Esclaves - Dans l'art ; Noirs - Dans l'art ; USA ; Schwarze ; Sklave ; Bildnismalerei ; Geschichte 1700-2012
    Abstract: This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of whiteness and of nation building erased the aesthetic production of enslaved Americans of African descent and obscured the portrait's importance as a site of resistance. Moving from the wharves of colonial Rhode Island to antebellum Louisiana plantations to South Carolina townhouses during the Civil War, the book illuminates how enslaved people's relationships with portraits also shaped the trajectory of African American art post-emancipation. Van Horn asserts that Black creativity, subjecthood, viewership, and iconoclasm constituted instances of everyday rebellion against systemic oppression. Portraits of Resistance is not only a significant intervention in the fields of American art and history but also an important contribution to the reexamination of racial constructs on which American culture was built
    Note: Notes bibliographiques. Index
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  • 35
    ISBN: 9781588397447
    Language: English
    Pages: 139 Seiten , Illustrationen , 23 cm
    Edition: First printing
    Keywords: Ausstellungskatalog Metrotpolitan Museum of Art 10.03.2022-05.03.2023 ; Aufsatzsammlung ; Ausstellungskatalog Metrotpolitan Museum of Art 10.03.2022-05.03.2023 ; Aufsatzsammlung ; Carpeaux, Jean-Baptiste 1827-1875 Pourquoi naître esclave! ; Sklaverei ; Sklave ; Schwarze ; Kunst ; Geschichte 1700-2020
    Abstract: "This groundbreaking publication on Jean-Baptiste Carpeaux’s (1827–1875) bust Why Born Enslaved! examines the work in the context of transatlantic abolitionist movements and France’s colonialist fascination with Africa in the nineteenth century. Thoughtful essays by noted art historians and literary scholars, including Adrienne L. Childs, James Smalls, and Wendy S. Walters, unpack European artists’ engagement with the Black figure, simultaneously evoked as a changeable political symbol and a representation of exoticized beauty and desire. The authors compare Carpeaux’s sculpture to works by his contemporaries, such as Charles-Henri-Joseph Cordier, Edmonia Lewis, and Louis Simon Boizot, as well as to objects by twenty-first-century artists Kara Walker and Kehinde Wiley. In so doing, the book critically examines the portrayal of Black emancipation and personhood; the commodification of Black images to assert social capital; the role of sculpture in generating the sympathies of its audiences; and the relevance of Carpeaux’s sculpture to legacies of empire in the postcolonial present. It will also feature a chronology of events central to the nineteenth-century antislavery movement." -- Publisher's description
    Abstract: "Organized around a single object—the marble bust Why Born Enslaved! by French sculptor Jean-Baptiste Carpeaux—Fictions of Emancipation: Carpeaux Recast is the first exhibition at The Met to examine Western sculpture in relation to the histories of transatlantic slavery, colonialism, and empire. Created in the wake of American emancipation and some twenty years after the abolition of slavery in the French Atlantic, Why Born Enslaved! was shaped by the enduring popularity of antislavery imagery, the development of nineteenth-century ethnographic theories of racial difference, and France’s colonialist fascination with Africa. The exhibition will explore the sculpture’s place within these contexts. Featuring more than thirty-five works of art in sections unfolding around Carpeaux’s sculpture, Fictions of Emancipation will offer an in-depth look at portrayals of Black enslavement, emancipation, and personhood with an aim toward challenging the notion that representation in the wake of abolition constitutes a clear moral or political stance. Important works by Josiah Wedgwood, Frédéric Auguste Bartholdi, Charles Cordier, Edmonia Lewis, Louis-Simon Boizot, and others will show how Western artists of the nineteenth century engaged with the Black figure as a political symbol and site of exoticized beauty, while contemporary sculptures by Kara Walker and Kehinde Wiley will connect the dialogue around Carpeaux’s bust to current conversations about the legacies of slavery in the Western world. This exhibition was conceived in collaboration with guest curator Wendy S. Walters and enriched through conversations with numerous intellectual partners. It is one of many projects that the Museum is undertaking in an effort to reassess and broaden the narratives it presents about the past and present." -- Metropolitan Museum of Art website
    Note: "This catalogue is published in conjunction with Fictions of Emancipation: Carpeaux Recast, on view at The Metropolitan Museum of Art, New York, from March 10, 2022, through March 5, 2023." -- Title page verso
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  • 36
    ISBN: 9783753302386 , 9781846382635 , 3753302384
    Language: English
    Pages: 267 Seiten , Illustrationen
    Series Statement: Exhibition histories
    DDC: 704.039604109045
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Großbritannien ; Afrikaner ; Schwarze ; Künstler ; Kunstbetrieb ; Geschichte ; Künstler ; Person of Color ; Repräsentation ; Ausstellung ; Kunst ; Person of Color ; Kunstwissenschaft ; USA ; Großbritannien ; Schwarze ; Kunstausstellung ; Museum ; Kunstbetrieb ; Geschichte
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  • 37
    ISBN: 9780520388062
    Language: English
    Pages: 274 Seiten
    Edition: First edition
    DDC: 770.74/776579
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    Keywords: African American photographers Exhibitions ; Bildband ; Ausstellungskatalog University of Minnesota 13.09.2022-10.12.2022 ; Biografie ; Bildband ; Ausstellungskatalog University of Minnesota 13.09.2022-10.12.2022 ; Biografie ; USA ; Fotografie ; Fotograf ; Person of Color ; Person of Color ; USA ; Schwarze ; Fotografie ; Schwarze ; Geschichte 1840-2020
    Abstract: Foreword / Deborah Willis -- Preface / Herman J. Milligan, Jr. -- Preface / Howard Oransky -- Mining the archive of black life and culture / Cheryl Finley -- A visual politics of black pleasure / crystal am nelson -- Why we wear a suit to do the work / Seph Rodney.
    Abstract: "A Picture Gallery of the Soul presents the work of more than one hundred Black American artists whose practice incorporates the photographic medium. Organized by the Katherine E. Nash Gallery at the University of Minnesota, this group exhibition samples a range of photographic expressions produced over three centuries, from traditional photography to mixed media and conceptual art. From the daguerreotypes made by Jules Lion in New Orleans in 1840 to the Instagram post of the Baltimore Uprising made by Devin Allen in 2015, photography has chronicled Black American life, and Black Americans have defined the possibilities of photography. Frederick Douglass recognized the quick, easy, and inexpensive reproducibility of photography and developed a theoretical framework for understanding its impact on public discourse, which he delivered as a series of four lectures during the Civil War. The subject of 160 photographic portraits and the most photographed American of the nineteenth century, Douglass anticipated that the history of American photography and the history of Black American culture and politics would be deeply intertwined. A Picture Gallery of the Soul honors the diverse visions of Blackness made manifest through the lens of photography. Published in association with the Katherine E. Nash Gallery. Exhibition dates: Katherine E. Nash Gallery: September 13-December 10, 2022"--
    Note: Titelblattrückseite: "This catalogue is published in conjunction with the exhibition "A Picture Gallery of the Soul", organized by Herman J. Milligan Jr. and Howard Oransky for the Katherine E. Nash Gallery at the University of Minnesota, Minneapolis, September 13-December 10, 2022" , Includes bibliographical references and index
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  • 38
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    Baltimore, MD : Baltimore Museum of Art | Jackson, MS : Mississippi Museum of Art | New Haven and London : Baltimore Museum of Art and Mississippi Museum of Art, in association with Yale University Press
    ISBN: 9780300265736 , 0300265735
    Language: English
    Pages: 151 Seiten , 28 cm
    DDC: 305.896073075
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    Keywords: Great Migration, ca. 1914-ca. 1970 Pictorial works ; Exhibitions ; African American art Exhibitions 21st century ; Art ; Exhibition catalogs ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; USA ; Kunst ; Fotografie ; Schwarze ; USA ; Schwarze ; Migration ; Geschichte 1915-1970 ; Rezeption ; Kunst ; Geschichte 2021-2022
    Abstract: The Great Migration (1915-70) saw more than six million African Americans leave the South for destinations across the United States. This incredible dispersal of people across the country transformed nearly every aspect of Black life and culture. Offering a new perspective on this historical phenomenon, this incisive volume presents immersive photography of newly commissioned works of art by Akea, Mark Bradford, Zoë Charlton, Larry W. Cook, Torkwase Dyson, Theaster Gates Jr., Allison Janae Hamilton, Leslie Hewitt, Steffani Jemison, Robert Pruitt, Jamea Richmond-Edwards, and Carrie Mae Weems. The artists investigate their connections to the Deep South through familial stories of perseverance, self-determination, and self-reliance and consider how this history informs their working practices. Essays by Kiese Laymon, Jessica Lynne, Sharifa Rhodes-Pitts, and Willie Jamaal Wright explore how the Great Migration continues to reverberate today in the public and private spheres and examine migration as both a historical and a political consequence, as well as a possibility for reclaiming agency
    Note: Seite [172]: Published in conjunction with the exhibition "A Movement in Every Direction: Legacies of the Great Migration", presented at the Mississippi Museum of Art, April 9-September 11, 2022; the Baltimore Museum of Art, October 30, 2022-January 29, 2023; the Brooklyn Museum, March 3-June 25, 2023; and the California African American Museum, August 5, 2023-March 3, 2024 , Includes bibliographical references
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  • 39
    ISBN: 9780691209272 , 0691209278
    Language: English
    Pages: 133 Seiten , 29 cm
    DDC: 709.73
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    Keywords: African Americans Exhibitions Violence against ; Black people Exhibitions Violence against ; African Americans in art Exhibitions ; Black people in art Exhibitions ; Violence in art Exhibitions ; African Americans Exhibitions Social conditions ; African American art Exhibitions 20th century ; African American art Exhibitions 21st century ; Racism Exhibitions History ; Art Exhibitions Political aspects ; Art, American Exhibitions 20th century ; Art, American Exhibitions 21st century ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; USA ; Schwarze ; Engagierte Kunst ; Rassismus ; Gewalt
    Abstract: Preface / Huey Copeland -- A site of struggle / Janet Dees -- Making racial violence visible / Leslie M. Harris -- Functional abstractions : sensorial afterlives of the Black body / Sampada Aranke -- Black redaction, Black evidence : another testimony of Black life / LaCharles Ward -- Pausing at the threshold / Courtney R. Baker.
    Abstract: Examines the vast array of art produced by African Americans in response to the continuing impact of anti-Black violence and how it is used to protest, process, mourn and memorialize those events
    Note: Impressum: This publication accompanies the exhibition "A Site of Struggle: American Art against Anti-Black Violence", organized by the Mary and Leigh Block Museum of Art, Northwestern University, on view at the Block January 26-July 10, 2022, and the Montgomery Museum of Fine Arts, August 13-November 6, 2022 , Includes bibliographical references (pages 127-131)
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  • 40
    ISBN: 9780889616356
    Language: English
    Pages: xii, 313 Seiten , Illustrationen , 25 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 303.48/3
    Keywords: Sexualität ; Gesellschaft ; Feminismus ; Geschlecht ; Neue Technologie ; Technology / Social aspects ; Sex ; Feminism ; Sexual Behavior ; Sexualité ; Féminisme ; sexuality ; Sex ; Technology / Social aspects ; Geschlecht ; Sexualität ; Feminismus ; Neue Technologie ; Gesellschaft
    Abstract: "This edited collection examines gender, sex, and technology through an interdisciplinary and intersectional lens. The text highlights our relationships to technology and illustrates how gendered relations are shaped and transformed through social and technological innovations. Contributors bring to the fore feminist, decolonizing, and anti-racist methods to examine our everyday uses of technology, from smart phones, to baby bottles, to computers, to TikTok. Chapters are organized in five thematic sections: technology's ability to disrupt, technology as a facilitator of connections, surveillance society, the intersection of technology and the body, and the potential of technology as a site of resistance. Original research and scholarship are grounded in real-world scenarios like revenge pornography, gender bias in Artificial Intelligence, menstrual tracking, online dating, and the COVID-19 pandemic, inviting students to take a closer look at technological transformations and their impact on gendered lived experience and to consider how the benefits of technology are inequitably shared within society. This volume centres Canadian scholars and Canadian perspectives without losing sight of the broader global connection and is filled with of-the-moment content."--
    Description / Table of Contents: Birth Control Pills, Baby Bottles, and Bikes: Dancing on the Edge of Social Transformation / Lisa Smith -- Flowing with Tech: Bringing an Intersectional Lens to Menstruation Technologies / Lauren Friesen and Ana Brito -- Technology-Facilitated Sexual Violence, Student Sexuality, and Post-Secondary Institutions / Shaina McHardy -- Neither Crone nor Cougar: Navigating Intimacy and Ageism on Dating Apps / Treena Orchard -- "I'm Not Your Fantasy": Sexual Racism, Racial Fetishization, and the Exploitation of Racialized Men Who Have Sex with Men / Christopher Dietzel -- Smartphones and Committed Relationships: Navigating the Intersection of Sex, Gender, and Other Social Variables / Noorin Manji -- A Harem of Computers and a Mummery of Bondage / Jennifer Jill Fellows -- Empowerment through Participatory Surveillance? Menstrual and Fertility Self-Tracking Apps as Postfeminist Biopedagogies / Jessica Polzer, Anna Sui, Kelly Ge, and Laura Cayen -- Artificial Unintelligence: How "Smart" and AI Technologies Perpetuate Bias and Systemic Discrimination / Sahar Raza -- Gatekeeping 'Authentic' Gender: The Somatechnics of Transition Surgery and 'Male Enhancement' / Jennifer Hites-Thomas -- "So, You Wanna Live Forever?" Representations of Disability, Gender, and Technology in Cyberpunk 2077 / Tamara Banbury and Kelly Fritsch -- Holding Space for Future Matriarchs: Digital Platforms for Resurging Solidarity / Amber Brown and Angela Knowles -- The Ethics of Care and Online Teaching: Personal Reflections on Pandemic Post-Secondary Instruction / Kira Tomsons
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  • 41
    ISBN: 9780520389397 , 9780520389380
    Language: English
    Pages: xviii, 200 Seiten, 8 ungezählte Seiten , Illustrationen , 23 cm
    Edition: Updated edition with a new preface
    DDC: 306.48424091767
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    Keywords: Popular music Social aspects ; Popular music Social aspects ; Popular music Social aspects ; Popular music Social aspects ; Islamische Staaten ; Naher Osten ; Popmusik ; Rockmusik ; Islam ; Gesellschaft
    Note: Includes bibliographical references and index
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  • 42
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    Oakland, California :University of California Press,
    ISBN: 978-0-520-38938-0 , 978-0-520-38939-7
    Language: English
    Pages: xviii, 200 Seiten, 8 ungezählte Bildtafelseiten : , Illustrationen ; , 23 cm.
    Edition: Updated edition with a new preface
    Parallel Title: Erscheint auch als
    Former Title: Ersatz von
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    Keywords: Popular music / Social aspects / Islamic countries ; Popular music / Social aspects / Middle East ; Popular music / Social aspects / Morocco ; Popular music / Social aspects / Egypt ; Popmusik. ; Islam. ; Gesellschaft. ; Musikleben. ; Rockmusik. ; Orient. ; Nordafrika. ; Naher Osten. ; Popmusik ; Islam ; Gesellschaft ; Islam ; Musikleben ; Rockmusik
    Note: Literaturverzeichnis Seite 187-193
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  • 43
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    Münster ; New York :Waxmann,
    ISBN: 978-3-8309-4579-6 , 3-8309-4579-5
    Language: German
    Pages: 196 Seiten ; , 23.5 cm x 21 cm
    Additional Material: Erratum
    Parallel Title: Erscheint auch als
    DDC: 297.0943
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    Keywords: Muslim ; Lebenswelt. ; Muslim. ; Alltag. ; Kulturkontakt. ; Interreligiöser Dialog. ; Deutschland. ; Islam ; Gebet und Moschee ; Geschichte der Muslime in Deutschland ; Islamophobie ; Antimuslimischer Rassismus ; Islamische Feste ; Die fünf Säulen des Islam ; Diversität ; interreligiöser Dialog ; religiöse Alltagspraxis ; Empirische Kulturwissenschaft ; Religiosität und Spiritualität ; Gesellschaft ; Alltag ; Geschichte ; Religionspädagogik ; Ausstellungskatalog RELíGIO Westfälisches Museum für religiöse Kultur 05.05.2022-28.08.2022 ; Ausstellungskatalog RELiGIO - Westfälisches Museum für Religiöse Kultur 05.05.2022-06.09.2022 ; Bildband ; Ausstellungskatalog RELIGIO - Westfälisches Museum für Religiöse Kultur 05.08.2022-22.08.2022 ; Ausstellungskatalog RELIGIO - Westfälisches Museum für Religiöse Kultur 05.08.2022-22.08.2022 ; Ausstellungskatalog RELIGIO - Westfälisches Museum für Religiöse Kultur 05.08.2022-22.08.2022 ; Muslim ; Lebenswelt ; Muslim ; Alltag ; Muslim ; Kulturkontakt ; Interreligiöser Dialog
    Note: Im Impressum "Katalog zur Ausstellung im RELíGIO Westfälisches Museum für religiöse Kultur 5. Mai bis 28. August 2022".
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  • 44
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    Budapest : Central European University Press, CEU Press
    ISBN: 9789633863763
    Language: English
    Pages: xiv, 492 Seiten , illustrations , 24 cm
    Parallel Title: Erscheint auch als Valuch, Tibor Everyday Life under Communism and After
    DDC: 306.094390904
    Keywords: Geschichte 1945-2000 ; Privater Verbrauch ; Verbrauchermarkt ; Alltag ; Lebensstil ; Gesellschaft ; Lebensstandard ; Kleidung ; Wohnung ; Sozialpolitik ; Consumption (Economics) ; Post-communism ; Ungarn ; Hungary Social conditions 1945-1989 ; Hungary Social conditions 1989-
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  • 45
    ISBN: 9781946433275 , 1946433276
    Language: English
    Pages: 215 Seiten , Illustrationen
    Edition: First edition
    DDC: 709.47
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    Keywords: Rudd, Wayland ; Art ; Mass media ; Black people in art ; Black people in mass media ; Black people ; Art - URSS ; Médias - URSS ; Personnes noires dans l'art ; Personnes noires dans les médias ; Noirs - URSS ; Art ; Mass media ; Race relations ; Soviet Union Race relations ; Soviet Union ; Sowjetunion ; Kunst ; Massenmedien ; Person of Color ; Rassismus ; Geschichte 1923-1980 ; Schwarze
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  • 46
    ISBN: 9783887931742 , 3887931742
    Language: German
    Pages: 298 Seiten , Illustrationen
    Edition: 1. Auflage
    Series Statement: Puchheimer Kulturvorträge
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    Keywords: Geschichte ; Kultur ; Antike ; Rezeption ; Europa ; Antike ; Geschichtsschreibung ; Freiheit ; Fundamente Europas ; Griechenland ; Europa ; Gesellschaft ; Aufklärung ; Kultur ; Philosophie ; Vernunft ; Politik ; Geschichte ; Menschenrechte ; europäisch ; Aufsatzsammlung ; Aufsatzsammlung ; Antike ; Rezeption ; Europa ; Kultur ; Geschichte
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  • 47
    ISBN: 9783837658736 , 3837658732
    Language: German
    Pages: 131 Seiten , Illustrationen, Karten, Diagramme
    Series Statement: Bourdieu-Studien Band 1
    Series Statement: Bourdieu-Studien
    Parallel Title: Erscheint auch als
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    Keywords: Bourdieu, Pierre ; Geschichte ; Fotografie ; Feldforschung ; Bildwissenschaft ; Soziologie ; Algerien ; Visuelle Soziologie ; Fotografie ; Algerien ; Feldforschung ; Forschungspraxis ; Bild ; Gesellschaft ; Soziologische Theorie ; Qualitative Sozialforschung ; Bildwissenschaft ; Soziologie ; Visual Sociology ; Photography ; Algeria ; Fieldwork ; Image ; Society ; Sociological Theory ; Qualitative Social Research ; Visual Studies ; Sociology ; Aufsatzsammlung ; Aufsatzsammlung ; Bourdieu, Pierre 1930-2002 ; Fotografie ; Bildwissenschaft ; Soziologie ; Bourdieu, Pierre 1930-2002 ; Algerien ; Feldforschung ; Fotografie ; Geschichte
    Note: Im Vorwort: "Der Untertitel des vorliegenden Bandes, "Visuelle Formen soziologischer Erkenntnis", steht zugleich für ein insgesamt auf fünf Bände ausgelegtes Publikationsvorhaben, bei dem die Bedeutung der Fotografie und deren vielfältige Gebrauchsweisen und Funktionen im Werk Pierre Bourdieus rekonstruiert und sichtbar gemacht werden. Dieser erste Band dient der Einführung in die Rolle der Fotografie als Instrument, Methode und Erkenntnisform der soziologischen Forschung Bourdieus ..."
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  • 48
    ISBN: 9781501770180
    Language: English
    Pages: xiii, 351 Seiten , Illustrationen , 23 cm
    DDC: 306.48428
    Keywords: Musicians, Black History ; Musicians, Black History ; African American musicians History ; African American musicians History ; Music Social aspects ; History ; Music Social aspects ; History ; Music Political aspects ; History ; Music Political aspects ; History ; Music and race ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
    Note: Includes bibliographical references and index
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  • 49
    ISBN: 9781849767668 , 1849767661
    Language: English
    Pages: 383 Seiten , Illustrationen , 25 cm
    DDC: 704.0396041
    Keywords: Art, Caribbean 20th century ; Art, Caribbean 21st century ; Art, British 20th century ; Art, British 21st century ; Artists, Black ; African diaspora in art ; Art, British ; Art, Caribbean ; Aufsatzsammlung ; Aufsatzsammlung ; Großbritannien ; Karibik ; Kulturaustausch ; Künste ; Geschichte 1920-2020 ; Karibik ; Einwanderung ; Großbritannien ; Schwarze ; Kunst ; Geschichte 1920-2020 ; Caribbean Artists Movement
    Note: Includes bibliographical references
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  • 50
    ISBN: 978-1-60606-694-2
    Language: English
    Pages: XXV, 297 Seiten : , Illustrationen.
    Parallel Title: Erscheint auch als
    DDC: 307.76098
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    Keywords: Geschichte 1830-1930 ; Geschichte 1820-1930 ; Geschichte 1850-1930 ; Urbanization / Latin America / History ; Cities and towns / Latin America / History ; City planning / Latin America / History ; Verstädterung. ; Großstadt. ; Metropole. ; Städtebau. ; Stadtplanung. ; Architektur. ; Kolonialstadt. ; Postkolonialismus. ; Stadtentwicklung. ; Arealausweitung. ; Stadt ; Vedute. ; Lithografie. ; Fotografie. ; Postkarte. ; Stadt. ; Gesellschaft. ; Kunst. ; Architekturfotografie. ; Havanna ; Mexiko ; Rio de Janeiro ; Buenos Aires ; Santiago de Chile ; Lima ; Lateinamerika. ; Havanna. ; Mexiko ; Rio de Janeiro. ; Buenos Aires. ; Santiago de Chile. ; Lima. ; Aufsatzsammlung ; Verstädterung ; Großstadt ; Metropole ; Städtebau ; Stadtplanung ; Architektur ; Geschichte 1830-1930 ; Kolonialstadt ; Postkolonialismus ; Metropole ; Stadtentwicklung ; Arealausweitung ; Geschichte 1820-1930 ; Metropole ; Stadt ; Vedute ; Lithografie ; Fotografie ; Postkarte ; Geschichte 1850-1930 ; Stadtentwicklung ; Architektur ; Geschichte 1830-1930 ; Kolonialstadt ; Metropole ; Stadt ; Gesellschaft ; Geschichte 1830-1930 ; Metropole ; Stadtplanung ; Architektur ; Kunst ; Architekturfotografie ; Havanna ; Mexiko ; Rio de Janeiro ; Buenos Aires ; Santiago de Chile ; Lima ; Geschichte 1830-1930
    Abstract: "The Metropolis in Latin America, 1830-1930: Cityscapes, Photographs, Debates examines the unprecedented growth of several cities from 1830 to 1930, observing how sociopolitical changes and upheavals created the conditions for the birth of the metropolis"--
    Description / Table of Contents: Chronology of Events in Latin America, 1800- -- Chart of Population Growth in Latin American Metropolises and Los Angeles, 1800- -- Introduction / Idurre Alonso and Maristella Casciato -- Album: Capital Cities -- The Emergence of Capital Cities in Nineteenth-Century Latin America / Germán Rodrigo Mejía Pavony -- Order, Nature, and Society: Exile and Return from Paradise in the City to Come / Jorge F. Rivas Pérez -- Album: Colonial Cities and National Heroes -- From Postcolonial Cities to the First Metropolises in Latin America / Arturo Almandoz -- The Domination of Nature in the Construction of the Urban Landscape / Sonia Berjman -- Album: Leisure -- The Visible and the Invisible: The Photographic Image of the Metropolis / Idurre Alonso -- Visions of Mobility: Early Cinema Reaching Capital Cities in Latin America / David M.J. Wood -- Album: Infrastructures -- Shaping the Metropolis: Urban Plans for Rio de Janeiro and Buenos Aires / Maria Cristina da Silva Leme -- The Resurgence of the Ancient Past: Mexico City in the Age of Modern Technologies / Cristóbal Jácome-Moreno -- The Search for a New Art: Pre-Hispanic and Colonial Reinterpretations in the Americas / Rodrigo Gutiérrez Viñuales -- Album: Debates -- Architects and Urban Planners: Transatlantic Journeys from Europe to Latin America / Maristella Casciato -- Album: Toward Modernism
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  • 51
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    Zürich : gta Verlag
    ISBN: 9783856764159 , 3856764151
    Language: English
    Pages: 197 Seiten , Illustrationen , 29.7 cm x 21 cm, 581 g
    Series Statement: gta papers 5
    Series Statement: gta papers
    DDC: 720
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    Keywords: COVID-19 ; Architektur ; Pandemie ; Infektionskrankheit ; Gesellschaft ; Soziale Distanz ; Soziale Distanz ; Pandemie ; Seuche ; Architekturgeschichte ; Aufsatzsammlung ; Aufsatzsammlung ; Architektur ; Gesellschaft ; Soziale Distanz ; Infektionskrankheit ; COVID-19 ; Pandemie
    Abstract: "Der Ausdruck «Soziale Distanz» hat bisher als vage Metapher das Verhältnis verschiedener gesellschaftlicher Gruppen beschrieben. Mittlerweile hat er eine präzise Bedeutung als obligatorischer Mindestabstand für persönliche Kontakte ­erlangt: 1, 1,5 oder 2 Meter (oder 6 Fuss) – je nach staatlicher Verordnung. Was aber ist die angemessene Distanz, von der aus eine Pandemie zu interpretieren wäre? Anstatt eine Diagnose der gegenwärtigen Notsituation zu stellen, eröffnet das Heft Social Distance Perspektiven aus der Architekturgeschichte und Architekturtheorie. Von der grossen Pest in Venedig bis zur Cholera in der sich industrialisierenden Grossstadt, von der menschlichen Plazenta bis zum Bubble Office der 1960er Jahre oder dem Heimbüro von heute bietet die fünfte Ausgabe der gta papers ein breites Spektrum von Überlegungen zu den Themen Ansteckung, Krankheit und Gesundheit. "
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  • 52
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    Halle an der Saale : Kulturstiftung des Bundes
    Language: German
    Pages: 16, 8 Seiten
    Series Statement: Das Magazin / Kulturstiftung des Bundes No. 37 (Herbst/Winter 2021)
    Keywords: Aufsatzsammlung ; Gesellschaft ; Krise ; Erkenntnis ; Verhalten ; Handlung ; Grafia, Nicholas 1990- ; Sobczak, Mikołaj 1989-
    Note: Haupttitel ist Umschlagtitel
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  • 53
    ISBN: 9783903179318
    Language: German , English
    Pages: 302 Seiten , Illustrationen, Karten
    Keywords: Identität ; Natur ; Gesellschaft ; Kunst ; Geschichte ; Kultur ; Steiermark ; Ausstellungskatalog Museum für Geschichte 10.04.2021-31.10.2021 ; Ausstellungskatalog Volkskundemuseum 10.04.2021-31.10.2021 ; Ausstellungskatalog Kunsthaus Graz 10.04.2021-31.10.2021 ; Steiermark ; Kunst ; Kultur ; Geschichte ; Natur ; Gesellschaft ; Identität ; Steiermark ; Kunst ; Kultur ; Geschichte ; Natur ; Gesellschaft ; Identität
    Note: Text deutsch und englisch
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  • 54
    ISBN: 9783838972046
    Language: German , English
    Pages: 315 Seiten , Illustrationen
    Series Statement: Zeitbilder
    Parallel Title: Erscheint auch als Untie to tie
    DDC: 370
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    Keywords: Aufsatzsammlung ; Schulbuch ; Curriculum ; Kolonialismus ; Gesellschaft ; Moderne ; Rassismus ; Kolonialismus ; Kritik ; Verstehen
    Note: Beiträge in deutsch und englisch
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  • 55
    ISBN: 9783430210669 , 3430210666
    Language: German
    Pages: 157 Seiten , Illustrationen , 19.5 cm x 11.8 cm
    DDC: 303.49
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    Keywords: COVID-19 ; Pandemie ; Gesellschaft ; Entwicklung ; Zukunft
    Abstract: Krisen können Ökonomien von innen heraus verändern, neue Epochen einleiten und Kultursysteme neu konfigurieren. Beispiele sind die Renaissance, die Aufklärung, das industrielle Zeitalter, die Konsumgesellschaft, die POP-Ära u.a Viele dieser Epochen hatten ebenfalls symbolische Auslöser, die etwas zum Durchbruch brachten, was latent bereits in der Gesellschaft vorhanden war. Die Coronakrise beendet die Ära der ungebremsten Erhitzung und Beschleunigung, des Steigerungswahns der letzten Jahrzehnte und der entfesselten Industrialisierung. Dieses Buch knüpft an Die Zukunft nach Corona an, ohne eine Corona-Bilanz zu sein. Es kreist erneut um den Begriff der RE-GNOSE, der zu einer Art Kultbegriff geworden ist. Es zeigt die aktuellen Mindshifts und erklärt wie sich die Zukunft in uns immer wieder neu erfindet. (Verlagswerbung)
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  • 56
    ISBN: 9783938433416 , 3938433418
    Language: German , English
    Pages: 150 Seiten
    DDC: 740
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    Keywords: Bildband ; Ausstellungskatalog MARTa Herford GmbH 04.09.2021-06.03.2022 ; Kunst ; Mode ; Geschichte 1920-2020 ; Mode ; Gesellschaft ; Kunst
    Note: Impressum: "Diese Publikation erscheint zur Ausstellung 'Look! Enthüllungen zu Kunst und Fashion', 04. September 2021-06. März 2022, Marta Herford." , Text teils deutsch, teils englisch
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  • 57
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    Warszawa : Oficyna Wydawnicza Aspra-JR
    Language: Polish
    Pages: 258 Seiten , Illustrationen , 24 cm
    Edition: Wydanie 1
    DDC: 306.094380904
    Keywords: Geschichte ; Gesellschaft ; Podlachien ; Biała Podlaska ; Janów Podlaski
    Note: Literaturverzeichnis Seite 231-233
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  • 58
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    Bologna : Società editrice il Mulino
    ISBN: 9788815294104
    Language: Italian
    Pages: 404 Seiten , Illustrationen, Karten , 24 cm
    DDC: 908
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    Keywords: Eva Biblische Person ; Maria Magdalena Heilige, Biblische Person ; Maria von Nazaret, Biblische Person ; Radegunde Fränkisches Reich, Königin 518-587 ; Matilde di Canossa 1046-1115 ; Bandini, Margherita 1357-1423 ; Christine de Pisan 1365-1429 ; Gesellschaft ; Frau ; Kunst ; Frau ; Geschichte 1000-1500
    Note: Bound , Includes bibliographical references and index
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  • 59
    ISBN: 9783777435961 , 3777435961
    Language: English
    Pages: 128 Seiten , 25 cm x 20 cm
    DDC: 704.03960730905207479473
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    Keywords: Schwarze ; Selbstbild ; Fremdbild ; Amerika ; Bildband ; Ausstellungskatalog Hunter College Art Galleries 27.01.2021-03.04.2021 ; Bildband ; Ausstellungskatalog Hunter College Art Galleries 27.01.2021-03.04.2021 ; Bildband ; Ausstellungskatalog Hunter College Art Galleries 27.01.2021-03.04.2021 ; USA ; Schwarze ; Kunst ; Selbstdarstellung ; Geschichte 2015-2020 ; USA ; Schwarze ; Kunst ; Selbstbild ; Rassismus ; Gewalt ; Delgado, Dennis ; Henry, Alicia 1966- ; Hinkle, Kenyatta A. C. 1987- ; Kaphar, Titus 1976- ; Lovell, Whitfield 1959- ; Thomas, Lava 1958-
    Note: Impressum: "Published on the occasion of the exhibition 'The Black Index' , Tour Dates: University Art Galleries at UCI: January 9, 2021 - March 20, 2021 (online only), Palo Alto Art Center: May 1 - August 22, 2021, Art Galleries at Black Studies, University of Texas at Austin: Fall 2021, Hunter College Art Galleries, Leubsdorf Gallery: January 27 - April 3, 2022 - Angaben ermittelt
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  • 60
    ISBN: 1934351199 , 9781934351192
    Language: English
    Pages: xiii, 282 Seiten , Illustrationen , 28 cm
    DDC: 700.8996073075
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    Keywords: African American art Exhibitions 20th century ; African American art Exhibitions 21st century ; Material culture Exhibitions ; African Americans Music ; African Americans Religion ; African American art Political aspects ; African American art ; African Americans ; African Americans ; Religion ; Material culture ; Exhibition catalogs ; Music ; Southern States In art ; Exhibitions ; Southern States ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; USA ; Kunst ; Schwarze ; Geschichte 1945- ; Musik ; Literatur
    Abstract: Director's foreword / Alex Nyerges -- What you know about the Dirty South? / Valerie Cassel Oliver -- a poem for black art / Fred Moten -- Landscape : the politics and poetics of dirt. Cosmic encounter / Charlie R. Braxton ; Bevery Buchanan : forms of ruination / Andrea Barnwell Brownlee, Jennifer Burris, and Park MacArthur ; Quilted beats bound at the rut : a theorization of the Dirty South / Regina N. Bradley ; Plates -- Systems of thought : the vision of envisioning. Songs that are sacred and pure (for Toni Morrison) / Charlie R. Braxton ; Dreaming empire, conjuring freedom : Renée Stout, African American landscape representation, and the imperial South / Kirsten Pai Buick ; Bible Belt swag : Houston hip-hop and Black religion / Anthony B. Pinn ; Dreaming of the South in stereo : Black music's American journey / Guthrie P. Ramsey Jr. ; Plates -- The Black body : repository/site/agent. Bluesosophy (for Julius Thompson) / Charlie R. Braxton ; Picturing the South : how photographers have imaged the region / Rhea L. Combs ; Changing the rules, the practice of pleasure : the linguistic possibilities of dirt / Roger Reeves ; Plates -- Epilogue. Code Black : the Dirty South / Paul D. Miller ; The Dirty South playlist ; Plates -- Artist biographies -- Contributor biographies -- Exhibition checklist and image credits.
    Abstract: "This exhibition catalog to the Virginia Museum of Fine Arts’ The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse chronicles the pervasive visual and sonic parallels in the work of Black artists from the southern United States. It looks to contemporary southern hip-hop as a portal into the roots and aesthetic legacies that have shaped contemporary art from the 1920s to the present. It features multiple generations of both academically trained and 'outsider' artists working in a variety of genres and disciplines, including Thornton Dial, Allison Janae Hamilton, Arthur Jafa, Jason Moran, Sister Gertrude Morgan, Sun Ra, Kara Walker, and William Edmondson. Creating a capacious understanding of southern expression in visual art, material culture, and music, this richly illustrated volume documents the exhibition’s artworks and includes critical essays, poems, artist biographies, and an extended bibliography"--https://vmfashop.com/dirty-south/the-dirty-south-exhibition-catalog.html
    Note: "This catalogue accompanies the exhibition 'The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse', presented at the Virginia Museum of Fine Arts, May 22-September 6, 2021; Contemporary Arts Museum Houston, October 28, 2021-February 6, 2022; Crystal Bridges Museum of American Art, March 12-July 25, 2022; Museum of Contemporary Art Denver, September 2022-February 2023"--Page iv , Includes artists: Terry Adkins, Charles Henry Alston, Emma Amos, Benny Andrews, Radcliffe Bailey, Romare Bearden, Kevin Beasley, Paul Stephen Benjamin, Julia Beverly, John Biggers, Sanford Biggers, Herman Poole Blount (AKA Sony'r Ra or Sun Ra), Sheila Pree Bright, Beverly Buchanan, Bisa Butler, Elizabeth Catlett, Nick Cave, Mel Chin, Sonya Clark, Bethany Collins, Eldzier Cortor, Abraham Lincoln Criss, Jamal Cyrus, Bruce Davenport Jr. (AKA Dapper Bruce Lafitte), Beauford Delaney, Thornton Dial, Nathaniel Donnett, Aaron Douglas, William Edmondson, Melvin Edwards, Winton and Rosa Eugene, Minnie Evans, Leonard Freed, Theaster Gates, Sam Gilliam, Allison Janae Hamilton, David Hammons, Bessie Harvey, Palmer Hayden (AKA Peyton Cole Hedgeman), Robert Hodge, Earlie Hudnall, Jr., Clementine Hunter, Arthur Jafa, Anderson Johnson, William H. Johnson, Richard FIEND Jones (aka International Jones), Jacob Lawrence, El Franco Lee II, Samella Lewis, James Little, Whitfield Lovell, Jonathan Mannion, Kerry James Marshall, James Martin (AKA Spider Martin), Rodney McMillian, Michi Meko, Jason Moran, Sister Gertrude Morgan, Marilyn Nance (AKA Soulsista), Rashaad Newsome, Tameka Jenean Norris (AKA T.J. Dedeaux-Norris and Meka Jean), Demetrius Oliver, Joe Overstreet, Fahamu Pecou, Rita Mae Pettway, Robert Pruitt, Deborah Roberts, Nadine Robinson, Sulton Rogers, RaMell Ross, Nellie Mae Rowe, Kenneth Royster, Paul Rucker, Augusta Savage, Joyce J. Scott, John Sims, Kevin Sipp, Kaneem Smith, Renée Stout, Jimmy Lee Sudduth, Felandus Thames, Alma Thomas, James Thomas (AKA Son Ford), Bob Thompson, Mildred Thompson, Mose Tolliver, Bill Traylor, Freeman Vines, Kara Walker, Nari Ward, Arliss Watford, Jack Whitten, William T. Williams, Purvis Young
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  • 61
    ISBN: 9781737292807
    Language: English
    Pages: 164 pages , chiefly color illustrations , 34 cm
    DDC: 305.800974811
    Keywords: 1900-1999 ; African Americans Comic books, strips, etc History 20th century ; African Americans Biography ; Comic books, strips, etc ; Noirs américains - Pennsylvanie - Philadelphie - Histoire - 20e siècle - Bandes dessinées ; Noirs américains - Pennsylvanie - Philadelphie - Biographies - Bandes dessinées ; African Americans ; Race relations ; Social conditions ; Biographies ; Comics (Graphic works) ; Graphic novels ; History ; Graphic novels ; Biographies ; Biographies ; Philadelphia (Pa.) Comic books, strips, etc Race relations 20th century ; Philadelphia (Pa.) Comic books, strips, etc Social conditions 20th century ; Pennsylvania - Philadelphia ; Biography ; Bildband ; Comic ; Biography ; Bildband ; Comic ; USA ; Philadelphia, Pa. ; Schwarze ; Emanzipation ; Bürgerrechtsbewegung ; Ethnische Beziehungen ; Geschichte 1850-2000
    Abstract: "Black Lives Always Mattered! represents a powerful project, documenting in a graphic novel genre African American Philadelphians who over the last century have both achieved individually while simultaneously fighting against the structures of racism. These stories demonstrate the long-distance race of Black empowerment across generations. Each story demonstrates the power of resilience in the face of challenge, and how building strong social networks and drawing on the cultural resources that have sustained peoples of African descent from the beginning of our presence in this country create success not only for our individual efforts but our collective well-being. "--Back cover
    Description / Table of Contents: Foreword -- Introduction -- Charles L. Blockson Afro-American Collection -- Art Director's statement -- Writer's statement -- Hidden heroes -- Julian F. Abele -- Ethel D. Allen -- Marian Anderson -- W.E.B Du Bois -- Crystal Bird Fauset -- Ruth Wright Hayre -- Alain Locke -- Walter P. Lomax -- Frederick Massiah -- Cecil B. Moore -- John W. Mosley -- Christopher J. Perry -- Reverend Leon H. Sullivan -- Father Paul M. Washington -- Assignments/activities for students -- BLAM! Noisemakers bios -- Noisemakers sketchbook -- Photo credits -- Further reading.
    Note: Produced by the Charles L. Blockson Afro-American Collection with the support of the Pew Center for Arts & Heritage , "Printed by: Neibauer Press"--Page 1
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  • 62
    ISBN: 9781633451148 , 1633451143
    Language: English
    Pages: 173 Seiten , Pläne, Karten, Diagramme , 26 cm
    DDC: 720.8996073
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    Keywords: Museum of Modern Art (New York, N.Y.) ; Museum of Modern Art (New York, N.Y.) ; Architecture and race Exhibitions ; Racism Exhibitions History ; African American architects Exhibitions ; African American architects ; Architecture and race ; Racism ; History ; United States ; Ausstellungskatalog The Museum of Modern Art 20.02.2021-31.05.2021 ; Bildband ; Ausstellungskatalog The Museum of Modern Art 20.02.2021-31.05.2021 ; Bildband ; USA ; Schwarze ; Architektur ; Geschichte ; USA ; Architekturgeschichtsschreibung ; Rassismus
    Abstract: Foreword / Glenn D. Lowry -- Preface / Robin D. G. Kelley -- Introduction / Sean Anderson and Mabel O. Wilson -- Refusal. Black gathering: An assembly in three parts / Christina Sharpe -- Immeasurability (Atlanta, GA) / Emanuel Admassu -- Visible by design / Michelle Joan Wilkinson -- The refusal of space (Nashville, TN) / Mario Gooden -- Moving beyond repair: Constructing a revisionist history of architectural modernity at MoMA / Charles L. Davis II -- Liberation. Designing for social justice / Roberta Washington -- Fabricating networks: Transmissions and receptions from Pittsburgh's Hill district (Pittsburgh, PA) / Felecia Davis -- Reconstruction's breadth / Adrienne Brown -- Black towers / Black power (Oakland, CA) / Walter J. Hood -- At the YMCA swimming pool / Arièle Dionne-Krosnick -- Supply-side criminomics / Carla Shedd -- On exactitude in science (Watts) / David Hartt -- Imagination. Time, memory, and living in shotgun houses in the south of the South City of New Orleans / Tonya M. Foster -- A spectrum of Blackness: The search for sedimentation in Miami, FL / Germane Barnes -- Shack stories / Aruna D'Souza -- R:R (New Orleans, LA) / V. Mitch McEwen -- Entanglements of slavery, segregation, and mass incarceration in the United States / Dianne Harris -- Care. We had a garden / Audry Petty -- We outchea: HIp-hop fabrications and public space (Syracuse, NY) / Sekou Cooke -- Housing as insertion point for creative urban alchemy / Ifeoma Ebo -- Environmental racism and its afterlives in the prison system / David Naguib Pellow -- Directions to Black space (after Mutabaruka) (Kinloch, MO) / Amanda Williams -- Knowledge. A refusal of border / Jennifer Newsom -- black city: the los angeles edition (Los Angeles, CA) / J. Yolande Daniels -- Reconstructing difference: Design for all of the above / Justin Garrett Moore -- The frozen neighborhoods (Brooklyn, NY) / Olalekan Jeyifous -- Toward an architecture race theory / Milton S. F. Curry -- Manifesting statement: the Black Reconstruction Collective -- Project teams -- Acknowledgments -- Trustees of The Museum of Modern Art.
    Abstract: "Reconstructions: Architecture and Blackness in America is an urgent call for architects to accept the challenge of reconceiving and reconstructing our built environment rather than continue giving shape to buildings, infrastructure and urban plans that have, for generations, embodied and sustained anti-Black racism in the United States. The architects, designers, artists and writers who were invited to contribute to this book--and to the exhibition at the Museum of Modern Art for which it serves as a "field guide"--reimagine the legacies of race-based dispossession in 10 American cities (Atlanta; Brooklyn, New York; Kinloch, Missouri; Los Angeles; Miami; Nashville; New Orleans; Oakland; Pittsburgh; and Syracuse) and celebrate the ways individuals and communities across the country have mobilized Black cultural spaces, forms and practices as sites of imagination, liberation, resistance, care and refusal. A broad range of essays by the curators and prominent scholars from diverse fields, as well as a portfolio of new photographs by the artist David Hartt, complement this volume's richly illustrated presentations of the architectural projects at the heart of MoMA's groundbreaking exhibition."--Back cover
    Abstract: "The Museum of Modern Art announces the fourth installment of the Issues in Contemporary Architecture series, Reconstructions: Architecture and Blackness in America, an investigation into the intersections of architecture, Blackness and anti-Black racism in the American context. On view from February 20 through May 31, 2021, the exhibition and accompanying publication will examine contemporary architecture in the context of how systemic racism has fostered violent histories of discrimination and injustice in the United States. Such conditions have structured and continue to inform the built environment of American cities through public policies, municipal planning, and architecture, with specific repercussions for African American and African diaspora communities. Projects will explore how people have mobilized Black cultural spaces, forms, and practices as sites of imagination, liberation, resistance, and refusal."--City Life Org website (viewed on February 18, 2021)
    Note: Impressum: Published in conjunction with the exhibition "Reconstructions: Architecture and Blackness in America", at The Museum of Modern Art, New York, February 20-May 31, 2021 , Includes bibliographical references
    URL: Exhibit website  (Exhibit website)
    URL: Exhibit website  (Exhibit website)
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  • 63
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    London : Tate Publishing
    ISBN: 9781849767569
    Language: English
    Pages: 160 Seiten , Illustrationen , 18 cm
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    Keywords: Großbritannien ; Künstler ; Künstlerin ; Person of Color ; Geschichte 1945- ; Großbritannien ; Schwarze ; Kunst ; Geschichte 1937-2021
    Abstract: Black artists have been making major contributions to the global art scene since at least the middle of the twentieth century. While some of these artists - of African and Caribbean descent - have been embraced at times by the art world, they have mostly been neglected or have not received the recognition they deserve. Taking its starting point as the Windrush-era Caribbean Artists Movement, and considering and contextualising the political, cultural, and artistic climate from which it emerged, this concise introduction showcases the work of seventy Black-British artists from the 1930s until the present. Artworks in a range of media offer a lens through which to understand some of the events and issues confronted and explored, shedding light on the unique Black-British experience. Constructed around contemporary ideas on race, national identity, citizenship, gender, class, sexuality and aesthetics in Britain, this book interrogates themes at the heart of Black-British Art, revealing art in dialogue with a complex past and present. Featuring some of the most prominent and influential Black-British artists of recent decades, as well as less well-known artists, it also includes work from a new generation of artists at the forefront of contemporary art. At a time when visibility within the art world has taken on a renewed urgency, this is a timely and accessible introduction celebrating Black-British artists and their outstanding contribution to art history
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  • 64
    ISBN: 9781941366325 , 1941366325
    Language: English
    Pages: 627 Seiten , Illustrationen , 23 cm
    DDC: 704.03/096/073
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    Keywords: African American art 20th century ; African American artists History 20th century ; Art and society History 20th century ; Black power History 20th century ; Black Arts movement ; Arts Political aspects ; African American art ; African American artists ; Art and society ; Arts ; Political aspects ; Black Arts movement ; Black power ; Art criticism ; Essays ; History ; Essays ; Art criticism ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunstsoziologie ; Schwarze ; Künstler ; Person of Color ; Black power ; Geschichte 1960-1980
    Abstract: "A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --
    Note: "Originating in research for the landmark traveling exhibition Soul of a nation: art in the age of Black power, this anthology brings together more than two hundred texts, most of them rare and long out of print"--Page 4 of cover , Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright , Includes bibliographical references
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  • 65
    ISBN: 9788535934007 , 8535934006
    Language: Portuguese
    Pages: 687 pages, 32 unnumbered pages of plates , illustrations (some color) , 23 cm
    Keywords: Blacks Biography ; Encyclopedias ; Blacks ; Biographies ; Encyclopedias ; Brazil ; Biografie ; Biografie ; Biografie ; Biografie ; Enzyklopädie ; Brasilien ; Schwarze
    Note: Includes bibliographical references (pages 581-625) and index
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  • 66
    ISBN: 9783742506139
    Language: German
    Pages: 174 Seiten , Illustrationen
    Additional Material: 1 rote Folie
    Edition: Sonderausgabe für die Bundeszentrale für politische Bildung
    Series Statement: Schriftenreihe / Bundeszentrale für politische Bildung Band 10613
    DDC: 305.8009
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    Keywords: Geschichte ; Geschichte 2019 ; Rassismus ; Forschungsgegenstand ; Zweckentfremdung ; Kolonialismus ; Politik ; Gesellschaft ; Wissenschaft ; Öffentliche Meinung ; Postkolonialismus ; Gewalt ; Kultur ; Rassismus ; Europa Deutschland ; Rassismus ; Rassenforschung ; Forschungsgegenstand ; Instrumentalisierung ; Kolonialismus ; Verhältnis Wissenschaft - Politik/Gesellschaft ; Öffentliche Meinung ; Postkolonialismus ; Europe Germany ; Racism ; Racial research ; Subjects of research ; Colonialism ; Relations between science and politics/society ; Public opinion ; Postcolonialism ; Drittes Reich Nationalsozialismus ; Ethnopolitik ; Kunst ; Fremdbild ; Selbstbild ; Legitimität/Legitimation ; Gewaltverbrechen ; Museum ; Ethnologie/Volkskunde ; Third Reich Nazism ; Racial policy ; Arts ; Perceptions of foreigners ; Self-image ; Legitimacy/legitimation ; Violent crimes ; Museums ; Ethnology ; Europa ; Eugenics / history ; Ausstellungskatalog Deutsches Hygiene-Museum 19.05.2018-07.01.2019 ; Ausstellungskatalog Deutsches Hygiene-Museum 19.05.2018-07.01.2019 ; Ausstellungskatalog Deutsches Hygiene-Museum 19.05.2018-07.01.2019 ; Ausstellungskatalog Deutsches Hygiene-Museum 19.05.2018-07.01.2019 ; Ausstellungskatalog Deutsches Hygiene-Museum 19.05.2018-07.01.2019 ; Ausstellungskatalog Deutsches Hygiene-Museum 19.05.2018-07.01.2019 ; Ausstellungskatalog Deutsches Hygiene-Museum 19.05.2018-07.01.2019 ; Ausstellungskatalog Deutsches Hygiene-Museum 19.05.2018-07.01.2019
    Note: Die Originalausgabe des Buches wurde herausgegeben für das Deutsche Hygiene-Museum, Dresden , Deutsch
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  • 67
    ISBN: 9783898091985 , 3898091988
    Language: German
    Pages: 256 Seiten , Illustrationen , 23 cm
    Edition: 1. Auflage
    DDC: 338.0943
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    Keywords: Geschichte 1870-1930 ; Geschichte 1750-1910 ; Industrialisierung ; Spielzeug ; Heimarbeit ; Kinderarbeit ; Deutschland ; Kinderarbeit ; Heimarbeit ; Militarisierung ; Elektrifizierung ; maschinelle Produktion ; Gesellschaft ; Spielzeuge ; Industrialisierung ; Ausstellungskatalog Brandenburg-Preußen Museum 21.03.2021-11.12.2022 ; Ausstellungskatalog Brandenburg-Preußen Museum 21.03.2021-11.12.2022 ; Ausstellungskatalog Brandenburg-Preußen Museum 21.03.2021-11.12.2022 ; Aufsatzsammlung ; Deutschland ; Spielzeug ; Geschichte 1870-1930 ; Deutschland ; Industrialisierung ; Kinderarbeit ; Heimarbeit ; Geschichte 1750-1910
    Note: "Dieses Buch erscheint zu gleichnamigen Sonderausstellung vom 21. März 2021 bis 11. Dezember 2022 im Brandenburg-Preußen-Museum." (Impressum)
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  • 68
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    [Paris] : The Eyes Publishing
    ISBN: 9791092727470
    Language: English
    Pages: 232 Seiten , 24 cm
    Series Statement: The eyes #12
    Series Statement: The eyes
    Uniform Title: Eyes number 12
    Keywords: Bildband ; Bildband ; Europa ; Schwarze ; Identität ; Fotografie
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  • 69
    ISBN: 9781588384522 , 1588384527
    Language: English
    Pages: 121 pages , illustrations , 22 cm
    Parallel Title: Erscheint auch als
    DDC: 323.1196/073076147
    Keywords: Montgomery Bus Boycott, Montgomery, Ala., 1955-1956 Influence ; Civil rights movements ; Civil rights movements ; Anti-apartheid movements ; Anti-apartheid movements ; Civil rights movements ; Influence (Literary, artistic, etc.) ; Informational works ; Alabama ; Montgomery ; Great Britain ; South Africa ; United States ; Alabama ; Großbritannien ; Südafrika ; Montgomery Bus Boycott ; Schwarze ; Bürgerrechtsbewegung ; Antiapartheidbewegung ; Geschichte 1955-1956
    Abstract: "The Unlikely World of the Montgomery Bus Boycott analyzes the global influences and impact of the 1955-56 mass protest that many historians peg as the start of the twentieth-century civil rights movement. Author Cole S. Manley moves beyond the borders of Alabama, and even beyond the U.S., to interrogate how Black Montgomery boycotters thought about their movement alongside global freedom struggles, from the anti-apartheid movement in South Africa to the anti-color bar battles in the United Kingdom. With each day of the year-long boycott, news of the movement traveled farther, reaching White pacifists in New York, Black internationalists in London, and, not long thereafter, anti-apartheid leaders in South Africa. Manley's book calls for a new reading of the civil rights movement, one which can encompass the expansive thinking and radical dreams of leaders like Rosa Parks, Martin Luther King Jr., and Jo Ann Robinson. The Montgomery boycott was much more than a battle over fair bus seating. It remains an example of the power of protest and solidarity which still inspires struggles for racial and economic justice."--Back cover
    Note: Includes bibliographical references (pages 91-103) and index
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  • 70
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    Philadelphia : Institute for Contemporary Art, University of Pennsylvania
    ISBN: 0884541495 , 9780884541493
    Language: English
    Pages: 320 Seiten , Illustrationen
    Edition: First edition
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    Keywords: Ausstellungskatalog ; USA ; Person of Color ; Kunst ; Gesellschaft
    Note: This book is published on the occasion of the exhibition Colored People Time, curated by Meg Onli, and organized and presented by the Institute of Contemporary Art, University of Pennsylvania, Febuary 1 - December 22, 2019; MIT List Visual Arts Center Febuary 7 - April 12, 2020
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  • 71
    ISBN: 9783791386089
    Language: English
    Pages: 205 Seiten , 32 x 24 cm
    DDC: 770
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    Keywords: Mitchell, Tyler ; Fotografie ; Schwarze ; Porträtfotografie ; Modefotografie ; Ausstellungskatalog International Center of Photography 25.01.2020-18.05.2020 ; Bildband ; Mitchell, Tyler 1995- ; Fotografie
    Note: "Published on the occasion of the exhibition 'I Can Make You Feel Good' at the International Center of Photography (ICP)." (Impressum, Seite [206]) , Ausstellungsdauer: "January 25-May 18, 2020" (https://www.icp.org/news/icp-opens-new-home-with-inaugural-exhibition-i-can-make-you-feel-good-tyler-mitchell, Zugriff am 14.01.2022) , "© texts by Isolde Brielmaier, Mirjam Kooiman, Tyler Mitchell, Hans Ulrich Obrist, and Deborah Willis" (Impressum, Seite [206]) , Hier auch später erschienene, unveränderte Nachdrucke
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  • 72
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    München :Elisabeth Sandmann Verlag,
    ISBN: 978-3-945543-82-5
    Language: German
    Pages: 336 Seiten ; , 28.6 cm x 22.8 cm, 1844 g.
    Uniform Title: Loving
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    Keywords: Nini, Hugh ; Treadwell, Neal ; Geschichte 1850-1950 ; Mann. ; Homosexuelles Paar. ; Homosexueller. ; Paar. ; Fotografie. ; Sammlung. ; Porträtfotografie. ; Liebespaar. ; Sammlung ; Menschenrechte ; Mode ; Boys ; Gesellschaft ; Kunstgeschichte ; Sozialgeschichte ; Schwul ; Gay ; Liebe ; Männer ; Call me by your Name ; Entdecken ; Homosexualität ; Bildband ; Mann ; Homosexuelles Paar ; Homosexueller ; Paar ; Fotografie ; Geschichte 1850-1950 ; 1955- Nini, Hugh ; 1964- Treadwell, Neal ; Sammlung ; Porträtfotografie ; Mann ; Homosexuelles Paar ; Liebespaar ; Geschichte 1850-1950
    Note: Hier auch später erschienene, unveränderte Nachdrucke. - Auf dem Umschlag: Fotografien aus den Jahren 1850-1950
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  • 73
    ISBN: 9781597114783
    Language: English
    Pages: 485 Seiten , Illustrationen
    Edition: First edition
    DDC: 770.973
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    Keywords: Zealy, Joseph T. ; Weems, Carrie Mae ; Agassiz, Louis ; Peabody Museum ; Geschichte 1850 ; Geschichte 2003-2017 ; Geschichte 1850-1976 ; Rassismus ; Sklave ; Aktfotografie ; Sklaverei ; Rasse ; Schwarze ; Sklavin ; Visuelle Ethnologie ; Fotografie ; Kriminalität ; Daguerreotypie ; Rassismus ; Person of Color ; Anthropologie ; South Carolina ; USA ; Aufsatzsammlung ; Interview ; Konferenzschrift ; Aufsatzsammlung ; Interview ; USA ; Sklaverei ; Fotografie ; Daguerreotypie ; Visuelle Ethnologie ; Rassismus ; Zealy, Joseph T. 1812-1893 ; Agassiz, Louis 1807-1873 ; Peabody Museum ; South Carolina ; Daguerreotypie ; Schwarze ; Sklave ; Sklavin ; Visuelle Ethnologie ; Geschichte 1850-1976 ; Weems, Carrie Mae 1953- ; USA ; Fotografie ; Schwarze ; Rassismus ; Kriminalität ; Geschichte 2003-2017 ; Weems, Carrie Mae 1953- ; Zealy, Joseph T. 1812-1893 ; Fotografie ; Anthropologie ; Aktfotografie ; Rasse ; Person of Color ; Geschichte 1850
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  • 74
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    [Hannover] : [Evangelisch-lutherische Landeskirche Hannovers, Haus kirchlicher Dienste]
    Language: German
    Pages: 52 Seiten , Illustrationen
    Additional Information: Ergänzung zu Martin Luther King on stage Hannover : Evangelisch-lutherische Landeskirche Hannovers, Haus kirchlicher Dienste, 2020
    Keywords: Lehrmittel ; Unterrichtseinheit ; King, Martin Luther 1929-1968 ; Biografie ; Gewaltloser Widerstand ; Glaube ; Religionspädagogik ; USA ; Rassismus ; Bürgerrechtsbewegung ; Schwarze
    Note: Auch als Online-Ressource zum Download abrufbar
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  • 75
    ISBN: 978-0-525-55955-9
    Language: English
    Pages: xxii, 296 Seiten : , Illustrationen, Porträts ; , 24 cm.
    Parallel Title: Erscheint auch als
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    Keywords: United States / Race relations / History / 19th century ; United States / Race relations / History / 20th century ; United States ; United States / Race relations ; 1800-1999 ; Geschichte 1860-1880 ; African Americans / Segregation / History ; Reconstruction (U.S. history, 1865-1877) ; African Americans / History / 1863-1877 ; African Americans / History / 1877-1964 ; White supremacy movements / United States / History ; Racism in popular culture / United States / History ; Visual communication / Social aspects / United States / History ; HISTORY / United States / Civil War Period (1850-1877) ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; HISTORY / African American ; African Americans ; African Americans / Segregation ; Race relations ; Racism in popular culture ; Visual communication / Social aspects ; White supremacy movements ; Reconstruction (1865-1876) ; White supremacy movements / United States ; Visual communication ; Schwarze. ; Rassendiskriminierung. ; Massenkultur. ; USA. ; History ; Schwarze ; Rassendiskriminierung ; Massenkultur ; Geschichte 1860-1880
    Abstract: "A profound new rendering of the struggle by African Americans for equality after the Civil War and the violent counterrevolution that resubjugated them, as seen through the prism of the war of images and ideas that have left an enduring stain on the American mind. The story of the abolition of slavery in the aftermath of the Civil War is a familiar one, as is the civil rights revolution that transformed the nation after World War II. But the century in between remains a mystery: If emancipation came in Lincoln's America, why was it necessary to march in Martin Luther King, Jr.'s America? In a history that moves from Reconstruction to the Harlem Renaissance, Harvard scholar Henry Louis Gates, Jr., one of our leading chroniclers of the African American experience, brings a lifetime of wisdom to bear as a scholar, filmmaker, and public intellectual to answer that question.
    Abstract: Interwoven with this history, Stony the Road examines America's first postwar clash of images utilizing modern mass media to divide, overwhelm--and resist. Enforcing a stark color line and ensuring the rollback of the rights of formerly enslaved people, racist images were reproduced on an unprecedented scale thanks to advances in technology such as chromolithography, which enabled their widespread dissemination in advertisements, on postcards, and on an astonishing array of everyday objects. Yet, during the same period when the Supreme Court stamped 'separate but equal' as the law of the land, African Americans advanced the concept of the 'New Negro' to renew the fight for Reconstruction's promise. Against the steepest of odds, they waged war by other means: countering depictions of black people as ignorant, debased, and inhuman with images of a vanguard of educated and upstanding black women and men who were talented, cosmopolitan, and urbane.
    Abstract: The story Gates tells begins with Union victory in the Civil War and the liberation of nearly four million enslaved people. But the terror unleashed by white paramilitary groups in the former Confederacy, combined with deteriorating economic conditions and diminished Northern will, restored 'home rule' to the South. One of the most violent periods in our history followed the retreat from Reconstruction, with thousands of African Americans murdered or lynched and many more afflicted by the degrading impositions of Jim Crow segregation. An essential tour through one of America's fundamental historical tragedies, [this book] is also a story of heroic resistance, as figures from Frederick Douglass to W E.B. Du Bois created a counternarrative, and culture, inside the lion's mouth.
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  • 76
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    New York : One World
    ISBN: 9780399181139
    Language: English
    Pages: xv, 527 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 305.896
    Keywords: Rassismus ; Künstler ; Kunst ; Kultur ; Schwarze ; Amerika ; Blacks ; Arts and society / History / 21st century ; Aufsatzsammlung ; Bildband ; Amerika ; Schwarze ; Rassismus ; Kunst ; Künstler ; Kultur
    Abstract: Black futures -- Power -- Black lives matter -- Joy -- Justice -- Ownership -- Grief -- Outlook -- Black is (still) beautiful -- Legacy/Family.
    Abstract: "Black Futures is a collection of work--art, photos, essays, memes, dialogues, recipes, tweets, poetry, and more--that tells the story of the radical, imaginative, bold, and beautiful world that black artists, high and low, are producing today. The book presents a succession of brilliant and provocative pieces--from both emerging and renowned creators of all kinds--that generates an entrancing rhythm: Readers will go from conversations with hackers and street artists to memes and Instagram posts, from powerful prose to dazzling paintings and insightful infographics. A generational document that captures this fast-moving generation in its own dynamic and exspansive language. While shaped in the tradition of other generational statements, from The New Negro to Black Fire to Toni Morrison's landmark The Black Book, Black Futures does not have a retrospective air. It showcases the present, but points to the future. We live at a time when black culture--whether it's created by Ava DuVernay or Donald Glover, Kendrick Lamar or Cardi B, meme-makers or YouTubers--is opening our imaginations and offering new paths forward, a multi-voiced, utopian alternative to a world of walls and white nationalism. Black Futures captures this expansive vision and energy and makes it available to any reader, of any color, who wants to explore this exciting cultural moment and see the next one coming"--
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  • 77
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    Hannover : Evangelisch-lutherische Landeskirche Hannovers, Haus kirchlicher Dienste
    Language: German
    Pages: 63 Seiten , Illustrationen
    Additional Information: Ergänzung Martin Luther King on stage [Hannover] : [Evangelisch-lutherische Landeskirche Hannovers, Haus kirchlicher Dienste], 2020
    Keywords: Lehrmittel ; Unterrichtseinheit ; King, Martin Luther 1929-1968 ; Biografie ; Gewaltloser Widerstand ; Glaube ; Religionspädagogik ; USA ; Rassismus ; Bürgerrechtsbewegung ; Schwarze
    Note: Auch als Online-Ressource zum Download abrufbar , Erscheinungsjahr geschätzt nach Datierung des Vorworts
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  • 78
    ISBN: 9789897025556
    Language: Portuguese
    Pages: 55 Seiten, ca. 50 ungezählte Seiten Bildtafeln , Illustrationen , 21 cm
    Edition: 1.a edição
    DDC: 306
    Keywords: Lissabon ; COVID-19 ; Pandemie ; Auswirkung ; Gesellschaft ; Alltag ; Schwarzweißfotografie
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  • 79
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    London : V&A Publishing
    ISBN: 9781851779925
    Language: English
    Pages: 335 Seiten , 31 cm
    Uniform Title: Kimono (Ausstellungskatalog, 2020)
    DDC: 391.00952
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    Keywords: Geschichte ; Medien ; Kimono ; Kleidung ; Rezeption ; Haute couture ; Gesellschaft ; Japan ; Europa ; Kimonos / Japan / History ; Kimonos / Japan / History / Pictorial works ; Ausstellungskatalog Victoria and Albert Museum 29.02.2020-21.06.2020 ; Bildband ; Ausstellungskatalog Victoria and Albert Museum 29.02.2020-21.06.2020 ; Bildband ; Ausstellungskatalog Victoria and Albert Museum 29.02.2020-21.06.2020 ; Bildband ; Ausstellungskatalog Victoria and Albert Museum 29.02.2020-21.06.2020 ; Bildband ; Kimono ; Geschichte ; Kimono ; Europa ; Rezeption ; Europa ; Kleidung ; Japan ; Rezeption ; Kimono ; Haute couture ; Medien ; Japan ; Kimono ; Gesellschaft ; Geschichte
    Note: Rückseite Titelblatt: Published to accompany the exhibition "Kimono: Kyoto to catwalk" at the V&A, London, from 29 February to 21 June 2020
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  • 80
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    New Haven : Yale University Press in association with the Hutchins Center For African & African American Research, Harvard Univeristy
    ISBN: 9780300245745 , 0300245742
    Language: English
    Pages: xii, 228 Seiten , Illustrationen , 26 cm
    DDC: 704.0396073
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    Keywords: Harrington, Oliver W ; Colescott, Robert ; African American art ; African American artists ; African Americans in art ; Satire, American History and criticism ; USA ; Person of Color ; Kunst ; Satire ; Karikatur ; Geschichte 1940-2010 ; USA ; Schwarze ; Kunst ; Provokation ; Antirassismus ; Harrington, Oliver W. 1912-1995 ; Colescott, Robert 1925-2009
    Abstract: "More than a one-liner" -- Drawing the color line : the art of Ollie Harrington -- The minstrel strain -- Robert Colescott : between the heroic and the ironic.
    Abstract: In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century-in all their complexity, humor, and provocation-Powell raises important questions about the social power of art.0Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art
    Note: "Parts of this book were presented as the Richard D. Cohen Lectures on African American Art, delivered by Richard J. Powell in March 2016 at Harvard University. The lectures, begun in 2013, are supported by Harvard's Hutchins Center for African & African American Research"--Title page verso
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  • 81
    ISBN: 9783777435541 , 3777435546
    Language: English
    Pages: 192 Seiten , 30.5 cm x 22.9 cm
    DDC: 704.0899607477137
    Keywords: Ausstellungskatalog Kent State University. Museum 10.09.2021-14.08.2022 ; Bildband ; Ausstellungskatalog Kent State University. Museum 10.09.2021-14.08.2022 ; Bildband ; Ausstellungskatalog Kent State University. Museum 10.09.2021-14.08.2022 ; Bildband ; Kunst ; Schwarze ; Haar ; Geschichte ; Schwarze ; Haar ; Kultur ; Geschichte ; Schwarze ; Haar ; Kunst ; Kultur ; Geschichte ; Kunst ; Schwarze ; Haar
    Note: Imprint: "This book is published on the occasion of the exhibition: "Textures: The History and Art of Black Hair", Kent State University Museum, Kent, Ohio September 10, 2021-August 14, 2022"
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  • 82
    ISBN: 9789490153328 , 949015332X
    Language: English
    Pages: 184 Seiten , Illustrationen
    Series Statement: KA series 32
    Parallel Title: Parallele Sprachausgabe
    DDC: 700.411
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    Keywords: 20.10 art and society: general ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; USA ; New York- Harlem ; Kunstsoziologie ; Kunst ; Künstler ; Person of Color ; Geschichte 1920-2010 ; USA ; Schwarze ; Kunst ; Geschichte 1920-2020
    Abstract: Tell Me Your Story' starts with the Harlem Renaissance. Harlem in the 1920s saw a flurry of activity by African American authors, musicians and theatre makers, resulting in a vibrant visual arts scene. Black culture is currently enjoying another renaissance, and African American artists are more visible than ever in the United States. The exhibition places contemporary artists in the context of their predecessors.00'Tell Me Your Story' focuses on five chronological periods: the Harlem Renaissance, Post Harlem Renaissance, Civil Rights, Black Renaissance and the Bloom Generation. The artists in each of these distinct periods shared one common characteristic: the need to express themselves and safeguard the vital African tradition of storytelling.00The exhibition is being organised as part of Kunsthal KAdE's 2020 trilogy on the United States, inspired by the upcoming presidential election on 3 November. This is a key moment in a politically and socially polarised nation. Over the course of the elections KAdE will be holding a presentation exploring the role of artists in the current US environment. The summer period will see the launch of an exhibition on Art Activism in New York during the 1980s, another decade shaped by politically engaged artists.00Exhibition: Kunsthal KAdE, Amersfoort, The Netherlands (08.02.-17.05.2020)
    Note: Umschlagtitel , Seite 184: Exhibition catalogue published on the occasion of the exhibition "Tell me your story. 100 years of storytelling in African American art", February 8, 2020-May, 17, 2020
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  • 83
    ISBN: 9783982080727 , 398208072X
    Language: German
    Pages: 335 Seiten , Illustrationen, Diagramme , 23 cm x 17 cm
    Uniform Title: The clean body
    DDC: 391.64
    RVK:
    Keywords: Geschichte ; Bad ; Körper ; Körperpflege ; Hygiene ; Reinlichkeit ; Kultur ; Kulturwandel ; Europa ; Nordamerika ; Gesellschaft ; Wirtschaft ; Gesundheit ; Soziologie ; Sozialgeschichte ; Kulturwandel ; Körperpflege ; Hygiene ; Badekultur ; Körperpflege ; Kultur ; Geschichte ; Körper ; Reinlichkeit ; Kultur ; Geschichte ; Europa ; Nordamerika ; Bad ; Hygiene ; Körperpflege ; Kulturwandel ; Geschichte
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  • 84
    ISBN: 9782757430316
    Language: French
    Pages: 318 Seiten , Illustrationen, Karten , 24 cm
    Series Statement: Le regard sociologique
    DDC: 306
    Keywords: Soziale Ungleichheit ; Wirtschaftliche Lage ; Gesellschaft ; Kulturvergleich ; Nord-Pas-de-Calais ; Minas Gerais ; Aufsatzsammlung ; Aufsatzsammlung ; Nord-Pas-de-Calais ; Minas Gerais ; Gesellschaft ; Wirtschaftliche Lage ; Soziale Ungleichheit ; Kulturvergleich
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  • 85
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    Raleigh : In association with the North Carolina African American Heritage Commission | Raleigh : North Carolina Office of Archives and History
    ISBN: 9780865265011 , 0865265011
    Language: English
    Pages: xix, 288 Seiten , Illustrationen, Karten , 28 x 22 cm
    Edition: Revised edition
    DDC: 306.09
    Keywords: Rassenunruhen ; Schwarze ; Wilmington, NC ; Wilmington, NC ; Schwarze ; Rassenunruhen ; Geschichte 1898
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  • 86
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    Ciudad de México, México : UACM, Universidad Autónoma de la Ciudad de México
    ISBN: 9786079465414 , 6079465418
    Language: Spanish
    Pages: 163 Seiten , Illustrationen , 25 cm
    Edition: Primera edición
    Keywords: Blacks Social conditions ; Blacks Social life and customs ; Blacks Race identity ; Lehrmittel ; Lehrmittel ; Mexiko ; Schwarze ; Lebensbedingungen ; Kulturelle Identität
    Note: Includes bibliographical references (page 163)
    URL: Cover
    URL: Cover
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  • 87
    ISBN: 9782215171324 , 2215171324
    Language: French
    Pages: 127 Seiten , Illustrationen (farbig) , 22 cm
    Edition: 1re édition
    Series Statement: #Passion
    Series Statement: kawaii
    DDC: 306.095
    Keywords: Civilisation ; Japon ; Civilisation ; Corée ; Documents pour la jeunesse ; Ouvrages documentaires ; Japon ; Mœurs et coutumes ; Corée ; Mœurs et coutumes ; Japan ; Südkorea ; Gesellschaft ; Kultur ; Jugendkultur ; Manga ; Anime
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  • 88
    ISBN: 9782351251652
    Language: French
    Pages: 20 Blätter Tafeln, [14] ungezählte Seiten , 25 cm
    Edition: fac-similé de l'ouvrage original de 1856
    DDC: 769
    Keywords: Bildband ; Faksimile ; Doré, Gustave 1832-1883 ; Karikatur ; Paris ; Gesellschaft ; Mode ; Geschichte 1856
    Abstract: Ouvrage édité à l'occasion de la quatrième édition des "Rencontres de l'illustration" organisées par la ville de Strasbourg du 21 au 31 mars 2019
    Note: Reproduction en fac-similé des litographies de l'éd. de Paris : Au bureau du journal pour rire, 1854
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  • 89
    ISBN: 9781350058262 , 9781350175310
    Language: English
    Pages: xvi, 232 Seiten , Illustrationen , 24 cm
    Series Statement: Dress and fashion research
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 391
    Keywords: Clothing and dress Social aspects ; Fashion Social aspects ; Gesellschaft ; Kleidung ; Mode ; Aufsatzsammlung ; Mode ; Kleidung ; Gesellschaft
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 90
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    Paris : Musée D'Orsay | Paris : Flammarion
    ISBN: 9782081480964 , 9782354332815
    Language: French
    Pages: 381 Seiten , 31 cm
    Additional Information: In Beziehung stehendes Werk Posing modernity New Haven : Yale University Press, 2018 9780300229066
    Additional Information: Rezensiert in Childs, Adrienne L. Le modèle noir de Géricault à Matisse 2019
    DDC: 709
    Keywords: African American models ; Art ; Artists and models in art ; Artists' models ; Blacks ; Modernism (Art) ; Modernism (Art) ; Bildband ; Ausstellungskatalog Musée d'Orsay 26.03.2019-21.07.2019 ; Ausstellungskatalog Mémorial ACTe 13.09.2019-29.12.2019 ; Bildband ; Ausstellungskatalog Musée d'Orsay 26.03.2019-21.07.2019 ; Ausstellungskatalog Mémorial ACTe 13.09.2019-29.12.2019 ; Europa ; USA ; Schwarze ; Kunst ; Geschichte 1800-2018 ; Europa ; USA ; Schwarze ; Modell ; Geschichte 1800-2018
    Abstract: « « Le modèle noir de Géricault à Matisse »; est né d'une collaboration fructueuse de part et d'autre de l'Atlantique. Il nous faut remercier d'emblée Denise Murrell, PhD, chercheuse postdoctorante de la Fondation Ford à la Wallach Art Gallery de New York, pour sa contribution essentielle au projet. C' est à partir de la thèse qu'elle soutint en 2013 à l'université Columbia, Seeing Laure : Race and Modernity from Manet's « Olympia »; to Matisse, Bearden and Beyond, que s'élabora toute notre réflexion et que furent posées les prémices d'un projet à l'ambition inégalée.
    Note: Rückseite Titelblatt: "Cet ouvrage a été publié à l'occasion de l'exposition 'Le Modèle noir de Géricault à Matisse' Paris, Musée d'Orsay, 26 mars au 21 juillet 2019, Pointe-à-Pitre, Mémorial ACTe, 13 septembre-29 décembre 2019. Précédemment présentée sous la titre 'Posing Modernity: The Black Model from manet and matisse to Today' New York, The Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York 24 octobre 2018-10 février 2019"
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  • 91
    ISBN: 9781526133267
    Language: English
    Pages: xi, 271 Seiten , Illustrationen, Portraits , 23 cm
    Parallel Title: Erscheint auch als
    DDC: 306.846
    RVK:
    RVK:
    Keywords: Interethnische Liebesbeziehung ; Schwarze ; Kind ; US-Soldat ; Großbritannien ; World War, 1939-1945 / Blacks ; Racially mixed children ; Oral history ; Social history / 20th century ; World War (1939-1945) ; Blacks ; Oral history ; Racially mixed children ; Social history ; 1900-1999 ; Großbritannien ; US-Soldat ; Schwarze ; Interethnische Liebesbeziehung ; Kind
    Abstract: This book recounts a little-known history of the estimated 2,000 babies born to black GIs and white British women in the second world war. The African-American press named these children 'brown babies'; the British called them 'half-castes'. Black GIs, in this segregated army, were forbidden to marry their white girl-friends. Nearly half of the children were given up to children's homes but few were adopted, thought 'too hard to place'. There has been minimal study of these children and the difficulties they faced, such as racism in a (then) very white Britain, lack of family or a clear identity. The book will present the stories of over fifty of these children, their stories contextualised in terms of government policy and attitudes of the time. Accessibly written, with stories both heart-breaking and uplifting, the book is illustrated throughout with photographs
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  • 92
    Orig.schr. Ausgabe: 初版
    Publisher: 京都 : 京都服飾文化研究財団
    ISBN: 9784990396534
    Language: Japanese , English
    Pages: 308 Seiten , Illustrationen , 24 cm
    Edition: Shohan
    Additional Information: Ergänzung Dress code Bonn, 2021
    Keywords: Clothing and dress Exhibitions Social aspects ; Dress codes Exhibitions ; Fashion Exhibitions History 21st century ; Fashion design Exhibitions History 21st century ; Clothing and dress ; Social aspects ; Dress codes ; Fashion ; Fashion design ; Exhibition catalogs ; History ; Exhibition catalogs ; Kioto ; 2019 ; 展覧会カタログ ; ファッション ; ファッション 歴史 ; 近代 ; Bildband ; Ausstellungskatalog The National Museum of Modern Art 09.08.2019-14.10.2019 ; Ausstellungskatalog Contemporary Art Museum 08.12.2019-23.02.2020 ; Bildband ; Ausstellungskatalog The National Museum of Modern Art 09.08.2019-14.10.2019 ; Ausstellungskatalog Contemporary Art Museum 08.12.2019-23.02.2020 ; Bildband ; Ausstellungskatalog The National Museum of Modern Art 09.08.2019-14.10.2019 ; Ausstellungskatalog Contemporary Art Museum 08.12.2019-23.02.2020 ; Mode ; Stil ; Kleiderordnung ; Gesellschaft
    Note: Hier auch spärer erschienene, unveränderte Nachdrucke , "The National Museum of Modern Art, Kyoto, August 9–October 14, 2019 ; Contemporary Art Museum, Kumamoto, December 8, 2019–February 23, 2020 ; Tokyo Opera City Art Gallery, July 4–August 30, 2020" , Includes bibliographical references , Liste der Exponate: Seite 295-307 , Catalog of an exhibition held at Kyōto Kokuritsu Kindai Bijutsukan, August 9-October 14, 2019, at Kumamoto-shi Gendai Bijutsukan, December 8, 2019-February 23, 2020 , Text japanisch und englisch
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  • 93
    ISBN: 9781760462802 , 1760462802
    Language: English
    Pages: XX, 375 Seiten , Illustrationen, Karten , 21 cm
    Series Statement: China story yearbook 2018
    Series Statement: China story yearbook
    DDC: 330.951
    Keywords: Diplomatic relations ; Economic history ; Politics and government ; Social conditions ; China Economic conditions 2000- ; China Social conditions 2000- ; China Politics and government 21st century ; China Foreign relations 21st century ; China ; China ; Macht ; Gesellschaft ; Politik ; Sozialanthropologie ; Aufsatzsammlung ; Jahrbuch
    Abstract: "In 2018, the People's Republic of China (PRC) was, by most measures, more powerful than at any other time in its history and had become one of the most powerful countries in the world. Its economy faced serious challenges, including from the ongoing 'trade war' with the US, but still ranked as the world's second largest. Its Belt and Road Initiative, meanwhile, continued to carve paths of influence and economic integration across several continents. A deft combination of policy, investment, and entrepreneurship has also turned the PRC into a global 'techno-power'. It aims, with a good chance of success, at becoming a global science and technology leader by 2049 - one hundred years from the founding of the PRC. In surveying the various ways in which the Party-state wields its hard, soft, and sharp power, the China Story Yearbook: Power offers readers a sense of the diversity of power at work both in China and abroad. Citizens of the PRC have long negotiated the state's influence; increasingly, diaspora communities and other actors are now being subject to its might. As with previous editions in the series, we place important developments in historical context, and adopt a cross-disciplinary approach: it is our view that economy and politics cannot be divorced from culture, history, and society. The Yearbook provides accessible analysis of the main events and trends of the year and is an essential tool for understanding China's growing power and influence around the world. "
    Note: Includes bibliographical references
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  • 94
    ISBN: 9782081480964 , 9782354332815
    Language: French
    Pages: 381 Seiten
    Parallel Title: Parallele Sprachausgabe Posing modernity
    RVK:
    Keywords: Mpane, Aimé ; Bearden, Romare ; Sulter, Maud ; Matisse, Henri ; Thomas, Mickalene ; Ringgold, Faith ; Manet, Edouard ; Geschichte 1800-2018 ; Schwarze ; Rezeption ; Modell ; Kunst ; Schwarze ; Ausstellungskatalog Musée d'Orsay 26.03.2019-21.07.2019 ; Ausstellungskatalog Mémorial ACTe 13.09.2019-29.12.2019 ; Ausstellungskatalog Miriam and Ira D. Wallach Art Gallery 24.10.2018-10.02.2019 ; Bildband ; Kunst ; Schwarze ; Geschichte 1800-2018 ; Schwarze ; Modell ; Geschichte 1800-2018 ; Manet, Edouard 1832-1883 Olympia ; Matisse, Henri 1869-1954 ; Rezeption ; Kunst ; Schwarze ; Bearden, Romare 1911-1988 ; Ringgold, Faith 1930-2024 ; Mpane, Aimé 1968- ; Sulter, Maud 1960-2008 ; Thomas, Mickalene 1971-
    Note: "Cet ouvrage a été publié à l'occasion de l'exposition "Le modèle noir de Géricault à Matisse", Paris, musée d'Orsay, 26 mars - 21 june 2019 ; Pointe-à-Pitre, Mémorial ACTe, 13 septembre - 29 décembre 2019 ; précédemment présentée sous le titre "Posing modernity : The Black Model from Manet and Matisse to Today", New York, The Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York, 24 octobre 2018 - 10 février 2019"
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  • 95
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    London : Thames and Hudson
    ISBN: 9780500294574
    Language: English
    Pages: 143 Seiten , Illustrationen
    Series Statement: The big idea
    DDC: 303.483
    Keywords: Prognose ; Künstliche Intelligenz ; Gesellschaft
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  • 96
    ISBN: 9783944874876
    Language: German
    Pages: 175 Seiten , Illustrationen , 24.6 cm x 19 cm
    Uniform Title: So here I am
    DDC: 303.372
    RVK:
    Keywords: Rede ; Frau ; Soziale Gerechtigkeit ; Gleichstellung ; Gesellschaft ; Entwicklung
    Abstract: Wichtige Reden von mehr als 50 bekannten Frauen aus aller Welt, die als Politikerinnen, Wissenschaftlerinnen, Frauenrechtlerinnen, Künstlerinnen in den letzten 200 Jahren die richtigen Worte fanden, um Anstöe︢ zu geben, neue Perspektiven zu eröffnen, Veränderungen herbeizuführen. Rezension (ekz): Die US-amerikanische Journalistin hat für dieses Buch inspirierende Reden bzw. Ausschnitte aus Reden von mehr als 50 aussergewöhnlichen Frauen aus aller Welt vom 19. Jahrhundert bis zur Gegenwart (mit Ausnahme einer Rede von Elizabeth I.) zusammengestellt, wobei viele Rednerinnen aus den USA stammen. Es sind bekannte Politikerinnen, Frauenrechtlerinnen, Sklavereigegnerinnen, Wissenschaftlerinnen, Schriftstellerinnen u.a., darunter Marie Curie, Indira Gandhi, J.K. Rowling, Angela Merkel, Toni Morrison, Malala Yousafzai, Michelle Obama, die einen breiten Einblick in das soziale, politische, künstlerische Engagement von Frauen aus verschiedenen Epochen werfen. Jeder Rede ist eine kurze Einleitung mit Informationen über die Rednerin vorangestellt, sie werden mit ausdrucksstarken Illustrationen in leuchtenden Farben der brasilianischen Künstlerin Camila Pinheiro und ganzseitigen Zitaten aus den Reden ergänzt. - Ein lesenswerter, inspirierender Band, der die Redekunst von Frauen und deren Wirkung würdigt. Vgl. R. Kohlmeier: "Ich habe etwas zu sagen" (2019). (2 S)
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  • 97
    ISBN: 9783030050320 , 3030050327
    Language: English
    Pages: xvii, 247 pages , color illustrations, color map , 22 cm
    Series Statement: Studies of the Americas
    Parallel Title: Erscheint auch als Civil Resistance and Violent Conflict in Latin America
    DDC: 303.61098
    Keywords: Civil disobedience ; Political violence ; Politischer Konflikt ; Innenpolitik ; Bewaffneter Konflikt ; Widerstand ; Zivilgesellschaft ; Politischer Protest ; Unternehmen ; Wohnungswesen ; Staat ; Gesellschaft ; Latin America Politics and government ; Lateinamerika
    Abstract: Civil resistance in contexts of violent conflict in Latin America : leveraging power to defend one's rights / Cécile Mouly and Esperanza Hernández Delgado -- The civil resistance of Yaqui and Guarijio in Sonora, Mexico : meanings, scope and challenges / Esperanza Hernández Delgado -- A rebellion of spirituality : on the power of indigenous civil resistance in Honduras / Mónica A. Maher -- Qué diría Carlos? : the 'No al Canal' Movement and the rhetoric of resistance to Nicaragua's 'Grand Canal' / Sarah McCall and Matthew J. Taylor -- Venezuelan struggle towards democratization : the 2017 civil resistance campaign / Iria Puyosa -- Alternative forms of civilian noncooperation with armed groups : the case of Samaniego in Colombia / Juan Masullo, Cécile Mouly and María Belén Garrido -- Civil resistance and peacebuilding : the experience of the Peasant Worker Association of the Carare River / Esperanza Hernández Delgado and Claudia Patricia Roa Mendoza -- Nonviolent resistance in the struggle for housing in urban areas of Brazil : the direct action of the Roofless Workers' Movement / Mario Ramírez-Orozco -- Frames in conflict : discursive contestation and the transformation of resistance / Michael S. Wilson Becerril -- Nonviolent resistance in plurinational Bolivia : the TIPNIS case / Theo Roncken -- Civil resistance in Latin America : a viable alternative for ordinary people to defend their rights / Cécile Mouly and Esperanza Hernández Delgado.
    Note: Literaturhinweise, Register , Includes bibliographical references and index
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  • 98
    ISBN: 9781633450349 , 1633450341
    Language: English
    Pages: 475 Seiten
    RVK:
    RVK:
    Keywords: The Museum of Modern Art ; Ausstellung ; Kunst ; Schwarze ; Schwarze ; Sammlung ; Amerika ; Bildband ; Aufsatzsammlung ; The Museum of Modern Art ; Amerika ; Schwarze ; Kunst ; Sammlung ; The Museum of Modern Art ; Kunst ; Schwarze ; Sammlung ; Ausstellung
    Abstract: This expansive collection of essays on nearly 200 works in the collection of the Museum of Modern Art is the first substantial exploration of MoMA's uneven historical relationship with black artists, black audiences and the broader subject of racial blackness. By addressing these subjects through the consideration of works produced either by black artists or in response to race-related subjects, 'Among Others' confronts two kinds of truth: one plainly factual and informative, the other moral. It is equal parts historical investigation and truth-telling about the Museum?s role in the history of the cultural politics of race.0The richly illustrated volume begins with two historical essays. The first, by Darby English and Charlotte Barat, traces the history of MoMA?s encounters with racial blackness since its founding?from an early commitment to African art and solo exhibitions devoted to the work of artists such as William Edmondson and Jacob Lawrence in the 1930s and 1940s to its activities during the Civil Rights Movement to the controversial Primitivism show of 1984 and beyond. The second essay, by Mabel O. Wilson, scrutinizes the Museum's record in collecting the work of black architects and designers. Following these essays are nearly 200 plates, each accompanied by an essay by one of the over 100 authors who hail from a range of fields
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  • 99
    ISBN: 9783777433370
    Language: German
    Pages: 231 Seiten , Illustrationen
    DDC: 305.800943613
    RVK:
    RVK:
    RVK:
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    RVK:
    RVK:
    Keywords: Haas, Robert ; Die Stadt ohne Juden ; Geschichte 1940-2019 ; Geschichte ; Antisemitismus ; Fotografie ; Beziehung ; Minderheit ; Exil ; Rezeption ; Kollektives Gedächtnis ; Judenvernichtung ; Gesellschaft ; Ausländerfeindlichkeit ; München ; Deutschland ; Österreich ; Kunst- und Kulturgeschichte ; Kulturgeschichte ; Art and Cultural History ; Cultural history ; Ausstellungskatalog NS-Dokumentationszentrum München 30.05.2019-10.11.2019 ; Ausstellungskatalog Staatliches Textil- und Industriemuseum Augsburg 18.12.2019-29.03.2020 ; Ausstellungskatalog NS-Dokumentationszentrum München 30.05.2019-10.11.2019 ; Ausstellungskatalog Staatliches Textil- und Industriemuseum Augsburg 18.12.2019-29.03.2020 ; Ausstellungskatalog NS-Dokumentationszentrum München 30.05.2019-10.11.2019 ; Ausstellungskatalog Staatliches Textil- und Industriemuseum Augsburg 18.12.2019-29.03.2020 ; Ausstellungskatalog NS-Dokumentationszentrum München 30.05.2019-10.11.2019 ; Ausstellungskatalog Staatliches Textil- und Industriemuseum Augsburg 18.12.2019-29.03.2020 ; München ; Minderheit ; Gesellschaft ; Beziehung ; Deutschland ; Österreich ; Antisemitismus ; Ausländerfeindlichkeit ; Geschichte ; Die Stadt ohne Juden ; Rezeption ; Judenvernichtung ; Kollektives Gedächtnis ; Geschichte 1940-2019 ; Haas, Robert 1898-1997 ; Fotografie ; Exil
    Note: Impressum: Die Publikation erscheint anlässlich der gleichnamigen Ausstellung im NS-Dokumentationszentrum München (30. Mai 2019 bis 10. November 2019) und im Staatlichen Textil- und Industriemuseum Augsburg (18. Dezember 2019 bis 29. März 2020)
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  • 100
    ISBN: 9781597114431
    Language: English
    Pages: 143 Seiten
    Edition: First edition
    DDC: 770.92
    RVK:
    Keywords: Brathwaite, Kwame Exhibitions ; Photograhy, Artistic Exhibitions ; African American photographers Biography ; Exhibitions ; Photographers Biography ; Exhibitions ; African Americans Pictorial works ; Exhibitions ; African Americans Exhibitions Intellectual life 20th century ; African American arts Sources History 20th century ; Exhibitions ; Harlem Renaissance Exhibitions ; Bildband ; Ausstellungskatalog Skirball Cultural Center, Los Angeles, Calif. 2019 ; Bildband ; Ausstellungskatalog Skirball Cultural Center, Los Angeles, Calif. 2019 ; Brathwaite, Kwame 1938- ; Porträtfotografie ; Person of Color ; Geschichte 1964-1968 ; Brathwaite, Kwame 1938- ; Porträtfotografie ; USA ; Schwarze ; Jazz ; Black power ; Geschichte 1960-1970
    Abstract: Foreword / by Kwame Brathwaite -- Kwame Brathwaite : black is beautiful / by Tanisha C. Ford -- African Jazz-Art Society -- Think black, buy black -- The Grandassa models -- Afterword, Kwame Brathwaite : black is beautiful, then and now / by Deborah Willis.
    Note: Coincides with a touring exhibition of Brathwaite's work May 2019 , Includes bibliographical references
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