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  • Online-Ressource  (14)
  • 2005-2009  (14)
  • 1960-1964
  • 1935-1939
  • Ann Arbor, Michigan : ProQuest  (14)
  • Aufsatzsammlung  (9)
  • Geschichte  (5)
  • Deskribierung zurückgestellt
  • Political science
  • Musikwissenschaft  (13)
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  • Online-Ressource  (14)
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  • 1
    Online-Ressource
    Online-Ressource
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252091278
    Sprache: Englisch
    Seiten: 1 Online-Ressource (281 pages)
    Serie: Music in American Life
    DDC: 338.7/61781640973
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    Schlagwort(e): King Record Company ; Geschichte
    Kurzfassung: In its time--1943 to the late 1960s--King Records was absolutely unique, and it deserves a unique account of its history. King of the Queen City is that account: focused, thoroughly researched, well written, and filled with vital information about America's most important independent record label.--Nolan Porterfield, author of Jimmie Rodgers: The Life and Times of America's Blue Yodeler_x000B__x000B__x000B__x000B_"A much needed glimpse of an underappreciated pop culture institution.--Publishers Weekly.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 2
    Online-Ressource
    Online-Ressource
    Farnham : Taylor and Francis | Ann Arbor, Michigan : ProQuest
    ISBN: 9780754693840
    Sprache: Englisch
    Seiten: 1 Online-Ressource (359 pages)
    Serie: SOAS Musicology Series
    DDC: 306.4/8420956
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    Schlagwort(e): Musik ; Politik ; Naher Osten ; Nordafrika ; Mittelasien ; Aufsatzsammlung
    Kurzfassung: What is it about the history, geographical position and cultures of the Middle East, North Africa and Central Asia that has made music such a potent and powerful agent? This volume presents the first direct look at the complex relationship between music and power across a range of musical genres and countries. Discourses of power in the region centre on some of the most contested social issues, most notably in relation to nationhood, gender and religion. Individual chapters examine the ways in which music serves as a forum for playing out issues of power, ideology, resistance and subversion. How does music become a space for promoting - or conversely, resisting or subverting - particular ideologies or positions of authority? How does it accrue symbolic power in ways that are very particular, perhaps unique? And how does music become a site of social control or, alternatively, a vehicle for agency and empowerment, at times overt and at others highly subtle? What is it about music that facilitates, and sometimes disrupts, the exercise and flows of power? Who controls such flows, how and for what purposes?In asking such questions in the context of countries such as Afghanistan, Egypt, Iran, Tunisia and Tajikistan, the book draws on a wide range of relevant theoretical and critical ideas, and many disciplines including ethnomusicology, anthropology, sociology, politics, Middle Eastern studies, globalization studies, gender studies and cultural and media studies. The countries and areas explored share a great deal in historical and cultural terms, including a legacy of colonial and neo-colonial encounters and predominantly Judeo-Muslim religious traditions. It is hoped that the volume will contribute ultimately to a richer understanding of the role that music plays in these societies.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 3
    Online-Ressource
    Online-Ressource
    Carol Stream : Duke University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780822389224
    Sprache: Englisch
    Seiten: 1 Online-Ressource (474 pages)
    Ausgabe: 1st ed.
    Serie: Refiguring American Music Ser.
    DDC: 781.65082
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    Schlagwort(e): Jazz ; Geschlechterforschung ; Aufsatzsammlung ; Electronic books
    Kurzfassung: Collection of essays on the role of gender in jazz studies.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 4
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781604737288
    Sprache: Englisch
    Seiten: 1 Online-Ressource (320 pages)
    DDC: 781.643096
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    Schlagwort(e): Geschichte ; Blues ; Afrika
    Kurzfassung: In 1969 Gerhard Kubik chanced to encounter a Mozambican labor migrant, a miner in Transvaal, South Africa, tapping a cipendani, a mouth-resonated musical bow. A comparable instrument was seen in the hands of a white Appalachian musician who claimed it as part of his own cultural heritage. Through connections like these Kubik realized that the link between these two far-flung musicians is African-American music, the sound that became the blues. Such discoveries reveal a narrative of music evolution for Kubik, a cultural anthropologist and ethnomusicologist. Traveling in Africa, Brazil, Venezuela, and the United States, he spent forty years in the field gathering the material for Africa and the Blues. In this book, Kubik relentlessly traces the remote genealogies of African cultural music through eighteen African nations, especially in the Western and Central Sudanic Belt. Included is a comprehensive map of this cradle of the blues, along with 31 photographs gathered in his fieldwork. The author also adds clear musical notations and descriptions of both African and African American traditions and practices and calls into question the many assumptions about which elements of the blues were "European" in origin and about which came from Africa. Unique to this book is Kubik's insight into the ways present-day African musicians have adopted and enlivened the blues with their own traditions. With scholarly care but with an ease for the general reader, Kubik proposes an entirely new theory on blue notes and their origins. Tracing what musical traits came from Africa and what mutations and mergers occurred in the Americas, he shows that the African American tradition we call the blues is truly a musical phenomenon belonging to the African cultural world. Gerhard Kubik is a professor in the department of ethnology and African studies at the...
    Kurzfassung: University of Mainz, Germany. Since 1983 he has been affiliated with the Center for Social Research of Malawi, Zomba. He is a permanent member of the Center for Black Music Research in Chicago and an Honorary Fellow of the Royal Anthropological Institute of Great Britain and Ireland, London.
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  • 5
    Online-Ressource
    Online-Ressource
    Westport : ABC-CLIO | Ann Arbor, Michigan : ProQuest
    ISBN: 9780313352461
    Sprache: Englisch
    Seiten: 1 Online-Ressource (240 pages)
    DDC: 781.642
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    Schlagwort(e): Geschichte ; Countrymusic
    Kurzfassung: Discovering Country Music chronicles the incredible evolution of country music in America - from the fiddle to the pop charts - and provides an insightful account of the reasons and motives that have determined its various transformations and offshoots over the years. In order to understand what country music is, and why, it is essential to understand how it makes its money - the basic revenue streams, the major companies involved, and how country artists are booked and marketed. Author Don Cusic helps readers do that, and goes even further, covering not only the business and the technology that have shaped the industry, but also tackling the question of country's relationship to the other major genres of the American recording industry, including pop, blues, and rock music. Discovering Country Music is broken down into ten sections which include: key musical trends; ancillary business trends such as recording technology, radio, and the recording industry; and prominent artists, including as a small sample Stephen Foster, The Carter Family, Elvis, Johnny Cash, Dolly Parton, Willie Nelson, Garth Brooks, The Dixie Chicks, Tim McGraw, Faith Hill, and Kenny Chesney. This work should appeal to fans, scholars, educators, libraries and the general reader alike.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 6
    Online-Ressource
    Online-Ressource
    Berlin : Frank & Timme | Ann Arbor, Michigan : ProQuest
    ISBN: 9783865967046
    Sprache: Deutsch
    Seiten: 1 Online-Ressource (248 Seiten)
    Serie: Kulturwissenschaften v.5
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    Schlagwort(e): Geschichte ; Deutsch ; Popliteratur ; Männlichkeit ; Männlichkeit ; Rockmusik ; Masculinity in literature ; Masculinity in music ; Masculinity in popular culture -- Germany ; Konferenzschrift 2008
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 7
    Online-Ressource
    Online-Ressource
    Abingdon : Taylor and Francis | Ann Arbor, Michigan : ProQuest
    ISBN: 9780754689027
    Sprache: Englisch
    Seiten: 1 Online-Ressource (297 pages)
    Serie: Ashgate Studies in Environmental Policy and Practice
    DDC: 304.2
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    Schlagwort(e): Umweltschutz ; Gesellschaft ; Bürgerbeteiligung ; Aufsatzsammlung
    Kurzfassung: Environment and Society explores ways to promote the behavioural shifts necessary for creating a 'sustainable society'. Through a critical approach to the links between sustainability, policy and citizen engagement, the book argues that sustainability policy needs to move towards a positive perspective, utilizing the well-known techniques of segmentation and social marketing. Such 'mainstreaming' of sustainable lifestyles is likely to be the only effective means of engaging the majority of citizens in the environmental debate, given the major influence of the consumer society on individual aspirations and beliefs. Comprised of three substantive elements, Environment and Society explores the context for behaviour change policy, the approaches adopted by politicians and academic researchers, and the application of such approaches using empirical data from two major research projects. The book is richly illustrated using both theoretical and empirical data and provides an excellent companion to all researchers interested in sustainable lifestyles.
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: Volltext  (lizenzpflichtig)
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  • 8
    ISBN: 9780754683155
    Sprache: Englisch
    Seiten: 1 Online-Ressource (268 pages)
    Serie: Ashgate Popular and Folk Music Ser.
    DDC: 306.48423
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    Schlagwort(e): Musik ; Gesellschaft ; Popmusik ; Popkultur ; Identität ; Politik ; Globalisierung ; Aufsatzsammlung
    Kurzfassung: How are national identities constructed and articulated through music? Popular music has long been associated with political dissent, and the nation state has consistently demonstrated a determination to seek out and procure for itself a stake in the management of 'its' popular musics. Similarly, popular musics have been used 'from the ground up' as sites for both populist and popular critiques of nationalist sentiment, from the position of both a globalizing and a 'local' vernacular culture. The contributions in this book arrive at a critical moment in the development of the study of national cultures and musicology. The book ranges from considerations of the ideological focus of cultural nationalism through to analyses of musical hybridity and musical articulations of other kinds of identities at odds with national identity. The processes of global homogenization are thereby shown to have brought about a transitional crisis for national cultural identities: the evolution of these identities, particularly with reference to the concept of 'authenticity' in music, is situated within broader debates on power, political economy and constructions of the self. Theorizations of practice are employed after the manner of Bourdieu, Gramsci, Goffman, Gadamer, Habermas, Bhabha, Lacan and Zizek. Each contribution acts as a case study to characterize the strategies through which differing modes of musical discourse engage, critique or obscure discourses on national identity. The studies include discussions of: musical representations of Irishness; the relationship between Afropop and World Music; Norwegian club music; the revival of traditional music in Serbia; resistance to cultural homogeneity in Brazil; contemporary Uyghur song in Northwest China; rap and race in French society; technobanda from the barrios of Los Angeles, and Spanish/Moroccan raï. In...
    Kurzfassung: this way, the book seeks to characterize the ideological configurations that help to activate and sustain hegemonic, amb.
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  • 9
    Online-Ressource
    Online-Ressource
    Lanham : Scarecrow Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780810866775
    Sprache: Englisch
    Seiten: 1 Online-Ressource (461 pages)
    Serie: Europea: Ethnomusicologies and Modernities
    DDC: 781.6309496
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    Schlagwort(e): Volksmusik ; Gesellschaft ; Politik ; Balkanhalbinsel ; Türkei ; Aufsatzsammlung ; CD-ROM
    Kurzfassung: Rooted in ethnographic analysis, these eleven case studies examine the interplay between the musicians and popular music styles of the Balkan states during the late 1990s.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 10
    Online-Ressource
    Online-Ressource
    Dordrecht : Springer | Ann Arbor, Michigan : ProQuest
    ISBN: 9781402040979
    Sprache: Englisch
    Seiten: 1 Online-Ressource (ix, 311 Seiten)
    Ausgabe: 1st ed.
    Serie: Computer supported cooperative work volume 35
    DDC: 306.4
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    Schlagwort(e): Geschichte 1990-2005 ; Musikkonsum ; Musikelektronik ; Popmusik ; Musikhören ; iTunes ; iPod ; Aufsatzsammlung
    Kurzfassung: Listening to, buying and sharing music is an immensely important part of everyday life. Yet, recent technological developments are increasingly changing how we use and consume music. This book collects together the most recent studies of music consumption, and new developments in music technology. It combines the perspectives of both social scientists and technology designers, uncovering how new music technologies are actually being used, along with discussions of new music technologies still in development. With a specific focus on the social nature of music, the book breaks new ground in bringing together discussions of both the social and technological aspects of music use. The chapters cover topics such as the use of the iPod, music technologies which encourage social interaction in public places, and music sharing on the Internet. A valuable collection for anyone concerned with the future of music technology, this book will be of particular interest to those designing new music technologies, those working in the music industry, along with students of music and new technology.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 11
    Online-Ressource
    Online-Ressource
    Austin : University of Texas Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780292794245
    Sprache: Englisch
    Seiten: 1 Online-Ressource (302 pages)
    DDC: 781.640922764847
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    Schlagwort(e): Geschichte ; Künstler ; Musiker ; Schriftsteller ; Texas ; Interview
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 12
    Online-Ressource
    Online-Ressource
    New Haven : Yale University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780300127386
    Sprache: Englisch
    Seiten: 1 Online-Ressource (231 pages)
    DDC: 781.650944361
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    Schlagwort(e): Geschichte 1980-2000 ; Jazz ; Paris ; Aufsatzsammlung
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 13
    Online-Ressource
    Online-Ressource
    Baltimore : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252091995
    Sprache: Englisch
    Seiten: 1 Online-Ressource (529 pages)
    DDC: 780.89
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    Schlagwort(e): Musikethnologie ; Aufsatzsammlung
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 14
    Online-Ressource
    Online-Ressource
    New York, NY : Berghahn Books | Ann Arbor, Michigan : ProQuest
    ISBN: 9780857457141
    Sprache: Englisch
    Seiten: 1 Online-Ressource (400 pages)
    Ausgabe: 1st ed.
    DDC: 306.4842
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    Schlagwort(e): Musik ; Manipulation ; Soziale Kontrolle ; Aufsatzsammlung ; Electronic books
    Kurzfassung: Since the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of music's behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only music's diverse uses at the social level but also the ever-fragile relationship between aesthetics and morality.
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
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