Note: Gesehen am 28.09.20

Note: Gesehen am 22.04.2014

Note: Text dt., engl. und franz

Note: Gesehen am 03.11.22

Note: Gesehen am 25.11.04

Note: Gesehen am 05.11.2020 , Coverage 1941-1996

Note: Erscheinungsjahr aus dem Vorwort ermittelt , UB Greifswald , Maschinenschrift

Note: Gesehen am 23.10.12

Note: Volltext nur als Teil einer Datenbank verfügbar , P-ISSN anfangs: 1538-8743

Note: Gesehen am 29.12.14 , Fortsetzung der Druck-Ausgabe

Note: Gesehen am 18.01.06

Note: Gesehen am 03.05.2018

Note: Gesehen am 19.02.2021

Note: Gesehen am 25.07.2022

Note: Gesehen am

Note: Includes bibliographical references

Note: Title from publisher's bibliographic system (viewed on 27 Oct 2023)

Note: Includes bibliographical references and index

Note: English

Note: Includes bibliographical references and index

Note: Includes bibliographical references and index

Note: Enthält Literaturangaben und ein Register

Note: Vom Verlag als Druckwerk on demand und/oder als E-Book angeboten

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Note: German

Note: Includes bibliographical references and index. - Description based on print version record

Note: German

Note: Frontmatter , CONTENTS , INTRODUCTION , The Call , vestibular mantra (or radical virtuosities for a brave new dance) , PART 1 / CULTURAL PRESENCE: PLACEKEEPING AND BELONGING , Introduction , Aqui Estoy , Beauty, Justice, and the Ritual of Performance , An Accumulation of Things That Refuse to Be Discarded , Counting Coup on the Compartmentalization of Indigenous-Made Rap Music , Cultural Resiliency in the Face of Crisis: Learning from New Orleans , Collectively Directing the Current , The New Eagle Creek Saloon , Notes from Technotopia 3.0: On the "Creative City" Gone Wrong-an Antigentrification Philosophical Tantrum, 2012 - 2016 , "Building Temples for Tomorrow": Cultural Workers as Construction Crews , Invasive Species , Sunny and 150 Years of Placekeeping in Little Tokyo , Local Fruit Still Life , Stage One: Establishing Community , Red 40 , More Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next , PART 2 / DISMANTLING BORDERS, BUILDING BRIDGES: MIGRATION AND DIASPORAS , Introduction , Mano Poderosa , A Cosmos of Dis/Joints , Cross-Border Citizens , Indian Alley, Where Art Is Healing , Vessels: A Conversation , Fence , A Touch of Otherness , Harmattan Haze , Who Is the #EmergingUS? , Justice and Equity: We're Coming for It All , building bricks for communal healing , We Never Needed Documents to Thrive , prop·er , Alongside: On Chinese Students in the United States and the Fight for Black Lives , Love Spirals: Notes on Brown Feelings , PART 3 / CREATING A WORLD WITHOUT PRISONS: CULTURE AND THE CARCERAL STATE , Introduction , To Create in Prison , A Measure of Joy , There Is No Abolition or Liberation without Disability Justice , HOGAR , I Remember , Coming Home , Singing Our Way to Abolition , Standing in the Gap: Music as First Responder , Locked in a Dark Calm , As Crazy as the World Is, I Do Believe , Jumpsuit Project , The Bonds of Aloha: Connecting to Culture Can Free Us , The Nail That Sticks Out , Art Is a Trojan Horse: Reclaiming Our Narratives , Try/Step/Trip (Excerpt) , The Evanesced Series (2016 - ) , PART 4 / EMBODIED CARTOGRAPHIES: RENEGOTIATING RELATIONSHIPS WITH LAND , Introduction , Kiksuya , America Doesn't Exist , Between the Real and the Imagined: A Conversation with Lyla June and Tanaya Winder , Sopa de Ostión , Island Earth: Water, Wayfinding, and the Currents That Connect Us , ACCESS DENIED: Creating New Spatial Understandings , Essential Economy , Earth Mama II , We Are Part of This Land , Mauka House , Withholding an Image: Disciplinary Disobedience and Reciprocity in the Field , Thinking through Fragments: Speculative Archives, Contested Histories, and a Tale of the Palestine Archaeological Museum , Secrets That the Wind Carries Away , Ohiŋniyaŋ ded wati kte: This Place Will Always Be Home , Ballers , PART 5 / LIVING OUR LEGACY: ANCESTRAL KNOWLEDGE AS RADICAL FUTURITY , Introduction , These Roots Run Deep , The Future Is Ancient , Being in Oneness: Conversations with Nobuko Miyamoto, Kamau Ayubbi, and Asiyah Ayubbi , 1619 , Encircling the Circle: Blood Memory and Making the Village-a Conversation between Cleo Parker Robinson and Malik Robinson , Culture and Tradition: A Monument to Our Resilience , Español , Apsáalooke Feminist #4 , Mother's Words and Grandmother's Thoughts: Living the Right Way (a Conversation) , The AIM Song , Gullah/Geechee Sea Island Reflections of Futurity , For Paradise , What Is the New Basket That We're Going to Weave? , I ka wā ma mua, i ka wā ma hope: 'Ōiwi Orientations toward a Radical Futurity , The Art of Peer Pressure: Black Fire UVA! , PART 6 / CURRENTS BEYOND: ARTISTS SHIFTING PARADIGMS OF INEQUITY , Introduction , Bang Bang , The Cultural New Deal for Cultural and Racial Justice , We Begin by Listening , EMERGENYC: An Artistic Home for Emerging Artists , Listening through Dance , Scenes & Takes , Feminist Coalition and Queer Movements across Time: A Conversation between Alok Vaid-Menon and Urvashi Vaid , What Would Upski Think? , all organizing is science fiction , Rebirth Garments , A Call to Action , Huliau , SOVEREIGN , Flexing Hope Is a Practice , Azadi , AFTERWORD , emergence (after adrienne maree brown) , Acknowledgments , In English

Note: Description based upon print version of record

Note: In English

Note: Description based on publisher supplied metadata and other sources

Note: Seite [140]: Published on the occasion of the exhibition "Emancipation: The Unfinished Project of Liberation", organized by the Amon Carter Musum of American Art, Fort Worth, Texas and the Williams College Museum of Art, Williamstown, Massachusetts. Exposition dates: Amon Carter Center of American Art, Fort Worth, Texas, March 12 through July 9, 2023. - New Comb Museum at Tulane University, New Orleans, Louisiana, August 5 through November 11, 2023. - Williams College Museum of Art, Williamstown, Massachusetts, February 16 through June 16, 2024 , Zielgruppe: 5PB, Bezug zu Personen: ethnische Gruppen, indogene Völker, Kulturen, Stämme und andere Gruppierungen von Menschen , Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern

Note: Gegenüber Titelseite: "Called to the Camera: Black American Studio Photographers" ... exhibition dates: New Orleans Museum of Art, September 15, 2022-January 8, 2023

Note: Description based on publisher supplied metadata and other sources

Note: Enthält Literaturangaben und ein Register , Die freie Verfügbarkeit der E-Book-Ausgabe dieser Publikation wurde durch 32 wissenschaftliche Bibliotheken und Initiativen ermöglicht, die die Open-Access-Transformation in der Geschichte fördern

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Note: Description based on publisher supplied metadata and other sources

Note: Description based on publisher supplied metadata and other sources

Note: Includes bibliographical references (pages 209-251) and index

Note: Description based on publisher supplied metadata and other sources

Note: Description based on publisher supplied metadata and other sources

Note: Frontmatter , CONTENTS , FOREWORD , PREFACE TO THE FOURTH EDITION , ACKNOWLEDGMENTS , I INTRODUCTION , II HALLMARK CRITICAL RACE THEORY THEMES , III LEGAL STORYTELLING AND NARRATIVE ANALYSIS , IV LOOKING INWARD , V POWER AND THE SHAPE OF KNOWLEDGE , VI CRITIQUES AND RESPONSES TO CRITICISM , VII CRITICAL RACE THEORY TODAY , VIII CONCLUSION , GLOSSARY OF TERMS , INDEX , ABOUT THE AUTHORS , In English

Note: Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern

Note: In English

Note: Description based on publisher supplied metadata and other sources

Note: Description based on publisher supplied metadata and other sources

Note: Description based on publisher supplied metadata and other sources

Note: Description based on publisher supplied metadata and other sources

Note: Description based on publisher supplied metadata and other sources

Note: Description based on publisher supplied metadata and other sources , Reprint of 1998 edition with a new epilogue and new photographs

Note: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references

Note: Description based on publisher supplied metadata and other sources

Note: Frontmatter , Contents , Acknowledgements , Permissions Spider Web, Labyrinth, Tightrope Walk , 1 Introduction: The Network in US American Literature and Culture , 2 Project(ing an) Interconnected America: Nineteenth Century Visions of Material Networks, Transcendental Links, and Alternative Communities , 3 “A Movement Toward Expanded Connectedness” – Networks of Evolution in Pragmatist and Naturalist Literature , 4 Mapping Alternatives: Postwar Networks and the Forking Paths of Knowledge , 5 Recentering the Human: Contemporary Fiction and the Popularization of the Network , 6 Conclusion , Works Cited , Index , Issued also in print , In English

Note: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index

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Note: Title from publisher's bibliographic system (viewed on 17 Mar 2023) , "To sing out the future of our beloved fatherland" -- Pieśni o ziemi naszej (songs of our land) -- The convention of "unhappy memory" -- Active duty -- Cultural care -- World War II and a new immigration -- The Czechlewski years : the ideological organization redefined -- Polish American choral culture -- "Let Poland be Poland!" -- Quo vadis Polish song in North America?