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  • Image  (14)
  • Online Resource  (9)
  • 2020-2024  (23)
  • 1935-1939
  • History  (23)
  • Art History  (18)
  • Romance Studies  (5)
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  • 1
    ISBN: 9781478025160 , 9781478020271
    Language: English
    Pages: 554 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Alvarez, Daniela Future/present
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    RVK:
    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Description / Table of Contents: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references
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  • 2
    ISBN: 9781478093718
    Language: English
    Pages: 1 Online-Ressource (568 p.)
    Parallel Title: Erscheint auch als Future/present
    RVK:
    Keywords: Anti-racism History 21st century ; Arts and society History 21st century ; Arts Political aspects 21st century ; History ; ART / American / General ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity.Selected contributors. Dahlak Brathwaite, adrienne maree brown, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu
    Note: Frontmatter , CONTENTS , INTRODUCTION , The Call , vestibular mantra (or radical virtuosities for a brave new dance) , PART 1 / CULTURAL PRESENCE: PLACEKEEPING AND BELONGING , Introduction , Aqui Estoy , Beauty, Justice, and the Ritual of Performance , An Accumulation of Things That Refuse to Be Discarded , Counting Coup on the Compartmentalization of Indigenous-Made Rap Music , Cultural Resiliency in the Face of Crisis: Learning from New Orleans , Collectively Directing the Current , The New Eagle Creek Saloon , Notes from Technotopia 3.0: On the "Creative City" Gone Wrong-an Antigentrification Philosophical Tantrum, 2012 - 2016 , "Building Temples for Tomorrow": Cultural Workers as Construction Crews , Invasive Species , Sunny and 150 Years of Placekeeping in Little Tokyo , Local Fruit Still Life , Stage One: Establishing Community , Red 40 , More Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next , PART 2 / DISMANTLING BORDERS, BUILDING BRIDGES: MIGRATION AND DIASPORAS , Introduction , Mano Poderosa , A Cosmos of Dis/Joints , Cross-Border Citizens , Indian Alley, Where Art Is Healing , Vessels: A Conversation , Fence , A Touch of Otherness , Harmattan Haze , Who Is the #EmergingUS? , Justice and Equity: We're Coming for It All , building bricks for communal healing , We Never Needed Documents to Thrive , prop·er , Alongside: On Chinese Students in the United States and the Fight for Black Lives , Love Spirals: Notes on Brown Feelings , PART 3 / CREATING A WORLD WITHOUT PRISONS: CULTURE AND THE CARCERAL STATE , Introduction , To Create in Prison , A Measure of Joy , There Is No Abolition or Liberation without Disability Justice , HOGAR , I Remember , Coming Home , Singing Our Way to Abolition , Standing in the Gap: Music as First Responder , Locked in a Dark Calm , As Crazy as the World Is, I Do Believe , Jumpsuit Project , The Bonds of Aloha: Connecting to Culture Can Free Us , The Nail That Sticks Out , Art Is a Trojan Horse: Reclaiming Our Narratives , Try/Step/Trip (Excerpt) , The Evanesced Series (2016 - ) , PART 4 / EMBODIED CARTOGRAPHIES: RENEGOTIATING RELATIONSHIPS WITH LAND , Introduction , Kiksuya , America Doesn't Exist , Between the Real and the Imagined: A Conversation with Lyla June and Tanaya Winder , Sopa de Ostión , Island Earth: Water, Wayfinding, and the Currents That Connect Us , ACCESS DENIED: Creating New Spatial Understandings , Essential Economy , Earth Mama II , We Are Part of This Land , Mauka House , Withholding an Image: Disciplinary Disobedience and Reciprocity in the Field , Thinking through Fragments: Speculative Archives, Contested Histories, and a Tale of the Palestine Archaeological Museum , Secrets That the Wind Carries Away , Ohiŋniyaŋ ded wati kte: This Place Will Always Be Home , Ballers , PART 5 / LIVING OUR LEGACY: ANCESTRAL KNOWLEDGE AS RADICAL FUTURITY , Introduction , These Roots Run Deep , The Future Is Ancient , Being in Oneness: Conversations with Nobuko Miyamoto, Kamau Ayubbi, and Asiyah Ayubbi , 1619 , Encircling the Circle: Blood Memory and Making the Village-a Conversation between Cleo Parker Robinson and Malik Robinson , Culture and Tradition: A Monument to Our Resilience , Español , Apsáalooke Feminist #4 , Mother's Words and Grandmother's Thoughts: Living the Right Way (a Conversation) , The AIM Song , Gullah/Geechee Sea Island Reflections of Futurity , For Paradise , What Is the New Basket That We're Going to Weave? , I ka wā ma mua, i ka wā ma hope: 'Ōiwi Orientations toward a Radical Futurity , The Art of Peer Pressure: Black Fire UVA! , PART 6 / CURRENTS BEYOND: ARTISTS SHIFTING PARADIGMS OF INEQUITY , Introduction , Bang Bang , The Cultural New Deal for Cultural and Racial Justice , We Begin by Listening , EMERGENYC: An Artistic Home for Emerging Artists , Listening through Dance , Scenes & Takes , Feminist Coalition and Queer Movements across Time: A Conversation between Alok Vaid-Menon and Urvashi Vaid , What Would Upski Think? , all organizing is science fiction , Rebirth Garments , A Call to Action , Huliau , SOVEREIGN , Flexing Hope Is a Practice , Azadi , AFTERWORD , emergence (after adrienne maree brown) , Acknowledgments , In English
    URL: Cover  (lizenzpflichtig)
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  • 3
    Online Resource
    Online Resource
    Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press
    ISBN: 9780228014805 , 0228014808 , 9780228014799 , 0228014794
    Language: English
    Pages: 1 Online-Ressource (403 Seiten) , Illustrationen
    Series Statement: McGill-Queen's Iberian and Latin American cultures series 6
    Series Statement: McGill-Queen's Iberian and Latin American cultures series
    Parallel Title: Erscheint auch als
    DDC: 306.4/709464109042
    RVK:
    Keywords: Ángeles Ortiz, Manuel ; Barradas, Rafael ; Mallo, Maruja ; Moisés, Julio ; Alberti, Rafael ; García Maroto, Gabriel ; Real Academia de Bellas Artes de San Fernando ; Escuela Técnica Superior de Arquitectura ; Geschichte 1918-1930 ; Kultur ; Kunstbetrieb ; Madrid ; Artists ; Authors, Spanish ; Friendship ; Intellectual life ; Interpersonal relations ; Youth ; Spain / Madrid ; 1900-1999 ; History ; Madrid ; Kunstbetrieb ; Kultur ; Geschichte 1918-1930 ; Real Academia de Bellas Artes de San Fernando ; Escuela Técnica Superior de Arquitectura ; Barradas, Rafael 1890-1929 ; Ángeles Ortiz, Manuel 1895-1984 ; Moisés, Julio 1888-1968 ; García Maroto, Gabriel 1889-1968 ; Mallo, Maruja 1902-1995 ; Alberti, Rafael 1902-1999
    Abstract: "Throughout the 1920s, a remarkable number of young writers and artists lived and worked in Madrid, creating an atmosphere of effervescence and an upsurge in creativity that has rarely been equalled. These young people, acquainting themselves with one another within the span of only a few years, came together to form a tightly-woven network of both personal and artistic relationships. In Configurations of a Cultural Scene Andrew Anderson explores this growing community of artists and writers with a focus on how sites of face-to-face interaction in Madrid fostered creative work and forged young identities. Organizing the locations into places of sociability, learning, and residence, Anderson offers five case studies that exemplify the significance of these three points of intersection: Rafael Barradas and his tertulia at the Café de Oriente; an artists' studio located on the Pasaje de la Alhambra; women art students at the Academia de San Fernando who lodged at the Residencia de Señoritas; the artist and writer Gabriel García Maroto; and the close relationship between artist Maruja Mallo and poet Rafael Alberti. Departing from the conventional approaches to the trajectory of individual careers, Anderson privileges the lived experience of artists and writers in his analysis of a rich cultural scene held together by cooperation, exchange, and interpersonal connections."--
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  • 4
    ISBN: 9780774890649
    Language: English
    Pages: 255 Seiten , Illustrationen , 28 cm
    DDC: 704.03/96071
    RVK:
    Keywords: Art, Black ; Artists, Black History ; Black people History ; Art museums Curatorship ; Social aspects ; Art noir - Canada ; Artistes noirs - Canada - Histoire ; Personnes noires - Canada - Histoire ; Musées d'art - Conservation - Aspect social - Canada ; Art, Black ; Artists, Black ; Black people ; History ; Canada ; Canada History ; Aufsatzsammlung ; Canada History ; Aufsatzsammlung ; Kanada ; Kunst ; Künstler ; Person of Color ; Geschichte 2000- ; Kanada ; Schwarze ; Kunst ; Schwarzenbild ; Museum ; Kulturelle Einrichtung ; Kunstgeschichtsschreibung ; Geschichte
    Abstract: "Making History is an unprecedented reflection on the positioning of Black history and art within the Canadian cultural landscape. Featuring boundary-breaking artists and others from the art world, Making History brings together poems, artist statements, and art portfolios that showcase a careful and thoughtful understanding of Black aesthetics. This beautifully illustrated book also discusses the presence of Black contemporary art in Canadian institutions and offers artistic perspectives on contemporary and historical art practices. The many voices and points of view within this publication present ideas that corroborate the state of cultural emergency in which we are living, where museums are rethinking and rewriting the stories of their collections. The book explores alternate ways of approaching the relationship between institutions, artists, and audiences, emphasizing the significance of collaboration, resisting hierarchical and hegemonic curatorial practices, and making room for multiple perspectives to bring about transformative change. Through powerful essays and striking visual art, Making History highlights the dynamism and complexity of African and diasporic experiences seen through the lens of museological interventions and artistic practices at large."--
    Note: Includes bibliographical references , Of Africa: A Reflection on "Speaking Back" / , Opening Spaces: Of Africa, Hauntings, Hesitations, and Possible Futures / , The Into the Heart of Africa Exhibition and the Coalition for the Truth about Africa: A Personal Journey / , Lessons Learned from the Heart of Afro-Canada: Into the Heart of Africa 30 Years Later / , A Life in the Day of an Object / , Here We Are Here: Creating in the Black Atlantic / , Sweet Childhood, Art, and Memory / , From Souvenir to How She Read: The Poetry behind the Design / , Between Absence and Presence: The Politics and Poetics of (In)Visibility in the Work of Sandra Brewster / , On Sucking Teeth / , Hoodies and Regimentals: Black Attire and Access in the Canadian Art Museum / , What to Wear in Canada in Winter / , Longing and Belonging: A Personal Journey through Art and Identity / , Singularity and Strangeness: One-on-One with Eddy Firmin / , On Quiet Happiness, Charcoal, Wood, and Metal: Charmaine Lurch's Being, Belonging and Grace / , Esmaa Mohamoud: Playing the Game / , Twisted Together: The Sweet Ironies of Belonging in the Art of Bushra Junaid / , A Self-Portrait of Creation: Depi m sòti nan Ginen / , Digging Us: Making Visible Black Canadian Narratives / , Travelling Exhibition: Here We Are Here at the Montreal Museum of Fine Arts / , Why Are There No Famous Black Canadian Artists? Here We Are Here and How Diversity and Inclusion Trump Aesthetic Critique / , The Pervasive Persistence of Primitivism: Face-to-Face and Exhibition Practices in the 21st Century /
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  • 5
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    New Haven : Yale University Press
    ISBN: 9780300259247
    Language: English
    Pages: xvii, 517 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    DDC: 306.094309045
    RVK:
    RVK:
    Keywords: 20. Jahrhundert (1900 bis 1999 n. Chr.) ; Europäische Geschichte ; Geschichte allgemein und Weltgeschichte ; HISTORY / Europe / Germany ; HISTORY / Modern / 20th Century ; HISTORY / Social History ; History ; Sozial- und Kulturgeschichte ; Deutschland ; Westdeutschland ; Sozialgeschichte ; Kultur ; Geschichte 1900-1999 ; Westdeutschland ; Künste ; Gesellschaft ; Geschichte 1945-1990
    Abstract: "After World War II a mood of despair and impotence pervaded the arts in West Germany. The culture and institutions of the Third Reich were abruptly dismissed, yet there was no immediate return to the Weimar period's progressive ideals. In this moment of cultural stasis, how could West Germany's artists free themselves from their experiences of Nazism? Moving from 1945 to reunification, Michael H. Kater explores West German culture as it emerged from the darkness of the Third Reich. Examining periods of denial and complacency as well as attempts to reckon with the past, he shows how all postwar culture was touched by the vestiges of National Socialism. From the literature of Günter Grass to the happenings of Joseph Beuys and Karlheinz Stockhausen's innovations in electronic music, Kater shows how it was only through the reinvigoration of the cultural scene that West Germany could contend with its past - and eventually allow democracy to reemerge"--
    Abstract: A wide-ranging, insightful history of culture in West Germany-from literature, film, and music to theater and the visual arts
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 6
    ISBN: 9783839463536 , 9783837663532
    Language: Undetermined
    Pages: 1 Online-Ressource (320 p.)
    Series Statement: Lettre
    DDC: 306.8509498
    RVK:
    Keywords: Literary studies: general ; Cultural studies ; Aufsatzsammlung ; Electronic books. ; History
    Abstract: Die Ehe stellt das Sozialmodell par excellence der bürgerlichen Moderne dar. Mit der Integration von Liebe, Freundschaft und Sexualität schafft sie den Brückenschlag zwischen Privatheit und Öffentlichkeit. Doch so prädestiniert sie hinsichtlich der Absorption der politischen, wirtschaftlichen und kulturellen Bedingungen und Bedürfnisse der bürgerlichen Moderne scheint, so sehr steht sie auch in der Kritik. Die Beiträger*innen nehmen diskursive Infragestellungen der Ehe in kulturellen Artefakten der Romania von 1870 bis 1930 in den Blick und analysieren sie aus kultur- und literaturwissenschaftlicher Perspektive
    Note: German
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 7
    Online Resource
    Online Resource
    Toronto : University of Toronto Press
    ISBN: 9781487538088
    Language: English
    Pages: 1 Online-Ressource (242 pages) , 21 b&w illustrations
    DDC: 305.4094409/045
    RVK:
    RVK:
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    Keywords: HISTORY / Europe / France ; Commodification History 20th century ; Feminine beauty (Aesthetics) Economic aspects 20th century ; History ; Femininity Economic aspects 20th century ; History ; National characteristics, French History 20th century ; Tourism History 20th century ; Women History 20th century
    Abstract: In the aftermath of the Second World War, the French government cultivated images of sensual and sophisticated white French women in an attempt to reestablish its global image as a great nation. They promoted the beauty, sexual appeal, and general allure of French women, all while shrinking the boundaries of what was considered beautiful. Charm Offensive explores how this elevation of French femininity created problems on both sides of the equation: the pressure on French women to conform to an exacting physical standard was immense, while the inability of anyone else to access that standard resulted in a sense of failure. Drawing on cultural figures like Air France hostesses, tourism workers, and celebrities such as Brigitte Bardot, Charm Offensive offers an innovative understanding of a tumultuous time of decolonization
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) , In English
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 8
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    London : Ridinghouse
    ISBN: 1909932698 , 9781909932692
    Language: English
    Pages: 253 Seiten , Illustrationen , 23 cm
    DDC: 306.76094237
    RVK:
    Keywords: Sexual minorities History ; Arts History ; Arts ; Manners and customs ; Sexual minorities ; History ; St. Ives (Cornwall, England) Social life and customs ; St. Ives (Cornwall, England) History ; England ; St. Ives (Cornwall) ; Saint Ives ; Kunst ; LGBT ; Geschichte 1945-1980
    Abstract: This first ever queer history of St Ives weaves together biography with art and social history to shine new light on a pivotal era in the development of British modernism. At its centre is the sculptor John Milne (1931-1978), who arrived in the town in 1952 to work as an assistant to Barbara Hepworth.0Hidden behind 20-foot-high granite walls, Milne's house, Trewyn, became a meeting point for queer figures from the arts as well as the scene of legendary parties. The large cast - both queer and otherwise - featured in Queer St Ives and Other Stories includes artists Francis Bacon, Alan Lowndes, Marlow Moss, Patrick Procktor, Mark Tobey, Keith Vaughan and Brian Wall; Whitechapel Art Gallery director Bryan Robertson; actors Keith Barron and Richard Wattis; potter Janet Leach; and writers Tony Warren and Richard Blake Brown. There is also the extraordinary Julian Nixon, a queer Everyman whose involvement in the group has been little explored until now.0Based on original interviews and previously unpublished letters and diaries, Queer St Ives and Other Stories reveals a fascinating, previously undocumented history, adding vital new insights into the history of this fabled Cornish art colony. Publication supported by the Paul Mellon Centre
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  • 9
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    London : Thames and Hudson
    ISBN: 9780500024621 , 0500024626
    Language: English
    Pages: 303 Seiten , 25 cm
    DDC: 700.8996041
    RVK:
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    Keywords: Arts, Black Exhibitions 21st century ; Arts, Black ; History ; Bildband ; Ausstellungskatalog Hayward Gallery 29.06.2022-18.09.2022 ; Bildband ; Ausstellungskatalog Hayward Gallery 29.06.2022-18.09.2022 ; Afrikaner ; Fotografie ; Malerei ; Videokunst ; Plastik ; Mixed media ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Note: Titelblattrückseite: This book was published on the occasion of the exhibition In the Black Fantastic" at the Hayward Gallery, London (29 June-18 September 2022) , Includes bibliographical references, filmography, discography and index
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  • 10
    ISBN: 1734248513 , 9781734248517
    Language: English
    Pages: 269 Seiten , 27 cm
    Edition: First edition
    RVK:
    Keywords: Taylor, Breonna Exhibitions ; Racism Exhibitions History 21st century ; Social movements in art Exhibitions ; African Americans Exhibitions Social conditions 21st century ; African American artists Exhibitions ; African American artists ; African Americans ; Social conditions ; Race relations ; Racism ; Social movements in art ; Exhibition catalogs ; Exhibition catalogs ; Louisville (Ky.) Exhibitions Race relations 21st century ; History ; Kentucky ; Louisville ; United States ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Kentucky ; Kunst ; Rassismus ; Protestbewegung ; Geschichte 2020- ; Louisville, Ky. ; Rassismus ; Polizei ; Gewalttätigkeit ; Schwarze Frau ; Geschichte 2020-2022 ; Rezeption ; Kunst ; Taylor, Breonna 1993-2020
    Abstract: The New York Times called the Speed Art Museum's Promise, Witness, Remembrance--centered around artist Amy Sherald's portrait of Breonna Taylor and originally commissioned by Ta-Nehisi Coates for the cover of Vanity Fair magazine--one of the best art exhibitions of 2021. In the words of critic Holland Cotter, "the show was assembled in four months--warp speed in museum-time--and created a prototype for institutional responses to history-as-it's-happening." This breathtaking book documents not just the 32 works featured in the exhibition, but also the process by which the Speed used this opportunity to memorialize the life of Breonna Taylor, who was killed by Louisville police in March 2020, and to serve its community through art, featuring real-time quotations from Curator Allison Glenn, Community Engagement Strategist Toya Northington, Director Stephen Reily, Tamika Palmer (Breonna Taylor's mother), artist Amy Sherald, and others. With 200 photos, featuring work by 22 Black artists, including Sam Gilliam, Lorna Simpson, Kerry James Marshall, Hank Willis Thomas, and Theaster Gates, Promise, Witness, Remembrance is a vital addition to the canon of Black American art
    Note: Titelblattrückseite: Published to document the exhibition "Promise, Witness, Remembrance", organized by the Speed Art Museum in Louisville, Kentucky, on view from April 7 to June 13, 2021 , Includes bibliographical references
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  • 11
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    University Park, Pennsylvania : The Pennsylvania State University Press
    ISBN: 9780271092188
    Language: English
    Pages: xvii, 245 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Fromont, Cécile, 1980 - Images on a mission in early modern Kongo and Angola
    DDC: 255/.36096751/1401
    RVK:
    Keywords: Capuchins Missions 17th century ; History ; Capuchins Missions 18th century ; History ; Capuchins Missions 17th century ; History ; Capuchins Missions 18th century ; History ; Capuchin art 17th century ; Capuchin art 18th century ; Capuchin art 17th century ; Capuchin art 18th century ; Kapuziner ; Angola ; Republik Kongo ; Italiener ; Christianisierung ; Mission ; Kunst ; Kulturaustausch ; Geschichte 1600-1800 ; Italien ; Westafrika ; Mönch ; Missionar ; Malerei ; Arbeiten auf Papier ; Geschichte 1600-1800
    Abstract: "Presents and analyzes a set of unpublished images from seventeenth- and eighteenth-century Kongo and Angola created within the Capuchin Franciscan mission to the region"--
    Note: Includes bibliographical references and index
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  • 12
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    Colombo, Sri Lanka : Ceylon Baithulmal Fund Publication
    ISBN: 9786246210007
    Language: English
    Pages: 71 Seiten , Illustrationen , 30 x 43 cm
    Edition: First edition
    DDC: 726.2095493
    RVK:
    Keywords: Mosques History ; Mosques Pictorial works History ; Mosques History ; Mosques Pictorial works History ; Mosques ; History ; Pictorial works ; Mosques ; History ; Pictorial works ; Sri Lanka ; Sri Lanka ; Bildband ; Sri Lanka ; Moschee
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  • 13
    ISBN: 9783968691800
    Language: Spanish
    Pages: 1 Online-Ressource (292 Seiten) , Illustrationen
    Series Statement: Tiempo emulado 81
    Series Statement: Tiempo emulado. Historia de América y España 81
    Series Statement: Tiempo emulado
    Parallel Title: Erscheint auch als En compañía de salvajes
    RVK:
    Keywords: Anthropology ; Assimilation (Sociology) ; Indigenous peoples Colonization ; History ; HISTORY / Latin America / General ; Spanien ; Geschichtsschreibung ; Kolonialismus
    Abstract: Frontmatter -- Índice -- Introducción -- Cuerpos mutilados y la otredad en la América indígena -- Indios principales, nobles hijosdalgo: traducción cultural y jerarquización social en la América colonial hispana -- El pasado prehispánico en el devenir de la identidad criolla novohispana: de Sigüenza y Góngora a Ordóñez y Aguiar (siglos xvii-xix) -- La estirpe de Cam Imagen e integración del indio en la fiesta virreinal -- El otro que ocultan los biombos mexicanos -- “Los otros” en los bandos de buen gobierno de ciudades de la América hispana durante la segunda mitad del siglo XVIII -- Ser mestizo en el Perú antes y después de la gran rebelión de Túpac Amaru II -- “No digáis que esta gente está dotada de entendimiento, porque no os lo he de creer”. La triple visión del otro en el DIÁLOGO DE LAS GRANDEZAS DE BRASIL de 1618 -- “¡Tetuán, Tetuán por España!” La visión literaria de la Guerra de África -- Sobre los autores
    Abstract: El libro presenta once trabajos sobre un debate historiográfico, el estudio de cómo se construyeron y asimilaron las diferencias humanas y culturales. Aunque concede una atención especial a América hasta el siglo XIX, integra otros espacios relacionados con la España colonial como Filipinas o Marruecos. La percepción del otro, comenzando por quién designa y es designado como otro, no es un tema nuevo en la historiografía, pero sigue vigente por su capacidad de integrar las visiones de dominadores y dominados, por su metodología interdisciplinar (representada en el libro por la colaboración de historiadores, historiadores del arte o antropólogos) y por la naturaleza universal de algunas de sus conclusiones, las cuales permiten relacionarlo con el presente. En resumen, una propuesta amplia e integradora que interroga al pasado sobre un tema definitorio del ser humano y que, por eso, nunca deja de ser actual. Quizás, si comprendemos los fenómenos de identidad y alteridad como construcciones culturales, podamos favorecer la formación de sociedades más respetuosas y pacíficas
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
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  • 14
    ISBN: 9780691208190
    Language: English
    Pages: vii, 254 Seiten , Illustrationen, Pläne
    DDC: 745.40973/0904
    RVK:
    Keywords: Design Social aspects 20th century ; History ; Modernism (Aesthetics) Social aspects ; Decorative arts Marketing ; Power (Social sciences) History 20th century ; USA ; Kunsthandwerk ; Industriedesign ; Künste ; Geschlecht ; Ethnische Gruppe ; Geschichte 1950-1960
    Note: Includes bibliographical references and index
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  • 15
    ISBN: 9781941366325 , 1941366325
    Language: English
    Pages: 627 Seiten , Illustrationen , 23 cm
    DDC: 704.03/096/073
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    Keywords: African American art 20th century ; African American artists History 20th century ; Art and society History 20th century ; Black power History 20th century ; Black Arts movement ; Arts Political aspects ; African American art ; African American artists ; Art and society ; Arts ; Political aspects ; Black Arts movement ; Black power ; Art criticism ; Essays ; History ; Essays ; Art criticism ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunstsoziologie ; Schwarze ; Künstler ; Person of Color ; Black power ; Geschichte 1960-1980
    Abstract: "A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --
    Note: "Originating in research for the landmark traveling exhibition Soul of a nation: art in the age of Black power, this anthology brings together more than two hundred texts, most of them rare and long out of print"--Page 4 of cover , Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright , Includes bibliographical references
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  • 16
    ISBN: 0847869016 , 9780847869015
    Language: English
    Pages: 352 Seiten , 33 cm
    DDC: 051
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    Keywords: Ebony (Chicago, Ill.) History ; Ebony (Chicago, Ill.) ; African American journalists ; African Americans Social life and customs ; History ; African American journalists ; African Americans ; Social life and customs ; History ; Periodicals ; United States Periodicals ; United States ; Bildband ; Ebony ; Titelseite ; Person of Color ; Geschichte 1945-2020
    Abstract: Ebony / Lavaille Lavette -- Civil rights and social justice / Common -- Love and family / Dwayne Wade and Gabrielle Union -- Ebony man / Sean Combs (Diddy) -- Ebony Woman / Kimora Lee Simmons -- Ebony music / Ciara -- Afterword / Venus Williams -- Covers 1945-2020.
    Abstract: "In 1945, Ebony's legendary founder John H. Johnson set out to create a magazine for Black America much like that of the trailblazing Life Magazine, and that he did. For the African American community, Ebony has been a breath of fresh air, speaking on issues and events from the Black perspective, celebrating Black standards of beauty and elevating heroes of Black America--athletes, entertainers, activists, elected officials, or some combination thereof. Ebony: Covering Black America, by Lavaille Lavette, is a celebration of the treasure trove of the magazine's rich history, glamorous covers, groundbreaking cultural impact, and authentic coverage of Black American life from the magazine's inception to the present. Ebony was Black America's social media long before the birth of Facebook, Twitter, and Instagram, says Lavette. Curated by Lavette, this all-out feast of a book is packed with exclusive contributions by a host of celebrities, influencers, and cultural icons, including Common, Gabrielle Union, Dwyane Wade, Sean Combs, Kimora Lee Simmons, Ciara, and Venus Williams. The book also includes more than 600 covers and photographs featuring political forces such as Martin Luther King Jr., Michelle and President Barack Obama, and Congresswoman Barbara Jordan; entertainers such as Diana Ross, Sidney Poitier, Dorothy Dandridge, Oprah Winfrey, and Prince; as well as sports heroes like Serena Williams, Muhammad Ali, Russell Westbrook, and Simone Biles. Lavette has chosen select articles, features, and reportage of note, including Martin Luther King Jr.'s advice column, and Ebony Fashion Fair photo shoots, divided into categories found within the magazine, including Civil Rights & Social Justice, Love & Family, Ebony Men, Ebony Women, and Ebony Music. Unique in the quality of its photographs and contributors and chronicling everything from fashion and food to politics and social change, to sports and entertainment, Ebony: Covering Black America is a monumental milestone in African-American history and culture, and will be a treasured volume for the magazine's legion of loyal readers."--Provided by publisher
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  • 17
    ISBN: 9781788841382 , 1788841387
    Language: English
    Pages: 383 Seiten , 33 cm
    DDC: 726.14409548
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    Keywords: Jaina temples ; Hindu temples ; Jaina architecture History To 1500 ; Hindu architecture History To 1500 ; Hindu architecture ; Hindu temples ; Jaina architecture ; Jaina temples ; History ; India ; Deccan ; Bildband ; Dekhan ; Hinduismus ; Jainismus ; Tempel ; Architektur ; Geschichte 600-1299
    Note: Enthält Bibliografie und Index
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  • 18
    ISBN: 9788194013105 , 8194013100
    Language: English
    Pages: 48 Seiten , Illustrationen, Karten , 22 cm
    DDC: 954.79
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    Keywords: Guidebooks ; History ; Ajanta Caves (India) History ; Ajanta Caves (India) Guidebooks ; India ; Ajanta Caves ; Führer
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  • 19
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    New Delhi : Lustre Press | New Delhi : Roli books
    ISBN: 9788194969174 , 8194969174
    Language: English
    Pages: 279 Seiten , Illustrationen , 27 cm
    DDC: 745.0954
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    Keywords: Art objects History ; Art, Indic ; Art, Indic ; Art objects ; Civilization ; History ; India Civilization ; India ; Indien ; Kunstwerk
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  • 20
    Online Resource
    Online Resource
    Paris : Éditions de la Sorbonne | Marseille : OpenEdition
    ISBN: 9791035104986
    Language: French
    Pages: 1 Online-Ressource (434 p.)
    DDC: 306.470944
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    Keywords: Frankreich ; Geschichte 1870-1940 ; Kunstbetrieb ; Kunstpolitik ; History ; administration ; art ; Troisième République ; politique publique ; artiste ; Frankreich
    Abstract: L'État, en la personne de son souverain, a depuis toujours entretenu avec l'art un rapport privilégié. L'histoire de l'art qui traite des artistes et de leurs œuvres et l'histoire qui exalte la gloire du Prince se rencontrent aisément autour des Princes-mécènes qui ont encouragé les arts et honoré les artistes. Mais quand le Prince est devenu l'Etat républicain, depuis 1875 donc, tout devient beaucoup plus complexe. Comment définir un style, juger l'action, ou évaluer le rayonnement d'un « Prince » collectif, anonyme et changeant ? L'État républicain se veut respectueux de la liberté de création (intellectuelle, artistique), des goûts et des opinions de tout un chacun : peut-il avoir une politique de l'art, voire une esthétique qui inspire son mécénat ? Au-delà des simplifications habituelles sur « l'art officiel » et l'oppression des artistes d'avant-garde, Marie-Claude Genet-Delacroix montre que la gestion du patrimoine, la politique éducative en matière d'art, le soutien de la création s'intégrent dans un véritable système des Beaux-Arts qui, loin d'être un supplément d'âme accessoire, joue un rôle capital dans le triomphe et la pérennisation du modèle républicain français, libéral et démocratique.
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  • 21
    ISBN: 3964569534 , 9783964569530
    Language: Spanish
    Pages: 1 Online-Ressource (264 pages)
    Series Statement: La casa de la riqueza. Estudios de la cultura de España 53
    Parallel Title: Erscheint auch als Con el franquismo en el retrovisor
    DDC: 306
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    Keywords: Francoism History ; Democratization History ; Political culture History ; Francoism ; Political culture ; History ; Democratization ; Spain ; Aufsatzsammlung
    Abstract: Este libro examina el franquismo desde el retrovisor, estudiando la representación de la dictadura en las producciones culturales realizadas a partir de la transición democrática. El franquismo instauró profundas transformaciones políticas que definieron los modos de vida de los españoles durante este período. Las obras estudiadas en este volumen reflexionan sobre el impacto que la herencia del franquismo ha dejado en la sociedad española y se cuestionan sobre qué parte de este legado ha sido revertido por la democracia y qué parte permanece aún
    Note: Collected essays , Includes bibliographical references
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  • 22
    Online Resource
    Online Resource
    Gainesville [und neun weitere] : University Press of Florida
    ISBN: 9780813057637
    Language: English
    Pages: 1 Online-Ressource (xv, 217 Seiten) , Illustrationen, Karten
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Wikinger ; Textilherstellung ; Sachkultur ; Frau ; Nordische Staaten ; Textile fabrics, Viking / Scandinavia / History ; Women weavers / Scandinavia / History ; Textile fabrics / Scandinavia / History ; Vikings / Clothing / Scandinavia ; Women, Viking / History ; Textile fabrics / North Atlantic Region / History ; Textile fabrics ; Textile fabrics, Viking ; Women, Viking ; Women weavers ; North Atlantic Region ; Scandinavia ; History ; Nordische Staaten ; Wikinger ; Frau ; Textilherstellung ; Sachkultur ; Geschichte
    Abstract: "Michèle Hayeur Smith uses Viking textiles as evidence for the little-known work of women in the Norse colonies that expanded from Scandinavia across the North Atlantic in the 9th century AD"--
    Description / Table of Contents: "Cold are the Counsels of Women": Bloodied Warps and Gilded Wefts -- the Engendered Economy of Cloth in the North Atlantic -- Weaving in the Viking Age: Iceland and the North Atlantic Expansion -- Textiles, Weaving, and Currency in Iceland during the Middle Ages -- Textiles in Greenland During the Medieval Period -- Cloth, Currency, Climate Change and Subsistence in Greenland -- Textiles and Trade in the North Atlantic during the Late Middle Ages and Early Modern Period -- The Danish Trade Monopoly in the North Atlantic and the Transformation of Women's Roles in Textile Production
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  • 23
    ISBN: 9789004424593 , 9004424598
    Language: English
    Pages: 1 Online-Ressource (xvi, 304 pages) , illustrations
    Edition: Expanded edition
    Uniform Title: Medieval encounters
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    Keywords: Basílica de San Isidoro (León, Spain) ; Basílica de San Isidoro (León, Spain) ; Luxuries History ; Archaeology, Medieval ; Social archaeology ; Cultural relations ; Antiquities ; Archaeology, Medieval ; Cultural relations ; Luxuries ; Social archaeology ; HISTORY / General ; History ; León (Spain) Antiquities ; Spain ; León ; León ; Kunst ; Kulturaustausch ; Geschichte 500-1500 ; San Isidoro ; Kirchenbau ; Architektur ; Ausstattung ; Geschichte 1100-1500
    Abstract: Beyond the treasury of San Isidoro : a tale of two projects / Therese Martin -- Caskets of silver and ivory from diverse parts of the world : strategic collecting for an Iberian treasury / Therese Martin -- Narrating the treasury : what medieval Iberian chronicles choose to recount about luxury objects / Ana Rodríguez -- Textiles from the Museum of San Isidoro (León) : new evidence for reevaluating their chronology and provenance / Ana Cabrera Lafuente -- Sovereign, saint, and city : honor and reuse of textiles in the treasury of San Isidoro (León) / María Judith Feliciano -- Between León and the Levant : the Infanta Sancha's altar as material evidence for medieval history / Jitske Jasperse -- Demons and diversity in León / Pamela A. Patton -- Jews, real and imagined, at San Isidoro De León and beyond / Julie A. Harris -- The Scandinavian container at San Isidoro, León, in the context of Viking art and society / Nancy L. Wicker.
    Abstract: "The Medieval Iberian Treasury in the Context of Cultural Interchange-expanded beyond the special issue of Medieval Encounters from which it was drawn-centers on the magnificent treasury of San Isidoro de León to address wider questions about the meanings of cross-cultural luxury goods in royal-ecclesiastical settings during the central Middle Ages. Now fully open access and with an updated introduction to ongoing research, an additional chapter, composite bibliographies, and indices, this multidisciplinary volume opens fresh ways into the investigation of medieval objects and textiles through historical, art historical, and technical analyses. Carbon-14 dating, iconography, and social history are among the methods applied to material and textual evidence, together shining new light on the display of rulership in medieval Iberia"--
    Note: "Originally published, in part, as Volume 25, No. 1-2 (2019) of Brill's journal Medieval encounters." , Includes bibliographical references and index
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