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  • Book  (7)
  • Oxford : Oxford University Press
  • Geschichte  (6)
  • Europa
  • Sociology & anthropology
  • General works  (7)
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  • 1
    ISBN: 9780197266564
    Language: English
    Pages: xvi, 408 Seiten
    Edition: First edition
    Series Statement: Proceedings of the British Academy 223
    DDC: 781
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    Keywords: Geschichte ; Musik ; Kulturaustausch ; Westliche Welt ; Seidenstraße ; Orient ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift
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  • 2
    Book
    Book
    Oxford : Oxford University Press
    ISBN: 9780195324907 , 9780190673482
    Language: English
    Pages: xiv, 783 Seiten , Illustrationen , 25 cm
    Edition: First issued as an Oxford University Press paperback
    Series Statement: Oxford handbooks
    DDC: 304.209
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    Keywords: Geschichte ; Human ecology History ; Environmental sciences History ; Nature Effect of human beings on ; History ; Humanökologie ; Umweltwissenschaften ; Anthropogener Einfluss ; Umwelt ; Historische Umweltforschung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Umwelt ; Geschichte ; Umwelt ; Historische Umweltforschung ; Humanökologie ; Umweltwissenschaften ; Geschichte ; Umwelt ; Anthropogener Einfluss ; Geschichte
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  • 3
    Book
    Book
    Oxford : Oxford University Press
    ISBN: 9780198719670
    Language: English
    Pages: xv, 319 Seiten , 24 cm
    Edition: First edition
    DDC: 792.0942/09031
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    Keywords: England ; Theater History 16th century ; England / Office of the Revels Theater / History / 16th century / England ; Great Britain / History / Elizabeth, 1558-1603 ; England / Civilization / 16th century ; Great Britain History Elizabeth, 1558-1603 ; England Civilization 16th century ; Elisabeth I. England, Königin 1533-1603 ; Theater ; England ; Hoftheater ; Zensur ; Geschichte 1558-1603 ; Geschichte
    Abstract: The Masters of the Revels and Elizabeth I's Court Theatre places the Revels Office and Elizabeth I's court theatre in a pre-modern, patronage and gift-exchange driven-world of centralized power in which hospitality, liberality, and conspicuous display were fundamental aspects of social life. W.R. Streitberger reconsiders the relationship between the biographies of the Masters and the conduct of their duties, rethinking the organization and development of the Office, re-examining its productions, and exploring its impact on the development of the commercial theatre. The nascent capitalist economy that developed alongside and interpenetrated the gift-driven system that was in place during Elizabeth's reign became the vehicle through which the Revels Office along with the commercial theatre was transformed. Beginning in the early 1570s and stretching over a period of twenty years, this change was brought about by a small group of influential Privy Councillors. When this project began in the early 1570s the Queen's revels were principally in-house productions, devised by the Master of the Revels and funded by the Crown. When the project was completed in the late 1590s, the Revels Office had been made responsible for plays only and put on a budget so small that it was incapable of producing them. That job was left to the companies performing at court. Between 1594 and 1600, the revels consisted almost entirely of plays brought in by professional companies in the commercial theatres in London. These companies were patronized by the queen's relatives and friends and their theatres were protected by the Privy Council. Between 1594 and 1600, for example, all the plays in the revels were supplied by the Admiral's and Chamberlain's Players which included writers such as Shakespeare, and legendary actors such as Edward Alleyn, Richard Burbage, and Will Kempe. The Queen's revels essentially became a commercial enterprise, paid for by the ordinary Londoners who came to see these companies perform in selected London theatres which were protected by the Council.
    Note: Literaturverzeichnis: Seite 295-304 , Hier auch später erschienene, unveränderte Nachdrucke
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  • 4
    ISBN: 9780199605194 , 019960519X
    Language: English
    Pages: ix, 327 Seiten , Illustrationen
    Edition: First edition
    Parallel Title: Erscheint auch als Nott, James J. Going to the palais
    DDC: 793.30941
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    Keywords: Geschichte 1900-2000 ; Geschichte 1918-1960 ; Geschichte ; Gesellschaft ; Nationalcharakter ; Gesellschaftstanz ; Tanzclub ; Tanz ; Großbritannien ; Großbritannien ; Dance / Social aspects / History / 20th century / Great Britain ; Dance halls / History / 20th century / Great Britain ; Dance halls ; Dance / Social aspects / Great Britain / History ; Großbritannien ; Tanz ; Gesellschaftstanz ; Tanzclub ; Nationalcharakter ; Geschichte 1918-1960
    Abstract: From the mid-1920s, the dance hall occupied a pivotal place in the culture of working- and lower-middle-class communities in Britain - a place rivalled only by the cinema and eventually to eclipse even that institution in popularity. 'Going to the palais' examines the history of this vital social and cultural institution, exploring the dances, dancers, and dance venues that were at the heart of one of twentieth-century Britain's most significant leisure activities. 'Going to the palais' has several key focuses. First, it explores the expansion of the dance hall industry and the development of a 'mass audience' for dancing between 1918 and 1960. Second, the impact of these changes on individuals and communities is examined, with a particular concentration on working and lower-middle-class communities, and on young men and women. Third, the cultural impact of dancing and dance halls is explored. A key aspect of this debate is an examination of how Britain's dance culture held up against various standardizing processes (commercialization, Americanization, etc.) over the period, and whether we can see the emergence of a 'national' dance culture. Finally, the volume offers an assessment of wider reactions to dance halls and dancing in the period. 'Going to the palais' is concerned with the complex relationship between discourses of class, culture, gender, and national identity and how they overlap - how cultural change, itself a response to broader political, social, and economic developments, was helping to change notions of class, gender, and national identity
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  • 5
    ISBN: 9780199970773 , 9780199970780
    Language: English
    Pages: ix, 228 Seiten , Diagramm
    Parallel Title: Erscheint auch als
    DDC: 302.30285
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    Keywords: Geschichte ; Geschichte ; Social media History ; Online social networks History ; Soziale Software ; Soziale Software ; Geschichte
    Note: Literaturverzeichnis Seite 207-220
    URL: Cover
    URL: Cover
    URL: Cover
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  • 6
    ISBN: 9780199568963 , 0199568960
    Language: English
    Pages: ix, 261 Seiten , 24 cm
    Edition: First edition
    DDC: 302.23440941
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    Keywords: British Broadcasting Corporation / History ; British Broadcasting Corporation ; Geschichte 1900-2000 ; Geschichte 1922-1970 ; Radio broadcasting / Political aspects / Great Britain / History / 20th century ; Television and politics / Great Britain / History / 20th century ; Radio broadcasting / Colonies / Great Britain ; Television broadcasting / Colonies / Great Britain ; Geschichte ; Kolonie ; Politik ; Rundfunk ; Imperialismus ; Großbritannien ; Großbritannien ; Großbritannien ; British Broadcasting Corporation ; Geschichte 1922-1970 ; British Broadcasting Corporation ; Rundfunk ; Imperialismus ; Geschichte 1922-1970
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 7
    ISBN: 0198715226
    Language: English
    Pages: viii, 286 Seiten
    DDC: 302.230941
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    Keywords: Internationale samenwerking ; Massamedia ; Médias - Europe ; Médias - Grande-Bretagne ; Médias - États-Unis - Influence ; Massenmedien ; Medien ; Mass media ; Mass media ; Mass media Influence ; Massenmedien ; Gesellschaft ; Europa ; Großbritannien ; USA ; Europa ; USA ; Großbritannien ; Großbritannien ; Massenmedien ; USA ; Europa ; Massenmedien ; USA ; USA ; Massenmedien ; Gesellschaft
    Abstract: "The Anglo-American media constitutes one of the world's most familiar, and least analysed, alliances. For the United States media, this close-connection with Britain is one of several unambiguous American international media trading advantages. For Britain the relationship is more ambiguous: in news and factual media Britain can realistically see itself as the world media number two, but across the broad range of entertainment Britain is closer to being a colonial dependency of Hollywood. All other European countries are also both media nationalists and Hollywood dependents." "Spanning a broad range from advertising to publishing, pop music and pornography, this book also addresses the media future: does the merger of American TV networks with Hollywood companies constitute a new 'Hollyweb' cartel which excludes European companies? Can the BBC survive until 2022? Can televised sport help to create a European identity?"--BOOK JACKET.
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