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  • Book  (5)
  • 2015-2019  (5)
  • Oxford : Oxford University Press  (5)
  • Geschichte  (4)
  • Demokratie
  • General works  (5)
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Material
Language
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  • 1
    ISBN: 9780197266564
    Language: English
    Pages: xvi, 408 Seiten
    Edition: First edition
    Series Statement: Proceedings of the British Academy 223
    DDC: 781
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    Keywords: Geschichte ; Musik ; Kulturaustausch ; Westliche Welt ; Seidenstraße ; Orient ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift
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  • 2
    Book
    Book
    Oxford : Oxford University Press
    ISBN: 9780195324907 , 9780190673482
    Language: English
    Pages: xiv, 783 Seiten , Illustrationen , 25 cm
    Edition: First issued as an Oxford University Press paperback
    Series Statement: Oxford handbooks
    DDC: 304.209
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    Keywords: Geschichte ; Human ecology History ; Environmental sciences History ; Nature Effect of human beings on ; History ; Humanökologie ; Umweltwissenschaften ; Anthropogener Einfluss ; Umwelt ; Historische Umweltforschung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Umwelt ; Geschichte ; Umwelt ; Historische Umweltforschung ; Humanökologie ; Umweltwissenschaften ; Geschichte ; Umwelt ; Anthropogener Einfluss ; Geschichte
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  • 3
    ISBN: 9780190234874
    Language: English
    Pages: 131 Seiten , Illustrationen , 18 cm
    Series Statement: Very short introductions 510
    Series Statement: Very short introductions
    Parallel Title: Erscheint auch als Mudde, Cas, 1967 - Populism
    DDC: 320.56/62
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    Keywords: Populism ; Democracy ; Populism ; Democracy ; POLITICAL SCIENCE / General ; Einführung ; Populismus ; Demokratie
    Abstract: "Populism is a central concept in the current media debates about politics and elections. However, like most political buzzwords, the term often floats from one meaning to another, and both social scientists and journalists use it to denote diverse phenomena. What is populism really? Who are the populist leaders? And what is the relationship between populism and democracy? This book answers these questions in a simple and persuasive way, offering a swift guide to populism in theory and practice. Cas Mudde and Cristóbal Rovera Kaltwasser present populism as an ideology that divides society into two antagonistic camps, the "pure people" versus the "corrupt elite," and that privileges the general will of the people above all else. They illustrate the practical power of this ideology through a survey of representative populist movements of the modern era: European right-wing parties, left-wing presidents in Latin America, and the Tea Party movement in the United States. The authors delve into the ambivalent personalities of charismatic populist leaders such as Juan Domingo Péron, H. Ross Perot, Jean-Marie le Pen, Silvio Berlusconi, and Hugo Chávez. If the strong male leader embodies the mainstream form of populism, many resolute women, such as Eva Péron, Pauline Hanson, and Sarah Palin, have also succeeded in building a populist status, often by exploiting gendered notions of society. Although populism is ultimately part of democracy, populist movements constitute an increasing challenge to democratic politics. Comparing political trends across different countries, this compelling book debates what the long-term consequences of this challenge could be, as it turns the spotlight on the bewildering effect of populism on today's political and social life. "--
    Note: Literaturverzeichnis: Seiten 119-123 , Mit Register
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  • 4
    Book
    Book
    Oxford : Oxford University Press
    ISBN: 9780198719670
    Language: English
    Pages: xv, 319 Seiten , 24 cm
    Edition: First edition
    DDC: 792.0942/09031
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    Keywords: England ; Theater History 16th century ; England / Office of the Revels Theater / History / 16th century / England ; Great Britain / History / Elizabeth, 1558-1603 ; England / Civilization / 16th century ; Great Britain History Elizabeth, 1558-1603 ; England Civilization 16th century ; Elisabeth I. England, Königin 1533-1603 ; Theater ; England ; Hoftheater ; Zensur ; Geschichte 1558-1603 ; Geschichte
    Abstract: The Masters of the Revels and Elizabeth I's Court Theatre places the Revels Office and Elizabeth I's court theatre in a pre-modern, patronage and gift-exchange driven-world of centralized power in which hospitality, liberality, and conspicuous display were fundamental aspects of social life. W.R. Streitberger reconsiders the relationship between the biographies of the Masters and the conduct of their duties, rethinking the organization and development of the Office, re-examining its productions, and exploring its impact on the development of the commercial theatre. The nascent capitalist economy that developed alongside and interpenetrated the gift-driven system that was in place during Elizabeth's reign became the vehicle through which the Revels Office along with the commercial theatre was transformed. Beginning in the early 1570s and stretching over a period of twenty years, this change was brought about by a small group of influential Privy Councillors. When this project began in the early 1570s the Queen's revels were principally in-house productions, devised by the Master of the Revels and funded by the Crown. When the project was completed in the late 1590s, the Revels Office had been made responsible for plays only and put on a budget so small that it was incapable of producing them. That job was left to the companies performing at court. Between 1594 and 1600, the revels consisted almost entirely of plays brought in by professional companies in the commercial theatres in London. These companies were patronized by the queen's relatives and friends and their theatres were protected by the Privy Council. Between 1594 and 1600, for example, all the plays in the revels were supplied by the Admiral's and Chamberlain's Players which included writers such as Shakespeare, and legendary actors such as Edward Alleyn, Richard Burbage, and Will Kempe. The Queen's revels essentially became a commercial enterprise, paid for by the ordinary Londoners who came to see these companies perform in selected London theatres which were protected by the Council.
    Note: Literaturverzeichnis: Seite 295-304 , Hier auch später erschienene, unveränderte Nachdrucke
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  • 5
    ISBN: 9780199605194 , 019960519X
    Language: English
    Pages: ix, 327 Seiten , Illustrationen
    Edition: First edition
    Parallel Title: Erscheint auch als Nott, James J. Going to the palais
    DDC: 793.30941
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    Keywords: Geschichte 1900-2000 ; Geschichte 1918-1960 ; Geschichte ; Gesellschaft ; Nationalcharakter ; Gesellschaftstanz ; Tanzclub ; Tanz ; Großbritannien ; Großbritannien ; Dance / Social aspects / History / 20th century / Great Britain ; Dance halls / History / 20th century / Great Britain ; Dance halls ; Dance / Social aspects / Great Britain / History ; Großbritannien ; Tanz ; Gesellschaftstanz ; Tanzclub ; Nationalcharakter ; Geschichte 1918-1960
    Abstract: From the mid-1920s, the dance hall occupied a pivotal place in the culture of working- and lower-middle-class communities in Britain - a place rivalled only by the cinema and eventually to eclipse even that institution in popularity. 'Going to the palais' examines the history of this vital social and cultural institution, exploring the dances, dancers, and dance venues that were at the heart of one of twentieth-century Britain's most significant leisure activities. 'Going to the palais' has several key focuses. First, it explores the expansion of the dance hall industry and the development of a 'mass audience' for dancing between 1918 and 1960. Second, the impact of these changes on individuals and communities is examined, with a particular concentration on working and lower-middle-class communities, and on young men and women. Third, the cultural impact of dancing and dance halls is explored. A key aspect of this debate is an examination of how Britain's dance culture held up against various standardizing processes (commercialization, Americanization, etc.) over the period, and whether we can see the emergence of a 'national' dance culture. Finally, the volume offers an assessment of wider reactions to dance halls and dancing in the period. 'Going to the palais' is concerned with the complex relationship between discourses of class, culture, gender, and national identity and how they overlap - how cultural change, itself a response to broader political, social, and economic developments, was helping to change notions of class, gender, and national identity
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