Note: Frontmatter , CONTENTS , INTRODUCTION , The Call , vestibular mantra (or radical virtuosities for a brave new dance) , PART 1 / CULTURAL PRESENCE: PLACEKEEPING AND BELONGING , Introduction , Aqui Estoy , Beauty, Justice, and the Ritual of Performance , An Accumulation of Things That Refuse to Be Discarded , Counting Coup on the Compartmentalization of Indigenous-Made Rap Music , Cultural Resiliency in the Face of Crisis: Learning from New Orleans , Collectively Directing the Current , The New Eagle Creek Saloon , Notes from Technotopia 3.0: On the "Creative City" Gone Wrong-an Antigentrification Philosophical Tantrum, 2012 - 2016 , "Building Temples for Tomorrow": Cultural Workers as Construction Crews , Invasive Species , Sunny and 150 Years of Placekeeping in Little Tokyo , Local Fruit Still Life , Stage One: Establishing Community , Red 40 , More Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next , PART 2 / DISMANTLING BORDERS, BUILDING BRIDGES: MIGRATION AND DIASPORAS , Introduction , Mano Poderosa , A Cosmos of Dis/Joints , Cross-Border Citizens , Indian Alley, Where Art Is Healing , Vessels: A Conversation , Fence , A Touch of Otherness , Harmattan Haze , Who Is the #EmergingUS? , Justice and Equity: We're Coming for It All , building bricks for communal healing , We Never Needed Documents to Thrive , prop·er , Alongside: On Chinese Students in the United States and the Fight for Black Lives , Love Spirals: Notes on Brown Feelings , PART 3 / CREATING A WORLD WITHOUT PRISONS: CULTURE AND THE CARCERAL STATE , Introduction , To Create in Prison , A Measure of Joy , There Is No Abolition or Liberation without Disability Justice , HOGAR , I Remember , Coming Home , Singing Our Way to Abolition , Standing in the Gap: Music as First Responder , Locked in a Dark Calm , As Crazy as the World Is, I Do Believe , Jumpsuit Project , The Bonds of Aloha: Connecting to Culture Can Free Us , The Nail That Sticks Out , Art Is a Trojan Horse: Reclaiming Our Narratives , Try/Step/Trip (Excerpt) , The Evanesced Series (2016 - ) , PART 4 / EMBODIED CARTOGRAPHIES: RENEGOTIATING RELATIONSHIPS WITH LAND , Introduction , Kiksuya , America Doesn't Exist , Between the Real and the Imagined: A Conversation with Lyla June and Tanaya Winder , Sopa de Ostión , Island Earth: Water, Wayfinding, and the Currents That Connect Us , ACCESS DENIED: Creating New Spatial Understandings , Essential Economy , Earth Mama II , We Are Part of This Land , Mauka House , Withholding an Image: Disciplinary Disobedience and Reciprocity in the Field , Thinking through Fragments: Speculative Archives, Contested Histories, and a Tale of the Palestine Archaeological Museum , Secrets That the Wind Carries Away , Ohiŋniyaŋ ded wati kte: This Place Will Always Be Home , Ballers , PART 5 / LIVING OUR LEGACY: ANCESTRAL KNOWLEDGE AS RADICAL FUTURITY , Introduction , These Roots Run Deep , The Future Is Ancient , Being in Oneness: Conversations with Nobuko Miyamoto, Kamau Ayubbi, and Asiyah Ayubbi , 1619 , Encircling the Circle: Blood Memory and Making the Village-a Conversation between Cleo Parker Robinson and Malik Robinson , Culture and Tradition: A Monument to Our Resilience , Español , Apsáalooke Feminist #4 , Mother's Words and Grandmother's Thoughts: Living the Right Way (a Conversation) , The AIM Song , Gullah/Geechee Sea Island Reflections of Futurity , For Paradise , What Is the New Basket That We're Going to Weave? , I ka wā ma mua, i ka wā ma hope: 'Ōiwi Orientations toward a Radical Futurity , The Art of Peer Pressure: Black Fire UVA! , PART 6 / CURRENTS BEYOND: ARTISTS SHIFTING PARADIGMS OF INEQUITY , Introduction , Bang Bang , The Cultural New Deal for Cultural and Racial Justice , We Begin by Listening , EMERGENYC: An Artistic Home for Emerging Artists , Listening through Dance , Scenes & Takes , Feminist Coalition and Queer Movements across Time: A Conversation between Alok Vaid-Menon and Urvashi Vaid , What Would Upski Think? , all organizing is science fiction , Rebirth Garments , A Call to Action , Huliau , SOVEREIGN , Flexing Hope Is a Practice , Azadi , AFTERWORD , emergence (after adrienne maree brown) , Acknowledgments , In English

Note: Description based on publisher supplied metadata and other sources

Note: Bibliographie (Seite 234 - 243)

Note: Includes bibliographical references and index

Note: Includes bibliographical references and index

Note: Literaturverzeichnis Seite 203-220

Note: Description based on publisher supplied metadata and other sources

Note: Also issued in print: 2021 , Includes bibliographical references and index

Note: Papers presented at a conference held at the Museo di fotografia contemporanea, Cinisello Balsamo, Italy, March 7, 2020 , Includes bibliographical references

Note: Includes bibliographical references and index

Note: First published 2020 by Routledge

Note: Includes bibliographical references and index

Note: Includes bibliographical references

Note: Literaturverzeichnis: Seite 219-227 , Register

Note: A cultural politics book , Includes bibliographical references and index

Note: Includes bibliographical references and index

Note: Bibliography Seite 256-264

Note: Includes bibliographical references and index

Note: Includes bibliographical references and index

Note: Literaturverzeichnis: Seite 207-221

Note: Includes bibliographical references and index

Note: Publikation basierend auf der gleichnamigen Tagung 2017 am Österreichischen Historischen Institut in Rom , Beiträge teilweise deutsch, teilweise italienisch, teilweise englisch

Note: Hier auch später erschienene, unveränderte Nachdrucke , Setting the stage , Act 1: Open casket, Whitney Biennial, 2017 , Act 2: The nigger drawings, Artists Space, 1979 , Act 3: Harlem on my mind, Metropolitan Museum of Art, 1969

Note: Description based on publisher supplied metadata and other sources

Note: Includes bibliographical references and index

Note: Includes bibliographical references and index

Note: Includes bibliographical references and index

Note: Publikation basierend auf der gleichnamigen Tagung 2017 am Österreichischen Historischen Institut in Rom

Note: Literaturverzeichnis: Seite 550-563 , "erschienen anlässlich der gleichnamigen Ausstellung im Wallraf-Richartz-Museum & Fondation Corboud, Köln, 23. November 2018 bis 24. März 2019" - Rückseite der Titelseite

Note: Quellen- und Literaturverzeichnis: Seite 349-375

Note: Includes index , Rückseite Titelblatt: "Proceedings of the symposium "The Civil War in Art and Memory," organized by the Center for Advanced Study in the Visual Arts, National Gallery of Art, and sponsored by the Arthur Vining Davis Foundations. The symposium was held November 8-9, 2013, in Washington" , Konferenzschrift zum Symposium Civil War in Art and Memory

Note: Includes bibliographical references (pages 285-320) and index

Note: Includes bibliographical references (pages 319-333) and index

Note: Literaturangaben

Note: Literatur- und Quellenverz. S. 402 - 423 , Mit Index

Note: Literaturangaben

Note: Text englisch und italienisch

Note: Bd.zählung aus späteren Bd

Note: Description based upon print version of record , Online-Ausg.:

Note: Includes bibliographical references and index

Note: Literaturverz. S. [200] - 206

Note: Includes bibliographical references (pages 229-248) and index

Note: Includes bibliographical references (pages 177-199) and index

Note: Includes bibliographical references (pages 177-199) and index

Note: Beitr. überwiegend dt., teilw. ital.

Note: CDs enth.: Musikbeispiele, Film , Includes bibliographical references and index -- Includes filmography

Note: Includes index.

Note: Description based on publisher supplied metadata and other sources

Note: Includes bibliographical references. - Text in Korean and English

Note: G. P. Caprettini teaches at the University of Turin. - Contains bibliography, bibliographical references and notes

Note: Originally published: 2005. First issued as an Oxford University Press paperback, 2011