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Black diamond queens : African American women and rock and roll (2020)

Mahon, Maureen [Verfasser]

Durham : Duke University Press

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ISBN: 9781478012771 , 1478012773

Language: English

Pages: 1 Online-Ressource (xiv, 392 pages) , illustrations

Series Statement: Refiguring american music

Parallel Title: Erscheint auch als

DDC: 782.421660820973

RVK:

LC 87600

RVK:

LS 48050

Keywords: Geschichte 1950-1990 ; African American women rock musicians / History / 20th century / United States ; Rock music / Social aspects ; Music and race ; Rockmusikerin ; Schwarze ; Ethnische Identität ; Geschlechterrolle ; USA ; USA ; Rockmusikerin ; Schwarze ; Geschlechterrolle ; Ethnische Identität ; Geschichte 1950-1990

Abstract: Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock

Note: Includes bibliographical references and index. - Description based on print version record

DOI: 10.1215/9781478012771

URL: https://www.degruyter.com/isbn/9781478012771

URL: Cover

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The meaning of soul : black music and resilience since the 1960s (2020)

Lordi, Emily J. [Verfasser] 1979-

Durham : Duke University Press

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ISBN: 9781478009597 , 9781478008699

Language: English

Pages: x, 217 Seiten

Series Statement: Refiguring American music

DDC: 781.644

RVK:

LS 48640

Keywords: Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; USA

URL: Inhaltsverzeichnis

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Black diamond queens : African American women and rock and roll (2020)

Mahon, Maureen [Verfasser] 1965-

Durham : Duke University Press

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ISBN: 9781478011224 , 9781478010197 , 1478010193 , 147801122X

Language: English

Pages: xiv, 392 Seiten

Series Statement: Refiguring american music

Parallel Title: Online version Mahon, Maureen Black diamond queens

RVK:

LS 48050

RVK:

LC 87600

Keywords: Schwarze ; Frau ; Rockmusik ; USA

Abstract: African American women have played a pivotal part in rock and roll-from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.

Note: Literaturverzeichnis: Seite [349]-373 , Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock

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Reattachment theory : queer cinema of remarriage (2020)

Wallace, Lee [VerfasserIn] 1962-

Durham : Duke University Press

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ISBN: 9781478006817 , 9781478008101

Language: English

Pages: xiii, 247 Seiten , Illustrationen

Series Statement: A camera obscura book

Parallel Title: Erscheint auch als Wallace, Leonelle Mary, 1962- Reattachment theory

DDC: 306.84/8

RVK:

MS 2870

RVK:

AP 52800

Keywords: Same-sex marriage ; Marriage ; Lesbianism in motion pictures ; Homosexuality in motion pictures ; Gleichgeschlechtliche Ehe ; Motiv ; Film ; USA

Abstract: "REATTACHMENT THEORY eschews dominant queer critiques of same-sex marriage to examine the varied histories of queer influences on marriage. According to the traditional queer critique, the legalization of same-sex marriage signaled a neoliberal and homonormative assimilation into normative structures of heterosexism and reproductive futurism. Countering this argument, queer film scholar Lee Wallace claims that, since the eighteenth century, marriage has allowed for many queer and non-normative plotlines. In this book, Wallace is more interested in marriage as a narrative-both in how marriage is narrativized, as well as the story of the changing meaning of marriage-than she is in marriage as a legal institution. Drawing on historians of marriage, Wallace traces the iterations of love associated with marriage vows: from obligation or duty, to romance, and finally to intimacy. Historicizing the discourse of intimacy, Wallace claims that the valorization of intimacy across the twentieth century led to an idealization of the couple form, regardless of heterosexual or homosexual affiliation. Furthermore, Wallace draws on twentieth-century formulations of sexual reciprocity and sexual satisfaction regardless of marital status-and their links to the discourses of intimacy-to reveal how these concepts proved flexible enough to include homosexuality. Tracking these changing narratives of marriage throughout the twentieth century, Wallace grounds her analyses in an archive of popular culture films. Using Stanley Cavell's notion that, following the "marriage crisis" created by divorce in the early twentieth century, all marriage is remarriage, Wallace argues that after the advent of same-sex marriage, all marriage is gay marriage. Chapter 1, which doubles as the introduction, lays out the stakes of the project. Chapter 2 examines nineteenth-century literature and early twentieth-century popular culture to reveal the changing story of marriage. Chapter 3 situates the 1936 film Craig's Wife as an anticipation of gay and lesbian alternatives to marriage. Chapter 4 reads Tom Ford's film production of Christopher Isherwood's A Single Man as a means to extend homosexual style as a "brand" of cultural and emotional capital. Chapters 6 and 7 engage directly with Cavell's theory of remarriage as an analytic to examine same-sex marriage. This book will be of interest to students and scholars of queer theory, feminist studies, and film studies"--

Note: Includes bibliographical references and index

URL: Inhaltsverzeichnis

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Photographic returns : racial justice and the time of photography (2020)

Smith, Shawn Michelle [VerfasserIn] 1965-

Durham : Duke University Press

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ISBN: 9781478004684 , 9781478004073

Language: English

Pages: ix, 236 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen

Parallel Title: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns

DDC: 779/.93058

RVK:

AP 95000

RVK:

HD 474

RVK:

MS 1235

RVK:

MS 3530

Keywords: Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; History ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; USA ; Rassenfrage ; Fotografie

Abstract: Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9 props -- Afterimages: Jason Lazarus -- Photographic reenactments: Carrie Mae Weems's constructing history -- False returns: Taryn Simon's The Innocents -- A glimpse forward: Dawoud Bey's The Birmingham project.

Abstract: "In PHOTOGRAPHIC RETURNS Shawn Smith sets out to examine works of contemporary art, only to find that many of the works refer back to the past, to photography's many intersections with the history of racial justice in the U.S. Smith focuses on flashpoints in that history -- spanning from the abolitionist movement, to the Civil War, lynching, and mass incarceration-- to mark the roles that photography has played in documenting the exigencies of Black life, and as a tool for resisting those racial regimes. For each of these moments, Smith shows how contemporary photographers utilize their medium as a way to recall, revise, or amplify the relationship between racial politics in the past and in the present. She argues that the tendency of African-American photographers and other artists to return to the archive of early photography does not simply point to the usefulness of early photography as document of the past, but to the recursive nature of photography itself. This study expands our theories of photography and memory by arguing that the recursive temporality of photography is central to its role in recording and remembering history. It also asserts that photography is an invaluable tool for critical practice of racial justice"--

Note: Includes bibliographical references and index

URL: Inhaltsverzeichnis

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Unseeing Empire : Photography, Representation, South Asian America (2020)

Mani, Bakirathi [VerfasserIn]

Durham : Duke University Press

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ISBN: 9781478012436

Language: English

Pages: 1 online resource (301 pages)

Series Statement: A Camera Obscura Book Ser.

Parallel Title: Erscheint auch als

Parallel Title: Erscheint auch als Mani, Bakirathi Unseeing empire

DDC: 909.04914

RVK:

AP 99083

RVK:

MS 3600

RVK:

MS 1235

Keywords: South Asian Americans Cultural assimilation ; South Asian Americans Ethnic identity ; South Asian diaspora ; South Asian Americans-Ethnic identity ; South Asian Americans-Cultural assimilation-United States ; South Asian Americans-Ethnic identity.. ; South Asian diaspora ; South Asian Americans-Cultural assimilation-United States.. ; Electronic books ; USA ; Diaspora ; Südasiaten ; Kulturelle Identität ; Einwanderung ; Fotografie ; Shah, Seher 1975- ; Matthew, Annu Palakunnathu 1964- ; Gill, Gauri 1970-

Abstract: Bakirathi Mani examines the visual and affective relationships between South Asian diasporic viewers, artists, and photographic representations of immigrant subjects, showing how empire continues to haunt South Asian American visual cultures.

Note: Description based on publisher supplied metadata and other sources

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Information Activism : a queer history of lesbian media technologies (2020)

McKinney, Cait [Verfasser] 1983-

Durham : Duke University Press

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ISBN: 9781478009337

Language: English

Pages: 1 Online-Ressource (xi, 290 Seiten)

Series Statement: Sign, Storage, Transmission

Parallel Title: Erscheint auch als

DDC: 306.76/63

RVK:

AN 91083

RVK:

AN 91300

RVK:

MS 2870

Keywords: Lesbian Herstory Archives ; Geschichte 1970-2020 ; SOCIAL SCIENCE / Media Studies ; Archival materials Digitization ; Social aspects ; Archives Social aspects ; Digital media Social aspects ; Lesbian feminism Archival resources ; Lesbians Archival resources ; Queer theory ; Medien ; Queer-Theorie ; Soziale Bewegung ; Lesbe ; Kommunikation ; Feminismus ; USA ; Hochschulschrift ; Hochschulschrift ; Aufsatzsammlung ; USA ; Lesbe ; Feminismus ; Soziale Bewegung ; Medien ; Kommunikation ; Queer-Theorie ; Geschichte 1970-2020 ; Lesbian Herstory Archives

Abstract: For decades, lesbian feminists across the United States and Canada have created information to build movements and survive in a world that doesn't want them. InInformation Activism Cait McKinney traces how these women developed communication networks, databases, and digital archives that formed the foundation for their work. Often learning on-the-fly and using everything from index cards to computers, these activists brought people and their visions of justice together to organize, store, and provide access to information. Focusing on the transition from paper to digital-based archival techniques from the 1970s to the present, McKinney shows how media technologies animate the collective and unspectacular labor that sustains social movements, including their antiracist and trans-inclusive endeavors. By bringing sexuality studies to bear on media history, McKinney demonstrates how groups with precarious access to control over information create their own innovative and resourceful techniques for generating and sharing knowledge

DOI: 10.1515/9781478009337

URL: Volltext (URL des Erstveröffentlichers)

URL: lizenzpflichtig

URL: https://doi.org/10.1515/9781478009337?locatt=mode:legacy

URL: https://www.degruyter.com/isbn/9781478009337

URL: Cover

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The meaning of soul : Black music and resilience since the 1960s (2020)

Lordi, Emily J. [Verfasser] 1979-

Durham : Duke University Press

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ISBN: 9781478012245 , 1478012242

Language: English

Pages: 1 Online-Ressource (x, 217 pages)

Series Statement: Refiguring American music

Parallel Title: Erscheint auch als

DDC: 781.644

RVK:

LS 48640

Keywords: Geschichte 1960- ; Soul music / History and criticism ; Soul musicians ; African Americans / Music / History and criticism ; Music and race / History / 20th century / United States ; Popular music / History and criticism / United States ; Resilienz ; Afroamerikanische Musik ; Ethnische Identität ; Soulmusiker ; USA ; USA ; Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; Resilienz ; Geschichte 1960-

Abstract: From soul to post-soul : a literary and musical history -- We shall overcome, shelter, and veil : soul covers -- Rescripted relations : soul ad-libs -- Emergent interiors : soul falsettos -- Never catch me : false endings from soul to post-soul -- Conclusion. "I'm tired of Marvin asking me what's going on" : soul legacies and the work of Afropresentism

Note: Includes bibliographical references and index. - Description based on print version record

DOI: 10.1215/9781478012245

URL: Volltext (URL des Erstveröffentlichers)

URL: https://doi.org/10.1515/9781478012245?locatt=mode:legacy

URL: https://www.degruyter.com/isbn/9781478012245

URL: Cover

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Manufacturing celebrity : Latino paparazzi and women reporters in Hollywood (2020)

Díaz, Vanessa [Verfasser] 1983-

Durham : Duke University Press

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ISBN: 9781478009436 , 9781478008545

Language: English

Pages: xvi, 310 Seiten , Illustrationen

DDC: 305.52

RVK:

AP 19830

RVK:

HD 370

Keywords: Berühmte Persönlichkeit ; Regenbogenpresse ; Paparazzo ; Diskriminierung ; USA ; Los Angeles- Hollywood

Note: Literaturverzeichnis Seite 271-300

URL: Inhaltsverzeichnis

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Island futures : Caribbean survival in the anthropocene (2020)

Sheller, Mimi [VerfasserIn] 1967-

Durham : Duke University Press

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ISBN: 9781478012733

Language: English

Pages: 1 online resource (257 pages)

Parallel Title: Erscheint auch als Sheller, Mimi, 1967 - Island futures

DDC: 304.209792

RVK:

AR 38730

Keywords: Human ecology Sociological aspects ; Sustainable development ; Human ecology Political aspects ; Human ecology-Political aspects-Caribbean Area ; Karibischer Raum Haiti ; naturkatastrophe ; Klimawandel ; Verhältnis Mensch - Natur ; Humanökologie ; Anthropozän ; Postkolonialismus ; Caribbean Haiti ; Climate change ; Human ecology ; Anthropocene ; Postcolonialism ; Electronic books ; Caribbean Area Environmental aspects ; Caribbean Area Climatic factors ; Karibik ; Klimaänderung ; Naturkatastrophe ; Haiti ; USA ; Humanökologie

Abstract: Mimi Sheller delves into the ecological crises and reconstruction challenges affecting the entire Caribbean region, showing how vulnerability to ecological collapse and the quest for a "just recovery" in the Caribbean emerge from specific transnational political, economic, and cultural dynamics.

Abstract: Cover -- Contents -- Preface: An Autobiography of My Mother -- Acknowledgments -- Introduction: Im/Mobile Disaster -- 1. Kinopolitical Power -- 2. Water Power -- 3. Aerial Power -- 4. Digital Power -- 5. Bordering Power -- 6. Sexual Power -- Conclusion: Surviving the Anthropocene -- Afterword: This is Not a Requiem -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y.

Note: Description based on publisher supplied metadata and other sources

URL: lizenzpflichtig

URL: https://doi.org/10.1515/9781478012733?locatt=mode:legacy

URL: https://www.degruyter.com/isbn/9781478012733

URL: Cover

URL: Volltext (URL des Erstveröffentlichers)

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Unseeing empire : photography, representation, South Asian America (2020)

Mani, Bakirathi [VerfasserIn]

Durham : Duke University Press

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ISBN: 9781478009849 , 9781478010890

Language: English

Pages: xv, 271 Seiten, 12 ungezählte Seiten , Illustrationen

Series Statement: A camera obscura book

Parallel Title: Erscheint auch als Mani, Bakirathi Unseeing Empire

DDC: 909/.04914

RVK:

AP 99083

RVK:

MS 1235

RVK:

MS 3600

Keywords: South Asian Americans Cultural assimilation ; South Asian Americans Ethnic identity ; South Asian diaspora ; USA ; Diaspora ; Südasiaten ; Kulturelle Identität ; Einwanderung ; Fotografie ; Shah, Seher 1975- ; Matthew, Annu Palakunnathu 1964- ; Gill, Gauri 1970-

Abstract: "In Unseeing Empire Bakirathi Mani examines how empire continues to haunt South Asian American visual cultures. Weaving close readings of fine art together with archival research and ethnographic fieldwork at museums and galleries across South Asia and North America, Mani outlines the visual and affective relationships between South Asian diasporic artists, their photographic work, and their viewers. She notes that the desire for South Asian Americans to see visual representations of themselves is rooted in the use of photography as a form of colonial documentation and surveillance. She examines fine art photography by South Asian diasporic artists who employ aesthetic strategies such as duplication and alteration that run counter to viewers' demands for greater visibility. These works fail to deliver on viewers' desires to see themselves, producing instead feelings of alienation, estrangement, and loss. These feelings, Mani contends, allow viewers to question their own visibility as South Asian Americans in US public culture and to reflect on their desires to be represented"--

Note: Literaturverzeichnis: Seiten 245-259

URL: Inhaltsverzeichnis

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Photographic returns : racial justice and the time of photography (2020)

Smith, Shawn Michelle [Verfasser] 1965-

Durham : Duke University Press

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ISBN: 9781478005537 , 147800553X

Language: English

Pages: 1 Online-Ressource (ix, 236 pages) , illustrations

Parallel Title: Erscheint auch als

DDC: 779.93058

RVK:

AP 95000

RVK:

HD 474

RVK:

MS 1235

RVK:

MS 3530

Keywords: Photography in ethnology / History / United States ; Documentary photography / History / United States ; Art and photography / United States ; Photography in historiography ; Photography / Social aspects / History / United States ; Art and history / United States ; Fotografie ; Rassenfrage ; USA ; Electronic books ; USA ; Rassenfrage ; Fotografie

Note: Includes bibliographical references and index. - Description based on print version record

DOI: 10.1215/9781478005537

URL: lizenzpflichtig

URL: Volltext

URL: http://dx.doi.org/10.1215/9781478005537?locatt=mode:legacy

URL: Inhaltsverzeichnis

URL: https://doi.org/10.1515/9781478005537?locatt=mode:legacy

URL: https://www.degruyter.com/isbn/9781478005537

URL: Cover

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Unfree masters : recording artists and the politics of work (2013)

Stahl, Matt [Verfasser]

Durham : Duke University Press

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ISBN: 9780822353287 , 9780822353430

Language: English

Pages: X, 296 Seiten

Series Statement: Refiguring American music

DDC: 338.47/780973

RVK:

LS 48015

Keywords: Popular music Writing and publishing ; Popular music Economic aspects ; Intellectual property ; Sound recording industry ; Wirtschaftliche Abhängigkeit ; Autonomie ; Label ; Popmusiker ; Musikwirtschaft ; USA ; Popmusiker ; Musikwirtschaft ; Label ; Autonomie ; Wirtschaftliche Abhängigkeit

Note: Includes bibliographical references and index

URL: Inhaltsverzeichnis

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The migrant image : the art and politics of documentary during global crisis (2013)

Demos, T. J. [VerfasserIn] 1966-

Durham : Duke University Press

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ISBN: 9780822353263 , 9780822353409

Language: English

Pages: xxiii, 335 Seiten, 16 ungezählte Seiten , Illustrationen

Parallel Title: Erscheint auch als Demos, T. J., 1966 - The Migrant Image

DDC: 700.86/91

RVK:

LC 96000

RVK:

LH 65880

RVK:

AP 16850

Keywords: Arts and globalization ; Culture and globalization ; Art and society ; Documentary mass media and the arts ; Emigration and immigration in art ; Globalisierung ; Globalisierung ; Massenmedien ; Film ; Videokunst ; Fotografie ; Performance ; Kunst ; Politik ; Migration ; Kunst ; Politik ; Migration

Abstract: Indeterminacy and bare life in Steve McQueen's Western deep -- Sabotaging the future? : the essay-films of the Otolith Group -- Hito Steyerl's travelling images -- The art of Emily Jacir : dislocation and politicization -- Recognizing the unrecognized : the photographs of Ahlam Shibli -- The politics of opacity : the Otolith Group's Nervus rerum -- Out of Beirut : mobile histories and the politics of fiction -- Ursula Biemann's Sahara chronicle : video's migrant geography -- Means without end : Anastas and Gabri's camp campaign -- Destination : the politics of aesthetics during global crisis.

Description / Table of Contents: Indeterminacy and bare life in Steve McQueen's Western deep -- Sabotaging the future? : the essay-films of the Otolith Group -- Hito Steyerl's travelling images -- The art of Emily Jacir : dislocation and politicization -- Recognizing the unrecognized : the photographs of Ahlam Shibli -- The politics of opacity : the Otolith Group's Nervus rerum -- Out of Beirut : mobile histories and the politics of fiction -- Ursula Biemann's Sahara chronicle : video's migrant geography -- Means without end : Anastas and Gabri's camp campaign -- Destination : the politics of aesthetics during global crisis.

Note: Literaturverzeichnis: Seiten 305-322

URL: Inhaltsverzeichnis

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Media, erotics, and transnational Asia (2012)

Mankekar, Purnima [HerausgeberIn] ; Schein, Louisa [HerausgeberIn]

Durham : Duke University Press

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ISBN: 9780822391326 , 9781283925044 , 1283925044

Language: English

Pages: 1 Online-Ressource (xi, 374 Seiten) , Illustrationen

Series Statement: Knowledge Unlatched Backlist Collection 2016

Series Statement: Media & Communications

Parallel Title: Erscheint auch als Media, erotics, and transnational Asia

DDC: 302.23095

RVK:

AP 19600

Keywords: Sex in popular culture ; Mass media and the arts ; Sex in mass media ; Mass media Social aspects ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books. ; Electronic books. ; Electronic books. ; Electronic books ; Electronic books ; Asien ; Medien ; Erotik ; Sexualität ; Asien ; Massenmedien ; Erotik ; Liebe

Note: Includes bibliographical references (p. [323]-355) and index

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