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  • Online Resource  (15)
  • AV-Medium
  • English  (15)
  • 2020-2024  (15)
  • 1995-1999
  • 2021  (15)
  • American Studies  (15)
Material
Language
Years
  • 2020-2024  (15)
  • 1995-1999
Year
  • 1
    ISBN: 9781496227522
    Language: English
    Pages: 1 Online-Ressource (319 Seiten)
    Series Statement: Critical studies in the history of anthropology
    Parallel Title: Erscheint auch als Reichel, A. Elisabeth, 1989 - Writing anthropologists, sounding primitives
    DDC: 808.1
    RVK:
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    Keywords: Electronic books ; Sapir, Edward 1884-1939 ; Mead, Margaret 1901-1978 ; Benedict, Ruth 1887-1948
    Abstract: Writing Anthropologists, Sounding Primitives offers a contribution to the history of anthropology by synthesizing and applying insights from the history of writing, sound studies, and intermediality studies to poetry and scholarship produced by early twentieth-century U.S.-American cultural anthropologists..
    Note: Description based on publisher supplied metadata and other sources
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  • 2
    Online Resource
    Online Resource
    New Brunswick, New Jersey : Rutgers University Press
    ISBN: 9781978814639
    Language: English
    Pages: 1 Online-Ressource (289 pages) , illustrations
    Parallel Title: Erscheint auch als Mixed-race superheroes
    DDC: 741.59
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    Keywords: Racially mixed people in literature ; Superheroes in literature ; Comic books, strips, etc History and criticism ; Comic ; Ethnische Identität ; Film ; Superheld ; USA ; Aufsatzsammlung ; USA ; Comic ; Film ; Superheld ; Ethnische Identität
    Note: Includes index , Description based on print version record
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  • 3
    Online Resource
    Online Resource
    Toronto : Coach House Books
    ISBN: 9781770566316 , 9781770566408
    Language: English
    Pages: 1 Online-Ressource (271 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Thompson, Cheryl, 1977 - Uncle
    DDC: 305.30952
    RVK:
    Keywords: African Americans in mass media ; African Americans in popular culture ; African Americans-Social conditions ; Electronic books ; Stowe, Harriet Beecher 1811-1896 Uncle Tom's cabin
    Abstract: From martyr to insult, how "Uncle Tom" has influenced two centuries of racial politics.
    Abstract: Cover -- Title Page -- Copyright Page -- Table of Contents -- Introduction -- 1: Uncle Tom's Cabin -- 2: Uncle Tom and Eva -- 3: Minstrel Show Tom -- 4: Vaudeville Tom -- 5: Aunt Jemima in Chicago -- 6: Rastus -- 7: The Reconstruction of Uncle Tom -- 8: Sambo and Uncle Remus -- 9: Sleeping Car Porters and Uncle Ben -- 10: Topsy-Turvy Dolls and Shirley Temple -- 11: Uncle Tom on the Big Screen -- 12: Amos 'n' Andy -- 13: Song of the South and Uncle Remus's Return -- 14: Uncle Tom's 1960s Transformation -- 15: Harry Belafonte and Sidney Poitier -- 16: The Anti-Tom -- 17: Good Times' Coonfoolery -- 18: Uncle Tom and Black Capitalism -- 19: The 1980s, Bill Cosby, and Smokescreen Toms -- 20: A Politically Correct Uncle Tom and an In-Your-Face Topsy -- 21: Advertising Black Buddies -- 22: Uncle Ben and Aunt Jemima 2.0 -- 23: O.J. Simpson, A Passing Uncle -- 24: Barack Obama and the Paradox of Black Political Power -- Conclusion: The Immortal Uncle Tom -- Notes -- Selected Bibliography -- Image Credits -- About the Author.
    Note: Description based on publisher supplied metadata and other sources
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  • 4
    Online Resource
    Online Resource
    New Brunswick, NJ : Rutgers University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781978807624
    Language: English
    Pages: 1 Online-Ressource (206 p.)
    Edition: 2020
    Series Statement: War Culture
    DDC: 303.6/6
    RVK:
    Abstract: American War Stories asks readers to contemplate what traditionally constitutes a “war story” and how that constitution obscures the normalization of militarism in American culture. The book claims the traditionally narrow scope of “war story,” as by a combatant about his wartime experience, compartmentalizes war, casting armed violence as distinct from everyday American life. Broadening “war story” beyond the specific genres of war narratives such as “war films,” “war fiction,” or “war memoirs,” American War Stories exposes how ingrained militarism is in everyday American life, a condition that challenges the very democratic principles the United States is touted as exemplifying.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    Online Resource
    Online Resource
    New York ; London ; Oxford ; New Dehli ; Sydney : Bloomsbury Academic
    ISBN: 9781501370403 , 9781501370380 , 9781501370397
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306/.1
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    Keywords: Identität ; Subkultur ; Hipster ; Counterculture ; Bohemianism ; Subculture ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books ; Hipster ; Subkultur ; Identität
    Abstract: "The first comprehensive collection of original studies that address the hipster and hipster culture from a range of Cultural Studies perspectives"--
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  • 6
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    ISBN: 9781315100098 , 9780367538217 , 9781138296282 , 9781315100098
    Language: English
    Pages: 1 Online-Ressource (207 p.)
    Series Statement: Interdisciplinary Research in Gender
    RVK:
    Keywords: Gender studies, gender groups ; Acker, Kathy 1948-1997 ; Punk ; Poetik
    Abstract: "This project is a feminist study of the idiosyncratic oeuvre of Kathy Acker and how her unique art and politics, located at the explosive intersection of punk, postmodernism, and feminism, critiques and exemplifies late twentieth-century capitalism. There is no female or feminist writer like Kathy Acker (and probably no male either). Her body of work—nine novels, novellas, essays, reviews, poetry, and film scripts, published in a period spanning the 1970s to the mid 1990s—is the most developed body of contemporary feminist postmodernist work and of the punk aesthetic in a literary form. Some 20 years after her death, Kathy Acker: Punk Writer gives a detailed and comprehensive analysis of how Acker melds the philosophy and poetics of the European avant-garde with the vernacular and ethos of her punk subculture to voice an idiosyncratic feminist radical politics in literary form: a punk feminism. With its aesthetics of shock, transgression, parody, Debordian détournement, caricature, and montage, her oeuvre reimagines the fin-de-siècle United States as a schlock horror film for her punk girl protagonist: Acker’s cipher for herself and other rebellious and nonconformist women. This approach will allow the reader to more fully understand Acker as a writer who inhabits an explosive and creative nexus of contemporary women’s writing, punk culture, and punk feminism’s reimagining of late capitalism. This vital work will be an important text at both undergraduate and graduate levels in gender and women’s studies, postmodern studies, and twentieth-century American literature."
    Note: English
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  • 7
    Online Resource
    Online Resource
    Milton Park, Abingdon, Oxon : Routledge
    ISBN: 9780429243578
    Language: English
    Pages: 1 Online-Ressource (408 pages)
    DDC: 305.48/896
    RVK:
    Keywords: Women, Black History ; Women, Black Social conditions ; Women, Black Social life and customs ; Aufsatzsammlung
    Abstract: "In the social and cultural histories of women and feminism, Black women have long been overlooked or ignored. The Routledge Companion to Black Women's Cultural Histories is an impressive and comprehensive reference work for contemporary scholarship on the cultural histories of Black women across the diaspora spanning different eras from ancient times into the twenty-first century. Comprising over thirty chapters by a team of international contributors, the Companion is divided into five parts: A Fragmented Past, An Inclusive Future Contested Histories, Subversive Memories Gendered Lives, Racial Frameworks Cultural Shifts, Social Change, Black Identities, Feminist Formations Within these sections a diverse range of women, places and issues are explored including: The Queen of Sheba, Black Women in Early Modern European Art and Culture, Enslaved Muslim Women in the Antebellum United States, Sally Hemings, and Phillis Wheatley, Black women writers in Early 20th Century Paris, Black women, Civil Rights, South African Apartheid, and sexual violence and resistance in the United States in recent history. The Routledge Companion to Black Women's Cultural Histories is essential reading for students and researchers in Gender Studies, History, Africana Studies and Cultural Studies"--
    Note: Includes bibliographical references and index
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  • 8
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Verlag der Österreichischen Akademie der Wissenschaften | [Berlin] : BiblioLabs
    ISBN: 9789286145834 , 9783700174295
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: EIB Working Papers
    RVK:
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    Keywords: Kulturbeziehungen ; Kanada ; USA Südstaaten ; Konferenzschrift 2010
    Abstract: This paper investigates the impact of intermediated funding provided by the EIB on the performance of SMEs in the EU between 2008 and 2014. Using statistical analysis of firm-level data, it finds that EIB lending had a positive effect on employment, firm size, investment and innovation capacity, and also increased firms' leverage. The impact of EIB funding was higher in the countries of Central and Eastern Europe and also in Southern Europe, while somewhat smaller, yet still significant, in West and North Europe
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  • 9
    ISBN: 9781000363128
    Language: English
    Pages: 1 online resource (181 pages)
    Series Statement: Routledge Interdisciplinary Perspectives on Literature Ser.
    Parallel Title: Erscheint auch als MESEA Conference (11. : 2018 : Graz) Ethnicity and kinship in North American and European literatures
    DDC: 30.44/09407
    RVK:
    Keywords: Ethnicity in literature-Congresses ; Electronic books ; Konferenzschrift 2018 ; Nordamerika ; Europa ; Literatur ; Ethnizität ; Ethnische Identität ; Verwandtschaft
    Abstract: Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Table of contents -- Acknowledgments -- Introduction: Theorizing Kinship and Ethnicity in Contemporary North American and European Literature -- Kinship as Affective Belonging -- Theorizing the Intersections of Ethnicity and Kinship -- Emerging Themes -- Notes -- Work Cited -- Familiar/Familial Kinship -- 1 From Familiar to Familial: Gloria Anzaldúa's Queer Rhetorical Kinship -- What, Historically, is Ethos? -- Anzaldúa's Borderlands: Departing from "Standpoint," Arriving at "Confluence" -- Nepantla: An Art of Kinship through Poetic "Com-position" -- Notes -- Works Cited -- 2 From China to Cuba, and Back: The Conundrums of Ethnic Identity and Kinship in Cristina García's Monkey Hunting -- Notes -- Works Cited -- 3 In Praise of the Kitchen Poet: Cooking as Kinship in Ethnic Culinary Memoirs -- Home-Cooked Food: Enforcing Cultural Belonging or Creating Kinship? -- Kitchen Poets -- A Longing to Belong and "Be Long" -- Conclusion: Textual Kinship -- Note -- Works Cited -- Kinship States -- 4 Beyond Kinship and National Identity: Ika Hügel-Marshall's Daheim Unterwegs: Ein Deutsches Leben -- Introduction -- Racial Blackness in Postwar Germany -- Queered Belonging and Diasporic Consciousness -- "At Home on the Way" -- Notes -- Works Cited -- 5 Care, Intimacy, and Kinship: Rethinking Traditional Narratives of the Family in Adrian Tomine's "A Brief History of ... -- Introduction -- Reimagining Familiar and Familial Kinships -- Gendering Care and Kinship -- Notes -- Works Cited -- 6 Narratives of Intimacy: Ethnic Nationalism, Kinship, and Sexuality in Contemporary Bosnian-Herzegovinian Literature -- Transnational and Transethnic Sensibility as Reading Practice -- War and Post-War Divisions: Ethnic Nationalism and Kinship Relations.
    Note: Description based on publisher supplied metadata and other sources
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  • 10
    Online Resource
    Online Resource
    New York : New York University Press
    ISBN: 9781479810932 , 9781479810925
    Language: English
    Pages: 1 Online-Ressource (261 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.896/073
    RVK:
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    Keywords: LITERARY CRITICISM / American / African-American ; African Americans ; Age Social aspects ; Blacks ; Human body Social aspects ; Racism ; Altern ; Körper ; Soziale Situation ; Aussehen ; Schwarze ; USA ; USA ; Schwarze ; Körper ; Aussehen ; Altern ; Soziale Situation
    Abstract: A view of transatlantic slavery's afterlife and modern Blackness through the lens of age. Although more than fifty years apart, the murders of Emmett Till and Trayvon Martin share a commonality: Black children are not seen as children. Time and time again, excuses for police brutality and aggression-particularly against Black children- concern the victim "appearing" as a threat. But why and how is the perceived "appearance" of Black persons so completely separated from common perceptions of age and time? Black Age: Oceanic Lifespans and the Time of Black Life posits age, life stages, and lifespans as a central lens through which to view Blackness, particularly with regard to the history of transatlantic slavery. Focusing on Black literary culture of the late twentieth and early twenty-first centuries, Habiba Ibrahim examines how the history of transatlantic slavery and the constitution of modern Blackness has been reimagined through the embodiment of age. She argues that Black age-through nearly four centuries of subjugation- has become contingent, malleable, and suited for the needs of enslavement. As a result, rather than the number of years lived or a developmental life stage, Black age came to signify exchange value, historical under-development, timelessness, and other fantasies borne out of Black exclusion from the human.Ibrahim asks: What constitutes a normative timeline of maturation for Black girls when "all the women"-all the canonically feminized adults-"are white"? How does a "slave" become a "man" when adulthood is foreclosed to Black subjects of any gender? Black Age tracks the struggle between the abuses of Black exclusion from Western humanism and the reclamation of non-normative Black life, arguing that, if some of us are brave, it is because we dare to live lives considered incomprehensible within a schema of "human time.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 11
    Online Resource
    Online Resource
    Abingdon, Oxon : Routledge | Berlin : Knowledge Unlatched
    ISBN: 9781315100098
    Language: English
    Pages: 1 Online-Ressource (207 seiten)
    Series Statement: Interdisciplinary research in gender
    Parallel Title: Erscheint auch als Henderson, Margaret A. Kathy Acker
    DDC: 813/.54
    RVK:
    Keywords: Acker, Kathy Criticism and interpretation ; Feminist fiction, American History and criticism ; Experimental fiction, American History and criticism ; Punk culture in literature ; Capitalism and literature ; Feminism in literature ; Acker, Kathy 1948-1997
    Abstract: Introduction: The fin-de-siècle punk writer : the sense and non-sense of revolt -- Contexts and configurations of Acker. Acker's punk times : the scenes and sounds of punk writing -- The punk writer emerges : from counterculture to punk culture -- The punk intellectual : repossessing the European avant-garde -- The punk feminist novelist : making the novel of cruelty and excess -- Acker's punk tropology. Heterosexual desire : Blood and guts in high school (1978) -- The family : Great expectations (1982) -- The polity : Don Quixote : which was a dream (1986) -- The economy : Empire of the senseless (1988) -- Conclusion: What Kathy did.
    Abstract: "This project is a feminist study of the idiosyncratic oeuvre of Kathy Acker and how her unique art and politics, located at the explosive intersection of punk, postmodernism and feminism, critiques and exemplifies late twentieth-century capitalism. There is no female or feminist writer like Kathy Acker (and probably no male either). Her body of work-nine novels, novellas, essays, reviews, poetry, and film scripts, published in a period spanning the 1970s to the mid-1990s-is the most developed body of contemporary feminist postmodernist work and of the punk aesthetic in a literary form. Twenty years after her death, Kathy Acker: Punk Writer gives a detailed and comprehensive analysis of how Acker melds the philosophy and poetics of the European avant-garde with the vernacular and ethos of her punk subculture to voice an idiosyncratic feminist radical politics in literary form: a punk feminism. With its aesthetics of shock, transgression, parody, Debordian détournement, caricature, and montage, her oeuvre reimagines the fin-de-siècle United States as a schlock horror film for her punk girl protagonist: Acker's cipher for herself and other rebellious and nonconformist women. This approach will allow the reader to more fully understand Acker, as a writer who inhabits an explosive and creative nexus of contemporary women's writing, punk culture, and punk feminism's reimagining of late capitalism. This vital work will be an important text at both undergraduate and graduate levels in Gender and Women's Studies, Postmodern Studies and twentieth-century American literature. Margaret"--
    Note: Includes bibliographical references and index
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  • 12
    Online Resource
    Online Resource
    Berkeley, CA : University of California Press
    ISBN: 9780520972674
    Language: English
    Pages: 1 Online-Ressource (192 p)
    Edition: [Online-Ausgabe]
    Series Statement: American Studies Now: Critical Histories of the Present 14
    Parallel Title: Erscheint auch als Barker, Joanne, 1962 - Red Scare
    RVK:
    Keywords: Indians of North America Social conditions ; Social justice 21st century ; Social movements 21st century ; HISTORY / Native American ; Kanada ; USA ; Indigenes Volk ; Indigene Frau ; Verschwinden ; Erdöl ; Aktivismus ; Ausbeutung ; Gewalt
    Abstract: Frontmatter -- Contents -- Overview -- Prologue -- Scared Red -- The Murderable Indian -- The Kinless Indian -- Radical Alterities from Huckleberry Roots -- Acknowledgments -- Appendix I: A Chronology -- Appendix II: Cherokee Treaties and Membership/Census Rolls -- Notes -- Glossary -- Selected Bibliography
    Abstract: How the rhetoric of terrorism has been used against high-profile movements to justify the oppression and suppression of Indigenous activists. New Indigenous movements are gaining traction in North America: the Missing and Murdered Women and Idle No More movements in Canada, and the Native Lives Matter and NoDAPL movements in the United States. These do not represent new demands for social justice and treaty rights, which Indigenous groups have sought for centuries. But owing to the extraordinary visibility of contemporary activism, Indigenous people have been newly cast as terrorists—a designation that justifies severe measures of policing, exploitation, and violence. The Red Scare investigates the intersectional scope of these four movements, and the broader context of the treatment of Indigenous social justice movements as threats to neoliberal and imperialist social orders. In The Red Scare, Joanne Barker shows how US and Canadian leaders leverage the fear-driven discourses of terrorism to allow for extreme responses to Indigenous activists, framing them as threats to social stability and national security. The alignment of Indigenous movements now with broader struggles against sexual, police, and environmental violence puts them at the forefront of new intersectional solidarities in prominent ways. The activist-as-terrorist framing is cropping up everywhere, but the historical and political complexities of Indigenous movements and state responses are unique. Indigenous criticisms of state policy, resource extraction and contamination, intense surveillance, and neoliberal values are met with outsized and shocking measures of militarized policing, environmental harm, and sexual violence. The Red Scare provides students and readers with a concise and thorough survey of these movements and their links to broader organizing; the common threads of historical violence against Indigenous people; and the relevant alternatives we can find in Indigenous forms of governance and relationality
    Note: Mode of access: Internet via World Wide Web. , In English
    URL: Cover
    URL: Cover
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  • 13
    Online Resource
    Online Resource
    London, England : Zed Books | [London, England] : Bloomsbury Publishing
    ISBN: 9781350218178
    Language: English
    Pages: 1 online resource (xiv, 384 pages)
    Parallel Title: (PDF)
    Parallel Title: (print)
    Parallel Title: (paperback)
    Parallel Title: (paperback)
    Parallel Title: (hardback)
    Parallel Title: (epub)
    Parallel Title: (mobi)
    DDC: 306.0973
    RVK:
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    Keywords: Popular culture / United States / African influences ; Literature & literary studies ; United States / Civilization / African influences ; Africa / In popular culture ; Africa / History / 20th century ; Africa / Politics and government ; Electronic books ; Electronic books ; Electronic books
    Note: Includes bibliographical references (pages 317-376) and index , Also published in print , Mode of access: World Wide Web
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  • 14
    Online Resource
    Online Resource
    Durham ; London : Duke University Press
    ISBN: 9781478012962 , 147801296X
    Language: English
    Pages: 1 Online-Ressource (x, 137 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.3/620973
    RVK:
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    Keywords: LITERARY CRITICISM / American / General ; Slavery / History / United States ; Slavery / Sociological aspects / United States ; Slavery in literature ; Slavery History ; Slavery Sociological aspects ; Schwarze ; Sklaverei ; Kreativität ; Psychische Verarbeitung ; Schwarze ; Sklaverei ; Psychische Verarbeitung ; Kreativität
    Abstract: In Counterlife Christopher Freeburg poses a question to contemporary studies of slavery and its aftereffects: what if freedom, agency, and domination weren't the overarching terms used for thinking about Black life? In pursuit of this question, Freeburg submits that current scholarship is too preoccupied with demonstrating enslaved Africans' acts of political resistance, and instead he considers Black social life beyond such concepts. He examines a rich array of cultural texts that depict slavery-from works by Frederick Douglass, Radcliffe Bailey, and Edward Jones to spirituals, the television cartoon The Boondocks, and Quentin Tarantino's Django Unchained-to show how enslaved Africans created meaning through artistic creativity, religious practice, and historical awareness both separate from and alongside concerns about freedom. By arguing for the impossibility of tracing slave subjects solely through their pursuits of freedom, Freeburg reminds readers of the arresting power and beauty that the enigmas of Black social life contain
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 15
    Online Resource
    Online Resource
    Minneapolis : University of Minnesota Press
    ISBN: 9781452965949
    Language: English
    Pages: 1 Online-Ressource (x, 294 Seiten)
    Series Statement: Indigenous Americas
    Series Statement: Indigenous Americas Ser.
    Parallel Title: Erscheint auch als Tatonetti, Lisa Written by the body
    DDC: 305.3
    RVK:
    Keywords: Sex role Cross-cultural studies ; Indigenous women ; Indigenous peoples ; Masculinity Cross-cultral studies ; Gender identity Cross-cultural studies ; Gender nonconformity Cross-cultural studies ; Sex role-Cross-cultural studies ; Electronic books
    Abstract: Cover Page -- Indigenous Americas -- Title Page -- Indigenous Americas -- Copyright Page -- Contents -- Acknowledgments -- Introduction: Text, Archive, and Action: The Body in Motion -- Chapter 1: Warrior Women in History and Early Indigenous Literatures -- Chapter 2: Warriors, Indigenous Futures, and the Erotic: Anna Lee Walters and Daniel Heath Justice -- Chapter 3: Big Moms, or The Body as Archive -- Chapter 4: Body as Shield and Shelter: Indigenous Documentary Film -- Chapter 5: HIV/AIDS Activism and the Indigenous Erotic: Carole laFavor -- Chapter 6: An Erotics of Responsibility: Non-Cis Identities and Community Accountability -- Coda: Written by the Body: Felt Theory, New Worlds, and Transformative Possibilities -- Notes -- Bibliography -- Index -- About the Author.
    Note: Description based on publisher supplied metadata and other sources
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