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  • 1
    ISBN: 9781496226082
    Language: English
    Pages: xvii, 406 Seiten , Illustrationen , 24 cm
    Series Statement: Critical studies in the history of anthropology
    Parallel Title: Erscheint auch als Reichel, A. Elisabeth, 1989 - Writing anthropologists, sounding primitives
    DDC: 808.1
    RVK:
    RVK:
    Keywords: Sapir, Edward Criticism and interpretation ; Mead, Margaret Criticism and interpretation ; Benedict, Ruth Criticism and interpretation ; Anthropologists' writings, American History and criticism ; American poetry 20th century ; Sapir, Edward 1884-1939 ; Mead, Margaret 1901-1978 ; Benedict, Ruth 1887-1948
    Abstract: Introduction : poets, anthropologists, primitives -- Of mumbling melody, soft singing, and slow speech : constructions of sonic otherness in the poetry of Edward Sapir -- On alternating sounds : musical alterities in Sapir's poetry and critical writings -- Interlude : French-Canadian folk songs in translation -- "For you have given me speech!" : gifted literates, illiterate primitives, and Margaret Mead -- Toward unnerving the us : the poetry and scholarship of Ruth Benedict -- Conclusion : cultural and media evolutionism in Boasian anthropology and beyond -- Appendix: The Complete Poetry of Edward Sapir, Margaret Mead, and Ruth Benedict.
    Abstract: "Writing Anthropologists, Sounding Primitives" offers a contribution to the history of anthropology by synthesizing and applying insights from the history of writing, sound studies, and intermediality studies to poetry and scholarship produced by early twentieth-century U.S.-American cultural anthropologists"--
    Note: Literaturverzeichnis: Seite 345-384 , Index: Seite 385-406
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 2
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : University of Nebraska Press
    ISBN: 9781496227546
    Language: Undetermined
    Pages: 1 Online-Ressource (462 p.)
    Keywords: Poetry
    Abstract: Writing Anthropologists, Sounding Primitives re-examines the poetry and scholarship of three of the foremost figures in the twentieth-century history of U.S.-American anthropology: Edward Sapir, Margaret Mead, and Ruth Benedict. While they are widely renowned for their contributions to Franz Boas's early twentieth-century school of cultural relativism, what is far less known is their shared interest in probing the representational potential of different media and forms of writing. This dimension of their work is manifest in Sapir's critical writing on music and literature and Mead's groundbreaking work with photography and film. Sapir, Mead, and Benedict together also wrote more than one thousand poems, which in turn negotiate their own media status and rivalry with other forms of representation. A. Elisabeth Reichel presents the first sustained study of the published and unpublished poetry of Sapir, Mead, and Benedict, charting this largely unexplored body of work and relevant selections of the writers' scholarship. In addition to its expansion of early twentieth-century literary canons, Writing Anthropologists, Sounding Primitives contributes to current debates about the relations between different media, sign systems, and modes of sense perception in literature and other media. Reichel offers a unique contribution to the history of anthropology by synthesizing and applying insights from the history of writing, sound studies, and intermediality studies to poetry and scholarship produced by noted early twentieth-century U.S.-American cultural anthropologists. Access the OA edition here
    Note: English
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  • 3
    ISBN: 9781496227522
    Language: English
    Pages: 1 Online-Ressource (319 Seiten)
    Series Statement: Critical studies in the history of anthropology
    Parallel Title: Erscheint auch als Reichel, A. Elisabeth, 1989 - Writing anthropologists, sounding primitives
    DDC: 808.1
    RVK:
    RVK:
    Keywords: Electronic books ; Sapir, Edward 1884-1939 ; Mead, Margaret 1901-1978 ; Benedict, Ruth 1887-1948
    Abstract: Writing Anthropologists, Sounding Primitives offers a contribution to the history of anthropology by synthesizing and applying insights from the history of writing, sound studies, and intermediality studies to poetry and scholarship produced by early twentieth-century U.S.-American cultural anthropologists..
    Note: Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
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