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  • BSZ  (1,635)
  • USA  (1,635)
  • History  (1,519)
  • Art History  (117)
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Language
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  • 1
    Journal/Serial
    Journal/Serial
    Chicago, IL : The University of Chicago Press | Washington, DC : The Association for the Study of African American Life and History | Silver Spring, Md. : The Association for the Study of African American Life and History ; 87.2002 -
    ISSN: 1548-1867 , 2153-5086
    Language: English
    Dates of Publication: 87.2002 -
    Parallel Title: Online-Ausg. The journal of African American history
    Former Title: Vorg. Journal of negro history
    DDC: 960
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    Keywords: Zeitschrift ; Schwarze ; Geschichte ; Zeitschrift ; USA ; Geschichte
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  • 2
    Journal/Serial
    Journal/Serial
    Lexington ; 1.1930,3 -
    Language: Undetermined
    Dates of Publication: 1.1930,3 -
    Former Title: Vorg. Reports in archaeology and anthropology
    Former Title: Reports in anthropology
    DDC: 930
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    Keywords: Monografische Reihe ; USA ; Archäologie ; USA ; Anthropologie ; USA ; Ethnologie
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  • 3
    Journal/Serial
    Journal/Serial
    Lexington ; 1.1930,3 -
    Language: Undetermined
    Dates of Publication: 1.1930,3 -
    Former Title: Vorg. Reports in archaeology and anthropology
    Former Title: Reports in anthropology
    DDC: 930
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    Keywords: Monografische Reihe ; USA ; Archäologie ; USA ; Anthropologie ; USA ; Ethnologie
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  • 4
    Language: English
    DDC: 306.3620973
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    Keywords: Slavery History ; United States ; Aufsatzsammlung ; USA ; Sklaverei ; Geschichte
    Note: Suppl. zu: Without consent or contract / Robert William Fogel. - Umfasst: Vol. 1. Markets and production: technical papers. Vol. 2: Conditions of slave life and the transition to freedom: technical papers
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  • 5
    Journal/Serial
    Journal/Serial
    Durham, NC : Duke Univ. Press ; 1.1918 -
    Show associated volumes/articles
    ISSN: 0018-2168 , 1527-1900 , 1527-1900
    Language: English
    Dates of Publication: 1.1918 -
    Parallel Title: Erscheint auch als The Hispanic American historical review
    Former Title: Guide to the Hispanic American historical review
    DDC: 910
    RVK:
    Keywords: Wirtschaftsgeschichte ; Agrargeschichte ; Geschichte ; Lateinamerika ; Staat ; Lateinamerika Vereinigte Staaten ; Staat ; Europa ; Geschichtswissenschaft ; USA ; Europa ; Graue Literatur ; Zeitschrift ; Hispanoamerika ; Geschichte ; Amerika ; Lateinamerika ; Geschichte ; Lateinamerika
    Note: Repr.: New York, NY : Kraus , Ersch. vierteljährl. , Index 1/25.1918/45 - 26/35.1946/55; Index 56/65.1976/85 in: 66.1986,1; 66/75.1986/95 in: 76.1996,1
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  • 6
    Journal/Serial
    Journal/Serial
    Durham, NC : Duke Univ. Press ; 1.1918 -
    ISSN: 0018-2168 , 1527-1900 , 1527-1900
    Language: English
    Dates of Publication: 1.1918 -
    Parallel Title: Erscheint auch als The Hispanic American historical review
    Former Title: Guide to the Hispanic American historical review
    DDC: 910
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    Keywords: Wirtschaftsgeschichte ; Agrargeschichte ; Geschichte ; Lateinamerika ; Staat ; Lateinamerika Vereinigte Staaten ; Staat ; Europa ; Geschichtswissenschaft ; USA ; Europa ; Graue Literatur ; Zeitschrift ; Hispanoamerika ; Geschichte ; Amerika ; Lateinamerika ; Geschichte ; Lateinamerika
    Note: Repr.: New York, NY : Kraus , Ersch. vierteljährl. , Index 1/25.1918/45 - 26/35.1946/55; Index 56/65.1976/85 in: 66.1986,1; 66/75.1986/95 in: 76.1996,1
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  • 7
    Journal/Serial
    Journal/Serial
    Oxford : Oxford University Press | New York, NY [u.a.] : Macmillan | Washington DC [u.a.] : Assoc. | Chicago, Ill. : Univ. of Chicago Press ; 1.1895/96 -
    Show associated volumes/articles
    ISSN: 0002-8762 , 1937-5239 , 1937-5239
    Language: English
    Dates of Publication: 1.1895/96 -
    Additional Information: Beil. American Historical Association Recently published articles
    Additional Information: Index 1895/1945=1944,1 von American Historical Association Annual report of the American Historical Association Washington, DC : Smithsonian Inst. Press, 1889 0065-8561
    Parallel Title: Erscheint auch als The American historical review
    DDC: 050
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    Keywords: History Periodicals ; United States Periodicals History ; Zeitschrift ; Weltgeschichte ; Zeitschrift ; USA ; Geschichte ; Amerika ; Geschichte
    Note: Repr.: Nendeln : Kraus
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  • 8
    Journal/Serial
    Journal/Serial
    New York, NY [u.a.] : Berghahn Books | Cambridge, Mass. : Univ. ; [4.]1986 - [12.]1994 = Nr. 9-33; 13.1995 - 24.2006 = Iss. 34-81; 25.2007=H. 81-82; 25.2007=H. 84 -
    Show associated volumes/articles
    ISSN: 1045-0300 , 0882-7079 , 1558-5441 , 1558-5441
    Language: English
    Dates of Publication: [4.]1986 - [12.]1994 = Nr. 9-33; 13.1995 - 24.2006 = Iss. 34-81; 25.2007=H. 81-82; 25.2007=H. 84 -
    Parallel Title: Erscheint auch als German politics and society
    Former Title: Vorg. German studies newsletter
    DDC: 300
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    Keywords: Regionalforschung ; Außenpolitik ; Sicherheitspolitik ; Innenpolitik ; Sozioökonomischer Wandel ; Internationale Politik ; Germany Periodicals Civilization ; Germany Periodicals Politics and government 1945- ; Deutschland ; USA ; Zeitschrift ; Deutschland ; Gesellschaft ; Zeitschrift ; Deutschland ; Politik ; Zeitschrift ; Deutschland ; Kultur ; Deutschland ; Politik ; Gesellschaft ; Geschichte ; Geschichte
    Note: Beteil. Körp. anfangs: Center for European Studies, Harvard University , H. 81 u. 101 doppelt gez.; H. 83 u. 103 nicht ersch.; 115 in der Zählung übersprungen; ab 2020 Issue-Zählung für alle Hefte des Jahres identisch
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  • 9
    ISBN: 9781478025160 , 9781478020271
    Language: English
    Pages: 554 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Alvarez, Daniela Future/present
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    Parallel Title: Erscheint auch als FUTURE/PRESENT
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    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Description / Table of Contents: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references
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  • 10
    ISBN: 9781000867695
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Routledge Studies in Modern History Ser
    Parallel Title: Erscheint auch als Frankel, Richard E. Antisemitism Before the Holocaust
    DDC: 305.892/4
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    Keywords: Geschichte 1880-1945 ; Antisemitismus ; Deutschland ; USA ; Deutschland ; USA ; Antisemitismus ; Geschichte 1880-1945
    Note: Description based on publisher supplied metadata and other sources
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  • 11
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031160080
    Language: English
    Pages: 1 Online-Ressource (XIX, 425 p. 11 illus., 9 illus. in color.)
    Edition: 8th ed. 2023.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Aliber, Robert Z., 1930 - Manias, panics, and crashes
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    Keywords: Finanzkrise ; Spekulation ; Bankenkrise ; Wirtschaftskrise ; Geldgeschichte ; Bankgeschichte ; Finanzkrise ; Lender of Last Resort ; Welt ; USA ; Financial crises ; Business cycles ; Depressions ; Macroeconomics. ; Finance. ; History. ; Economic history. ; Financial services industry. ; International relations. ; Financial crises ; Financial history ; Financial crashes ; Global financial crisis ; Financial markets ; Financial bubbles ; National banking systems ; Asset-price bubbles ; Exchange-rate volatility ; International financial systems ; Economic history ; Lender of last resort ; International economy ; Liquid capital ; Capital markets ; Housing based credit bubbles ; Minksy moment ; Japanese bubble of late 1980s ; Credit fueled price bubbles ; Cryptocurrencies ; Finanzkrise ; Bankenkrise ; Depression ; Geschichte ; Finanzwirtschaft ; Spekulation ; Börsenkrach ; Krise ; Weltwirtschaft ; Geschichte
    Abstract: 1: Financial Crises: a Hardy Perennial -- 2: The Anatomy of a Typical Crisis.-3: Speculative Manias -- 4: Fueling the Flames: the Expansion of Credit -- 5: The Critical Stage – When the Bubble Is About To Pop -- 6: Bernie Madoff: Frauds, Swindles, and the Credit Cycle -- 7: Domestic Contagion: Twin Peaks? -- 8: International Contagion 1618–1933 -- 9: Bubble Contagion: Mexico City to Tokyo to Bangkok to New York, London, and Reykjavik -- 10: Policy Responses: Benign Neglect, Exhortation, and Bank Holidays -- 11: The Domestic Lender of Last Resort -- 12: The International Lender of Last Resort before 2000.-13: The 21st Century International Lender of Last Resort -- 14: Bitcoin: Worse than a Ponzi -- 15 The Lessons of History.
    Abstract: In the Eighth Edition of this classic text on the financial history of bubbles and crashes, Robert McCauley joins with Robert Aliber in building on Charles Kindleberger's renowned work. McCauley draws on his central banking experience to introduce new chapters on cryptocurrency and the United States as the 21st Century global lender of last resort. He also updates the book's coverage of the recent property bubble in China, as well as providing new perspectives on the US housing bubble of 2003-2006, and the Japanese bubble of the late 1980s. And he gives new attention to the social psychology that leads people to take the risk of investing in Ponzi schemes and asset price bubbles. For the first time in this revised and updated edition, figures highlight key points to ensure that today’s generation of finance and economic researchers, students, practitioners and policy-makers—as well as investors looking to avoid crashes—have access to this panoramic history of financial crisis.
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  • 12
    ISBN: 9781666905717
    Language: English
    Pages: ix, 191 Seiten , Illustrationen
    Series Statement: New studies in Southern history
    Uniform Title: Dying free
    Parallel Title: Erscheint auch als Towle, Ashley, 1987- African Americans, death, and the new birth of freedom
    DDC: 305.896/073075
    RVK:
    Keywords: 1861-1877 (Periode des amerikanischen Bürgerkriegs und die Ära des Wiederaufbaus) ; 19. Jahrhundert (1800 bis 1899 n. Chr.) ; c 1800 to c 1900 ; African Americans Funeral customs and rites ; African Americans Death ; African Americans Social life and customs 19th century ; Amerikanische Geschichte ; Black & Asian studies ; HIS056000 ; HISTORY / United States / 19th Century ; HISTORY / United States / Civil War Period (1850-1877) ; History of the Americas ; Social & cultural history ; Sozial- und Kulturgeschichte ; United States History Civil War, 1861-1865 ; Casualties ; Southern States Race relations 19th century ; History ; USA ; Vereinigte Staaten von Amerika, USA
    Abstract: "In this study the author examines how, in the Civil War-era South, newly freed African Americans used their experiences with death from war, disease, and racial violence to advance their own understanding of the meaning of freedom and to stake claims to citizenship, civil rights, and racial justice from the federal government"--
    Abstract: This innovative book examines how African Americans in the South made sense of the devastating loss of life unleashed by the Civil War and emancipation. During and after the war, African Americans died in vast numbers from battle, disease, and racial violence. While freedom was a momentous event for the formerly enslaved, it was also deadly. Through an investigation into how African Americans reacted to and coped with the passing away of loved ones and community members, Ashley Towle argues that freedpeople gave credence to their free status through their experiences with mortality. African Americans harnessed the power of death in a variety of arenas, including within the walls of national and private civilian cemeteries, in applications for widows' pensions, in the pulpits of black churches, around seance tables, on the witness stand at congressional hearings, and in the columns of African American newspapers. In the process of mourning the demise of kith and kin, black people reconstituted their families, forged communal bonds, and staked claims to citizenship, civil rights, and racial justice from the federal government. In a society upended by civil war and emancipation, death was political
    Description / Table of Contents: "Let's go to buryin'" : African American civilian funerals and cemeteries in freedom -- "To repose with their comrades" : African Americans and the creation of national cemeteries -- "The widows and families of the heroic dead" : African American kinship and domestic economy -- "The invisible army" : African American religious life and death -- "We are killed all the day long" : testifying and writing about death -- Conclusion: "In the cold valley and shadow of the South land."
    Note: Revision of author's thesis (doctoral)--University of Maryland, 2017, titled Dying free : African Americans, death, and the new birth of freedom, 1863-1877 , Includes bibliographical references and index , Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern (5PB-US-C) , Interessenniveau: 06, Professional and scholarly: For an expert adult audience, including academic research. (06)
    URL: Cover
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  • 13
    ISBN: 0691245452 , 9780691245454
    Language: English
    Pages: 175 Seiten , 26 cm
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    Keywords: 2000-2099 ; Indian art Exhibitions. 21st century ; Indigenous art Exhibitions. 21st century ; Art, American Exhibitions. 21st century ; Art, American ; Indian art ; Indigenous art ; Exhibition catalogs ; United States ; Bildband ; Ausstellungskatalog National Gallery of Art 22.09.2023-15.01.2024 ; Ausstellungskatalog New Britain Museum of American Art 18.04.2024-15.09.2024 ; USA ; Indianer ; Indigenes Volk ; Kunst ; Geschichte 2000-
    Abstract: A groundbreaking survey of contemporary Indigenous art and its enduring connections to the landThe Land Carries Our Ancestors: Contemporary Art by Native Americans brings together works by many of today s most boldly innovative Native American artists. Jaune Quick-to-See Smith, one of the leading artists and curators of her generation, has carefully chosen some fifty works across a diversity of practices-including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video-that share the common thread of the land.
    Note: Seite [176]: "Exhibition dates: National Gallery of Art, Washington, September 22, 2023-January 15, 2024; New Britain Museum of American Art, April 18-September 15, 2024"--Colophon , Includes bibliographical references and index
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  • 14
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190637446 , 0190637447
    Language: English
    Pages: 313 Seiten , 24,2 c,m
    Parallel Title: Erscheint auch als Gautney, Heather New power elite
    DDC: 305.520973
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    Keywords: Neoliberalismus ; Elite ; Macht ; USA ; Elite (Social sciences) / United States ; Power (Social sciences) / United States ; Social institutions / United States ; Neoliberalism / United States ; SOCIAL SCIENCE / Social Classes & Economic Disparity ; Elite (Social sciences) ; Neoliberalism ; Power (Social sciences) ; Social institutions ; United States ; USA ; Elite ; Macht ; Neoliberalismus
    Abstract: "A "remake" of C. Wright Mills' The Power Elite, this book charts patterns of elite domination amid paradigmatic changes in the structuring of U.S. social institutions and political life since the postwar period that lay bare the essentially corrupt and authoritarian nature of neoliberal capitalism and the power elites behind it. Driven by an inexhaustible pursuit of profits and wealth accumulation, power elites of the last half century conceived of and imposed a new form of global capitalism that has positioned the "free market" as an ultimate political and cultural authority. In the process, they have suppressed policies and rules, social movements, and political organizations that might impede profitability and exacted an unspeakable toll on human and planetary life. Similar to Mills, The New Power Elite elucidates the means through which today's elites accumulate wealth and power, including the subordination of military and governmental systems, media and culture, and labor, finance, and production to "market imperatives." It departs from Mills, however, in accounting for major transformations in the political geography of corporations and labor, the rise of finance capital, and role of U.S. imperialism in the structuring of global capitalism. And, unlike Mills, the book argues that while the American State, mass media, and cultural institutions can still operate as a sites of contestation, political, military, and cultural institutions today should not be considered as autonomous from market forces, as their principal function is to serve the interests of capital and operate on its behalf"--
    Description / Table of Contents: Introduction -- The State (1973 -- 2000) -- The State (2000 -- 2017) -- The State (2017 -- 2022) -- The Military -- Wall Street -- Billionaires -- Celebrity -- Publics and Masses -- Conclusion
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  • 15
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197577356 , 9780197577349
    Language: English
    Pages: xxxiv, 230 Seiten
    Edition: Updated edition
    Parallel Title: Erscheint auch als
    DDC: 305.8960730905
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    Keywords: Geschichte ; Geschichte 2013-2021 ; Politik ; Schwarze. USA ; Black lives matter movement ; African Americans Social conditions 21st century ; African Americans Politics and government 21st century ; Equality ; Racism ; Black Lives Matter ; Soziale Ungleichheit ; Schwarze ; Rassismus ; Entstehung ; Soziale Situation ; Protestbewegung ; USA ; United States Race relations ; USA ; USA ; Schwarze ; Soziale Situation ; Rassismus ; Geschichte ; USA ; Schwarze ; Rassismus ; Soziale Ungleichheit ; Protestbewegung ; Geschichte 2013-2021 ; Black Lives Matter ; Protestbewegung ; Entstehung ; Geschichte
    Abstract: Started in the wake of George Zimmerman's 2013 acquittal in the death of Trayvon Martin, the #BlackLivesMatter movement has become a powerful and incendiary campaign demanding redress for the brutal and unjustified treatment of black bodies by law enforcement in the United States. The movement is only a few years old, but as Christopher J. Lebron argues in this book, the sentiment behind it is not; the plea and demand that 〈"Black Lives Matter〉" comes out of a much older and richer tradition arguing for the equal dignity-and not just equal rights-of black people. The Making of Black Lives Matter presents a condensed and accessible intellectual history that traces the genesis of the ideas that have built into the #BlackLivesMatter movement. Drawing on the work of revolutionary black public intellectuals, including Frederick Douglass, Ida B. Wells, Langston Hughes, Zora Neal Hurston, Anna Julia Cooper, Audre Lorde, James Baldwin, and Martin Luther King Jr., Lebron clarifies what it means to assert that 〈"Black Lives Matter〉" when faced with contemporary instances of anti-black law enforcement. He also illuminates the crucial difference between the problem signaled by the social media hashtag and how we think that we ought to address the problem. As Lebron states, police body cameras, or even the exhortation for civil rights mean nothing in the absence of equality and dignity. To upset dominant practices of abuse, oppression and disregard, we must reach instead for radical sensibility. Radical sensibility requires that we become cognizant of the history of black thought and activism in order to make sense of the emotions, demands, and argument of present-day activists and public thinkers. Only in this way can we truly embrace and pursue the idea of racial progress in America. Quelle: Klappentext.
    URL: Cover  (lizenzpflichtig)
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  • 16
    ISBN: 9783406808272 , 3406808271
    Language: German
    Pages: 278 Seiten , 28 cm x 19.6 cm, 1160 g
    Uniform Title: Stamped from the beginning: A graphic history of racist ideas in America
    DDC: 305.800973
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    Keywords: Geschichte ; Rassentheorie ; Sklaverei ; Rassismus ; USA ; Comic ; Bildband ; Comic ; Comic
    URL: Inhaltstext  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltstext  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 17
    Online Resource
    Online Resource
    New Haven : Yale University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780300274998
    Language: English
    Pages: 1 Online-Ressource (317 pages)
    Edition: 1st ed.
    DDC: 305.8924
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    Keywords: American Jewish Committee ; Geschichte 1948-1978 ; Juden ; Politik ; Nahostkonflikt ; Palästinenser ; Dissens ; Zionismus ; Kritik ; American Jewish Committee ; Israel and the diaspora ; Jews-United States-Politics and government-20th century ; Jews-United States-Attitudes toward Israel ; Palestinian Arabs-Politics and government-20th century ; Arab-Israeli conflict-Foreign public opinion, American ; Human rights-Palestine-Foreign public opinion, American ; USA ; Electronic books
    Abstract: No detailed description available for "Our Palestine Question".
    Note: Description based on publisher supplied metadata and other sources
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  • 18
    Book
    Book
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9781032452395 , 9781032452401
    Language: English
    Pages: 142 Seiten
    Parallel Title: Erscheint auch als
    DDC: 305.800973
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    Keywords: Geschichte 1920-2020 ; Ethnizität ; Kultur ; Religion ; Vielfalt ; USA ; 20. Jahrhundert (1900 bis 1999 n. Chr.) ; 20th century ; 20th century history: c 1900 to c 2000 ; Amerikanische Geschichte ; Ethnic Studies ; Ethnic studies ; HISTORY / Social History ; HISTORY / United States / 20th Century ; History of the Americas ; SOC069000 ; SOCIAL SCIENCE / Anthropology / Cultural ; SOCIAL SCIENCE / Ethnic Studies / General ; Social & cultural anthropology, ethnography ; Social & cultural history ; Sozial- und Kulturanthropologie, Ethnographie ; Sozial- und Kulturgeschichte ; USA ; Vereinigte Staaten von Amerika, USA ; USA ; Vielfalt ; Ethnizität ; Religion ; Kultur ; Geschichte 1920-2020
    Abstract: "Diversity in the United States: A Cultural History of the Past Century is a cultural history of diversity in the United States over the past 100 years. Diversity—defined here as Americans of different racial, ethnic, and religious backgrounds—is currently very much in the national conversation. The book explores diversity in a historical context, bringing a much-needed perspective on what is a passionate theme in contemporary American society. Told chronologically and divided into five 20-year eras, the book sheds new light on the important role that diversity has played in our national identity. The subject is parsed through the voices of intellectuals and journalists who have weighed in on its many different dimensions. The primary argument of the work is that the concept of diversity has functioned as a key site of both congruence and division in the United States for the past 100 years, providing a sense of who we are as a people while at the same time exposing inequities based on race, ethnicity, and religion. Both an academic audience and the many readers of nonfiction will find the book to be a valuable and insightful resource."
    URL: Cover  (lizenzpflichtig)
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  • 19
    ISBN: 1912520958 , 9781912520954
    Language: English
    Pages: 141 Seiten
    DDC: 700.8996073
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    Keywords: 1900-1999 ; African American art Exhibitions ; Artists, Black Exhibitions ; ART / General ; African American art ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; USA ; Künstler ; Person of Color ; Geschichte 1960- ; Schwarze ; Kunst
    Abstract: "For generations, Black artists from the American South have forged a unique art tradition. Working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, recycled and cast-off objects that articulate America's painful past -- the inhuman practice of enslavement, the cruel segregationist policies of the Jim Crow era, and institutionalised racism. Their works date from the early 20th century to today and respond to issues ranging from economic inequality, oppression and social marginalisation, to sexuality, the influence of place and ancestral memory. Among the sculptures, paintings, reliefs and drawings included here are works by Thornton Dial, Lonnie Holley, Ronald Lockett, Hawkins Bolden, Bessie Harvey, Charles Williams, Mary T. Smith, Purvis Young, Mose Tolliver, Nellie Mae Rowe, Mary Lee Bendolph, Marlene Bennett Jones, Martha Jane Pettway, Loretta Pettway, and Henry and Georgia Speller. Also featured are the celebrated quiltmakers of Gee's Bend, Alabama, and the neighbouring communities of Rehoboth and Alberta."--Page four of cover
    Note: Titelblattrückseite: ... published in occasion of the exhibition "Souls Grown Deep like the Rivers: Black Artists from the American South", Royal Academy of Arts, 17 March-18 June 2023 , Includes bibliographical references and index
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  • 20
    Image
    Image
    Athens : The University of Georgia Press
    ISBN: 9780820360478
    Language: English
    Pages: xii, 233 Seiten , Illustrationen
    DDC: 700.89/96073
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    Keywords: African American art 20th century ; African American art 21st century ; Art and society History 20th century ; Art and society History 21st century ; USA ; Kunstsoziologie ; Kunst ; Schwarze ; Geschichte 1985-2015
    Abstract: "Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1990 to the present. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come. Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams"--
    Note: Includes bibliographical references and index
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  • 21
    Image
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    Memphis, Tennessee : Dixon Gallery and Gardens | New Haven : Yale University Press
    ISBN: 9780300273465
    Language: English
    Pages: 143 Seiten , Illustrationen , 29 cm
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    Keywords: Porter, James A Exhibitions ; Simpson, Merton D Exhibitions ; African American art Exhibitions 20th century ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Kunst ; Schwarze ; Geschichte 1950-1980
    Abstract: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Description / Table of Contents: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone.
    Note: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index
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  • 22
    ISBN: 9783960235088
    Language: German
    Pages: 191 Seiten , Illustrationen
    DDC: 303.4824307309042
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    Keywords: 1918-1933 (Periode der Weimarer Republik) ; Medienwissenschaft: Journalismus ; Medienwissenschaften: TV und Gesellschaft ; Populäre Kultur ; Sozial- und Kulturgeschichte ; Antiamerikanismus ; Charlie Chaplin ; Hollywood ; Kai aus der Kiste ; Unterhaltungsmagazin ; Wir fahren nach Amerika ; Aufsatzsammlung ; USA ; Kultur ; Rezeption ; Deutschland ; Geschichte 1918-1933 ; Weimarer Republik ; Amerikanisierung ; Geschichte ; Deutschland ; Weimarer Republik ; Amerikanismus ; Kultur ; Geschichte 1918-1933
    Abstract: Die in diesem Band versammelten Beiträge thematisieren aus unterschiedlicher Perspektive den Einfluss amerikanischer Ideen, Lebenshaltungen und Personen auf die Gesellschaft und Kultur der Weimarer Republik (1918-1933) in Deutschland.Der zeitgenössisch als "Amerikanismus" bezeichnete Trend zeigt sich - sowohl in seiner positiven wie negativen Konnotation - in der Debatte im Feuilleton, findet sich als Sujet in Reiseberichten und Sachbüchern, zeitigt seinen Reflex im Journalismus und der Gestaltung unterhaltender Magazine - und natürlich im Film.Die Aufsätze untersuchen den "Amerikanismus" als Denkfigur, als Moment gesellschaftlicher Selbstreflexion und kultureller Praxis. Darüber hinaus beleuchten sie aber auch die tatsächliche Wirkmacht und in exemplarischer Weise die Vor- und Nachgeschichte im Kaiserreich und zu Zeiten des Nationalsozialismus
    URL: Cover  (lizenzpflichtig)
    URL: Cover
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  • 23
    ISBN: 9780374601539
    Language: English
    Pages: 434 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen , 24 cm
    Edition: First edition
    DDC: 305.420973
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    Keywords: National Organization for Women ; Geschichte 1939-2023 ; Feminismus ; Frauenbewegung ; USA ; National Organization for Women ; Feminism / United States / History ; Women / Political activity / United States / History ; Women's rights / United States / History ; Hernandez, Aileen C. ; Collins, Mary Jean / 1939- ; Burnett, Patricia Hill / 1920- ; Féminisme / États-Unis / Histoire ; Femmes / Activité politique / États-Unis / Histoire ; SOCIAL SCIENCE / Sociology / General ; National Organization for Women ; Feminism ; Women / Political activity ; Women's rights ; United States ; Feminism / United States ; Women / Political activity ; Women's rights / United States ; History ; Biographies ; Biographies ; USA ; Frauenbewegung ; Feminismus ; National Organization for Women ; Geschichte 1939-2023
    Abstract: "The story of the National Organization for Women-its structures, trials, and revolutionary mission--told through the work of three extraordinary, little-known members"--
    Abstract: "In the summer of 1966, crammed into a D.C. hotel suite, twenty-eight women devised a revolutionary plan. Betty Friedan, the well-known author of The Feminine Mystique, and Pauli Murray, a lawyer at the front lines of the civil rights movement, had called this renegade meeting from attendees at the annual conference of state women's commissions. Fed up with waiting for government action and trying to work with a broken system, they laid out a vision for an organization to unite all women and fight for their rights. Alternately skeptical and energized, they debated the idea late into the night. In less than twenty-four hours, the National Organization for Women was born. In The Women of NOW, the historian Katherine Turk chronicles the growth and enduring influence of this foundational group through three lesser-known members who became leaders: Aileen Hernandez, a federal official of Jamaican American heritage; Mary Jean Collins, a working-class union organizer and Chicago Catholic; and Patricia Hill Burnett, a Michigan Republican, artist, and former beauty queen. From its bold inception through the tumultuous training ground of the 1970s, NOW's feminism flooded the nation, permanently shifted American culture and politics, and clashed with conservative forces, presaging our fractured national landscape. These women built an organization that was radical in its time but flexible and expansive enough to become a mainstream fixture. This is the story of how they built it--and built it to last"--
    Description / Table of Contents: Prologue: You can't stop NOW -- We recognized the honest fire -- Be what you are, a woman -- Women are going to have to organize -- We have different problems -- Getting paid -- The Chicago Machine vs. the Pennsylvania Railroad -- Put it on the line now for equality -- You better be in the throne -- Epilogue: It was personal, political, everything -- Afterword: What it takes to begin again
    Note: Includes bibliographical references and index
    URL: Cover  (lizenzpflichtig)
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  • 24
    ISBN: 9780262048668
    Language: English
    Pages: xvii, 243 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als Anthology of Blackness
    Parallel Title: Erscheint auch als An anthology of Blackness
    DDC: 744.089/96073
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    Keywords: Graphic arts Social aspects ; Commercial art Social aspects ; African American graphic artists ; White privilege (Social structure) ; USA ; Schwarze ; Gebrauchsgrafik ; Intersektionalität
    Abstract: "Shows why the design field has consistently failed to attract Black professionals, how Eurocentric hegemony impacts Black designers & how to create an antiracist, pro-Black design industry instead"--
    Description / Table of Contents: An Introduction to Black Design Industry + Organizations / Terresa Moses and Omari Souza -- Design's Ledger of White Supremacy: Constructing a Critical Race Pedagogy to Shape Design Futures / Pierce Otlhogile-Gordon -- Amplifying Accessibility & Abolishing Ableism: Designing to Embolden Black Disability Visual Culture / Jennifer White-Johnson.
    Note: Bibliographie (Seite 234 - 243)
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  • 25
    Book
    Book
    Lausanne ; Berlin ; Bruxelles : Peter Lang
    ISBN: 9783631889633 , 3631889631
    Language: English
    Pages: 154 Seiten , 22 cm, 280 g
    Series Statement: United States studies: culture, politics, media volume 5
    Series Statement: United States studies: culture, politics, media
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.896073
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    Keywords: Geschichte ; Rassismus ; Diskriminierung ; Schwarze ; USA ; USA ; Schwarze ; Diskriminierung ; Rassismus ; Geschichte
    URL: Inhaltstext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 26
    ISBN: 9780300272963
    Language: English
    Pages: 263 Seiten
    DDC: 702.81/20973
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    Keywords: African American collage Exhibitions 21st century ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; USA ; Collage ; Person of Color ; Geschichte 1960- ; USA ; Schwarze ; Collage ; Geschichte 1980-2023
    Abstract: "The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"--
    Description / Table of Contents: Hurston's Law, or a Philosophy of Display / Richard J. Powell, PhD -- Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists / Patricia Hills -- Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories / Rebecca VanDiver, PhD -- Pon tu mano con la mía: Rhizomatic Pathways and Collage / María Elena Ortiz -- Meditations on the Multivalence of Black Womanhood / Valerie Cassel Oliver -- Minor Figures, Continuous Tension / Tiffany E. Barber, PhD -- also also also and and and: Digital Stitches and the Collage as Glitch / Anita N. Bateman, PhD.
    Note: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references
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  • 27
    ISBN: 9783608983487 , 3608983481
    Language: German
    Pages: 460 Seiten, 8 ungezählte Seiten Bildtafeln , Illustrationen, Karten , 22 x 14 cm
    Parallel Title: Erscheint auch als Zeiten der Auflehnung
    Parallel Title: Erscheint auch als Mattioli, Aram, 1961 - Zeiten der Auflehnung
    DDC: 973.049700904
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    Keywords: USA ; Indianer ; Widerstand ; Selbstbestimmungsrecht ; Geschichte 1911-1992 ; USA ; Indigenes Volk ; Widerstand ; Geschichte 1911-1992
    Abstract: Anschliessend an die Geschichte der nordamerikanischen Indianer 1700-1910 (A. Mattioli: "Verlorene Welten", ID-A 12/17) legt der Schweizer Historiker die Aufarbeitung der darauf folgenden Epoche des indigenen Widerstands (1911-1992) vor. Dieser entwickelte sich in der Mitte des 20. Jahrhunderts parallel zur Schwarzen Bürgerrechtsbewegung als "Red Power", gebündelt im American Indian Movement (AIM), dessen politischer Aktivismus bessere Lebensbedingungen, kulturelle Selbstbehauptung und den Überlebenskampf gegen eine übermächtige Zivilisation zum Ziel hatte. Spektakuläre Aktionen wie die Besetzung der ehemaligen Gefängnisinsel Alcatraz oder des historischen Ortes Wounded Knee - Schauplatz eines Massakers 1890 - erlangten internationale Aufmerksamkeit. Wie im Vorgängerband blickt der Autor aus der Perspektive der "Besiegten" - auch mit Begrifflichkeiten wie "First Peoples" - kritisch auf die US-amerikanische Kolonialgeschichte. Auf intensivem Quellenstudium basierend gelingt ihm eine sehr lesbare, spannende Geschichtsschreibung über die in dieser Ausführlichkeit bisher kaum beschriebene wichtige Epoche. (2 Reinhild Khan
    Note: Literaturverzeichnis und Filmographie: Seiten 401-442
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  • 28
    ISBN: 9783110774245
    Language: German
    Pages: VIII, 518 Seiten , Illustrationen
    Series Statement: Quellen und Darstellungen zur Zeitgeschichte Band 135
    Series Statement: Quellen und Darstellungen zur Zeitgeschichte
    Uniform Title: Weapons of persuasion
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Habilitationsschrift Universität Bielefeld 2019
    DDC: 303.3750904
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    Keywords: Geschichte 1918-1974 ; Ost-West-Konflikt ; Experte ; Erster Weltkrieg ; Propaganda ; Zweiter Weltkrieg ; Massenkommunikationsforschung ; Deutschland ; USA ; Sowjetunion ; Massenkommunikation ; Wissensgeschichte ; Psychologische Kriegsführung ; Geschichte des Krieges ; Wissenschaftsgeschichte ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Deutschland ; Sowjetunion ; Propaganda ; Experte ; Massenkommunikationsforschung ; Geschichte 1918-1974 ; USA ; Deutschland ; Sowjetunion ; Propaganda ; Experte ; Massenkommunikationsforschung ; Erster Weltkrieg ; Zweiter Weltkrieg ; Ost-West-Konflikt ; Geschichte 1918-1974
    URL: Cover
    URL: Rezension  (H-Soz-Kult)
    URL: Cover
    URL: Rezension  (H-Soz-Kult)
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  • 29
    ISBN: 9780231209601 , 9780231209618
    Language: English
    Pages: xviii, 230 Seiten , Illustrationen
    Series Statement: European perspectives
    Series Statement: a series in social thought and cultural criticism
    Uniform Title: Les larmes de l'histoire
    Parallel Title: Erscheint auch als Birnbaum, Pierre Tears of history
    DDC: 305.892/4073
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    Keywords: Jews Historiography ; Antisemitism History ; HISTORY / Jewish ; HISTORY / Social History ; Jewish studies ; REL116000 ; Religious intolerance, persecution & conflict ; Religiöse Intoleranz, Verfolgung und Konflikte ; SOCIAL SCIENCE / Discrimination & Race Relations ; Social & cultural history ; Social discrimination & inequality ; Sozial- und Kulturgeschichte ; Soziale Diskriminierung und Gleichbehandlung ; United States Race relations ; History ; USA ; Vereinigte Staaten von Amerika, USA ; Antisemitismus ; USA ; Geschichte ; Juden ; Judentum
    Abstract: "Salo Baron was born in 1895 under the Habsburg empire and became one of the greatest historians of Judaism. He testified at the Eichmann trial. Baron was invited to teach in New York in 1926. When he got here he discovered what he thought was the American exception: as a new society, the United States would have not experienced any persecutions of Jews. That would alone refute--in his own words--"a lachrymose version of history," the story that lays out the destiny of Judaism as an uninterrupted list of persecutions and massacres. At most, he thought, American Jews would meet with prejudice or social barriers, but never antisemitism theorized as a political ideology. And yet, in 1913, in Atlanta, there was the case of Leo Frank: the lynching of a Jew accused of the ritual murder of a young woman, even though the charges had been dropped. It was the first American instance of hate-driven antisemitism. Some years later, Roosevelt's New Deal radically transformed the destiny of American Jews. For the first time powerful figures such as Henry Morgenthau and Louis Brandeis came to the fore, and Jews experienced a newfound prominence. Antisemites in America declared that Jews, having taken over the government, would destroy America's identity. During the period from Roosevelt to Obama, antisemitism increased and was clearly seen recently in the neo-Nazi march in Charlottesville in 2017 and in the Tree of Life Synagogue mass shooting in Pittsburgh in 2018. Antisemitic violence continues to grow here. On January 6, 2021, the attempted coup against the Capitol saw an outpouring of violently antisemitic slogans. All of which begs the question: does this mean that the romantic view of American exceptionalism, sanctified by many historians of American Judaism, has been refuted once and for all? Is the idea of this place of exile, seen as a protective and exceptional "home," in fact an illusion? Should it also be considered as the return of a "lachrymose" history? This book seeks to explore the answers to these questions"
    Abstract: Pierre Birnbaum offers a timely reconsideration of the tear-stained pages of Jewish history and the persistence of antisemitism
    Description / Table of Contents: On American Happiness -- Salo Baron, The Golden Country and the Refusal of a Lachrymose History -- The Leo Frank Affair : The Lynching of a Jew -- From the Jew Deal to the Storming of the Capitol -- Kishinev à l'américaine : the End of Hope?
    Note: "Les larmes de L'Histoire. De Kichinev à Pittsburgh. copyright © 2022 Editions Gallimard, Paris." , Includes bibliographical references and index , Zielgruppe: 5PGJ, Bezug zu Juden und jüdischen Gruppen
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 30
    ISBN: 9780807177303
    Language: English
    Pages: x, 279 Seiten , Illustrationen
    Series Statement: Antislavery, abolition, and the Atlantic World
    Parallel Title: Erscheint auch als Olsavsky, Jesse Most absolute abolition
    DDC: 973.7/114
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    Keywords: Antislavery movements History 19th century ; Vigilance committees History 19th century ; Abolitionists History 19th century ; Fugitive slaves History 19th century ; Underground Railroad ; USA ; Sklave ; Flüchtling ; Abolitionismus ; Underground Railroad ; Aktivismus ; Geschichte 1835-1861
    Abstract: The "Noble System" -- The Politics and Political Economy of Running Away -- Radical and Practical Abolition, 1835-1849 -- The Pedagogy of Radical Abolitionism, 1850-1861 -- All Shall Be Thrown Down -- Toward Revolutionary Abolitionism -- Marching Onward.
    Abstract: "In the decades leading u ...
    Note: Includes bibliographical references and index
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  • 31
    Article
    Article
    Show associated volumes/articles
    In:  Hessisches Jahrbuch für Landesgeschichte 72(2022), Seite 324-326 | volume:72 | year:2022 | pages:324-326
    ISSN: 0073-2001
    Language: German
    Additional Information: Rezension von Nach Amerika! Überseeische Migration aus Sachsen im 19. Jahrhundert (Veranstaltung : 2018 : Chemnitz) Nach Amerika! [Leipzig] : Leipziger Universitätsverlag GmbH, 2021 9783960233787
    Additional Information: 3960233787
    Titel der Quelle: Hessisches Jahrbuch für Landesgeschichte
    Publ. der Quelle: Marburg : Hess. Landesamt für geschichtliche Landeskunde, 1951
    Angaben zur Quelle: 72(2022), Seite 324-326
    Angaben zur Quelle: volume:72
    Angaben zur Quelle: year:2022
    Angaben zur Quelle: pages:324-326
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    Keywords: Rezension ; Migration ; Sachsen ; USA ; Geschichte 1800-1900
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  • 32
    ISBN: 9783896677365
    Language: German
    Pages: 815 Seiten , Illustrationen , 22.7 cm x 15 cm, 876 g
    Edition: 1. Auflage
    Uniform Title: The 1619 project
    DDC: 973
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    Keywords: Aufsatzsammlung ; USA ; Sklaverei ; Diskriminierung ; Rassismus ; Geschichte 1619-2021
    Abstract: "1619 - Eine neue Geschichte der USA" - herausgegeben von Nikole Hannah-Jones - betrachtet die Geschichte der USA aus der Perspektive der Sklaverei und der Versklavten - beginnend mit 1619, dem Jahr, in dem die ersten Sklaven aus Afrika ankamen, also noch vor der Ankunft der Mayflower. Die Kapitel behandeln u.a. "Demokratie", "Staatsbürgerschaft", "Strafe" und "Musik". Jedes Kapitel besteht aus einer historischen Einführung sowie einem literarischen Teil in Form von Kurzgeschichten und Gedichten. Das ursprünglich im New York Times Magazine veröffentlichte Projekt wird im vorliegenden Buch zu einer umfassenden Anthologie. In den USA scheint das Werk zu polarisieren: zum Teil gehört es in Schulen zur Pflichtlektüre, in manchen - konservativen - Bundesstaaten steht es auf der schwarzen Liste. - Nicht zuletzt die namhaften Autor*innen wie Yaa Gyasi ("Heimkehren", ID-A 35/17), Ibram X. Kendi ("Gebrandmarkt", ID-A 4/18) oder Clint Smith ("Was wir uns erzählen", ID-A 21/22) machen das Buch zu einem besonderen Leseerlebnis und tragen zu einem umfassenderen Verständnis der amerikanischen Geschichte bei. (2-3) Martin Spenger
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 33
    ISBN: 9780231205023 , 9780231205030
    Language: English
    Pages: xi, 287 Seiten , Illustrationen
    Series Statement: Literature now
    Parallel Title: Erscheint auch als Brooks, John, - 1989- The racial unfamiliar
    DDC: 810.9/896073
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    Keywords: American literature African American authors ; History and criticism ; African American art 21st century ; African Americans Race identity ; Race in literature ; Race in art ; African Americans in literature ; African Americans in art ; African Americans Intellectual life 21st century ; Literary criticism ; USA ; Literatur ; Kunst ; Schwarze ; Ästhetik ; Abstraktion
    Abstract: "Through what strategies might contemporary artists confront cultural assumptions about race? In what ways can the devices that make race feel familiar-such as stereotypes or strategic essentialism-be used to make race feel unfamiliar? What new perspectives might emerge out of such disorienting confrontations? In The Racial Unfamiliar, John Brooks argues that twenty-first-century African American artists have turned to abstractionist aesthetics to complicate and illuminate how we think and see race. Brooks shows that established categories of cultural production-such as "African American art" or "Black history"-reproduce familiar but confining ideas about race, and that some audiences assume such ideas reflect a "truth" about Black identity or Black experience in the United States. Instead of countering representations of race with "authentic" portrayals of African American identity and experience, recent artists have begun exaggerating and overemphasizing them. By inflating and abstracting clichéd representations and stereotypes, these artists expose the incongruities that underlie racist attitudes and refute the idea that any single African American experience exists to be represented. Through the production of illegible misrepresentations of a multitude of black experiences, the literary and visual works considered in this book insist that blackness exceeds categorical representation. Brooks traces the disorienting effects of this experimental aesthetic through a broad array of recent artworks, from novels and plays by Percival Everett and Suzan-Lori Parks to photography by Roy DeCarava and installation art by Kara Walker, to show how contemporary African American cultural production can be understood as an operation in abstracting and upending the cultural determinants that make racial Blackness intelligible"--
    Note: Includes bibliographical references and index
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  • 34
    Image
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    Evanston, IL : Mary and Leigh Block Museum of Art | Princeton ; Oxford : Princeton University Press
    ISBN: 9780691209272
    Language: English
    Pages: 133 Seiten , 23 x 28 cm
    DDC: 709.73
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    Keywords: Gewalt ; Diskriminierung ; Schwarze ; Rassismus ; Unterdrückung ; USA ; Art, American ; Black people in art ; Black people / Violence against ; Violence in art ; Art américain ; Noirs dans l'art ; Noirs / Violence envers ; Violence dans l'art ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; USA ; Schwarze ; Rassismus ; Diskriminierung ; Unterdrückung ; Gewalt
    Note: Impressum: This publication accompanies the exhibition "A Site of Struggle: American Art against Anti-Black Violence", organized by the Mary and Leigh Block Museum of Art, Northwestern University, on view at the Block January 26-July 10, 2022, and the Montgomery Museum of Fine Arts, August 13-November 6, 2022
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  • 35
    ISBN: 9783546100427
    Language: German
    Pages: 527 Seiten , Illustrationen , 22 cm x 13.8 cm, 731 g
    Uniform Title: Wayward lives, beautiful experiments
    Parallel Title: Erscheint auch als Aufsässige Leben, schöne Experimente
    DDC: 305.48896073
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    Keywords: Geschichte 1890-1935 ; Großstadt ; Schwarze Frau ; Lebenswelt ; Marginalität ; Widerstand ; Soziokultureller Wandel ; Soziologie ; Anthropologie ; Emanzipation ; LGBT ; USA
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  • 36
    ISBN: 9783868543438
    Language: German
    Pages: 375 Seiten
    Edition: 1. Auflage
    Uniform Title: Conscription, family, and the modern state
    Parallel Title: Erscheint auch als Geva, Dorit, 1974 - Militär und Familie
    Parallel Title: Erscheint auch als Geva, Dorit, 1974 - Militär und Familie
    DDC: 305.33355225094409034
    RVK:
    RVK:
    Keywords: Frankreich ; USA ; Patriarchat ; Staat ; Wehrpflicht ; Autorität ; Familie ; Vaterrolle ; Männlichkeit ; Geschichte 1800-1945 ; USA ; Frankreich ; Staat ; Militär ; Familie ; Feminismus ; Wehrpflicht ; Geschichte
    Note: Literaturverzeichnis: Seiten 341-370
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 37
    Image
    Image
    Baltimore, MD : Baltimore Museum of Art | Jackson, MS : Mississippi Museum of Art | New Haven and London : Baltimore Museum of Art and Mississippi Museum of Art, in association with Yale University Press
    ISBN: 9780300265736 , 0300265735
    Language: English
    Pages: 151 Seiten , 28 cm
    DDC: 305.896073075
    RVK:
    RVK:
    Keywords: Great Migration, ca. 1914-ca. 1970 Pictorial works ; Exhibitions ; African American art Exhibitions 21st century ; Art ; Exhibition catalogs ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; USA ; Kunst ; Fotografie ; Schwarze ; USA ; Schwarze ; Migration ; Geschichte 1915-1970 ; Rezeption ; Kunst ; Geschichte 2021-2022
    Abstract: The Great Migration (1915-70) saw more than six million African Americans leave the South for destinations across the United States. This incredible dispersal of people across the country transformed nearly every aspect of Black life and culture. Offering a new perspective on this historical phenomenon, this incisive volume presents immersive photography of newly commissioned works of art by Akea, Mark Bradford, Zoë Charlton, Larry W. Cook, Torkwase Dyson, Theaster Gates Jr., Allison Janae Hamilton, Leslie Hewitt, Steffani Jemison, Robert Pruitt, Jamea Richmond-Edwards, and Carrie Mae Weems. The artists investigate their connections to the Deep South through familial stories of perseverance, self-determination, and self-reliance and consider how this history informs their working practices. Essays by Kiese Laymon, Jessica Lynne, Sharifa Rhodes-Pitts, and Willie Jamaal Wright explore how the Great Migration continues to reverberate today in the public and private spheres and examine migration as both a historical and a political consequence, as well as a possibility for reclaiming agency
    Note: Seite [172]: Published in conjunction with the exhibition "A Movement in Every Direction: Legacies of the Great Migration", presented at the Mississippi Museum of Art, April 9-September 11, 2022; the Baltimore Museum of Art, October 30, 2022-January 29, 2023; the Brooklyn Museum, March 3-June 25, 2023; and the California African American Museum, August 5, 2023-March 3, 2024 , Includes bibliographical references
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  • 38
    ISBN: 9783753302386 , 9781846382635 , 3753302384
    Language: English
    Pages: 267 Seiten , Illustrationen
    Series Statement: Exhibition histories
    DDC: 704.039604109045
    RVK:
    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; USA ; Großbritannien ; Afrikaner ; Schwarze ; Künstler ; Kunstbetrieb ; Geschichte ; Künstler ; Person of Color ; Repräsentation ; Ausstellung ; Kunst ; Person of Color ; Kunstwissenschaft ; USA ; Großbritannien ; Schwarze ; Kunstausstellung ; Museum ; Kunstbetrieb ; Geschichte
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  • 39
    Online Resource
    Online Resource
    Frankfurt u.a : Campus Frankfurt / New York
    ISBN: 9783593450766
    Language: German
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 786.2
    RVK:
    RVK:
    Keywords: Geschichte 1830-1940 ; Geschichte ; Kulturwissenschaft ; Deutschland ; USA ; Österreich ; Globalgeschichte ; global ; Südafrika ; Musik ; Japan ; Vereinigte Staaten ; Kosmopolitismus ; Verflechtungsgeschichte ; Instrument ; Musikgeschichte ; Musikwissenschaft ; Transkulturalität ; Musikkultur ; Klavier ; Piano ; Kunstmusik ; Pianoforte ; Klavierkultur ; Instrumentenhandel ; Konservatorium ; Musiktransfer ; Tasteninstrumente ; Klavierspiel ; Klavier lernen ; Klavier spielen ; Klavier ; Kulturimperialismus ; Musikwirtschaft ; Klaviermusik ; Hochschulschrift ; Klavier ; Klaviermusik ; Musikwirtschaft ; Kulturimperialismus ; Geschichte 1830-1940
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 40
    ISBN: 9780197605462
    Language: English
    Pages: viii, 315 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Isurin, Ludmila Reenacting the enemy
    DDC: 302
    RVK:
    Keywords: Collective memory ; Collective memory ; United States Foreign relations ; Press coverage ; Russia Foreign relations ; Press coverage ; USA ; Russland ; Massenmedien ; Kollektives Gedächtnis ; Ideologie ; Feindbild
    Abstract: "I started working on this book in spring 2019 while recovering from minor surgery that at the time felt like the biggest health scare to me. The writing of the first few theoretical chapters helped to distract me from my health issue. I planned to continue my work on the book in the summer of 2020, which at that time I anticipated would be another quiet summer at home after my return from a planned trip to Europe. I did not know yet about the biggest world health scare that would coincide with the continuation of my work on the book: the COVID-19 pandemic. It slowly entered every corner of the world, made people socially distance from one another per national and state orders, forced us to stay home, cancel all travel plans, wear masks, and get used to what "the new normal" might be while hoping for the miraculous return of the "old normal." For the second time in two years I turned to the writing of my book as an escape: this time - for a much-needed respite from the global madness and a rising death toll. It also made me think about all those petty ideological and political differences that separated countries in pre-pandemic times, like Russia and the U.S. having grown so far apart in the last few years that they almost have reached the point of no return. I started wondering if a global health scare, such as the ongoing pandemic, could bring states and nations together in tackling the disease. I also wondered if the overused and therefore clichéd phrase "We are all in this together" could go beyond national borders and erase some of the differences that have prevented this"--
    Note: Includes bibliographical references and index
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  • 41
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197605493
    Language: English
    Pages: 1 Online-Ressource (315 pages) , Illustrations (black and white, and colour).
    Series Statement: Oxford scholarship online
    DDC: 302
    RVK:
    RVK:
    Keywords: Feindbild ; Massenmedien ; Kollektives Gedächtnis ; Ideologie ; Collective memory ; Collective memory ; USA ; Russland ; Russia (Federation) Foreign relations ; Press coverage
    Abstract: This text examines the ways individuals in the US and Russia consume and construct collective memories of political events via a reestablished Cold War-like narrative in both media systems. The book contextualizes the rebirth of this phenomenon via seven political events involving Russia, examining the contemporary role of conscious media distrust in subconscious psychological processes.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 42
    Online Resource
    Online Resource
    Bielefeld : transcript
    ISBN: 9783839452943
    Language: English
    Pages: 1 Online-Ressource (215 Seiten) , Illustrationen
    Series Statement: Image volume 180
    Series Statement: Image
    Parallel Title: Erscheint auch als Adusei-Poku, Nana Taking stakes in the unknown
    DDC: 700.411
    RVK:
    Keywords: Art, Black ; Blacks in art ; Blacks--Race identity ; Electronic books ; Bradford, Mark 1961- ; Hewitt, Leslie 1977- ; Thomas, Mickalene 1971- ; Thomas, Hank Willis 1976- ; Metz, Philip 1971- ; Engagierte Kunst ; Schwarze ; Postkolonialismus ; Kunst ; Afroamerikanismus ; Bradford, Mark 1961- ; USA ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Abstract: Cover -- Contents -- Acknowledgement -- I. Introduction -- II. Destabilizing Meaning -- 1. The Textures of History -- 2. What is the script of your time? -- 2.1 I am everything and now what? -- 3. Economies of the Double-bind -- 3.1 ADS IMITATE ART, ART IMITATES LIFE, and LIFE IMITATES ADS. -- 3.2 The Economy of Blackness in Unbranded -- III. Historical Entanglements of Black Revolutionary Women -- 1. De-Interpellating Interpellation-Visual Disobediences -- 2. How do I look? (Very good, I must say I am amazed!) -- 3. O my Body, will always remain in question!- Reviewing the Fanonian Moment -- 3.1 The Colonial Gaze -- 3.2 Entanglements -- IV. Heterotemporality as a Way of Understanding the Contemporary -- 1. Reclaiming our time -- 2. Riffs on Real Time and the present that is fleeting though captured -- 2.1 Possible Presents -- 3. Rewind Selecta -- 4. Hetero-temporality -- V. Paradox Synchronicities -- 1. Contextualization -- 2. IWHISHIWAS or WISHIWASHI ? -- 2.1 Taking a Closer Look -- 2.2 Disposed Desires -- 2.3 Retrospective Introspectives -- 2.4 Visual and Temporal Polyphonies -- 3. From Leitkultur to Leightkultur -- VI. Abstract Facts -- 1. Enter and Exit the New Negro -- 1.1 Quare-"Built in History" -- 2. Enter and Exit the New Negro-From Invisible Visibilities -- 2.1 (Qu-)hair Politics and Material Connections -- 3. Enter the New Negro -- 3.1 Exit the New Negro -- 4. Ambiguity as Chance-Abstraction as Means of Identity -- 4.1 hidin' like thieves in the night from life, Illusions of osasis makin' you look twice -- 4.2 Norman Lewis-the not quite "invisible man" of abstract expressionism -- 4.3 Playing by the Rules-Turn off the light! -- VII. Post-Post-black -- VIII. Bibliography.
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  • 43
    Book
    Book
    New York ; Bern ; Berlin : Peter Lang
    ISBN: 9781433174773
    Language: English
    Pages: xxxiii, 407 Seiten , Illustrationen, Karten
    Edition: Third edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 973.0496073
    RVK:
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    Keywords: Geschichte ; Schwarze ; USA ; African Americans / History ; African Americans ; History ; USA ; Schwarze ; Geschichte
    Abstract: "Every year more colleges and high schools are offering classes (and often making them required classes) in black history. Joanne Turner-Sadler provides a concise and probing treatment of 400 years of black history in America that can be used with age groups ranging from high school through college and beyond. Equally the book provides a digestible overview for anyone interested in African American history and the constructs of the culture. In African American History: An Introduction the author touches on key figures and events that have shaped African American culture beginning with a look at Africa and its various civilizations and the migration of the African people to America. Some essential topics covered in this updated edition: African Kingdoms --The roots of African education: Education vs Schooling -- African Americans in the New World -- The roots of slavery, separate but equal and the struggle for freedom -- Emancipation and the Quest for equality -- Civil Rights and the First Black President -- African American Culture and Institutions. This book is ... heavily illustrated (photos, maps, timelines) with useful end-of-the-chapter questions, summaries, and activities for further study. Additionally this book contains a handy bibliography of suggested readings"--
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  • 44
    Book
    Book
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469663036 , 9781469663043
    Language: English
    Pages: xii, 224 Seiten , Illustrationen
    Series Statement: The John Hope Franklin series in African American history and culture
    Parallel Title: Erscheint auch als Smethurst, James Behold the Land
    DDC: 810.9/896073
    RVK:
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    Keywords: Black Arts movement ; American literature African American authors ; History and criticism ; African Americans in literature ; Black nationalism in literature ; Black nationalism History 20th century ; African Americans Intellectual life 20th century ; USA ; Black power ; Kunst ; Geschichte 1960-1985 ; USA ; Black arts movement ; Geschichte 1960-1985
    Note: Includes bibliographical references and index
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  • 45
    ISBN: 9781250278456 , 9781250279859 , 9781250280176
    Language: English
    Pages: viii, 193 Seiten , 25 cm
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 306.0973
    RVK:
    RVK:
    Keywords: Nationalbewusstsein ; Politik ; Trauma ; USA ; Trump, Donald / 1946- ; United States / Politics and government / 2017-2021 ; United States / Social conditions / 21st century ; Collective memory ; National characteristics, American ; Political corruption / United States ; Post-traumatic stress disorder / United States ; BIOGRAPHY & AUTOBIOGRAPHY / Presidents & Heads of State ; POLITICAL SCIENCE / Commentary & Opinion ; PSYCHOLOGY / Psychopathology / Post-Traumatic Stress Disorder (PTSD) ; Trump, Donald / 1946- ; Collective memory ; National characteristics, American ; Political corruption ; Politics and government ; Post-traumatic stress disorder ; Social conditions ; United States ; 2000-2099 ; Biography & Autobiography ; Biography & Autobiography ; Biographies ; USA ; Politik ; Nationalbewusstsein ; Trauma
    Abstract: Donald Trump's niece, Mary L. Trump, examines America's national trauma, rooted in our history but dramatically exacerbated by the impact of current events and the Trump administration's corrupt and immoral policies. Our failure to acknowledge this trauma, let alone root it out, has allowed it to metastasize. Whether it manifests itself in rising levels of rage and hatred, or hopelessness and apathy, the stress of living in a country we no longer recognize has affected all of us. America is suffering from PTSD - a new leader alone cannot fix us
    Description / Table of Contents: part I. A short history of American failure : 1865-2020. Atrocities ; Impunity -- part II. Here there be monsters. American carnage ; Abandon all hope ye who enter -- part III. American exceptionalism. Suffering in silence ; We hold these truths -- part IV. The reckoning. The precipice ; The long shadow ; Facing the truth -- Epilogue
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  • 46
    ISBN: 9781635574623
    Language: English
    Pages: xiv, 368 Seiten, 16 ungezählte Seiten , Illustrationen , 25 cm
    DDC: 303.4840922
    RVK:
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    Keywords: Geschichte 1865-1915 ; Demokratie ; USA
    Abstract: A raucous history of American democracy at its wildest-and a bold rethinking of the relationship between the people and their politics. Democracy was broken. Or that was what many Americans believed in the decades after the Civil War. Shaken by economic and technological disruption, they sought safety in aggressive, tribal partisanship. The results were the loudest, closest, most violent elections in U.S. history, driven by vibrant campaigns that drew our highest-ever voter turnouts. At the century's end, reformers finally restrained this wild system, trading away participation for civility in the process. The result was a calmer, cleaner democracy, but also a more distant one. Americans' voting rates crashed and never recovered. This is the origin story of the normal" politics of the 20th century. Only by exploring where that civility and restraint came from can we understand what is happening to our democracy today. The Age of Acrimony charts the rise and fall of 19th-century America's unruly politics through the lives of a remarkable father-daughter dynasty. The radical congressman William "Pig Iron" Kelley and his fiery, Progressive daughter Florence Kelley led lives packed with drama, intimately tied to their nation's politics. Through their friendships and feuds, campaigns and crusades, Will and Florie trace the narrative of a democracy in crisis. In telling the tale of what it cost to cool our republic, historian Jon Grinspan reveals our divisive political system's enduring capacity to heal itself.
    Note: First published in the United States 2021 , Literaturverzeichnis: Seite 279-307
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  • 47
    ISBN: 9780231181860 , 9780231181877
    Language: English
    Pages: 339 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Hayes, Christopher, 1979 August 8- Harlem Uprising
    DDC: 323.1196/07307470904
    RVK:
    Keywords: Powell, James Death and burial ; Harlem Race Riot, New York, N.Y., 1964 ; African Americans Civil rights 20th century ; African Americans Social conditions 20th century ; History ; Civil rights movements History 20th century ; Police ; Harlem (New York, N.Y.) History 20th century ; Race discrimination ; New York (N.Y.) Race relations ; USA ; New York- Harlem ; Schwarze ; Rassendiskriminierung ; Unruhen ; Geschichte 1964
    Abstract: Living -- Working -- Union work -- Learning -- The New York City Police Department -- A death and protests -- Daybreak : Sunday, July 19 -- Spreading anxiety : Monday, July 20 -- Day fear : Tuesday, July 21 -- Day five : Wednesday, July 22 -- Day Six : Thursday, July 23 -- After -- Reforming the Civilian Complaint Review Board -- A referendum.
    Abstract: "In July 1964, after a white police officer shot and killed an African American teenage boy, unrest broke out in Harlem and then Bedford-Stuyvesant. Protests rose up to call for an end to police brutality and the unequal treatment of Black people in a city that viewed itself as liberal. A week of upheaval ensued, including looting and property damage as well as widespread police violence, in what would be the first of the 1960s urban uprisings. Christopher Hayes examines the causes and consequences of the uprisings, from the city's history of racial segregation in education, housing, and employment to the ways in which the police both neglected and exploited Black neighborhoods. While the national civil rights movement was securing substantial victories in the 1950s and 1960s, Black New Yorkers saw little or uneven progress. Faced with a lack of economic opportunities, pervasive discrimination, and worsening quality of life, they felt a growing sense of disenchantment with the promises of city leaders. Turning to the aftermath of the uprising, Hayes demonstrates that the city's power structure continued its refusal to address structural racism. In the most direct local outcome, a broad, interracial coalition of activists called for civilian review of complaints against the police. The NYPD's rank and file fought this demand bitterly, further inflaming racial tensions. The story of the uprisings and what happened next reveals the white backlash against civil rights in the north and crystallizes the limits of liberalism. Drawing on a range of archives, this book provides a vivid portrait of postwar New York City, a new perspective on the civil rights era, and a timely analysis of deeply entrenched racial inequalities"--
    Note: Includes bibliographical references and index
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  • 48
    ISBN: 9780807055588 , 9780807036297
    Language: English
    Pages: xxvii, 362 Seiten
    Parallel Title: Erscheint auch als
    DDC: 305.800973
    RVK:
    Keywords: Geschichte 1600-1800 ; Kolonisierung ; USA
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  • 49
    ISBN: 9781557539816
    Language: English
    Pages: x, 344 Seiten , Diagramme, Karten
    Series Statement: Central European studies
    DDC: 306.097309034
    RVK:
    Keywords: Geschichte 1850-1914 ; Binnenwanderung ; Auswanderung ; Migration ; Mobilität ; Österreich-Ungarn ; Europa ; USA
    Note: Literaturverzeichnis: Seite 289-329
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  • 50
    Book
    Book
    Chapel Hill : University of North Carolina Press | Williamsburg, Virginia : Omohundro Institute of Early American History and Culture
    ISBN: 9781469664811
    Language: English
    Pages: 354 Seiten , Illustrationen, Karten
    Parallel Title: Erscheint auch als
    DDC: 304.8097309033
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    Keywords: Geschichte 1763-1819 ; Indianer ; Gründung ; Migration ; Schwarze ; Staat ; USA ; Forced migration / United States / History ; Migration, Internal / United States / History ; Indians of North America / Relocation / United States ; African Americans / Relocation ; United States / Race relations / History ; Hochschulschrift ; Hochschulschrift ; USA ; Staat ; Gründung ; Indianer ; Schwarze ; Migration ; Geschichte 1763-1819
    Abstract: Removal and the British Empire -- "The Whole Debt of the Nation" : Removal in Indian Country -- "A Great Road Cut" : Pursing the Right to Remain in the Ohio Valley -- The Tools of "Civilization" : Restricting Migration in the West -- "A Good Citizen of the Whole World" : Colonization in the Era of Gradual Emancipation -- "Shut Every State against Him" : Restricting Migration between the States -- "To Sunder Every Tie" : Pursuing the Right to Remain in the Upper South -- The Age of Removal -- Conclusion: The Power of Figuring
    Abstract: "This work explores the conflicts over migration at the center of the social, political, intellectual, and physical landscape of the early United States. Examining the voluntary and forced migrations of Indigenous, African American, and Anglo Americans in the decades immediately following the Revolution, Samantha Seeley argues that the United States took shape as a white republic through contentious negotiations over who could move and where, who could remain and how. Removal was not sweeping, top-down federal legislation. Instead, it was a battle fought on multiple fronts. It encompassed tribal leaders' attempts to expel white settlers from Native lands and African Americans' legal battles to remain within states that sought to drive them out. National in scope, the book is grounded in a close examination of Virginia, Maryland, Delaware, Pennsylvania, Kentucky, Ohio, Indiana, Illinois, and Missouri--states poised between the edges of slavery and freedom where removal was both warmly embraced and hotly contested"--
    Note: Includes bibliographical references and index
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  • 51
    ISBN: 9783515128476
    Language: English
    Pages: 432 Seiten , Illustrationen
    Series Statement: Transatlantische historische Studien volume 60
    Series Statement: History
    Series Statement: Transatlantische historische Studien
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation
    DDC: 303.48243073
    RVK:
    Keywords: Geschichte 1918-1933 ; Auswärtige Kulturpolitik ; Public Diplomacy ; Deutschland ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Auswärtige Kulturpolitik ; Public Diplomacy ; USA ; Geschichte 1918-1933
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 52
    Online Resource
    Online Resource
    New Haven : Yale University Press
    ISBN: 9780300263060
    Language: English
    Pages: 1 online resource (xix, 264 pages)
    Parallel Title: Erscheint auch als Henkin, David M. The week
    DDC: 306.4
    RVK:
    Keywords: Week-History ; Time measurements ; Time measurements-History ; Electronic books ; Electronic books ; USA ; Woche ; Zeiteinteilung ; Zeitwahrnehmung ; Organisationsprinzip ; Geschichte 1800-2020
    Abstract: An investigation into the evolution of the seven-day week and how our attachment to its rhythms influences how we live.
    Note: Description based on publisher supplied metadata and other sources
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  • 53
    Book
    Book
    New York : Routledge, Taylor & Francis Group
    ISBN: 9780367224899
    Language: English
    Pages: xi, 283 Seiten , Illustrationen
    Series Statement: Routledge studies in eighteenth-century cultures and societies
    Parallel Title: Erscheint auch als Protest in the long eighteenth century
    DDC: 303.48/4
    RVK:
    Keywords: Protest movements History 18th century ; Arts Political aspects 18th century ; History ; Enlightenment ; Aufsatzsammlung ; Protest ; Geschichte 1700-1799 ; Spanien ; USA ; Frankreich ; Mexiko ; Irland ; Frankreich ; Protest ; Kunst ; Literatur
    Abstract: "This edited collection of essays focuses on the topic of protest during the Enlightenment of the long eighteenth century (roughly 1670-1833). Resistance in the eighteenth century was extensive, and the act of protest to foment meaningful societal change took on many forms from the circulation of ballads, swearing of oaths, to riots and work stoppages, or the composition of essays, novels, posters, caricatures, political cartoons as well as theater and opera. The contributors to this volume examine the causes of protest as well as the broad ways in which common artifacts such as poles, trees, drums, conchs, and songs acted as flashpoints for conflict and vehicles of protest. Rather than approaching the topic with strict geographical, temporal and structural limitations, this book focuses on the time period from an international perspective and an interdisciplinary scope. Because of its wide scope, this book is an important contribution to the subject that will be of interest to both faculty and students of the history of protest, resistance and the changes that these forces bring as it also reminds us that the protests of today are rooted in historical resistances of the past"--
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  • 54
    ISBN: 9781800730052 , 9781845456368
    Language: English
    Pages: viii, 208 Seiten
    Edition: First paperback edition
    Series Statement: European expansion & global interaction volume 8
    Series Statement: European expansion & global interaction
    DDC: 326/.809
    RVK:
    RVK:
    RVK:
    RVK:
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    Keywords: Marques, João Pedro ; Slave insurrections History ; Antislavery movements History ; Slaves Emancipation ; History ; Marques, João Pedro ; Slave revolts and the abolition of slavery ; Slaves ; Emancipation ; America ; History ; Slave insurrections ; America ; History ; Antislavery movements ; America ; History ; Aufsatzsammlung ; USA ; Sklaverei ; Abschaffung ; Abolitionismus ; Geschichte
    Note: Includes bibliographical references and index
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  • 55
    ISBN: 9783453218253 , 3453218256
    Language: German
    Pages: 254 Seiten , 21.5 cm x 13.5 cm
    Edition: Deutsche Erstausgabe
    Uniform Title: The reckoning
    Parallel Title: Erscheint auch als
    DDC: 306.0973
    RVK:
    Keywords: Trump, Donald 1946- ; USA ; Gesellschaft ; Spaltung ; Trauma ; Rassismus ; Politische Kultur ; Soziale Ungleichheit ; Geschichte 1865-2020
    Abstract: Rezension: Die tiefe Spaltung, der M. L. Trump (vgl.: "Zu viel und nie genug", ID-A 38/20), Nichte des Ex-Präsidenten und eine seiner schärfsten Kritikerinnen, hier nachgeht, ist nicht die naheliegende zwischen Demokraten und Republikanern. Das Buch der Psychologin und Traumatherapeutin gräbt tiefer und macht das historische Grundübel oder "amerikanische Trauma" an Unterdrückung, Rassismus und Terror der Weissen gegenüber den indigenen Völkern und der schwarzen Bevölkerung fest, die versklavt und misshandelt worden sind, ohne dass dies jemals aufgearbeitet, geschweige denn gesühnt worden wäre. Die korrupte, unfähige und teilnahmslose Trump-Regierung, die offen im Geiste einer "White Supremacy" agierte, erweist sich zugleich als Symptom und als brutaler Verstärker dieser schweren psychosozialen wie geschichtlichen Belastung. Einen Ausweg böte allein, sich der unrühmlichen Wahrheit zu stellen. Das bedeutet die echte Teilung von Macht, die Aufgabe von Privilegien durch die begünstigte weisse Bevölkerung und auch Wiedergutmachung durch Reparationen. - Eindringlich, informativ, gut lesbar - breit empfohlen. (2) Mario Kowalak
    Note: Literaturverzeichnis: Seite 237-244
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  • 56
    Book
    Book
    London ; New York, NY : Routledge
    ISBN: 9780367415723 , 9780367416362
    Language: English
    Pages: xxxv, 175 Seiten , Illustrationen, Karten , 24 cm
    Series Statement: Seminar studies
    Parallel Title: Erscheint auch als
    DDC: 304.8/73
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    Keywords: Geschichte ; Einwanderung ; USA ; Immigrants / United States / History ; United States / Emigration and immigration / History ; United States / Emigration and immigration / History / Sources ; Emigration and immigration ; Immigrants ; United States ; History ; Sources ; USA ; Einwanderung ; Geschichte
    Abstract: "Immigration in American History is a concise examination of the experiences of immigrants from the founding of the British colonies through the present day. The most recent scholarship on immigration is integrated into an accessible narrative that embraces the multicultural nature of U.S. immigration history, keeping issues of race and power at the center of the book. Organized chronologically, this book highlights how the migration experience evolved over time and emphasizes the interactions that occurred between different groups of migrants and the native-born. From the first interactions between the Native Americans and English colonizers at Jamestown, to the present-day debates over unauthorized immigration, the book helps students chart the evolution of American attitudes towards immigration and immigration policies and better contextualize present-day debates over immigration. The voices of immigrants are brought to the forefront in a poignant selection of primary source documents, and a glossary and "who's who" provides students with additional context for the people and concepts featured in the text. This book will be of interest to students and scholars of American immigration history and immigration policy history"--
    Description / Table of Contents: Migration to the British Colonies -- Immigration during the early national and Antebellum eras -- Immigration during the late nineteenth century -- The road to restriction -- Immigration under the National Origins Act -- Immigration during the late twentieth century -- Immigration at the dawn of the twenty-first century -- Documents
    Note: Includes bibliographical references and index
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  • 57
    Book
    Book
    New York : Routledge, Taylor & Francis Group
    ISBN: 9780367553647
    Language: English
    Pages: xxxiv, 487 Seiten , Illustrationen , 25 cm
    Edition: First issued in paperback
    Series Statement: Routledge companions
    Series Statement: Visual studies
    DDC: 700.8996073
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    Keywords: African American art ; Art, American Historiography ; Electronic books ; USA ; Schwarze ; Kunst ; Geschichte 1700-2020
    Note: First published 2020 by Routledge
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  • 58
    ISBN: 9780226756363 , 9780226756226
    Language: English
    Pages: viii, 332 Seiten , Illustrationen
    DDC: 323.1196/073
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    Keywords: United States ; Geschichte 1861-1918 ; Civil rights movements History ; African Americans Civil rights ; History ; Bürgerrechtsbewegung ; USA ; USA Congress ; Schwarze ; Bürgerrechtsbewegung ; Gesetzgebung ; Geschichte 1861-1918
    Abstract: The Civil War Years, 1861-1865 -- The Early Reconstruction Era, 1865-1871 -- The Demise of Reconstruction, 1871-1877 -- The Redemption Era, 1877-1891 -- The Wilderness Years, 1891-1918.
    Abstract: "This book tells the story of the rise and fall of the first civil rights era, viewed through the lens of action in the US Congress. The first civil rights era, as we define it, extends from 1861 through 1918, or from the Civil War through the First World War. During that time the formal status of African Americans shifted from slave to citizen and then to something in between. This distinctive path was largely determined by laws and, later, failed laws in Congress. Many books tell the story of African Americans during these years. Our book is explicitly about how the arc of civil rights was determined by Congress over these five decades and more. While there are some excellent accounts for particular periods, such as the Civil War or Reconstruction, we believe ours is the most systematic examination of congressional decision making on civil rights during this long and crucial period"--
    Note: Includes index
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  • 59
    ISBN: 9780820358628 , 9780820358352
    Language: English
    Pages: viii, 271 Seiten , Illustrationen
    Series Statement: Politics and culture in the twentieth-century South
    Parallel Title: Erscheint auch als Brückmann, Rebecca, 1983 - Massive resistance and southern womanhood
    DDC: 305.800975
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    Keywords: White supremacy movements History 20th century ; Women, White Political activity 20th century ; History ; Women, White Attitudes 20th century ; History ; Women, White Social life and customs 20th century ; History ; Segregation History 20th century ; Race discrimination History 20th century ; Racism History 20th century ; Southern States Race relations 20th century ; History ; USA ; Weibliche Weiße ; Vorherrschaft ; Rassentrennung ; Geschichte 1945-1965
    Abstract: "Massive Resistance and Southern Womanhood offers a comparative sociocultural and spatial history of white supremacist women who were active in segregationist grassroots activism in Little Rock, New Orleans, and Charleston from the late 1940s to the late 1960s. Through her examination, Rebecca Brückmann uncovers and evaluates the roles, actions, self-understandings, and media representations of segregationist women in massive resistance in urban and metropolitan settings. Brückmann argues that white women were motivated by an everyday culture of white supremacy, and they created performative spaces for their segregationist agitation in the public sphere to legitimize their actions. While other studies of mass resistance have focused on maternalism, Brückmann shows that women's invocation of motherhood was varied and primarily served as a tactical tool to continuously expand these women's spaces. Through this examination she differentiates the circumstances, tactics, and representations used in the creation of performative spaces by working-class, middle-class, and elite women engaged in massive resistance. Brückmann focuses on the transgressive "street politics" of working-class female activists in Little Rock and New Orleans that contrasted with the more traditional political actions of segregationist, middle-class, and elite women in Charleston, who aligned white supremacist agitation with long-standing experience in conservative women's clubs, including the United Daughters of the Confederacy and the Daughters of the American Revolution. Working-class women's groups chose consciously transgressive strategies, including violence, to elicit shock value and create states of emergency to further legitimize their actions and push for white supremacy"--
    Note: Includes bibliographical references and index
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  • 60
    ISBN: 9783896677082 , 389667708X
    Language: German
    Pages: 494 Seiten , Illustrationen , 21.5 cm x 13.5 cm
    Edition: 1. Auflage
    Uniform Title: America on Fire - The untold history of police violence and black rebellion since the 1960s
    Parallel Title: Erscheint auch als
    DDC: 305.800973
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    Keywords: USA ; Schwarze ; Rassismus ; Polizei ; Gewalt ; Protestbewegung ; Bürgerrechtsbewegung ; Geschichte 1960-2020
    Abstract: Rezension: Rassismus, Polizeigewalt, ungerechtes Justizsystem, systematische Unterdrückung, schlechte Lebensbedingungen. Das sind einige der vielen Gründe für die Aufstände der Schwarzen Bevölkerung , die seit den 1960er-Jahren des letzten Jahrhunderts in Wellen in den USA aufkommen. Detaillierte Schilderung.Eine Seite der USA-Geschichte in den vergangenen Jahrzehnten ist die der massiven Rassenunruhen in den 1960er- und 1970er-Jahren sowie die immer wieder aufflammenden vereinzelten Aufstände in den Folgejahrzehnten, wie in Fergusen 2014. Es ist der Krieg zwischen der Schwarzen Bevölkerung - unterprivilegiert, häufig arbeitslos oder unterbezahlt, schlechte Wohnverhältnisse und Bildungschancen - und den zumeist weissen Polizeikräften und der weissen Justiz. Das Verhältnis ist geprägt von Missachtung, Repression, unverhältnismäi︣ger Gewalt und unfairem Justizsystem, das schwarze Täter*innen für minimale Vergehen inhaftiert und Polizeibeamte, die Schwarze töten, freispricht. Die "white supremacy" wird überall deutlich, auch dort, wo vermeintlich vernünftige Sozialprogramme die Lebensverhältnisse der Schwarzen verbessern sollen. - Das Buch schildert in sehr grosser Detailgenauigkeit den Kreislauf zwischen Polizeigewalt und Schwarzem Aufstand, den systematischen Rassismus, zeigt die mangelnde Unterstützung, vor allem der Schwarzen Bevölkerung, seitens der Politik. Für größere USA-Bestände ein unbedingtes Muss. (2) Evamari Eberle
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  • 61
    Online Resource
    Online Resource
    New York : Columbia University Press
    ISBN: 9780231549103
    Language: English
    Pages: 1 online resource (289 pages)
    Series Statement: Columbia Studies in the History of U.S. Capitalism
    Parallel Title: Erscheint auch als Histories of racial capitalism
    DDC: 330.9730089
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    Keywords: Ethnische Diskriminierung ; Kapitalismus ; Wirtschaftsgeschichte ; USA ; Capitalism-United States-History ; Racism-Economic aspects-United States ; United States-Economic conditions ; Racism-Economic aspects-United States.. ; United States-Economic conditions ; Capitalism-United States-History.. ; Electronic books ; Aufsatzsammlung ; USA ; Kapitalismus ; Rassismus
    Abstract: This book brings together for the first time distinguished and rising scholars to consider the utility of the concept of racial capitalism across historical settings. By theorizing and testing racial capitalism in different circumstances, this book shows its analytical and political power for today's scholars and activists.
    Abstract: Intro -- Table of Contents -- Foreword, by Angela P. Harris -- Introduction: The Old History of Capitalism, by Destin Jenkins and Justin Leroy -- 1. Race, Innovation, and Financial Growth: The Example of Foreclosure, by K-Sue Park -- 2. Gendering Racial Capitalism and the Black Heretical Tradition, by Shauna J. Sweeney -- 3. The Indebted Among the "Free": Producing Indian Labor through the Layers of Racial Capitalism, by Mishal Khan -- 4. Transpacific Migration, Racial Surplus, and Colonial Settlement, by Allan E. S. Lumba -- 5. The Counterrevolution of Property Along the 32nd Parallel, by Manu Karuka -- 6. Racial Capitalism and Black Philosophies of History, by Justin Leroy -- 7. Ghosts of the Past: Debt, the New South, and the Propaganda of History, by Destin Jenkins -- 8. Dead Labor: On Racial Capital and Fossil Capital, by Ryan Cecil Jobson -- 9. "They Speak Our Language . . . Business": Latinx Businesspeople and the Pursuit of Wealth in New York City, by Pedro A. Regalado -- Contributors -- Untitled -- Index.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 62
    ISBN: 9781108764971
    Language: English
    Pages: 1 Online-Ressource (xii, 317 Seiten)
    Series Statement: Global and international history
    Parallel Title: Erscheint auch als
    DDC: 305.896017/541
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    Keywords: Geschichte 1900-2000 ; Blacks / Civil rights / French-speaking countries / History / 20th century ; Blacks / Civil rights / United States / History / 20th century ; Bürgerrecht ; Schwarze ; Französisches Sprachgebiet ; USA ; Französisches Sprachgebiet ; USA ; Schwarze ; Bürgerrecht ; Geschichte 1900-2000
    Abstract: Sarah C. Dunstan constructs a narrative of black struggles for rights and citizenship that spans most of the twentieth century, encompassing a wide range of people and movements from France and the United States, the French Caribbean and African colonies. She explores how black scholars and activists grappled with the connections between culture, race and citizenship and access to rights, mapping African American and Francophone black intellectual collaborations from the Paris Peace Conference in 1919 to the March on Washington in 1963. Connecting the independent archives of black activist organizations within America and France with those of international institutions such as the League of Nations, the United Nations and the Comintern, Dunstan situates key black intellectuals in a transnational framework. She reveals how questions of race and nation intersected across national and imperial borders and illuminates the ways in which black intellectuals simultaneously constituted and reconfigured notions of Western civilization
    Note: Title from publisher's bibliographic system (viewed on 08 Mar 2021)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 63
    ISBN: 9781108487139 , 9781108732192
    Language: English
    Pages: xiii, 403 Seiten
    DDC: 306.0973
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    Keywords: Nachkriegszeit ; Soziale Schichtung ; Soziale Probleme ; USA ; Aufsatzsammlung
    Note: Literaturangaben
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  • 64
    ISBN: 9780226794754 , 9780226794617
    Language: English
    Pages: 356 Seiten , Illustrationen, Karten
    DDC: 306.810973
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    Keywords: Geschichte 1861-2021 ; Ehe ; Sexualität ; Fortpflanzung ; Familienleben ; Politik ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Includes bibliographical references and index
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  • 65
    Online Resource
    Online Resource
    Stuttgart : Franz Steiner Verlag
    ISBN: 9783515128513
    Language: English
    Pages: 1 Online-Ressource (432 Seiten)
    Series Statement: Transatlantische historische Studien Volume 60
    Series Statement: History
    Series Statement: Transatlantische historische Studien
    Parallel Title: Erscheint auch als Piller, Elisabeth Selling Weimar
    DDC: 303.48243073
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    Keywords: Germany Foreign relations ; Germany Foreign relations 1918-1933 ; Deutschland ; Auswärtige Kulturpolitik ; Public Diplomacy ; USA ; Geschichte 1918-1933 ; Weimarer Republik ; Außenpolitik ; USA ; Geschichte 1918-1933
    Note: Literaturverzeichnis: Seite 394-422
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 66
    Book
    Book
    Cambridge, Massachusetts : The MIT Press
    ISBN: 9780262045841
    Language: English
    Pages: 282 Seiten
    DDC: 391.00973
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    Keywords: Geschichte 1850-1900 ; Haute couture ; Damenmode ; Bekleidungsindustrie ; Kunde ; High-Society ; Paris ; USA
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  • 67
    ISBN: 9781941366325 , 1941366325
    Language: English
    Pages: 627 Seiten , Illustrationen , 23 cm
    DDC: 704.03/096/073
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    Keywords: African American art 20th century ; African American artists History 20th century ; Art and society History 20th century ; Black power History 20th century ; Black Arts movement ; Arts Political aspects ; African American art ; African American artists ; Art and society ; Arts ; Political aspects ; Black Arts movement ; Black power ; Art criticism ; Essays ; History ; Essays ; Art criticism ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunstsoziologie ; Schwarze ; Künstler ; Person of Color ; Black power ; Geschichte 1960-1980
    Abstract: "A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --
    Note: "Originating in research for the landmark traveling exhibition Soul of a nation: art in the age of Black power, this anthology brings together more than two hundred texts, most of them rare and long out of print"--Page 4 of cover , Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright , Includes bibliographical references
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  • 68
    ISBN: 1934351199 , 9781934351192
    Language: English
    Pages: xiii, 282 Seiten , Illustrationen , 28 cm
    DDC: 700.8996073075
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    Keywords: African American art Exhibitions 20th century ; African American art Exhibitions 21st century ; Material culture Exhibitions ; African Americans Music ; African Americans Religion ; African American art Political aspects ; African American art ; African Americans ; African Americans ; Religion ; Material culture ; Exhibition catalogs ; Music ; Southern States In art ; Exhibitions ; Southern States ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; USA ; Kunst ; Schwarze ; Geschichte 1945- ; Musik ; Literatur
    Abstract: Director's foreword / Alex Nyerges -- What you know about the Dirty South? / Valerie Cassel Oliver -- a poem for black art / Fred Moten -- Landscape : the politics and poetics of dirt. Cosmic encounter / Charlie R. Braxton ; Bevery Buchanan : forms of ruination / Andrea Barnwell Brownlee, Jennifer Burris, and Park MacArthur ; Quilted beats bound at the rut : a theorization of the Dirty South / Regina N. Bradley ; Plates -- Systems of thought : the vision of envisioning. Songs that are sacred and pure (for Toni Morrison) / Charlie R. Braxton ; Dreaming empire, conjuring freedom : Renée Stout, African American landscape representation, and the imperial South / Kirsten Pai Buick ; Bible Belt swag : Houston hip-hop and Black religion / Anthony B. Pinn ; Dreaming of the South in stereo : Black music's American journey / Guthrie P. Ramsey Jr. ; Plates -- The Black body : repository/site/agent. Bluesosophy (for Julius Thompson) / Charlie R. Braxton ; Picturing the South : how photographers have imaged the region / Rhea L. Combs ; Changing the rules, the practice of pleasure : the linguistic possibilities of dirt / Roger Reeves ; Plates -- Epilogue. Code Black : the Dirty South / Paul D. Miller ; The Dirty South playlist ; Plates -- Artist biographies -- Contributor biographies -- Exhibition checklist and image credits.
    Abstract: "This exhibition catalog to the Virginia Museum of Fine Arts’ The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse chronicles the pervasive visual and sonic parallels in the work of Black artists from the southern United States. It looks to contemporary southern hip-hop as a portal into the roots and aesthetic legacies that have shaped contemporary art from the 1920s to the present. It features multiple generations of both academically trained and 'outsider' artists working in a variety of genres and disciplines, including Thornton Dial, Allison Janae Hamilton, Arthur Jafa, Jason Moran, Sister Gertrude Morgan, Sun Ra, Kara Walker, and William Edmondson. Creating a capacious understanding of southern expression in visual art, material culture, and music, this richly illustrated volume documents the exhibition’s artworks and includes critical essays, poems, artist biographies, and an extended bibliography"--https://vmfashop.com/dirty-south/the-dirty-south-exhibition-catalog.html
    Note: "This catalogue accompanies the exhibition 'The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse', presented at the Virginia Museum of Fine Arts, May 22-September 6, 2021; Contemporary Arts Museum Houston, October 28, 2021-February 6, 2022; Crystal Bridges Museum of American Art, March 12-July 25, 2022; Museum of Contemporary Art Denver, September 2022-February 2023"--Page iv , Includes artists: Terry Adkins, Charles Henry Alston, Emma Amos, Benny Andrews, Radcliffe Bailey, Romare Bearden, Kevin Beasley, Paul Stephen Benjamin, Julia Beverly, John Biggers, Sanford Biggers, Herman Poole Blount (AKA Sony'r Ra or Sun Ra), Sheila Pree Bright, Beverly Buchanan, Bisa Butler, Elizabeth Catlett, Nick Cave, Mel Chin, Sonya Clark, Bethany Collins, Eldzier Cortor, Abraham Lincoln Criss, Jamal Cyrus, Bruce Davenport Jr. (AKA Dapper Bruce Lafitte), Beauford Delaney, Thornton Dial, Nathaniel Donnett, Aaron Douglas, William Edmondson, Melvin Edwards, Winton and Rosa Eugene, Minnie Evans, Leonard Freed, Theaster Gates, Sam Gilliam, Allison Janae Hamilton, David Hammons, Bessie Harvey, Palmer Hayden (AKA Peyton Cole Hedgeman), Robert Hodge, Earlie Hudnall, Jr., Clementine Hunter, Arthur Jafa, Anderson Johnson, William H. Johnson, Richard FIEND Jones (aka International Jones), Jacob Lawrence, El Franco Lee II, Samella Lewis, James Little, Whitfield Lovell, Jonathan Mannion, Kerry James Marshall, James Martin (AKA Spider Martin), Rodney McMillian, Michi Meko, Jason Moran, Sister Gertrude Morgan, Marilyn Nance (AKA Soulsista), Rashaad Newsome, Tameka Jenean Norris (AKA T.J. Dedeaux-Norris and Meka Jean), Demetrius Oliver, Joe Overstreet, Fahamu Pecou, Rita Mae Pettway, Robert Pruitt, Deborah Roberts, Nadine Robinson, Sulton Rogers, RaMell Ross, Nellie Mae Rowe, Kenneth Royster, Paul Rucker, Augusta Savage, Joyce J. Scott, John Sims, Kevin Sipp, Kaneem Smith, Renée Stout, Jimmy Lee Sudduth, Felandus Thames, Alma Thomas, James Thomas (AKA Son Ford), Bob Thompson, Mildred Thompson, Mose Tolliver, Bill Traylor, Freeman Vines, Kara Walker, Nari Ward, Arliss Watford, Jack Whitten, William T. Williams, Purvis Young
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  • 69
    ISBN: 978-0-252-04385-7 , 978-0-252-08584-0
    Language: English
    Pages: 316 Seiten
    Series Statement: The new Black studies series
    Parallel Title: Erscheint auch als
    DDC: 305.8960730904
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    Keywords: Geschichte 1900-2016 ; African Americans / Intellectual life / 20th century ; African American intellectuals / History / 20th century ; African Americans / Race identity / History / 20th century ; Blacks / Race identity / United States / History / 20th century ; Black nationalism / United States / History / 20th century ; African Americans / Social conditions / 20th century ; African American intellectuals ; African Americans / Intellectual life ; African Americans / Race identity ; African Americans / Social conditions ; Black nationalism ; Blacks / Race identity ; Race relations ; Rassismus ; Schwarze ; Geistesleben ; United States / Race relations / History / 20th century ; United States ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Geistesleben ; Rassismus ; Geschichte 1900-2016
    Abstract: "From 1900 to the present, people of African descent living in the United States have drawn on homegrown and diasporic minds to create a Black intellectual tradition engaged with ideas on race, racial oppression, and the world. This volume presents essays on the diverse thought behind the fight for racial justice as developed by African American artists and intellectuals; performers and protest activists; institutions and organizations; and educators and religious leaders. By including both women's and men's perspectives from the U.S. and the Diaspora, the essays explore the full landscape of the Black intellectual tradition. Throughout, contributors engage with important ideas ranging from the consideration of gender within the tradition, to intellectual products generated outside the intelligentsia, to the ongoing relationship between thought and concrete effort in the quest for liberation"--
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  • 70
    Book
    Book
    Lanham ; Boulder ; New York ; London : Rowman & Littlefield
    ISBN: 9781442264977
    Language: English
    Pages: viii, 299 Seiten
    Series Statement: The American ways
    Parallel Title: Erscheint auch als
    DDC: 305.83/1073
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    Keywords: Geschichte ; Deutsche ; USA ; USA ; Deutsche ; Geschichte
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  • 71
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469664668 , 9781469664651
    Language: English
    Pages: 1 Online-Ressource (xiii, 231 pages) , Illustrations (black and white).
    Series Statement: North Carolina scholarship online
    DDC: 302.23082
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    Keywords: Künste ; Frau ; Sklaverei ; Gewalt ; Violence in literature ; Violence in motion pictures ; Violence on television ; Violence in women in literature ; Women in popular culture ; Women in popular culture ; Violence in women in popular culture ; Violence in women in popular culture ; Slavery History ; Literature ; Literature: history & criticism ; USA ; Karibik
    Abstract: This text examines how violence between women in contemporary Caribbean and American texts is rooted in plantation slavery. Amy King's work goes beyond any other study to date to examine the intersections of gender, sexuality, race, ethnicity, class, ability, and nationality in US and Caribbean depictions of violence between women in the wake of slavery.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 72
    ISBN: 9783406765551 , 9783406765568
    Language: German
    Pages: 1 Online-Ressource (477 Seiten)
    Series Statement: C.H. Beck Paperback 6420
    Parallel Title: Erscheint auch als Arndt, Susan, 1967 - Rassismus begreifen
    DDC: 305.8009
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    Keywords: Debatte ; Black Lives Matter ; Diskriminierung ; Monographie ; Rassismus ; Einführung ; Umbenennung ; Antirassismus ; Black-Lives-Matter-Bewegung ; Gewalt ; Frühe Neuzeit ; Kulturgeschichte ; Rassismus ; Geschichte ; Neuzeit ; Afrika ; Europa ; USA
    URL: cover
    URL: cover
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  • 73
    Image
    Image
    New York ; Boston ; London : Little, Brown and Company
    ISBN: 9780349701189 , 9780316492935
    Language: English
    Pages: xiii, 336 Seiten , 25 cm
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 306.3620973
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    Keywords: Geschichte ; Sklaverei ; USA ; Slavery / United States / History ; Slaveholders / United States / History ; African Americans / Social conditions / History ; Historic sites / United States ; Plantations / United States ; Racism / United States / History ; Discrimination / United States / History ; Ethnology / Study and teaching ; Minorities / Study and teaching ; African Americans / Study and teaching ; HISTORY / African American ; HISTORY / United States / General ; SOCIAL SCIENCE / Black Studies (Global) ; SOCIAL SCIENCE / Discrimination ; SOCIAL SCIENCE / Ethnic Studies / American / African American Studies ; African Americans ; African Americans / Social conditions ; African Americans / Study and teaching ; Discrimination ; Ethnology / Study and teaching ; Historic sites ; Minorities / Study and teaching ; Plantations ; Racism ; Slaveholders ; Slavery ; United States ; History / African American ; History ; Instructional and educational works ; USA ; Sklaverei ; Geschichte
    Abstract: "'How the Word is Passed' is Clint Smith's revealing, contemporary portrait of America as a slave owning nation. Beginning in his own hometown of New Orleans, Smith leads the reader through an unforgettable tour of monuments and landmarks - those that are honest about the past and those that are not - that offer an intergenerational story of how slavery has been central in shaping our nations collective history, and ourselves."
    Description / Table of Contents: "The whole city is a memorial to slavery:" Prologue -- "There's a difference between history and nostalgia:" Monticello Plantation -- "An open book, up under the sky:" The Whitney Plantation -- "I can't change what happened here:" Angola Prison -- "I don't know if it's true or not, but I like it:" Blandford Cemetery -- "Our Independence Day:" Galveston Island -- "We were the good guys, right?" New York City -- "One slave is too much:" Gorée Island -- "I lived it:" Epilogue -- About this project
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  • 74
    ISBN: 9780691208190
    Language: English
    Pages: vii, 254 Seiten , Illustrationen, Pläne
    DDC: 745.40973/0904
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    Keywords: Design Social aspects 20th century ; History ; Modernism (Aesthetics) Social aspects ; Decorative arts Marketing ; Power (Social sciences) History 20th century ; USA ; Kunsthandwerk ; Industriedesign ; Künste ; Geschlecht ; Ethnische Gruppe ; Geschichte 1950-1960
    Note: Includes bibliographical references and index
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  • 75
    ISBN: 9783837657173 , 3837657175
    Language: German , English
    Pages: 526 Seiten , Illustrationen, Diagramme , 23 cm, 810 g
    Series Statement: Gender, diversity and culture in history and politics Band 1
    Series Statement: Gender, diversity and culture in history and politics
    Parallel Title: Erscheint auch als
    DDC: 306.46109
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    Keywords: Geschichte 1500-2000 ; Beschneidung ; Abweichendes Sexualverhalten ; Gynäkologie ; Diskurs ; Frau ; Frankreich ; Deutschland ; USA ; Großbritannien ; Klitoridektomie ; Kliteridektomie ; Medizin ; Sexualität ; Europa ; Nordamerika ; Frühe Neuzeit ; Neuere und Neueste Geschichte ; Zeitgeschichte ; Sexuelle Devianz ; Deutschland ; Frankreich ; Großbritannien ; USA ; Frauengesundheit ; Frauenmedizin ; Kulturgeschichte ; Geschlecht ; Gewalt ; Geschlechtergeschichte ; Gender Studies ; Medizingeschichte ; Geschichtswissenschaft ; Genital Mutilation ; Clitoridectomy ; Medicine ; Sexuality ; Europe ; North America ; Early Modernity ; Newer and Latest History ; Contemporary History ; Sexual Devianz ; Germany ; France ; Great Britain ; Women's Health ; Women's Medicine ; Cultural History ; Gender ; Violence ; Gender History ; History of Medicine ; History ; Genitalverstümmelung ; Weibliche Genitalbeschneidung ; Female genital mutilation ; FGM ; Deutschland ; Frankreich ; Großbritannien ; USA ; Gynäkologie ; Frau ; Abweichendes Sexualverhalten ; Diskurs ; Beschneidung ; Geschichte 1500-2000
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  • 76
    ISBN: 9783593514376 , 3593514370
    Language: German
    Pages: 375 Seiten , Illustrationen , 21.3 cm x 14 cm
    Series Statement: Eigene und fremde Welten Band 41
    Series Statement: Eigene und fremde Welten
    Parallel Title: Erscheint auch als Niebauer, Kevin Regenwald und ökologische Krise
    Dissertation note: Dissertation Freie Universität Berlin 2021
    DDC: 333.751370981109047
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    Keywords: Hochschulschrift ; Brasilien ; Amazonas-Gebiet ; Regenwald ; Biodiversität ; Entwaldung ; Klimaänderung ; Umweltkatastrophe ; Umweltpolitik ; Deutschland ; USA ; Geschichte
    Note: Literaturverzeichnis: Seite 332-373
    URL: Cover
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  • 77
    Online Resource
    Online Resource
    Bielefeld : transcript | Ann Arbor, Michigan : ProQuest
    ISBN: 9783839451892
    Language: English
    Pages: 1 Online-Ressource (283 pages)
    Edition: 1st ed.
    Series Statement: American Culture Studies v.30
    DDC: 303.36
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    Keywords: Geschichte 1800-2020 ; Autorität ; Legitimität ; Vertrauen ; Authority--Social aspects--United States ; Trust--Social aspects--United States ; Social psychology--United States ; USA ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Cover
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Full-text  ((OIS Credentials Required))
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  • 78
    Online Resource
    Online Resource
    Hoboken, NJ : Wiley Blackwell
    ISBN: 9781119522690
    Language: English
    Pages: 1 Online-Ressource (xiii, 412 Seiten) , Illustrationen
    Edition: Second edition
    Series Statement: Wiley Blackwell companions to American history
    Parallel Title: Erscheint auch als
    DDC: 305.40973
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    Keywords: Geschichte ; Geschichte 1600-2018 ; Frau ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Frau ; Geschichte ; USA ; Frau ; Geschichte 1600-2018
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 79
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780191938528
    Language: English
    Pages: 1 online resource (320 pages) , illustrations (black and white, and colour).
    Edition: First edition.
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als Pike, David L., 1963 - Cold War space and culture in the 1960s and 1980s
    DDC: 909.825
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    Keywords: Cold War in popular culture ; Bunkers (fortification) in popular culture ; Cold War (1945-1989) in popular culture ; United States ; USA ; Ost-West-Konflikt ; Popkultur ; Literatur ; Geschichte 1960-1990
    Abstract: 'Cold War Space and Culture in the 1960s and 1980s' studies the two periods in which Americans were actively encouraged to excavate their own backyards while governments the world over exhausted their budgets on fortified super-shelters and megaton bombs. The dreams and nightmares inspired by the spectre of nuclear destruction were expressed in images and forms from comics, movies, and pulp paperbacks to policy documents, protest movements, and survivalist tracts. Illustrated with photographs, artwork, and movie and television stills of real and imagined fallout shelters and other bunker fantasies, David L. Pike's continues his decades-long exploration of the meanings of modern undergrounds.
    Note: This edition also issued in print: 2021. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on October 21, 2021)
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  • 80
    ISBN: 9780367423216
    Language: English
    Pages: 67 Seiten
    Series Statement: Routledge focus
    Parallel Title: Erscheint auch als Stanton, Thomas H., 1944 - American Race Relations and the Legacy of British Colonialism
    DDC: 305.800973
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    Keywords: African Americans Legal status, laws, etc ; History ; Slavery Law and legislation ; History ; Recht ; Sklaverei ; United States Race relations ; History ; United States Colonial influence ; USA
    Abstract: "Colonial rule distorts a colony's economy and its society, and British rule was no exception. British policies led to a stratified American colonial society with slaves on the bottom and white settlers on top. The divided society functioned through laws that imposed rules and defined roles of the respective races. This occurred in other colonies too, often leading to strife that continues today. Especially since World War II the United States seems finally to have been able to remove many laws and practices that had created barriers between races in the divided society. Appeals to legitimacy, such as by abolitionists and the Civil Rights Movement, were essential to change laws from support of the divided society to instruments for disestablishing it. Thanks to the rule of law - another important British legacy -- the U.S. is much farther along than many former colonies in making progress. By highlighting the history of the interplay of two fundamental concepts, the divided society and the rule of law, and briefly contrasting the experiences of other former colonies, this book shows how the United States has made significant long-term progress, although incomplete, and ways for this to continue today"--
    Note: Includes bibliographical references and index
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  • 81
    Book
    Book
    Stanford, California : Stanford University Press
    ISBN: 9781503611191 , 9781503611184
    Language: English
    Pages: xi, 286 Seiten , Illustrationen, Karten
    Parallel Title: Erscheint auch als Wolff, Larry Woodrow Wilson and the Reimagining of Eastern Europe
    DDC: 327.7304709/041
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    Keywords: Wilson, Woodrow ; Self-determination, National History 20th century ; World War, 1914-1918 Territorial questions ; Europe, Eastern Foreign relations ; Europe, Eastern Boundaries 20th century ; History ; United States Foreign relations ; United States Foreign relations 1913-1921 ; USA ; Osteuropa ; Grenze ; Diplomatische Beziehungen ; Außenpolitik ; Nationalbewusstsein ; Erster Weltkrieg
    Abstract: Woodrow Wilson, the eastern question, and the end of the Ottoman Empire -- "This war of emancipation" : the Wilsonian deliverance of the "enslaved" Habsburg peoples -- Wilsonian friendship : personal sympathy and geopolitical transformation -- National majorities and national minorities in Wilsonian Eastern Europe -- Conclusion : the dynamics of Wilsonian mental mapping.
    Note: Literaturangaben
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  • 82
    ISBN: 9781788738613
    Language: English
    Pages: XXI, 168 Seiten
    Edition: Paperback edition
    DDC: 303.625
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    Keywords: Geschichte 2001-2004 ; Internationaler Terrorismus ; Politik ; Gewalt ; Nationalismus ; Antisemitismus ; Terrorismus ; Bekämpfung ; Auslandsbeziehungen ; USA ; Aufsatzsammlung
    Note: Originally published: 2004. , Includes bibliographical references and index.
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  • 83
    Book
    Book
    Charlottesville : University of Virginia Press
    ISBN: 9780813943749
    Language: English
    Pages: xviii, 194 Seiten , Illustrationen
    Series Statement: Midcentury: architecture, landscape, urbanism, and design
    Parallel Title: Erscheint auch als Grubiak, Margaret M Monumental jesus
    DDC: 306.6/773
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    Keywords: Christianity and culture ; Cultural landscapes ; Popular culture Religious aspects ; Christianity ; United States Religion ; USA ; Religiöse Kunst ; Architektur ; Monumentalplastik
    Abstract: Touchdown Jesus! -- Dorothy, The Wizard of Oz, and the Mormon Temple -- Adventures in the evangelical theme park -- Charles Darwin's Night at the Creation Museum -- Gumby Jesus.
    Abstract: "This book explores how religious doubt is made manifest in the built environment by taking seriously the humorous, satirical, blasphemous, and popular culture responses to religious architecture and image in modern America. It challenges how audiences typically consider religious architecture by shifting the focus from believers to doubters and from architectural producers to architectural consumers. Its chapters explore landscapes of doubt created by "Touchdown Jesus" at the University of Notre Dame in Indiana; the Mormon temple outside Washington, D.C., recast as something from The Wizard of Oz; Jerry Falwell's waterslide plunge photograph and The Simpson's "Praiseland" episode satirizing Jim and Tammy Faye Bakker's Heritage USA evangelical theme park in South Carolina; the doctored photograph making fun of Oral Roberts's claim of seeing a 900-foot Jesus at Oral Roberts University in Tulsa, Oklahoma; MAD magazine's "Charles Darwin's Night at the Creation Museum" parody of the Creation Museum in Kentucky; and the "Gumby Jesus" renaming of the Christ of the Ozarks statue in Eureka Springs, Arkansas. These expressions of doubt activate the religious built environment in ways unanticipated but illuminating, asking Americans to consider and clarify what it is they believe"--
    Note: Includes bibliographical references and index
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  • 84
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496827951 , 9781496827944
    Language: English
    Pages: xxxiii, 201 Seiten
    Series Statement: Race, rhetoric & media
    Parallel Title: Erscheint auch als
    DDC: 323.1196/073
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    Keywords: African Americans Civil rights ; History ; Black power Psychological aspects ; Emotions Social aspects ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; USA ; Schwarze ; Bürgerrechtsbewegung ; Black power ; Gefühl ; Geschichte 1960-1970
    Abstract: "In the 1969 issue of Negro Digest, a young Black Arts Movement poet then-named Ameer (Amiri) Baraka published "We Are Our Feeling: The Black Aesthetic." Baraka's emphasis on the importance of feelings in black selfhood expressed a touchstone for how the black liberation movement grappled with emotions in response to the politics and racial violence of the era. In her latest book, award-winning author Lisa M. Corrigan suggests that Black Power provided a significant repository for negative feelings, largely black pessimism, to resist the constant physical violence against black activists and the psychological strain of political disappointment. Corrigan asserts the emergence of Black Power as a discourse of black emotional invention in opposition to Kennedy-era white hope. As integration became the prevailing discourse of racial liberalism shaping mid-century discursive structures, so too, did racial feelings mold the biopolitical order of postmodern life in America. By examining the discourses produced by Martin Luther King, Malcolm X, Stokely Carmichael, Huey Newton, Eldridge Cleaver, and other Black Power icons who were marshaling black feelings in the service of black political action, Corrigan traces how black liberation activists mobilized new emotional repertoires"--
    Abstract: "How the black liberation movement confronted ideologies of progress and equality through emotional discourse"--
    Note: Includes bibliographical references and index
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  • 85
    ISBN: 9781496827890 , 9781496827883
    Language: English
    Pages: viii, 288 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Till death do us part
    DDC: 393.1
    RVK:
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    Keywords: Geschichte ; Bestattungsritus ; Cemeteries History ; Burial ; Segregation History ; Minorities Social conditions ; SOCIAL SCIENCE / Anthropology / Cultural & Social ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: "A comprehensive study of how burial customs highlight social status and class
    Note: Includes bibliographical references and index
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  • 86
    Book
    Book
    Philadelphia : University of Pennsylvania Press
    ISBN: 9780812251708 , 0812251709
    Language: English
    Pages: xi, 297 Seiten , Illustrationen
    Additional Information: Rezensiert in Lowe, Kevin M. [Rezension von: Byrd, Brandon R., The Black Republic: African Americans and the Fate of Haiti] 2020
    Series Statement: America in the nineteenth century
    Parallel Title: Erscheint auch als Byrd, Brandon R. The Black republic
    DDC: 323.1196/07309034
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    Keywords: African Americans Civil rights 19th century ; History ; African Americans Intellectual life 19th century ; Haiti History Revolution, 1791-1804 ; Influence ; Haiti Relations ; United States Relations ; Haiti Foreign relations ; United States Foreign relations ; Haiti ; Haitianische Revolution ; Rezeption ; USA ; Schwarze ; Geschichte 1863-1934 ; USA ; Schwarze ; Geistesleben ; Kulturbeziehungen ; Haiti ; Geschichte 1863-1934
    Note: Literaturangaben
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  • 87
    ISBN: 9781580469692
    Language: English
    Pages: xiv, 465 Seiten , Illustrationen, Diagramme, Karten
    Series Statement: Rochester studies in African history and the diaspora 86
    Series Statement: Rochester studies in African history and the diaspora
    DDC: 306.3/6209609034
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    Keywords: Slavery History 19th century ; Slavery Law and legislation 19th century ; History ; Freedmen History 19th century ; Konferenzschrift 2017 ; Aufsatzsammlung ; Konferenzschrift 2017 ; USA ; Europa ; Brasilien ; Sklavenhandel ; Abolitionismus ; Geschichte 1807-1896
    Abstract: "Interrogates the development of the world's first international courts of humanitarian justice and the subsequent "liberation" of nearly 200,000 Africans in the nineteenth century"--
    Note: Literaturverzeichnis: Seite 409-449
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  • 88
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226670836 , 9780226559360
    Language: English
    Pages: 428 Seiten , Illustrationen, Diagramme , 23 cm
    Parallel Title: Erscheint auch als
    DDC: 302.14
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    Keywords: Geschichte 1780-1945 ; Nationalbewusstsein ; Wohltätigkeitsorganisation ; Solidarität ; Wohltätigkeit ; USA ; Voluntarism / United States / History ; Charity organization / United States / History ; Social service / United States ; Charity organization ; Social service ; Voluntarism ; United States ; History ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Wohltätigkeit ; Solidarität ; Wohltätigkeitsorganisation ; Nationalbewusstsein ; Geschichte 1780-1945
    Abstract: "Civic Gifts traces how practices of reciprocity and organized mass benevolence-that is, philanthropy-have contributed to the development of novel forms of national solidarity and impressive governing capacities in the United States, contributing even to a famously anti-statist political culture. Sociologist Elisabeth Clemens paints a picture of the US, whether as nation or as state, as a puzzle. How, she asks, did a sense of shared nationhood develop despite the linguistic, religious, and ethnic differences among the settlers? How did a global power emerge from an often anti-statist political culture? How did some version of this collective identity come to be articulated with organized governance? With Civic Gifts, Clemens reveals that an important piece of the answer to these questions can be found in the unexpected political uses of philanthropy and the power of gifts to mobilize communities and to create solidarity among strangers"--
    Description / Table of Contents: Principles of Association and Combination -- Civil War, Civic Expansion: The "Divine Method" of Patriotism -- Municipal Benevolence -- The Expansible Nation-State -- "Everything but Government Submarines": Limits of a Semi-governmental System -- In the Shadow of the New Deal -- The People's Partnership -- Good Citizens of a World Power -- Combinatorial Politics and Constitutive Contradictions
    Note: Includes bibliographical references and index
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  • 89
    ISBN: 9781479802548 , 9780814707630
    Language: English
    Pages: viii, 453 Seiten , Illustrationen
    Edition: First published in paperback
    Additional Information: Rezensiert in Rock-Singer, Cara [Rezension von: Joyce Antler, Radical jewish feminism. Voices from the women's liberation movement] 2020
    Series Statement: The Goldstein-Goren series in American Jewish history
    DDC: 305.42089/924073
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    Keywords: Women in Judaism ; Jewish women ; Feminism Religious aspects ; Judaism ; Gender identity Religious aspects ; Judaism ; Feminism History 20th century ; Feminism History 21st century ; Queer theory ; Feminism ; Gender identity ; Jewish women ; Queer theory ; Women in Judaism ; Jüdin ; Feminismus ; Radikalismus ; Frauenemanzipation ; Jüdin ; Feminismus ; Radikalismus ; Frauenemanzipation ; USA ; Frauenbewegung ; Geschichte 1960-1980
    Abstract: Fifty years after the start of the women's liberation movement, a book that at last illuminates the profound impact Jewishness and second-wave feminism had on each other. Jewish women were undeniably instrumental in shaping the women's liberation movement of the 1960s, 70s, and 80s. Yet historians and participants themselves have overlooked their contributions as Jews. This has left many vital questions unasked and unanswered-until now. Delving into archival sources and conducting extensive interviews with these fierce pioneers, Joyce Antler has at last broken the silence about the confluence of feminism and Jewish identity. Antler's exhilarating new book features dozens of compelling biographical narratives that reveal the struggles and achievements of Jewish radical feminists in Chicago, New York and Boston, as well as those who participated in the later, self-consciously identified Jewish feminist movement that fought gender inequities in Jewish religious and secular life. Disproportionately represented in the movement, Jewish women's liberationists helped to provide theories and models for radical action that were used throughout the United States and abroad. Their articles and books became classics of the movement and led to new initiatives in academia, politics, and grassroots organizing. Other Jewish-identified feminists brought the women's movement to the Jewish mainstream and Jewish feminism to the Left. For many of these women, feminism in fact served as a "portal" into Judaism. Recovering this deeply hidden history, Jewish Radical Feminism places Jewish women's activism at the center of feminist and Jewish narratives. The stories of over forty women's liberationists and identified Jewish feminists-from Shulamith Firestone and Susan Brownmiller to Rabbis Laura Geller and Rebecca Alpert-illustrate how women's liberation and Jewish feminism unfolded over the course of the lives of an extraordinary cohort of women, profoundly influencing the social, political, and religious revolutions of our era.
    Note: Includes bibliographical references and index
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  • 90
    Book
    Book
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469655581 , 9781469655574
    Language: English
    Pages: 285 Seiten , Illustrationen
    Series Statement: Studies in United States culture
    DDC: 306.3/620973
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    Keywords: Sklaverei ; Schwarze Menschen ; Illegaler Handel ; Wirtschaftsgeschichte ; Kapitalismus ; USA ; Freedmen Social conditions ; Freedmen Economic conditions ; Slavery Economic aspects ; Black market ; USA ; Sklaverei ; Schwarze ; Freigelassener ; Kapitalismus ; Schwarzmarkt ; Wirtschaft ; Kultur ; Geschichte 1865-1939
    Abstract: "By 1860, the value of the slave population in the United States exceeded $3 billion--triple that of investments nationwide in factories, railroads, and banks combined, and worth more even than the South's lucrative farmland. The slave was not only a commodity to be traded but also a kind of currency and the basis for a range of credit relations. But the value associated with slavery was not destroyed in the Civil War. In Black Market, Aaron Carico reveals how the slave commodity survived emancipation, arguing that the enslaved person--understood here in legal, economic, social, and embodied contexts--still operated as an indispensable form of value in national culture. Carico explains how a radically incomplete--and fundamentally failed--abolition enabled the emergence of a modern nation-state, in which slavery still determined--and now goes on to determine--economic, political, and cultural life."
    Note: Includes bibliographical references and index
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  • 91
    ISBN: 9783518293683
    Language: German
    Pages: 455 Seiten
    Edition: 2. Auflage
    Series Statement: Suhrkamp-Taschenbuch Wissenschaft 1768
    DDC: 306.094309044
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    Keywords: Psychotherapie ; Nachkriegszeit ; Nachkriegsdeutschland ; Zweiter Weltkrieg ; Besatzungszeit ; Besatzungsmacht ; USA ; Demokratisierung ; Stunde Null ; Germany History 1945-1955 ; Germany Social conditions 20th century ; Deutschland Militärregierung ; Herrschaft ; Systemtransformation ; Soziologie ; Demokratisierung ; Umerziehung ; Geschichte 1945-1946 ; Reeducation
    Abstract: Die Demokratie Nachkriegsdeutschlands ist gemeinhin untersucht worden, als hätte sie sich wie ein Phönix als Zivilgesellschaft aus der Asche des Zusammenbruchs des Nationalsozialismus erhoben. Aber die Geschichte war ganz anders. Man muß die Demokratisierung Deutschlands durch die amerikanische Besatzungsherrschaft anhand der originalen Dokumente nachzeichnen, um zu zeigen, welch spannende Dinge sich tatsächlich in der Stunde Null, dem (nicht nur) metaphorischen Wendepunkt der deutschen Geschichte des zwanzigsten Jahrhunderts, ereignet haben. Uta Gerhardt befaßt sich anhand der konkreten Vorgaben, die damals die Politik bestimmten, mit den Programmperspektiven der amerikanischen Besatzungsherrschaft. Trotz seines zeitgeschichtlichen Stoffs handelt es sich aber um ein am Denken Max Webers geschultes soziologisches Buch, in dessen Zentrum die Frage steht, wie es mittels einer Herrschaft des Übergangs binnen kurzer Zeit gelingen kann, eine von Diktatur geprägte Gesellschaft in eine demokratische zu transformieren - eine Frage, die heute mehr denn je aktuell ist.
    Note: Literaturverz. S. 431 - 449
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  • 92
    ISBN: 9783515125857 , 351512585X
    Language: German
    Pages: 519 Seiten , Illustrationen , 25 cm, 1022 g
    Series Statement: Studien zur Alltags- und Kulturgeschichte Band 33
    Series Statement: Geschichte
    Parallel Title: Erscheint auch als Borscheid, Peter, 1943- The American Way of Music
    DDC: 781.6409
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    Keywords: Geschichte 1945-2020 ; Geschichte ; Popmusik ; Rockmusik ; Musikwirtschaft ; Internationalisierung ; Globalisierung ; Unterhaltungsmusik ; Amerikanisierung ; USA
    Note: Literaturverzeichnis Seite 508-519
    URL: Cover
    URL: Cover
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  • 93
    ISBN: 9783593511047 , 3593511045
    Language: German
    Pages: 455 Seiten , Diagramme , 21.3 cm x 14.0 cm
    Series Statement: Reihe "Geschichte und Geschlechter" Band 75
    Series Statement: Reihe "Geschichte und Geschlechter"
    Parallel Title: Erscheint auch als Gehring, Magdalena, 1984 - Vorbild, Inspiration oder Abgrenzung?
    Dissertation note: Dissertation Technische Universität Dresden 2017
    DDC: 305.420943
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    Keywords: Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Frauenbewegung ; Rezeption ; Deutschland ; Internationale Kooperation ; Geschichte 1865-1904 ; Frauenbewegung ; Deutscher Staatsbürgerinnen-Verband ; Amerikabild ; Geschichte 1830-1900 ; Otto-Peters, Louise 1819-1895 ; Frauenbewegung ; Rezeption
    Note: Quellen- und Literaturverzeichnis: Seite 392-453 , Leicht bearbeitete Version der Dissertation
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  • 94
    Book
    Book
    University Park, Pennsylvania : The Pennsylvania State University Press
    ISBN: 9780271086040
    Language: English
    Pages: 241 Seiten , Illustrationen
    DDC: 759.13
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    Keywords: Jones, Lois Mailou Criticism and interpretation ; African diaspora in art ; Jones, Loi͏̈s Mailou 1905-1998 ; USA ; Schwarze ; Kunst
    Abstract: Introduction : claiming middle ground -- Seeking success : school, society, and career aspirations -- Routes to roots : from Black Washington to Black Paris -- Diasporic directions : Haiti, collage, and composite aesthetics -- In and out : Africa and the academy -- Conclusion : composite naming practices and art histories.
    Abstract: "A critical analysis of the art and career of African American painter Loïs Mailou Jones (1905-1998). Examines Jones's engagement with African and Afrodiasporic themes as well as the challenges she faced as a black woman artist"--
    Note: Includes bibliographical references and index
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  • 95
    Book
    Book
    Philadelphia : University of Pennsylvania Press
    ISBN: 9780812252507
    Language: English
    Pages: 253 Seiten , Illustrationen, Karten , 24 cm
    Series Statement: Early American studies
    DDC: 305.800973/0904
    RVK:
    Keywords: American Colonization Society History 19th century ; American Colonization Society ; Colonization ; Free blacks History 19th century ; Slavery History 19th century ; African Americans Colonization ; History ; African Americans Colonization 19th century ; History ; Indians of North America Colonization 19th century ; History ; Imperialism ; African Americans ; Colonization ; Colonization ; Free blacks ; Imperialism ; Indians of North America ; Colonization ; Race relations ; Slavery ; History ; United States Race relations 19th century ; History ; United States History 1783-1865 ; Liberia Colonization ; America ; Central America ; Liberia ; United States ; USA ; Schwarze ; Liberia ; Kolonialismus ; Rassismus
    Abstract: Introduction. The World Colonization Made -- A Republic Once Removed -- Colonization Doctrines -- Colonization Policies in an Age of Removal -- Settler Republics in Black and White -- The United States of Africa -- Reimagining Colonization in the Americas -- Epilogue. The Racial Geography of America's Imperial Future.
    Abstract: "This book is about the colonization movement of the late eighteenth and nineteenth centuries in North America. The colonization movement was a movement and set of ideas to create independent democratic settlements of free African Americans outside the boundaries of the United States: imperialism by another name. Colonizationism was applied also to American Indians; this is how Indian removal began."--
    Note: Includes bibliographical references and index
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  • 96
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197562741
    Language: English
    Pages: 1 Online-Ressource (x, 321 pages) , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    DDC: 305.809
    RVK:
    Keywords: Kulturvergleich ; Kulturelle Identität ; National characteristics, European ; National characteristics, American ; USA ; Europa ; Europe Relations ; United States Relations
    Abstract: There is much heated rhetoric about the widening gulf between Europe and America. According to the American right, Europeans are lazy, defeatist and irreligious, while Americans are entrepreneurial, optimistic, and pious. And according to Europeans, America is harsh, dominated by the market, crime-ridden, violent, and sharp-elbowed. But are the US and Europe so different? Peter Baldwin, one of the world's leading historians of comparative social policy, thinks not, and in this bracingly argued but remarkably informed polemic, he lays out how similar the two continents really are.
    Note: Previously issued in print: 2009 , Includes bibliographical references and index
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  • 97
    ISBN: 9781479881413
    Language: English
    Pages: 1 Online-Ressource (ix, 217 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.874/3
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1800-1899 ; Allowances;child;Children's Rights;Children's rooms;consumption;Creative Child ; Depravity ; Developmentalism ; Discipline ; Empathy ; Feminization ; Girlhood ; Malleability ; Market Research ; Memory ; Money ; Moral architecture ; Moral project ; Motherhood ; Pedagogy ; Pleasure ; Pre-capitalist child ; Predestination ; Property ; Provisioning ; Punishment ; Reward ; Simplicity ; Subjectivity ; Taste ; Value ; interiority ; materiality ; morality ; mother ; SOCIAL SCIENCE / Sociology of Religion ; Child consumers ; Consumers ; Motherhood ; Erziehung ; Mutter ; Verantwortung ; Kind ; USA ; USA ; Mutter ; Kind ; Erziehung ; Verantwortung ; Geschichte 1800-1899
    Abstract: Examines the Protestant origins of motherhood and the child consumer Throughout history, the responsibility for children's moral well-being has fallen into the laps of mothers. In The Moral Project of Childhood, the noted childhood studies scholar Daniel Thomas Cook illustrates how mothers in the nineteenth-century United States meticulously managed their children's needs and wants, pleasures and pains, through the material world so as to produce the "child" as a moral project. Drawing on a century of religiously-oriented child care advice in women's periodicals, he examines how children ultimately came to be understood by mothers-and later, by commercial actors-as consumers. From concerns about taste, to forms of discipline and punishment, to play and toys, Cook delves into the social politics of motherhood, historical anxieties about childhood, and early children's consumer culture. An engaging read, The Moral Project of Childhood provides a rich cultural history of childhood
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 98
    ISBN: 9789490153328 , 949015332X
    Language: English
    Pages: 184 Seiten , Illustrationen
    Series Statement: KA series 32
    Parallel Title: Parallele Sprachausgabe
    DDC: 700.411
    RVK:
    RVK:
    Keywords: 20.10 art and society: general ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; USA ; New York- Harlem ; Kunstsoziologie ; Kunst ; Künstler ; Person of Color ; Geschichte 1920-2010 ; USA ; Schwarze ; Kunst ; Geschichte 1920-2020
    Abstract: Tell Me Your Story' starts with the Harlem Renaissance. Harlem in the 1920s saw a flurry of activity by African American authors, musicians and theatre makers, resulting in a vibrant visual arts scene. Black culture is currently enjoying another renaissance, and African American artists are more visible than ever in the United States. The exhibition places contemporary artists in the context of their predecessors.00'Tell Me Your Story' focuses on five chronological periods: the Harlem Renaissance, Post Harlem Renaissance, Civil Rights, Black Renaissance and the Bloom Generation. The artists in each of these distinct periods shared one common characteristic: the need to express themselves and safeguard the vital African tradition of storytelling.00The exhibition is being organised as part of Kunsthal KAdE's 2020 trilogy on the United States, inspired by the upcoming presidential election on 3 November. This is a key moment in a politically and socially polarised nation. Over the course of the elections KAdE will be holding a presentation exploring the role of artists in the current US environment. The summer period will see the launch of an exhibition on Art Activism in New York during the 1980s, another decade shaped by politically engaged artists.00Exhibition: Kunsthal KAdE, Amersfoort, The Netherlands (08.02.-17.05.2020)
    Note: Umschlagtitel , Seite 184: Exhibition catalogue published on the occasion of the exhibition "Tell me your story. 100 years of storytelling in African American art", February 8, 2020-May, 17, 2020
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  • 99
    Image
    Image
    London : Phaidon Press Limited | New York, NY : New Museum
    ISBN: 9781838661298 , 1838661298
    Language: English
    Pages: 263 Seiten , 29 x 25 cm
    DDC: 704.9491524
    RVK:
    RVK:
    Keywords: Ausstellungskatalog New Museum of Contemporary Art, New York, NY 2020-2021 ; Bildband ; USA ; Kunst ; Rassismus ; Trauer ; Geschichte 1964-2020 ; USA ; Kunst ; Rassismus ; Trauer ; Geschichte 2016-2020
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Impressum: "In association with New Museum New York, on the occasion of the exhibition "Grief and Grievance: Art and Mourning in America" October 20, 2020-January 24, 2021"
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  • 100
    Image
    Image
    New Haven : Yale University Press in association with the Hutchins Center For African & African American Research, Harvard Univeristy
    ISBN: 9780300245745 , 0300245742
    Language: English
    Pages: xii, 228 Seiten , Illustrationen , 26 cm
    DDC: 704.0396073
    RVK:
    RVK:
    Keywords: Harrington, Oliver W ; Colescott, Robert ; African American art ; African American artists ; African Americans in art ; Satire, American History and criticism ; USA ; Person of Color ; Kunst ; Satire ; Karikatur ; Geschichte 1940-2010 ; USA ; Schwarze ; Kunst ; Provokation ; Antirassismus ; Harrington, Oliver W. 1912-1995 ; Colescott, Robert 1925-2009
    Abstract: "More than a one-liner" -- Drawing the color line : the art of Ollie Harrington -- The minstrel strain -- Robert Colescott : between the heroic and the ironic.
    Abstract: In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century-in all their complexity, humor, and provocation-Powell raises important questions about the social power of art.0Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art
    Note: "Parts of this book were presented as the Richard D. Cohen Lectures on African American Art, delivered by Richard J. Powell in March 2016 at Harvard University. The lectures, begun in 2013, are supported by Harvard's Hutchins Center for African & African American Research"--Title page verso
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