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  • MPI Ethno. Forsch.  (23)
  • MARKK  (8)
  • History  (31)
  • Musicology  (18)
  • German Studies
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  • 1
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis | The Hague : OAPEN FOUNDATION
    ISBN: 9780429060595
    Language: English
    Pages: 1 Online-Ressource (10 p.)
    Additional Information: Enthalten in The Global Politics of Jazz in the Twentieth Century
    DDC: 306.48425
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    Keywords: Geschichte 1900-2000 ; Musik ; Jazz ; Politik ; Regional studies ; USA ; Arts ; Music ; Western Music Styles (Early & Classical) ; 20th Century Music ; Popular Music ; Jazz ; Humanities ; History ; Contemporary History 1945- ; The Cold War ; Media & Film Studies ; Popular Music ; History of Popular Music ; Politics & International Relations ; International Relations ; Foreign Policy ; International Relations Theory ; International Political Economy ; International Politics
    Abstract: From the mid-1950s to the late 1970s, jazz was harnessed as America’s "sonic weapon" to promote an image to the world of a free and democratic America. Dizzy Gillespie, Dave Brubeck, Duke Ellington and other well-known jazz musicians were sent around the world – including to an array of Communist countries – as "jazz ambassadors" in order to mitigate the negative image associated with domestic racial problems. While many non-Americans embraced the Americanism behind this jazz diplomacy without question, others criticized American domestic and foreign policies while still appreciating jazz – thus jazz, despite its popularity, also became a medium for expressing anti-Americanism. This book examines the development of jazz outside America, including across diverse historical periods and geographies – shedding light on the effectiveness of jazz as an instrument of state power within a global political context.
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  • 2
    ISBN: 978-3-8376-5285-7
    Language: German
    Pages: 427 Seiten : , Illustrationen, Notenbeispiele ; , 24 cm x 15.5 cm, 741 g.
    Series Statement: Histoire Band 180
    Series Statement: Histoire
    Parallel Title: Erscheint auch als
    Dissertation note: Habilitationsschrift Max-Planck-Institut für Bildungsforschung Berlin
    DDC: 303.3209431
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    Keywords: Geschichte 1945-1973 ; Jugend. ; Musikleben. ; Gefühl. ; Sozialistische Lebensweise. ; Politische Sozialisation. ; Jugendpolitik. ; Deutschland ; Zukunftsforschung ; Lieder ; Singen ; Fühlen ; Gefühl ; Jugend ; Musik ; Emotion ; Freie Deutsche Jugend ; Sowjetische Besatzungszone ; Bundesrepublik Deutschland ; Jugenderziehung ; Jugendpolitik ; Gefühlserziehung ; Herrschaft ; Macht ; Regime ; Kulturgeschichte ; Bildung ; Biopolitik ; Deutsche Geschichte ; Emotionsgeschichte ; Zeitgeschichte ; Geschichte des 20. Jahrhunderts ; Geschichtswissenschaft ; German History After 1945 ; Foresight ; Songs ; Singing ; Feel ; Youth ; Music ; Free German Youth ; Federal Republic of Germany ; Youth Education ; Youth Policy ; Power Relations ; Power ; Regimes ; Cultural History ; Education ; Biopolitics ; German History ; History of Emotions ; Contemporary History ; History of the 20th Century ; History ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Jugend ; Musikleben ; Gefühl ; Sozialistische Lebensweise ; Politische Sozialisation ; Jugendpolitik ; Geschichte 1945-1973
    URL: Cover
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  • 3
    Online Resource
    Online Resource
    Oakland, California : University of California Press
    ISBN: 9780520970700 , 0520970705 , 9780520298651 , 0520970705 , 9780520298651 , 9780520970700
    Language: English
    Pages: 1 Online-Ressource (1 online resource)
    Parallel Title: Erscheint auch als
    Parallel Title: Print version Chowrimootoo, Christopher, 1985- Middlebrow modernism
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    Keywords: Britten, Benjamin ; Britten, Benjamin ; Britten, Benjamin ; Music ; Opera ; Modernism (Music) ; Music Philosophy and esthetics 20th century ; Opera 20th century ; Modernism (Music) History 20th century ; Opera 20th century ; Modernism (Music) History 20th century ; Music Philosophy and esthetics 20th century ; Electronic books ; MUSIC / History & Criticism ; Modernism (Music) ; Opera ; Operas (Britten, Benjamin) ; History ; Electronic books ; Britten, Benjamin 1913-1976 ; Oper ; Soziale Situation ; Massenkultur ; Neue Musik
    Abstract: "At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. This provocative study is situated at the intersection of the history, historiography, and aesthetics of twentieth-century music. It uses Benjamin Britten's operas to illustrate the ways in which composers, critics, and audiences mediated the 'great divide' between modernism and mass culture. Reviving midcentury discussions of the 'middlebrow, ' Christopher Chowrimootoo demonstrates how these works allowed audiences to have their modernist cake and eat it too: to revel in the pleasures of consonance, lyricism, and theatrical spectacle even while enjoying the prestige that came from rejecting them. By focusing on key moments when reigning aesthetic oppositions and hierarchies threatened to collapse, Middlebrow Modernism offers a powerful model for recovering shades of gray in the previously black-and-white historiographies of twentieth-century music"--Provided by publisher
    Abstract: "At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. This provocative study is situated at the intersection of the history, historiography, and aesthetics of twentieth-century music. It uses Benjamin Britten's operas to illustrate the ways in which composers, critics, and audiences mediated the 'great divide' between modernism and mass culture. Reviving midcentury discussions of the 'middlebrow, ' Christopher Chowrimootoo demonstrates how these works allowed audiences to have their modernist cake and eat it too: to revel in the pleasures of consonance, lyricism, and theatrical spectacle even while enjoying the prestige that came from rejecting them. By focusing on key moments when reigning aesthetic oppositions and hierarchies threatened to collapse, Middlebrow Modernism offers a powerful model for recovering shades of gray in the previously black-and-white historiographies of twentieth-century music"--Provided by publisher
    Note: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 4
    ISBN: 9780190466992
    Language: English
    Pages: 1 online resource
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music listening in the 19th and 20th centuries
    DDC: 781.1/709
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    Keywords: Listening ; Music Social aspects 19th century ; History ; Music Social aspects 20th century ; History ; Concerts History 19th century ; Concerts History 20th century ; Music ; Social aspects ; History ; 19th century ; Music ; Social aspects ; History ; 20th century ; Concerts ; History ; 19th century ; Concerts ; History ; 20th century ; Listening ; Aufsatzsammlung ; Konferenzschrift 2012 ; Musikhören ; Konzert ; Konzert ; Geschichte 1800-2000 ; Musiksoziologie
    Abstract: This handbook takes on the task of examining the history of music listening over the past two hundred years. It uses the "art of listening" as a leitmotif encompassing an entanglement of interdependent practices and discourses about a learnable mode of perception. The art of listening first emerged around 1800 and was adopted and adapted across the public realm to suit a wide range of collective listening situations from popular to serious art forms up to the present day. Because this is a relatively new subject in historical research, the volume combines case studies from several disciplines in order to investigate whether, how, and why practices of music listening changed. Focusing on a diverse set of locations and actors and using a range of historical sources, it attempts to historicize and reconstruct the evolution of listening styles to show the wealth of variants in listening.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on November 2, 2018)
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  • 5
    Online Resource
    Online Resource
    Acton, ACT, Australia : Australian National University Press
    ISBN: 9781760462123 , 1760462136 , 1760462128 , 1760462136 , 9781760462123 , 9781760462130
    Language: English
    Pages: 1 Online-Ressource (x, 162 pages)
    Parallel Title: Print version Popular music, stars and stardom
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    Keywords: Mercury, Freddie Criticism and interpretation ; Caballé, Montserrat Criticism and interpretation ; Jacques, Judy Criticism and interpretation ; Saddington, Wendy Criticism and interpretation ; Beyoncé Criticism and interpretation ; Mercury, Freddie ; Caballé, Montserrat ; Jacques, Judy ; Saddington, Wendy ; Beyoncé ; Rock music ; Popular music Political aspects ; Popular music Social aspects ; Popular music History and criticism ; Fame Political aspects ; Minstrel music History ; Women musicians ; Popular music ; Rock music ; Popular music ; Popular music ; Popular music ; Fame ; Minstrel music ; Women musicians ; Popular music ; Electronic books ; Beyoncé ; Caballé, Montserrat ; Mercury, Freddie ; Music ; Popular culture ; Media, information & communication industries ; Minstrel music ; Popular music ; Popular music ; Political aspects ; Popular music ; Social aspects ; Rock music ; Women musicians ; Australia ; Criticism, interpretation, etc ; History ; Electronic books ; Popmusik ; Popsänger ; Popsängerin ; Starkult
    Abstract: "A popular fascination with fame and stardom has existed in Western culture since the late eighteenth century; a fascination that, in the twenty-first century, reaches into almost every facet of public life. The pervasive nature of stardom in modern society demands study from the perspectives of a range of distinct but thematically connected disciplines. The exploration of intersections between broader considerations of stardom and the discourses of popular music studies is the genesis for this volume. The chapters collected here demonstrate the variety of work currently being undertaken in stardom studies by scholars in Australia. The contributions range from biographical considerations of the stars of popular music, contributions to critical discourses of stardom in the industry more broadly, and the various ways in which the use of astronomical metaphors, in both cultural commentary and academic discourse, demonstrate notions of stardom firmly embedded in popular music thought. Not only do these chapters represent a range of perspectives on popular music, stars and stardom, they provide eloquent and innovative contributions to the developing discourse on stardom in popular music."
    Abstract: "A popular fascination with fame and stardom has existed in Western culture since the late eighteenth century; a fascination that, in the twenty-first century, reaches into almost every facet of public life. The pervasive nature of stardom in modern society demands study from the perspectives of a range of distinct but thematically connected disciplines. The exploration of intersections between broader considerations of stardom and the discourses of popular music studies is the genesis for this volume. The chapters collected here demonstrate the variety of work currently being undertaken in stardom studies by scholars in Australia. The contributions range from biographical considerations of the stars of popular music, contributions to critical discourses of stardom in the industry more broadly, and the various ways in which the use of astronomical metaphors, in both cultural commentary and academic discourse, demonstrate notions of stardom firmly embedded in popular music thought. Not only do these chapters represent a range of perspectives on popular music, stars and stardom, they provide eloquent and innovative contributions to the developing discourse on stardom in popular music."
    Note: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 6
    ISBN: 9783897714243 , 3897714248
    Language: German
    Pages: 264 Seiten , Illustrationen
    Edition: 3. Auflage, unveränderter Nachdruck v. 2009
    DDC: 437.09
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    Keywords: German language Political aspects ; German language Social aspects ; Racism in language ; Africans History ; Germany ; Germany Colonies ; History ; Africa ; Deutsch ; Sprachliches Stereotyp ; Afrika ; Rassismus ; Linguistik
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  • 7
    Language: German
    Pages: 1 Online-Ressource (583 Seiten) , Diagramme, Karten
    Series Statement: Germanistische Linguistik 234-236 (2017)
    Parallel Title: Erscheint auch als Wiesinger, Peter, 1938 - 2023 Strukturelle historische Dialektologie des Deutschen
    DDC: 430
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    Keywords: German language Dialectology ; German language Dialects ; History ; German language Grammar, Historical ; Aufsatzsammlung ; Deutsch ; Dialektologie ; Historische Sprachwissenschaft ; Deutsch ; Mundart ; Vokal
    Note: Literaturangaben , Verzeichnis der Erstveröffentlichungen: Seite 581-583 (1966-2008)
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  • 8
    Online Resource
    Online Resource
    Stuttgart : J.B. Metzler Verlag
    ISBN: 9783476054111
    Language: German
    Pages: Online-Ressource (X, 378 S, online resource)
    Additional Information: Rezensiert in Strohm, Christoph, 1958 - Reformation. Historisch-kulturwissenschaftliches Handbuch 2019
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. Reformation
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    Keywords: History ; History ; Aufsatzsammlung ; Reformation ; Kultur ; Geschichte
    Abstract: Das Handbuch will einen raschen und gleichzeitig analytischen Zugang zum Thema Reformation eröffnen, indem es in konsequent europäischer und interdisziplinärer Perspektive nach den Gelingens- bzw. Misslingensbedingungen von Reformation fragt. Es soll das Verständnis dafür schärfen, was Reformation aus historisch-kulturwissenschaftlicher Perspektive ausmacht. Dabei stellt es theologische Lehrstreitigkeiten so dar, dass ihre historisch-kulturellen Auswirkungen klar werden. Die große Bedeutung von Netzwerken einzelner Akteursgruppen wird beleuchtet und die Konstruktion unterschiedlicher reformatorischer Räume analysiert. Auch die politischen Rahmenbedingungen und die Medialität des reformatorischen Prozesses werden herausgearbeitet
    Abstract: Politische Rahmenbedingen von Reformation -- Theologische Diskurse -- Akteure und Netzwerke -- Reformatorische Räume -- Medialität von Reformation -- Veränderungen: Staat-Gesellschaft-Recht-Kultur
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 9
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press | The Hague : OAPEN Foundation
    ISBN: 9780472122660
    Language: English
    Pages: 1 Online-Ressource (xi, 311 Seiten) , Illustrationen
    Series Statement: Social history, popular culture, and politics in Germany
    DDC: 306.4/8425094309042
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    Keywords: Kultur ; Jazz ; Modernität ; Ethnische Beziehungen ; Deutschland ; Electronic books ; Criticism, interpretation, etc ; History ; Electronic book ; Electronic book ; Criticism, interpretation, etc. ; History ; Electronic books.
    URL: Volltext  (Kostenfrei)
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    URL: JSTOR
    URL: OAPEN
    URL: OAPEN
    URL: Image  (Thumbnail cover image)
    URL: FULL  ((Currently Only Available on Campus))
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 10
    ISBN: 9781501327612 , 9781501327629
    Language: English
    Pages: 1 Online-Ressource (xvi, 198 Seiten) , Illustrationen
    Edition: First published
    Series Statement: Music & sound studies
    Parallel Title: Erscheint auch als Eck, Cathy van, 1979 - Between air and electricity
    DDC: 781.49
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    Keywords: Sound Recording and reproducing ; History ; Electronic music History and criticism ; Microphone ; Loudspeakers ; Sound Recording and reproducing ; History ; Electronic music History and criticism ; Microphone ; Loudspeakers ; Audiotechnik ; Musikinstrument ; Mikrofon ; Lautsprecher ; Musikinstrument
    Abstract: Machine generated contents note: 1
    Note: Includes bibliographical references and index
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  • 11
    Online Resource
    Online Resource
    London : Palgrave Macmillan
    ISBN: 9781137497802
    Language: English
    Pages: 1 Online-Ressource (XI, 228 Seiten)
    Series Statement: Palgrave studies in the history of subcultures and popular music
    Parallel Title: Erscheint auch als
    DDC: 941
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    Keywords: History ; Music ; Great Britain / History ; Civilization / History ; History of Britain and Ireland ; Cultural History ; Geschichte ; Musik ; Politik ; Musik ; Postpunk ; Kultur ; Großbritannien ; Großbritannien ; Electronic books ; Großbritannien ; Kultur ; Musik ; Postpunk ; Großbritannien ; Postpunk ; Politik
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: Volltext  (lizenzpflichtig)
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  • 12
    Online Resource
    Online Resource
    Oakland, California : University of California Press
    ISBN: 9780520963122 , 0520963121 , 9780520288027 , 0520288025
    Language: English
    Pages: 1 Online-Ressource (xii, 236 pages)
    Parallel Title: Erscheint auch als Patteson, Thomas, 1981 - Instruments for new music
    Parallel Title: Print version Patteson, Thomas Instruments for new music
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    Keywords: Music and technology History. ; Electronic musical instruments History. ; Music Philosophy and aesthetics. ; Engineering ; Civil engineering ; Communication ; Mass media ; Musical instruments ; Musical instruments. ; Engineering. ; Civil engineering. ; Communication. ; Mass media. ; Music Philosophy and aesthetics ; Electronic musical instruments History ; Music and technology History ; Engineering ; Civil engineering ; Communication ; Mass media ; Musical instruments ; Music ; Electronic musical instruments ; Music and technology ; Civil engineering ; Communication ; Electronic musical instruments ; Engineering ; Mass media ; Music and technology ; Music ; Philosophy and aesthetics ; Musical instruments ; Musikinstrument ; Neue Musik ; Musik ; Music History & Criticism, Instrumental ; Music ; Music, Dance, Drama & Film ; MUSIC ; History & Criticism ; History ; Electronic books
    Abstract: "Player pianos, radio-electric circuits, gramophone records, and optical sound film-these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. Instruments for New Music traces a diffuse network of cultural agents who shared the belief that a truly modern music could be attained only through a radical challenge to the technological foundations of the art. Centered in Germany during the 1920s and 1930s, the movement to create new instruments encompassed a broad spectrum of experiments, from the exploration of microtonal tunings and exotic tone colors to the ability to compose directly for automatic musical machines. This movement comprised composers, inventors, and visual artists, including Paul Hindemith, Ernst Toch, Jörg Mager, Friedrich Trautwein, László Moholy-Nagy, Walter Ruttmann, and Oskar Fischinger. Patteson's fascinating study combines an artifact-oriented history of new music in the early twentieth century with an astute revisiting of still-relevant debates about the relationship between technology and the arts."--Provided by publisher.
    Abstract: Listening to instruments -- "The joy of precision": mechanical instruments and the aesthetics of automation -- "The alchemy of tone": Jörg Mager and electric music -- "Sonic handwriting": media instruments and musical inscription -- "A new, perfect musical instrument": the trautonium and electric music in the 1930s -- The expanding instrumentarium
    Note: Includes bibliographical references (pages 209-228) and index , English
    URL: Volltext  (kostenfrei)
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  • 13
    ISBN: 9781472446237 , 9781472446244
    Language: English
    Pages: 192 Seiten , Illustrationen, Notenbeispiele
    DDC: 781.5/42095173
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    Keywords: Motion picture music Political aspects 20th century ; History ; Motion picture music History and criticism 20th century ; Socialism and motion pictures ; Mongolei ; Filmmusik
    Abstract: In 1936 the Mongolian socialist government decreed the establishment of a film industry with the principal aim of disseminating propaganda to the largely nomadic population. The government sent promising young rural Mongolian musicians to Soviet conservatoires to be trained formally as composers. On their return they utilised their traditional Mongolian musical backgrounds and the musical skills learned during their studies to compose scores to the 167 propaganda films produced by the state film studio between 1938 and 1990. Lucy M. Rees provides an overview of the rich mosaic of music genres that appeared in these film soundtracks, including symphonic music influenced by Western art music, modified forms of Mongolian traditional music, and a new genre known as 'professional music' that combined both symphonic and Mongolian traditional characteristics. Case studies of key composers and film scores are presented, demonstrating the influence of cultural policy on film music and showing how film scores complemented the ideological message of the films. There are discussions of films that celebrate the 1921 Revolution that led to Mongolia becoming a socialist nation, those that foreshadowed the 1990 Democratic Revolution that drew the socialist era to a close, and the diverse range of films and scores produced after 1990 in the aftermath of the socialist regime
    Abstract: In 1936 the Mongolian socialist government decreed the establishment of a film industry with the principal aim of disseminating propaganda to the largely nomadic population. The government sent promising young rural Mongolian musicians to Soviet conservatoires to be trained formally as composers. On their return they utilised their traditional Mongolian musical backgrounds and the musical skills learned during their studies to compose scores to the 167 propaganda films produced by the state film studio between 1938 and 1990. Lucy M. Rees provides an overview of the rich mosaic of music genres that appeared in these film soundtracks, including symphonic music influenced by Western art music, modified forms of Mongolian traditional music, and a new genre known as 'professional music' that combined both symphonic and Mongolian traditional characteristics. Case studies of key composers and film scores are presented, demonstrating the influence of cultural policy on film music and showing how film scores complemented the ideological message of the films. There are discussions of films that celebrate the 1921 Revolution that led to Mongolia becoming a socialist nation, those that foreshadowed the 1990 Democratic Revolution that drew the socialist era to a close, and the diverse range of films and scores produced after 1990 in the aftermath of the socialist regime
    Description / Table of Contents: Tradition, politics and film musicTradition and transition in Mongolian music -- New beginnings : patriotism, propaganda and professional music -- Socialist cinema from conception to dissemination -- A standard of socialist cinema : the Clear River tamir (Tungalag tamir, 1970-1973) -- Perestroika, a wise queen and a delinquent rock star -- New directions : the democratic revolution and the aftermath of the socialist era -- Tradition, revolution, propaganda and consolidation : a brief conclusion.
    Note: Includes bibliographical references and index
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  • 14
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press | Berlin : Knowledge Unlatched
    ISBN: 9780472029983
    Language: English
    Pages: 1 Online-Ressource (xi, 202 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Absher, Amy The black musician and the white city
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    Keywords: African Americans Illinois ; Chicago ; Music ; History and criticism ; Popular music Illinois ; Chicago ; History and criticism ; Popular music Social aspects ; Illinois ; Chicago ; History ; 20th century ; Music and race Illinois ; Chicago ; History ; 20th century ; African American musicians Illinois ; Chicago ; Music trade Illinois ; Chicago ; History ; 20th century ; African American musicians Labor unions ; Illinois ; Chicago ; History ; 20th century ; Musicians Labor unions ; Illinois ; Chicago ; History ; 20th century
    Abstract: Musicians and the segregated city : Chicago in the early 1900s-1930s -- From south to south side : musicians in 1940s Chicago -- Redefining the music industry : independent music in Chicago, 1948-1953 -- From south side to the south and the nation, 1954-1963 -- "The fact remains ... we are negroes" : dissonance and the desegregation of Chicago's musicians' union, 1963-1967
    Abstract: Amy Absher’s The Black Musician and the White City tells the story of African American musicians in Chicago during the mid-twentieth century. While depicting the segregated city before World War II, Absher traces the migration of black musicians, both men and women and both classical and vernacular performers, from the American South to Chicago during the 1930s to 1950s. Absher takes the history beyond the study of jazz and blues by examining the significant role that classically trained black musicians played in building the Chicago South Side community. By acknowledging the presence and importance of classical musicians, Absher argues that black migrants in Chicago had diverse education and economic backgrounds but found common cause in the city’s music community.
    URL: Volltext  (kostenfrei)
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  • 15
    Language: German
    Pages: 1 Online-Ressource (216 S.) , Ill.
    Series Statement: Germanistische Linguistik 228
    Parallel Title: Erscheint auch als Fremd- und Lehnwortschatz im sprachhistorischen Wörterbuch
    DDC: 432.4
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    Keywords: German language Congresses Lexicology, Historical ; Dictionaries ; German language Congresses Lexicology, Historical ; German language Congresses Foreign words and phrases ; Lexicography Congresses History ; German language Congresses Foreign words and phrases ; Research ; History ; German language Congresses Lexicography ; Research ; History ; Konferenzschrift 2012 ; Aufsatzsammlung ; Deutsch ; Fremdwort ; Lehnwort ; Geschichte ; Lexikografie ; Deutsch ; Einsprachiges Wörterbuch ; Fremdwort ; Lehnwort ; Geschichte
    Note: Literaturangaben , Heft geht zurück auf ein Kolloquium vom 7. - 8. Mai 2012 in der Göttinger Akad. der Wiss
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  • 16
    Online Resource
    Online Resource
    Göttingen : V & R Unipress
    ISBN: 9783847000013 , 9783737000017
    Language: English
    Pages: 1 Online-Ressource (270 Seiten) , Illustrationen
    Series Statement: Transatlantische Studien zu Mittelalter und Früher Neuzeit - Transatlantic studies on medieval and early modern literature and culture 6
    Series Statement: V & R Academic
    Parallel Title: Erscheint auch als Spatial practices
    DDC: 304.2309
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    Keywords: Architecture Congresses Human factors ; History ; Space (Architecture) Congresses History ; Konferenzschrift 2010 ; Konferenzschrift 2010 ; Konferenzschrift 2010 ; Konferenzschrift 2010 ; Mittelhochdeutsch ; Literatur ; Raum ; Raum ; Literatur ; Mediävistik ; Germanistik
    Note: Selection of papers from a conference ... at the Univ. of Toronto in April 2010
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  • 17
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822354680 , 9780822354796 , 0822378280 , 1306077109 , 0822354683 , 0822354799 , 9780822378280 , 9781306077101
    Language: English
    Pages: Online-Ressource
    Edition: Knowledge unlatched pilot collection
    Series Statement: Knowledge Unlatched
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    Keywords: Music ; Politics ; History ; Palestine ; Music Political aspects ; Music Political aspects ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Palästinensische Autonomiegebiete ; Israel ; Israel ; Gazastreifen ; Westjordanland ; Nahostkonflikt ; Politisches Lied ; Politische Lyrik ; Musikwissenschaft ; Arabische Musik
    Abstract: David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. The first of its kind, this book offers an in-depth ethnomusicological analysis of the Israeli-Palestinian conflict, contributing a performative perspective to the larger scholarly conversation about one of the world's most contested humanitarian issues. This title was made Open Access by libraries from around the world through Knowledge Unlatched.--Provided by publisher
    Abstract: Nationalism, belonging, and the performativity of resistance -- Poets, singers, and songs : voices in the resistance movement (1917-1967) -- Al-Naksa and the emergence of political song (1967-1987) -- The Intifada and the generation of the Stones (1987-2000) -- Revivals and new arrivals: the al-Aqsa Intifada (2000-2010) -- "My songs can reach the whole nation" : Baladna and protest song in Jordan -- Imprisonment and exile : negotiating power and resistance in Palestinian protest song -- New directions and new modalities : Palestinian hip-hop in Israel -- "Carrying words like weapons" : DAM brings hip-hop to the West Bank
    Note: Im Rahmen von "Knowledge Unlatched" Open-Access-Publikation auf OAPEN. - Gesehen am 29.04.2014
    URL: Cover  (Thumbnail cover image)
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  • 18
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press
    ISBN: 0472027581 , 0472900749 , 9780472027583 , 9780472900749
    Language: English
    Pages: 1 Online-Ressource (280 pages) , illustrations, charts, figures, tables
    Additional Information: Rezensiert in Johnston, Warren Printing and prophecy. Prognostication and media change, 1450–1550. By Jonathan Green. (Cultures of Knowledge in the Early Modern World.) Pp. xiii+265 incl. 11 figs. Ann Arbor: University of Michigan Press, 2012. 70. 978 0 472 11783 3 2013
    Additional Information: Rezensiert in Haberkern, Phillip [Rezension von: Green, Jonathan, Printing and Prophecy: Prognostication and Media Change 1450-1550] 2013
    Series Statement: Cultures of knowledge in the Early Modern World
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    Keywords: Books ; Predictive astrology History ; Predictive astrology ; Prophecy Christianity ; History ; Prophecy Christianity ; Books History ; European history ; Electronic book ; Buchproduktion ; Weissagung ; Astrologie ; Verbreitung ; Deutsches Sprachgebiet
    Abstract: Printing and Prophecy: Prognostication and Media Change 1450-1550 examines prognostic traditions and late medieval prophetic texts in the first century of printing and their effect on the new medium of print. The many prophetic and prognostic works that followed Europe's earliest known printed book---not the Gutenberg Bible, but the Sibyl's Prophecy, printed by Gutenberg two years earlier and known today only from a single page---over the next century were perennial best sellers for many printers, and they provide the modern observer with a unique way to study the history and inner workings of the print medium. The very popularity of these works, often published as affordable booklets, raised fears of social unrest. Printers therefore had to meet customer demand while at the same time channeling readers' reactions along approved paths
    Abstract: Introduction: printing and prophecy -- The Sibyl's book -- Prophets in print -- Prophets and their readers -- Visions of visions: functions of the image in printed prophecy -- Practica teütsch -- Fear, floods, and the paradox of the practica teütsch -- Conclusion: the prophetic reader
    Note: Includes bibliographical references and indexes
    URL: Volltext  (kostenfrei)
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  • 19
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press | Baltimore, Md. : Project MUSE
    ISBN: 9780472027477 , 0472027476
    Language: English
    Pages: 1 Online-Ressource (292 p. :) , Ill.
    DDC: 780.89/96
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    Keywords: Geschichte ; Afroamerikanische Musik ; Afroamerikanischer Tanz ; Amerika ; Karibik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Includes bibliographical references and index , Description based on print version record
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 20
    Online Resource
    Online Resource
    Wien : Böhlau
    ISBN: 9783205775935
    Language: German
    Pages: 1 electronic resource (348 Seiten p.)
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    Keywords: Electronic musical instruments Austria ; History ; Electronic musical instruments Germany ; History ; Music
    Abstract: Die Publikation handelt von der Pionierzeit der "elektrischen Instrumente" im deutschsprachigen Raum. Sie beruht im Wesentlichen auf einem Forschungsauftrag des Jubiläumsfonds der Österreichischen Nationalbank (Projekt Nr. 9382), bei dem vor allem die Popularisierung dieser Instrumente im Vordergrund stand. Von den ersten Versuchen ausgehend, wird anhand von sorgfältig recherchierten Originaldokumenten die Entwicklung im untersuchten geographischen Raum vorzugsweise im Zeitintervall von 1920 bis 1945 behandelt. Nach einer kurzen Darstellung der ins 19. Jh. zurückreichenden Wurzeln beginnt die Untersuchung mit einer kritischen Wertung der Konstruktionen und deren Präsentation in den 1920er Jahren (insbesondere Jörg Mager, Lev Termen und den Reaktionen der Fachwelt und der Öffentlichkeit). Dazu kommen Konstruktionen, die zwar in dieser Zeit entstanden, jedoch erst später in Erscheinung traten: die elektro-optische und elektromagnetische Tonerzeugung. Für beide Prinzipien gibt es Beispiele in Österreich und Deutschland, die in die 1920er Jahre zurückreichen. Eine repräsentative Presseschau zeigt die unterschiedliche Auffassung der Verwertbarkeit der elektrischen Instrumente vom Standpunkt der Techniker, der Musiker und der Öffentlichkeit. Das folgende Jahrzehnt wird der politischen Entwicklung wegen in mehreren Teilen behandelt. Die ersten zwei Jahre waren vor allem von der Erfindung des Trautoniums, des Neo-Bechstein-Flügels, des Elektrochords und des Hellertions geprägt. In dieser Zeit entwickelte sich Berlin (insbesondere durch das Heinrich Hertz Institut und die Rundfunkversuchsstelle) zu einem Zentrum der "elektrischen Musik". Auch die ersten großen öffentlichen Präsentationen auf den Berliner Funkausstellungen fanden 1931 und 1932 statt. Nach 1933 veränderte sich jedoch nicht nur die politische Lage, sondern auch die kulturpolitischen Voraussetzungen für die Verwendung elektrischer Instrumente. Die politische Nähe zum NS Regime und das Wohlwollen des Propagandaministeriums spielten eine wesentliche Rolle. Die Entwicklung zeigte, dass das Trautonium, die Orgelkonstruktionen von Oskar Vierling und das Hellertion Bruno Helbergers im offiziellen Musikbetrieb weiter verwendet wurden. Vierlings "Großtonorgel" wurde bei offiziellen Anlässen eingesetzt, hingegen wurde die Entwicklung der Lichttonorgel Edwin Weltes gestoppt, weil er mit einer Jüdin verheiratet war. Oskar Salas Arbeit spielt im Spannungsfeld zwischen Technik, Politik und M ...
    Abstract: The publication deals with the time of pioneers in building "electrical musical instruments" in German speaking countries. It is based on a research project funded by the Austrian National Bank's "Jubilaeumsfonds" (project number 9382), where the popularisation of these instruments was in focus. Starting with the first attempts the development in the respective region is examined for the time between 1920 and 1945 using carefully investigated documents. After a short description of the roots going back to the 19th century the documentation continues with a critical evaluation of the constructions and their presentation in the 1920ties (especially Joerg Mager and Lev Termen and the reaction of experts and the public). Electro-optic and electromagnetic sound generation was invented in that time as well but appeared later on. There are examples for both principles in Austria and Germany reaching back to the 1920ties. A representative survey of press reports show the different estimations of the usability of electrical musical instruments by technicians, musicians and the public. The following decade is treated in several parts due to the political development in Germany. The first two years are mainly marked by the invention of the Trautonium, the Neo-Bechstein-piano, the Elektrochord and the Hellertion. This was the time when Berlin turned out as a centre for "electrical music", especially by activities of the "Rundfunkversuchsstelle" (radio research institute) at the University of Music and the Heinrich-Hertz-Institute. The first major public presentations at the Berlin Radio Shows took place in this time as well. After the year 1933 not only the political situation changed but the cultural preconditions for the usage of electrical instruments as well. The political convergence with the NS regime and the goodwill of the "ministry of public enlightenment and propaganda" played an important role. It turned out by the following development that the Trautonium, the electric organs by Vierling and the Hellertion by Bruno Helberger were used for official occasions. Vierling's "Grosstonorgel" was used during the Olympic games, on the other hand the development of Edwin Welte's light-tone organ was stopped for he was married with a Jewish woman. The work of Oskar Sala plays an important role in the area of conflict between technology, politics and music. As no detailed documentation of the work of Joerg Mager (who claimed to be the leading person in electro-music r ...
    Note: de
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  • 21
    Language: German
    Pages: 80 S. , Ill., Notenbeisp. , 25 cm
    Series Statement: Nachrichten der Akademie der Wissenschaften zu Göttingen 2006,2
    Series Statement: 1, Philologisch-Historische Klasse
    DDC: 780.1
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    Keywords: Music Editing ; History ; Music History and criticism ; Musical notation History ; Aufsatzsammlung ; Textgeschichte ; Musik ; Edition ; Musik ; Edition ; Musik
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  • 22
    Book
    Book
    Princeton : Princeton Univ. Press
    ISBN: 0691121311 , 9780691121314
    Language: English
    Pages: VIII, 260 S.
    DDC: 943
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    Keywords: Politics and culture Germany ; History ; 18th century ; Politics and culture Germany ; History ; 19th century ; Politics and culture Germany ; History ; 20th century ; National socialism Moral and ethical aspects ; Politics and culture History 18th century ; Politics and culture History 19th century ; Politics and culture History 20th century ; National socialism Moral and ethical aspects ; Germany History ; Philosophy ; Germany Intellectual life ; 18th century ; Germany Intellectual life ; 19th century ; Germany Intellectual life ; 20th century ; Germany Cultural policy ; Germany Historiography ; Germany Historiography ; Deutschland ; Kultur ; Politik ; Geschichte 1800-2000 ; Deutschland ; Nationalbewusstsein ; Geistesgeschichte 1800-2000 ; Deutschland ; Kultur ; Politik ; Geschichte 1870-2000 ; Deutschland ; Kulturpolitik ; Nationalbewusstsein ; Geschichte 1870-2000
    Note: Literaturverz. S. [237] - 248
    URL: Inhaltsverzeichnis  (kostenfrei)
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  • 23
    Book
    Book
    Lincoln, Neb. [u.a.] : Univ. of Nebraska Press
    ISBN: 0803248199 , 9780803227835 , 9780803248199
    Language: English
    Pages: XXI, 255 S. , Ill., Kt. , 23 cm
    Series Statement: Texts and contexts series
    DDC: 830.9/358
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    Keywords: German literature History and criticism 19th century ; German literature History and criticism 20th century ; Nationalism History ; National characteristics, German, in literature ; Imperialism History 19th century ; Colonies in literature ; Nationalism in literature ; German literature 19th century ; History and criticism ; German literature 20th century ; History and criticism ; Nationalism Germany ; History ; National characteristics, German, in literature ; Imperialism History ; 19th century ; Colonies in literature ; Nationalism in literature ; Kolonialismus ; Postkolonialismus ; Rassismus ; Germany Foreign relations 1918- ; Germany Foreign relations ; 1918- ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutsch ; Literatur ; Kolonialismus ; Geschichte 1850-1950 ; Deutschland ; Kolonialismus ; Postkolonialismus ; Deutsch ; Literatur
    Abstract: 'Germany's Colonial Pasts' is a wide-ranging study of German colonialism and its legacies
    Abstract: 'Germany's Colonial Pasts' is a wide-ranging study of German colonialism and its legacies
    Note: Index , Includes bibliographical references and index , Foreword / Sander L. Gilman , Introduction / Marcia Klotz , Colonialism and the culture of respectability / Woodruff D. Smith , Inventing the Auslandsdeutsche: emigration, colonial fantasy, and German national identity, 1848-71 / Bradley D. Naranch , The colonialist beginnings of comparative musicology / Vanessa Agnew , Race, gender, and sexuality in German Southwest Africa: Hans Grimm's Südafrikanische Novellen / Sara Lennox , Constructing racial difference in colonial Poland / Kristin Kopp , Colonization and modernization: the legal foundation of the colonial enterprise--a case study of German colonization in Cameroon / David Simo , What does German colonialism have to do with national socialism? A conceptual framework / Pascal Grosse , The Weimar Republic: a postcolonial state in a still-colonial world / Marcia Klotz , Theology as a vision for colonialism: from supersessionism to dejudaization in German Protestantism / Susannah Heschel , Race power in postcolonial Germany: the German Africa Show and the national socialist state, 1935-40 / Elisa von Joeden-Forgey , Marching in step: German youth and colonial cinema / Robert Gordon and Dennis Mahoney , Autobiographical accounts of Kenyan-German marriages: reception and context / Nina Berman , Autobiographies of blackness in Germany / Patrice Nganang.
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  • 24
    ISBN: 0816641110 , 0816641129
    Language: English
    Pages: XXXII, 258 S. , 24 cm
    Series Statement: Contradictions of modernity 19
    Series Statement: Contradictions of modernity
    Uniform Title: Storia della germanistica : dispositivi e istizioni di un sistema disciplinare 〈engl.〉
    DDC: 943/.007/2
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    Keywords: National characteristics, German ; National characteristics, German ; Germany Civilization ; Study and teaching ; History ; Germany Civilization ; Study and teaching ; Italy ; History ; Bibliografie ; Deutschland ; Germanistik ; Nationalcharakter ; Geschichte ; Deutschland ; Germanistik ; Zeithintergrund ; Geistesgeschichte
    Abstract: The metamorphoses of domination and the subject of German studies -- The origins of modern German studies -- Under the aegis of Goethe : liberal historiography from Gervinus to Dilthey -- The science of literature and the steam engine : Wilhelm Scherer and the positivist school -- Wilhelm Dilthey and Geistesgeschichte -- German studies in the years of National Socialism -- The break in political continuity and the continuity of the disciplinary apparatus, 1945-1968 -- The dialectics of rebellion : 1968 and its consequences -- After 1968 : transforming the canon, shifting the paradigms -- Beyond the year 2000 : German studies between new approaches and the resurgence of philology
    Description / Table of Contents: The metamorphoses of domination and the subject of German studies. - The origins of modern German studies. - Under the aegis of Goethe. - The science of literature and the steam engine. - Wilhelm Dilthey and Geistesgeschichte. - German studies in the years of National Socialism. - The break in political continuity and the continuity of the disciplinary apparatus, 1945-1968. - The dialectics of rebellion. - After 1968. - Beyond the year 2000
    Note: Includes bibliographical references and index
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  • 25
    Book
    Book
    Fort Worth, Tex. [u.a.] : Harcourt Brace College Publishers
    ISBN: 0155041460
    Language: English
    Pages: VIII, 232 S. , Ill.
    Series Statement: Harbrace books on America since 1945
    DDC: 302.230973
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    Keywords: Mass media ; United States ; History ; 20th century ; USA ; Gesellschaft ; Pop-Kultur ; Geschichte 1960-1970
    Note: Includes bibliographical references and index
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  • 26
    ISBN: 3610085169
    Language: German
    Pages: 289 S. , Ill., Kt. , 21 cm
    DDC: 967.8/1
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    Keywords: Traditionale Kultur ; Frau ; Arabische Halbinsel Traditionelle Kultur ; Frauen ; Erfahrungsbericht ; Arabien ; Ruete, Emilie ; 1844-1924 ; Zanzibar ; History ; To 1890 ; Princesses ; Tanzania ; Zanibar ; Biography ; Autobiografie ; Erlebnisbericht ; Erlebnisbericht ; Autobiografie ; Erlebnisbericht ; Ruete, Emily 1844-1924 ; Sansibar Sultan ; Hof
    Abstract: Rez.: Leicht bearb. Neudr. d. Ausg. "Memoiren einer arabischen Prinzessin", Berlin (1886)
    Note: Leicht bearb. Neudr. d. Ausg. Memoiren einer arabischen Prinzessin, Berlin, 1886
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  • 27
    Image
    Image
    Weingarten : Kunstverlag Weingarten
    ISBN: 3817040016
    Language: German
    Pages: 159 S , überw. Ill
    DDC: 793.3/1946
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    Keywords: Stolzenberg, Elke ; Fotografie ; Flamenco ; Flamenco ; Flamenco ; Pictorial works ; Flamenco ; History ; Bildband ; Bildband ; Stolzenberg, Elke ; Fotografie ; Flamenco
    Note: Literaturverz. S. 159
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  • 28
    ISBN: 0820400742
    Language: English
    Pages: 208 S.
    Series Statement: American university studies 4
    Series Statement: Series 9, History
    Series Statement: American university studies / 9
    DDC: 830/.9/358
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    Keywords: Authors, German ; 20th century ; Political and social views ; Politics and literature ; Germany ; History ; 20th century ; German literature ; 20th century ; History and criticism ; Right and left (Political science) in literature ; German literature ; Russian influences ; Communism and literature ; Germany ; Socialism and literature ; Germany ; Deutschland ; Weimarer Republik ; Schriftsteller ; Kommunismus ; Geschichte 1917-1930
    Note: Bibliography: p. 183-208
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  • 29
    ISBN: 3810802131
    Language: German
    Pages: 190 S. , Ill. , 22 cm
    Dissertation note: Teilw. zugl.: Düsseldorf, Univ., Diss., 1981
    DDC: 832.3
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    Keywords: Carnival plays ; Germany ; Nuremberg ; History and criticism ; German drama ; To 1500 ; History and criticism ; German drama ; Early modern, 1500-1700 ; History and criticism ; Nuremberg (Germany) ; Social life and customs ; Carnival ; Germany (West) ; History ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Fastnachtsspiel ; Sinnlichkeit
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  • 30
    Book
    Book
    Berlin : Wegweiser-Verl.
    Language: German
    Pages: 268, [32] S. , Ill. , 20 cm
    Series Statement: Jahresreihe für die Mitglieder des Volksverbandes der Bücherfreunde 7,2
    Parallel Title: Digitalisierte Ausg. Boehn, Max von, 1860 - 1932 Der Tanz
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    Keywords: Dance ; History ; Tanz ; Sportart ; Sport
    Note: Literaturverz. S. 261
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  • 31
    Book
    Book
    Jena : Diederichs
    Language: German
    Pages: VI, 188 S., [24] Bl., [2] Faltbl. , Ill., Kt. , 21 cm
    Series Statement: Thule : altnordische Dichtung und Prosa Einl.-Bd.
    Series Statement: Thule
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    Keywords: Iceland ; History ; Iceland ; Civilization ; Island ; Wikinger ; Kultur ; Dänemark ; Skandinavien
    Note: Davon 50 Abzüge auf Büttenpapier, in Ganzleder geb. und handschr. numeriert , Vorlage des Erscheinungsvermerks: Verlegt bei Eugen Diederichs in Jena. - Im Kolophon: Gedruckt bei Dietsch & Brückner in Weimar , Mit 24 Ansichten und 2 Karten
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