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  • MPI Ethno. Forsch.  (66)
  • Bayreuth UB  (23)
  • 2010-2014  (85)
  • 1980-1984  (4)
  • Film
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Language
Years
Year
  • 1
    Online Resource
    Online Resource
    Alexandria, Va. : Alexander Street Press ; Nachgewiesen 2010 -
    Language: English
    Pages: Online-Ressource
    Dates of Publication: Nachgewiesen 2010 -
    Keywords: Datenbank ; Bibliografie ; Film ; Ethnologie ; Feldforschung ; Dokumentarfilm ; Geschichte 1922-2013
    Abstract: Enth. v.a. ethnologische Filme, filmische Feldforschungsberichte und Dokumentarfilme aus der ganzen Welt und größtenteils in englischer Sprache, darunter Filme der BBC und der Non-Profit-Organisation Documentary Educational Resources (DER) aus den Jahren 1922 - 2013
    Note: Gesehen am 03.02.2023
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  • 2
    ISBN: 978-0-7391-9228-3 , 978-1-4985-0039-5
    Language: English
    Pages: vi, 326 Seiten.
    Parallel Title: Erscheint auch als
    DDC: 305.488960730905
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    Keywords: Geschichte ; Weibliche Schwarze. Amerika ; African American women Social conditions 21st century ; African American women in popular culture History 21st century ; Popular culture History 21st century ; Schwarze Frau. ; Volkskultur. ; Fernsehen. ; Social Media. ; Kontaktpflege. ; Neue Medien. ; Werbung. ; Film. ; Häusliche Gewalt ; USA ; Schwarze Frau ; Volkskultur ; Fernsehen ; Social Media ; Kontaktpflege ; Neue Medien ; Werbung ; Film ; Häusliche Gewalt
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  • 3
    Online Resource
    Online Resource
    [Place of publication not identified] : Amsterdam University Press
    ISBN: 9789089645715 , 9089645713 , 9789048519903 , 904851990X , 9048519918 , 9789048519910
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Open Access e-Books
    Series Statement: Knowledge Unlatched
    Series Statement: The key debates 4
    Series Statement: mutations and appropriations in European film studies
    Parallel Title: Erscheint auch als
    Keywords: Technology in motion pictures ; Cinematography Technological innovations ; Motion pictures Technological innovations ; Technologie au cinéma ; Cinéma - Innovations ; Film theory and criticism ; Film, TV and radio ; Films, cinema ; The arts ; Performing Arts / Film / History & Criticism ; Cinematography - Technological innovations ; Motion pictures - Technological innovations ; Technology in motion pictures ; PERFORMING ARTS / Film / General ; Cinema technologies ; Digital revolution ; Film ; Film theory ; Media technologies ; Media theory ; Techne ; Technology
    Abstract: This fourth title in the series The Key Debates sets out where the term techne comes from, how it unleashed a revolution in thought and how the concept in the midst of the current digital revolution, once again, is influencing the study of film. In addition, the authors - among them André Gaudreault, Geoffrey Wintrop-Young, Martin Lefevbre, Dominique Chateau, Nanna Verhoeff, Andreas Fickers and Ian Christie - investigate how technologies have affected the major debates about film, how they affected film theory and some of its key concepts. This is one of the rare books to assess the comprehensive history of the philosophies of technology and their impact on film and media theory in greater detail
    Description / Table of Contents: Introduction : researching cinema and media technologies / Annie van den Oever -- Part I. Philosophy of technology : reassessing key questions -- The philosophy of technology in the frame of film theory : Walter Benjamin's contribution / Dominique Chateau -- Toward an archaeology of the cinema/technology relation : from mechanization to "digital cinema" / Benoît Turquety -- Technē and Poiēsis : on Heidegger and film theory / Robert Sinnerbrink -- Stiegler's post-phenomenological account of mediated experience / Patrick Crogan -- What are media? / Lambet Wiesing -- Part II. Cinema and media technologies : hardware, software, wetware -- The "history of vision"-debate revisited / Annemone Ligensa -- Will the 3D revolution happen? A brief perspective on the long history of stereoscopy (with special thanks to Eisenstein and Bazin) / Ian Christie -- Television's many technologies : domesticity, governmentality, genealogy / Markus Stauff -- Postmodern hi-fi vs. post-cool lo-fi : an epistemological war / Laurent Jullier -- Part III. Cinema and media technologies : a historical context -- Marey's gun : apparatuses of capture and the operational image / Pasi Väliaho -- Re-editing as psychotechnique : montage and mediality in early Soviet Cinema / Malte Hagener -- Technophobia and Italian film theoy in the interwar period / Francesco Pitassio -- Jean-Luc Godard's Histoire(s) du cinéma : cogito ergo video / Céline Scemama -- Peformativity/Expressivity : the mobile micro screen and its subject / Nanna Verhoeff and Heidi Rae Cooley -- Part IV. Discussions : revisiting the past -- Rethinking the materiality of technical media : Friedrich Kittler, enfant terrible with a rejuvenating effect on parental discipline : a dialogue / Geoffrey Winthrop-Young and Annie van den Oever -- Revisiting Christian Metz's "apparatus theory" : a dialogue / Martin Lefebvre and Annie van den Oever -- Part V. Envisioning the future -- The future history of a vanishing medium / André Gaudreault -- Experimental media archaeology : a plea for new directions / Andeas Fickers and Annie van den Oever.
    Note: Includes bibliographical references (pages 333-359) and indexes , English
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  • 4
    Online Resource
    Online Resource
    Bielefeld : transcript | Berlin : Knowledge Unlatched
    ISBN: 9783839428580
    Language: English
    Pages: 1 Online-Ressource (138 Seiten)
    Series Statement: Historische Lebenswelten in populären Wissenskulturen volume 15
    Series Statement: Historische Lebenswelten in populären Wissenskulturen
    Parallel Title: Erscheint auch als Humour and laughter in history
    DDC: 306.48109
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Karikatur ; Film ; Satirische Zeitschrift ; Humor ; Geschichte 1800-2013
    Note: Literaturangaben
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 5
    Online Resource
    Online Resource
    Durham : Duke University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780822376804
    Language: English
    Pages: 1 Online-Ressource (x, 470 Seiten) , Illustrationen
    DDC: 302.230973
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    Keywords: Sexualität ; Massenmedien ; Film ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books. ; Aufsatzsammlung
    Abstract: Sex Scene suggests that what we have come to understand as the sexual revolution of the late 1960s and early 1970s was actually a media revolution. In lively essays, the contributors examine a range of mass media-film and television, recorded sound, and publishing-that provide evidence of the circulation of sex in the public sphere, from the mainstream to the fringe. They discuss art films such as I am Curious (Yellow), mainstream movies including Midnight Cowboy, sexploitation films such as Mantis in Lace, the emergence of erotic film festivals and of gay pornography, the use of multimedia in sex education, and the sexual innuendo of The Love Boat. Scholars of cultural studies, history, and media studies, the contributors bring shared concerns to their diverse topics. They highlight the increasingly fluid divide between public and private, the rise of consumer and therapeutic cultures, and the relationship between identity politics and individual rights. The provocative surveys and case studies in this nuanced cultural history reframe the "sexual revolution" as the mass sexualization of our mediated world.Contributors. Joseph Lam Duong, Jeffrey Escoffier, Kevin M. Flanagan, Elena Gorfinkel, Raymond J. Haberski Jr., Joan Hawkins, Kevin Heffernan, Eithne Johnson, Arthur Knight, Elana Levine, Christie Milliken, Eric Schaefer, Jeffrey Sconce, Jacob Smith, Leigh Ann Wheeler, Linda Williams.
    Note: Literaturverzeichnis: Seite 435-450 , Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: eDuke
    URL: JSTOR
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  • 6
    Online Resource
    Online Resource
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780199983971
    Language: English
    Pages: XII, 483 S. , Ill., graph. Darst. , 26 cm
    Edition: Online-Ausg. Online-Ressource
    Series Statement: Oxford handbooks online
    Series Statement: Literature
    Parallel Title: Druckausg.: The Oxford handbook of Japanese cinema
    DDC: 791.409
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    Keywords: Motion pictures / Japan Motion picture industry / Japan ; Motion picture industry ; Motion pictures ; Motion picture industry / Japan ; Motion pictures / Japan ; Japan / In motion pictures / Japan ; Motion pictures ; Motion picture industry ; Motion pictures ; Japan ; Motion picture industry ; Japan ; Japan ; In motion pictures ; Japan In motion pictures ; Aufsatzsammlung ; Japan ; Film ; Geschichte
    Abstract: This text provides a multifaceted single-volume account of Japanese cinema. It addresses productive debates about what Japanese cinema is, where Japanese cinema is, as well as what and where Japanese cinema studies is, at the so-called period of crisis of national boundary under globalization and the so-called period of crisis of cinema under digitalization.
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  • 7
    ISBN: 9783037344156 , 3037344156
    Language: German
    Pages: 367 S. , Ill.
    Edition: 1. Aufl.
    Dissertation note: Teilw. zugl.: Wien, Univ., Habil-Schr., 2011
    DDC: 306.48109041
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    Keywords: Unterhaltung ; Aufmerksamkeit ; Massenkultur ; Großstadt ; Moderne ; Film ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Moderne ; Großstadt ; Massenkultur ; Film ; Unterhaltung ; Aufmerksamkeit
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  • 8
    Online Resource
    Online Resource
    Wiesbaden : Springer Fachmedien Wiesbaden
    ISBN: 9783658046736
    Language: English
    Pages: Online-Ressource (X, 250 p. 5 illus., 1 illus. in color, online resource)
    Series Statement: Film, Fernsehen, Medienkultur, Schriftenreihe der Hochschule für Film und Fernsehen "Konrad Wolf
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. Eichner, Susanne Agency and media reception
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    Keywords: Social sciences ; Social Sciences ; Social sciences ; Film ; Fernsehsendung ; Videospiel ; Rezeption ; Handlung
    Abstract: What happens to our sense of agency, our general ability to perform actions in our lifeworlds, in the course of media reception and appropriation? Whilst considering media communication as a special form of social action, this work reconsiders the key concepts of social action theory, pragmatism, communication theory, as well as film, game, and television theory. It thus integrates agency as the key to understanding ‘doing media’ and at the same time conceptualizes agency as a specific mode of involvement across media boundaries. This approach amalgamates miscellaneous ideas and conceptions such as interactivity, participation, cognitive control, play or empowerment and applies the theoretical considerations on the basis of textual analyses of the films Inception and The Proposal, the TV shows Lost and I’m a Celebrity and the video games Grand Theft Auto IV, and The Walking Dead. Contents -Agency Interdisciplinary -Interactivity and Play -From Media Use to Doing Media -Agency as a Mode of Involvement -Levels and Points of Agency -Textuality and Agency - Exemplary Analyses -The Quality of Agency in the Media Target Groups -Researchers and students of Media Studies in general, game studies, film studies, and television studies The Author Dr. Susanne Eichner is lecturer at the Academy of Film and Television, Potsdam-Babelsberg (Hochschule für Film und Fernsehen “Konrad Wolf”) in the department of Media Studies
    Description / Table of Contents: Agency InterdisciplinaryInteractivity and Play -- From Media Use to Doing Media -- Agency as a Mode of Involvement -- Levels and Points of Agency -- Textuality and Agency - Exemplary Analyses -- The Quality of Agency in the Media.
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 9
    Online Resource
    Online Resource
    London : Palgrave Macmillan
    ISBN: 9781137378477
    Language: English
    Pages: Online-Ressource (XII, 191 p, online resource)
    Series Statement: SpringerLink
    Series Statement: Bücher
    Series Statement: Springer eBook Collection
    Series Statement: Humanities, Social Sciences and Law
    Parallel Title: Druckausg.
    Keywords: Culture Study and teaching ; Cultural and Media Studies ; Management science ; Arts ; Industries ; Finance ; Finance, Public ; Economics ; Medien ; Finanzierung ; Rundfunkfinanzierung ; Film ; Finanzierung
    Abstract: This book is open access under a CC BY licence. This book provides a thorough overview of the financing behind the audiovisual industry, including television, cinema and web
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (kostenfrei)
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  • 10
    ISBN: 9783837628586 , 3837628582
    Language: English
    Pages: 138 S. , Ill., graph. Darst. , 23 cm, 225 g
    Series Statement: Historische Lebenswelten in populären Wissenskulturen 15
    Series Statement: Historische Lebenswelten in populären Wissenskulturen
    DDC: 306.48109
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    Keywords: Geschichte 1800-2013 ; Karikatur ; Film ; Satirische Zeitschrift ; Humor ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Karikatur ; Aufsatzsammlung ; Aufsatzsammlung ; Karikatur ; Aufsatzsammlung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 11
    ISBN: 9780415538596 , 9780415538619
    Language: English
    Pages: XXI, 485 S. , Ill.
    Edition: 2nd edition
    Series Statement: Sightlines
    DDC: 302.2343
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    Keywords: Film ; Eurozentrismus ; Multikulturelle Gesellschaft ; Entwicklungsländer
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  • 12
    Book
    Book
    New York : Bloomsbury Academic
    ISBN: 9781623562687 , 9781623562250
    Language: English
    Pages: 279 Seiten , Illustrationen
    DDC: 801
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    Keywords: Material culture in literature ; Personal belongings in literature ; Personal belongings in art ; Property in literature ; Alltagsgegenstand ; Sachkultur ; Literatur ; Film ; Semiotik ; Ästhetik ; Gebrauchsgegenstand ; Ding ; Warenästhetik ; Literatur ; Philosophie
    Abstract: "Stuff, the hoard of minor objects which have shed their commodity glamor but which we refuse to recycle, flashes up in fiction, films and photographs as alluring, unruly reminder of how people and matter are intertwined. Stuff is modern materiality out of bounds that refuses to be contained by the western semiotic system. It declines its role as the eternal sidekick of the subject, and thus is the ideal basis for a counter-narrative of materiality in flux. Can such a narrative, developed by the new materialism, reinvigorate the classical materialist account of human alienation from commodities under capital? By shifting the discussion of materiality toward the aesthetic and the everyday, the book both embraces and challenges the project of new materialism. It argues that matter has a politics, and that its new plasticity offers a continued possibility of critique.Stuff Theory's five chapters illustrate the intermittent flashes of modern 'minor' materiality in twentieth-century modernity as fashion, memory object, clutter, home de;cor, and waste in a wide range of texts: Benjamin's essays, Virginia Woolf's and Elfriede Jelinek's fiction, Rem Koolhaas' criticism, 1920s German photography and the cinema of Tati, Bertolucci, and Mendes. To call the commodified, ebullient materiality the book tracks stuff, is to foreground its plastic and transformative power, its fluidity and its capacity to generate events. Stuff Theory interrogates the political value of stuff's instability. It investigates the potential of stuff to revitalize the oppositional power of the object.Stuff Theory traces a genealogy of materiality: flashpoints of one kind of minor matter in a succession of cultural moments. It asserts that in culture, stuff becomes a rallying point for a new critique of capital, which always works to reassign stuff to a subaltern position. Stuff is not merely unruly: it becomes the terrain on which a new relation between people and matter might be built"--
    Abstract: "Stuff, the hoard of minor objects which have shed their commodity glamor but which we refuse to recycle, flashes up in fiction, films and photographs as alluring, unruly reminder of how people and matter are intertwined. Stuff is modern materiality out of bounds that refuses to be contained by the western semiotic system. It declines its role as the eternal sidekick of the subject, and thus is the ideal basis for a counter-narrative of materiality in flux. Can such a narrative, developed by the new materialism, reinvigorate the classical materialist account of human alienation from commodities under capital? By shifting the discussion of materiality toward the aesthetic and the everyday, the book both embraces and challenges the project of new materialism. It argues that matter has a politics, and that its new plasticity offers a continued possibility of critique. Stuff Theory's five chapters illustrate the intermittent flashes of modern 'minor' materiality in twentieth-century modernity as fashion, memory object, clutter, home decor, and waste in a wide range of texts: Benjamin's essays, Virginia Woolf's and Elfriede Jelinek's fiction, Rem Koolhaas' criticism, 1920s German photography and the cinema of Tati, Bertolucci, and Mendes"--
    Description / Table of Contents: Machine generated contents note:Introduction: Of Jena Glassware and Potatoes--Matter in the Moment 1. Homeopathic Benjamin: A Flexible Poetics of Matter 2. For the Unnatural Use of Clothes: Fashion as Cultural Assault 3. Paris Circa 1968: Cool Spaces, Decoration, Revolution 4. "You Must Remember this:" Memory Objects in the Age of Erasable Memory 5. Garbage in Theory: Waste Aesthetics Envoi: What Should We Do With Our Stuff Notes Index.
    Note: Literaturangaben
    URL: Cover
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  • 13
    Book
    Book
    Basingstoke [u.a.] : Palgrave Macmillan
    ISBN: 9780230392229
    Language: English
    Pages: VIII, 258 S. , Ill. , 23 cm
    DDC: 306.48424
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    Keywords: Sozialgeschichte ; Popmusik ; Musikfilm ; Großbritannien ; Großbritannien ; Pop-Kultur ; Musik ; Film ; Geschichte ; Popular music--Social aspects--Great Britain--History. ; Motion pictures--Great Britain--History--20th century. ; Popular culture--Great Britain--History--20th century. ; Motion pictures and music. ; Großbritannien ; Popmusik ; Musikfilm ; Sozialgeschichte
    Note: Includes bibliographical references and filmography
    URL: Cover
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  • 14
    Online Resource
    Online Resource
    Amsterdam : Amsterdam Univ. Press
    ISBN: 9048518423 , 9048518431 , 9789048518425 , 9789048518432
    Language: English
    Pages: Online-Ressource
    Series Statement: Film culture in transition
    Keywords: Film ; Filmtechnik ; Improvisation
    URL: Volltext  (kostenfrei)
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  • 15
    ISBN: 9789089643841 , 9781306208109
    Language: English
    Pages: 309 Seiten , Illustrationen
    Series Statement: Framing film
    DDC: 791.4301
    Keywords: Motion pictures Philosophy ; Photography Philosophy ; Visual communication ; Film ; Philosophie ; Fotografie ; Philosophie ; Visuelle Kommunikation ; Medientheorie
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  • 16
    ISBN: 3110265133 , 1299718965 , 9783110265132 , 9781299718968
    Language: English
    Pages: 1 Online-Ressource (vi, 243 pages) , illustrations, charts, figures, tables
    Edition: Also issued in print and PDF version
    Series Statement: Europäisch-jüdische Studien Volume 2
    Series Statement: Beiträge
    Series Statement: Europäisch-jüdische Studien Beiträge
    Parallel Title: Erscheint auch als Boston : De Gruyter Contemporary Jewish Reality in Germany and Its Reflection in Film
    Keywords: Jews in motion pictures ; Motion pictures ; Motion pictures ; Jews Identity ; Jews Identity ; Electronic books ; Aufsatzsammlung ; Deutschland ; Juden ; Juden ; Film
    Abstract: The notion of "self" and "other" and its representation in artwork and literature is an important theme in current cultural sciences as well as in our everyday life in contemporary Western societies. Moreover, the concept of "self" and "other" and its imaginary dichotomy is gaining more and more political impact in a world of resurfacing ideology-ridden conflicts. The essays deal with Jewish reality in contemporary Germany and its reflection in movies from the special point of view of cultural sciences, political sciences, and religious studies. This anthology presents challengingly new insights into topics rarely covered, such as youth culture or humor, and finally discusses the images of Jewish life as realities still to be constructed
    Abstract: Introduction -- Cusanus, Nietzsche, and Lacan on Reflection. The Mirror as Philosophic and Political Concept -- Alterophilia or Appropriating the Other. Images of 'Jews' and 'Gentiles' in Contemporary German Film -- A Passage to Modernity -- The "Iconic Turn" and "Jewish Reality". Interview with Tommaso Speccher -- Some Filmic Heroines and 'Others' in the GDR Documentary Women in Ravensbrück (1968) -- A City of Mind. Berlin in the Perception of Young Russian-Speaking Jewish Migrants. -- Lea Wohl von Haselberg Between Self and Other. Representations of Mixed Relationships in Contemporary German Film and Television"Unkosher Jewish" -- Jewish Popular Culture in Berlin -- "Morbid Beauty" as an Aesthetic Concept to Portray "the Jew" in German Film. Interview with Felice Naomi Wonnenberg -- Between Guilt and Repression -- Conversion to Judaism after the Shoa -- Can't Get No Satisfaction. The Desexualization of the Jewish Man in Contemporary German Film -- Intra-Activities of the Queer Diaspora. Berlin-Kreuzberg and the "Jerusalem Kings" Phenomenon. -- The Long Shadow of the Holy Cross. Jewish-Christian Gender-Images in Max Färberböck's movie Aimée und JaguarThe Dead Jew as Eternal Other. Loss and Identification in the Memorial to the Murdered Jews of Europe in Berlin -- Sissy and the Muscle-Jew Go to the Movies. The Image of the Jewish Man in Film after 1945 and Its Reception in Germany -- Spaces of Memory -- Reflections on Social Transformation at the Memorial for the Murdered Jews of Europe. Interview with Irit Dekel -- Authors -- Index of Persons
    Note: Includes bibliographical references and indexes , Also issued in print and PDF version. , In English
    URL: Volltext  (kostenfrei)
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  • 17
    Book
    Book
    Aix-en-Provence : Presses Univ. de Provence
    ISBN: 9782853998963
    Language: French , English
    Pages: 322 S. , Ill.
    Series Statement: Revue des mondes musulmans et de la Méditerranée 134 = 2013,2
    Series Statement: Série monde contemporain
    Series Statement: Revue des mondes musulmans et de la Méditerranée
    Keywords: Geschichte 2000-2013 ; Araber ; Film ; Aufsatzsammlung ; Aufsatzsammlung ; Araber ; Film ; Geschichte 21. Jh.
    Note: Beitr. teilw. franz., teilw. engl , Beitr. teilw. franz., teilw. engl.
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  • 18
    ISBN: 0415688957 , 9780415688949 , 9780415688956
    Language: English
    Pages: XIII, 227 S. , Ill.
    Series Statement: Discourses of law
    Parallel Title: Erscheint auch als The scene of the mass crime
    DDC: 341.6/9/0268
    Keywords: War crime trials ; Trials (Political crimes and offenses) ; Trials in motion pictures ; Aufsatzsammlung ; Kriegsverbrecherprozess ; Film ; Schauprozess ; Film
    Note: Introduction , Getting the past right, or the future? , Building the official narrative , Competitive narratives: an incident at the Papon trial , Gacaca courts in Rwanda: a local justice for a local genocide history , The Raion trials in the USSR (1937-1938) , The trial of the "gang of the four" , The Nazi People's Court (1944) or the failure of "total justice" , The Majdanek trial : the holocaust on trial on film, Kazimierz Czynski's Swastyka i Szubienica (1945) , The psychological evaluation of Duch : a criminal against humanity in Cambodia , Pleading guilty : the case of Duch in the Khmer Rouge trial : defending Duch , The place and participation of the victims in Duch's trial , Hollywood : previsualization and post 9-11 style , The "other" 9-11 : the Chilean coup and its visual memory , Visualizing 9-11 , Portfolio
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  • 19
    ISBN: 9789004241923
    Language: English
    Pages: 1 Online-Ressource (340 Seiten) , Illustrationen
    Series Statement: Metaforms: studies in the reception of classical antiquity
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    Keywords: Historical films History and criticism ; Civilization, Ancient, in motion pictures ; Civilization, Ancient, on television ; Sex role in motion pictures ; Politics in motion pictures ; Motion pictures and history ; Television and history ; Social sciences ; Social Science / Media Studies ; Electronic books ; Konferenzschrift ; Antike ; Rezeption ; Film
    Abstract: Preliminary Material -- Introduction /Almut-Barbara Renger and Jon Solomon -- Ben-Hur and Gladiator: Manifest Destiny and the Contradictions of American Empire /Jon Solomon -- Muscles and Morals: Spartacus, Ancient Hero of Modern Times /Thomas Späth and Margrit Tröhler -- With Your Shield or On It: The Gender of Heroism in Zack Snyder’s 300 and Rudoph Maté’s The 300 Spartans /Thorsten Beigel -- “This is Sparta!”: Discourse, Gender, and the Orient in Zack Snyder’s 300 /Jeroen Lauwers , Marieke Dhont and Xanne Huybrecht -- “Everybook-body Loves a Muscle Boi”: Homos, Heroes, and Foes in Post-9/11 Spoofs of the 300 Spartans /Ralph J. Poole -- The Womanizing of Mark Antony: Virile Ruthlessness and Redemptive Cross-Dressing in Rome, Season Two /Margaret M. Toscano -- Cleopatra’s Venus /Elisabeth Bronfen -- Over His Dead Body: Male Friendship in Homer’s Iliad and Wolfgang Petersen’s Troy (2004) /Andreas Krass -- Models of Masculinities in Troy: Achilles, Hector and Their Female Partners /Celina Proch and Michael Kleu -- “Include me out” – Odysseus on the Margins of European Genre Cinema: Le Mépris, Ulisse, L’Odissea /Christian Pischel -- Between Mythical and Rational Worlds: Medea by Pier Paolo Pasolini /Lada Stevanović -- “Universal’s Religious Bigotry Against Hinduism”: Gender Norms and Hindu Authority in the Global Media Debate on Representing the Hindu God Krishna in Xena: Warrior Princess /Xenia Zeiler -- Ancient Women’s Cults and Rituals in Grand Narratives on Screen: From Walt Disney’s Snow White to Olga Malea’s Doughnuts with Honey /Svetlana Slapšak -- Pandora-Eve-Ava: Albert Lewin’s Making of a “Secret Goddess” /Almut-Barbara Renger -- Phryne Paves the Way for the Wirtschaftswunder: Visions of Guilt and “Purity” Fed by Ancient Greece, Christian Narrative, and Contemporary History /Barbara Schrödl -- The New Israeli Film Beruriah: Between Rashi and Talmud, between Antiquity and Modernity, between Feminism and Religion /Tal Ilan -- Index.
    Abstract: More than a century ago, filmmakers made their primary focus innovative and widely promulgated visions of antiquity, creating a profound effect on the critical, popular, and scholarly reception of antiquity. In this volume, scholars from a variety of countries and varying academic disciplines have addressed film’s way of using the field of Classical Reception to investigate, contemplate, and develop hypotheses about present-day culture, society, and politics, with a particular emphasis on gender and gender roles, their relationship to one another, and how filmic constructions of masculinity and femininity shape and are shaped by interacting economic, political, and ideological practices
    Note: Includes bibliographical references and index
    URL: Cover  (Thumbnail cover image)
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  • 20
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780199983315
    Language: English
    Pages: 1 Online-Ressource (xvii, 709 Seiten) , Illustrationen
    Series Statement: Oxford handbooks online
    Series Statement: Literature
    Series Statement: Oxford handbooks of literature
    Parallel Title: Erscheint auch als The Oxford handbook of Chinese cinemas
    DDC: 791.409
    RVK:
    Keywords: Motion pictures ; Motion pictures ; Motion pictures ; Motion pictures ; China ; Motion pictures ; Taiwan ; Motion pictures ; China ; Hong Kong ; Motion pictures ; China ; Motion pictures ; Taiwan ; Motion pictures ; China ; Hong Kong ; Aufsatzsammlung ; China ; Hongkong ; Taiwan ; Film ; Geschichte ; Film ; Geschichte ; Hongkong ; Film ; Geschichte ; Taiwan ; Film ; Geschichte
    Abstract: What does it mean for a cinematic work to be 'Chinese'? Does it refer specifically to a work's subject, or does it also reflect considerations of language, ethnicity, nationality, ideology, or political orientation? Such questions make any single approach to a vast field like 'Chinese cinema' difficult at best. Accordingly, The Oxford Handbook of Chinese Cinemas situates the term more broadly among various different phases, genres, and distinct national configurations.
    Description / Table of Contents: Includes bibliographical references and index
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  • 21
    ISBN: 9783837623581 , 3837623580
    Language: German
    Pages: 369 S. , Ill., Notenbeisp. , 23 cm
    Series Statement: Gender studies
    Parallel Title: Online-Ausg. Mörderinnen
    Parallel Title: Erscheint auch als Lee, Hyunseon Mörderinnen
    DDC: 800
    RVK:
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    Keywords: Women murderers in literature Congresses ; Women murderers in motion pictures Congresses ; Konferenzschrift 2011 ; Mörderin ; Literatur ; Film
    Note: Literaturangaben
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  • 22
    AV-Medium
    AV-Medium
    [S.l.] : Realfiction
    Language: Italian , German , English
    Pages: 1 DVD-Video (80 Min. + 21 Min.)
    DDC: 300
    RVK:
    Keywords: Film ; DVD-Video
    Abstract: Der Film zeigt, was vom venezianischen Leben übrig geblieben ist: eine Subkultur touristischer Dienstleister; ein Hafen für die monströsen Kreuzfahrtschiffe, der auf seine Erweiterung wartet; Venezianer, die auf das Festland ziehen, weil es keine bezahlbaren Wohnungen mehr gibt; eine alte Adlige, die die Stadtverwaltung mit Hohn überzieht; ein Immobilienmakler, der darüber nachdenkt, das sinkende Schiff zu verlassen. Andreas Pichlers Protagonisten sind Sensoren für die Veränderungen ihrer Stadt. Venedig fühlt sich für sie immer weniger nach Heimat an, eine Lösung sehen sie jedoch nicht. Ein Requiem auf eine immer noch grandiose Stadt. Ein Lehrstück darüber, wie öffentliches Gut zur Beute einiger Weniger wird. Ein Hohelied auf die letzten Venezianer, ihren Witz und ihr Herz.
    Note: Sprache: italienisch. Untertitel: dt., engl. - Bonusmaterial , Dokumentarfilm. Österreich. 2013 , D/I/A 2012 , Sprache: Ital. - Untertitel: dt., engl.
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  • 23
    ISBN: 3861091941 , 9783861091943
    Language: German
    Pages: 230 S. , 225 mm x 145 mm
    Series Statement: Nexus 94
    Series Statement: Nexus
    Dissertation note: Zugl.: Köln, Univ., Habil.-Schr. u.d.T.: Populäres Kino in Deutschland
    DDC: 302.23430943
    RVK:
    RVK:
    Keywords: Geschichte 1925-1990 ; Film ; Rezeption ; Kulturkontakt ; USA ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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  • 24
    ISBN: 3837623653 , 9783837623659
    Language: German
    Pages: 384 Seiten , zahlr. Ill. , 225 mm x 148 mm, 573 g
    Series Statement: Image 52
    Series Statement: Image
    Parallel Title: Online-Ausg. Migration und künstlerische Produktion
    Parallel Title: Erscheint auch als Migration und künstlerische Produktion
    Parallel Title: Erscheint auch als Dogramaci, Burcu, 1971 - Migration und künstlerische Produktion
    DDC: 700
    RVK:
    RVK:
    RVK:
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    Keywords: Künstler ; Zuwanderer ; Einwanderung ; Einwanderer ; Wirkung ; Auswirkung ; Kunst ; Kunstwerk ; Forschung ; Interdisziplinarität ; Beispiel ; Global Deutschland ; Künstler ; Migranten ; Einwanderung/Einwanderer ; Wirkung/Auswirkung ; Kunst ; Kunstwerk ; Multidisziplinäre Forschung ; Beispielhafte Fälle ; Germany Artists ; Migrants ; Immigration/immigrants ; Effects/consequences ; Arts ; Works of art ; Multidisciplinary research ; Exemplary cases ; Bildende Kunst Darstellende Kunst ; Film ; Video ; Fotografie ; Literatur ; Mode ; Kulturtheorie ; Verhältnis Kunst/Kultur - Politik/Gesellschaft ; Exil ; Kulturzugang ; Interkultureller Konflikt ; Türken ; Iraner ; Zyprer ; Polen (Personen) ; Tschechen ; Visual arts Performing arts ; Films ; Videos ; Photography ; Literature ; Fashion ; Culture theory ; Relations between arts and politics/society ; Exile ; Access to culture ; Intercultural conflicts ; Turks ; Iranians ; Cypriots ; Poles ; Czechs ; Erde ; Deutschland ; Konferenzschrift 2012 ; Konferenzschrift 2012 ; Konferenzschrift 2012 ; Migration ; Rezeption ; Kunst ; Geschichte 1880-2012 ; Kunstproduktion ; Einwanderer ; Migration ; Heimat ; Geschichte 1880-2012 ; Künstler ; Migration ; Kunstproduktion ; Exil ; Kunst
    Abstract: Migration hat als Wechsel des Heimatortes Folgen für die Protagonisten, ihre Herkunfts- und Zielländer: Bewegung und Mobilität können Verlust und Gewinn bedeuten, Heimat(en), Sprachen, Geschichten verändern sich, was sich wiederum sowohl in den Werken künstlerisch arbeitender Migranten niederschlägt als auch Migration selbst zum Gegenstand der Kunst werden lässt. So ist in den vergangenen Jahren ein zunehmendes Interesse von Künstlern an Themen wie Heimat und Fremde, Wanderung und Displacement festzustellen. Die Beiträge des Buches diskutieren aus verschiedenen disziplinären Perspektiven, wie Kunstgeschichte, Literatur- und Medienwissenschaft, Soziologie und Kulturanthropologie, welche Bedeutung Einwanderung für künstlerische Produktion und Praktiken, für neue Ideen, Bilder, Methoden und Theorien hat: Kann Migration ein thematisches wie biografisches Movens für Künstler sein, sie konzeptionell in ihren Arbeiten beeinflussen?
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  • 25
    Book
    Book
    Philadelphia, Pa. : Temple Univ. Press
    ISBN: 9781439901779 , 9781439901786 , 9781439901793
    Language: English
    Pages: IX, 253 S. , Ill.
    Series Statement: Asian American history and culture
    DDC: 810.8/089592073
    RVK:
    Keywords: American literature Vietnamese American authors ; American literature History and criticism 20th century ; American literature History and criticism 21st century ; Vietnamese diaspora ; Authorship Collaboration ; Motion pictures Production and direction ; Vietnamesen ; Literatur ; Film ; Familie 〈Motiv〉 ; Feminismus ; Vietnam ; Vietnam ; Vietnamesen ; Literatur ; Film ; Familie ; Feminismus
    Note: Literaturverz. S. [215] - 241
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  • 26
    AV-Medium
    AV-Medium
    Halle/S. : 42film
    ISBN: 9783000436116
    Language: English , German
    Pages: 1 DVD (98 Min.) , Stereo, 1:1,78
    Keywords: Film ; DVD-Video ; Landkreis Mansfeld-Südharz ; Dokumentarfilm ; DVD-Video
    Abstract: Tom, Sebastian und Paul sind im Mansfelder Land zuhause, einem kargen Landstrich in Sachsen-Anhalt. Früher wurde hier Bergbau betrieben, nun aber sind viele Leute arbeitslos und ohne gute Zukunftsaussichten. Doch jedes Jahr zu Pfingsten feiern die Mansfelder ein großes traditionelles Fest. Dabei werden die Geister des Winters vertrieben. Und die Hauptrolle übernehmen immer die Kinder. Der Dokumentarfilmer Mario Schneider hat drei sehr unterschiedliche Familien über einen längeren Zeitraum in ihrem Alltag und bei ihrer Vorbereitung auf das große Ereignis an Pfingsten begleitet. Dabei gelingt es ihm, den Kindern wirklich nahezukommen, ihre Ängste und Sorgen genauso zu zeigen wie auch ihre kindliche Freude am Leben. Große Themen wie Glaube oder die Liebe zu den Eltern werden ganz subtil gestreift, ohne dass alles auserzählt wird. Ein beeindruckendes und authentisches Stimmungsbild einer Region in Deutschland. Und gleichzeitig ein berührender Blick auf Kinder, die langsam in die Welt der Erwachsenen hineinfinden.
    Note: Dokumentarfilm. Deutschland. 2012 , Sprachfassung: deutsch. - Untertitel: deutsch und englisch
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  • 27
    Book
    Book
    Konstanz [u.a.] : UVK
    ISBN: 9783867643665 , 3867643660
    Language: German
    Pages: 364 S. , Ill., graph. Darst. , 220 mm x 145 mm
    Series Statement: Theorie und Methode
    DDC: 302.2343
    RVK:
    RVK:
    Keywords: Film ; Soziologie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturangaben
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  • 28
    ISBN: 2854955013 , 9782854955019
    Language: French
    Pages: 695 S. , Ill.
    DDC: 700.411.2
    RVK:
    Keywords: Ethnology in art Exhibitions ; Art and anthropology Exhibitions ; Exoticism in art Exhibitions ; Ausstellungskatalog 2012 ; Ausstellungskatalog 2012 ; Ethnologie ; Exotismus ; Kunst ; Film ; Fotografie
    Abstract: Exposition organisée au Palais de Tokyo, à Paris, du 20 avril au 26 août 2012 et dans sept lieux associés. Puisant son inspiration dans les travaux des grandes figures de l'ethnographie, La Triennale 2012 nous entraîne dans une exploration des espaces où l'art et l'ethnographie convergent, dans une fascination renouvelée pour l'inconnu et le lointain. La création y est abordée sous l'angle de la richesse des échanges, dans un contexte où l'art apparaît comme un phénomène mondialisé, résultant d'un tissage complexe de relations qui s'affranchissent des distances géographiques. 0Bien plus qu'un catalogue d'exposition, cet ouvrage reflète le contenu théorique et conceptuel de l'exposition. Il mêle art contemporain, films, photographies, performances et réunit des écrits d'auteurs et de penseurs qui explorent les rapports entre pratique artistique et anthropologie aux XXe et XXIe siècles
    Abstract: Exposition organisée au Palais de Tokyo, à Paris, du 20 avril au 26 août 02012 et dans sept lieux associés.00Puisant son inspiration dans les travaux des grandes figures de l'ethnographie, La Triennale 2012 nous entraîne dans une exploration des espaces où l'art et l'ethnographie convergent, dans une fascination renouvelée pour l'inconnu et le lointain. La création y est abordée sous l'angle de la richesse des échanges, dans un contexte où l'art apparaît comme un phénomène mondialisé, résultant d'un tissage complexe de relations qui s'affranchissent des distances géographiques. 0Bien plus qu'un catalogue d'exposition, cet ouvrage reflète le contenu théorique et conceptuel de l'exposition. Il mêle art contemporain, films, photographies, performances et réunit des écrits d'auteurs et de penseurs qui explorent les rapports entre pratique artistique et anthropologie aux XXe et XXIe siècles
    Note: Préface / Frédéric Mitterrand , Introduction / Okwui Enwezor , Remerciements / Okwui Enwezor, Mélanie Bouteloup, Abdellah Karroum, Émilie Renard, Claire Staebler , pt. 1. Spéculutions ; Intense Proximité: de la disparition des distances / Okwui Enwezorroximi , Sous tensions / Mélanie Bouteloup , De l'impermanence de l'exposition / Abdellah Karroum , Transcription d'une conversation lors d'un dîner / Émilie Renard , Pour une pensée de la destination : entretien avec Nicolas Bourriaud / Claire Staebler , pt. 2. Réponses ; Heureux celui qui croit sans avoir vu / Maxime Cervulle , Le(s) temps du conservateur / James ClifFord , Allons enfants! / Simon Njami , Le tourniquet, ou du silence des intellectuels arabes / Nadia Tazi , Les vies qui comptent / Françoise Vergés , Out of sight, ou out of mind / Elvan Zabunyan , pt. 3. Le proche et le Lointain : incursions de l'ethnographie ; Les échangés et l'obligation de les rendre (Polynésie) / Marcel Mauss , L'oeil de l'ethnographe: à propos de la mission Dakar-Djibouti / Michel Leiris , La violence de la lettre: de Lévi-Strauss à Rousseau / Jacques Derrida , Le sauvage cérébral: réflexions sur l'oeuvre de Claude Lévi-Strauss / Clifford Geertz , Michel Leiris, l'ethnologie française et les Antilles / Sally Price , pt. 4. Proximités ; Notre Temps, leur Temps, l'absence de Temps: le déni de co-temporalité / Johannes Fabian , Vues sur l'Afrique noire ou assimiler, non être assimilés / Léopold Sédar Senghor , Culture et colonisation / Aimé Césaire , Racisme et culture / Frantz Fanon , Le jeune homme et la France / Tàhà Husayn , Poétique et inconscient / Édouard Glissant , Les Sans-Papiers: une menace pour la société / Manthia Diawara , La langue de l'autre. Exercices de témoignage / Abdelkébir Khatibi , pt. 5. La license curatoriale & la pensée ethnographique ; Doctor, Lawyer, Indian Chief: ""Primitivism" in 20th Century" au Museum of Modern Art / Thomas McEvilley , Lettres à l'éditeur au sujet de "Doctor, Lawyer, Indian Chief: "Primitivism" in 20th Century" au Museum of Modern Art en 1984 / William Rubin and Kirk Varnedoe et Thomas McEvilley , Histoires du tribal et du moderne / James Clifford , Entretien / Benjamin H.D. Buchloh -- Jean-Hubert Martin , Portrait de l'artiste en ethnographe / Hal Foster , pt. 6. Les poétiques ethnographiques et la caméra comme objet de spéculation ; Il pleut, il neige, il peint / Daniel Buren , Essai sur les avatars de la personne du possédé, du magicien, du sorcier, du cinéaste et de l'ethnographe / Jean Rouch , Wifredo Lam / Michel Leiris , La valeur d'usage de l'impossible / Denis Hollier , Rendre visible l'invisible / Nancy N. Chen , Désynchronisé: le cinéma de Tim Asch / Jay Ruby , L'instrument de l'observation ethnographique / Michael Taussig , pt. 7. Contributions.
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  • 29
    AV-Medium
    AV-Medium
    London : Artificial Eye Film Company
    Language: English , Chinese
    Pages: 3 DVD-Videos
    Series Statement: Artificial Eye 629
    Keywords: Film ; DVD-Video
    Note: Sprache: Mandarin. Untertitel Englisch
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  • 30
    Online Resource
    Online Resource
    Liverpool : Liverpool University Press
    ISBN: 9781781387962
    Language: English
    Pages: 1 Online-Ressource (209 Seiten)
    Edition: 1st ed
    Series Statement: Contemporary Hispanic and Lusophone Cultures, 6 v.6
    Parallel Title: Erscheint auch als Davies, Ann Spanish Spaces : Landscape, Space and Place in Contemporary Spanish Culture
    DDC: 306.0946
    RVK:
    Keywords: Alltag, Brauchtum ; Cultural geography -- Spain ; Spain -- Civilization -- 21st century ; Spain -- Social life and customs -- 21st century ; Landschaft ; Film ; Literatur ; Spanien ; Spanien ; Criticism, interpretation, etc ; History ; Electronic books ; Electronic books ; Electronic books ; Electronic books. ; Electronic books. ; Criticism, interpretation, etc. ; History. ; Spanien ; Film ; Literatur ; Landschaft
    Abstract: A pioneering study that fuses cultural geography and contemporary Spanish culture, asking what it means to think of space and place in specifically Spanish terms. It examines how themes of memory and forgetting, nationalism and terrorism, crime and detection, gender, tourism and immigration are explored in contemporary Spanish film and literature
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (kostenfrei)
    URL: JSTOR
    URL: Liverpool scholarship online  (Click for access to e-book)
    URL: OAPEN
    URL: OAPEN
    URL: Image  (Thumbnail cover image)
    URL: Volltext  (kostenfrei)
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  • 31
    Book
    Book
    Berkeley [u.a.] : University of California Press
    ISBN: 0520272528 , 9780520272521
    Language: English
    Pages: 185 S. , cm
    Series Statement: Flashpoints 11
    Series Statement: FlashPoints
    DDC: 891.1
    RVK:
    RVK:
    Keywords: Indic literature History and criticism ; 20th century ; Postmodernism (Literature) India ; Indic literature Translations ; History and criticism ; Postcolonialism in motion pictures India ; Indic literature History and criticism 20th century ; Postmodernism (Literature) ; Indic literature Translations ; History and criticism ; Postcolonialism in motion pictures ; Südasien ; Volkssprache ; Literatur ; Film ; Südasien ; Postkoloniale Literatur ; Übersetzung ; Indien ; Volkssprache ; Literatur ; Film ; Postkoloniale Literatur ; Übersetzung
    Note: Includes bibliographical references and index
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  • 32
    Language: Hindi , English
    Pages: 1 DVD-Video (110 min) , sd., farb., Rating : Adults only, NTSC, all regions , 12 cm
    Edition: Collector's edition
    Series Statement: Cinemas of India
    DDC: 791.4372
    Keywords: Brothers Drama ; Motion pictures Drama ; Production and direction ; Man-woman relationships Drama ; Brothers ; Man-woman relationships ; Motion pictures Production and direction ; Feature films ; Drama ; Feature films ; Film ; Fiktionale Darstellung ; DVD-Video ; Hindi ; Sexfilm ; Horrorfilm ; Geschichte 2012 ; Bollywood ; Horrorfilm ; Sexfilm ; Schauspielerin ; Liebe ; Verrat ; Geschichte 1988
    Abstract: The plot explores the intense and mutually destructive relationship between younger sibling Sonu Duggal and his elder brother, Vicky. Sonu finds himself drawn to a mysterious young woman named Pinky (Niharika Singh) eventually leading to his downfall
    Note: Bonus feature: Making of the film , Awards : National awards (Special Jury Award, Best Production Design) ; Mumbai Film Festival (Best Film, Reliance Mediaworks Createch award) ; South-Asian transgressive Film Festival (Best Film) ; Indian Film Festival of LA (Jury Prize Best Feature) , Spielfilm. Indien. 2012 , Sprachfassung: Hindi , Untertitel: Englisch
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  • 33
    Online Resource
    Online Resource
    Durham : Duke University Press | Baltimore, Md. : Project MUSE
    ISBN: 9780822395331
    Language: English
    Pages: 1 Online-Ressource
    DDC: 305.50982
    RVK:
    Keywords: Geschichte 1920-1946 ; Film ; Hörfunk ; Argentinien ; Electronic books ; Electronic books. ; History. ; Electronic books ; Electronic books ; Electronic books
    Abstract: Major change came to Argentina during the first decades of the twentieth century. Following the mass influx of European immigrants to the country during the beginning of the century, a truly national culture was produced through mass media, facilitating the assimilation of immigrants and their descendants. New forms of media emerged, such as radio and cinema, as did new forms of entertainment, such as tango songs, films, and radio theater. Yet despite the unifying effect of popular culture, the nation remained divided, and, if anything, more so in 1950 than in 1910. This book argues that the key to understanding this paradox lies in a reassessment of the mass culture of the 1920s and 1930s. With a focus on film and radio in and around Buenos Aires, the locus of production as well as much of the market consumption, Karush shows how integration and class fractures occurred simultaneously in a short span of the country's history. He brings together the usually separated subjects of radio and cinema to show how they can combine to gauge a larger cultural and political environment and shed light on class distinctions. The book contributes to an ongoing discussion of the relationship between power and mass culture. It will be of interest to scholars of cultural history and urban studies and those interested in Latin American history and culture.
    Note: Includes bibliographical references (p. [251]-268) and index , Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 34
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press
    ISBN: 9789048515059 , 904851505X
    Language: English
    Pages: 1 Online-Ressource (332 Seiten) , Illustrations
    Series Statement: The key debates ; 3
    DDC: 302.2343
    RVK:
    Keywords: Motion picture audiences ; PSYCHOLOGY Social Psychology ; PERFORMING ARTS Film & Video ; General ; The arts ; Film, TV and radio ; Films, cinema ; Film theory and criticism ; Motion picture audiences ; Motion pictures ; Film
    Abstract: "This timely volume engages with one of the most important shifts in recent film studies: the turn away from text-based analysis towards the viewer. Historically, this marks a return to early interest in the effect of film on the audience by psychoanalysts and psychologists, which was overtaken by concern with the 'effects' of film, linked to calls for censorship and moral panics rather than to understanding the mental and behavioral world of the spectator. Early cinema history has revealed the diversity of film-viewing habits, while traditional 'box office' studies, which treated the audience initially as a homogeneous market, have been replaced by the study of individual consumers and their motivations. Latterly, there has been a marked turn towards more sophisticated economic and sociological analysis of attendance data. And as the film experience fragments across multiple formats, the perceptual and cognitive experience of the individual viewer (who is also an auditor) has become increasingly accessible. With contributions from Gregory Waller, John Sedgwick and Martin Barker, this work spans the spectrum of contemporary audience studies, revealing work being done on local, non-theatrical and live digital transmission audiences, and on the relative attraction of large-scale, domestic and mobile platforms."--Publisher's website.
    Note: Includes bibliographical references (pages 279-298) and indexes
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  • 35
    Online Resource
    Online Resource
    Amsterdam : Amsterdam Univ. Press
    ISBN: 9789089644268 , 9089644261 , 9789048516322 (Sekundärausgabe) , 9789048516339 (Sekundärausgabe)
    Language: English
    Pages: 272 S. , Ill., map
    Edition: Online-Ausg. [The Hague] OAPEN Online-Ressource ISBN 9789048516322 pdf
    Edition: ISBN 9789048516339 ePub
    Edition: [Online-Ausg.]
    DDC: 303.375
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1933-1945 ; Massenkultur ; Großveranstaltung ; Propaganda ; Drittes Reich ; Stadt ; Geräusch ; Unterhaltungsindustrie ; Massenmedien ; Nationalsozialismus ; Hörfunk ; Film ; Audiotechnik ; Deutschland ; Düsseldorf ; Online-Publikation ; Electronic books
    Abstract: Following the formation of the German National Socialist Party in the 1920s, various forms of sound (popular music, voice, noise and silence) and media technology (radio and loudspeaker systems) were configured as useful to the party's political programme. Focusing on the urban "soundscape" of Düsseldorf, the author makes a persuasive case for investigating such sound events and technological devices in their specific contexts of production and reception. Nazi Soundscapes identifies strategies for controlling space and reworking identity patterns, but also the ongoing difficulties in manipulating mediated sounds and the spaces of listening reception, whether in the home, workplace, the cinema, public rituals or with wartime siren systems. The study revises visualist notions of social control, and reveals the disciplinary functions of listening (as eavesdropping) as well as the sonic dimensions to exclusion and violence during Nazism. An essential title for everyone interested in the links between German political culture, audiovisual media and urban history, Nazi Soundscapes provides a fascinating analysis of the cultural significance of sound between the 1920s and early 1940s. Click "http://soundclips.humanities.uva.nl/"〉here for the sound clips discussed in the book.
    Note: Literaturverz. S. 217 - 253 , Online-Ausg.:
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 36
    Online Resource
    Online Resource
    s.l. : Amsterdam University Press
    ISBN: 1283698366 , 9089644261 , 9048516323 , 9781283698368 , 9789089644268 , 9789048516322
    Language: English
    Pages: 1 Online-Ressource
    Edition: Online-Ausg.
    Parallel Title: Print version Nazi soundscapes
    Keywords: Propaganda ; Propaganda History 20th century ; Mass media and propaganda History 20th century ; Social control History 20th century ; BUSINESS & ECONOMICS ; Industries ; Media & Communications ; TECHNOLOGY & ENGINEERING ; Telecommunications ; HISTORY ; Civilization ; HISTORY ; Essays ; HISTORY ; Reference ; HISTORY ; Social History ; HISTORY ; General ; Social control ; Mass media and propaganda ; Propaganda ; Stadt ; Geräusch ; Unterhaltungsindustrie ; Massenmedien ; Nationalsozialismus ; Hörfunk ; Film ; Audiotechnik ; Sociology & Social History ; Social Sciences ; Social Change ; Deutschland ; Düsseldorf ; Germany ; History
    Abstract: Following the formation of the German National Socialist Party in the 1920s, various forms of sound (popular music, voice, noise and silence) and media technology (radio and loudspeaker systems) were configured as useful to the party's political programme. Focusing on the urban "soundscape" of Dusseldorf, the author makes a persuasive case for investigating such sound events and technological devices in their specific contexts of production and reception. Nazi Soundscapes identifies strategies for controlling space and reworking identity patterns, but also the ongoing difficulties in manipulat
    Abstract: Acknowledgements; Abbreviations; Introduction; Modern Sound and the Metropolis; Modern Modes of Listening; Theorising Listening Attention and Sound Technology; Researching Historical Soundscapes; 1. Affirmative Resonances in Urban Space; Auditory Perception and Affirmative Resonance; Sonic Brawling and Aesthetic Occupations of Public Space; Publicising Songs, Institutionalising Schlageter; The Call for National Awakening; Conclusion; 2. The Festivalisation of the Everyday; A Festival for Everyone?; Radio and the Modern Festival; Festive Exclusions: The Carnival Heimat
    Abstract: Anti-Semitic Violence as FestivalConclusion; 3. Mobilising Sound for the Nation at War; Imagining National Community; Radio Sounds as National Celebration; Alarm Sounds as Acoustic Signals; Suspicious Sounds; Conclusion; 4. Cinema as a Gesamtkunstwerk?; The Gesamtkunstwerk in Cinema; Acoustic Metaphors: From Symphony to Postcard; Rhythmic Harmony: Sound as a Controlled Event; Synchronising the Nazi Era?; Conclusion; Afterword: Echoes of the Past; Notes; Introduction; Notes to Chapter 1; Notes to Chapter 2; Notes to Chapter 3; Notes to Chapter 4; Notes to Afterword; Bibliography
    Abstract: Interviews (Selection)Track List; Track 1 [03:05 mins]; Track 2 [03:18 mins]; Track 3 [02:05 mins]; Track 4 [27:55 mins]; Track 5 [02:30 mins]; Track 6 [00:30 mins]; Index; Index of Names; Index of Subjects
    Description / Table of Contents: Affirmative Resonances in Urban Space -- The Festivalisation of the Everyday -- Mobilising Sound for the Nation at War -- Cinema as a Gesamtkunstwerk? -- Afterword: Echoes of the Past.
    Note: Includes bibliographical references (pages 217-254) and indexes , English
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  • 37
    AV-Medium
    AV-Medium
    Hamburg : Spiegel-TV
    Language: German
    Pages: 1 DVD-Video (59 Min.) , farb., Bildformat 16:9, stereo, DVD 5 , 12 cm
    Series Statement: Spiegel-TV 34
    Series Statement: Spiegel-TV
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    Keywords: Attitude to death ; Death ; Near-death experiences ; Parapsychology ; Film ; DVD-Video ; Nahtoderfahrung ; Jenseitskontakt
    Abstract: Die Film-Autorin sprach mit Menschen, die fest daran glauben, eine Nahtod-Erfahrung erlebt zu haben.
    Note: D 2012 , Sprache: dt.
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  • 38
    Book
    Book
    Bloomington [u.a.] : Indiana Univ. Press
    ISBN: 9780253003072 , 9780253005755
    Language: English
    Pages: X, 390 S.
    Series Statement: African expressive cultures
    DDC: 782.421649096
    RVK:
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    Keywords: Rap (Music) History and criticism ; Popular music History and criticism ; Hip hop ; Music and youth ; Music and globalization ; Popular music Social aspects ; Film ; Hip-Hop ; Globalisierung ; Tonträger ; Afrika ; Verzeichnis ; Konferenzschrift 2003 ; Konferenzschrift 2003 ; Verzeichnis ; Aufsatzsammlung ; Konferenzschrift 2003 ; Verzeichnis ; Konferenzschrift 2003 ; Verzeichnis ; Aufsatzsammlung ; Aufsatzsammlung ; Verzeichnis ; Konferenzschrift 2003 ; Aufsatzsammlung ; Rezension ; Afrika ; Hip-Hop ; Globalisierung ; Afrika ; Hip-Hop ; Tonträger ; Afrika ; Hip-Hop ; Film
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  • 39
    ISBN: 9780472071043 , 9780472051045
    Language: English
    Pages: 1 Online-Ressource
    DDC: 305.4209182/109034
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    Keywords: Geschichte 1870-1970 ; Women / History ; Photography of women / History ; Feminism / History ; Women. Feminism ; Frau ; Geschichte ; Women History ; Photography of women History ; Feminism History ; Fotografie ; Frau ; Film ; Fotografie ; Film ; Frau ; Geschichte 1870-1970
    Note: English
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 40
    Language: French , Bambara
    Pages: 1 DVD-Video (115 Min.)
    Series Statement: Trigon-film-dvd-edition 98
    Series Statement: Trigon-Film-DVD-Edition
    Keywords: Film ; DVD-Video
    Abstract: Spielfilm, Drama. - Melé ist Sängerin in einer Bar, ihr Mann arbeitslos. Sie teilen sich mit anderen Bewohnern den Hinterhof eines Hauses in Malis Hauptstadt Bamako, der zudem noch von Hühnern und Ziegen bevölkert wird, durch den Hochzeitsgesellschaften ziehen und wo regelmäßig der große Waschtag zelebriert wird. Und mitten in diesem bunten Kosmos des afrikanischen Alltagslebens findet eine Gerichtsverhandlung statt, in der Vertreter der afrikanischen Zivilgesellschaft Klage erheben gegen die Machenschaften des internationalen Währungsfonds IWF und die Entwicklungspolitik der Weltbank, die mit ihren Projekten und Planungen das Land zugrunde richten. Doch während der Prozess spannungsgeladen mit Zeugenberichten und Plädoyers voranschreitet, geht das Leben im Hof munter und heiter seinen normalen Gang. Hier vermischen sich die Alltagsgeschäfte mit der sonst so gedämpften Sphäre der exklusiven Gerichtssäle der Hauptstadt.
    Note: Szenenwahl/Chapitres Bonus: Interview avec Sissako et Maître , Orig.: RMM/F 2006 , Film in OV französisch/Bambara. Untertitel: deutsch/französisch
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  • 41
    AV-Medium
    AV-Medium
    [München] : Film & Kunst
    Show associated volumes/articles
    Language: German
    Pages: 2 DVD-Videos (Ländercode 0, 164 Min. + 148 Min.) , s/w, farb., TV-Format: 4:3 PAL, Originalformat: 1,33:1, Tonformat: Dolby digital 2.0 (Mono) , 12 cm
    Additional Material: 1 Beih. ([24] S.)
    Edition: 2. Aufl.
    Series Statement: Edition Filmmuseum 56
    Series Statement: Edition filmmuseum
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    Keywords: Film ; DVD-Video ; Deutschland ; Deutschland ; Geschichte 1988-2008
    Note: LEHR-Programm gemäß § 14 JuSchG , Die Vorlage enthält insgesamt 4 Werke , Laufzeit des Films "Material": 164 Min , D 2009 , Sprache: dt. - Untertitel: engl., franz., span.
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  • 42
    Book
    Book
    Woodbridge, Suffolk [u.a.] : Currey
    Show associated volumes/articles
    ISBN: 1847010385 , 9781847010384
    Language: English
    Pages: XX, 154 S. , Ill., graph. Darst. , 22 cm
    Series Statement: African theatre 10
    Series Statement: African theatre
    DDC: 792.09609051
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    Keywords: YouTube (Electronic resource) ; Theater ; Performing arts ; Theater Technological innovations ; Video recordings in the theater ; YouTube (Electronic resource) ; Theater ; Technological innovations ; Africa ; Video recordings in the theater ; Africa ; Afrika ; Theater ; Film ; Aufführung
    Note: Formerly CIP Uk. - Includes bibliographical references
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  • 43
    AV-Medium
    AV-Medium
    [München] : Sony Pictures Home Entertainment
    Language: English , Italian
    Pages: 1 DVD-Video (Ländercode 2, 104 Min.) , farb., Dolby digital 5.1, Bildformat: 16:9 Widescreen (2.35:1) , 12 cm
    Series Statement: Sony pictures classics
    Uniform Title: Inside job
    DDC: 338.5/42
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    Keywords: Film ; DVD-Video ; Finanzkrise ; Weltwirtschaftskrise ; Dokumentarfilm
    Abstract: „INSIDE JOB, der erste Film, der die schockierende Wahrheit über die Wirtschaftskrise im Jahr 2008 präsentiert.“
    Description / Table of Contents: Entfallene Szenen, Die Entstehung von Inside Job, Kommentar mit Regisseur Charles Ferguson und Produzent Audrey Marrs
    Note: Sprache: engl., ital. - Untertitel: dt., engl., engl. für Hörgeschädigte, dän., finn., franz., Hindi, holänd., ital., schwed., türk. - Enth. Extras: Entfallene Szenen, Making of, Audiokommentar , Filmbericht. USA. 2010 , USA 2010 , Sprachen: engl., ital. - Untertitel: dt., engl., dän., finn., franz., hindi, niederländ., ital., schwed., türk. - Untertitel für Hörgeschädigte: engl.
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  • 44
    Online Resource
    Online Resource
    New York : Berghahn Books
    ISBN: 9780857450661 , 0857450662
    Language: English
    Pages: 1 Online-Ressource (206 pages)
    Series Statement: Film Europa
    Parallel Title: Gemünden, Gerd, 1959 - A foreign affair
    Parallel Title: Print version Gemünden, Gerd A Foreign Affair : Billy Wilder's American Films
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    Keywords: Wilder, Billy Criticism and interpretation ; Wilder, Billy ; Wilder, Billy ; PERFORMING ARTS ; Reference ; PERFORMING ARTS ; Film & Video ; History & Criticism ; Music, Dance, Drama & Film ; Film ; Criticism, interpretation, etc ; Electronic books ; Double indemnity ; Sunset Boulevard ; Some like it hot ; The apartment ; Wilder, Billy 1906-2002 ; USA ; Film ; Geschichte 1944-1970 ; Double indemnity ; Sunset Boulevard ; Some like it hot ; The apartment
    Abstract: With six Academy Awards, four entries on the American Film Institute's list of 100 greatest American movies, and more titles on the National Historic Register of classic films deemed worthy of preservation than any other director, Billy Wilder counts as one of the most accomplished filmmakers ever to work in Hollywood. Yet how American is Billy Wilder, the Jewish émigré from Central Europe? This book underscores this complex issue, unpacking underlying contradictions where previous commentators routinely smoothed them out. Wilder emerges as an artist with roots in sensationalist journalism
    Abstract: With six Academy Awards, four entries on the American Film Institute's list of 100 greatest American movies, and more titles on the National Historic Register of classic films deemed worthy of preservation than any other director, Billy Wilder counts as one of the most accomplished filmmakers ever to work in Hollywood. Yet how American is Billy Wilder, the Jewish émigré from Central Europe? This book underscores this complex issue, unpacking underlying contradictions where previous commentators routinely smoothed them out. Wilder emerges as an artist with roots in sensationalist journalism
    URL: Volltext  (kostenfrei)
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  • 45
    ISBN: 359339491X , 9783593394916
    Language: German
    Pages: 208 S. , Ill. , 213 mm x 140 mm
    Series Statement: Wissenschaftliche Reihe des Fritz Bauer Instituts 19
    Parallel Title: Online-Ausg. "Der Letzte der Ungerechten"
    DDC: 943
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    Keywords: Murmelstein, Benjamin Congresses In motion pictures ; Lanzmann, Claude Congresses ; Theresienstadt (Concentration camp) Congresses In motion pictures ; Shoah (Motion picture) Congresses ; Jewish councils Congresses In motion pictures ; Antisemitismus ; Faschismus ; Medien ; Konferenzschrift 2010 ; Murmelstein, Benjamin 1905-1989 ; Konzentrationslager Theresienstadt ; Film ; Geschichte 1942-1975
    Abstract: Die Shoah-Outtakes / Ronny Loewy -- Das Ende von Theresienstadt : Stellungnahme eines Beteiligten / Benjamin Murmelstein -- "Wenn Sie das demokratisch nennen, dann bin ich gerne ein Faschist" : ein Auszug aus dem Interview von Claude Lanzmann mit Benjamin Murmelstein -- Benjamin Murmelstein, "der Letzte der Ungerechten" : Elemente und Folgen totaler Ohnmacht / Doron Rabinovici -- "... zwischen Hammer und Amboss" : Selbstwahrnehmung und Zuschreibung bei Benjamin Murmelstein / Lisa Hauff -- Der Judenälteste und seine SS-Männer : Benjamin Murmelstein und seine Beziehung zu Adolf Eichmann und Karl Rahm / Anna Hájková -- Emotionen, Körper, Mythen : Lanzmann interviewt Murmelstein / Daniel Wildmann -- Film Ghetto Theresienstadt : die Suche nach Zusammenhängen / Eva Strusková -- Benjamin Murmelstein und der Nazi-Propagandafilm Theresienstadt von 1944 / Karel Margry -- Rekonstruktion und Groteske : Zbyněk Brynychs Trandport aus dem Paradies im Kontext / Hanno Loewy
    Note: Die Shoah-Outtakes , Das Ende von Theresienstadt : Stellungnahme eines Beteiligten , "Wenn Sie das demokratisch nennen, dann bin ich gerne ein Faschist" : ein Auszug aus dem Interview von Claude Lanzmann mit Benjamin Murmelstein ; Benjamin Murmelstein, "der Letzte der Ungerechten" : Elemente und Folgen totaler Ohnmacht , "... zwischen Hammer und Amboss" : Selbstwahrnehmung und Zuschreibung bei Benjamin Murmelstein , Der Judenälteste und seine SS-Männer : Benjamin Murmelstein und seine Beziehung zu Adolf Eichmann und Karl Rahm , Emotionen, Körper, Mythen : Lanzmann interviewt Murmelstein , Film Ghetto Theresienstadt : die Suche nach Zusammenhängen , Benjamin Murmelstein und der Nazi-Propagandafilm Theresienstadt von 1944 , Rekonstruktion und Groteske : Zbyněk Brynychs Trandport aus dem Paradies im Kontext , Deutsch
    URL: Volltext  (Inhaltsverzeichnis)
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  • 46
    ISBN: 9783643503091
    Language: German , Spanish
    Pages: 260 S. , Ill.
    Series Statement: ¡Atención! 14
    Series Statement: ¡Atención!
    DDC: 860.998
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    Keywords: Kultur ; Literatur ; Film ; Sprache ; Lateinamerika ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Lateinamerika ; Literatur ; Film ; Kultur ; Sprache
    Note: Beitr. überw. dt., teilw. span. - Literaturangaben
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  • 47
    Book
    Book
    Woodbridge, Suffolk :James Currey,
    ISBN: 978-1-84701-521-1
    Language: English
    Pages: x, 180 Seiten : , Illustrationen.
    DDC: 791.436521096
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    Keywords: Film. ; Roman. ; Mann ; Männlichkeit ; Afrika. ; Aufsatzsammlung ; Aufsatzsammlung ; Film ; Roman ; Mann ; Männlichkeit
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  • 48
    Book
    Book
    Bloomington, Ind. [u.a.] : Indiana University Press
    ISBN: 9780253223456 , 9780253356796
    Language: English
    Pages: XIX, 230 S. , 8 b&w, Ill.
    DDC: 302.2343096
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    Keywords: Film ; Literatur ; Postkolonialismus ; Globalisierung ; Kulturkontakt ; Schwarze ; Afrika
    Note: Hardback
    URL: Volltext  (Inhaltsverzeichnis)
    URL: Volltext  (Inhaltsverzeichnis)
    URL: Volltext  (Inhaltsverzeichnis)
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  • 49
    Book
    Book
    Durham, NC [u.a.] :Duke Univ. Press,
    ISBN: 978-0-8223-5028-6 , 978-0-8223-5045-3
    Language: English
    Pages: XII, 211 S. : , Ill.
    Series Statement: 〈〈A〉〉 John Hope Franklin Center Book
    Parallel Title: Erscheint auch als The queer art of failure
    DDC: 121
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    Keywords: Social epistemology ; Failure (Psychology) ; Stupidity ; Queer theory ; Erfolg. ; Versagen. ; Massenkultur. ; Kulturwissenschaften. ; Philosophie. ; Queer-Theorie. ; Kapitalismus. ; Film. ; Analyse. ; Westliche Welt. ; Erfolg ; Versagen ; Massenkultur ; Kulturwissenschaften ; Philosophie ; Queer-Theorie ; Kapitalismus ; Film ; Analyse
    Note: Literaturverz. S. 193 - 199
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  • 50
    ISBN: 9780230109513 , 0230109519
    Language: English
    Pages: XII, 246 S. , ill.
    Edition: 1. publ.
    Parallel Title: Druckausg. Chowdhury, Kanishka, 1963 - The new India
    Parallel Title: Erscheint auch als Chowdhury, Kanishka The New India
    Keywords: Citizenship ; Free enterprise ; India Economic policy 1991- ; Free enterprise ; India ; Citizenship ; India ; India ; Economic policy ; 1991- ; Indien ; Bürger ; Geschichte 1991- ; Film ; Indien ; Literatur ; Bürger ; Geschichte 1991-
    URL: Cover
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  • 51
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Knowledge Unlatched
    ISBN: 9780822393351 , 0822393352
    Language: English
    Pages: 1 Online-Ressource (xiv, 313 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Tasker, Yvonne, 1964 - Soldiers' stories
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    Keywords: Film ; Militär ; Frau ; Soldatin
    Abstract: From Skirts Ahoy! to M*A*S*H, Private Benjamin, G.I. Jane, and JAG, films and television shows have grappled with the notion that military women are contradictory figures, unable to be both effective soldiers and appropriately feminine. In Soldiers' Stories, the author traces this perceived paradox across genres including musicals, screwball comedies, and action thrillers. She explains how, during the WWII, women were portrayed as auxiliaries, temporary necessities of "total war." Later, nursing, with its connotations of feminine care, offered a solution to the "gender problem." From the 1940s through the 1970s, musicals, romances, and comedies exploited the humorous potential of the gender role-reversal that the military woman was taken to represent. Since the 1970s, female soldiers have appeared most often in thrillers and legal and crime dramas, cast as isolated figures, sometimes victimized and sometimes heroic. Soldiers' Stories is a comprehensive analysis of representations of military women in film and TV since the 1940s. Throughout, the author relates female soldiers' provocative presence to contemporaneous political and cultural debates and to the ways that women's labor and bodies are understood and valued
    Abstract: From Skirts Ahoy! to M*A*S*H, Private Benjamin, G.I. Jane, and JAG, films and television shows have grappled with the notion that military women are contradictory figures, unable to be both effective soldiers and appropriately feminine. In Soldiers' Stories, the author traces this perceived paradox across genres including musicals, screwball comedies, and action thrillers. She explains how, during the WWII, women were portrayed as auxiliaries, temporary necessities of "total war." Later, nursing, with its connotations of feminine care, offered a solution to the "gender problem." From the 1940s through the 1970s, musicals, romances, and comedies exploited the humorous potential of the gender role-reversal that the military woman was taken to represent. Since the 1970s, female soldiers have appeared most often in thrillers and legal and crime dramas, cast as isolated figures, sometimes victimized and sometimes heroic. Soldiers' Stories is a comprehensive analysis of representations of military women in film and TV since the 1940s. Throughout, the author relates female soldiers' provocative presence to contemporaneous political and cultural debates and to the ways that women's labor and bodies are understood and valued.
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  • 52
    AV-Medium
    AV-Medium
    [London] : Speakit Productions Ltd. | [Southampton] : Zeta Productions | [Strasbourg] : ARTE France | [London] : Speakit Media Ltd.
    Language: English
    Pages: 1 DVD-Video (74 min) , farbig, Stereo, PAL, DVD 5, region code: 0 , 12 cm
    Keywords: Film ; DVD-Video
    Abstract: "A cinematic feature documentary about China's foray into Africa told through the lives of Chinese adventurers & Zambian power brokers as they negotiate the tricky waters of this rapidly expanding and vital relationship." (IMDb)
    Note: "Extras: theatrical Trailer, scene selection" - Coverrückseite , GB/FR 2010 , Sprachfassung: Englisch , Untertitel: Englisch
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  • 53
    ISBN: 9783837616712
    Language: German
    Pages: 351 S. , Ill. , 23 cm
    Edition: 1. Aufl.
    Series Statement: Film
    Parallel Title: Online-Ausg. Ebbrecht-Hartmann, Tobias, 1975 - Geschichtsbilder im medialen Gedächtnis
    Parallel Title: Erscheint auch als Ebbrecht-Hartmann, Tobias, 1975 - Geschichtsbilder im medialen Gedächtnis
    Parallel Title: Erscheint auch als Ebbrecht-Hartmann, Tobias, 1975 - Geschichtsbilder im medialen Gedächtnis
    Dissertation note: Zugl.: Berlin, Freie Univ., Diss., 2010
    DDC: 770
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    Keywords: Holocaust, Jewish (1939-1945), in motion pictures History and criticism ; Bild, historische Quelle ; Bilddokument ; Geschichtsbild ; Narration ; Kollektives Gedächtnis ; Mediales Gedächtnis ; Holocaust ; Shoah ; Nationalsozialismus ; NS ; Film ; Hochschulschrift ; Judenvernichtung ; Geschichtsdarstellung ; Erzähltechnik ; Film ; Judenvernichtung ; Gedächtnis ; Geschichte ; Nationalsozialismus
    Note: Literaturverz. S. [329] - 347
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  • 54
    Online Resource
    Online Resource
    New York, NY : Continuum
    ISBN: 9781628928693
    Language: English
    Pages: 1 Online-Ressource (VI, 180 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.23/43
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    Keywords: Film ; Psychologie ; Emotions in motion pictures ; Motion pictures Psychological aspects ; Motion picture audiences Psychological aspects ; Psychologie ; Film ; Gefühl ; Rezipient ; Film ; Gefühl ; Rezipient ; Psychologie
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 55
    ISBN: 9789027256157
    Language: English
    Pages: XI, 315 S. , Ill., graph. Darst.
    Series Statement: Pragmatics & beyond N.S., 211
    Series Statement: Pragmatics & beyond
    Parallel Title: Erscheint auch als
    DDC: 302.2345
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    Keywords: Film ; Fernsehserie ; Sprache ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 56
    Book
    Book
    Austin, Tex. : Univ. of Texas Press
    ISBN: 9780292723276 , 029272327X
    Language: English
    Pages: XII, 369 S. , Ill. , 23x16x3 cm
    Edition: 1. ed.
    DDC: 302.24430956
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    Keywords: Film ; Nordafrika ; Naher Osten ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Hardback
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  • 57
    ISBN: 9783894727369
    Language: German
    Pages: 250 S. , zahlr. Abb. , 210 mm x 148 mm
    Series Statement: Marburger Schriften zur Medienforschung 29
    Series Statement: Marburger Schriften zur Medienforschung
    Dissertation note: Teilw. zugl.: Bochum, Univ., Diss., 2009 u.d.T.: Stewen, Christian: Framing the children
    DDC: 302.234083
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    Keywords: Soziale Konstruktion ; Kind ; Film ; Medienpädagogik ; Filmanalyse ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Film ; Kind ; Soziale Konstruktion ; Filmanalyse ; Medienpädagogik
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  • 58
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press
    ISBN: 9089643125 , 9048514118 , 9789089643124 , 9789048514113
    Language: English
    Pages: 1 Online-Ressource (372 pages) , illustrations
    Edition: Online-Ausg.
    Series Statement: Framing film
    Parallel Title: Print version Masson, Eef Watch and learn
    Keywords: Educational films ; Audio-visual education ; Educational films History and criticism ; Motion pictures in education ; Motion pictures in education ; Educational films ; Audio-visual education ; Educational films History and criticism ; PERFORMING ARTS ; Reference ; PERFORMING ARTS ; Film & Video ; General ; Audio-visual education ; Educational films ; Motion pictures in education ; Unvdervisningsfilm ; Education ; Music, Dance, Drama & Film ; Social Sciences ; Theory & Practice of Education ; Film ; Netherlands ; Criticism, interpretation, etc ; Electronic books
    Abstract: "Since the late 1990s, there has been a marked increase in academic interest in what are sometimes called 'utility films'. Intended for purposes of information, training, teaching or advertising. Although such research was long overdue, the current academic output tends to be restricted in scope, paying little attention to the films' textual features: the means they deploy in defending their informational, educational or commercial arguments. In the absence of such studies, the image survives of very 'formulaic' genres. This book seeks to modify this picture, and suggests a methodology that helps to foreground the films' rhetorical diversity. Taking her departure from a historical collection of Dutch classroom films. Masson proposes an approach that considers an audio-visual text as part of a so-called dispositif: the set-up of technology, text and viewing situation that is relevant to the specific corpus under scrutiny."--Page 4 of cover
    Abstract: Film for education: debates, idea(l)s and practices -- Classroom film use and the pedagogical Dispositif -- Rhetoric: text and frame -- Textual rhetoric I: motivational devices -- Textual rhetoric II: referencing the pedagogical dispositif -- Conclusions: towards a conception of the dispositif notion as a comparative tool
    Note: Includes bibliographical references and index -- Includes bibliographical references (pages 335-354) and index
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  • 59
    ISBN: 9781845533595 , 9781845533601
    Language: English
    Pages: VI, 183 S.
    Edition: 1. publ.
    DDC: 303.6
    RVK:
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    Keywords: Religion ; Popular culture Religious aspects ; Violence in mass media ; Violence Religious aspects ; Film ; Gewalttätigkeit ; Religion ; Gewalt ; Massenkultur ; Aufsatzsammlung ; Aufsatzsammlung ; Gewalttätigkeit ; Massenkultur ; Gewalt ; Religion ; Film
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  • 60
    Online Resource
    Online Resource
    Lyon : ENS | Berlin : Knowledge Unlatched
    ISBN: 9791036200489
    Language: French
    Pages: 1 Online-Ressource (252 Seiten)
    Parallel Title: Erscheint auch als Images des corps, corps des images au cinéma
    DDC: 791
    Keywords: Human body in motion pictures ; Film ; Körper
    URL: Volltext  (kostenfrei)
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  • 61
    ISBN: 9780822346685 , 9780822346807
    Language: English
    Pages: 290 S. , 25 cm
    Series Statement: Asia-Pacific: culture, politics, and society
    DDC: 306.76/630951
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    Keywords: Massenkultur ; Fernsehen ; Film ; Lesbische Orientierung ; China
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  • 62
    AV-Medium
    AV-Medium
    [s. l.] : Red Floor Pictures
    Language: English
    Pages: 1 DVD-Video (93 min.) , Tonformat: 5.1 Audio, Bildformat: 16:9
    Keywords: Film ; DVD-Video ; Kommentar ; Entwicklungsländer ; Arzt ; Ärzte ohne Grenzen e.V. ; Film
    Abstract: ABC News's Elizabeth Vargas moderates a town hall discussion with Sebastian Junger (Author of The Perfect Storm & Director of Restrepo), Sophie Delaunay (Executive Director of MSF-USA) and others. Interview with Director Mark Hopkins. About Doctors Without Borders/MSF
    Note: Engl.
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  • 63
    Article
    Article
    In:  Handbuch Frauen- und Geschlechterforschung (2010), Seite 744-749 | year:2010 | pages:744-749
    ISBN: 9783531171708
    Language: German
    Titel der Quelle: Handbuch Frauen- und Geschlechterforschung
    Publ. der Quelle: Wiesbaden : VS Verlag für Sozialwissenschaften, 2010
    Angaben zur Quelle: (2010), Seite 744-749
    Angaben zur Quelle: year:2010
    Angaben zur Quelle: pages:744-749
    Keywords: Film ; Geschlechterforschung
    Abstract: Semiotik und Psychoanalyse | Phantasie, Gesellschaft, Geschichte
    Note: Literaturverzeichnis: Seite 748-749
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  • 64
    AV-Medium
    AV-Medium
    Hamburg : Warner Home Video Germany
    Language: German
    Pages: 1 DVD-Video (82 Min.) , farb., Dolby digital, Bildofrmat: 16:9 (1.78:1), Ländercode 2 , 12 cm
    Series Statement: X Edition
    RVK:
    Keywords: Film ; DVD-Video
    Abstract: Ein schwarzer Migrant reist durch Deutschland und stellt die Gastfreundschaft der Einheimischen auf die Probe. Doch die Menschen, auf die er trifft, wissen nicht, dass dieser Schwarze, der sich überall als Kwami Ogonno vorstellt, in Wirklichkeit Günter Wallraff ist. Ein Jahr lang war Journalist maskiert und mit versteckter Kamera in der Republik unterwegs und erlebte am eigenen Leib, wie Deutsche mit schwarzen Mitbürgern umgehen.
    Note: Sprache: dt. - Untertitel: dt. für Hörgeschädigte , Dokumentarfilm. Deutschland. 2009 , D 2009 , Sprache: dt. Untertitel: dt. für Hörgeschädigte
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  • 65
    ISBN: 9783222133022
    Language: German
    Pages: 288 S. , Ill., graph. Darst., Noten , 25 cm
    Series Statement: Styria Premium
    DDC: 809.93375
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte ; Vampir ; Literatur ; Film ; Kultur
    Note: Literaturverz. S. 284 - 287
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  • 66
    ISBN: 0822344564 , 0822344742 , 9780822344568 , 9780822344742
    Language: English
    Pages: XV, 511 S. , Ill.
    Series Statement: Politics, history, and culture : a series from the international institute at the university of michigan
    Parallel Title: Erscheint auch als Ruins of modernity
    DDC: 909.83
    RVK:
    Keywords: Ruins, Modern ; Civilization, Modern 20th century ; Civilization, Modern 21st century ; Ruins in literature ; Ruins in motion pictures ; Ruins, Modern ; Civilization, Modern ; 20th century ; Civilization, Modern ; 21st century ; Ruins in literature ; Ruins in motion pictures ; Aufsatzsammlung ; Ruine ; Literatur ; Film ; Geschichte 1800-2005 ; Ruine ; Literatur ; Film ; Geschichte 1800-2005
    Note: Includes bibliographical references and index
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  • 67
    ISBN: 9780822392989
    Language: English
    Pages: 1 Online-Ressource (342 Seiten)
    Parallel Title: Erscheint auch als Wojcik, Pamela Robertson The apartment plot
    Parallel Title: Erscheint auch als Wojcik, Pamela Robertson The apartment plot
    DDC: 791.43/658209732
    RVK:
    RVK:
    Keywords: City and town life in motion pictures ; Apartments in motion pictures ; Motion pictures History 20th century ; Performing arts ; Performing Arts / Film / History & Criticism ; City and town life in motion pictures ; Apartments in motion pictures ; Motion pictures ; United States ; History ; 20th century ; Electronic books ; USA ; Film ; Wohnung ; Geschichte 1945-1975
    Abstract: Rethinking the significance of films including Pillow Talk, Rear Window, and The Seven Year Itch, Pamela Robertson Wojcik examines the popularity of the "apartment plot," her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV shows, Broadway plays, literature, and comic strips, from The Honeymooners and The Mary Tyler Moore Show to Subways are for Sleeping and Apartment 3-G. By identifying the apartment plot as a film genre, Wojcik reveals affinities between movies generally viewed as belonging to such distinct genres as film noir, romantic comedy, and melodrama. She analyzes the apartment plot as part of a mid-twentieth-century urban discourse, showing how it offers a vision of home centered on values of community, visibility, contact, mobility, impermanence, and porousness that contrasts with views of home as private, stable, and family-based
    Description / Table of Contents: Introduction: a philosophy of urbanism -- A primer in urbanism : Rear Window's archetypal apartment plot -- "We like our apartment" : the playboy indoors -- The great reprieve : modernity, femininity, and the apartment -- The suburbs in the city : the housewife and the apartment -- Movin' on up : the African american apartment.
    Note: Includes bibliographical references (p. [289] - 302) and index
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
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  • 68
    Online Resource
    Online Resource
    Durham, NC : Duke University Press
    ISBN: 9780822392767
    Language: English
    Pages: 1 Online-Ressource (320 Seiten)
    Parallel Title: Erscheint auch als Beckman, Karen Redrobe, 1971 - Crash
    DDC: 791.43/6
    RVK:
    Keywords: Car-chase films History and criticism ; Motion pictures Plots, themes, etc ; Motion pictures History ; Performing arts ; Performing Arts / Film / History & Criticism ; Electronic books ; Film ; Zusammenstoß ; Film ; Personenkraftwagen ; Zusammenstoß
    Abstract: Artists, writers, and filmmakers from Andy Warhol and J. G. Ballard to Alejandro González Iñárritu and Ousmane Sembène have repeatedly used representations of immobilized and crashed cars to wrestle with the conundrums of modernity. In Crash, Karen Beckman argues that representations of the crash parallel the encounter of film with other media, and that these collisions between media offer useful ways to think about alterity, politics, and desire. Examining the significance of automobile collisions in film genres including the "cinema of attractions," slapstick comedies, and industrial-safety movies, Beckman reveals how the car crash gives visual form to fantasies and anxieties regarding speed and stasis, risk and safety, immunity and contamination, and impermeability and penetration
    Description / Table of Contents: "Jerky nearness" : spectatorship, mobility, and collision in early cinema -- Car wreckers and home lovers : the automobile in silent slapstick -- Doing death over : industrial-safety films, accidental-motion studies, and the involuntary crash test dummy -- Disaster time, the Kennedy assassination, and Andy Warhol's Since (1966/2002) -- Film falls apart : Crash, Semen, and Pop -- Crash aesthetics : Amores perros and the dream of cinematic mobility -- The afterlife of Weekend, or, the university found on a scrapheap.
    Note: Includes bibliographical references (p. [275] - 288) and index
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
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  • 69
    ISBN: 9783837611915
    Language: German
    Pages: 258 S. , Ill.
    Series Statement: MedienAnalysen 7
    Series Statement: MedienAnalysen
    DDC: 302.2301
    RVK:
    RVK:
    Keywords: Intermedialität ; Film ; Neue Medien ; Kunst ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 70
    ISBN: 9783531921242
    Language: German
    Pages: Online-Ressource (297S. 4 Abb, digital)
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Buchausg. u.d.T. Geimer, Alexander, 1977 - Filmrezeption und Filmaneignung
    DDC: 301
    RVK:
    Keywords: Sociology ; Social Sciences, general ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Film ; Rezeption ; Jugend ; Wissenssoziologie ; Praxeologie
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  • 71
    Book
    Book
    Exeter : Univ. of Exeter Press
    ISBN: 9780859896092 , 9780859896085
    Language: English
    Pages: X, 230 S.
    Edition: Reprinted
    Series Statement: Representing American culture
    DDC: 302.23430973
    RVK:
    Keywords: Motion pictures - Social aspects - United States ; Nature in motion pictures ; Film ; Ökologie ; Ökologische Bewegung ; Natur ; Film ; Los Angeles- Hollywood ; Los Angeles- Hollywood ; Film ; Ökologie ; Ökologische Bewegung ; Natur ; Film
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  • 72
    ISBN: 9783937683270 , 3937683275
    Language: German
    Pages: 112 S. , zahlr. Ill., graph. Darst., Kt. , 28 cm
    Series Statement: Le monde diplomatique No. 7
    Series Statement: Le monde diplomatique 〈Berlin〉 / Edition LMD
    DDC: 915.404
    RVK:
    Keywords: Demokratie ; Gesellschaft ; Entwicklung ; Wirtschaftliche Lage ; Umweltschaden ; Außenpolitik ; Geschichte ; Kolonialismus ; Literatur ; Film ; Geschichte ; Politik ; Indien ; Asien ; Aufsatzsammlung ; Indien ; Landeskunde ; Indien ; Landeskunde ; Aufsatzsammlung
    Note: Literaturangaben , Deutsch
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  • 73
    AV-Medium
    AV-Medium
    [S.l.] : Zorro Film
    Language: German
    Pages: 1 DVD-Video (PAL, 92 Min.) , farb., Dolby Digital 2.0/5.0, Bildformat: 1:1,85, Regionalcode: 2 , 12 cm
    Additional Material: Booklet
    RVK:
    Keywords: DVD-Video ; Sociedad Benefactora y Educacional Dignidad ; Film
    Note: Dokumentarfilm. - Extras: Deleted scenes, Interview mit den Regisseuren 20 Min. - FSK ab 12 freigegeben , Orig.: D 2009 , Sprache: dt. Untertitel: engl.
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  • 74
    Online Resource
    Online Resource
    New York, NY [u.a.] : Palgrave Macmillan
    ISBN: 9780230109773
    Language: English
    Pages: Online-Ressource
    Parallel Title: Druckausg. Brown, J. Andrew, 1970 - Cyborgs in Latin America
    RVK:
    Keywords: Spanish American fiction History and criticism 20th century ; Science fiction, Spanish American History and criticism ; Cyborgs in literature ; Cyborgs in mass media ; Cyborgs in motion pictures ; Literature and technology History 20th century ; Mass media and technology History 20th century ; Human beings Philosophy ; Social theory ; Spanish American fiction ; 20th century ; History and criticism ; Science fiction, Spanish American ; History and criticism ; Cyborgs in literature ; Cyborgs in mass media ; Cyborgs in motion pictures ; Literature and technology ; Latin America ; History ; 20th century ; Mass media and technology ; Latin America ; History ; 20th century ; Human beings ; Philosophy ; Lateinamerika ; Cyborg ; Literatur ; Film ; Massenmedien
    Abstract: Cyborgs in Latin America explores the ways cultural expression in Latin America has grappled with the changing relationships between technology and human identity. The book takes a literary and cultural studies approach in examining narrative, film and advertising campaigns from Argentina, Bolivia, Chile, Mexico and Uruguay by such artists as Ricardo Piglia, Edmundo Paz Soldán, Carmen Boullosa and Alberto Fuguet among others. Using and criticizing theoretical models developed by Katherine Hayles, Donna Haraway, Gilles Deleuze and Michel Foucault, the book will appeal to specialists and students of Latin American Studies; Posthuman Theory; and Literature, Science and Technology Studies
    Description / Table of Contents: Posthuman porteos: cyborg survivors in Argentine narrative and film -- Missing gender: the posthuman feminine in Alicia Borinsky, Carmen Boullosa, and Eugenia Prado -- Ripped stitches: mass media and televisual imaginaries in Rafael Courtoisie's narrative -- Neoliberal prosthetics in post-dictatorial Argentina and Bolivia: Carlos Gamerro and Edmundo Paz Soldań -- Video heads and rewound bodies: cyborg memories in Rodrigo Fresán and Alberto Fuguet.
    Note: Includes bibliographical references , English
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  • 75
    Online Resource
    Online Resource
    Wiesbaden : VS Verlag für Sozialwissenschaften / GWV Fachverlage GmbH, Wiesbaden
    ISBN: 9783531926025
    Language: English
    Pages: Online-Ressource (130p, digital)
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Buchausg. u.d.T. Jung, Berenike Narrating violence in Post-9/11 action cinema
    RVK:
    Keywords: Social sciences ; Sociology ; Social Sciences ; Social sciences ; Sociology ; Social sciences ; Sociology ; Elfter September ; Terrorismus ; Film ; Erzähltechnik ; Gewaltdarstellung ; Filmästhetik ; Children of Men ; V for vendetta ; Munich ; Film ; Interpretation ; Elfter September ; Terrorismus ; Film ; Erzähltechnik ; Gewaltdarstellung ; Filmästhetik ; Children of Men ; V for vendetta ; Munich ; Film ; Interpretation
    Abstract: Berenike Jung studied Comparative Literature, Cinema, and North American Studies in Berlin, New York, and Paris. She works as a journalist and author with a focus on film and media.
    Abstract: This work discusses the way in which action movies have responded to the visual and narrative challenge of depicting terrorist violence after 9/11, when the spectacular representation of terrorist violence - and by extension the consumers of these imagers - was considered as complicit behaviour. If terrorism is theatre, who goes to see the show? A close-reading of exemplary movies (V for Vendetta, Munich, and Children of Men) concentrates on three key aspects: How is terrorist violence justified, especially in comparison to other forms of violence? How is the audience implicitly positioned? And finally, what is the role and scope of the films- visual short-cuts, iconic real images such as those from the Abu Ghraib prison? The results reaffirm popular movies' power of working through traumatic events as well as their capacity to articulate a valid political critique. Instead of inventing or preceding real acts of violence, cinema can document, witness, and encourage the spectator to explore unorthodox viewing positions and moral dilemma. This interdisciplinary work is addressed to students of Philosophy, the Humanities, Cinema, American, or Cultural Studies as well as to the interested public.
    Description / Table of Contents: Geleitwort; Deutsche Zusammenfassung; Table of Contents; 1 Introduction; 1.1 Methodology; 1.1.1 Just War Theory; 1.1.2 Narrative Discourse; 2 The Films; 2.1 Narrating Violence in V for Vendetta; 2.1.1 Types of Violence; 2.1.1.1 A Vendetta : Vigilantism; 2.1.1.2 Terrorism: Just Revolution and Tyrannicide; 2.1.1.3 Torture; 2.1.2 Cinematic Narration; 2.1.2.1 Visualizing Violence: The Spectacular; 2.1.2.2 Alterations in Focalization; 2.1.2.3 Heroes and Enemies; 2.1.3 Narrative Challenges; 2.1.3.1 References: Post-9/11 Politics; 2.1.3.2 Responding to 9/11: Charges against Cinema
    Description / Table of Contents: 2.1.4 Résumé for V for Vendetta2.2 Narrating Violence in Munich; 2.2.1 Types of Violence; 2.2.1.1 Terrorism and the Media; 2.2.1.2 Targeted Killings: The Response; 2.2.2 Cinematic Narration; 2.2.2.1 Flashbacks: Visualizing Violence with Latency; 2.2.2.2 Point of View: Heroes and Enemies; 2.2.2.3 Docudrama; 2.2.3 Narrative Challenges; 2.2.3.1 9/11: Depicting Images of Atrocity; 2.2.3.2 The Media and the Response to 9/11; 2.2.4 Résumé for Munich; 2.3 Narrating Violence in Children of Men; 2.3.1 Types of Violence; 2.3.1.1 Terrorism: The Fishes; 2.3.1.2 War; 2.3.1.3 A Biological Threat
    Description / Table of Contents: 2.3.2 Cinematic Narration2.3.2.1 Visualizing Violence: The Long Take; 2.3.2.2 The Spectacular vs the Long Take; 2.3.2.3 External Focalization and the Subjective Camera; 2.3.2.4 Disrupting Cinematic Codes; 2.3.2.5 Characters and Character Relations; 2.3.3 Narrative Challenges; 2.3.3.1 References to Post-9/11 Politics; 2.3.3.2 Engaging with 9/11: Iconic Images and The Media; 2.3.4 Résumé for Children of Men; 3 Conclusion; Bibliography
    Note: Includes bibliographical references (p. [121]-130)
    URL: Volltext  (lizenzpflichtig)
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  • 76
    ISBN: 9783894725242
    Language: German , English
    Pages: 482 Seiten , Illustrationen
    Series Statement: Zürcher Filmstudien 24
    Series Statement: Zürcher Filmstudien
    DDC: 302.2343
    RVK:
    Keywords: Rezeption ; Zuschauer ; Film ; Konferenzschrift 2008 ; Konferenzschrift 2008 ; Konferenzschrift 2008 ; Konferenzschrift 2008 ; Konferenzschrift 2008 ; Film ; Rezeption ; Zuschauer
    URL: Cover
    URL: Cover
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  • 77
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press
    ISBN: 0585498180 , 9048505259 , 9053566333 , 9053566341 , 9780585498188 , 9789048505258 , 9789053566336 , 9789053566343
    Language: English
    Pages: 1 Online-Ressource (253 pages) , illustrations, portraits
    Edition: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    Series Statement: Film culture in transition
    Parallel Title: Print version Phillips, Alastair City of darkness, city of light
    Keywords: Germans ; Motion picture producers and directors ; Motion picture producers and directors ; Germans ; PERFORMING ARTS ; Film & Video ; Reference ; The arts ; Film, TV and radio ; Germans ; Motion picture producers and directors ; Emigranten ; Filmregisseurs ; Filmschaffender ; Exil ; Film ; France ; Paris ; Paris 〈Motiv〉 ; Deutsche ; Paris ; Biographies ; History ; Electronic book
    Abstract: A ground-breaking study of the cinematic representation of Paris in the films of migr filmmakers who made it their first refuge from Hitler's Germany
    Description / Table of Contents: 1. Introduction. Diversity and Exchange -- Rethinking the National in European Cinema -- Cinema and the City -- Paris and the 1930s -- Paris and French Cinema of the 1930s -- France and the Émigrés -- City of Darkness, City of Light -- 2. The City in Context. An Historical Ambivalence -- Modernity and the City -- National Boundaries and Early European Sound Cinema -- Paris as Staging Ground for the Early Sound Wars -- Berlin as Prestige Model and Place of Work for French Film Industry Professionals -- Patterns of Exile and Emigration in the Pre-Nazi Era: The Russians and their Relationships to Paris and Berlin -- Trade and Economic Emigration from Berlin to Paris before 1933 -- Case Study One: Anatole Litvak -- Case Study Two: Kurt Courant -- The Rise of the Nazis in Berlin and the Politics of Departure -- The Place of Jews in Paris -- Reception: The Émigrés' Arrival in Paris -- Reception: The French Film Industry -- Case Study Three: Erich Pommer -- Case Study Four: Robert Siodmak -- 3. City of Light. Paris as Spectacle -- Paris and the Spectacle of Entertainment -- Parisian Journeys Across Time and Space -- 4. City of Darkness. The Camera Goes Down the Streets: 'The Hidden Spirit Under the Familiar Façade' -- Framing the Urban Decor -- The Émigrés and Poetic Realism -- Spaces of Crime and Pleasure in the City of Darkness -- Parisian Journeys Between the Past and the Present -- 5. Divided City. The Divided City in Context -- Divided Characters, Divided City -- Journeys Across the Divided City -- 6. Conclusion -- Appendices. Tobis In Paris Filmography 1929-1939 -- Osso Filmography 1930-1939 -- Anatole Litvak Filmography 1930-1936 -- Kurt Courant Filmography 1929-1939 -- Erich Pommer French-Language Filmography 1930-1934 -- Robert Siodmak French-Language Filmography 1931-1939 -- Nero Films Filmography 1930-1939 -- La Crise est finie -- La Vie Parisienne -- Mauvaise graine -- Coeur de lilas -- Dans les rues -- Carrefour -- Pièges -- Liliom.
    Note: Includes bibliographical references (pages 221-241) and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 78
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press
    ISBN: 141758341X , 9781417583416 , 9789048505401 , 9048505402
    Language: English
    Pages: Online Ressource
    Edition: Online-Ausg. [S.l.] HathiTrust Digital Library Online-Ausg. [S.l.] : HathiTrust Digital Library
    Parallel Title: Erscheint auch als Shooting the family
    DDC: 306.85
    Keywords: Médias et famille ; Famille ; Mass media and families ; Families ; Family ; Electronic books ; Famille ; Médias et famille ; Families ; Mass media and families ; The arts ; Film, TV and radio ; PERFORMING ARTS ; Film & Video ; General ; FAMILY & RELATIONSHIPS ; Alternative Family ; FAMILY & RELATIONSHIPS ; Reference ; Films ; Televisie ; Familierelaties ; Interculturele vergelijking ; Fernsehfilm ; Audiovisuelle Medien ; Familie ; Familie ; Multikulturelle Gesellschaft ; Film ; Electronic books ; Electronic books
    Abstract: This collection of essays explores ever-changing representations of family life on a global scale
    Note: Title from e-book title screen (viewed Mar. 18, 2005). - Includes bibliographical references and index , Includes bibliographical references and index , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Online-Ausg. [S.l.] : HathiTrust Digital Library , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 79
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press
    ISBN: 9053569790 , 905356991X , 9048501865 , 9048501741 , 9789053569795 , 9789053569917 , 9789048501861 , 9789048501748
    Language: English
    Pages: 1 Online-Ressource (251 pages)
    Edition: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    Series Statement: Film culture in transition
    Parallel Title: Print version Simons, Jan Playing the waves
    Keywords: Trier, Lars von Criticism and interpretation ; Trier, Lars von Criticism and interpretation ; Dogme 95 (Group) History ; Dogme 95 (Group) History ; Game theory ; Games in art ; Game theory ; Games in art ; Trier, Lars von ; Trier, Lars von ; Trier, Lars von ; Dogma95 ; Dogme 95 (Group) ; PERFORMING ARTS ; Film & Video ; Direction & Production ; PERFORMING ARTS ; Film & Video ; General ; Mathematics and science ; Science: general issues ; Game theory ; Games in art ; Filmkunst ; Dogma 95 ; Film ; Criticism, interpretation, etc ; History
    Abstract: Playing the waves offers a unique approach to the work Dannish filmmaker Lars von Trier
    Description / Table of Contents: Machine generated contents note: 1. Manifesto and modernism -- manifesto as a postmodern parody -- manifesto taken seriously -- manifesto and modernism -- From 'essence' to game -- manifesto : reiteration and difference -- 2. name of this game is Dogma 95 -- Filmmaking as a game -- Film and formalism : the parametric film -- Aesthetics and dramaturgy -- Filming : story as reconstruction and as representation -- Enter the matrix : game, simulation, rules and art -- Complex art : Psykomobile #1 : the World Clock -- 'There is something digital in the state of Denmark' -- 3. Filming the game -- rules of the game -- game of filming, and films about games -- Idioterne (1) -- Idioterne (2) -- 4. Virtual explorations : journeys to the end of the night -- Rules and manifestos -- Virtual explorations : the Europa trilogy -- Virtual worlds -- Virtual film -- 5. leader of the game -- Many films, one game -- 'von Trier' gameworlds -- Nuances and subtleties -- 6. Between cinema and computer -- Filming the virtual -- Spirituality and virtuality -- Registrations of simulations -- Virtuality -- Virtual realism -- viewer as lurker -- 'von Trier system' revisited -- 7. Between Hollywood and Copenhagen -- Dogma, film and gaming -- Enter the Matrix : virtual Hollywood -- Matrix unloaded : virtual realism -- Dogma 95 : Nouvelle Vague II? -- Between new Hollywood and old Europe -- Today's Hollywood, today's Europe -- 8. name of the game : punish or perish -- Cinematic games : games or movies? -- Game theory and games studies -- Narrative and game theory -- Punish or perish; exploit or be exploited -- Stories and games reconsidered : probabilities and tragic endings.
    Note: Includes bibliographical references (pages 223-236)-and indexes , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 80
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press
    ISBN: 0585498156 , 9053565809 , 9053565191 , 9048505127 , 9780585498157 , 9789053565803 , 9789053565193 , 9789048505128
    Language: English
    Pages: 1 Online-Ressource (301 pages) , illustrations
    Edition: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    Series Statement: Film culture in transition
    Parallel Title: Print version Van der Heide, William Malaysian cinema, Asian film
    Keywords: Motion pictures Cross-cultural studies ; Motion picture industry ; Motion pictures Cross-cultural studies ; Motion picture industry ; PERFORMING ARTS ; Film & Video ; Reference ; PERFORMING ARTS ; Film & Video ; General ; Film, TV and radio ; Films, cinema ; The arts ; Motion picture industry ; Motion pictures ; Filmkunst ; Multikulturelle Gesellschaft ; Film ; Asien ; Malaysia ; Malaysia ; Cross-cultural studies
    Abstract: A study of the heterogeneity and cultural complexities of the Malaysian cinema
    Description / Table of Contents: Introduction. Panggung Wayang; Malaysian Cinema, Asian Film -- The Realities of Film Viewing -- The Scope of this Study -- Chapter 1: Border Crossings. Introduction -- National Cinema and Genre -- Cross-cultural Analysis -- Transtextuality -- The Hamburger Western -- The Samurai Film and the Noodle Western -- The Samurai Film and the Hamburger Western -- The Sword Film and the Spaghetti Western -- The Spaghetti Western -- The Martial Arts Film and the Chop Suey Western -- The Stunt Film and the Curry Western -- Conclusion -- Chapter 2: Malaysian Society and Culture. Introduction -- Identity -- National Identity and National Culture -- Malaysian Identity -- Pre-colonial Malaysia -- Foundational Narratives -- Colonial Malaysia -- Parsee Theatre and Bangsawan -- Postcolonial Malaysia -- The National Cultural Policy and its Consequences -- Conclusion -- Chapter 3: Film in Malaysia. Introduction -- National Cinema -- National Cinema Texts -- The Film Industry and Film Culture in Malaysia -- Early Film-going in Malaya -- The British in Malaya -- Origins -- Laila Majnun, India and Indonesia -- Shaw Brothers -- The Golden Age -- The Indian Connection -- The Studio System -- P. Ramlee -- Indian Cinema -- Hong Kong Cinema -- Indonesian Cinema -- The Decline -- The Revival -- Government Assistance and Controls -- Hong Kong Cinema -- Indian Cinema -- Conclusion -- Chapter 4: Malaysian Cinema. Introduction -- The Indian Cinema of the 1950's -- Hujan Panas -- Penarik Beca -- Hang Tuah -- Semerah Padi -- Hang Jebat -- Ibu Mertua-ku -- Matinya Seorang Patriot -- Fenomena -- Selubung -- Perempuan, Isteri & ... -- Sembilu -- Conclusion.
    Note: Includes bibliographical references (pages 271-292) ; filmography (p. 265-270) ; and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. , English
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  • 81
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press
    ISBN: 1423709640 , 9781423709640 , 9048505445 , 9789048505449
    Language: English
    Pages: Online Ressource
    Edition: Online-Ausg. [S.l.] HathiTrust Digital Library Online-Ausg. [S.l.] : HathiTrust Digital Library
    Series Statement: Film culture in transition
    Parallel Title: Erscheint auch als Cinephilia
    DDC: 302.2343
    Keywords: Motion pictures Social aspects ; Motion pictures History ; Motion picture audiences USA ; New York 〈NY, 2002〉 ; Motion pictures Social aspects ; Motion pictures History ; Motion picture audiences ; Motion picture audiences USA ; New York 〈NY, 2002〉 ; Motion pictures History ; Motion pictures Social aspects ; SOCIAL SCIENCE ; Media Studies ; The arts ; Film, TV and radio ; Films, cinema ; PERFORMING ARTS ; Film & Video ; General ; Motion picture audiences ; Motion pictures ; Filmkunst ; Filmliefhebbers ; Sociale aspecten ; Konzeption ; Kulturwandel ; Film ; History ; Motion pictures ; Motion pictures ; New York 〈NY, 2002〉 ; USA ; Electronic books History
    Abstract: Documents the latest generation of cinephiles and their use of new technologies
    Note: Includes bibliographical references and indexes , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Online-Ausg. [S.l.] : HathiTrust Digital Library , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 82
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press
    ISBN: 1417583436 , 9053567089 , 9053567097 , 9048505364 , 9781417583430 , 9789053567081 , 9789053567098 , 9789048505364
    Language: English
    Pages: 1 Online-Ressource
    Edition: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    Series Statement: Film culture in transition
    Parallel Title: Print version Thompson, Kristin, 1950- Herr Lubitsch goes to Hollywood
    Keywords: Lubitsch, Ernst Criticism and interpretation ; Lubitsch, Ernst Criticism and interpretation ; Motion picture producers and directors ; Motion pictures ; Motion pictures ; Motion picture producers and directors ; Motion pictures ; Motion pictures ; Lubitsch, Ernst ; Lubitsch, Ernst ; PERFORMING ARTS ; Film & Video ; Direction & Production ; The arts ; Film, TV and radio ; Films, cinema ; PERFORMING ARTS ; Film & Video ; General ; Motion picture producers and directors ; Motion pictures ; Filmkunst ; Stomme films ; Film ; United States ; Germany ; USA ; Deutschland ; Criticism, interpretation, etc
    Abstract: The first study by an acclaimed American scholar of the artistic interdependencies between the German and the Hollywood cinema in the 1920s
    Description / Table of Contents: Lubitsch's career -- Making the light come from the story : lighting -- Subduing the cluttered background : set design -- Guiding the viewer's attention : editing -- Peeking at the players : acting -- Mutual influences -- Epilogue: The Lubitsch touch.
    Note: Includes bibliographical references and filmography , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. , English
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  • 83
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press
    ISBN: 1280958863 , 1423746252 , 9053565949 , 9053566023 , 9048505178 , 9781280958861 , 9781423746256 , 9789053565940 , 9789053566022 , 9789048505173
    Language: English
    Pages: 1 Online-Ressource (563 pages) , illustrations
    Edition: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    Series Statement: Film culture in transition
    Parallel Title: Print version Elsaesser, Thomas, 1943- European cinema
    Keywords: Motion picture industry ; Motion pictures ; Motion picture industry ; Motion pictures ; BUSINESS & ECONOMICS ; Industries ; Media & Communications ; TECHNOLOGY & ENGINEERING ; Telecommunications ; Society and social sciences ; Society and culture: general ; The arts ; Film, TV and radio ; Humanities ; History ; HISTORY ; General ; Motion picture industry ; Motion pictures ; Filmkunst ; Filmindustrie ; Film ; Film ; Music, Dance, Drama & Film ; Europe ; Europa ; Electronic books
    Abstract: Annotation, Has European cinema, in the age of globalization, lost contact not only with the world at large, but with its own audiences? Between the thriving festival circuit and the obligatory late-night television slot, is there still a public or a public sphere for European films? Can the cinema be the appropriate medium for a multicultural Europe and its migrating multitudes? Is there a division of representational labor, with Hollywood providing stars and spectacle, the Asian countries exotic color and choreographed action, and Europe a sense of history, place and memory? This collection of essays by an acclaimed film scholar examines how independent filmmaking in Europe has been reinventing itself since the 1990s, faced by renewed competition from Hollywood and the challenges posed to national cinemas by the fall of the Wall in 1989. Elsaesser reassesses the debates and presents a broader framework for understanding the forces at work since the 1960s. These include the interface of "world nbsp;cinema" and the rise of Asian cinemas, the importance of the international film festival circuit, the role of television, and the changing aesthetics of auteur cinema. New audiences have different allegiances, and new technologies enable networks to reshape identities, but European cinema still has an important function in setting critical and creative agendas, even as its economic and institutional bases are in transition
    Description / Table of Contents: Introduction -- European Cinema: Conditions of Impossibility? [2005] -- National Cinema: Re-Definitions and New Directions -- European Culture, National Cinema, the Auteur and Hollywood [1994] -- ImpersoNations: National Cinema, Historical Imaginaries [2005] -- Film Festival Networks: the New Topographies of Cinema in Europe [2005] -- Double Occupancy and Small Adjustments: Space, Place and Policy in the New European Cinema since the 1990s [2005] -- Auteurs and Art Cinemas: Modernism and Self-Reference -- Ingmar Berman -- Person and Persona: The Mountain of Modern Cinema on the Road to Morocco [1994] -- Late Losey: Time Lost and Time Found [1985] -- Around Painting and the "End of Cinema": A Propos Jacques Rivette's La Belle Noiseuse [1992] -- Spellbound by Peter Greenaway: In the Dark ... and Into the Light [1996] -- The Body as Perceptual Surface: The Films of Johan van der Keuken [2004] Television and the Author's Cinema: ZDF's Das Kleine Fernsehspiel [1992] -- Touching Base: Some German Women Directors in the 1980s [1987] -- Europe-Hollywood-Europe -- Two Decades in Another Country: Hollywood and the Cinephiles [1975] -- Raoul Ruiz's Hypothese du Tableau Vole [1984] -- Images for Sale: The "New" British Cinema [1984] -- "If You Want a Life": The Marathon Man [2003] -- British Television in the 1980s Through The Looking Glass [1990] -- German Cinema Face to Face with Hollywood: Looking into a Two-Way Mirror [2003] -- Central Europe Looking West -- Of Rats and Revolution: Dusan Makavejev's The Switchboard Operator [1968] -- Defining DEFA's Historical Imaginary: The Films of Konrad Wolf [2001] -- Under Western Eyes: Who Does Zizek Want? [1995] -- Our Balkanist Gaze: About Memory's No Man's Land [2003] -- Europe Haunted by History and Empire -- Is History an Old Movie? [1986] -- Edgar Reitz' Heimat: Memory, Home and Hollywood [1985] -- Discourse and History: One Man's War -- An Interview with Edgardo Cozarinsky [1984] -- Rendezvous with the French Revolution: Ettore Scola's That Night in Varennes [1989] -- Joseph Losey's The Go-Between [1972] -- Games of Love and Death: Peter Greenaway and Other Englishmen [1988] -- Border-Crossings: Filmmaking without a Passport -- Peter Wollen's Friendship's Death [1987] -- Andy Engel's Melancholia [1989] -- On the High Seas: Edgardo Cozarinsky's Dutch Adventure [1983] -- Third Cinema/World Cinema: An Interview with Ruy Guerra [1972] -- Ruy Guerra's Erendira [1986] -- Hyper-, Retro- or Counter-: European Cinema as Third Cinema Between Hollywood and Art Cinema [1992].
    Note: Includes bibliographical references and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. , English
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  • 84
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press
    ISBN: 1281972681 , 1429454636 , 9053567844 , 9053567852 , 904850970X , 9781281972682 , 9781429454636 , 9789053567845 , 9789053567852 , 9789048509706
    Language: English
    Pages: 1 Online-Ressource (158 pages, [8] pages of plates) , illustrations (some color)
    Edition: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    Series Statement: Film culture in transition
    Parallel Title: Print version Zanger, Anat Film remakes as ritual and disguise
    Keywords: Film remakes History and criticism ; Film remakes History and criticism ; PERFORMING ARTS ; Film & Video ; Reference ; The arts ; Film, TV and radio ; Humanities ; History ; Society and social sciences ; Society and culture: general ; Film remakes ; Remake ; Film ; Criticism, interpretation, etc ; Electronic book
    Abstract: The first book-length account of the symbolic chains that link remakes such as Psycho and Carmen and explain their disguises
    Description / Table of Contents: Psycho : inside and outside the frame -- First variation : Carmen -- The game begins -- Muted voices -- Masks -- Second variation : Joan -- The game again -- Hearing voices -- Discguises -- Repetitions as hidden streams.
    Note: Includes bibliographical references (pages 131-152) and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 85
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press
    ISBN: 905356635X , 9048505267 , 9053566368 , 9789053566350 , 9789048505265 , 9789053566367
    Language: English
    Pages: 1 Online-Ressource (379 pages) , illustrations
    Edition: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    Series Statement: Film culture in transition
    Parallel Title: Print version Harun Farocki
    Keywords: Farocki, Harun ; Farocki, Harun ; Farocki, Harun ; Farocki, Harun ; Farocki, Harun ; PERFORMING ARTS ; Film & Video ; General ; Films ; Installaties (beeldende kunst) ; Filmtheorie ; Cinéma ; Philosophie ; Film ; Biographies ; Criticism, interpretation, etc ; Electronic book
    Abstract: The first English-language book on Germany's 'best-known important filmmaker'
    Note: Filmography: pages 325-361 -- Includes bibliographical references and index , Use copy Restrictions unspecified star MiAaHDL , Harun Farocki : filmmaker, artist, media theorist , Painting pavements , Images and thoughts, people and things, materials and methods , Incisive divides and revolving images : on the installation Schnittstelle , Passage along the shadow-line : feeling one's way towards the Filmkritik-style , The green of the grass : Harun Farocki in Filmkritik , Staking one's life : images of Holger Meins , Working at the margins : film as a form of intelligence , Dog from the freeway , Political filmmaking after Brecht : Farocki, for example , The road not taken : films by Harun Farocki , Slowly forming a thought while working on images , Making the world superfluous : an interview with Harun Farocki , Reality would have to begin , Light weapons , The political im/perceptible : Images of the world , Workers leaving the factory , On media and democratic politics : Videograms of a revolution , Towards an archive for visual concepts , Controlling observation , Nine minutes in the yard : a conversation with Harun Farocki , Harun Farocki : critical strategies , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 86
    Book
    Book
    Oxford [u.a.] : Clarendon Press
    ISBN: 0198225989
    Language: German
    Pages: XIV, 352 S. , Ill.
    DDC: 303.3750943
    RVK:
    Keywords: Geschichte 1933-1945 ; Drittes Reich ; Propaganda ; Nationalsozialismus ; Film ; Deutschland ; Hochschulschrift ; Filmografie ; Hochschulschrift ; Filmografie
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  • 87
    ISBN: 3886940101
    Language: English
    Pages: 190 S. , graph. Darst. , 24 cm
    Series Statement: Forum 3
    Series Statement: Forum
    DDC: 306.018
    RVK:
    Keywords: Ethnologie ; Anthropologie ; Methode ; Film ; Wissenschaftlicher Film ; Volkskunde, Völkerkunde ; Anthropologie ; Aufsatzsammlung ; Konferenzschrift 1981 ; Aufsatzsammlung ; Konferenzschrift 1981 ; Aufsatzsammlung ; Konferenzschrift 1981 ; Aufsatzsammlung ; Konferenzschrift 1981
    Note: Literaturangaben
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  • 88
    AV-Medium
    AV-Medium
    München : Filmkraft
    Language: German
    Pages: 1 DVD (45 Min) , farb
    Additional Material: 6 Postkarten
    RVK:
    Keywords: Film ; DVD-Video
    Abstract: Ein Film, der von der Umkehrung der sonst üblichen Rollenverteilung lebt: die kenianische Ethnologin Diane Bonnelame auf Feldforschung in der BRD
    Note: Filmkraft, Peter Heller Filmproduktion 1982-83
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  • 89
    Book
    Book
    Frankfurt am Main : Fischer-Taschenbuch-Verl.
    ISBN: 3596236827
    Language: German
    Pages: 374 S. , graph. Darst. , 19 cm
    Edition: Erw. Ausg.
    Series Statement: Fischer-Taschenbücher 3682 : Fischer Cinema
    Series Statement: Fischer
    Dissertation note: Zugl.:Frankfurt (Main), Univ., Diss. u.d.T.: Prokop, Dieter: Filmsoziologische Probleme unter besonderer Berücksichtigung amerikanischen Materials
    DDC: 306.485
    RVK:
    RVK:
    RVK:
    Keywords: Gesellschaft ; Wirtschaft ; Film ; Soziologie ; Vereinigte Staaten ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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