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  • MPI Ethno. Forsch.  (176)
  • HBZ  (1)
  • Cham : Imprint: Palgrave Macmillan  (177)
  • London : Routledge
  • Culture.  (177)
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  • 1
    ISBN: 9783031469299
    Language: English
    Pages: 1 Online-Ressource(XXVII, 532 p. 10 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    DDC: 305.2
    Keywords: Sociology. ; Social groups. ; Culture. ; Digital media. ; Developmental psychology.
    Abstract: Part I From Established to New Perspectives on Children and Young People’s Use of Digital Technology -- 1. How Can We Understand the Everyday Digital Lives of Children and Young People? -- 2. Digitally Disengaged and Digitally Unconfident Children in Europe -- 3. The Digital Divide: Understanding Vulnerability and Risk in Children and Young People’s Everyday Digital Lives -- 4. Children’s Digital Boundary Crossings When Moving in Between Porous Ecosystems -- 5. Investigating Patterns of Digital Socialisation During Leisure Through Multimodal Social Research -- 6. Children’s and Young People’s ICT Experiences in School Education: Participatory Research Design to Engage Children and Young People as Experts in Research -- Part II Exploring Agency and Well-being in Everyday Digital Lives -- 7. A Developmental View on Digital Vulnerability and Agency of Children Under 10 Years of Age -- 8. Discourses and Gender Divides in Children’s Digital Everyday Lives -- 9. ICT Use and Children’s Self-reported Life Satisfaction -- 10. ‘Of Gaming and Other Demons’: Defining Children and Young People’s Meaningful Leisure Activities in the Digital Era -- 11. Perspectives of Children and Young People on Their Education as Preparation for Their Future in the Digital Age: In-depth Qualitative Study in Five European Countries -- 12. Social Media as a Shaper, Enabler, and Hurdle in Youth Political Participation -- 13. Talking About Digital Responsibility: Children’s and Young People’s Voices -- 14. Intersecting Knowledge on Young People’s Well-Being and Use of Digital Technology Across Contexts: A Scoping Review Synthesis -- Part III A New Response to Risk and Vulnerability: Influencing Social Policy in the Digital Age -- 15. Developing a Toolkit for Contributing to Digital Competence: A Review of Existing Resources -- 16. EU Policy Reflections on the Intersections Between Digital and Social Policies Supporting Children as Digital Citizens -- .
    Abstract: This Open Access book presents an in-depth portrait of the use and impact of digital technologies by learners ages 5-18 years in their everyday lives. The portrait is framed by the ecological-systems theory and situated across four domains: home, leisure time, education, and civic participation. Various methodological approaches are used in innovative ways to analyze data collected in a large-scale EU Horizon 2020 project. The purpose of this edited collection is to shed light on both beneficial and harmful effects of digital technology from a perspective that children are active agents who are empowered to accentuate the positives of digital technology use and over common challenges that inhibit digital competence with support from education stakeholders. This is an open access book. Halla B. Holmarsdottir is Professor at the Faculty of Education and International Studies, Oslo Metropolitan University, Norway. Idunn Seland is associate professor at the Faculty of Education and International Studies, Oslo Metropolitan University, Norway. Christer Hyggen is Research professor at the department of Youth research under the Centre for Welfare and Labour Research, Norwegian Social research at Oslo Metropolitan University, Norway. Maria Roth is a Professor Emerita at from Babeș-Bolyai University, Romania.
    Note: Open Access
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  • 2
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031450471
    Language: English
    Pages: 1 Online-Ressource(XXI, 364 p. 22 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Language and languages ; Ethnology ; Culture. ; Latin American literature. ; Language policy. ; Knowledge, Sociology of.
    Abstract: Chapter 1. Introduction -- Part I Tracing the Development of Discourses in the Caribbean -- Chapter 2. Styles and Stylistic Change in Creole Languages: Formal Language in the Eastern Maroon Creole -- Chapter 3. Towards a Discursive History of the Caribbean as a History of Genres -- Part II Discourse and Public Policy in the Caribbean -- Chapter 4. Critical Discourse Studies and Curriculum Development in Trinidad and Tobago: Exploring Discursive Practices in Education Policy -- Part III Discursive Constructions of the Caribbean Prime Minister -- Chapter 5. Taking Responsibility: Conceptual Metaphor and the Accession Stage of Leadership in Eric Williams’ Inward Hunger: The Making of a Prime Minister -- Chapter 6. Masking the Critic: A Critical Discourse Analysis of Newspaper Editorials -- Chapter 7. “The Most Honourable Brogad”: A Critical Discourse Analysis of Jamaica’s Prime Minister as Hero, Sex Symbol and Villain on Social Media -- Part IV Stylistic Appraisals of Caribbean Literary Discourse -- Chapter 8. “He Was Oppressed by a Sense of Loss”: Stylistic Constructions of the Tragic in A House for Mr Biswas -- Chapter 9. Selvon’s Stylistics: Self-Conscious Language Production in An Island Is a World -- Chapter 10. Storifying Caribbean Cricket: Voice and Perspective in Paul Keens-Douglas’s “Tanti at de Oval” -- Part V Gender, Media, and Discourse in the Caribbean -- Chapter 11. Digital Discourses on Gender-Based Violence in Trinidad and Tobago -- Chapter 12. Media Representation of Gender-Based Violence in Two Cases and Related Examples: A Multimodal Discursive Study./.
    Abstract: This edited collection represents a first-of-its-kind exploration of English-related discourses in the Caribbean. Drawing from Critical Discourse and stylistic analyses, the book's wide-ranging chapters examine language as it is produced within the complex demographic milieu of the region. It addresses a critical lack of linguistic scholarship on discourse types from the Caribbean, since the major academic focus in the post-independence era has been on descriptive and interventionist work in Creole Linguistics. This volume seeks to add new dimensions to language in practice with its focus on the development of discourse types within the region, public policy, discourses surrounding the galvanising figure of the Caribbean Prime Minister, literary discourses, and gender and media representations. As a site of great variation, linguistic and otherwise, the Caribbean provides unique insight into the interplay of the socio-political and language in contemporary societies in the Global South. Based on work presented at the University of Trinidad and Tobago’s “Stylistics, Critical Discourse Analysis and Language Use in the Caribbean” 2021 conference, the book draws together papers from established Caribbeanists seeking to bridge the existing theoretical and analytical gap between the more macro, socio-political aspects of studies in the social sciences, and the more micro features of linguistic analysis. With its breadth of coverage and analysis, this volume has implications for work being done at all levels of university scholarship in the social sciences, media discourses, decolonisation practices, and language and society in postcolonial and multi-ethnic contexts worldwide. Ryan Durgasingh is a Research Fellow at Ruhr University, Bochum, and PhD candidate at the University of Münster, Germany, where his work focuses on morphosyntactic variation in Caribbean Englishes. His research interests include stylistics, Critical Discourse Studies, variationist sociolinguistics, and corpus-based approaches to linguistic analysis. Nicha Selvon-Ramkissoon is an Assistant Professor at the Centre for Education Programmes, University of Trinidad and Tobago. Her main areas of interest are in Language Arts Curriculum Development, Second Dialect/Language Pedagogy, Critical Discourse Studies, and Translanguaging pedagogy for migrant communities.
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  • 3
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031413049
    Language: English
    Pages: 1 Online-Ressource(XV, 221 p. 15 illus., 13 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Renewing the American Narrative
    Parallel Title: Erscheint auch als
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    Keywords: Ethnology ; Culture. ; Middle East ; Peace.
    Abstract: Chapter 1: Introduction -- Chapter 2: Training for COIN (counterinsurgency) -- Chapter 3: What We Leave Behind and What We Take to War -- Chapter 4: Going Downrange -- Chapter 5: Going Way Downrange -- Chapter 6: Band of Brothers and Sisters -- Chapter 7: Women On and Off the FOB -- Chapter 8: Sex on the FOB (forward operating base) -- Chapter 9: Under Western Eyes -- Chapter 10: Who tells stories on deployment? -- Chapter 11: The Burning of a Quran -- Chapter 12: Coming Home.
    Abstract: This book focuses on the war in Afghanistan. In 2010 and 2011, the author took a leave from her faculty position at the University of California, Irvine to train and then deploy as a cultural advisor with two U.S. Army combat units in Afghanistan. Her account begins with the U.S. Army’s four-month training program for cultural advisors, follows her deployment, much of it on missions to remote and volatile areas far from brigade headquarters, and concludes with her uneasy return home. She examines the everyday lives of Americans sent to conduct a war of counterinsurgency, including their sexual exploits on base, their superstitions, even the heroic accounts that military contractors recount in their personal stories of past wars, stories that are sometimes a little too good to be true. In turn, she explores the views of ordinary Afghans to this American occupation. Carol Burke is Professor Emerita in English at UC Irvine, and Visiting Scholar in University of North Carolina’s Program in Peace, War and Defense. She combines her ethnographic skills as a folklorist with her interest in literary journalism. Publications include Camp All-American, Hanoi Jane, and the High-and-Tight, a study of military culture; Women’s Visions, a book that explores accounts of the supernatural and the uncanny exchanged by women in prison; The Creative Process (coauthored with Molly Tinsley), a creative writing text; Plain Talk and Back in Those Days, collections of family folklore--the latter coauthored with Martin Light; and Close Quarters, a collection of poems. Articles have appeared in magazines like The Nation and The New Republic as well as scholarly journals and collections. Before joining the faculty at UCI in 2004, Professor Burke taught courses in literary journalism at Vanderbilt and Johns Hopkins Universities.
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  • 4
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    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031482700
    Language: English
    Pages: 1 Online-Ressource(XX, 699 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Christianity. ; Religion ; Africa ; Africa ; Ethnology ; Culture.
    Abstract: Chapter 1. Introduction -- Part I Mentors -- Chapter 2. The Writings and Influence of Edward W. Blyden -- Chapter 3. The Writings and Legacy of John Mbiti -- Chapter 4. The Writings and Legacy of Adrian Hastings -- Chapter 5. Elizabeth Isichei’s Contributions to the Study of Christianity -- Chapter 6. The Writings and Legacy of Andrew Walls -- Chapter 7. The Writings and Legacy of Lamin Sanneh -- Chapter 8. The Writings and Legacy of John Peel -- Chapter 9. The Legacy of Terrence Ranger for Historians of African Christianity -- Chapter 10. The Writings and Legacy of J. F. Ade Ajayi -- Chapter 11. The Writings and Legacy of Ogbu Kalu -- Part II Trans-Atlantic Christianity in Africa -- Chapter 12. Missionaries and African Christians -- Chapter 13. Catholic Missions and African Responses I: 1450–1800 -- Chapter 14. African Initiatives and Agency Within British Protestant Missions in Africa, c.1792–c.1914 -- Chapter 15. Abolitionism and the Evangelization of Africa -- Chapter 16. Continental ProtestantMissions and the Evangelization of Africa (1800–1880) -- Chapter 17. European Settlers and Christianity in Africa -- Chapter 18. Catholic Missions and African Responses II: 1800–1885 -- Chapter 19. European Christianity and European Imperialism in Africa -- Chapter 20. “New World Ethiopianism and the Evangelization of Africa” -- Chapter 21. Catholic Missions and Colonial States -- Chapter 22. Protestant Missions and Colonial States -- Chapter 23. Women Missionaries and the Evangelization of Women in Africa -- Chapter 24. Christian Africans, Muslim Africans, and the European Colonial Project -- Part III The Rooting of Christianity in Africa I: Christian Life from Ancient Times to the Independence Era -- Chapter 25. Christian Communities and Religious Movements in Roman Africa -- Chapter 26. Christian Communities and Religious Movements in Ethiopia and Nubia -- Chapter 27. Mission Station Christianity in the Nineteenth Century: A Spatial Lens -- Chapter 28. Christianity, Witchcraft, Magic, and Healing in Africa -- Chapter 29. African Women Christians -- Chapter 30. Ethiopianism in Africa -- Chapter 31. Garveyism and Christianity in Colonial Africa -- Chapter 32. The East African Revival -- Chapter 33. The Transfer of Protestant Mission Churches to African Christians -- Part IV The Rooting of Christianity in Africa II: Christian Life in Contemporary Africa -- Chapter 34. Christian Devotional Practice in Contemporary Africa -- Chapter 35. Catholic Church Growth in Independent Africa -- Chapter 36. Christian Femininity in Independent Africa -- Chapter 37. Change and Continuity in AIC Church Life and Their Scholarship: A Question of Maturation? -- Chapter 38. Significant Trends in Contemporary African Pentecostalism -- Chapter 39. African Pentecostalism from an African Perspective -- Chapter 40. Missions and Contemporary African Rulers -- Chapter 41. African Christianity Rising: Lessons from a Documentary Film Project -- Chapter 42. African Christians Outside of Africa./.
    Abstract: This comprehensive Handbook provides chapter length surveys of the history of Christian missions and Christian churches on the African continent since the time of Christ. Africa is rapidly becoming the most Christianized region of the world. While common narratives about Christianity tend to present Christianity as a set of ideas and beliefs imposed on Africa from the outside, such narratives hold little meaning for African Christians or for those seeking to understand Christianity in Africa as an indigenous faith. The proposed collection of chapters therefore provides a set of scholarly starting points for a new set of narratives. The chapters collected here communicate an idea of Christianity as it has been embraced among African peoples at particular historical moments. It therefore grants voice to the various strands of African Christianity on their own terms, and offers scholarly study of what these voices teach us about how the world's most adhered to religion is practiced and understood on the continent of Africa. Andrew E. Barnes is Professor of History at Arizona State University, USA. He is the author of The Social Dimension of Piety: Associative Life and Religious Change in the Penitent Confraternities of Marseille 1499-1792 (1994), Making Headway: The Introduction of Western Civilization in Colonial Northern Nigeria (2009), and Global Christianity and the Black Atlantic: Tuskegee, Colonialism and the Shaping of African Industrial Education (2017). Presently he is working on a monograph of the evolution of Ethiopianism among Christians of African descent across the Atlantic, 1780-1930. Toyin Falola is University Distinguished Teaching Professor and Jacob and Frances Sanger Mossiker Chair in the Humanities at the University of Texas at Austin, USA.
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  • 5
    ISBN: 9783031362798
    Language: English
    Pages: 1 Online-Ressource(XVIII, 301 p. 20 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Music. ; Ethnology ; Culture. ; Emigration and immigration ; Diplomacy.
    Abstract: Chapter 1. Introduction: Music and Cultural Diplomacy in the Middle East—Geopolitical Reconfigurations for the Twenty-First Century -- Part I Music as Cultural Diplomacy: History and Historiographic Perspectives -- Chapter 2. From the Ottoman Twilight to the Roaring Twenties: The Early Career of Sharif Muhiuddin Haidar -- Chapter 3. Strike an Elizabethan Pose: Early Music Diplomacy—Queen Elizabeth I’s Clockwork Organ Gift to the Ottoman Court -- Part II Musical Diplomacy: Migration, Diaspora, and Deterritorialised Power -- Chapter 4. Melodies Heard and Unheard: The Promise and Limits of Cultural Diplomacy Through Music -- Chapter 5. Cultural Diplomacy Despite the State: Mobility and Agency of State and Amateur Musicians in Turkish Classical Music Choirs -- Chapter 6. Shahnameh in the Classroom: Iranian Music and DIY Cultural Diplomacy in the UK -- Part III Soft Power in State, Statecraft and Music-Making -- Chapter 7. Umm Kulthum and Cultural Diplomacy in Egypt -- Chapter 8. Performing Soviet Cultural Diplomacy: “Western Art Music” and Musicians in Cairo 1955–1970 -- Chapter 9. Musical Diplomacy in Mandate Palestine from 1936 to 1948 -- Part IV Affective and Sensorial Diplomacy in Transnational Spaces -- Chapter 10. Music as Cultural Diplomacy: Analyzing the Role of Musical Flows from the Arab Levant to New Cultural Poles in the Arab Gulf in the Twenty-First Century -- Chapter 11. Arabian Violence: Censorship in Morocco’s Techno Underground -- Chapter 12. Musical Delineations of a PostNational Space for National Struggle: Hazara, Kurdish, and Baloch Cases -- Chapter 13. Epilogue: Cultural Diplomacy, Some Discontents./.
    Abstract: This edited volume offers innovative perspectives on the study of music as cultural diplomacy in the Middle East and North Africa (MENA), a region often overlooked in such discussions. It offers an innovative contribution to the field of ethnomusicology, as well as political science and international relations, by highlighting the agency of non-state actors (local voices, communities, and grassroots organizations), thereby contributing towards de-centering the state, hitherto conceived as the chief player in cultural diplomacy. This volume is divided into four main parts organized along the following themes: 1. History and Historiography, 2. Migration, Diaspora, and Ethics, 3. Statecraft and Music Making, and 4. Affective and Sensorial Diplomacy. The perspectives offered in this volume offer a deeper exploration of bottom-up initiatives of cultural diplomacy through music, instead of the more usual analyses of top-down, state-directed programmes. Overall, the aim is to reconceptualize Middle Eastern, North African and Arab Gulf musical practices in their relationship to power and cultural diplomacy in order build a broader and pluri-dimensional account of these contentious relationships. Maria M. Rijo Lopes da Cunha has been a Danish Institute in Damascus Postdoctoral Research Fellow in Ethnomusicology at the Department for Arts and Cultural Studies of the University of Copenhagen (2019 - 2021 and 2022). Jonathan Shannon is Professor of Anthropology at Hunter College and the Graduate Center, The City University of New York. Søren Møller Sørensen is Associate Professor Emeritus at Department for Arts and Cultural Studies, University of Copenhagen. Virginia Danielson retired as Director of Libraries, New York University Abu Dhabi and is currently an Associate of the Music Department at Harvard University.
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  • 6
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031416446
    Language: English
    Pages: 1 Online-Ressource(XI, 266 p. 17 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Music and Literature
    Parallel Title: Erscheint auch als
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    Keywords: Comparative literature. ; Literature. ; Music ; Culture. ; Civilization ; World politics.
    Abstract: 1. Introduction -- Section I: General Perspectives -- “National Anthems in the Nineteenth-Century: Honor Anthems vs. Revolutionary Anthems” -- 2. “What to Sing? Anthems and the Problems of National Building” -- 3. “A Connected History of Republican Anthems: Independence, Decolonization and Nationalism” -- 4. “The Voices of the Nation. The Form and Content of National Anthems” -- 5. “Resounding Nations: Anthems in Europe at War (1936-1945)” -- 6. “Songs of Redemption: A Comparison of the Anthems of European Substate Nationalisms in the Long Twentieth Century” -- Section II Case Studies -- “The National Anthem’s Moment” -- 7. “Globalization of the National Anthem: The Case of Japan and the Japanese Empire in Asia -- 8. “Displaced national anthems: An Example from Iran” -- 9. “Anthems in Schools: Negotiating National and Youth Identities in a Bilingual Florida Elementary School”. .
    Abstract: Music, Words and Nationalism: National Anthems and Songs in the Modern Era considers the concept of nationalism from 1780 to 2020 through anthems and national songs as symbolic and representative elements of the national identity of individuals, peoples, or collectivities. The volume shows that both the words and music of these works reveal a great deal about the defining features of a nation, its political and cultural history, and its self-perception. The book takes an interdisciplinary approach that provides a better understanding of the role of national anthems and songs in the expression of national identities and nationalistic goals. From this perspective, the relationship between hymns and political contexts, their own symbolic content (both literary and musical) and the role of specific hymns in the construction of national sentiments are surveyed. Javier Moreno-Luzón is Professor of Political History at the Complutense University of Madrid, Spain. He is a specialist in the political life of Modern Spain. He has published several books in English including: Modernizing the Nation: Spain during the Reign of Alfonso XIII, 1902-1931 (2012); Metaphors of Spain: Representations of Spanish National Identity in the 20th Century (with Xosé M. Núñez Seixas, eds., 2017); and The Politics of Representation: Elections and Parliamentarism in Portugal and Spain, 1875–1926 (with Pedro Tavares de Almeida, eds., 2017). María Nagore-Ferrer is Associate Professor in Musicology at the Complutense University of Madrid, Spain. Her main area of research is Spanish music in the nineteenth and twentieth centuries. She is the author of several books, including La revolución coral (2001) and Sarasate, el violín de Europa (2013), as well as numerous articles published in national and international journals.
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  • 7
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    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031427985
    Language: English
    Pages: 1 Online-Ressource(XIV, 330 p. 18 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Literary Urban Studies
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Space. ; Culture. ; Art, Modern ; Performing arts. ; Theater. ; Cities and towns
    Abstract: “(Im)mobility, Peripherality, and the City: Theoretical Orientations and Concepts”, Patricia García; Anna-Leena Toivanen (University of Alcalá; University of Eastern Finland) -- “Cihuateteo Wandering: navigating the Mexican Urban Space as a Woman”, Orly Cortés (UAM-Xochimilco) -- “Urban Ambivalence: Work and Home at Delhi’s margins”, Anubhav Pradhan (Indian Institute of Technology Bhilai) -- “The Nomadic Subject in Teju Cole’s Open City”, Aristi Trendel (Le Mans University) -- “Space, Mobility, and Belonging: Finding One’s Way through Pre-Apartheid Johannesburg”, Sophie U. Kriegel (Leipzig University) -- “Moving Upward in the City: Modes of Transport and Social Mobility in New York, My Village: A Novel and Behold the Dreamers", Lena Englund (University of Eastern Finland) -- “Delhi on the Move: a Literary Account on Urban Mobility”, Valentina Barnabei (Ca’ Foscari University of Venice and Heidelberg University) -- “Abject Urban-Rural Mobilities by Public Transport in Ousmane Sembène's "Niiwam" and Yvonne Vera's Without a Name”, Anna-Leena Toivanen (University of Eastern Finland) -- “'We take boundaries very seriously here at Positron!’: Transitions and Liminal Space in Margaret Atwood’s The Heart Goes Last”, Olga Springer (Dublin City University) -- “Space, Borders and Cognition in Urban Diasporic Fiction”, Johan Schimanski (University of Oslo) -- “What Lurks in the Peripheries: The Unusual in Liminal Suburban Territories in Recent Short Story Collections”, Rosa-María Cobo (Universidad de Burgos) -- “Moving on the Fringes of Literary Barcelona: Contemporary Novels from the Catalan Peripheries”, Patricia García (Universidad de Alcalá) -- “Once upon a Queer: Sexual Monstrosity, Sexual Misery and the Metropolis”, Jean-Philippe Imbert (Dublin City University) -- “From the Cartographic Fringes: Map Mobilizations and the Urban”, Tania Rossetto (University of Padova) -- “Narratives of Border Crossing in Kati Horna’s Photographic Tales”, Karla Segura Pantoja (CY Cergy Paris Université) -- “Urban//Rural: An Art Perspective”, Federica Mirra (Birmingham City University) -- “The (Political) Power of Not Moving”, Inga Iwasiów and Maciej Kowalewski (University of Szczecin).
    Abstract: Urban Mobilities in Literature and Art Activism explores the entwinement of mobility and immobility in urban spaces by focusing on their representation in literary narratives but also in visual and performing arts. Across a range of geographical contexts, this volume builds on the new mobilities paradigm developed by literary scholars, sociologists and human geographers. The different chapters employ a cohesive framework that is sensitive to the intersecting dimensions of power and discrimination that shape urban kinetic features. The contributions are divided into three sections, each of which places the focus on a different aspect of urban mobility: Itinerant Subjects, Modes of Transport and Places of Transit, and Urban Liminalities. Patricia García is a senior researcher in Literary Theory and Comparative Literature at the Universidad de Alcalá (Spain), where she currently leads a Ramón y Cajal project on urban peripheries in contemporary literature (2020-2025, Ministerio de Universidades, ES and European Social Fund) . Her research focuses on literary urban spaces, which she analyzes at their intersections with peripherality, gender and with representations of the supernatural. She is the author of The Urban Fantastic in Nineteenth-Century European Literature (Palgrave, 2021) and Space and the Postmodern Fantastic in Contemporary Literature (Routledge, 2015). She has held fellowships and research grants from the Netherlands Institute for Advanced Study, the Helsinki Collegium for Advanced Studies and the British Academy. She directs the network Fringe Urban Narratives (urbanfringes.com). She is the Vice-President of ALUS: Association for Literary Urban Studies, a member of the Executive Committees of the European Society of Comparative Literature and part of the editorial board of BRUMAL: Research Journal on the Fantastic. She is co-editor of the Palgrave series Literary Urban Studies. Anna-Leena Toivanen is Academy Research Fellow at the School of Humanities at the University of Eastern Finland. Her current research project, funded by the Academy of Finland (2021-2025), focuses on the poetics of mobility in Francophone African literatures. She has held a Marie Skłodowska-Curie Individual Fellowship at the University of Liège (2017-2019). Her monograph Mobilities and Cosmopolitanisms in African and Afrodiasporic Literatures was published by Brill in 2021, and she is currently working on her second book entitled Afroeuropean Mobilities in Francophone African Literatures (Palgrave Macmillan) She acts as the literary studies subject editor of the Nordic Journal of African Studies and has previously acted as the editor-in-chief of the Finnish literary studies journal Avain (2018-2019). She is in the editorial board of Mobility Humanities. She has co-edited a special issue entitled “European Peripheries” for the Journal of Postcolonial Writing (2021) and is currently guest-editing a special issue on public transport in African literatures for English Studies in Africa (forthcoming in 2024).
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  • 8
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031418549
    Language: English
    Pages: 1 Online-Ressource(XVII, 350 p. 4 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Popular music. ; Ethnology ; Culture. ; Popular Culture.
    Abstract: 1: Introduction and Background -- 2: Zimdancehall's Pre-History and Roots -- 3: Zimdancehall and Youth Culture -- 4: The Zimdancehall Underground and Youth Resistance from the Margins -- 5: Zimdancehall Music and the Voices of Zimbabwean Youth -- 6: Say Their Name: Zimdancehall Chanters & the Politics of Representation -- 7: Zimdancehall and The State -- 8: Zimdancehall and Everyday Urbanism -- 9. Zimdancehall's Elite Capture -- 10: Soul Jah Love's Necropolitianism -- 11: Soul Jah Love and Representations of Orphanhood and Motherhood in Zimdancehall -- 12: Soul Jah Love and the Ambivalent Representation of Women in Zimdancehall -- 13: Feminist Zimdancehall's Subversion of Women's Objectification -- 14: Religion and Spirituality in Zimdancehall -- 15: Zimdancehall and Afrofuturism -- 16: Zimdancehall's Future.
    Abstract: Zimdancehall is a musical movement in Zimbabwe that has grown significantly since 2010. The Zimdancehall Revolution brings together critical essays on various aspects of Zimdancehall culture by scholars from diverse disciplines. Traditionally, music critics and senior academics have not taken Zimdancehall seriously, regarding it as vulgar, transient, bubble gum, lacking depth, and in short, a fad. There were also allegations that the lyrics influenced factionalism, incited violence and glorified drug use and unbridled promiscuity among the youth. This book affords this movement the protracted intellectual engagement that it deserves and argues that Zimdancehall is more than just a musical genre but an everyday culture, a way of life. The genre’s close association with the ghetto is telling and enables critics to look at it as a social movement, a revolution, or a raw, petulant and raging disturbance of peace by those who live their lives on the margins. It is, thus, a violent irruption onto the public space by marginalised young people whose presence as artistes creating art from the margins, simultaneously as victims and agents, circulating in a geography that escapes the limits of nationalist ideological and physical territory, in a way subverts communitarian prescriptions and allows young people entry into the world, albeit in a painful, tumultuous and violent way. The essays range from the mapping of the genre’s historical development to theoretical interventions in understanding the genre and its relationship with various aspects of the Zimbabwean society like politics, gender, religion, language, dance, cultural values and other genres.
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  • 9
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    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031445958
    Language: English
    Pages: 1 Online-Ressource(XX, 268 p. 8 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave European Film and Media Studies
    Parallel Title: Erscheint auch als
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    Keywords: Motion picture plays, European. ; Ethnology ; Culture. ; Motion picture industry. ; Television broadcasting.
    Abstract: 1. Introduction: European film consumption, representation, and identity -- 2. The transnational viewership of European film: markets, audiences, and policies -- 3. Euro-million mainstream films: large audiences, limited diversity or insights -- 4. Euro-million arthouse films: diverse and insightful stories, niche audiences -- 5. Euro-million middlebrow films: insightful stories, varied audiences, limited diversity. 6. The transnational impact of European film: perceptions, identity, and other effects -- 7. Conclusion: limited unity and diversity -- Index.
    Abstract: “This study, based on a wealth of original research, analyses the production, circulation and reception of European films since 2005, considering their impact on broader cultural and social issues, notably the vexed question of what constitutes a European identity. Throughout, the author tests various theorisations and conceptual frameworks against the empirical evidence he has unearthed. His carefully considered interpretation will be widely welcomed as an important contribution to understanding European cinema.” - Andrew Spicer, Professor of Cultural Production, University of the West of England Bristol, UK This book explores how audiences in contemporary Europe engage with films from other European countries. It draws on admissions data, surveys, and focus group discussions to explain why viewers are attracted to particular European films and genres, including action-adventures, family films, biopics, period dramas, thrillers, comedies, and romances. It also examines how these films are produced and distributed, how they represent Europe, and how they affect audiences. Case-studies range from mainstream movies like Skyfall, Taken, and Asterix & Obelix: God Save Britannia, to more middlebrow and arthouse titles, such as The Lives of Others, Volver, Coco Before Chanel, Love Is All You Need, Intouchables, The Angels’ Share, Ida, The Hunt, and Blue Is the Warmest Colour. The study shows that watching European films can contribute to people’s understandings of other countries and make them feel more European. However, this is limited by the strong preference for Anglo-American action-adventures that offer few insights into the realities of European life. The book discusses what these findings mean for the European film industry, cultural policy, and scholarship on transnational and European cinema. It also considers how surveys, focus groups, databases and other methods that go beyond traditional textual analysis can offer new insights into our understanding of film. Huw D. Jones is a Lecturer in Film Studies at the University of Southampton, UK. He previously worked on ‘Mediating Cultural Encounters through European Screens’ (MeCETES), a collaborative project on European film and television drama, funded by Humanities in the European Research Area (HERA). .
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  • 10
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031392597
    Language: English
    Pages: 1 Online-Ressource(XIII, 263 p. 12 illus., 4 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Studies in Mobilities, Literature, and Culture
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; European literature. ; Oriental literature. ; World history. ; Culture. ; Emigration and immigration.
    Abstract: Introduction: “Cultural Mobilities and Interactions Between Modern China and Italy” Valentina Pedone, University of Florence and Gaoheng Zhang, University of British Columbia -- Chapter 1: “Chinese Mobility, Routes and Traces: Early-20th Century Discovery of Italian Culture” Alessandra Brezzi, Sapienza University of Rome -- Chapter 2: “Dragomans, Interpreters and Diplomats: Chinese Language Knowledge by Italians in Early 20th Century” Federico Masini, Sapienza University of Rome -- Chapter 3: “Mobility, Architecture, Chronotope: Tianjin’s Italian Concession, the 1930s” Gaoheng Zhang, University of British Columbia -- Chapter 4: “Representations of Socialist Mobility in Post-WWII China-Italy Cultural Exchange” Yang Wang, University of Colorado Boulder and Martina Tanga, Museum of Fine Arts, Boston -- Chapter 5: “Maoist China through the Lens of Italian Visitors (1950s-1970s)” Xin Liu, Penn State University -- Chapter 6: “The Journey and the Memory: 20th-century Travel Notes on Italy” Miriam Castorina, University of Florence -- Chapter 7: “Becoming Chinese-Italian: The Formation of a New Italian Ethnic Minority” Daniele Cologna, Insubria University -- Chapter 8: “Chased by Chineseness: Distance and Proximity in Chinese Italian Creative Expression” Valentina Pedone, University of Florence -- Chapter 9: “‘Ne vedrai delle belle in questo paese!’ Literary Representations of the Italian Community in China” Chiara Giuliani, University College Cork.
    Abstract: This book offers a critical analysis of global mobilities across China and Italy in history. In three periods in the twentieth century, new patterns of physical mobilities and cultural contact were established between the two countries which were either novel at the time of their emergence or impactful on subsequent periods. The first two chapters provide overviews of writings by Italians in China and by Chinese in Italy in the twentieth century. The remaining chapters cover: Republican China’s relationships with Italy and Italian Fascist colonialism in China during the 1920s–1930s; Italian travelers to China during the Cold War from the 1950s to the 1970s; migrations between China and Italy during the 2000s–2010s. In analyzing these cultural mobilities, this book opens a new line of inquiry in Chinese-Italian Cultural Studies, which has been dominated by historical study, and contributes a significant case study to the scholarship on global cultural mobilities.
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  • 11
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031406164
    Language: English
    Pages: 1 Online-Ressource(XII, 202 p. 6 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Arab Cinema
    Parallel Title: Erscheint auch als
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    Keywords: Motion pictures ; Motion pictures. ; Culture. ; Sex. ; Motion pictures ; Ethnology
    Abstract: Chapter 1: Tangier and Paris – Multiculturalism and Feminism -- Chapter 2: Tangier and (Re)Turn to Fes: A Door to the Sky (1988) -- Chapter 3: Farida’s great halqa throughout Morocco & beyond -- Chapter 4: Tangier and the world: Juanita Narboni (2005) -- Chapter 5: The Sahara, the Atlas, and Tangier.
    Abstract: 'A marvelous and timely book on Morocco’s national treasure Farida Benlyazid. An elegant and playful spiral structure accommodates Martin’s deep understanding of Benlyazid's many contexts, from the socioeconomic to the spiritual.' ----Laura Marks, Simon Fraser University, Canada 'Florence Martin has achieved an into-depth exploration of a unique and unequalled Moroccan female cineaste-biography. Well-written, nuanced and historically informed.' ---Viola Shafik, Independent scholar and filmmaker, Berlin, Germany and Cairo, Egypt This book project unfolds and analyzes the work of Moroccan director, producer, and scriptwriter Farida Benlyazid, whose career extends from the beginning of cinema in independent Morocco to the present. This study of her work and career provides a unique perspective on an under-represented cinema, the gender politics of cinema in Morocco, and the contribution of Arab women directors to global cinema and to a gendered understanding of Muslim ethics and aesthetics in film. A pioneer in Moroccan cinema, Farida Benlyazid has been successful at negotiating the sometimes abrupt turns of Morocco’s rocky 20th century history: from Morocco under French occupation to the advent of Moroccan independence in 1956; the end of the international status of Tangier, her native city, in 1959; the “years of lead” under the reign of Hassan II; and finally Mohamed VI’s current reign since 1999. As a result, she has a long view of Morocco’s politics of self-representation as well as of the representation of Moroccan women on screen Florence Martin is Dean John Blackford Van Meter Professor of French Transnational Studies at Goucher College, USA. She is the author of Screens and Veils: Maghrebi Women’s Cinema (2011) and the co-author (with Will Higbee and Jamal Bahmad) of Moroccan Cinema Uncut: Decentred Voices, Transnational Perspectives (2020).
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031128639
    Language: English
    Pages: 1 Online-Ressource(XIII, 192 p.)
    Edition: 1st ed. 2024.
    Series Statement: Literatures of the Americas
    Parallel Title: Erscheint auch als
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    Keywords: America ; Comparative literature. ; Literature ; Feminism and literature. ; Ethnology ; Culture. ; Psychic trauma.
    Abstract: Chapter 1– Introduction: Cicatrix Poetics: Chicana Literary Trauma Studies -- Chapter 2 – La Malogra and Liberating La Mujer Sufrida in Ana Castillo’s So Far from God -- Chapter 3 – La Chingada and “The Silent Lloronas” in Lucha Corpi’s Black Widow’s Wardrobe -- Chapter 4 – Coyolxauhqui and Coming of Age in Sandra Cisneros’s The House on Mango Street -- Chapter 5– Survival Scars and Solidarity in Emma Pérez’s Forgetting the Alamo, Or, Blood Memory -- Chapter 6 – Conclusion: Beyond Survival.
    Abstract: This book explores how Chicana literature often represents gender violence while simultaneously presenting strategies of survival in response. Adrianna M. Santos aims to contribute to a broader conversation concerning the intersections between Chicana literature and decolonial trauma theory, one which questions the colonial matrix of power and the universality of Western knowledge. Santos argues that Chicana survival narratives arise out of colonial wounds and form scars that both mark and protect the violated body. Cicatrix Poetics, Trauma and Healing in the Literary Borderlands proposes a “cicatrix poetics” that makes bold gestures toward healing and narrative/storytelling as survival. The book contends that the cicatrix fashioned through artistic expression is a necessary component for Chicana communities—not just to survive, but to thrive. The books presents several case studies that examine transformative narrativity and by theorizing the texts as survival narratives, social protest works that bring attention to violence and erasure, the chapters explore how literature can be an effective catalyst for both social change and personal transformation, an orientation towards freedom, liberation through love. Adrianna M. Santos is Associate Professor of English at Texas A&M University–San Antonio, USA, and advisor of the Mexican American Student Association. She has published in Aztlán, Chicana/Latina Studies, Shakespeare Bulletin and Latina Critical Feminism and is co-editor of The Bard in the Borderlands, and El Mundo Zurdo 8. .
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    ISBN: 9783031491672
    Language: English
    Pages: 1 Online-Ressource(XXXV, 992 p. 44 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Men. ; Ethnology ; Culture. ; Sex. ; Queer theory. ; Sociology. ; Social groups.
    Abstract: Part I. African Masculinities: Theoretical Explorations -- 1: Introduction: Men and Masculinities in Africa -- 2: African Masculinities and the Question of the Men/Non-Men -- 3: Hegemonic Masculinity and African Studies of Men and Masculinities -- 4: Men and Masculinity studies in Eastern Africa: Towards Endogenous Theoretical Perspectives -- 5: ‘Emergent Masculinities’ in Africa: The Case of Sierra Leone -- 6: “Man-Africanism,” African Women and the Field of Masculinities: Some Reflections -- 7: Men in Women’s Circles: Conceding Epistemological Privilege?- 8: The Transformative Masculinities Agenda in Africa: Confessions of an Activist -- Part II: African Masculinities and Embodiment -- 9: Emerging alternative young black masculinities in South Africa -- 10: Living as a Blind Man in Zambia -- 11: Masculine Identities and Circumcision -- 12: Men and Football in Africa -- 13: Masculinities and Racial Terms of Belonging in Post-Colonial Tunis -- Part III: African Masculinities in the Arts -- 14: Making Men: The Portrayal of Masculinity in Nigerian Children’s Literature.-15: Masculinity, Militarism and Deconstruction of National Identity in Purple Hibiscus -- 16: The Problem of ‘Redemptive Masculinity’ in Purple Hibiscus -- 17: Two Sides of a Coin? Rethinking the Ideology of Male Gender Violence Within the Prism of Two Nigerian Plays -- 18: The Nigerian Big Man Figure in I Do Not Come to You By Chance -- 19: Queer Masculinities in North African Literature -- Part IV: African Masculinities and Religiosity: New Testament Masculinities in African Christianity -- 20: Religious Men in Contemporary Times in Zambia: Representations of Pentecostal Pastors in Public Media -- 20: African Pentecostal spiritual men in the United Kingdom­­­ -- 22: Masculinities, marriage and ministry: The Construction of ‘Umfundisi’ in the Methodist Church of Southern Africa -- 23: Islam and Masculinities in Nigeria -- 24: Perceptions of masculinity among pious members of Egypt’s Episcopal community -- Part V: African Masculinities and Femininities -- 25: The Conception of Masculinity between Constancy and Change -- 26: Female masculinity and breadwinner femininity in Kilimanjaro, Tanzania -- 28: Understanding Zimbabwean men’s involvement in abortion -- 28: Changing Masculinities and Femininities for Zimbabwe’s Development: A Philosophical Examination -- 29: Interrogating African Communitarianism from a Feminist Perspective -- 30: Men in the Academy: Male Teachers as Mentors in Liberia -- Part VI: African Masculinities and Violence -- 31: Military Masculinities and Violence in Africa -- 32: Liberation War Veterans and Masculinity in Zimbabwe -- 33: Men in Politics in Lesotho and Political Masculinity -- 34: At the Intersection of Prisons, Masculinities and Violence: Patterns of Masculinities within Correctional Service Settings in Lesotho -- 35: Masculinity, Gender and Identity in the Nigerian Military -- 36: Of violence, paternalistic care and instrumental kinship -- 37: Masculinity and Sexual and Gender-Based Violence in Same-Sex Relationships in Kenya -- Part VII: African Masculinities and Queer Identities -- 38: Dress Codes as Constructs of Male Masculinities in Northern Ghana -- 39: Perilous Dressing: The Fashion Politics of Nigeria’s Male Barbie -- 40: Men who love other men in Malawi -- 41: Gay Men’s Relationships with their Mothers -- 42: Changing Religious Attitudes towards Gay Men in Southern Africa -- 43: Gossip, marginality, and movement among gay men in Tanzania -- Part VIII: African Masculinities and Health -- 44: Masculinity and Suicide -- 45: Adolescent Boys, Young Men and Mental Health in Southern Africa -- 46: Men and Health in Africa -- 47: The role of education in shaping healthy adolescent masculinities in ESA region -- 48: Exploring Fitness Culture and Food -- 49: Supplementation through the Lenses of Hyper-Masculinity -- Part IX: African Masculinities, Family and Work -- 50: Entrepreneurial Masculinities in Nairobi’s low-income Neighbourhoods -- 51: Disrupting hegemonic masculinity(ies): unpicking urban men’s livelihood survival strategies in Ghana -- 52: Theorizing a Necessary Link: Masculinity and Social Sustainability in African Contexts -- 53: Towards Familial Roles, Culture and Socio-economic Transformations: Men and Child Care in Botswana -- 54: “I am Father”: Narratives of paternal (dis)connections in South Africa and Guinea -- 55: Fatherhood in Urban South Africa: The (un)making of the “poor black man” as the absentee father in South African media.
    Abstract: This handbook provides a comprehensive, interdisciplinary overview of key theoretical and analytical approaches, topics and debates in contemporary scholarship on African masculinities. Refusing to privilege Western theoretical constructs (but remaining in dialogue with them), contributors explore the contestations around and diversities within men, masculinities and sexualities in Africa; investigate individual and collective practices of masculinity; and interrogate the social construction of masculinities. Bringing together insights from scholars across gender studies, sociology, anthropology, philosophy, history, literature and religion, this book demonstrates how recognizing and upholding the integrity of African phenomena, locating and reflecting on men and masculinities in varied African contexts and drawing new theoretical frameworks all combine to take the discourse on men and masculinities in Africa forward. Chapters examine a range of issues within the context of masculinities, including embodiment, sport, violence, militarism, spirituality, gender roles, fatherhood, homosexuality, health and work. This handbook will be valuable reading for scholars, researchers, and policymakers in Gender Studies (particularly Masculinity Studies) and Africana Studies.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031561016
    Language: English
    Pages: 1 Online-Ressource(XI, 105 p. 7 illus., 6 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Africa ; Cultural property. ; Ethnology ; Culture. ; Civilization
    Abstract: Chapter 1: A Tipping Point in Restitution Claims -- Chapter 2: Reframing the Narrative -- Chapter 3: The Looting and its Legacy -- Chapter 4: The issues -- Chapter 5: After the Decision -- Chapter 6: Recent developments and longer term reflections.
    Abstract: This book offers a detailed case study of the transfer of ownership to Nigeria in November 2022 of the 72 artworks in the Horniman’s collections looted by the British from Benin City in 1897, as an occasion to explore the current state of the issue of restitution of cultural objects. It argues that we are at a tipping point, where decades of debate but little action about restitution is now changing to a period when at least the most egregious examples of colonial looting are being addressed. It summarises the key issues involved in these returns, outlines the processes and procedures undertaken by the Horniman, and offers recommendations and reflections for the future. Dr Nick Merriman was Chief Executive of the Horniman Museum and Gardens in London from 2018 –2024. In 2022 the organisation was awarded the Art Fund Museum of the Year prize. Previously he was Director of the Manchester Museum at the University of Manchester, and prior to that Reader in Museum and Heritage Studies at the Institute of Archaeology, University College London. He is Honorary Professor of Museum Studies at UCL and the University of Manchester. Among many other appointments has been President of the Council for British Archaeology, and Chair of ICOM UK. He is known for his contributions to the development of public archaeology and museum studies, and for influencing the heritage sector around issues of cultural diversity, sustainability and the future of collections. He took up the role of Chief Executive of English Heritage in February 2024.
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  • 15
    Online Resource
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031483554
    Language: English
    Pages: 1 Online-Ressource(XII, 254 p. 20 illus., 19 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Geocriticism and Spatial Literary Studies
    Parallel Title: Erscheint auch als
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    Keywords: Ecocriticism. ; Literature. ; Literature ; Feminism and literature. ; Space. ; Culture.
    Abstract: 1 Introduction: Cultural Palimpsests of Place -- 2 Sacred Rivers and Groves of India -- 3 Southern Africa: Conflicting Claims on the Land -- 4 Ireland’s Languages of Landscape -- 5 Australia: A Continent Apart -- 6 New York: Harboring World Cultures and Commerce -- 7 Arts of Persuasion.
    Abstract: Taking Place: Environment and Place in Literature and Art explores how works of literature and art help us to rethink the ways that we have perceived, imagined, inhabited, explored, conquered, and shared places. The book offers chapters on India, Southern Africa, Ireland, Australia, and New York City. The literary and artistic works investigated range in time from early indigenous rock art to contemporary literary representations of place. Bonnie Kime Scott participates in ongoing interdisciplinary discussions of ecocritical, feminist, postcolonial, post-humanist and place studies. Bonnie Kime Scott is the author or editor of numerous works concerning modernism, gender and eco-literary studies, including The Gender of Modernism and Virginia Woolf and Modernist Uses of Nature. She taught English Literature and Women’s Studies classes at The University of Delaware and San Diego State University. .
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  • 16
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031559037
    Language: English
    Pages: 1 Online-Ressource (XXXI, 328 p. 1 illus.)
    Series Statement: Palgrave Studies in Economic History
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Economic history. ; Economics. ; Culture. ; Italy ; Music ; Creative Economy ; Music ; Conservatory ; Naples ; Pietà dei Turchini ; Development of Music Market in Naples ; Neapolitan Creative Economy ; Creative Industries ; Italian Creative Sector ; Cultural Heritage ; History of Music ; History of Culture in Naples
    Abstract: 1. The value of economic history of the creative economy -- 2. Understanding the dynamics of creation and regulation of the music market in seventeenth-century Naples -- 3. The transformation of orphanages in music conservatory as a production place to share knowledge, professional development and invest in human capital -- 4. The experience of the Pietà dei Turchini Conservatory (1584-1807) -- 5. The entrepreneurial adventure of music in the 19th century: the places, the protagonists, the system of production and use, and the publishing sector.
    Abstract: This book analyses the emergence and growth of the creative sector in Naples between the early modern and modern eras, focusing particularly on the development of music markets in the city. From the seventeenth century, Naples became one of the most culturally enriched regions in the Italian peninsula, with internationally known music schools, theatres and opera venues attracting visitors from across Europe in a burgeoning tourist market. This book sheds light on the driving economic factors and political contexts behind this key case study for the early growth of the opera and music sector in Europe. Starting with a discussion of the value of economic history to understanding cultural industries, the chapters approach this analysis through multiple lenses: the formation of human capital as the result of Naples’ institutional urban welfare system; the role of cultural consumption as it evolved from a primarily religious activity to growing popular demand; and the role that central city authorities played in encouraging cultural activity through private investment and public policy. The book also draws on fascinating archival research to examine the contribution of Naples’ music conservatories in the local creative economy. This book is a valuable resource to a broad range of readers, including those working in economic history, tourism history, the history of music and theatre, Italian social history and more. Rossella Del Prete is an Associate Professor of Economic History in the Department of Economics at the University of Sannio, Italy. Her research interests span history and economics, including public history, the economic history of art and culture, governance of cultural heritage, the history of tourism, labour history and female entrepreneurship.
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    ISBN: 9783031475009
    Language: English
    Pages: 1 Online-Ressource(XXV, 317 p. 4 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Pathways for Ecumenical and Interreligious Dialogue
    Parallel Title: Erscheint auch als 500 Years of Christianity and the global Filipino/a
    Keywords: Theology. ; Religions. ; East Asia. ; Religion ; Ethnology ; Culture. ; Southeast Asia ; Asian history ; Asiatische Geschichte ; Christentum ; Christian theology ; Christianity ; Cultural studies ; Geschichte der Religion ; HISTORY / Asia / Southeast Asia ; History of religion ; Kulturwissenschaften ; Oriental religions ; Ostasiatische Religionen ; RELIGION / Christian Theology / General ; RELIGION / Christianity / General ; RELIGION / Christianity / History ; RELIGION / Eastern ; SOCIAL SCIENCE / Anthropology / Cultural ; Theologie ; Philippinen ; Philippines
    Abstract: 1 Philippine Christianity: 500 Years of Resistance and Accommodation -- 2 Indigenization as Appropriation (What Being Baptized Could Have Meant for the Natives of Cebu in 1521) -- 3 The Double Truth of (Colonial) Mission -- 4 Rethinking Encounters and Re-imagining Muslim-Christian Relations in Post-colonial Philippines -- 5 The Glocal Filipins and the Pasyon Through the Lens of Ethnicity -- 6 An Independent Catholic, Nationalist People’s Movement: The Iglesia Filipina Independiente (Philippine Independent Church) -- 7 Philippine, Independent and International: The Relationship Between—the Iglesia Filipina Independiente and the Old Catholic Churches -- 8 Indigenous Inculturation: A Hermeneutics of Serendipity -- 9 Decolonizing the Diaspora through the Center for Babaylan Studies -- 10 Back from the Crocodile’s Belly: Christian Formation Meets Indigenous Resurrection Redux -- 11 The Ygollotes’ Pudong and the Insurrection of the Reeds In the Post-Human Commune -- 12 Introducing Jeepney Hermeneutics: Reading the Bible as Canaanites -- 13 Inang Diyos, Inang Bayan: The Virgin Mary and Filipino Identity -- 14 Bangon Na, Pinays Rise Up: Reclaiming Pinay Power Dismantled by a Christian Colonial Past and Present -- 15 Re-Baptizing Spirit in Land and Ancestry: An Approach for Un-Doing Christian Colonialism -- 16 Toward Reclaiming the Wisdom of our Forebears: Nature and Environment from a Filipino Perspective.
    Abstract: The year 2021 marked the five-hundredth anniversary of Christianity in the Philippines. With over 90% of the Filipin@s (Filipino/as) in the country and more than eight million around the world identifying as Christian, they are a significant force reshaping global Christianity. The fifth centenary called for celebration, reflection, and critique. This book represents the voices of theologians in the Philippines, the United States, Australia, and around the world examining Christianity in the Philippines through a postcolonial theological lens that suggests the desire to go beyond the colonial in all its contemporary manifestations. Part 1, “Rethinking the Encounters,” focuses on introducing the context of Christianity’s arrival in the archipelago and its effect on its peoples. Part 2, “Reappropriation, Resistance, and Decolonization,” grapples with the enduring presence of coloniality in Filipinreligious practices. It also celebrates the ways Christianity has been critically and creatively reimagined. Cristina Lledo Gomez is the Presentation Sisters Lecturer at BBI-The Australian Institute of Theological Education (BBI-TAITE) and a Research Fellow for the Australian Centre for Christianity and Culture, Charles Sturt University, Australia. Her role at BBI-TAITE is directed toward promoting women’s spiritualities, feminist theologies, and ecotheologies. Agnes M. Brazal is a Full Professor in the Department of Theology and Religious Education at De La Salle University Manila, The Philippines, former President of DaKaTeo (Catholic Theological Society of the Philippines), and author/editor of eleven books that include A Theology of Southeast Asia: Liberation-Postcolonial Ethics in the Philippines (2019). Ma. Marilou S. Ibita is an Associate Professor in the Department of Theology and Religious Education at De La Salle University, The Philippines, and a Visiting Professor in the Faculty of Theology and Religious Studies at the Katholieke Universiteit Leuven, Belgium. Her research centers around biblical literature and Jewish-Christian dialogue.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031573941
    Language: English
    Pages: 1 Online-Ressource(XXII, 283 p. 19 illus., 2 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Knowledge, Sociology of. ; Sociology. ; Ethnology ; Culture.
    Abstract: 1. Sociology in Africa -- 2. Social Sciences and Sociology -- 3. Sociological Knowledge -- 4. Co-authorship and Collaboration -- 5. Citations -- 6. Topics -- 7. Knowledge and Departmental Nexus -- 8. On the Global Stage -- 9. Debates and Discourses.
    Abstract: A rich and vibrant assessment of sociological traditions across the African continent, offering an assessment both of African sociological traditions and how these sociological traditions can approach global and national social problems. This book will force many social scientists out of their Eurocentric cocoons. -Ali Meghji, University of Cambridge, and Co-editor, British Journal of Sociology, UK. African Societies stands out as an exceptional addition to the field, providing a thoroughly researched investigation into African societies that is both extensive and enlightening. What distinguishes this work is its dedication to methodological variety and its thorough examination of modern challenges such as indigenisation and decolonisation within African sociology. -Nakanyike Musisi, University of Toronto, Canada. It is a groundbreaking exploration of the evolution of sociological knowledge production across the diverse tapestry of the African continent. With a refreshing focus on all 54 African countries, the nuanced articulation of issues sets this work apart, making it an indispensable addition to the field. -Simbarashe Gukurume, Sol Plaatje University, South Africa. This book addresses a notable gap in African sociological knowledge by leveraging extensive empirical data covering all 54 African countries and drawing on historical insights from across the continent. Offering a nuanced understanding of African society, it signifies an unprecedented endeavour committed to unravelling the intricate tapestry of African society. The analysis presented in the book goes into the dynamic evolution of sociological topics, their interconnections with African knowledge, the identification of contemporary themes, methodological diversity, and contemporary challenges and issues of indigenisation, decolonisation, and promoting an Africa-centered sociology. R. Sooryamoorthy is a Professor of Sociology at the University of KwaZulu-Natal, South Africa. He is also a Research Fellow at the DSI-NRF Centre of Excellence in STI Policy, Stellenbosch University, South Africa.
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  • 19
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031460579
    Language: English
    Pages: 1 Online-Ressource(XIII, 352 p. 2 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Parallel Title: Erscheint auch als Eleonorasdotter, Emma Women s Drug Use in Everyday Life
    Keywords: Drug abuse. ; Criminology. ; Crime ; Critical criminology. ; Culture. ; Criminal behavior. ; Social psychology. ; Cultural studies ; Drogen und Alkohol: soziale Aspekte ; Drogenhandel ; Drug & substance abuse: social aspects ; Drugs trade / drug trafficking ; Gender Studies: Frauen und Mädchen ; Gender studies: women ; Kulturwissenschaften ; LAW118000 ; PSYCHOLOGY / Social Psychology ; SOC057000 ; SOCIAL SCIENCE / Anthropology / Cultural ; SOCIAL SCIENCE / Criminology ; SOCIAL SCIENCE / Women's Studies ; Social, group or collective psychology ; Sozialpsychologie ; Schweden ; Sweden
    Abstract: 1. Introduction -- 2. Drugs in historical and contemporary contexts: Legal, cultural, scientific, and geographical -- Drugs and medications -- 4. Meeting points -- 5. Possessing drugs -- 6. Avoiding The Junkie -- 7. Staying appropriate -- 8. Behaving with children -- 8. Behaving with children -- 10. Appropriate drugs -- 11. Negotiating addiction -- 12. Happy using drugs? -- 13. Conclusion.
    Abstract: “This book offers a fascinating insight into the everyday lives of women who use drugs in Sweden. Adopting a queer phenomenological perspective, Dr Eleonorasdotter brings a fresh perspective to debates about drug use and notions of ‘harm’. Well-researched and written, the book engages with gendered, classed and stigmatising constructions of women who use drugs represented in policy and practice. We are encouraged to think about what it means to be a woman who uses drugs living and working in Sweden today. An excellent addition to the literature.” -Michelle Addison, Associate Professor of Criminology, Durham University, UK "This is a thought-provoking and intelligent book, brushing aside the negativity which is continually connected with women who use any kind of mind altering substances. Eleonorasdotter is successful in challenging the one-dimensional view of using women as well as in offering a feminist account of the lives of her respondents in the Swedish context. This is a must-read for everyone in the addiction field – users, treaters, researchers, and policymakers." -Elizabeth Ettorre, Professor of Sociology, University of Liverpool, UK. This open access book explores the everyday use of psychoactive substances in contemporary Sweden, focusing on women's use. Drawing on an ethnographic study, it uses critical theory such as queer phenomenology to analyse twelve women’s narratives of their use of drugs. The book also draws attention to the social, legal, cultural, embodied and gendered background of drugs and drug use in the contemporary global North, and how the meanings of drug use have shifted over time, with a specific focus on Sweden. It examines topics such as stigma, happiness, children, the body, gifts, the drug market, medication, sickness and health by directing attention to the women’s orientations towards objects and people, and how the women align or do not align with social and cultural norms. It discusses how drug-related spaces and directions can be analysed in terms of gender and class, and how, in turn, the directions of contemporary society and culture can be affected by drug use. It speaks to academics in Sociology, Criminology, Ethnology, Anthropology, Gender studies, Law and History. Emma Eleonorasdotter is a researcher and lecturer in Ethnology at Lund University, Sweden. She is an ethnologist and a cultural analyst interested in inequality and everyday lives, and has been part of the editorial team of the Swedish anti-racist cultural magazine Mana since 2008. .
    Note: Open Access
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  • 20
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031401435
    Language: English
    Pages: 1 Online-Ressource(XV, 231 p. 29 illus., 11 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Popular music. ; Music ; Ethnology ; Culture.
    Abstract: 1. Boeremusiek’s “Heart-Speech” -- 2. The Riches of Embarrassment -- 3. Blackfaced Boeremusiek and the Racial Grotesque -- 4. Epiphanies of Postcolonial Radiance -- 5. Disavowal and the Perverted Mind of Apartheid -- 6. The Groovology of White Affect.
    Abstract: The Groovology of White Affect theorizes white aesthetics and race formation in South Africa from a position immersed in the sonic. Mining boeremusiek’s “heart-speech” across two centuries of reception, the book offers a theory of race formation steeped in the music’s vernacular language and practices, and in the context of South Africa's race ideologies. The book’s chapters identifys and explore boeremusiek's affective modalities: embarrassment, blackface, epiphany, and disavowal. The book then theorizes indexicality, music, affect and whiteness as three interlinked ontologies. When considered together, the book argues, boeremusiek’s modalities outline the parameters of a corrupted white aesthetic faculty that help explain how whiteness perpetuates itself in the present day. Racism is thereby defined not primarily as a matter of prejudice, but as a matter of (conditional) pleasure and (pathological) taste. The Groovology of White Affect articulates a sound studies from the South; it is an attempt to write in a South Africa-centered way - amidst the collapse of colonial disciplines and a resulting disciplinary and methodological catholicism - for a broad, international audience interested in the affective constitution of race and racism.
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  • 21
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031408854
    Language: English
    Pages: 1 Online-Ressource(XVII, 269 p. 2 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.096
    RVK:
    RVK:
    RVK:
    Keywords: Ethnology ; Culture. ; Communication in medicine. ; Communication. ; People with disabilities
    Abstract: Chapter 1. Introduction Tafadzwa Rugoho -- Chapter 2. MOBILE MEDIA AND THE SIGN LANGUAGE OF ZIMBABWE’S DEAF COMMUNITY Martin Musengia, Chenjerai Muwanikib and Esther Musengic -- Chapter 3. Girlchild with Disability in Africa: Accessing the Role and opportunities of media for inclusive development. Olayinka Oluwakemi Adeniyi and Theophilus Michael Odaudu -- Chapter 4. MEDIA PORTRAYAL OF DISABILITY AND DISABILITY ISSUES IN NIGERIA: STEREOTYPES AND SOLUTIONS Okechukwu Chukwuma, & Omokhunu Julius -- Chapter 5. Marginalization and Misrepresentation: Framing Disability in Nigeria Olusola John Ogundola & Carol Liebler’s -- Chapter 6. Unpacking Zimbabwean media’s representations of Persons with disabilities (PWDs) vending-a critical social work perspective Tatenda Nhapi -- Chapter 7. Disability, Language and the Media in Zimbabwe: Perspectives of Media Industries towards People with Disabilities Phillipa Mutswanga) -- Chapter 8. SOCIAL MEDIA AND DISABILITY POLITICS IN ZIMBABWE: Should We Celebrate 'liberation' or Resist a New Form of Social Oppression? Kudzai Shava &Isheunoziva Chinyoka -- Chapter 9. The Postcolonial Commodification of Gloria Huang’s Black, Disabled Body: A Case Study in Media Ethics Gia Alexander -- Chapter 10. Medicine Murders, Witchcraft and Humanitarian Mercy: Western Media Portrayals of Albinism in Tanzania Giorgio Brocco -- Chapter 11. Inclusion of persons who use AAC in the media: A South African perspective Samuels, Alecia and Morwane, Refilwe Elizabeth -- Chapter 12. Book chapter Can web 2.0 salvage the gains of disability rights advocacy in Africa? By Nqobani Dube -- Chapter 13. The Voices of Persons with Sensory Impairment versus their Portrayal by Mass Media in Zimbabwe (By Phillipa Mutswanga) -- Chapter 14. Disability in government-controlled media and legislation in Malawi 2012-2019.
    Abstract: This book seeks to expand some of the existing, often western and Global North facing, scholarship in the area of Disability and Media Studies to include African perspectives. Featuring predominantly Africa-based contributors, it studies an array of topics on disability and media in Africa, including issues of social media, media ethics, including marginalised voices in the media, and disability representation in the media. Tafadzwa Rugoho PhD is currently at Vrije Universiteit Amsterdam. He was a lecturer at Great Zimbabwe University in the Department of Development Studies. Tafadzwa holds an MA in Policy Studies, an MSc in Development, an MSc in Strategic Management and a BSc in Sociology. He has authored more than 25 book chapters as well as a number of journal papers on disability issues. Tafadzwa has presented several papers at local and international research conferences in this area over the past five years. Tafadzwa is also a guest lecturer at the University of Pretoria, where he teaches Sexuality and social media. He coauthored a book titled Sexual and Reproductive Health of Adolescents with Disabilities.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 22
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031385148
    Language: English
    Pages: 1 Online-Ressource(XVIII, 257 p. 10 illus., 6 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Gender and Cultural Studies in Africa and the Diaspora
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    DDC: 306.096
    RVK:
    Keywords: Ethnology ; Culture.
    Abstract: Part I : Literary Representations Of Women And Power -- Chapter 1: Childhood Exposure To Spousal Abuse In Marily Heward Mill’s Cloth Girl -- Chapter 2: Dialectics Of Love And (Maternal) Power In Razinat Mohammed’s A Love Like A Woman’s And Other Stories -- Chapter 3: A Deconstructionist Reading Of Zaynab Alkali’s The Still Born -- Chapter 4: Feminist Imagery And Masculine Energy In Ama Ata Aidoo’s Anowa -- Chapter 5: Motherist Appraisal Of Amma Darko’s Faceless -- Chapter 6: Women’s Portrayal In On Black Sisters Street And The Secret Lives Of Baba Segi’s Wives -- Part 2: African Women And Socio – Linguistic Contexts -- Chapter 7: Women And The Fear Of Mathematics: A Gender Analysis Of The Myths And Realities In An Odl Context -- Chapter 8: Beyond The Tar Of Bottom Power: Rising Above The Sociolinguistic Denigration Of Women’s Success -- Chapter 9: A Pragma-Gender Study Of Select Couples’ Emotive Language -- Chapter 10: Sociolinguistic Analysis Of Inscriptions Of Tricycles In Aba Metropolis, Abia State -- Chapter 11: A Semiotic Study Of Gender Images In War Reports -- Part 3: African Women And Governance -- Chapter 12: Subjugation Of Widowhood: A Lexico-Semantic Analysis Of Bayo Adebowale’s Lonely Days -- Chapter 13: Women’s Legislative Participation In Ghana And Nigeria -- Chapter 14: Women And Spiritual Leadership In Chinua Achebe’s Things Fall Apart And Toni Morrison’s Beloved -- Chapter 15: Theoretical Issues In Gender And African Studies.
    Abstract: “This work opens a vista for an in depth study of a social phenomenon—gender and leadership on the African continent—that has been previously explained using largely agreed language and ideas. The text presents ideas, arguments, insightful analysis, and some alternative ideas and brings some new and well- known works of literature and methods and presents a sound problematization. Gender and Leadership will allow the reader to review and rethink the phenomenon in question and add something interesting to common knowledge.” —Morenikeji Asaaju, University of Birmingham This book provides balanced critical linguistic and literary representations of gender and power relations in Ghanaian and Nigerian texts, contrary to most existing literary and linguistic studies on gender that have either focused on male chauvinism or male emasculation. This text provides novel insight into gender dynamics, liberation and empowerment especially as it relates to language and power in Africa. Mobolanle Sotunsa is a professor of Gender Studies and African Oral Literature at Babcock University, Nigeria. Sotunsa is the coordinator of Gender and African Studies Group, Babcock University (BUGAS). She is also the Director of Babcock University Centre for Open, Distance, and e-learning (BUCODeL). Abiola Sakirat Kalejaiye (PhD) is a lecturer at Babcock University, Ilisan Remo. She teaches language courses both at undergraduate and postgraduate levels. Kalejaiye is a member of Gender and African Studies Group, Babcock University (BUGAS). She is also the commissioned editor of Babcock University Centre for Open, Distance, and e-learning (BUCODeL). Patricia Animah Nyamekye is a lecturer and a Head of Department in Arts and Social Studies at Valley View University, Ghana.
    URL: Volltext  (URL des Erstveröffentlichers)
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    ISBN: 9783031407062
    Language: English
    Pages: 1 Online-Ressource(XXVII, 185 p. 5 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.2344
    Keywords: Radio broadcasting. ; Ethnology ; Culture. ; Journalism. ; Aufsatzsammlung
    Abstract: 1: Introduction_Community and Online Radio as Emerging Frontiers of South African Audio broadcasting: An introduction -- 2: Creating an enabling policy environment for democratic participation through community radio: Perspectives of a practitioner -- 3: Language Revitalization and Community Broadcasting in South Africa: A Case of Vaaltar FM -- 4: The Role of Community Radio in Youth Empowerment: A Case Study of Bush Radio -- 5: Radio Waves of Inclusion: A Practitioner's Perspective on the Catholic Church's Use of Radio Broadcasting for Evangelisation in South Africa -- 6: More than just Edutainment: Indigenous South African community radio music programmes as preservers of African Traditional Cultures -- 7: Radio and social media convergence: Motsweding FM’s use of WhatsApp and the African language digital public sphere -- 8: Radio production in the digital era: lessons from South Africa -- 9: Podcasting Unleashed: Amplifying Indigenous Language Speakers' Agency in South Africa's Shifting Media Terrain -- 10: Evolving trends in radio broadcasting in South Africa: the case of Podcast and Chill with MacG -- 11: Final thoughts_Community Radio and the Digital Milieu: Challenges and Opportunities for the next century of South Africa's Radio Landscape. .
    Abstract: The book brings together media scholars and practitioners to deliberate on the role and influence of radio broadcasting in South Africa over the past 100 years. The publication will add to the existing body of knowledge on radio in this context by being among one of the few to consider radio broadcasting in South Africa. Essentially, the book will make a distinct contribution focusing on a critique of the medium’s role in community-building and culture making among others. While the book will provide relevant theoretical frameworks, it also aims to include the voices of media practitioners who can reflect on the importance of this medium from a more realistic perspective. Volume 2 focuses on the impact of digitization on radio in South Africa, and considers the future of radio in South Africa.
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 24
    ISBN: 9783031407024
    Language: English
    Pages: 1 Online-Ressource(XXXI, 192 p. 7 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.2344
    Keywords: Radio broadcasting. ; Ethnology ; Culture. ; Journalism. ; Aufsatzsammlung
    Abstract: 1: Introduction_A Century Of South Africa’s Most Renowned Medium -- 2: 100 Years Of Radio In South Africa: A Practitioner’s Reflections On Yesteryear -- 3: The Sound Of Freedom: Radio Freedom As An Instrument Of Social And Political Mobilisation Against An Illegetimate Astate - A Practioner’s Reflection -- 4: Reflecting On Two Decades Of Strategic Choices: A Practitioners Examination Of Sabc Public Service Radio Product Management From 1996-2016 -- 5: Exploring The Radiant Allure: The Impact And Significance Of Star Iconism In Radio Mmabatho And Radio Bop On The South African Media Landscape -- 6: African Language Radio A Locus Of Indigenous Language Revival And Identity Negotiation: A Case Study Of Umhlobo Wenene FM -- 7: Resonating Voices: The Transformative Power Of Xitsonga Radio Stations In Language Preservation And Societal Discourse -- 8: The Shibobos, Dadas, And Dummies: A Reflection On Cultural Nuances, Race, And Gender In Sports And Entertainment Radio Broadcasting -- 9: Storytellers, Curators, Watchdogs And Analysts: A Metajournalistic Discourse Analysis Of South African Radio Broadcasters’ Role In Agenda Setting -- 10: Brave Broken heart? The Story of the Late Radio Journalist Suna Venter -- 11: Concluding Remarks_Radio History, Development, And Impact In South Africa.
    Abstract: The book brings together media scholars and practitioners to deliberate on the role and influence of radio broadcasting in South Africa over the past 100 years. The publication will add to the existing body of knowledge on radio in this context by being among one of the few to consider radio broadcasting in South Africa. Essentially, the book will make a distinct contribution by providing the following: a historical account of the development of the sector, an in-depth look at some of the key people and institutions that have shaped the sector, and a critique of the medium’s role in community-building and culture making among others. While the book will provide relevant theoretical frameworks, it also aims to include the voices of media practitioners who can reflect on the importance of this medium from a more realistic perspective. Volume 1 focuses on South African radio stations and broadcasters in the past and present. .
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031536922
    Language: English
    Pages: 1 Online-Ressource(XVIII, 181 p. 35 illus., 33 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Popular music. ; Ethnology ; Culture. ; Jazz.
    Abstract: Chapter 1 Introduction -- Chapter 2 Towards a Post-National Cuban Imaginary: Theoretical and Historical Context -- Chapter 3 Cubanidad “in-between:” the Transnational Cuban Alternative Music Scene (TCAMS) -- Chapter 4 TCAMS and the Music Industry -- Chapter 5 Conclusions- Cuban Fusion Music across Borders.
    Abstract: “An invaluable study of Cuban music making in diaspora.” —Robin D. Moore, Professor of Ethnomusicology, Butler School of Music, The University of Texas at Austin, USA “Silot Bravo's study thus provides a rare glimpse into a space where artists navigate between political constraints, fostering a global citizenship that goes beyond the rigid political lines often associated with Cuban studies.” —Greg Landau, Ph.D., Producer, Educator & Music Historian, USA “Drawing from decades of experience in diplomacy, music scholarship, and arts advocacy, Bravo's careful study of oft-neglected alternative artists is sure to challenge thinking surrounding what Cuban music sounds like and who gets to participate.” —Mike Levine, Assistant Professor in Musicology, Christopher Newport University, USA Surveying the impact of Cuba's economic crisis after the demise of the eastern socialist block, this book documents a relatively unexplored transnational network of collaborations among Cuban musicians that migrated to many different countries from the 1990s forward. The book’s main argument is that in light of the 1990s crisis in Cuba, new transnational and alternative narratives emerged, resulting in creative “in-between” spaces that reflect a post- socialist aesthetic condition. The manuscript also documents important developments in the Cuban jazz and fusion scenes outside the island in the last 20+ years. Eva Silot Bravo has a PhD in Cultural Studies, Spanish and Literatures from The University of Miami (FL, USA). She has taught at University of Miami, Barry University, Miami Dade Public School System, The Branson School in Ross, CA and currently at Oakland School for the Arts in Oakland, CA. In United Nations she represented Cuba and developing countries (G77).
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  • 26
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031478550
    Language: English
    Pages: 1 Online-Ressource(Approx. 225 p. 6 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Global Queer Politics
    Parallel Title: Erscheint auch als
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    Keywords: America ; Identity politics. ; Ethnology ; Culture. ; Sex.
    Abstract: Chapter 1:Introduction -- Chapter 2: Lia -- Chapter 3: Felipe -- Chapter 4: Manuel -- Chapter 5: Conclusion.
    Abstract: This book focuses on an underestimated alternative to the mainstream liberal rights-based approach: cultural activism. This political strategy deploys art and other creative techniques to support the quest for social justice. This work explores this approach's dynamics, strategies, and potential, presenting a qualitative case study of three cultural activists in Colombia and Mexico -Lia García, Felipe Osornio, and Manuel Parra-, including in-depth interviews and ethnographic observation of their artistic/activist work. Through their intervention in the realm of ordinary affects, these cultural producers create new affective climates for the experience of sexual and gender difference and develop new repertoires of affective response concerning identities usually seen as abject or worthy of social punishment. Strategies of cultural activism aim to subvert dominant representations and performances of marginalized subjectivities, to critique and subvert gender norms, to give visibility to non-hegemonic identities, to resist different forms of oppression and marginalization, and to prompt collective healing of wounds left by violence and discrimination. César Sánchez-Avella was Senior Lecturer of Cultural Studies in the Faculty of Social Sciences at Pontificia Universidad Javeriana, Colombia. He was also a Coordinator from PLURALES Centro Rosarista de Diversidad Equidad e Inclusión . Universidad del Rosario, Colombia.
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  • 27
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031544538
    Language: English
    Pages: 1 Online-Ressource(XVII, 210 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Mediating Kinship, Representation, and Difference
    Parallel Title: Erscheint auch als
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    Parallel Title: Erscheint auch als
    DDC: 306.4613
    Keywords: Human body ; Sex. ; Feminism. ; Feminist theory. ; Health. ; Culture.
    Abstract: Chapter 1: Introduction -- Chapter 2: Ways of Knowing and Seeing Fat -- Chapter 3: Methods and epistemologies -- Chapter 4: Interrupting Embodiment—Normalizing Gazes and Diet Culture in BBW -- Chapter 5: Bashes as Spaces for Healing Everyday Trauma of Fatphobia -- Chapter 6: Conclusion.
    Abstract: This book is a deep dive into the largely unexplored space of BBW “bashes”—multi-day gatherings of fat women and their admirers. Using a range of feminist theories of embodiment and affect, the project is guided by autoethnography and in-depth interviews with twelve participants. Participant experiences are first analyzed with a key focus on experiences that cause grief and disenfranchisement; subsequently, the book looks at experiences that may be radical or revelatory. The book does not seek to either villainize or valorize BBW spaces but instead sheds a bright light on the experience of this cultural subspace and all it may offer to analyses fat life. The incomparable Crystal Kotow was a brilliant writer, activist, and educator whose research explored fat women’s relationships with their bodies. She got her PhD from York University and was a self-identified fat feminist killjoy who practiced radical vulnerability in her activism, storytelling, and community building. May Friedman is a faculty member at Toronto Metropolitan University. Much of May’s work explores issues of fat activism and weight stigma in many different settings. Using a range of arts-based methods including digital storytelling as well as analyses of treasured garments, May has explored meaning making and representation in relation to embodiment and experience. May Friedman is a faculty member at Toronto Metropolitan University. Much of May’s work explores issues of fat activism and weight stigma in many different settings. Using a range of arts-based methods including digital storytelling as well as analyses of treasured garments, May has explored meaning making and representation in relation to embodiment and experience.May Friedman is a faculty member at Toronto Metropolitan University. Much of May’s work explores issues of fat activism and weight stigma in many different settings. Using a range of arts-based methods including digital storytelling as well as analyses of treasured garments, May has explored meaning making and representation in relation to embodiment and experience.May Friedman is a faculty member at Toronto Metropolitan University. Much of May’s work explores issues of fat activism and weight stigma in many different settings. Using a range of arts-based methods including digital storytelling as well as analyses of treasured garments, May has explored meaning making and representation in relation to embodiment and experience.May Friedman is a faculty member at Toronto Metropolitan University. Much of May’s work explores issues of fat activism and weight stigma in many different settings. Using a range of arts-based methods including digital storytelling as well as analyses of treasured garments, May has explored meaning making and representation in relation to embodiment and experience.May Friedman is a faculty member at Toronto Metropolitan University. Much of May’s work explores issues of fat activism and weight stigma in many different settings. Using a range of arts-based methods including digital storytelling as well as analyses of treasured garments, May has explored meaning making and representation in relation to embodiment and experience.May Friedman is a faculty member at Toronto Metropolitan University. Much of May’s work explores issues of fat activism and weight stigma in many different settings. Using a range of arts-based methods including digital storytelling as well as analyses of treasured garments, May has explored meaning making and representation in relation to embodiment and experience.May Friedman is a faculty member at Toronto Metropolitan University. Much of May’s work explores issues of fat activism and weight stigma in many different settings. Using a range of arts-based methods including digital storytelling as well as analyses of treasured garments, May has explored meaning making and representation in relation to embodiment and experience.May Friedman is a faculty member at Toronto Metropolitan University. Much of May’s work explores issues of fat activism and weight stigma in many different settings. Using a range of arts-based methods including digital storytelling as well as analyses of treasured garments, May has explored meaning making and representation in relation to embodiment and experience.May Friedman is a faculty member at Toronto Metropolitan University. Much of May’s work explores issues of fat activism and weight stigma in many different settings. Using a range of arts-based methods including digital storytelling as well as analyses of treasured garments, May has explored meaning making and representation in relation to embodiment and experience.May Friedman is a faculty member at Toronto Metropolitan University. Much of May’s work explores issues of fat activism and weight stigma in many different settings. Using a range of arts-based methods including digital storytelling as well as analyses of treasured garments, May has explored meaning making and representation in relation to embodiment and experience. May Friedman is a faculty member at Toronto Metropolitan University. Much of May’s work explores issues of fat activism and weight stigma in many different settings. Using a range of arts-based methods including digital storytelling as well as analyses of treasured garments, May has explored meaning making and representation in relation to embodiment and experience.
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 28
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031415043
    Language: English
    Pages: 1 Online-Ressource(XXIII, 286 p. 12 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Games in Context
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.487
    Keywords: Games. ; Popular Culture. ; Ethnology ; Culture.
    Abstract: 1. Introduction -- Part I: HISTORY -- 2. “The History of the Twentieth-Century Chinese Game Industry: The Practice of Domestic Games as Evidence” (Jian Deng, PhD, postdoc researcher, Peking University) -- 3. “From Game Addiction to Game Culture: The Panorama of Chinese Video Game Research” (Jing Sun, PhD, Director of Game Research Center at Perfect World) -- Part II: ECONOMICS, INDUSTRIAL ORGANIZATION, AND POLICY -- 4. “Exploring Cultural Policy and Gaming Entrepreneurship in Shanghai: An Entrepreneurial Ecosystem Perspective” (Gejun Huang, PhD, assistant prof, Soochow University) -- 5. “Online Streaming and Digital Distribution Platforms: The Introduction of Western Games to Chinese Markets” (Mateusz Felczak, PhD, SWPS University of Social Sciences and Humanities) -- 6. “Japanese Game Company Strategies for Entering China: Comparative Case Studies from 1989 to 2019” (Akinori Nakamura, PhD, professor, Ritsumeikan University) -- Part III: PLAYER STUDIES -- 7. “Competitive, Emotional, and Social: The In-Game Purchase Mechanism and Player Motivations in Onmyoji” (Shule Cao, PhD, associate professor,Tsinghua University, and Xinyi Xu, MA student, University College of London) -- 8. “Real Emotions in Virtual Play: The Impact of Honor of Kings on Players’ Attitudes toward and Cognition of Historical Figures” (Wei He, PhD, associate professor and Yue Li, MA student, Beijing Normal University) -- Part IV: CULTURE -- 9. “Fan Empowerment and the Voice of the Production Sectors: A Discourse Analysis of the Contemporary Gaming Culture in China” (Boris L. F. Pun, PhD, postdoc fellow, Chinese University of Hong Kong) -- 10. “Women’s Esports in Hong Kong” (Hanna Wirman, PhD, associate professor, IT University of Copenhagen, and Rhys Jones, PhD, research associate, Hong Kong Polytechnic University) -- 11. “The Rise of Senior Gamers in the Greater China Region: A Text-Mining Analysis of Digital Game Industry Discourses” (Kenneth C. C. Yang, PhD, professor, University of Texas at El Paso, and Yowei Kang, PhD, assistant professor, National Taiwan Ocean University).
    Abstract: The recent and dramatic development of China’s economy and international political muscle is especially pronounced in the country’s video game industry. Now the largest of its kind in the world by gross revenue, the Chinese video game industry impacts every player in the global game market and has begun to directly influence the nature of the video game medium itself. From its conceptualization of the player as a category and commodity, to its approach to the design, development, and marketing of products and services, the Chinese game industry is engaging in a complex, innovative, and fascinating reimagining of the video game as a cultural and industrial force. The purpose of The Chinese Video Game Industry is to help introduce and investigate this industrial and cultural powerhouse. The book’s contributors array the industry across its history, economics, organization, politics, and cultures, documenting its rise, exploring its operational, cultural, and aesthetic characteristics, and capturing its context vis-à-vis the global media landscape. In so doing, the contributors provide a robust resource for anyone interested in studying, building, or even simply appreciating games. Feng Chen is Student Affairs Counselor in the International Cooperation & Student Affairs Office at Shenzhen Technology University. He holds a PhD in East Asian Studies from the University of Arizona. Ken S. McAllister is the Associate Dean of Research & Program Innovation in the College of Humanities at the University of Arizona, where he is also a Professor in the Department of Public & Applied Humanities. Judd Ethan Ruggill is Professor and Head of the Department of Public & Applied Humanities at the University of Arizona. He and Ken McAllister co-direct the Learning Games Initiative (lgira.mesmernet.org), a transdisciplinary, inter-institutional research group they co-founded in 1999 to study, teach with, build, and archive games.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031529092
    Language: English
    Pages: 1 Online-Ressource(VII, 115 p. 22 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    DDC: 306.2
    Keywords: Political sociology. ; Ethnology ; Culture. ; Law.
    Abstract: Introduction: The judiciary from the inside -- Chapter 1: Judicial politics in Mexico. Understanding the legal culture of judges -- Chapter 2: Studying judicial elites. A Methodological approach -- Chapter 3: Who inhabits the judiciary? Social origins and professional trajectories of the judicial elite -- Chapter 4: The internal dynamics of the judiciary: recruitment and judicial career -- Chapter 5: Judges' legal culture in Mexico -- Conclusion: Is the judiciary a traditionalist, nepotistic, and formalist institution?. .
    Abstract: Her research makes an important methodological contribution to exploring legal culture and to comparative, ideational studies of judicial behavior. --Rachel Sieder, CIESAS, Mexico City. This rich sociolegal analysis is a welcome addition to the judicial and legal scholarship in Mexico and beyond. --Julio Ríos Figueroa, ITAM. This book explores the careers, professional trajectories and legal cultures of judges in the federal judiciary in Mexico. So far, there has been limited research on internal factors contributing to the understanding of judicial power dynamics in Mexico and other Latin American countries at large; this Work fills an important gap in the literature through its empirical investigation of internal legal cultures and judicial norms, offering new data, measurement strategies,and insights into the interactions between law, politics, norms, legal culture(s), as well as judicial behavior. Utilising an original survey, the chapters analyse judicial conceptualizations of role norms, legal cultures, proclivities for judicial activism, and judicial behavior. In so doing, this book contributes to understanding of underlying key internal factors of judicial activism or restraint, in turn moving forward the debate that seeks to explain judicial behavior reliant on internal and ideational perspectives. Complementing limited but existing studies of judicial politics in Mexico through its analysis of judges beyond those that sit at the Supreme Court, this book will be of particular interest to Latin-American judicial politics scholars due to its focus on the judicial power from internal perspectives as well as sub-national judges, filling a void in the literature vis-à-vis the study of courts in Latin America. This Work was originally written in Spanish, and the translation was done with the help of artificial intelligence. A subsequent human revision was done primarily in terms of content. Azul A. Aguiar Aguilar is Professor of political science in the Department of Sociopolitical and Legal Studies at ITESO, the Jesuit University of Guadalajara, Mexico. She holds a PhD in Political Science from the University of Florence, Italy. She teaches courses of political science, judicial politics and theories of democracy in undergraduate and graduate programs at ITESO and the University of Guadalajara. Her research interests include comparative judicial politics and democratization processes. Professor Aguiar has edited books and published several articles in peer review journals about democracy, courts, and justice-sector institutions. She has been distinguished as a member of the National Researchers System in Mexico.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    ISBN: 9783031463235
    Language: English
    Pages: 1 Online-Ressource(XXII, 289 p. 14 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Consumption and Public Life
    Parallel Title: Erscheint auch als
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    DDC: 306
    RVK:
    Keywords: Culture. ; Sustainability. ; Consumer behavior. ; Sociology.
    Abstract: Chapter 1 -Digital food provisioning in a time of multiple crises: an introduction -- Chapter2 - Online food provisioning services and where to find them: Pipelines, platforms and the rise of dark stores -- Chapter 3 - Sustainable and Purchasing Behavior of Online Food Shoppers: Survey Results from Italy, Ireland, and Germany -- Chapter 4 -Driving the digital and sustainable transition through law: assessing the food consumer’s legal toolkit -- Chapter 5 -Infrastructure, impulsivity, and waste. Exploring the (un)sustainable routines of mainstream food shoppers -- Chapter 6 –Making the Consumption of Food Circular: The Karma App and the Re-qualifications of Surplus Food -- Chapter7 -From grassroots to platforms: how digitalization reconfigures learning and engagement with food. Chapter 8-Food, Health and Sustainability: Choice, Care, Alternatives.
    Abstract: This edited collection brings together theoretical and empirical reflections on the role played by new technology and digital platforms in the provision of food. The way food is produced, distributed, consumed and disposed has significant consequences for the environment, affecting soil fertility, water and air quality, the state of the climate and the loss of biodiversity. Such negative effects are strictly related to the agro-industrial system of production and consumption, based on logic of low prices, high availability and high waste. This collection brings together a carefully curated range of insights from a team of twenty researchers coming from different fields working in different European universities engaged in the same project for more than three years. As a result, this book will appeal to people working on food studies and on sustainable food production and consumption, offering both conceptual-theoretical insights into contemporary food issues alongside empirical illustrations. Arne Dulsrud is Research Professor at Consumption Research Norway (SIFO), OsloMet,Norway. He has published widely on consumer policy issues, economic sociology and food policy both in books and journals. Francesca Forno is Associate Professor of Sociology at the Department of Sociology and Social Research, University of Trento, Italy. She has published on civic participation and social movements.
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  • 31
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031531842
    Language: English
    Pages: 1 Online-Ressource(X, 214 p.)
    Edition: 1st ed. 2024.
    Series Statement: Crime Files
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Literature, Modern ; Ethnology ; Culture. ; Mass media and crime.
    Abstract: Chapter 1. Sherlock Holmes versus Jack the Ripper -- Chapter 2. Enter Holmes and Jack -- Chapter 3. Parallel Culture-Texts -- Chapter 4. The Versus Storyworld -- Chapter 5. Palimpsestuous Holmes -- Chapter 6. Polymorphous Jack -- Chapter 7. (Mis)Remembering Secondary Characters -- Chapter 8. Neo-Casting or Decentring the Great Detective -- Chapter 9. Detective Doyle.
    Abstract: "Lucyna Krawczyk-Żywko’s ambitious study pursues the endlessly intriguing parallel textual lives of Sherlock Holmes and Jack the Ripper. The strange case that she sets out to solve is the extensive but neglected corpus of versus narratives: texts in which the great detective sets out to defeat the Whitechapel murderer. Krawczyk-Żywko convincingly reads these works as part of a rich textual constellation influenced by the overlapping Sherlockian and Ripperological culture texts. Her book’s focus will inevitably intrigue aficionados of Holmes and its insights into aspects of adaptation, neo-Victorianism and biofiction mean it will also appeal strongly to scholars in these areas." —Dr Chris Louttit, Radboud University, The Netherlands In versus narratives Sherlock Holmes is fighting or otherwise engaging Jack the Ripper. These texts pit the archetypal detective against the archetypal serial killer using established formulas as well as new narrative and generic features, a combination that results in their mass appeal among authors and audiences alike. The list of primary sources includes 120 titles – novels, short stories, plays, fanfiction, ‘Grand Game’ studies, movies, TV shows, video and board games – which are treated as a dialogic network of transfictional and transmedial texts. This study unpacks the versus corpus in its media dispersal by analysing Sherlock Holmes and Jack the Ripper as serial figures and culture-texts emphasising the increasing palimpsestousness of the former and the multidirectional polymorphousness of the latter, and tracing the overlapping Doylean culture-text. It also addresses the way character constellations are represented, negotiated, and fed back into the versus network, contextualising them within the coalescence of fact and fiction, Gothic and crime fiction frames, cultural memory, neo-Victorianism, and biofiction. Lucyna Krawczyk-Żywko is Assistant Professor at the Institute of English Studies, University of Warsaw, Poland. She coordinates the research group 'From Queen Anne to Queen Victoria' and initiated the Changing Narratives conference series. Her research combines neo-Victorian, crime fiction, and adaptation studies and focuses on the rewritings of Victorian villains and detectives.
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  • 32
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031412196
    Language: English
    Pages: 1 Online-Ressource(XIV, 166 p.)
    Edition: 1st ed. 2024.
    Series Statement: Literary Disability Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Literature, Modern ; Literature, Modern ; Creative nonfiction. ; Space. ; Culture. ; Ecocriticism.
    Abstract: 1. Preface; Susannah B. Mintz and Gregory Fraser -- 2. Disability and Memoir; G. Thomas Couser -- 3. Disability and Space; Rob Imrie -- Part 1: Into the Wide Open -- 4. Learning the Camino Real—Disability and the Desert; Sheila Black -- 5. Headlamps and Fireside Light; Rachel Kolb -- 6. A Sense of Place and Cyberspace: The Hybrid Way I Live, Work, and Play; Gyasi Burks-Abbott -- 7. Ad Astra Per Aspera (To the Stars Through Difficulties); Brenda Jo Brueggemann -- Part 2: Metro-Geographies -- 8. Peaks and Valleys: A Collaborative Essay about Disability in the Bronx; Annette Serrano, Cindy Hernandez, Andrew Whyte, Sonia Gonzalez, Jovan Campbell, and Mary Morfe (with an introduction by Julia Miele Rodas) -- 9. Blindness and Dyslexia in the Movements of Everyday Life in Toronto; Rod Michalko and Tanya Titchkosky -- 10. Disability in New York City Schools and Preparing Teachers to Work in Them; Laurie Rabinowitz -- 11. Drenched Lands, Blood Compost: Disability, Land, and the Asylum Project; Petra Kuppers -- Part 3: Liminal (Dis)locations -- 12. A Tide in the River: Auditory Ecologies of Dyarubbin; Nicole Matthews -- 13. Hydra, New Hampshire; Stephen Kuusisto -- 14. Between Places; Leigh A. Neithardt -- 15. The Lie of the Land; Annmaree Watharow -- 16. Body Workers; Ellen Samuels -- 17. Never in one Place: On Waking in a Different Body; Anand Prahlad.
    Abstract: Placing Disability presents an international collection of personal essays that address the experience of disability in particular geographical locations. Each chapter engages the question of what it means to be disabled in a specific place, exploring issues of movement, work and play, community and activism, artistic production, love and marriage, access and social services, family and friendship, memory and aging—all informed by the places that people inhabit. The book is organized in terms of topographies and vistas, rather than being bound by the map, to emphasize the defining, constitutive effects of place. The authors included in Placing Disability hail from different countries, neighborhoods, climates, and landscapes; from various backgrounds and professions; from a range of disciplinary perspectives and strategies. They are trained as academics, literary critics, poets, students, public speakers, memoirists, educators, philosophers, administrators, and activists. Their essays refine our understanding of the complex dynamic between self and circumstance as they survey the impact of geographical region on their life experiences. This book is intended to be useful in creative-writing workshops, Disability Studies seminars, and classes on environmental literature, and to appeal to general readers of memoir as well as to scholars of contemporary body theory or the Anthropocene. Susannah B. Mintz is Professor of English at Skidmore College. Her books include the memoir Love Affair in the Garden of Milton (2021) and four scholarly volumes on disability and literature. She is also the co-editor of four collections of work on disability issues, including Disability Experiences (2019, with G. Thomas Couser). Gregory Fraser is Professor of English at the University of West Georgia. He is the author of four poetry collections, most recently Little Armageddon (2021), and co-author of two writing textbooks. Fraser’s poetry has appeared in journals including The New Yorker, The Paris Review, The Southern Review, and Ploughshares. He is the recipient of several awards, including grants from the National Endowment for the Arts and the Guggenheim Foundation.
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  • 33
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031541322
    Language: English
    Pages: 1 Online-Ressource(XI, 156 p. 10 illus., 9 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Macmillan Memory Studies
    Parallel Title: Erscheint auch als
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    Keywords: Collective memory. ; Ethnology ; Culture.
    Abstract: Chapter 1: Introduction -- Chapter 2: Memory and scales: culture, institutions, and interaction -- Chapter 3: Shifting memory narratives: the macro-meso link -- Chapter 4: Meso-processes: outsourcing the administration of European memory -- Chapter 5: Micro-level implementation: the politics of situations -- Chapter 6: Epistemic authority in the micro-details of pedagogical memory discourse -- Chapter 7: Conclusion.
    Abstract: This book investigates the entanglement of memory and morality in an extended case study of the memory policy of the European Commission between 2014 and 2020. The main empirical aim is to provide an understanding of how the European Commission, various non-governmental intermediary institutions (including the Memory Studies Association and Euroclio) and, in the end, participants in policy projects, attribute meaning to the past and connect that past with specific norms and values. The book queries how the European Commission turns more general cultural memories into concrete moral discourses in its memory policy; how these policies are institutionally operationalised; what draws these institutions to the European Commission’s memory policy; and what happens when individual citizens are exposed to the outcomes of those policy projects. Theoretically, Outsourcing the European Past integrates theories from cultural sociology, political science, cultural studies and sociolinguistics in an innovative theory of memory. Thomas Van de Putte, PhD, is Postdoctoral Researcher at King’s College London. His first book, Contemporary Auschwitz/Oswiecim: a synchronic, interactional approach to collective memory was published in 2021. He works on questions of cultural and collective Holocaust memory, combining perspectives from sociology, linguistics and cultural studies.
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  • 34
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031535291
    Language: English
    Pages: 1 Online-Ressource(XIII, 237 p. 2 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Translating and Interpreting
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Translating and interpreting. ; Comparative literature. ; Interpretation, Literary. ; Ethnology ; Culture.
    Abstract: Chapter 1. Introduction -- Chapter 2. A Review of Goldblatt’s Translation of Mo Yan’s Works -- Chapter 3. Translation, Rewriting and Manipulation -- Chapter 4. The Study -- Chapter 5. Poetological Factors in Goldblatt’s Translation of 生死疲劳(Sheng Si Pi Lao).-Chapter 6. Ideological Factors in Goldblatt’s Translation of 生死疲劳(Sheng Si Pi Lao).-Chapter 7. Patronage Factors in Goldblatt’s Translation of 生死疲劳(Sheng Si Pi Lao) -- Chapter 8. Translator Subjectivity in Goldblatt’s Translation of 生死疲劳(Sheng Si Pi Lao).-Chapter 9. Discussion -- Chapter 10. Conclusion. .
    Abstract: This book presents an in-depth analysis of Howard Goldblatt’s translation of Mo Yan’s Life and Death Are Wearing Me Out (L&D). It explores how Goldblatt translates the original novel under the influence of three major manipulative powers: poetics, ideology and patronage, as well as his own subjectivity (translator subjectivity), to achieve his objectives as a literary translator. The author analyses both the translation and its paratext to gain a more complete understanding of Goldblatt’s accomplishments, and examines how Goldblatt rewrites the original text under the influence of various patronage factors, such as the original author, publisher, editor, market expectancy, literary collaborator, and the target reader. This book provides a comprehensive picture of the production, reception and dissemination of Goldblatt’s translation, exposing the motivations behind his translation in full measure, and it will be of interest to students and scholars of Translation Studies, Comparative Literature and Literary Studies, and Chinese Culture and Literature. Hu Liu is lecturer at the School of Foreign Studies, West Anhui University, China. He completed his PhD in translation studies at the University of Sydney, Australia, from 2016 to 2021.
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  • 35
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031449956
    Language: English
    Pages: 1 Online-Ressource(IX, 235 p. 1 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Fiction. ; Economics. ; Culture.
    Abstract: 1. Introduction: Cosmopolitanism’s New Orientations -- 2. New Intersections in Fiction: Cosmopolitanism, Culture and Economics -- 3. Narrative Glocality and The Cosmoflâneur in Ian McEwan’s Saturday.-4. Vernacular Cosmopolitanism, Cosmopolitan Culture and Economics in Zadie Smith’s NW.-5. Cosmopolitan Identity and Narration in Salman Rushdie’s The Golden House: The Move Towards Vernacular Cosmopolitanism.-6. Posthuman Cosmopolitanism and Post-Covid-19 Sensitivities In Kazuo Ishiguro’s Klara And The Sun.-7. Conclusion: The Genre of The Contemporary -- References.-Index.
    Abstract: “A nuanced, carefully articulated and insightful piece of scholarship. Paying attention to urgent political and social developments, including Brexit and Covid-19, Elif Toprak Sakız deepens our understanding of the dynamic interplay between culture and economics in the twenty-first century.” - Kristian Shaw, Associate Professor of English Literature, University of Lincoln, U.K “Through an engaging assessment of exemplary works of contemporary British fiction, Toprak-Sakiz provides a rich, thoughtful and critical reflection on the multiple meanings and dimensions of cosmopolitanism. This is an extremely timely and vital discussion on a key topic for our turbulent times.” - Steven Vertovec, Director of the Department of Socio-Cultural Diversity, Max Planck Institute for the Study of Religious and Ethnic Diversity, Germany This book investigates how culture and economics define novel forms of cosmopolitanism and cosmopolitan fiction. Tracing cosmopolitanism’s transition from universalism to vernacularism, the book opens up new avenues for reading cosmopolitan fiction by offering a precise and convenient set of terminology. The figure of the cosmoflâneur identifies a contemporary cosmopolitan character’s urban mobility and wandering consciousness in interaction with the global and the local. Posthuman cosmopolitanism also extends the meaning of cosmopolitan which comes to embrace the nonhuman alongside the human element. Defining narrative glocality, political hyper-awareness, and narrative immediacy, the book thoroughly explores how cosmopolitan narration forges direct responses to the contemporary world in postmillennial cosmopolitan novels. All of these concepts are elaborated in Ian McEwan’s Saturday (2005), Zadie Smith’s NW (2012), Salman Rushdie’s The Golden House (2017), and Kazuo Ishiguro’s Klara and the Sun (2021), to which world-engagement is central. Elif Toprak Sakız holds a PhD in English Literature from Middle East Technical University, Ankara, Türkiye. Her areas of interest include cultural studies, twenty-first-century fiction, narrative theory and posthumanism. She is a lecturer of Foreign Languages and Comparative Literature at Dokuz Eylul University, where she has been teaching since 2010. She has published several articles in the fields of contemporary fiction, postcolonialism, gender studies and comparative literature.
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  • 36
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031364419
    Language: English
    Pages: 1 Online-Ressource(XIII, 286 p. 3 illus., 2 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Journalism. ; Communication in politics. ; Ethnology ; Culture.
    Abstract: 1. Introduction. Not Authoritarian, but Not Yet Democratic: the Mexican authoritarian legacies in media and politics. Volume editors -- Part 1. Media Systems, Regulation and Historical Antecedents: Explaining Continuities -- 2. Media Systems in Unconsolidated Democracies: the case of Mexico. Manuel Alejandro Guerrero -- 3. Challenges in Protecting Freedom of Expression in Mexico: 20 years of progress with poor results. Salvador de Leon Vazquez. -- 4. The Salinas Years, 1988-1994: Watershed in the opening of Mexico's print media?. Andrew Paxman -- Part 2. The Burden of Being a Journalist in Mexico: Risk, Security and Censorship -- 5. Surviving Mexico's Peripheries: limits and constraints among journalists in the Twenty-First Century. Celeste Gonzalez de Bustamente & Jeannine Relly -- 6. Still Dreaming of Democracy: How professional norms from the political opening shape risk and resilience today. Sallie Hughes -- 7. Defective Democracy, Erosion of Freedom of Press, and the Perils of Being a Journalist in Mexico Two Decades After the Democratic Transition. Ruben Arnoldo Gonzalez, Osiris S. Gonzales-Galvan -- 8. AMLO and Freedom of the Press: The struggle between conflicting visions of communicative strategies in Mexico. Stuart Davis & Melissa Santillana -- Part 3. Post-Authoritarian Media Performance: Actors and Representations in Dispute -- 9. Mediatization in post-authoritarian democracies: 20 years of media logic in Mexican press. Martin Echeverria -- 10. Press and Civil Society: Alliance and mistrust in Mexican transition to democracy. Grisel Salazar -- 11. Television Political Satire and the Mexican Democratic Transition. Frida V. Rodelo.
    Abstract: This volume presents an analytical and empirical overview of the array of issues that the Mexican media faces in the post-authoritarian age, which jointly explains how a partially accomplished democracy, its authoritarian inertias, and its unintended consequences hinder the democratic performance of the media. This is analyzed from three points of view: the stalemate Mexican media system and ineffective regulations, the conditions of risk and insecurity of the journalists on the field, and the limits of freedom of expression, political substance, and inclusiveness of media content. A binational effort, with research from US and Mexican authors, a wide analytic perspective is provided on the macro, meso, and micro levels, allowing for a deep conceptual richness and a comprehensive understanding of the Mexican case. With leading researchers in the field, the volume revolves around the problems of the media in post-authoritarian democracies. By answering the questions of how and why the Mexican media has not fully democratized, the works encompassed here can resonate with and are relevant to other post-authoritarian countries and academic disciplines. Martin Echeverria is Full-Professor at the Centre for Studies in Political Communication, Institute of Government Sciences and Strategic Development, Benemerita Universidad Autonoma de Puebla, Mexico. Ruben Arnoldo Gonzalez is Full-Professor at the Centre for Studies in Political Communication, Institute of Government Sciences and Strategic Development, Benemerita Universidad Autonoma de Puebla, Mexico.
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  • 37
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031301797
    Language: English
    Pages: 1 Online-Ressource(XVII, 264 p.)
    Edition: 1st ed. 2024.
    Series Statement: American Literature Readings in the 21st Century
    Parallel Title: Erscheint auch als
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    Keywords: America ; Ethnology ; Culture. ; Race. ; Globalization. ; Emigration and immigration.
    Abstract: Introduction: Beyond Borders. Inclusion and Exclusion in American Culture -- Isamu: Becoming Nisei -- Part I. Perpetuating Otherness. Relocation to the Outside Within -- “Don’t Fence Me In”: Interiorized Outsides and Japanese American Concentration Camps -- The Resonance of the Hostage Crisis in Funny in Farsi: A Memoir of Growing up Iranian in America (2004) and the Limits of Hospitality -- Cartographies of Inclusion/Exclusion and Contested Belongings in Raquel Cepeda’s Bird of Paradise: How I Became a Latina -- Part II. Beyond Sovereign Frames: Contesting Imaginaries and National Myths -- Foreigners in their Own Land: Nathaniel Hawthorne and the Creation of Tolerated Strangers -- E Pluribus Unum?: Disintegrating the Melting Pot Myth in American Science Fiction Narratives of National Fragmentation -- Inhospitable Homelands: Practices of Inclusion and Exclusion in African American War Narratives -- Monsters or Men?: Guillermo del Toro’s Allegories of American Othering in The Shape of Water -- Part III. Welcoming the Stranger Inside?: Exclusive Inclusion in the Age of Neoliberalism -- Strangers in the Homeland: Dystopic (in)Hospitality in McCarthy’s The Road -- Riding the Beast: Of Borders, Aliens, and Hospitality in Valeria Luiselli’s Lost Children Archive (2019) and Tell Me How It Ends (2017) -- Grief, Hospitality, and the Frontier in Chloé Zhao’s Nomadland (2020) -- Nonsecular Thirdspaces in Ayad Akhtar’s American Dervish and Homeland Elegies -- The Ugly Guy (Novel Excerpt).
    Abstract: American Borders: Inclusion and Exclusion in US Culture provides an overview of American culture produced in a range of contexts, from the founding of the nation to the age of globalization and neoliberalism, in order to understand the diverse literary landscapes of the United States from a twenty-first century perspective. The authors confront American exceptionalism, discourses on freedom and democracy, and US foundational narratives by reassessing the literary canon and exploring ethnic literature, culture, and film with a focus on identity and exclusion. Their contributions envision different manifestations of conviviality and estrangement and deconstruct neoliberal slogans, analyzing hospitable inclusion in relation to national history and ideologies. By looking at representations of foreignness and conditional belonging in literature and film from different ethnic traditions, the volume fleshes out a new border dialectic that conveys the heterogeneity of American boundaries beyond the opposition inside/outside. Paula Barba Guerrero is Assistant Professor of American Literature and Culture at Universidad de Salamanca, Spain. Her research interests include African American literature, space studies, memory, nostalgia, and speculative fiction. Mónica Fernández Jiménez holds a PhD in English from the University of Valladolid, Spain, and currently works as a translator in England. Her research interests include Caribbean literature, Postcolonial Studies, American imperialism, and ecocriticism.
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  • 38
    ISBN: 9783031398926
    Language: English
    Pages: 1 Online-Ressource(XVII, 303 p. 4 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Macmillan Memory Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Collective memory. ; Cultural property. ; Ethnology. ; Culture. ; Peace.
    Abstract: CHAPTER 1: Introduction. Mass atrocities, memory and cultural representations in the Global South - Lungile A. Tshuma, Mphathisi Ndlovu and Shepherd Mpofu -- CHAPTER 2: Decolonizing memory studies - Lungile Augustine Tshuma -- CHAPTER 3: The Cold War politics and the dynamics of conflicts in the Global South - Mphathisi Ndlovu and Lungile A. Tshuma -- CHAPTER 4: Resisting oblivion and memory: The destruction of Gukurahundi memorial plaques in Zimbabwe - Shepherd Mpofu and Siphosami Malunga, Executive Director of the Open Society Initiative for Southern Africa (OSISA) and a human rights lawyer -- CHAPTER 5: A Country of Mass Graves: Topography of Death and the Spectrality of Disappearances in Contemporary Mexico - Pedro J Gonzalez Corona, PhD, Assistant Professor - Holocaust Studies, University of Texas at Dallas, USA -- CHAPTER 6: Memories of Nigeria-Biafra War, 1967-1970: A Case of Nsukka Igbo - Ngozika Anthonia Obi-Ani, Senior Lecturer in the Department of History and International Studies, University of Nigeria, Nsukka -- CHAPTER 7: Memoricide, Apologias, and Representation: Centring Rwanda’s ‘Double Genocide’ Discourse in the Present Tense - Nick Mdika Tembo, PhD, Associate Professor and Head of the English Department at the University of Malawi -- CHAPTER 8: Fiction literary texts as sites of alternative memory and archive making. By Gibson Ncube, PhD, Lecturer at Stellenbosch University and Yemurai Gwatirisa, PhD, Senior Lecturer at the University of Zimbabwe -- CHAPTER 9: “Carving their place in history”: Reconstructing Public Memories of Colonial Struggle through Women’s Writing. By Asante Lucy Mtenje, PhD, Associate Professor at University of Malawi -- CHAPTER 10: Genocide, memory work and the falsehood of human rights in postapartheid South Africa - Khanyile Mlotshwa, PhD, Rosa Luxemburg Stiftung (RLS) Global Scholarly Dialogue Programme research fellow -- CHAPTER 11: ‘Witnessing’ and ‘postmemories’ in Gukurahundi Documentary Films: A case study of The Children of the Genocide (2021) - Mphathisi Ndlovu -- CHAPTER 12: Exploring the representation of genocidal rape in Hotel Rwanda (2004) and The Greatest Silence: Rape in the Congo (2007): A gendered perspective - Blessed Ngwenya, PhD, Research Associate at the University of South Africa, and Mcebisi Ngwenya, Independent Researcher -- CHAPTER 13: The constructions of the Homoine massacre in Mozambican mainstream newspapers - Isaias Carlos Fuel, PhD candidate at Universidade Federal do Rio Grande do Sul, Brazil, Alexandre Dinis Zavala, PhD, Lecturer at Escola Superior de Journalismo, Mozambique and Carlos Vitannisso, lecturer at Escola Superior de Journalismo, Mozambique -- CHAPTER 14: On memory-making: Truth telling, reconciliation and peacebuilding in Zimbabwe - Darlington Tshuma, policy analyst and governance specialist/2021 Africa Policy Fellow of the School of Transnational Governance (STG) at the European University Institute in Florence, Italy and Talent Moyo, Lecturer at the Midlands State University, Zimbabwe.
    Abstract: This book explores how popular cultural artifacts, literary texts, commemorative practices and other forms of remembrances are used to convey, transmit and contest memories of mass atrocities in the Global South. Some of these historical atrocities took place during the Cold war. As such, this book unpacks the influence or role of the global powers in conflict in the Global South. Contributors are grappling with a number of issues such as the politics of memorialization, memory conflicts, exhumations, reburials, historical dialogue, peacebuilding and social healing, memory activism, visual representation, transgenerational transmission of memories, and identity politics. Mphathisi Ndlovu is a research fellow at Stellenbosch University (South Africa). Mphathisi is also an Associate Professor of Journalism and Media Studies at the National University of Science and Technology (Zimbabwe). He is also an alumnus of the Alliance for Historical Dialogue and Accountability (AHDA) fellowship at Columbia University's Institute for the Study of Human Rights. Mphathisi holds a PhD in Journalism from Stellenbosch University. His research interests are in collective memory, identity politics and digital cultures. Mphathisi’s works have been published as book chapters, and peer reviewed articles in journals such as Digital Journalism, African Cultural Studies, Journal of Genocide Research, and Nations and Nationalism. Mphathisi is also co-editor of a book titled The Idea of Matabeleland in Digital Spaces: Genealogies, Discourses and EpistemicStruggles (2022). Lungile Augustine Tshuma holds a PhD in Journalism from the University of Johannesburg, South Africa. He is a Senior PostDoctoral Fellow in the Department of Communication and Media at the University of Johannesburg in South Africa. Lungile is also an Associate Professor in the department of Journalism and Media Studies at the National University of Science and Technology (Zimbabwe). His research interests are in journalism, photography and memory. He has published in local and international peer reviewed journals and among them are: African Journalism Studies, Nations and Nationalism, Media Culture and Society, and Journal of Communication Inquiry. Shepherd Mpofu is Associate Professor of Media and Communication at the University of South Africa. He has published several articles on communication, media and journalism in Africa. His body of work covers social media and politics; social media and identity; social media and protests. He is the co-editor of New Journalism Ecologies in East and Southern Africa: Innovations, Participatory and Newsmaking Cultures (Palgrave 2023); Decolonising Media and Communication Studies Education in Sub-Saharan Africa (Routledge 2023) and Mediating Xenophobia In Africa (Palgrave 2020). He is editor of The Politics Of Laughter In The Social Media Age: Perspectives From The Global South (Palgrave Macmillan 2021) and Digital Humour In The COVID-19 Pandemic: Perspectives From The Global South (Palgrave Macmillan 2021).
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    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031401473
    Language: English
    Pages: 1 Online-Ressource(XXI, 106 p. 2 illus.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    DDC: 304.82
    Keywords: Emigration and immigration ; Culture. ; Emigration and immigration. ; Political sociology. ; Europe
    Abstract: 1. Introduction -- 2. Pandemic And Politics – The Two ‘P’s In A Pod -- 3. Refuge From The Bovine -- 4. Gendering The Immigrants -- 5. In Pursuit Of Freedom: Queer Girl Moves To Berlin! -- 6. Immigrants As Homemakerspandemic, Time And Certitude -- 7. Biocitizenship Of Immigrants -- 8. Imagining Tomorrow.
    Abstract: By focusing on the question “Why leave?” Amrita Datta tells touching human stories as part of an important global trend: the reconfiguring mobility amidst rapid political changes and an unprecedented pandemic. Nuanced and powerful, the book shows that migration is never about jobs or status only, it is also about everyday dignity and liveability, for instance the ability of making friends and moving around in a city safely, which are in turn conditioned by large political forces. A very timely and significant contribution to migration studies and global anthropology. -------- Biao Xiang, Director, Anthropology of Economic Experimentation, Max Planck Institute for Social Anthropology, Halle, Germany This book tells the stories of Indian immigrants in Germany, including Blue Card holders and students categorized as highly skilled migrants, as well as others choosing shadow migration pathways in order to leave the country. It investigates their motivations for leaving India and choosing Germany as an immigration destination. Grappling with the stories of tech workers fleeing the pandemic, activists fleeing the witch hunting of the government, women escaping gender(ed) violence and queer people seeking freedom, this book uses reflexivity as an analytical tool. Investigation of their transcultural practices also reveals a general intent among Indians to create homes in Germany, despite several challenges to such efforts, including structural and everyday symbolic racism. Amrita Datta is a migration scholar currently based at the Department of Sociology, University of Siegen, Germany, as a Marie Sklowdowska-Curie Fellow. Earlier, she earned a doctoral degree in Sociology from the Centre for the Study of Social Systems, Jawaharlal Nehru University, New Delhi, India. .
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  • 40
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783030721350
    Language: English
    Pages: 1 Online-Ressource(XIV, 329 p. 18 illus., 10 illus. in color.)
    Edition: 1st ed. 2023.
    Series Statement: New Caribbean Studies
    Parallel Title: Erscheint auch als
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    Keywords: Literature—History and criticism. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Ethnology—Latin America. ; Latin American literature. ; Culture. ; Literature, Modern ; Literature, Modern ; Ethnology ; Literature
    Abstract: 1.Introduction: Counter-narratives of History -- 2. A Caribbean Poetics: Fragmentation and Call-and-Response -- 3. Polyphonic Counter-archives Christopher Cozier’s Tropical Night and M. NourbeSe Philip’s Zong! -- 4. A fragmented poetics of location in The Farming of Bones and The Brief Wondrous Life of Oscar Wao -- 5. Counter-narratives in Black British and Caribbean art in Britain -- 6. A Genealogy of Resistance´ Writings by Inés María Martiatu-Terry, Mayra Santos-Febres and Yolanda Arroyo Pizarro -- 7. CODA.
    Abstract: This book discusses an archival turn in the work of contemporary Caribbean writers and visual artists across linguistic locations and whose work engages critically with various historical narratives and colonial and postcolonial records. This refiguration opens a critical space and retells stories and histories previously occluded in/by those records, and in spaces of the public sphere. Through poetics and aesthetics of fragmentation largely influenced by music and popular culture, their work encourages contrapuntal ways of (re)thinking histories; ways that interrogate the influence of colonial narratives in processes of silencing but also centre the knowledge found in oral histories and other forms of artistic archives outside official repositories. Discussing literature and selected artwork by artists from Britain, Cuba, the Dominican Republic, Haiti, Puerto Rico, and Trinidad and Tobago, Memory and the Archival Turn in Caribbean Literature and Culture demonstrates the historiographical significance of artistic and cultural production. Marta Fernández Campa is an associate lecturer at Goldsmiths University, and a former Fulbright scholar and Leverhulme fellow. She has researched and taught at the University of East Anglia, UK, the University of Saint Louis, Spain, and the University of Miami, USA. Her work has appeared in Caribbean Literature in Transition, 1970-2020, Vol. 3, and in journals such as Anthurium, Callaloo, Journal of West Indian Literature and Small Axe.
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    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031111778
    Language: English
    Pages: 1 Online-Ressource(VIII, 205 p. 1 illus. in color.)
    Edition: 1st ed. 2023.
    Series Statement: Literatures of the Americas
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern—20th century. ; Ethnology—Latin America. ; Literature—Philosophy. ; Women—History. ; Latin American literature. ; Culture. ; Feminism and literature. ; Literature, Modern ; Literature ; Ethnology ; Women
    Abstract: 1. Introduction -- 2. Elena Poniatowska: Legacy and Biography -- 3. Diego I’m Alone, Diego I am no longer alone, Frida Kahlo -- 4. María Izquierdo, Backwards and Forwards -- 5. Nahui Olin, She who Made Waves -- 6. Pita Amor in the Arms of God -- 7. Elena Garro, The Rebellious Particle -- 8. Rosario From “My Dear Beloved Guerra” to the “Little Boy with Corn-Colored Hair” -- 9. Nellie Campobello, Who Was Not Granted Death.
    Abstract: This delightful collection of essays by Elena Poniatowska presents readers with a wide panorama of important Mexican female artists and writers. Elizabeth Martínez’s excellent translation brings Poniatowska’s keen eye and searing observations beautifully into English, meaning that these extraordinary women, their lives, and their art emerge fully realized from the page. The book is a wonderful read for both those well-versed in Mexican literature and for those wanting to know more about Mexican art and culture! - Paul M. Worley and Melissa Birkhofer, Appalachian State University, North Carolina, translators of Word Mingas: Oralitegraphies and Mirrored Visions on Oralitures and Indigenous Contemporary Literatures by Miguel Rocha Vivas This book consists of a collection of essays by Mexican writer Elena Poniatowska in their first English translation, and a critical introduction. The highly engaging essays explore the lives of seven transformational figures for Mexican feminism. This includes Frida Kahlo, Maria Izquierdo, and Nahui Olin, three outstanding artists of the cultural renaissance of the early twentieth century, and Nellie Campobello, Elena Garro, Rosario Castellanos, and Pita Amor, forerunner writers and poets whose works laid a path for Mexican women writers in the later twentieth century. Poniatowska’s essays discuss their fervent activity, interactions with other prominent figures, details and intricacies about their specific works, their scandalous and irreverent activities to draw attention to their craft, and specific revelations about their lives. The extensive critical introduction surveys the early feminist movement and Mexican cultural history, explores how Mexico became a more closed society by the mid-twentieth century, and suggests further reading and films. This book will be of interest both to the general reader and to scholars interested in feminist/gender studies, Mexican literary and cultural studies, Latin American women writers, the cultural renaissance, translation, and film studies. Elizabeth Coonrod Martinez was Professor at DePaul University, USA, 2010 to 2020, and at Sonoma State University, USA, 1995 to 2010. Her recent books include Teaching Late Twentieth Century Mexicana and Chicana Writers (2021), Josefina Niggli, Mexican American Writer: A Critical Biography (2007), and Lilus Kikus and Other Stories by Elena Poniatowska, translation and introduction (2005). She was Editor of the academic journal Diálogo, an Interdisciplinary Studies journal from 2010 to 2020. Elena Poniatowska is one of the most powerful and important voices of Spanish American literature and journalism. Her chosen genre is literary journalism, much of which is collected in the 7 volume Todo México (1991-1999). Her prolific career has won her many awards including the Mazatlán Prize twice for Hasta no verte Jesús mío (1970) and Tinísima (1992), the Alfaguara Prize for La piel del cielo (2007), and the Cervantes Prize for Literature in 2013. .
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  • 42
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031167416
    Language: English
    Pages: 1 Online-Ressource(XXVI, 295 p.)
    Edition: 1st ed. 2023.
    Series Statement: African American Philosophy and the African Diaspora
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    Keywords: Philosophy, American. ; Philosophy, African. ; African Americans. ; Culture.
    Abstract: Part I Insurrectionist Ethics: Conceptions and Contexts -- 1. The Very Idea of Insurrectionist Ethics -- 2. Revisioning Unalignment and Freedom: Insurrectionist Ethics in Marlon James’ The Book of Night Women -- 3. Self-respect and the Obligation to Resist Oppression -- Part II Insurrectionist Ethics across the Americas -- 4. Theologizing Insurrection: On the Religious Dimension of Insurrectionist Ethics -- 5. Vicente Riva Palacio’s Mexican Insurrectionist Ethics -- 6. Resistance and Multiplicity: Insurrectionist Ethics and Afro-Indigenous Acts of Solidarity -- Part III Insurrectionist Ethics: Applications and Correctives -- 7. Insurrectionist Ethics, Moral Suasion, and Violent Protests for Poor Policing -- 8. Anti-ethics as Insurrectionist Ethics: An Analysis of the Normative Foundations of Philosophies Born of Struggle -- Part IV Insurrectionist Ethics: Pragmatism and Naturalism -- 9. Leonard Harris’s Insurrectionist “Challenge” to Pragmatism -- 10. Responding to Racial Injustice: Insurrection and Social Justice Pragmatism in Ida B. Wells-Barnett and Richard Rorty -- 11. Discernment behind Asylum Walls; Or, The Limits of Efficacious Reasoning -- Part V Insurrectionist Ethics: Past, Present, and Future -- 12. Death by a Thousand Cuts: Insurrectionist Ethics in a Present less Oppressive than the Past.
    Abstract: 'Insurrectionist Ethics' is the name given to denote the myriad forms of justification for radical social transformation in the interest of freedom for oppressed people. It is a set of advocacy systems that usually aim at liberation for specified populations under siege in a given society. While the identities of these beleaguered groups is always intersectional, one salient criterion of group membership is often chosen to be the rallying point for solidarity. Whether the movement is “Black Lives Matter, “Gay Pride”, or “Poor People’s Campaign,” at the nucleus of each is a cry for emancipation. The contributions in this volume put forward bold, forcefully argued, provocative claims that challenge in a fundamental and radical way the presuppositions, values, and beliefs that underwrite the systems and structures that insurrectionist ethics calls into question. The volume begins with a section defining and theorizing what insurrectionist ethics is, and then moves to a section studying insurrectionist ethics across the Americas. Additional sections focus on applications of and correctives to insurrectionist ethics, pragmatism and naturalism, and the past, present, and future of insurrectionist ethics. .
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    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031258558
    Language: English
    Pages: 1 Online-Ressource(XVII, 345 p. 9 illus., 4 illus. in color.)
    Edition: 1st ed. 2023.
    Series Statement: Literary Urban Studies
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern—20th century. ; Literature, Modern—21st century. ; Cities and towns—History. ; Literature. ; Fiction. ; Space. ; Culture. ; Cities and towns ; Literature, Modern ; Literature, Modern
    Abstract: 1 Fair and Unfair Cities: Equity, Ideology, Utopia -- Part I Histories of the Future -- 2 The Dialectics of Revery: Daydreaming and the (Un)Fair City, 1794–1922 -- 3 Utopia as Urban Testing Ground: Spatial and Social Forms in the Works of Ebenezer Howard and H.G. Wells -- 4 Utopia and Agoraphobia in 1920s Marseilles: Empty Space in the Work of László Moholy-Nagy and Siegfried Kracauer -- 5 Ideological Troubles in the Proletarian Paradise: The Four Cities of Werner Illing’s Utopolis (1930) -- 6 Prince Charles’ A Vision of Britain as Populist Retrotopia -- Part II Reclaiming and Remaking -- 7 ‘Another World is Plantable’: Community Gardening and Urban Planning -- 8 Imaginaries of the Future City: Envisioning Climate Change and Technological Cityscapes through Dutch Contemporary Speculative Fiction -- 9 Both Kinds of Occupation: Reclaiming and Remaking the City in Contemporary Poetry -- 10 Navigating Beyond Gender: The City in Feminist Science Fiction -- 11 Pathways Towards Utterance in Contemporary French Poetic Practice: Framing the Urban Real -- Part III Fictional Fieldwork -- 12 Aztecs and Angels in Mexico City: Urban Palimpsests and Social Critique in Fictions by Homero Aridjis and Edgar Clement -- 13 Utopianism and the Writing of Lisbon in José Saramago’s Historical Fiction -- 14 Unruly Utopia: Divergent Spatialities in Italo Calvino’s Invisible Cities -- 15 Confronting Otherness: The Built Environments in Adrian Tchaikovsky’s Shadows of the Apt -- 16 ‘City Which Holds All Times and Places’: On Urban Landscape in Maggie Gee’s The Flood.
    Abstract: “This collection maps the terrain of an ‘inter-discipline’ that cuts across and draws together literary studies, philosophy, architecture and visual culture, to name just some of the domains with which its contributors engage. Ranging in time from the nineteenth century into imagined futures, and across our world and others, the volume helps us reimagine and rethink questions of urban existence, coexistence and community, and shows how now more than ever, thinking through forms of urban utopia inevitably involves thinking in planetary terms.” —Edward Welch, Carnegie Professor of French University of Aberdeen, UK Utopia, Equity and Ideology in Urban Texts: Fair and Unfair Cities explores the complex interrelations of three key critical topics across a diverse range of urban writing. Interrogating the links and tensions between aesthetic and political priorities in the representation and imagining of urban life, the volume engages with work from a wide variety of linguistic and cultural origins and across a range of textual practices having the urban phenomenon as a common framing concern. Individual contributions discussing genre and literary fiction, poetic writing, documentary and essayistic texts, planning manifestos and municipal communications materials serve to demonstrate that the nuanced treatments of urban experience and potential which may be gleaned from across this textual spectrum act as a pragmatic corrective to purely conceptual approaches. As such, the volume consolidates the emerging dialogue between the fields of utopian studies and literary urban studies, understanding these as complementary approaches to the reading of the city and its textual prolongations. Michael G. Kelly is Senior Lecturer in French and Director of the Ralahine Centre for Utopian Studies at the University of Limerick. Mariano Paz is Lecturer in Spanish and Associate Director of the Ralahine Centre for Utopian Studies at the University of Limerick.
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    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031441769
    Language: English
    Pages: 1 Online-Ressource(XV, 261 p. 2 illus.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Health. ; Sex. ; Human body ; Sociology. ; Social groups. ; Ethnology ; Culture.
    Abstract: 1. Introduction: Sex-Selective Abortion at a Glance -- 2. Abortion and Sex-Selective Abortion in India: History, Law, and Policy -- 3. A Feminist Sociological Understanding of the Causes of Sex-Selective Abortion: Perspectives from the Field -- 4. Rethinking Women’s Agency in Sex-Selective Abortion -- 5. A Content Analysis of the Portrayal of Sex-Selective Abortion and Women in Indian Newspapers -- 6. Conclusion: Feminist Framings, Dilemmas in Fieldwork, and Future Considerations.
    Abstract: This monograph explores the full context of sex-selective abortion (SSA) in India by examining the historical forces, political movements, government policies, and gender regimes that shape this reproductive practice. Using qualitative research methods within a feminist methodology, including in-depth interviews with service providers and professionals in New Delhi and a content analysis of Indian newspapers, the study engages the following areas of analysis: the social structures and determinants of SSA in India, the potential for women’s agency in SSA, and the representations of SSA and SSA-seeking women in the Indian media. This research expands the discourse and analysis of SSA by facilitating a nuanced and multilayered exploration of a profoundly contextual, personal, and gendered reproductive issue by grounding data and interpretation in the lived experiences of research participants with systems-wide knowledge of SSA. Further, the feminist theory-informed analysis moves away from normative victimhood frameworks. Lastly, the book contributes to the understudied area of media discourse analysis on the intersections of gender and SSA in national news coverage. This book will be relevant for students, scholars, and teachers across the humanities and social sciences interested in reproductive rights, justice, and feminist research methods. It will also be a critical resource for sexual and reproductive health and rights (SRHR) advocates.
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  • 45
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031288319
    Language: English
    Pages: 1 Online-Ressource(XVIII, 269 p. 11 illus., 10 illus. in color.)
    Edition: 1st ed. 2023.
    Series Statement: Literatures, Cultures, and the Environment
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern—20th century. ; Literature, Modern—21st century. ; Culture—Study and teaching. ; Ethnology—Latin America. ; Cities and towns—History. ; Ecocriticism. ; Latin American literature. ; Culture. ; Literature, Modern ; Literature, Modern ; Ethnology ; Culture. ; Cities and towns
    Abstract: 1: Introduction -- 2: Destruction: The Garbage Dump as Global Biopolitical Trope -- 3: Sustainability: Waste and its Social, Cultural, and Aesthetic Re-significations -- 4: Preservation: Nature and Urbanism -- 5: Conclusion.
    Abstract: Visualizing Loss in Latin America engages with a varied corpus of textual, visual, and cultural material with specific intersections with the natural world, arguing that Latin American literary and cultural production goes beyond ecocriticism as a theoretical framework of analysis. Gisela Heffes poses the following crucial question: How do we construct a conceptual theoretical apparatus to address issues of value, meaning, tradition, perspective, and language, that contributes substantially to environmental thinking, and that is part and parcel of Latin America? The book draws attention to ecological inequality and establishes a biopolitical, ethics-based reading of Latin American art, film, and literature that operates at the intersection of the built environment and urban settings. Heffes suggest that the aesthetic praxis that emerges in/from Latin America is permeated with a rhetoric of waste—a significant trait that overwhelmingly defines it.
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    ISBN: 9783031361395
    Language: English
    Pages: 1 Online-Ressource(XXIII, 266 p. 14 illus.)
    Edition: 1st ed. 2023.
    Series Statement: African Histories and Modernities
    Parallel Title: Erscheint auch als
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    Keywords: Africa ; Africa ; Ethnology ; Culture.
    Abstract: 1: Introduction -- Part 1 : Governance and Containment Measures -- 2: Coronavirus disease: screening and care pathway in the Nongre Massom health district of Ouagadougou, Burkina Faso -- 3: Covid-19 and the politics of (im)mobility in Uganda -- 4: Beyond Paradoxes: The South African Military Involvement in The Fight Against Covid-19 -- 5: Urban Governance and COVID-19 response in Nigeria: Who is left behind?- 6: “Subsistence Fishermen Don’t Exist”: The subtleties of categories and accessing water during a Covid-19 lockdown in South Africa -- 7: Yorùbá Language and Infodemic Management: The COVID-19 Experience -- Part 2: Regional Perspectives -- 8: COVID-19 Containment in East Africa: Science-based Strategies or Traditional-based strategies?- 9: East African Community Partner States’ Response to Truckers as High-Risk Group in the Context of Covid-19 -- 10: The Making of Marginal Multilateralism during Covid-19 Response among EAC States: Perspectives from Discursive Institutionalism -- 11: The COVID-19 Pandemic in Africa: Local Responses and Regional Strategies in West Africa -- 12: Conclusion.
    Abstract: Written amidst the ongoing Covid-19 pandemic, this edited volume draws on the expertise of social scientists and humanities scholars to understand the several ramifications of Covid-19 in societies, politics, and the economies of Africa. The contributors examine measures, communicative practices, and experiences that have guided the (inter)action of governments, societies and citizens in this unpredictable moment. Covid-19 tested governments’ disaster preparedness as well as exposed governments’ attitudes towards the poor and vulnerable. In the same vein, it also tested the agency of the generality of the African populace in the face of containment measures and how these impacted on everyday social, cultural and economic practices of the ordinary peoples. In this vein, our concern is to understand the relationship between growing vulnerability on the one hand and ingenuity of agency on the other, and how both were embodied, narrated and discoursed by the African poor, university students, religious entities, and middle-classes, and those that bore the major brunt of the lockdowns. Lastly, the Covid-19 pandemic impacted regional trade and other bilateral relations in Africa, creating possibilities for regional entities such as ECOWAS and EAC to demonstrate their creativity (or a lack of it) in dealing with the pandemic. The contributors thus examine the regional dimension of the crisis and particularly evaluate how covid-19 tested the resilience of multilateralism, regional trade networks, cross border informal economies, and human movements. The volume is thus a useful resource for scholars of Africa, policy makers and those who want to understand Covid-19 in Africa. It provides a multiplicity of perspectives of the pandemic and African responses at different levels of society, economy and the political spectrum. The continental focus of this volume gives room for broader comparative analyses. Lastly, this interdisciplinary work benefits from the input of medical historians, anthropologists, sociologists, linguists, political scientists, literature scholars, urban planners, geographers and others.
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    Online Resource
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031221200
    Language: English
    Pages: 1 Online-Ressource(XXVII, 238 p. 6 illus., 3 illus. in color.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: America—Literatures. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Comparative literature. ; Culture. ; Comparative government. ; Literature, Modern ; America ; Literature, Modern
    Abstract: Introduction: Laying the Groundwork: Canada’s (In)visibility -- 1.The Missionary Position: The American Roots of Northrop Frye’s Peaceable Kingdom -- 2. Evangeline’s Revisioning: Reading Ben Farmer’s Post-9/11 Evangeline: A Novel -- 3. German Internment Camps in the Maritimes: Another Untold Story in P.S. Duffy’s The Cartographer of No Man’s Land -- 4. Becoming Bird(ie): Exposing Canadian Government Complicity with Forced Adoptions in Christina Sunley’s The Tricking of Freya -- 5. Playing The Odds: Fleeing to Canada in Stewart O’Nan’s Novel -- 6. Turning Away, Going South and West: The Receding Promise of Canada in Future Home of the Living God and The Underground Railroad -- 7. The Limits of Canadian Exceptionalism: Bowling for Columbine, Come From Away, and Nîpawistamâsowin: We Will Stand Up.
    Abstract: This book explores how Canada is imagined primarily by US writers, and what readers and scholars on both sides of the Canada-US border can learn from these recent depictions by examining a selection of US-authored fiction from 9/11 to the present. The novels — and occasionally paintings, films, and musicals — that are the subject of the book provide a deliberately varied set of case studies to probe how US texts, along with works of art produced on both sides of the Canada-US border, uncover moments in Canadian historical and literary studies that have been buried or occluded to protect Canada's self-representation as an exceptional nation. Jennifer Andrews is the dean, Faculty of Arts and Social sciences, and a professor in the Department of English at Dalhousie University. .
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031269998
    Language: English
    Pages: 1 Online-Ressource(XIII, 203 p. 4 illus.)
    Edition: 1st ed. 2023.
    Series Statement: Palgrave Studies in Journalism and the Global South
    Parallel Title: Erscheint auch als
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    Keywords: Ethnology—Latin America. ; Journalism. ; Culture. ; Ethnology
    Abstract: Chapter 1 -- Introduction.-Chapter 2 -- what Is Alternative Journalism?.-Chapter 3 -- The Roots of Alternative Media in Brazil.-Chapter 4 -- The Role of Alternative Journalists in Brazil.-Chapter 5 -- Framing the News from Peripheral Angles: An Expansion of News Agenda.-Chapter 6 -- Sustainability of Alternative Journalism: A Negotiated Entrepreneurship.-7.Conclusion: The Renewal of a Tradition of Resistance.
    Abstract: This book examines the emergence of alternative forms of news reporting in Brazil with a focus on progressive not-for-profit initiatives. In combining different genres of non-commercial journalism, this study allows us to better understand the potential of alternative news producers in times of continuing technological shifts and their efforts to diversify the news production. Sarmento explores a range of significant questions, including: what does it mean to practice “alternative” journalism? To what extent do non-mainstream practices subvert the taxonomy of news values? Do alternative journalists adhere to or reject journalism’s core values? And, more specifically, as more and more journalists or media producers are collecting, disseminating and interpreting news without being employed by large media groups, what insights can they provide in relation to the economics of digital journalism? Using the turbulent political landscape of Brazil as a case study, Sarmento asks us to reflect on what the erosion of traditional journalism really means. The resulting conclusions will be of value to all those who study or practice journalism around the world, in addition to media researchers and activists. Claudia Sarmento is a Brazilian journalist currently based in London. She holds a PhD in Media and Communication from the University of Westminster and is a former editor at O Globo in Rio de Janeiro. She is a former editor and foreign correspondent at O Globo, one of the leading Brazilian publications. She is currently teaching at King's College London. .
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031401060
    Language: English
    Pages: 1 Online-Ressource(XII, 297 p.)
    Edition: 1st ed. 2023.
    Series Statement: Modern and Contemporary Poetry and Poetics
    Parallel Title: Erscheint auch als
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    Keywords: Poetry. ; Bible ; America ; Ethnology ; Culture.
    Abstract: 1. The Bible as Public Sphere: Interpretation, Polity, Poetry -- 2. Puritan Hebraism: John Cotton and Edward Taylor -- 3. Covenant and Apocalypse: Revolutionary and Civil Wars -- 4. The Bible Divided Against Itself: Abolition, Slave Spirituals -- 5. Rewriting Scripture: Emerson, Whitman, Melville -- 6. Emily Dickinson’s Biblical Contests: Critique, Gender, War -- 7. Women’s Bibles, White and Black.
    Abstract: Although the Bible is the foundation of American poetic tradition, there is no study of the Bible as an ongoing force in American poetry. Not only a source of imagery, allusion, rhythm and style, the Bible is central to how poetry has both shaped and been shaped by American civic, political, and social history, including issues of ethnicity, race and gender. Through poetry core issues of the Bible in American culture emerge in a new light. What defines America as a nation? What are its historical, political and religious meanings and direction? Vitally, how is it that the Bible is at once a shared common text, binding community, and yet was throughout American culture also contested, disputed, and politicized as a weapon of war? This study begins with the Puritans, and goes on to examine poetry of the Revolutionary and Civil Wars, as well as claims and counterclaims in abolition, slavery, and women’s rights. In doing so it treats both popular and major writers, including Edward Taylor, Frances Harper, Emerson, Whitman, Dickinson, Moore and Gwendoln Brooks, concluding with Amanda Gorman. Shira Wolosky is Professor of English and American Studies at the Hebrew University of Jerusalem, Israel. Previous publications include Emily Dickinson: A Voice of War (1984), Poetry and Public Discourse in Nineteenth Century America (2010), and Feminist Theory across Disciplines: Feminist Community and American Women's Poetry (2013). Her awards and research appointments include a Fulbright Fellowship, a Whiting Fellowship, a Guggenheim Fellowship, Fellowships at the Institute of Advanced Studies, Princeton, a Tikvah Fellowship at NYU Law School, and Drue Heinz Visiting Professorships at Oxford.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031455902
    Language: English
    Pages: 1 Online-Ressource(VII, 141 p.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Africa ; Anthropology of religion. ; Ethics. ; Ethnology ; Culture.
    Abstract: 1 Introduction -- 2 The Politicization of Spirituality in Southern Africa -- 3 Essentials of African Spirituality -- 4 A Symbiotic Relationship Between African Spirituality and Ethics -- 5 African Spirituality as the Foundation for a Relational Ethic -- 6 African Communitarian Ethics and Spirituality -- 7 Healing in African Spirituality and Ethics.
    Abstract: This book explores the symbiotic relationship that exists between African spirituality and ethics. Felix Murove discusses how these two concepts are entwined, and illustrates how they play a role in applied ethical issues. He argues that the general understanding of spirituality in Africa stems from Christianity, which has had a negative impact on African indigenous spirituality. The conceptual tools that run throughout the book are considerably Afro-centric, a methodological strategy which inevitably requires the reader to adopt some prior willingness to learn these Afro-centric concepts without easily resorting to western Christian and philosophical categories of thought. The book advocates for an Afro-centric conceptualization of spirituality and ethics, and encourages the reader to adopt a more holistic approach to African spirituality. Munyaradzi Felix Murove is a research associate at the University of the Free State, South Africa.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031156175
    Language: English
    Pages: 1 Online-Ressource(XVII, 318 p. 2 illus.)
    Edition: 1st ed. 2023.
    Series Statement: African Histories and Modernities
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Ethnology—Africa. ; African literature. ; Culture. ; Poetry. ; Theater. ; Ethnology
    Abstract: 1. Introduction: African Battle Traditions of Insult: Verbal Arts, Song-Poetry, and Performance—Tanure Ojaide -- Part I: African Origins -- 2. Battle by All Means: UrhoboUdje Song-Poetry and Performance—Tanure Ojaide -- 3. Halo: Music Text, Songs and Dance Performances in Ewe Folklore and Tradition—Honore Missihoun -- 4. Autobiographical Verbal Duels in Yoruba Polygamous Households—Adetayo Alabi -- 5. Shairiand Malumbano: The Tradition of Verbal Warfare in Swahili Literature—Mwenda Mbatiah -- 6. The Moral Authority of Battle Songs from Zimbabwe’s Shona Cultures: Context, Performance, and Audience of an Indigenous Knowledge System—Beauty Vambe -- Part II: Diaspora Manifestations -- 7. African-American Dozens—Michele Randolph and Maliek Lewis -- 8. Greek Letter Organization Step Show—Debra Smith -- 9. Battle Rap: An Exploration of Competitive Rhyming in Hip Hop —Matthew Oware -- 10. Fighting Words: Songs of Conflict, Censure, and Cussout in Trinidad and Tobago Carnival—Funso Aiyejina -- 11. “Oral Tradition and Cultures in Dialogue: OndjangoAngolano and Jongo da Serrinha”— Tonia Leigh Wind -- 12. “Stanzas and Sticks: Poetic and Physical Challenges in the Afro-Brazilian Culture of the Paraiba Valley, Rio de Janeiro”—Matthias RohrigAssuncao -- Part III: New Transformations -- 13. The Origin, Nature, Function, and Significance of Yabis—Enajite Eseoghene Ojaruega. 14. Epistemic Recuperation and Contemporary Reconfiguration of the Verbal Battle Tradition in the Poetry of Kofi Anyidoho and Tanure Ojaide—Mathias IroroOrhero -- 15. Battle Songs as UtaneMiseve: Contestations over Political Power in Post 2017 Military Coup in Zimbabwe—Maurice TaonezviVambe -- 16. The source and nature of Bragging in Bongo fleva in Tanzania—Dunlop Ochieng.
    Abstract: This book explores the “battles” of words, songs, poetry, and performance in Africa and the African Diaspora. These are usually highly competitive, artistic contests in which rival parties duel for supremacy in poetry composition and/or its performance. This volume covers the history of this battle tradition, from its origins in Africa, especially the udje and halo of the Urhobo and Ewe respectively, to its transportation to the Americas and the Caribbean region during the Atlantic slave trade period, and its modern and contemporary manifestations as battle rap or other forms of popular music in Africa. Almost everywhere there are contemporary manifestations of the more traditional, older genres. The book is thus made up of studies of contests in which rivals duel for supremacy in verbal arts, song-poetry, and performance as they display their wit, sense of humor, and poetic expertise. Tanure Ojaide is the Frank Porter Graham Professor of Africana Studies at the University of North Carolina at Charlotte, USA. Educated at Ibadan and Syracuse, Tanure Ojaide has published twenty-one collections of poetry, as well as novels, short stories, memoirs, and scholarly work. He has won the ANA Poetry Prize four times: 1988, 1994, 2003, and 2011. His other awards include the Commonwealth Poetry Prize for the Africa Region, the All-Africa Okigbo Prize for Poetry, and the BBC Arts and Africa Poetry Award. In 2016 he won both the African Literature Association’s Folon-Nichols Award for Excellence in Writing and the Nigerian National Order of Merit Award for the Humanities. In 2018 he co-won the Soyinka Prize for Literature in Africa. He has won the National Endowment for the Arts grant, twice the Fulbright, and twice the Carnegie African Diaspora Program fellowship.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031225703
    Language: English
    Pages: 1 Online-Ressource(XII, 256 p. 25 illus., 3 illus. in color.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Popular music. ; Queer theory. ; Popular Culture. ; Ethnology. ; Culture.
    Abstract: 1. Neon -- 2. Athens: Pre-52s -- 3. Deadbeats -- 4. NYC -- 5. The B-52s -- 6. Wild Planet -- 7. Mesopotamia -- 8. Whammy -- 9. Satellites -- 10. Cosmic Thing -- 11. Good Stuff -- 12 Aftershocks. .
    Abstract: The Story of the B-52s: Neon Side of Town is the first critical biography of one of the most unique popular bands in American music. The B-52s were far more than just a “tacky dance band.” Their aesthetic was shaped by the radical social and political conditions in Athens, Georgia, and their arrival in New York City profoundly influenced the next several years of music and art to come out of that city. The Story of the B-52s provides a deep critical analysis of the band’s music and original insights into the extraordinary people who made it. Their story, told here in full for the first time, contains all the elements of a great novel—success and failure, tragedy and triumph, life and death. Yet, at the heart of the B-52s music is a love for being alive that verges on the radical.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031150043
    Language: English
    Pages: 1 Online-Ressource(X, 279 p.)
    Edition: 1st ed. 2023.
    Series Statement: African American Philosophy and the African Diaspora
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: African Americans—History. ; Philosophy, American. ; African Americans. ; Culture. ; African Americans
    Abstract: 1. Introduction -- 2. One Cosmopolitan World, or None -- 3. A Theory of True Democracy -- 4. Impediments to True Democracy and a Cosmopolitan World -- 5. A Theory of Race for Democracy and Cosmopolitanism -- 6. A Theory of Value for Democracy and Cosmopolitanism -- 7. Conclusion.
    Abstract: Alain Locke is most known for his involvement in the Harlem Renaissance. However, he received his PhD in philosophy from Harvard University in 1918, and produced a very large corpus of philosophical work. His work shows him to have been a sophisticated philosopher who thought through practical and theoretical problems regarding the nature of cosmopolitanism, democracy, race, value, religion, art, and education. Although Locke’s philosophical work has been discussed in parts, there has been no theorizing about how his different philosophical commitments fit together. In this book Corey L. Barnes begins to systematize Locke’s philosophical thought, showing how his democratic theory, philosophy of race, and value theory are connected to and undergirded by a commitment to cosmopolitanism. In so doing, Barnes unearths aspects of Locke’s thought—for example, his economic thinking—that have not been accorded attention and reimagines parts of his work about which have been theorized, all while bringing Locke into current debates about each subject.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031152511
    Language: English
    Pages: 1 Online-Ressource(XI, 192 p.)
    Edition: 1st ed. 2023.
    Series Statement: Pop Music, Culture and Identity
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Ethnology—Africa. ; Youth—Social life and customs. ; Popular music. ; Culture. ; Ethnology ; Youth
    Abstract: 1. Introduction -- 2. Locating Rap in Malawi’s Music Industry -- 3. The Language of Malawian Rap -- 4. Verses of Youth Political Participation -- 5. Youth, Alcohol and the Forging of Community -- 6. Reppin' the Ghetto: Space and Identity -- 7. Social Consciousness: The Rapper as an Activist -- 8. Making Rap Malawian: Cultural Appropriation and Authenticity -- 9. Conclusion: The Future of Malawian Rap.
    Abstract: Rap Music and the Youth in Malawi is one of the first book-length studies of Malawian hip hop. It studies the language and content of contemporary Malawian hip hop as a window onto the country's youth culture as Malawian young people negotiate what scholar Alcinda Honwana calls 'waithood,' or the condition, common among Malawian youth, of lacking opportunities to advance from a situation of dependence and being stuck in a state of relative childhood. The book argues that rap music made by Malawian youth music speaks of – and represents, through its very agency – their need to break out of this stagnant state. After situating Malawian hip hop with respect to both other musical genres in the country and to the nation's language in culture, Rap Music and the Youth in Malawi shows how Malawian youth use rap music to create a sense of community, which then becomes a foothold from which they can do activities that get them out of waithood and into the adult world, such as getting involved in the music industry, realizing electoral power, or participating in activism about issues such as violence against people with albinism and the COVID-19 pandemic. Hip hop has been a crucial tool for Malawian youth to build the skills, identity, and agency necessary to exercise their economic, cultural, and civic independence.
    URL: Cover
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031142529
    Language: English
    Pages: 1 Online-Ressource(IX, 265 p. 1 illus.)
    Edition: 1st ed. 2023.
    Series Statement: Palgrave Studies in Journalism and the Global South
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Ethnology—Middle East . ; Communication in science. ; Journalism. ; Culture. ; Ethnology
    Abstract: Chapter 1: Introduction -- Chapter 2: An Account of Science Journalism in MENA .-Chapter 3: Science Journalism and Media Systems in MENA -- Chapter 4: Science News Cultures and Journalism Practice -- Chapter 5: Science Journalism and Professional Autonomy -- Chapter 6: News Sources and Access in Science -- Chapter 7: Gender and Science News in the Arab World -- Chapter 8: Data and Statistics in Science News Reporting in the Arab World -- Chapter 9: Science News Audiences in the Middle East -- Chapter 10: Conclusion.
    Abstract: This book examines the main issues and challenges that science journalism faces in the MENA region while analyzing how journalists in these countries cover science and engage with scientists. Most countries in the Middle East and North Africa region have set an ambitious goal for 2030: to transform their societies and become knowledge economies. This means modernizing institutions and encouraging people to embrace Science, Technology, Engineering and Mathematics as part of their daily lives. This books claims that the main vehicle to achieve this goal is science news reporting, as it continues to be the main platform to disseminate scientific knowledge to the general public. Simultaneously, it is also poorly equipped to achieve this task. Interviewing dozens of journalists, the authors looked at specific areas such as the gender divide and its effects on science news reporting as well as the role of religion and culture in shaping journalism as a political institution. The authors conclude that traditional normative assumptions as to why science reporting does not live up to expectations need to be reviewed in light of other more structural problems such as lack of skills and specialization in science communication in the region. In so doing, the book sets out to understand the past, present and future of science news in one of the most challenging regions in the world for journalists. Abdullah Alhuntushi, PhD is a lecturer at the Department of Media, King Khalid Military Academy in the Kingdom of Saudi Arabia. Jairo Lugo-Ocando, PhD is Professor and Dean of the College of Communication at the University of Sharjah in the United Arab Emirates. .
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031167348
    Language: English
    Pages: 1 Online-Ressource(XII, 244 p.)
    Edition: 1st ed. 2023.
    Series Statement: Literary Urban Studies
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern—20th century. ; Literature—Aesthetics. ; Science—Social aspects. ; Cities and towns—History. ; Space. ; Culture. ; Science ; Cities and towns ; Literature, Modern ; Literature
    Abstract: Introduction -- Mediated Sound -- Tunement: Listening to Listening -- Urban Sonar -- Teeming with Traffic -- Crowded Voices -- Aquacities -- Conclusion: Rewind – Fast Forward. .
    Abstract: Navigating Urban Soundscapes: Dublin and Los Angeles in Fiction offers an innovative analytical framework to explore sound in different media and across two distinct urban soundscapes. Studying a wide range of novels, films, and radio dramas, using Dublin and Los Angeles as case studies, Annika Eisenberg asks how sounds are aestheticised to signify urban space in fiction, and how sounds allow such fictional urban spaces to be navigated, both by auscultators, the characters listening within a work of fiction, and by auditeurs, the implied audience of a fictional work. Eisenberg argues that the concept of “urban sound” is a cultural and aesthetic construct, and in doing so, she shows why aesthetics needs to be front and center in sound studies.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031189463
    Language: English
    Pages: 1 Online-Ressource(XII, 215 p. 14 illus.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Ethnology—Latin America. ; Motion pictures, American. ; Sex. ; Culture. ; Ethnology
    Abstract: 1. Chapter 1 Introduction -- 2. Cine Joven: Sexual diversity and New Technologies -- 3. Institutional Belonging and a Place of One’s Own: Female Homoeroticism on Screen -- 4. Voices in the Public Sphere: Queer Vocalic Space in Cine Joven -- 5. Mejunje and Ajiaco: The Many Flavors of Gender and Sexuality in Cine Joven -- 6. Conclusion/ From the White Elephant to the Shoal. .
    Abstract: “This book is especially valuable for Frohlich’s insightful analysis of the filmmakers’ use of new media technologies, original cinematic language, and engagement with the rich Cuban film tradition, while assessing how the younger generations are negotiating their contemporary sense of identities with the evolving project of the nation. This is a must read for anyone interested in Cuban film, gender and sexuality studies, and contemporary Cuban society.” — Michael J. Horswell, Professor of Spanish and Latin American Literature, co-editor of Sumergido: Cine Alternativo Cubano, Florida Atlantic University, USA “Margaret Frohlich’s sparkling book is a welcomed addition to the Cuban cinema bookshelf. It addresses cine joven’s contributions to civil society/state debates of the past 40-30 years focused on issues of sexual diversity, participation, and identity and its intervention could not be timelier: Cuba’s young filmmakers continue to explore intersecting discourses of youth/sexuality and queer subjectivities in the face of a state that continues to sharpen the edges of what is considered acceptable. Frohlich’s book offers us many tools through which to understand the complex landscape of sexual diversity and civil discourse in Cuba today.” —Ana Lopez, Professor of Communication and Director of the Cuban and Caribbean Studies Institute, Tulane University, USA This book explores how young Cuban filmmakers have greatly expanded the range of sexual subjectivities on screen. It analyzes cine joven (films made by young directors) from the late 1980s to the early 2020s, film reviews, articles, and materials from the Cinematheque of Cuba's archive to illustrate the confluence of sexuality, cinema, and discourses of youth. While sexual and cinematic cultures have their own unique relation to the public sphere, state institutions, and transnational flows, this book explores tensions, debates, and expressions that unite them. In an investigation of how young filmmakers employ queer strategies of self-making to bring sexual diversity to the screen, Margaret G. Frohlich shows us how cine joven takes part in the socialization of power in Cuba. Margaret G. Frohlich is associate professor of Spanish and Portuguese Studies at Dickinson College, USA.
    URL: Cover
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031189920
    Language: English
    Pages: 1 Online-Ressource(XVI, 205 p.)
    Edition: 1st ed. 2023.
    Series Statement: Palgrave Studies in Journalism and the Global South
    Parallel Title: Erscheint auch als
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    Keywords: Journalism. ; Culture. ; Communication in economic development.
    Abstract: Chapter 1. Understanding Journalism within Non-Western Context. Saba Bebawi and Oxana Onilov -- Chapter 2. Harnessing Data and Digital Journalism in Latin America: Intersections of journalism, data and technology. Ramon Salaverria and Mathias Felipe de-Lima-Santos -- Chapter 3. “Burmese Days” of Digitalization: From a Decade’s Dream of Myanmar’s Modern Journalistic Culture and Media System in the Making to a Press Freedom’s Nightmare of the Military Putsch in 2021 -- Chapter 4: Recovered Media in Argentina: A Resilient Response to Instability and Precariousness -- Chapter 5. Uncovering the Power of Whistleblowing as a New Form of Citizen Journalism in Non-democratic Countries -- Chapter 6. India: Mapping Journalism in the World’s Largest Democracy -- Chapter 7. Social Media, Television News and Protest Participation: A Post-Soviet Media Culture -- Chapter 8. Investigative Journalism Is Global -- Chapter 9. Confessions of Two Well-Meaning ‘Mzungu’ Journalism Trainers -- Chapter 10:Understanding Different Journalisms.
    Abstract: This edited collection seeks to better understand how journalism across cultures differs, presenting an in-depth exploration of global practices that departs from the typical Western-centric approach. Journalists across the world are trained, generally speaking, within Western models of reporting and are taught to do so as a practice where reporters need to aspire and aim for. Yet what such training is short of achieving is teaching reporters how to 'do' journalism within their own environments. In turn, what is required is a method of journalistic training and practice that is reflective of the actual practice reporters encounter on the ground. In order to do so, a better understanding of how journalism is practised in different parts of the world, the context surrounding such practices, the issues and challenges associated, and the positive practices that Western journalism can offer, is necessary. Promoting and deploying a culturally-specific and politically-relevant journalism, this book provides just that. Saba Bebawi is Professor of Journalism at the University of Technology Sydney, Australia. She has published on media power and the role of media in democracy-building, in addition to investigative journalism in conflict and post-conflict regions. Oxana Onilov is a social researcher with a PhD in communication and media studies from the University of Technology Sydney. She has worked as a researcher on various topics, including the role of social media in protest participation, health communication and measurement and evaluation of communication. .
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031328367
    Language: English
    Pages: 1 Online-Ressource(XIX, 211 p. 15 illus.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Ethnology—Asia. ; Language and languages—Style. ; Applied linguistics. ; Comedy. ; Culture. ; Rhetoric. ; Communication in politics. ; Ethnology ; Language and languages
    Abstract: Chapter 1: Introduction - Understanding Humour -- Chapter 2: Performance of Humour in Political Cartoons -- Chapter 3: A Communicative Framework of Humour -- Chapter 4: Metaphor - The Rhetorical Frame of Humour -- Chapter 5: Application of the Model -- Chapter 6: Language, Context and Operation of Humour. .
    Abstract: This book develops a model to examine the language of humour, which is multimodal and accounts for the possibility of transmutation of humour as it is performed through editorial cartoons. By transmutation is meant the transition in the language of humour when it crosses its own boundaries to provoke unprecedented reactions resulting in offensiveness, disappointment or hurt sentiment. The transmutability about the language of humour points to its inherently diabolical nature which manifests in the performance of controversial cartoons. The model is built by borrowing theoretical cues from Roman Jakobson, Roland Barthes, George Lakoff and Mark Johnson. The integrated model, then, is developed to examine the cartoons which were recommended for deletion by the Thorat Committee, following a cartoon controversy in India. Through the cartoon analysis, the model discerns the significance of context and temporality in determining the impact of humour. It also examines how the ethics of humour; the blurred lines of political correctness and incorrectness are dictated by the political atmosphere and the power dynamics. Vinod Balakrishnan is a Professor in English in the Department of Humanities and Social Sciences at the National Institute of Technology, Tiruchirappalli, India. He is a practising poet, motivational speaker, reviewer of books and a yoga enthusiast. His research interests include somaesthetics, politics of representation, film studies, life writing and narratives about India. Currently, he is working on “The Role of the Public Intellectual and the Future of the Humanities”. Vishaka Venkat is an Assistant Professor in English in the School of Linguistics and Literary Studies at Chinmaya Vishwa Vidyapeeth, India. Her primary research interests include humour, Indian aesthetics, children’s literature, popular culture and mythology.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031218705
    Language: English
    Pages: 1 Online-Ressource(VII, 117 p. 5 illus.)
    Edition: 1st ed. 2023.
    Series Statement: Literatures of the Americas
    Parallel Title: Erscheint auch als
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    Keywords: Literature—Philosophy. ; Ethnology—Latin America. ; Latin American literature. ; Feminism and literature. ; Culture. ; Intermediality. ; Literature ; Ethnology
    Abstract: 1. Performative Concepts of the Americas -- 2. Scissors and Glue: Material Writing Dynamics -- 3. Bones and Skin: Anzaldúa’s Bodymindsouls -- 4. Colors and Shapes: From Borderlands to Nepantla -- 5. Three Museums: “Border Arte’s” Multiplications -- 6. A Hemispheric Perspective on Anzaldúan Textualities.
    Abstract: This Palgrave Pivot offers new insights into leading Chicana writer Gloria Anzaldúa, investigating the dynamic composition of her texts, and situating her work in a larger hemispheric tendency of performativity emerging at the turn of the millennium. Presenting Anzaldúa as a quintessential figure of feminist and decolonial theory-making in the Americas, this book argues that the Chicana writer articulated her notions on fluctuations through “performative concepts” which did not respect the borders of single texts or editions, but organically grew through them. The offered close readings of Anzaldúa’s published works, drafts, and archive material demonstrate the constant changes and intertwined phases of her literary and conceptual production. Romana Radlwimmer is Professor of Romance Literatures at the Goethe University of Frankfurt, Germany. She has held teaching and research positions in literary and cultural studies at the Universities of Salamanca, Lisbon, Augsburg, and Tübingen, and was a Fulbright Visiting Scholar at the University of Missouri, US. She is the author of Wissen in Bewegung: LatinaKulturtheorie / Literaturtheorie / Epistemologie (2015), and the editor of the volume Transborder Matters: Circulaciones literarias y transformaciones culturales chicanas y mexicanas (2020). She has published numerous peer-reviewed articles in her fields of research.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031143205
    Language: English
    Pages: 1 Online-Ressource(XIV, 342 p. 30 illus., 27 illus. in color.)
    Edition: 1st ed. 2023.
    Series Statement: Literatures, Cultures, and the Environment
    Parallel Title: Erscheint auch als
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    Parallel Title: Erscheint auch als
    Keywords: Literature, Modern—19th century. ; Russia—History. ; Europe, Eastern—History. ; Soviet Union—History. ; Science—History. ; Ethnology—Europe. ; European literature. ; Ecocriticism. ; Culture. ; Russia ; Europe, Eastern ; Soviet Union ; Science ; Ethnology ; Literature, Modern
    Abstract: 1 Introduction: Energy Culture in Russia and the Soviet Union -- 2 The Energy of Chernyshevsky’s Vera Pavlovna in the Modern Cultural Economy -- 3 The Energy Trap: Anna Karenina as a Parable for the Twenty-First Century -- 4 Picturing Coal in the Donbas: Nikolai Kasatkin and the Energy of Late Realism -- 5 Polar Fantasies: Valery Bryusov and the Russian Symbolist Electric Aesthetic -- 6 Energetic Liquids in Pre-Revolutionary Russian Utopianism -- 7 Revolutionary Burnout and the Rise of the Soviet Rest Regime -- 8 The Mechanics and Energetics of Soviet Communism: The Poetics of Peat -- 9 Leonid Brezhnev and the Elixir of Life -- 10 Russian Oil: Tragic Past, Radiant Future, and the Resurrection of the Dead -- 11 Of Mice and Degenerators: Post-progress Energy and Posthuman Bodies in Tatyana Tolstaya’s The Slynx -- 12 Hydrocarbons on Hold: Energy Aesthetics of Teriberka in the Russian Arctic -- 13 Afterword on Chernobyl (2019): A Soviet Propaganda Win Delivered 33 Years Late.
    Abstract: This volume investigates energy as a shaping force in Russian and Soviet literature, visual culture, and social practice. Chronologically arranged chapters explain how nineteenth-century ideas about energy informed realist novels and paintings; how the poetics of energy defined pre-Revolutionary and Stalinist utopianism; and how fossil fuels, electricity, and nuclear fission generated distinct aesthetic features in Imperial Russian, Soviet, and post-Soviet literature, cinema, and landscape. The volume’s concentration on Russia responds to a clear need to understand the role the country plays in social, political, and economic processes endangering life on Earth today. The cultural dimension of Russia’s efforts at energy dominance deserves increased scholarly attention not only in its own right, but also because it directly affects global energy policy. As the contributors to this volume argue, the nationally inflected cultural myths that underlie human engagements with energy have been highly consequential in the Anthropocene. Jillian Porter is Associate Professor in the Department of Germanic and Slavic Languages and Literatures at the University of Colorado Boulder, USA. She is the author of Economies of Feeling: Russian Literature under Nicholas I (2017) and has published essays on money, commodities, and the queue in Russian and Soviet literature and cinema. Maya Vinokour is Assistant Professor in the Department of Russian and Slavic Studies at New York University, USA. She studies Stalinist labor culture, late-Soviet science fiction, and post-Soviet media.
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  • 62
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031405488
    Language: English
    Pages: 1 Online-Ressource(XVI, 286 p.)
    Edition: 1st ed. 2023.
    Series Statement: Geocriticism and Spatial Literary Studies
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Narration (Rhetoric). ; Literature ; Space. ; Culture.
    Abstract: Train Travel as Embodied Space-Time in Narrative Theory argues that the train is a loaded trope for reconfiguring narrative theories past their “spatial turn.” Atsuko Sakaki’s method exploits intensive and rigorous close reading of literary and cinematic narratives on one hand, and on the other hand interdisciplinary perspectives that draw out larger connections to narrative theory. The book utilizes not only narratological frameworks but also concepts of space-focused humanity oriented social sciences, such as human geography, mobility studies, tourism studies, and qualitative/experience-based ethnography, in their post “narrative turn.” On this interface of narrative studies and spatial studies, this book pays concerted attention to the formation of affordances, or relations in which the human subject uses a space-time and things in it, in terms of passenger experience of the train carriage and its extension. Atsuko Sakaki is Professor of East Asian studies and Comparative Literature at University of Toronto, Canada. She is the author of many articles and three books, including Recontextualizing Texts: Narrative Performance in Modern Japanese Fiction (Harvard 1999) and The Rhetoric of Photography in Modern Japanese Literature (Brill 2015). ”Atsuko Sakaki keeps us on our toes with her consistent deconstructions of central conceptualizations and, drawing on a wealth of philosophical and theoretical texts, in language as clear as it is sensual, brings us to new insights into human modes of being and ontologies.” Irmela Hijiya-Kirschnereit, Freie Universität Berlin, Germany “In this intricate study of the entanglement of trains and narratives, Sakaki transforms our understanding of both. Train Travel uncovers a radically different experience of trains and narratives: they do not merely travel from one place to another; they construct passage as such, an experience of mutual entrainment.” Thomas Lamarre, University of Chicago.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031158544
    Language: English
    Pages: 1 Online-Ressource(XXIII, 483 p. 17 illus., 15 illus. in color.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Africa—History. ; Ethnology—Africa. ; Africa—Politics and government. ; Africa—Economic conditions. ; Culture. ; Ethnology ; Africa ; Africa ; Africa
    Abstract: 1. Introduction: Contemporary Kenya: Politics, Economics, Environment, and Society; Wanjala S. Nasong’o, Maurice N. Amutabi, Toyin Falola -- Part I: Independence and the Political Economy of Development -- 2. Structural Adjustment and Economic Reforms in Kenya; Urbanus Mwinzi Ndolo -- 3. Higher Education Policy and Reforms in Kenya; Michael Mwenda Kithinji -- 4. Gangs, Militias, and Vigilantes in Rural and Urban Violence in Kenya; Musambayi Katumanga -- 5. Role of Students in National Politics in Kenya; Maurice N. Amutabi and Linnet Hamasi -- 6. Kenyan Public Intellectuals and National Development Debates; Maurice N. Amutabi and Linnet Hamasi -- 7. The Matatu Industry in Nairobi; Mickie Koster -- 8. Pastoralism and the Northern Kenya Economy; Maurice N. Amutabi and Linnet Hamasi -- 9. Venture Capital and Silicon Savannah Valley in Kenya; Daniel Oigo Ogachi and Zeman Zoltan -- Part II: Environment, Globalization, Gender, and Society -- 10. Environmental Policy and Practice in Kenya; Wanjala S. Nasong’o -- 11. Wangari Muta Maathai and the Green Belt Movement; Besi Brillian Muhonja -- 12. The Women’s Movement and Gender Politics in Kenya; Damaris Parsitau and Dorothy Nyakwaka -- 13. The Youth and Socio-Economic Development in Kenya; Sellah Nasimiyu King’oro -- 14. Civil Society and the Politics of Democratization; Wanjala S. Nasong’o -- 15. The Second Republic and the Politics of Devolution; Edmond Maloba Were -- 16. Ethnicity and Political Violence in Kenya; Linnet Hamasi and Maurice N. Amutabi -- 17. Presidential Leadership Styles from Jomo to Uhuru; Eric E. Otenyo -- 18. Sport and Recreation in Kenya; W.W.S. Njororai and Peter Omondi-Ochieng -- 19. Religion and the Cultures of Kenya; Mary Nyangweso Wangila -- 20. Kiswahili in Kenya: Broken Language and Broken Promises; Ken Walibora Waliaula -- 21. Indigenous Knowledge Systems and Medicine in Kenya; Maurice N. Amutabi and Linnet Hamasi -- 22. Kenya’s Security Sector: Reform in a Changing Strategic Environment; Stephen Mwachofi Singo and Edmond John Pamba -- 23. The Impact of Globalization in Kenya, Mumo Nzau -- Part III: The External Context -- 24. Colonial Boundaries and Emerging Border Contestations in Post-Independent Kenya; Peter Wafula Wekesa -- 25. Illiberalism, Human Rights, and Rule of Law: A Kenyan Paradox; Makau Mutua -- 26. Mapping Kenya’s Diaspora and its National Economic, Social, Cultural, and Political Impact; Kefa M. Otiso -- 27. Foreign Policy and Kenya’s Foreign Relations, 1963-2017; Mercy Kathambi Kaburu and Korwa Gombe Adar -- 28. Al-Shabaab and the Regional Security Dilemma; Oscar Gakuo Mwangi -- 29. Kenya-US Relations and the War on Terror; Mumo Nzau -- 30. China in Kenya and its Impact and Implications; Linnet Hamasi and Maurice N. Amutabi -- 31. Kenya and Regional Integration Schemes; Joshua M. Kivuva -- 32. Kenya’s External Trade; Caroline Ayuma Okello -- 33. Kenya in World Politics; Thomas Otieno Juma -- 34. Kenya : Future Imaginations; Toyin Falola.
    Abstract: This volume is a bold attempt to address a comprehensive range of themes and issues relating to contemporary Kenya. It covers independent Kenya’s history, society, culture, economics, politics, and environment with great breadth and depth, comprising thirty-four chapters divided into three parts. Part I focuses on independence and the political economy of development, followed by Part II on environment, globalization, gender, and society. Part III examines the external context’s impact and implications for Kenya and the role of Kenya in the global political economy. Wanjala S. Nasong’o is Professor of International Studies at Rhodes College in Memphis, USA. Maurice N. Amutabi is Professor and Director of the Center for Science and Technology Studies at the Technical University of Kenya. Toyin Falola is Professor of History, University Distinguished Teaching Professor, and the Jacob and Frances Sanger Mossiker Chair in the Humanities at the University of Texas at Austin, USA. He is an honorary professor at the University of Cape Town, South Africa, and Extraordinary Professor of Human Rights at the University of the Free State, South Africa. .
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031273742
    Language: English
    Pages: 1 Online-Ressource(XXII, 295 p. 2 illus.)
    Edition: 2nd ed. 2023.
    Series Statement: Palgrave Philosophy Today
    Parallel Title: Erscheint auch als
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    Keywords: Social sciences—Philosophy. ; Critical theory. ; African Americans. ; Culture. ; Philosophy of mind. ; Self. ; African literature. ; Social sciences
    Abstract: Part I Ideas and Realities of Human Race -- 1 Ideas of Race in the Canonical History of Philosophy -- 2 Egalitarian Spiritual and Legal Traditions -- 3 Race According to Biological Science -- 4 Ideas of Race in Twentieth-Century American and Continental Philosophy -- 5 Ethnicity and Related Forms of Race -- 6 Social Construction and Racial Identities -- Part II Relations, Practices, and Theories of Race in Society -- 7 Racism and Neo-racisms -- 8 Metaphysical Racism, Crimes against Humanity, and Reparations -- 9 Race in Contemporary Life. 10 Political Philosophy, Law, and Public Policy -- 11 Feminism, Gender, and Race -- 12 Political Racism and Populist Movements.
    Abstract: Philosophy of Race: An Introduction provides plainly written access to a new subfield that has been in the background of philosophy since Plato and Aristotle. The second edition has been expanded to include race and racism in Europe and China, and to discuss recent phenomena like digital racism and rising populism. Part I provides an overview of ideas of race and ethnicity in the philosophical canon, egalitarian traditions, race in biology, and race in American and Continental Philosophy. Part II addresses race as it operates in life through colonialism and development, social constructions and institutions, racism, political philosophy, and gender. This book constructs an outline that will serve as a resource for students, nonspecialists, and general readers in thinking, talking, and writing about philosophy of race. Naomi Zack is Professor of Philosophy at CUNY Lehman College (USA). She has taught at the University of Oregon and the University at Albany, SUNY. Her most recent books are The American Tragedy of COVID-19 (2021) and Progressive Anonymity: From Identity Politics to Evidence-Based Government (2020). Other recent books include Reviving the Social Compact: Inclusive Citizenship in an Age of Extreme Politics (2018) and her edited 51-essay Oxford Handbook on Philosophy and Race (2017).
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031400377
    Language: English
    Pages: 1 Online-Ressource(IX, 114 p. 1 illus.)
    Edition: 1st ed. 2023.
    Series Statement: Politics and Development of Contemporary China
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    Keywords: Asia ; China ; Political science. ; Executive power. ; World politics. ; Ethnology ; Culture. ; Kommunistische Partei ; Ideologie ; Loyalität ; Identitätsentwicklung ; Soziale Kontrolle ; Indoktrination ; China
    Abstract: Chapter 1: Introduction: China’s National Self, President Xi Jinping, and the Realization of the Chinese Dream -- Chapter 2: Anti-corruption Forever: Discipline and Loyalty -- Chapter 3: Loyalty Toward State and Nation: Top-level design and “Moral Careers” -- Chapter 4: Loyalty to the Nation: Lunar and Martian exploration for Lasting Greatness -- Chapter 5: Post-Zero-Covid Policy: Limits to Loyalty on the Horizon?
    Abstract: This book analyses the ideology that China's leader Xi Jinping has crafted during his decade in power. China’s political system and domestic and foreign policies have, between 2012 and 2022, become more defined by the political thought of Xi Jinping, the most powerful leader of the Chinese Communist Party since the time of Mao Zedong. Today, Xi’s China is embroiled in superpower rivalry with the United States and its allies. Therefore, ongoing ideological transformation in the People’s Republic is destined to have global repercussions. Yet surprisingly, the ideological mission of Xi Jinping is poorly understood. Based on analysis of Xi Jinping’s collected speeches, the book argues that China’s new state ideology is constructed around the three key concepts of loyalty, discipline, and greatness. Xi’s mission is about ideological re-orientation and re-activation, as well as organizational innovation, seeking to frame China’s “national self” as a collective unit under one political banner and one leader. However, despite the monumental Party-state effort to boost the new ideology and state-scripted “moral careers”, the book contends that Xi Jinping cannot take for granted that political and patriotic loyalty will forever trump the formation of “disloyal moral careers” in society. Johan Lagerkvist is Professor of Chinese Language and Culture at Stockholm University, Sweden and Senior research fellow at the Swedish Institute of International Affairs.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031405303
    Language: English
    Pages: 1 Online-Ressource(XV, 191 p.)
    Edition: 1st ed. 2023.
    Series Statement: East Asian Popular Culture
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Journalism. ; Popular Culture. ; Ethnology ; Culture. ; China
    Abstract: 1: Introduction: Understanding popular journalism in China -- 2: Mao’s war on popular journalism (1950s-1970s) -- 3: The day starts at 3.00pm: Evening newspapers and soft journalism (1980s) -- 4: The tabloid decades: The rise and reign of popular journalism (1990s-2000s) -- 5: The struggle for a popular critical journalism under one-Party rule -- 6: The power and limits of nationalistic popular journalism -- 7: The paradox of popularity: Popular Citizen journalism in the era of new/social media -- 8: Propaganda advances, popular journalism retreats (since the 2010s) -- 9: The uncertain future: Popular journalism and China dream.
    Abstract: This book, the first of its kind, investigates the historical trajectory and current situation of popular journalism in the People's Republic of China. Taking a popular cultural perspective, the book redefines “popular journalism” as a particular journalistic genre and media form and applies it to conceptualize popular journalism in the Chinese context. In particular, it examines how the dynamic and complex interplay of politics, the market, culture, and communication technology in shifting contexts has shaped the changing landscape of popular journalism in contemporary China. Meanwhile, regardless of how these factors might have changed over time, the fundamental nature of popular journalism as a source of fun and a troublemaker against elite powers in China, as in other places, has remained. The book further argues that the historical development of popular journalism in China forms an important and integral part of the country's social-cultural fabric and ultimately illustrates the mediated ideological and cultural struggle between popular/public and elite/state discourses in the country’s everyday social life in its challenging and discursive transition to modernity. .
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031193255
    Language: English
    Pages: 1 Online-Ressource(X, 223 p. 32 illus.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Motion pictures—History. ; Ethnology—Europe. ; Motion picture plays, European. ; Culture. ; Ethnology ; Motion pictures
    Abstract: 1. Introduction -- 2. “Poetics of Fall and Redemption” -- 3. “The Condemned Land” -- 4. “Tragedy, Power and Resistance” -- 5. “The Cursed Love” -- 6. “Reversals of Fortune”.
    Abstract: This book focuses on expressions of the tragic in Spanish cinema. Its main premise is that elements from the classical and modern tragic tradition persist and permeate many of the cultural works created in Spain, especially the films on which the book centers this study. The inscrutability and indolence of the gods, the mutability of fortune, the recurrent narratives of fall and redemption, the unavoidable clash between ethical forces, the tension between free will and fate, the violent resolution of both internal and external conflicts, and the overwhelming feelings of guilt that haunt the tragic heroine/hero are consistent aspects that traverse Spanish cinema as a response to universal queries about human suffering and death. Luis M. González is Professor in the Hispanic Studies Department at Connecticut College, where he teaches Spanish Film, Literature and Culture. His publications on Spanish theater and film include the following books: La escena madrileña durante la II República (1931–1939), El teatro español durante la II República y la crítica de su tiempo (1931–1936), and Fascismo, kitsch y cine histórico en España (1939–1953). He also co-authored a translation of Valle Inclan´s Comedias Bárbaras into English, and he is the editor of Teatro: Revista de Estudios Escénicos .
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  • 68
    ISBN: 9783031341823
    Language: English
    Pages: 1 Online-Ressource(XIII, 227 p. 12 illus., 9 illus. in color.)
    Edition: 1st ed. 2023.
    Series Statement: New Language Learning and Teaching Environments
    Parallel Title: Erscheint auch als
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    Keywords: Language and languages ; Intercultural communication. ; Ethnology ; Culture. ; Multilingualism.
    Abstract: 1 Foreign Language Education in the Southern Caribbean: An Overview (Diego Mideros, Nicole Roberts, Beverly-Anne Carter, and Hayo Reinders) -- 2 Methodological Suggestions to Increase Students’ Intercultural Competence in the English-speaking Caribbean (Carmen Céspedes Suárez) -- 3 Teaching Pronunciation in a Blended Learning Environment (Frank Bardol) -- 4 Teaching beyond the Classroom: Project-based Assessment in a Language Education Course (Pamela Rose) -- 5 Values-Based Innovation in the Caribbean Context: Grounding a Postcolonial Pedagogy for the Cave Hill Spanish Section of the University of the West Indies (Ian S. Craig) -- 6 Innovation in Language Education Partnerships: The Case of the Confucius Institute UWI (Beverly-Anne Carter) -- 7 Issues and Challenges of Continuing Education for FLE Teachers in the English-Speaking Caribbean (Sabrina Lipoff) -- 8 Learning Spanish beyond the Classroom in a Corporate Setting (Diego Mideros and Paola Palma) -- 9 ‘‘Guess I have no choice but to do the e-book.” Non-specialist Learners’ Perceptions in Spanish and Other Languages during the Pandemic (Beverly-Anne Carter, Avian Daly, and Mathilde Dallier) -- 10 Foreign Language Learning and Teaching in the Southern Caribbean: Future Directions (Diego Mideros, Nicole Roberts, Beverly-Anne Carter, and Hayo Reinders). .
    Abstract: This book presents a unique perspective from an underrepresented region in the Global South. The volume features four different countries in the region: Barbados, Guyana, St. Lucia, and Trinidad and Tobago, as well as Martinique, which is an overseas region of France. This volume documents innovations in learning and teaching Spanish, French, and Chinese in the case of the English-speaking countries, and English as a foreign language (EFL) in the case of Martinique. The chapters cover different aspects of language education in the Caribbean and will be of particular interest to those involved in managing change in language education that attempts to mediate between global and local needs. Diego Mideros is a lecturer in Spanish at The University of the West Indies, Trinidad and Tobago. He coordinates the non-specialist Spanish language courses at the university’s Centre for Language Learning. His interests are learner autonomy, out-of-class learning, identity in language learning, and qualitative approaches to L2 research. Nicole Roberts is a senior lecturer in Spanish and the Acting Director, Centre for Language Learning, The University of the West Indies, Trinidad and Tobago. She has published on social and socio-cultural factors which impact reading comprehension and writing in Spanish as well as the importance of study abroad on FL acquisition. Beverly-Anne Carter is a retired Professor of Applied Languages and Director (2005-2022) of the Centre for Language Learning, St. Augustine Campus of The University of the West Indies, Trinidad and Tobago. She has published in the areas of learner autonomy in language learning, foreign language pedagogy and methodology, and language policy and planning. Hayo Reinders (www.innovationinteaching.org) is TESOL Professor and Director of Research at Anaheim University, USA, and Professor of Applied Linguistics at KMUTT in Thailand. He is founder of the Global Institute for Teacher Leadership and editor of Innovation in Language Learning and Teaching. His interests are in out-of-class learning, technology, and language teacher leadership.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031094873
    Language: English
    Pages: 1 Online-Ressource(XVI, 265 p. 1 illus. in color.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Africa—History. ; Africa—Politics and government. ; Ethnology—Africa. ; Culture. ; Economic history. ; Economic development. ; Geography. ; Africa ; Ethnology ; Africa
    Abstract: 1. Introduction: Kenya in Historical Perspective; Wanjala S. Nasong’o, Maurice N. Amutabi, Toyin Falola -- Part I: The Long Precolonial Moment -- 2. The Bantu Origin, Migration, and Settlement in Kenya; Pius Kakai Wanyonyi -- 3. The Migration of Nilotes and their Settlement; Opolot Okia -- 4. Cushitic Migration and Settlement in Kenya; Maurice N. Amutabi -- 5. The Arrival of Arabs and Asians in Kenya; Julius Nabende -- 6. Kingdoms, Politics, and State Formation in Pre-colonial Kenya; Kennedy M. Moindi -- 7. Traditional Families and Social Networks in Kenya; Tom G. Ondicho -- 8. Pre-Colonial Economic Activities: Crafts, Industry, and Trade; Kennedy M. Moindi -- Part II: Colonial Encounters -- 9. The Colonial Political Economy in Kenya; Kennedy M. Moindi -- 10. The Kenyan Shilling: History of an East African Currency; Isaac Tarus -- 11. Colonial Agricultural Development; Martin S. Shanguhyia -- 12. The Impact of World Wars I and II on Kenya; Samuel Alfayo Nyanchoga -- 13. Politics and Social Life in White Settler Towns; Maurice N. Amutabi and Linnet Hamasi -- 14. The Environment Under Colonialism; Martin S. Shanguhyia -- 15. The Mass Media and Cultural Change; Kibiwott Kurgat and Caren Jerop -- 16. The Influence of Pioneer Schools and Makerere University on the Kenya’s Post-Colonial Development; Peter Otiato Ojiambo and Margaret W. Njeru -- 17. African Women in Colonial Kenya, 1900-1963; Julius Simiyu Nabende and Martha Wangari Musalia -- 18. The Trade Union Movement in Colonial and Postcolonial Kenya; Magdalene Ndeto Bore -- 19. The Rise of Anti-Colonial Nationalism; Robert M. Maxon -- 20. Lancaster House Independence Constitutional Negotiations, 1960-1963; Robert M. Maxon -- 21. Political Consolidation and the Rise of Single-Party Authoritarianism; Wanjala S. Nasong’o.
    Abstract: This volume covers Kenya’s history, society, culture, economics, politics, and environment from precolonial times through the first years of independence. The book comprises twenty-one chapters divided into two parts. Part I focuses on the long precolonial moment, detailing the nature of precolonial Kenyan societies and their economics, politics, gender dynamics, and social organization. Part II examines Kenyan societies’ encounters with British colonialism, critically outlining the impact and implications of these encounters. The volume concludes with an examination of political consolidation after the country’s attainment of political independence and the subsequent foundations for political authoritarianism. Wanjala S. Nasong’o is Professor of International Studies at Rhodes College in Memphis, USA. Maurice N. Amutabi is Professor and Director of the Center for Science and Technology Studies at the Technical University of Kenya. Toyin Falola is Professor of History, University Distinguished Teaching Professor, and the Jacob and Frances Sanger Mossiker Chair in the Humanities at the University of Texas at Austin, USA. He is an honorary professor at the University of Cape Town, South Africa, and Extraordinary Professor of Human Rights at the University of the Free State, South Africa. .
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    ISBN: 9783031403163
    Language: English
    Pages: 1 Online-Ressource(XXVI, 315 p. 14 illus.)
    Edition: 1st ed. 2023.
    Series Statement: African Histories and Modernities
    Parallel Title: Erscheint auch als
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    Keywords: Africa ; Ethnology ; Culture. ; Public health. ; Africa ; Africa
    Abstract: 1: Introduction: Experiencing Covid-19 in Africa -- Part 1: Discoursing and Narrating the Pandemic -- 2: “So Much Fear and Unanswered Questions”: Discourses on Covid-19 in Côte d'Ivoire and Cameroon -- 3: Wrathful Gods: Ethnography of Religion, Myths and Interpretations of Coronavirus in Nigeria -- 4: Poetic Verses on COVID-19: Hausa lyricist’s expressions on the pandemic -- 5 : The University of Niamey during Covid-19 : popular perceptions, containment measures and managing Muslim worship -- Part 2: Experiencing and Coping with the Pandemic -- 6: Inequalities, Exclusion and Covid-19 in Sub-Saharan Africa -- 7: Covid-19 and Intersectional Discrimination in Nigeria -- 8 : Islam and Digital Media in Côte d’Ivoire : Countermeasures and Reinvention of Religious Practices during Covid-19 -- 9: Social Effects of COVID-19 Pandemic in Uganda -- 10: The Informal Sector and the Fight Against COVID-19: Insights from Commercial Bus Drivers and Petty Marketers in Lagos, Nigeria -- 11 : Social and economic implications of Covid-19 containment measures in the gold mining industry in Burkina Faso -- Part 3: Pandemic(s) and the Ethics of Care -- 12: ‘Staying with the Trouble’: Decolonial Care and Intersectional Responsibility in Knowledge Production in COVID 19 Times -- 13: From Colonial Violence to Bare Life in South Africa: Sexual Violence and Care Ethics.
    Abstract: Written amidst the ongoing Covid-19 pandemic, this edited volume draws on the expertise of social scientists and humanities scholars to understand the several ramifications of Covid-19 in societies, politics, and the economies of Africa. The contributors examine measures, communicative practices, and experiences that have guided the (inter)action of governments, societies and citizens in this unpredictable moment. Covid-19 tested governments’ disaster preparedness as well as exposed governments’ attitudes towards the poor and vulnerable. In the same vein, it also tested the agency of the generality of the African populace in the face of containment measures and how these impacted on everyday social, cultural and economic practices of the ordinary peoples. In this vein, our concern is to understand the relationship between growing vulnerability on the one hand and ingenuity of agency on the other, and how both were embodied, narrated and discoursed by the African poor, university students, religious entities, and middle-classes, and those that bore the major brunt of the lockdowns. The volume is thus a useful resource for scholars of Africa, policy makers and those who want to understand Covid-19 in Africa. It provides a multiplicity of perspectives of the pandemic and African responses at different levels of society, economy and the political spectrum. The continental focus of this volume gives room for broader comparative analyses. Lastly, this interdisciplinary work benefits from the input of medical historians, anthropologists, sociologists, linguists, political scientists, literature scholars, urban planners, geographers and others.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031170201
    Language: English
    Pages: 1 Online-Ressource(XV, 296 p. 4 illus.)
    Edition: 1st ed. 2023.
    Series Statement: Studies in Mobilities, Literature, and Culture
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern—19th century. ; Science—History. ; European literature. ; Medicine and the humanities. ; Space. ; Culture. ; Literature, Modern ; Science
    Abstract: INTRODUCTION 1 Intersections of Medicine and Mobility in 19th-Century Britain Sandra Dinter and Sarah Schäfer-Althaus -- SECTION I: 19TH-CENTURY THERAPEUTIC TRAVEL AND MEDICAL TOURISM -- 2 Doctors’ Ships: Voyages for Health in the Late 19th-Century -- Sally Shuttleworth 3 Modes of Seasickness: London-Margate 1815–1846 Matthew Ingleby -- SECTION II: BETWEEN CONTAGION AND CURE: WATER AS AMBIGUOUS MATTER -- 4 The Mobility of Water: Aquatic Transformation and Disease in Victorian Literature Ursula Kluwick -- 5 Watering Holes: Healthy Waters and Moral Dangers in the 19th-Century Novel Pamela K. Gilbert -- SECTION III: MOBILITY AND THE GENDERED MEDICAL GAZE -- 6 Exposure, Friction, and ‘Peculiar Feelings’: Victorian Travelling Skin Ariane de Waal -- 7 Gendered Mobility in George Eliot’s The Mill on the Floss (1860) Monika Class -- 8 Embodied Interdependencies of Health and Travel in The Portrait of a Lady and Tess of the d’Urbervilles Natasha Audrey Anderson -- SECTION IV: RESTLESS AND RESTRICTED: THE PATHOLOGIES OF MOVEMENT -- 9 (Mental) Health and Travel: Mary Shelley and George Gissing Crossing Borders Heidi Liedke -- 10 A “Feverish Restlessness”: Decadent Mobility in Late Victorian Poetry Stefanie John -- 11 The Wandering Irish: Prisons, Asylums and the Mobility of Lunacy in Late 19th-Century Lancashire Hilary Marland and Catherine Cox -- SECTION V: MEDICAL PRECAUTIONS FOR BRITISH COLONIZERS -- 12 From Heroic Exploration to Careful Control: Mobility, Health and Medicine in the British African Empire Markku Hokkanen -- 13 Travelling Objects: Commodity Culture and Victorian Geographies of Health Monika Pietrzak-Franger.
    Abstract: “Medicine and Mobility in Nineteenth-Century British Literature, History, and Culture is a welcome and timely addition to the debates touching on the theme of mobility as it was developed through literature, medicine, and history of the nineteenth century. Truly interdisciplinary in their approaches, these dynamic essays encourage us to think afresh about mobility as a central feature of the modern condition.” —Professor Andrew Mangham, Department of English Literature, University of Reading “This volume gathers major international names in nineteenth-century scholarship to address full-frontally the relation of transport and medical cultures in a period when both were evolving symbiotically. In a series of engaging historicising chapters, the book amply demonstrates the necessity of its interdisciplinary logic, opening up possibilities for further Victorian, medical humanities and mobilities research bridges.” —Dr Matthew Ingleby, Department of English, Queen Mary University of London Medicine and Mobility in Nineteenth-Century British Literature, History, and Culture analyses the cultural and literary histories of medicine and mobility as entangled processes whose discourses and practices constituted, influenced, and transformed each other. Presenting case studies of novels, poetry, travel narratives, diaries, ship magazines, skin care manuals, asylum records, press reports, and various other sources, its chapters identify and discuss diverse literary, historical, and cultural texts, contexts, and modes in which medicine and mobility intersected in nineteenth-century Britain, its empire, and beyond, whereby they illustrate how the paradigms of mobility studies and the medical humanities can complement each other. Sandra Dinter is Junior Professor of British Literature and Culture at the University of Hamburg, Germany. Her research focuses on representations of mobility, gender, and space in the long nineteenth century. Sarah Schäfer-Althaus is Lecturer of Anglophone Literature and Culture at the University of Koblenz, Germany. Her research focuses on women, gender, and sexuality studies, body theory, and the history of medicine.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031209475
    Language: English
    Pages: 1 Online-Ressource(VIII, 211 p.)
    Edition: 1st ed. 2023.
    Series Statement: Studies in Humanism and Atheism
    Parallel Title: Erscheint auch als
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    Keywords: Literature—Aesthetics. ; Black theology. ; African Americans. ; Culture. ; Literature
    Abstract: 1. Introduction -- 2. Embodiment, Agency, and Conceptions of Hope in Black Humanist Thought Embodied Subjectivity and Embodied Blackness -- 3. Self-Reliance Towards Deep Democracy: Theorizing Racial Embodiment in Ralph Ellison’s Invisible Man -- 4. The (Im)Possibility of Interracial Relationships in John A. Williams’ Night Song -- 5. Subjectivities between Structure and Agency: Enlightenment Humanism, Gendered Trauma, and Community in Toni Morrison’s Beloved -- 6. Precarity, Mourning, and Notes of Consolation in Jesmyn Ward’s Sing, Unburied, Sing -- 7. Epilogue: Writing Beyond Pessimism.
    Abstract: This book presents an intellectual history and theoretical exploration of black humanism since the civil rights era. Humanism is a human-centered approach to life that considers human beings to be responsible for the world and its course of history. Both the heavily theistic climate in the United States as well as the dominance of the Black Church are responsible for black humanism’s existence in virtual oblivion. For those who believe the world to be one without supernatural interventions, human action matters greatly and is the only possible mode for change. Humanists are thus committed to promoting the public good through human effort rather than through faith. Black humanism originates from the lived experiences of African Americans in a white hegemonic society. Viewed from this perspective, black humanist cultural expressions are a continuous push to imagine and make room for alternative life options in a racist society. Alexandra Hartmann counters religion’s hegemonic grasp and uncovers black humanism as a small yet significant tradition in recent African American culture and cultural politics by studying its impact on African American literature and the ensuing anti-racist potentials. The book demonstrates that black humanism regards subjectivity as embodied and is thus a worldview that is characterized by a fragile hope regarding the possibility of progress – racial and otherwise – in the country.
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  • 73
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031310935
    Language: English
    Pages: 1 Online-Ressource(XX, 212 p. 3 illus.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Ethnology—Africa. ; Journalism. ; Mass media and culture. ; Culture. ; Ethnology
    Abstract: 1: Introduction -- 2: Turbulence in Journalism in Sierra Leone: Past and present -- 3: The Formation of Journalism Cultures and Occupational Identities -- 4: Societal Influences on Journalistic Values -- 5: Shared Occupational Values of Journalists: The case of Sierra Leone -- 6: Journalism Cultures in Sub-Saharan Africa.
    Abstract: This book provides novel insights into the perspectives of journalists in Sierra Leone and on their work by examining their perceived journalistic values and the influences that shape them. It treats journalism as an occupational identity and as a community that works on the foundation of the sub-Saharan African philosophies that exalts communal values in every sphere of life. When journalists speak about their social function in society and values, they are sharing both their individual knowledge and experiences on their work. Therefore, journalistic values are never isolated ideologies, but exist within the contexts in which they practice. In this book, Sarah Bomkapre Koroma examines the perceptions of journalists on the societal influences that impact their work, ranging from individual, procedural, organizational, political, economic, and many more. Questions explored include: What journalism cultures exist in Sierra Leone? What effects do societal factors have on these journalistic cultures? How do journalists in Sierra Leone describe their roles? What epistemological underpinnings do they consider during practice? What ethical considerations do the journalists share?
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  • 74
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031117916
    Language: English
    Pages: 1 Online-Ressource(XIII, 257 p. 2 illus.)
    Edition: 1st ed. 2023.
    Series Statement: Studies in Global Science Fiction
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    Keywords: Ethnology—Latin America. ; Latin American literature. ; Fiction. ; Motion pictures, American. ; Culture. ; Ethnology
    Abstract: Introduction: “Posthumanism and Speculative Aesthetics in Latin(x) American Science Fiction” -- Chapter 1. “Prosthetic Futures: Disability and Genre Self-Consciousness in Maielis González Fernández’s Sobre los nerds y otras criaturas mitológicas.” Ana Ugarte Fernández, College of the Holy Cross -- Chapter 2. “We Have Always Been Posthuman: Virtus and the Reconfiguration of the Lettered Subject.” Miguel García, Fordham University -- Chapter 3. “Does the Posthuman Actually Exist in Mexico? A Critique of the Essayistic Production on the Posthuman Written by Mexicans (2001-2007).” Stephen Tobin, UCLA -- Chapter 4. Maia Gil’Adi, “Fukú, Postapocalyptic Haunting, and Science-Fiction Embodiment in Junot Díaz’s ‘Monstro.’” Maia Gil’Adi, University of Massachusetts-Lowell -- Chapter 5. “Villa Epecuén: Slow Violence and the Posthuman Film Set.” Jonathan Risner, Indiana University -- Chapter 6. Catfish and Nanobots: Invasive Species and Eco-Critical Futures in Alejandro Rojas Medina’s Chunga Maya, Samuel Ginsburg, Washington State University -- - Chapter 7. “Cyborgs in the Margins: Indigeneity in ‘El Cementerio de Elefantes,’ by Miguel Esquirol.” Liliana Colanzi, Cornell University -- Chapter 8. “Race, Performance and the Discipline of the Body in Brazil’s Dystopian Thriller 3%.” M. Elizabeth Ginway, University of Florida -- Chapter 9. “Bruja Theory: On Witches and Worldmaking.” William Orchard, Queens College of the City University of New York -- Afterword: “Posthuman Subjectivity in Latin America: Changing the Conversation.” Silvia Kurlat Ares.
    Abstract: This volume explores how Latin American and Latinx creators have engaged science fiction to explore posthumanist thought. Contributors reflect on how Latin American and Latinx speculative art conceptualizes the operations of other, non-human forms of agency, and engages in environmentalist theory in ways that are estranging and open to new forms of species companionship. Essays cover literature, film, TV shows, and music, grouped in three sections: “Posthumanist Subjects” examines Latin(x) American iterations of some of the most common figurations of the posthuman, such as the cyborg and virtual environments and selves; “Slow Violence and Environmental Threats” understands that posthumanist meditations in the hemisphere take place in a material and cultural context shaped by the catastrophic destruction of the environment; the chapters in “Posthumanist Others” shows how the reimagination of the self and the world that posthumanism offers may be an opportunity to break the hold that oppressive systems have over the ways in which societies are constructed and governed. Antonio Córdoba is Associate Professor of Modern Languages and Literatures at Manhattan College, USA. His main area of specialization is Latin American and Iberian science fiction. He has published ¿Extranjero en tierra extraña?: El género de la ciencia ficción en América Latina (2011) and published articles and book chapters on Latin American and Spanish science fiction and horror. Emily A. Maguire is Associate Professor of Spanish and Portuguese at Northwestern University, USA, where she specializes in literature of the Hispanic Caribbean and its diasporas. The author of Racial Experiments in Cuban Literature and Ethnography (2011; 2nd edition, 2018), her articles have appeared in Revista de Estudios Hispánicos, Small Axe, A Contracorriente, ASAP/Journal, and Revista Iberoamericana, among other places.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031311567
    Language: English
    Pages: 1 Online-Ressource(XI, 200 p.)
    Edition: 1st ed. 2023.
    Series Statement: Studies in Global Science Fiction
    Parallel Title: Erscheint auch als
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    Keywords: Ethnology—Latin America. ; Culture—Study and teaching. ; Latin America—History. ; Latin American literature. ; Fiction. ; Culture. ; Ethnology ; Culture ; Latin America
    Abstract: Chapter 1: Introduction: Entering the Screen -- Chapter 2: “‘Where is my Eye?’ Gendered Cyborgs, the Male Gaze, and Lack in La primera calle de la soledad [The First Street of Solitude] and ‘Esferas de visión’ [‘Spheres of Vision’] by Gerardo Porcayo” -- Chapter 3: Televisual Subjectivities: Mediatic Ultraviolence and Disappearing Bodies in “Ruido gris” [“Gray Noise”] and Punto cero [Point Zero] by Pepe Rojo -- Chapter 4: Fake Presidents and Fake News: Holograms and Virtual Lenses in Eve Gil’s Virtus and Guillermo Lavín’s “Él piensa que algo no encaja” [“He Thinks Something is Off”] -- Chapter 5: Conclusion: Specular Fictions in the Age of Embodied Internet.
    Abstract: Vision, Technology and Subjectivity in Mexican Cyberpunk Literature interrogates an array of cyberpunk and post-cyberpunk science fiction novels and short stories from Mexico whose themes engage directly with visual technologies and the subjectivities they help produce – all published during and influenced by the country’s neoliberal era. This book argues that television, computers, and smartphones and the literary narratives that treat them all correspond to separate-yet-overlapping scopic regimes within the country today. Amidst the shifts occurring in the country’s field of vision during this period, the authors of these cyberpunk and post-cyberpunk narratives imagine how these devices contribute to producing specular subjects—or subjects who are constituted in large measure by their use and interaction with visual technologies. In doing so, they repeatedly recur to the posthuman figure of the cyborg in order to articulate these changes; Stephen C. Tobin therefore contends that the literary cyborg becomes a discursive site for working through the problematics of sight in Mexico during the globalized era. In all, these “specular fictions” represent an exceptional tendency within literary expression—especially within the cyberpunk genre—that grapples with themes and issues regarding the nature of vision being increasingly mediated by technology.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031296963
    Language: English
    Pages: 1 Online-Ressource(XVII, 289 p. 7 illus., 6 illus. in color.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern—19th century. ; Ethnology—Great Britain. ; Poetry. ; Children's literature. ; Culture. ; Ethnology ; Literature, Modern
    Abstract: Introduction -- Chapter One: Workplace Verse: Poetry, Performance and the Industrial Worker -- Chapter Two: Sonnet Contests and Poetic Parlor Games -- Chapter Three: Christina Rossetti's Verses -- Chapter Four: Anti-Elitist Elitist Verse Forms: Comic Ballades and Rondeaus in Punch and Fun -- Chapter Five: “Of china that’s ancient and blue”: Andrew Lang and the Idea of Form” -- Chapter Six: Victorian Verse on the Colonial Frontier: Eliza Hamilton Dunlop and the Versification of Settler Colonial Culture in Australia -- Chapter Seven: William Barnes’s Dual Vocation and the Management of Feeling -- Chapter Eight: Decisions and Revisions and Revolutions: History as Verse in Thomas Carlyle -- Chapter Nine: Commemorating the 1834 Parliament Fire in Satirical and Somber Verse -- Chapter Ten: Rossetti in the Nursery: The Speaking Silences of Sing-Song -- Chapter Eleven: Playing Along: The Verse in Victorian Poetry.
    Abstract: “This exhilarating collection opens up crucial glimpses into the widely and even wildly disparate historical and theoretical practices of Victorian poetic studies in our time. With its revelatory showcasing of the forms and forces of “mere verse,” this is a volume to relish and debate." —Tricia Lootens, Josiah Meigs Distinguished Teaching Professor of English emerita, University of Georgia “This wonderful volume gives us a new way to comprehend Victorian poetry. Specifically, it expands the field of Victorian poetry studies by reminding us of the period’s rich terrain of verse forms… The Introduction clearly and elegantly lays out the issues -- and it is a pleasure to read, as are the individual essays collected here, written by many of the greatest critics of Victorian poetry writing today." —Carolyn Williams, Distinguished Professor of English, Rutgers University “While Victorian Verse addresses major poets, particularly Christina Rossetti, it also shows how verse punctuated factory life, occupied physical space, filled periodicals, and wove into worship.…[This book] successfully gives readers a stirring new sense of a heretofore underestimated genre, and anyone who cares about Victorian daily life will find revelatory ideas in this collection.” — Talia Schaffer, Professor of English, CUNY Graduate Center & Queens College Victorian Verse: The Poetics of Everyday Life casts new light on nineteenth-century poetry by examining its popular verse forms and their surrounding social and media landscape. The volume offers insight into two central concepts of both the Victorian era and our own—status and taste—and how cultural hierarchies then and now were constructed and broken. By recovering the lost diversity of Victorian verse, this collection maps the breadth of Victorian writing and reading practices, illustrating how seemingly minor verse genres actually performed crucial social functions for Victorians, in education, leisure practices, the cultural production of class, and the formation of individual and communal identities. In addition to exploring lesser-known and even anonymous versifiers, the essays consider how “major” Victorian poets were also committed to writing and reading “minor” verse. Lee Behlman is Associate Professor of English and Honors Program Director at Montclair State University. Olivia Loksing Moy is Associate Professor of English at the City University of New York, Lehman College.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031320187
    Language: English
    Pages: 1 Online-Ressource(XIX, 378 p. 1 illus.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Motion pictures, American. ; Motion picture industry. ; Television broadcasting. ; Ethnology ; Culture. ; Motion pictures.
    Abstract: 1. Introduction: Theorizing and Contextualizing Small(er) Cinemas of the Andes. Diana Coryat, Christian León and Noah Zweig -- Part I. Filming Smaller Nations -- 2. Filming the Andes: Contemporary Aesthetic Configurations of the Andean World (Peru). Karolina Romero -- 3. Technological Appropriation and Audiovisual Sovereignty in an Indigenous Key (Colombia). Pablo Mora Calderón -- 4. Indigenous Audiovisual Producers of Ecuador: An Integral Practice of “Cosmovivencia” (Ecuador). Eliana Champutiz -- 5. Indigenous Audiovisual Practices, Post-National Discourses and the Poetics of the Small (Ecuador). Christian León -- 6. Audiovisual Practices and Production of the Commons (Peru). Luz Estrello and Julio César Gonzales (Colectivo Maizal) -- Part II. Images of the Small Community -- 7. Recovering One's Own Voice to Redefine What is Visible, Desirable and Possible: La Escuela Audiovisual Al Borde. Ana Lucia Ramírez Mateus (Colombia) -- 8. Ojo Semilla: Weaving Feminisms Through Community Cinema (Ecuador). Diana Coryat, Carolina Dorado Lozano and Karla Valeri Morales Aguayo -- 9. From the Festival-As-Event to the Festival-As-Process: A Journey Through Community Film Festivals in Colombia (Colombia). Natalia López Cerquera -- 10. Eco-Territorial Cinema: An Intercultural, Translocal, and Expanded Community Process (Ecuador). Yadis Vanessa Vanegas Toala -- 11. Notes Towards a History of Amateur Filmmaking in Guayaquil (Ecuador). Libertad Gills -- 12. Ay de mi que ardiendo, ...¡puedo!. An Extensive Note on María Galindo’s Bastard Cinema (Bolivia). Viola Varotto -- Part III. Guerrilla, Regional and Peripheral Cinema -- 13. Rethinking Subaltern “Modernities:” El cine chonero popular, 1994-2015. (Ecuador).Noah Zweig -- 14. Regional Peruvian Cinema (Peru). Emilio Bustamante and Jaime Luna Victoria -- 15. Minor Cinemas, Major Issues: Horror Films and the Traces of the Internal Armed Conflict in Peru (Peru) Diana Cuéllar Ledesma -- 16. Popular Digital Colombian Cinema: Expressions from and about Violence. (Colombia). Luisa F. González Valencia -- 17. Images of Difference in Bolivian Cinema (Bolivia). Sergio Zapata.
    Abstract: “An outstanding volume with a rich and layered examination of popular cinemas in the Andean regions of Ecuador, Peru, Bolivia and Colombia.” Cristina Venegas, Associate Professor, Film and Media Studies, University of California Santa Barbara. “The diverse contributions address issues of sovereignty, representation, and autonomy in audiovisual cartographies belonging to Andean feminisms, indigenous communities, LBGTQI+ and local community production.” Juana Suárez, Associate Arts Professor, Cinema Studies, New York University “This significant and timely volume offers its readers a wonderfully rich set of essays that give voice and visibility to some of the diverse filmmaking and storytelling from a region that is often excluded from the cinematic discourse of the four nations it spans.” Sarah Barrow, Professor of Film and Media, University of East Anglia This book examines the emergence of small cinemas of the Andes, covering digital peripheries in Ecuador, Bolivia, Peru and Colombia. The volume critically assesses heterogeneous audiovisual practices and subaltern agents, elucidating existing tensions, contradictions and resistances with respect to established cinematic norms. The reason these small cinematic sectors are of interest is twofold: first, the film markets of the aforementioned countries are often eclipsed by the filmmaking giants of Mexico, Brazil and Argentina; second, within the Andean countries these small cinemas are overshadowed by film board-backed cinemas whose products are largely designed for international film festivals. Diana Coryat is a media educator and practitioner affiliated with Mendocino College in California and Universidad Andina Simón Bolívar in Ecuador. She holds a Ph.D. in Communication from the University of Massachusetts Amherst. Christian Leon is a professor at Universidad Andina Simón Bolívar in Ecuador and a visiting professor at the Facultad Latinoamericana de Ciencias Sociales (FLACSO) (Ecuador). He holds a Ph.D. in Social Sciences at Universidad de Buenos Aires. Noah Zweig is a research professor affiliated with Arizona State University Online and Universidad Internacional del Ecuador. He holds a Ph.D. in Film and Media Studies from the University of California, Santa Barbara.
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    ISBN: 9783031355318
    Language: English
    Pages: 1 Online-Ressource(XV, 229 p. 1 illus.)
    Edition: 1st ed. 2023.
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    Keywords: Anthropology ; Linguistics ; Ethnology ; Culture. ; Philosophy. ; Postcolonialism.
    Abstract: 1. New directions in multidisciplinary knowledge production in sub-Saharan Africa: An introduction -- 2. From ‘sitting on the fence’ to rhizomatic thinking: An Appraisal of the heuristic ‘lines of flight’ in multi/inter disciplinary contemporary stylistics -- 3. Rupturing the traditional thought in search of novel heuristic voyages in New Testament studies. New reflections on Narratological methodology -- 4. Postcolonial African feminist research agenda: African women theologians’ search for liberating paradigms in oral and written religious and cultural texts -- 5. Discipline, decolonisation and agency -- 6. (Re) thinking and (re)theorising ‘multi’ and its futures in academic discourse studies -- 7. 'Collective Intelligence' a precursor for multidisciplinary research in Africa: An Appreciative Inquiry Perspective -- 8. Multi-disciplinary Era and shifting methodological pathways in New Testament Studies: A Stylistic paradigm -- 9. Decentring research in African Universities -- 10. “…Get out, you seer! Go back to the Land of Judah. Earn your bread there and do your prophesying there” (Amos 7:12). Deflecting Traditional Disciplinary Boundaries in Biblical Studies -- 11. Methodological and epistemological misconceptions about Mixed Methods Approach amongst university students -- 12. Packaging new wine into old wineskins: Possibilities and challenges of using virtual Ethnography in knowledge production in Zimbabwe -- 13. An interdisciplinary research approach: opportunities and challenges from a Zimbabwean perspective -- 14. Researching Religious Indigenous Knowledge in Zimbabwe: Methodological Issues for African Scholars -- 15. Old Methods and New Methods in sub-Saharan Africa: The Recap.
    Abstract: This book, Multidisciplinary Knowledge Production and Research Methods in Sub-Saharan Africa: Language, Literature and Religion, contributes to the polemical conversations about existing architectures of knowledge and research practices in postcolonial sub-Saharan Africa. It creates an academic platform for multi-interdisciplinary research that brings to the fore inspiring efforts to break away from long-standing disciplinary bordering thinking and practices in modern-day sub-Saharan Africa. This distinctive edited collection is a valuable resource for scholars, researchers and students of multi-interdisciplinary research across the globe. The volume also promotes wide-ranging research focused on how to address complexities which hamper the promise of multi-interdisciplinary research in contemporary sub-Saharan African contexts. It provides thought-provoking perspectives on academic conversations about the uniqueness of embracing multidisciplinary research. The traditional methods of interpretation are challenged by the radical emerging demand to shift from a mono-disciplinary thinking to a cross-disciplinary epistemic endeavour in order to successfully address unfolding problematic realities that demand the pursuit of novel heuristic terrains.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031317897
    Language: English
    Pages: 1 Online-Ressource(XXIII, 290 p. 13 illus., 9 illus. in color.)
    Edition: 1st ed. 2023.
    Series Statement: Palgrave Studies in Literary Journalism
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    Keywords: Journalism. ; Culture. ; Australasia.
    Abstract: Chapter 1 — Writing Reality: Constructing a Nation -- Chapter 2 — True Beginnings -- Chapter 3 — Journals, Letters and Unexpected Forms -- Chapter 4 — Captured Lives: Settler Memoir -- Chapter 5 — The Sketch: Colonial Characters -- Chapter 6 — Sketches of Place, Landscape and Travel -- Chapter 7 — Reporting on City Life: The Highs and Lows of ‘Marvellous Melbourne’ -- Chapter 8 — Literary Journalism and Ned Kelly’s ‘Last Stand’ -- Chapter 9 — ‘Blackbirding’, Subjectivity and the Unseeing ‘I’ -- Chapter 10 — Life in the Trenches: The Challenges of Reporting War -- Chapter 11 — Boer War Journalism: Irony, Understatement and Sentiment -- Chapter 12 — Conclusion.
    Abstract: “At the heart of Willa McDonald’s new text is an enthralling debate about what constitutes literary journalism…But she is careful always to place this debate … in its historical context—after all definitions can change overtime … Alongside the historical narrative goes an impressive attention to specific events and characters… McDonald is also able to blend an attention to broad literary trends with, at times, an impressive, critical analysis of specific texts.” - Richard Lance Keeble, Professor of Journalism, University of Lincoln, UK "A compelling and elegant cultural history of Australian literary journalism ranging from the violent frontier to bustling towns and cities. Willa McDonald shows how colonial storytelling in reports, sketches, memoirs, journals and letters helped to advance the British imperial project, build a nation, and engage with the world." - Bridget Griffen-Foley, Professor of Media, Macquarie University, Australia This book traces the beginnings of literary (narrative) journalism in Australia. It contributes to evolving international definitions of the form, while providing a glimpse into Australia’s early press history and development as a nation. The book comprises two parts. The first examines the forerunners of literary journalism before and during the establishment of a free press, including the letters, diaries and journals of the early colonists, as well as sketches published in the first magazines and newspapers. The book asks if these were “reporting” when there was no thriving press until well into the 19th century -- many were written by women and convicts whose voices otherwise went unheard. The second part examines the first expressions of literary journalism in forms more recognisable today, covering topics as varied as homelessness in Melbourne, the Queensland trade in Pacific Islander labour, and Australia’s involvement in overseas wars, particularly the Boer War. The resulting cultural history reveals important milestones in the development of Australia’s press and literature, while demonstrating the concerns unveiled in colonial literary journalism still resonate in Australia in the 21st century. Willa McDonald teaches and researches literary journalism and creative non-fiction writing at Macquarie University in Sydney, Australia. A former journalist, she is co-editor of Palgrave Macmillan’s Literary Journalism series. .
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031340512
    Language: English
    Pages: 1 Online-Ressource(IX, 235 p. 3 illus.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literary form. ; Ethnology ; Culture. ; Drama.
    Abstract: 1. Introduction: ‘[A]s in most war fiction, humour predominates’ -- 2. Humour and Britishness During the Great War: ‘If a man brings us a joke, we require to be satisfied of its durability’ -- 3. The Domestication of Death: ‘There are lots of jokes’ -- 4. Class and Social Structure: ‘It is not taken seriously’ -- 5. War and the Depiction of Gender: ‘Let us hope for the best and assume that he is dead’ -- 6. The War and the Domestic Sphere: ‘That perpetual sense of the ridiculous’ -- 7. Parody and Pop Culture in Trench Newspapers: ‘Let’s whistle ragtime ditties while we’re bashing out Hun brains’ -- 8. Short Fiction and Service-Author Heroes: ‘You can’t expect glory and accuracy for a half-penny’ -- 9. Conclusion.
    Abstract: This book explores how humorous depictions of the Great War helped to familiarise, domesticate and tame the conflict. In contrast to the well-known First World War literature that focuses on extraordinary emotional disruption and the extremes of war, this study shows other writers used humour to create a gentle, mild amusement, drawing on familiar, popular genres and forms used before 1914. Emily Anderson argues that this humorous literature helped to transform the war into quotidian experience. Based on little-known primary material uncovered through detailed archival research, the book focuses on works that, while written by celebrated authors, tend not to be placed in the canon of Great War literature. Each chapter examines key examples of literary texts, ranging from short stories and poetry, to theatre and periodicals. In doing so, the book investigates the complex political and social significance of this tame style of humour. Emily Anderson is Associate Lecturer in the School of English Literature, Language and Linguistics at Newcastle University, UK. Her research interests are in humour and whimsy in British literature, focusing on the late nineteenth and early twentieth centuries.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031370311
    Language: English
    Pages: 1 Online-Ressource(XVII, 167 p. 4 illus.)
    Edition: 1st ed. 2023.
    Series Statement: African Histories and Modernities
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    Keywords: Africa ; Africa ; Ethnology ; Culture. ; Christianity and culture.
    Abstract: Introduction -- Part I The Cultural Background of the Kimbanguist Movement -- Rethinking D. Beatriz Kimpa Vita for Contemporary Times -- Part II A Religious Movement Trajectory -- Personal Experiences of Kimbanguism as It Was (1964–1980) -- The Influence of the Salvation Army on the Followers of Simon Kimbangu -- The Relations Between the Kimbanguist and the World Council of Churches: Past and Present -- Kimbanguist Diaspora in the West -- Blackness Politics in Congolese Churches: On the Genealogy of Simon Kimbangu Prophetism Within the Congolese Revival Movement -- Part III Some Contemporary Political Religious Appropriations -- “Sung Resistance” in Simon Kimbangu’s Movement (1921) and Some of Its Contemporary Legacies -- The Appropriation of Simon Kimbangu in Current African Religious and Political Discourses -- Part IV Kongo Prophetism and the Legacy of Slavery: A Thought -- The Kongo Tradition of Renewal: Thoughts on Future Research.
    Abstract: From its genesis in 1921, Kimbanguism has constituted one of the most fascinating socio-cultural movements of the Kongo region. This interdisciplinary collection covers the socio-cultural dynamics of the Kimbanguist church and its contribution to African studies over the past hundred years. Scholars renowned for their Kongo studies work, such as Wyatt MacGaffey, John M. Janzen, and John K. Thornton, contributed to this collection. Adrien Nginamau Ngudiankama is the founder of Kongo Academy, Inc, (www.kongoacademy.org). He holds a Master of Philosophy in Systematic Theology from King's College as well as a PhD in Health Education and Health Promotion from the Institute of Education at the University of London.
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  • 82
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031227981
    Language: English
    Pages: 1 Online-Ressource(XI, 215 p. 1 illus.)
    Edition: 1st ed. 2023.
    Series Statement: St Antony's Series
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    Keywords: Europe—Politics and government. ; Ethnology—Great Britain. ; Fiction. ; Culture. ; Ethnology ; Europe
    Abstract: 1 -- Introduction: Brexit! -- 2 Defending the Nation -- 3 Taking Back Control -- 4 Remaining or Leaving? -- 5 Conclusion: Breturn?
    Abstract: This book looks at the cultural, political and economic conditions of British Euroscepticism. Focusing on eight British dystopian novels, published in the years before the decisive In/Out-Referendum, and taking into account cultural, political and economic contexts, Lisa Bischoff shows how the novels’ stance towards the integration project range from slight criticism to outright hostility. The wide availability of the novels, and the prominence of both its authors and readers, among which are political figures David Cameron, Nigel Farage and Daniel Hannan, amplify the power of literary Euroscepticism. Drawing on cultural studies, literature and social science, British Novels and the European Union reveals the many facets of British Euroscepticism. Lisa Bischoff is a science editor and writer at Ruhr-Universität Bochum, Germany. She is a contributing author to The Road to Brexit: A cultural perspective on British attitudes to Europe (2020). Her research interests include cultural narratives, dystopian fiction, British-EU relations and EU studies.
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  • 83
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031047374
    Language: English
    Pages: 1 Online-Ressource(XVIII, 310 p. 32 illus., 25 illus. in color.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Motion pictures—History. ; African Americans. ; Culture. ; Motion pictures, American. ; Motion pictures
    Abstract: Chapter 1: The Architects of The Birth of a Nation: Thomas Dixon, Jr. and David Wark Griffith -- Chapter 2: Blackface, Disguise and Invisibility in the Reception of The Birth of a Nation -- Chapter 3: The Birth of a Nation's “melodrama of pathos and action” : a tale of “national rebirth” -- Chapter 4: The Battle of Petersburg: Griffith’s “big scenes” -- Chapter 5: The Birth of a Nation Footage We Do Not Want to Find -- Chapter 6: Fixing The Birth of a Nation?: Hampton Institute and The New Era -- Chapter 7: A Most Serious Loss in Business”: Race, Citizenship and Protest in New Haven, Connecticut -- Chapter 8: Resisting The Birth of a Nation in Virginia -- Chapter 9: "At this time in this city”: Black Atlanta and the Premiere of The Birth of a Nation -- Chapter 10: The Meaning of Emancipation: African American Memory as a Challenge to The Birth of a Nation -- Chapter 11: Transatlantic “Structural Amnesia”: The Birth of A Nation in Britain 1915-16 -- Chapter 12: Black Horror on the Rhine”: D. W. Griffith's The Birth of a Nation and the French-occupied Rhineland after World War I -- Chapter 13: The Influence of The Birth of a Nation on South Africa: Film Culture and Race -- Chapter 14: “Should it Not Therefore Be Banned?”: Screening and Broadcasting The Birth of a Nation in Britain -- Chapter 15: “Still a North and a South”: The Birth of a Nation and National Trauma.
    Abstract: This collection brings together many of the world’s leading scholars on race and film to re-consider the legacy and impact of D.W. Griffith’s deeply racist 1915 epic The Birth of a Nation. While this film is often cited, there is a considerable dearth of substantial research on its initial impact and global reach. These essays fill important gaps in the history of the film, including essential work on its sources, international reception, and African American responses. This book is a key text in the history of the most infamous and controversial film ever made and offers crucial new insights to scholars and students working in film history, African American history and the history of race relations. Melvyn Stokes is Professor of Film History, University College London, UK. He is the author of D. W. Griffith’s “The Birth of a Nation”: A History of “The Most Controversial Movie of All Time” (2007) and several articles on D. W. Griffith, including “Race, Politics and Censorship: D. W. Griffith’s The Birth of a Nation in France, 1916−1923” (Cinema Journal, 2010). In 2015, he was the curator for the British Film Institute’s D. W. Griffith season. He has published 2 other books – Gilda (Palgrave/BFI, 2010) and American History through Hollywood Film (2013) – and edited a further 12 Paul McEwan is Professor of Media and Communication and Film Studies at Muhlenberg College, USA. He is the author of The Birth of a Nation (Palgrave/BFI, 2015), Cinema’s Original Sin: D. W. Griffith, American Racism, and the Rise of Film Culture (2022) and several articles and chapters on D. W. Griffith, including “The Legacy of Intolerance” in A Companion to D. W. Griffith (2018). He is also the author of Bruce McDonald’s Hard Core Logo (2011) and other essays on Canadian cinema.
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  • 84
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031223624
    Language: English
    Pages: 1 Online-Ressource(XVIII, 277 p. 14 illus.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Islam—Study and teaching. ; Ethnology—Middle East . ; Islam—History. ; Islam. ; Culture. ; Religions. ; Middle East. ; Ethnology ; Islam ; Islam
    Abstract: 1 Introduction: Teaching Humanity—Islam as a Humanistic Tradition -- Islam as a Humanistic Tradition -- Defining Humanism and the Humanities -- Orientalism and the Study of Islam -- Islam as a Legalistic Tradition -- Three Men and an Elephant: Describing Islam -- Islam: The Straight Path, or Is It? -- Islam or Islam(s)?: Accounting for Islamic Diversity -- Talal Asad: Islam as a Discursive Tradition -- Shahab Ahmed and the Critique of Asad -- The “Pre-Text” -- The “Con-Text”: The Product of Engagement -- Islam as an Affective Tradition -- Challenging Textual Essentialism -- Moving Beyond the Text: There Is a Reason They Call It Folk Wisdom Teaching Humanity: An Alternative Introduction to Islam -- Questions for Discussion -- 2 Islam’s Diverse Paths, Part One: Patterns of Belief -- Defining Islam -- Islam’s Diverse Paths -- Islam: A Man and A Book -- Islam: Unity in Diversity -- Usul al-Din: The Roots of Religion -- Tawhid: The Unity of God -- Mansur Al-Hallaj: The Secret of Ana al-Haqq -- Nubuwwa: Belief in Prophets -- A Brief Outline of the Life of the Historical Muhammad -- Following Muhammad: The Prophet as a Model for Later Generations Qiyama: Belief in the Day of Judgment -- Conclusion -- Questions for Discussion -- 3 Islam’s Diverse Paths, Part Two: Patterns of Practice and Identity -- The Path of “Law”: The Shariʿa -- ʿIbadat and Muʿamalat: Shariʿa as Ritual and Social Practice -- Muʿamalat: Shariʿa as Social Practice -- Shariʿa: Islamic Law? -- The Path of Morality and Etiquette: Akhlaq and Adab -- Paths of Love: Mahabba and ʿIshq -- Walking the Path of Love: The Story of Layla and Majnun -- Islam’s Diverse Communities: Shiʿa, Sunni, and Sufi -- The Force of History: From Saqifa to Karbala -- A Man and a Book: Accounting for Sunni and Shiʿi Islam -- Shiʿi Islam: The Path of Devotional Allegiance -- Shiʿi Islam’s Diverse Paths -- Sunni Islam: The Islam of the Sunna and the Community -- Belief in the Awliyaʾ Allah: The Sufi Tradition -- Wahdat al-Wujud and the Sufi Tradition -- Conclusion: Islam as a Humanistic Tradition -- Questions for Discussion -- 4 Teaching Humanity: The Human Being as the Object and Means of Revelation in Islamic Piety -- Approaching the Qurʾan -- The Qurʾan as Sacred Presence -- The Form and Content of the Qurʾan -- Qurʾanic Verses: Affirmations of Tawhid and Qiyama -- Qurʾanic Verses: Practice and Ethics -- Qurʾanic Verses: Narratives -- Interpreting the Qurʾan -- Muhkamat and Mutashabihat Verses -- Teachers of Humanity: Prophets, Imams, and Awliyaʾ -- Adam in the Qurʾan -- Iblis and Adam in the Qurʾan -- Mansur al-Hallaj and the Creation of Adam -- The Alevi Understanding of the Adam and Iblis Story -- The Narrative of Khidr and Musa -- Conclusion: Humanity in the Qurʾan -- Questions for Discussion -- 5 Patterns of Devotional Allegiance: God’s Friends (Awliyaʾ Allah) and Perfected Persons (al-Insan al-Kamil) -- Devotional Allegiance to the Prophet Muhammad -- Love and Devotional Allegiance to the Prophet Muhammad -- Love and Devotion for ʿAli b. Abu Talib -- Karbala: Shiʿi Islam’s Spiritual Fulcrum -- Karbala as a Meme -- Karbala as a Root Paradigm -- Victor Turner on Human Nature: Communitas and Structure -- Etic and Emic -- Devotional Allegiance in the Sufi Tradition -- The Story of Baba Farid Shakr Ganj and Mullah Sahab -- Interpretation -- Ahmet Yesevi in the Vilayetname -- The Proclamation of the Praiseworthy Qualities of Hoca Ahmet Yesevi Hezretleri Analysis -- Conclusion -- Questions for Discussion -- 6 My Qibla Is a Man: Islam Beyond the Shariʿa -- Defining Alevilik -- The Nature of Alevi Religion -- Alevilik as Shiʿi Piety -- Alevilik as a Sufi Tradition -- The Cem -- The Origin of the Cem in the Miraç of the Prophet -- Contemporary Alevilik -- Urban Cems and Cem Evis -- Alevi Music and Performance -- The Saz and the Minaret -- Contemporary Alevi Literature -- Narratives from the Vilayetname -- The Narrative of the Lineage and Birth of Hacı Bektaş in the Vilayetname -- The Vilayetname as an Islamic Text -- The Narrative of Güvenç Abdal -- My Qibla is a Man: Islam Beyond the Law -- Questions for Discussion -- 7 Conclusion: Not an Excess of Religion, But a Lack of Humanity—In Search of “Mainstream Islam” -- Radical Muslims and Muslim Extremists -- How to Write About Muslims -- Islam and Humanity -- The “Reformers” and Their Legacy -- In Search of “Mainstream” Islam -- “I Created Everything for You and You for Me:” An Alternative View of Islam -- Creating Insan al-Kamil: The End of Humanity -- “Mainstream Islam” and Shari‘a -- “Mainstream Islam” and Modernity -- Conclusion -- Questions for Discussion -- Glossary -- Bibliography.
    Abstract: This book introduces Islam through a "humanistic" lens, by highlighting the affective traditions and expressions associated with Sufism and Shi'ism. While most introductory books emphasize the shari’a, and especially the “Five Pillars,” as the primary defining characteristic of Islam, Vernon James Schubel provides an alternative introduction which instead underscores the importance of humanity and the human being within Islamic thought and practice. The book stresses the diversity of Islamic beliefs and practices, presenting them as varied responses to the shared multivalent concepts of tawhid (the unity of God), nubuwwa (prophecy) and qiyama (the Day of Judgment). Readers are introduced to essential aspects of Islam including the life of the Prophet Muhammad, the Qur’an, the development of the shari‘a, and the emergence of the Sunni, Shi‘a and Sufi traditions. The book concludes with a call to redefine “mainstream” Islam, as a religious tradition focused on the centrality of love and rooted in the importance of humanity and universal human virtues. Vernon James Schubel is Professor of Religious Studies at Kenyon College where he also helped to establish its Asian and Middle East Studies and Islamic Civilization and Cultures programs. He is the author of numerous articles on Islam and the monograph, Religious Performance in Contemporary Islam: Shi‘i Devotional Rituals in South Asia.
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  • 85
    ISBN: 9783031236259
    Language: English
    Pages: 1 Online-Ressource(XXIII, 319 p. 13 illus.)
    Edition: 1st ed. 2023.
    Series Statement: Palgrave Studies in Journalism and the Global South
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    Keywords: Ethnology—Africa. ; Journalism. ; Communication in politics. ; Communication. ; Information theory. ; Culture. ; Ethnology
    Abstract: Chapter 1 Social Media Driven Journalism In Africa: Some Theoretical Perspectives -- PART 1 NEWSMAKING CULTURES AND DIGITAL MEDIA INNOVATIONS -- Chapter 2 Mobile Digital Apps And News Production At NTV Uganda -- Chapter 3 Urban Commercial Radio and the Making of Apolitical Youth: Ethiopia in Focus -- Chapter 4 Social Media Applications and The Changing Newsroom Cultures in Africa: A Case Study of Lesotho -- Chapter 5 The Mediatisation and Media Practice Of Citizen Media And GBV: A Case Of Etv scandal Soap Opera Facebook Page -- Chapter 6 Online Harassment Of Journalists In Zimbabwe: Experiences, Coping Strategies And Implications -- Chapter 7 ‘Digital first’ as a coping measure for Malawi’s print newspapers -- Chapter 8 Digital Newspapers As Watchdogs Of Corruption In ‘2nd Republic’ Zimbabwe: A Critical Analysis Of Zimlive.Com And Zim Morning Post’s ‘Covidgate’ Reports -- Chapter 9 Migrating from Traditional To Online-Only News Delivery Among Namibian Publications: An Assessment -- PART 2 SOCIAL MEDIA, FUNDING MODELS AND PARTICIPATORY CULTURES -- Chapter 10 Exploring the Attitude of Tanzanian Journalists to Citizen Journalism -- Chapter 11 Monitoring the Fourth Estate: A Critical Analyses Of The Role Audiences In Watchdogging Journalists -- Chapter 12 Financial Sustainability of Social Media-Driven Publications In Zambia -- Chapter 13 Prospects and Challenges for Indigenous African Language Media in The Digital Age -- Chapter 14 Diasporic Media and The Appropriation of Technologies: A Case Of Nehanda Radio And Zimbabwean Politics -- Chapter 15 Reporting on Everyday Life: Practices and Experiences of Citizen Journalism In Mozambique -- Chapter 16 Misfiring Armoury In The Name Of Citizen Journalism: Reliability Of Xenophobia Reportage Through Social Media.
    Abstract: This volume presents case studies of news media employing and integrating social media into their news production practices. It links social media use to journalistic practices and news production processes in the digital age of the Global South. Critically, the chapters look at seminal cases of start-up news media whose content is informed by trends in social media, ethical considerations and participatory cultures spurred by the wide use of social media. There has been considerable research looking at the potential of new media technologies, traditional journalism and citizen reporting. The extent to which these new media technologies and ‘citizen journalism’ have morphed or reconfigured traditional journalism practice remains debatable. Currently, there are questions around the limits of social media in journalism practice as the ethical lines continue to become blurred. It is this conundrum of the role of social media in the reconfiguration of the media, news making, production and participatory cultures that requires more investigation. Social media has also turned the logic of the political economy of media production on its head as citizens can now produce, package and distribute news and information with shoestring budgets and in authoritarian regimes with no license of practice. This new political economy means the power that special interest groups used to enjoy is increasingly slipping from their hands as citizens take back the power to appropriate social media journalism to counter hegemonic narratives. Citizens can also perform journalistic roles of investigating and whistleblowing but with a lack off, or limited, regulation. This volume seeks to explore and untangle these issues, and provides an invaluable resource for researchers across the field of journalism, mass media, and communication studies. Trust Matsilele is senior lecturer in the Department of Media and Public Relations, Cape Peninsula University of Science and Technology, South Africa. Shepherd Mpofu is Associate Professor of Media and Communication at UNISA, South Africa. Dumisani Moyo is Executive Dean of Humanities at North West University, South Africa. .
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  • 86
    ISBN: 9783031192395
    Language: English
    Pages: 1 Online-Ressource(XXI, 142 p. 9 illus.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Law and the social sciences. ; Ethnology. ; Culture. ; Australasia. ; Race.
    Abstract: Chapter 1. Introduction-Indigenous Laws as realpolitik -- Chapter 2 Yanyuwa Law -- Chapter 3 - A Testimony of Kincentric Order -- Chapter 4 - More than Soft Power -- Chapter 5. Conclusion.
    Abstract: This Palgrave Pivot strives to recount and understand Indigenous Law, as set within a remote community in northern Australia. It pays close attention to the realpolitik and high-level political functioning of Indigenous Laws, which inspires a discussion of how this Law models the relational, influences governance and emplaces people in an ordered kincentric lifeworld. The book argues that Indigenous Law can be examined for the ways in which it is a deliberate, stabilizing and powerful force to maintain communal order in relation to Country, a counter framing to popular and ‘soft law or soft power asset’ visions of such Laws often held in the national and international imaginary. It is the latter which too often renders this knowledge esoteric and relinquishes it to a category of lore or folklore. Amanda Kearney is a Professorial Fellow in the School of Culture and Communication, University of Melbourne, Victoria, Australia. John Bradley is Associate Professor in the Monash Indigenous Studies Centre, Monash University and Director of the Wunungu Awara Indigenous Cultural Animation Program, Australia. Vincent Dodd is a PhD candidate in the Monash Indigenous Studies Centre, Monash University, Australia. Dinah Norman a-Marrngawi is a Yanyuwa Community Elder, li-Wirdiwalangu Elders Group, Northern Territory, Australia. Mavis Timothy a-Muluwamara is a Yanyuwa Community Elder, li-Wirdiwalangu Elders Group, Northern Territory, Australia. Graham Friday Dimanyurru was a Yanyuwa Community Elder, li-Wirdiwalangu Elders Group, Northern Territory, Australia. Annie a-Karrakayny was a Yanyuwa Community Elder, li-Wirdiwalangu Elders Group, Northern Territory, Australia.
    Note: Open Access
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  • 87
    Online Resource
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031242755
    Language: English
    Pages: 1 Online-Ressource(XXIII, 202 p. 13 illus.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Cultural property. ; Ethnology. ; Culture. ; African Americans. ; Cultural policy.
    Abstract: 1. Intangible Cultural Heritage: safeguarding embodied Creole cultures -- 2. Towards Safeguarding Creole Intangible Cultural Heritage: The 2003 UNESCO Convention -- 3 The Rejuvenation of Arts and Culture through Folklore -- 4. Valorisation of the Intangible Creole Heritage in Mauritius: A Case Study -- 5. The Spirit of Koudmen: The Genesis of Identity, Community and Cooperation in Saint Lucian Society -- 6. Embodying Creole Heritage: The Dominican Bélé -- 7. Entangled Threads: Creolisation of Plants and Landscape -- 8. Tourism Development in Creole Spaces: A Saint Lucian, island perspective -- 9. Advancing a Creole Centre of Excellence Framework -- 10. Conclusions: Looking Ahead to the ‘After Acts’.
    Abstract: Exploring diverse topics with specificity and drawing from a refreshingly varied range of contributors, this unique and timely volume serves as a beachhead for further work on the safeguarding of Creole intangible cultural heritage in our changing world. -Jenna Grace Sciuto, author of Policing Intimacy: Law, Sexuality, and the Color Line in Twentieth-Century Hemispheric American Literature This edited collection considers the significance of Creole cultures within current, changing global contexts. With a particular focus on post-colonial Small Island Developing States, it brings together perspectives from academics, policy makers and practitioners including those based in Dominica, St Lucia, Seychelles and Mauritius. Together they provide a rich exploration of issues that arise in relation to safeguarding the intangible cultural heritage that sustains Creole identities. Commencing with considerations of the UNESCO (2003) Convention for the Safeguarding of the Intangible Cultural Heritage (ICH), the collection then presents case studies from the Seychelles, Mauritius, St. Lucia and Dominica. These attest to the many and different ways through which Creole cultural practices remain significant to the lived experiences of Creole communities. These chapters exemplify how through activities such as storytelling, singing, dancing, making artworks and the alternative economic practice of koudmen, Creole peoples sustain cultural identities that draw strength from their traditions. Yet there is also recognition of the continual struggle to sustain Creole cultural practices in the face of global economic and political pressures and related uncertainties. This global economic landscape also has an impact upon how Creole cultures are presented to tourists and hence upon the ways in which cultural practices are supported. Violet Cuffy, who tragically passed away in December 2021, held a PhD in Sustainable Tourism Management from the University of Surrey, UK. Violet was Senior Lecture in Events and Tourism Management at the University of Bedfordshire, UK. Jane Carr is Head of Academic Studies at Bird College and a member of the Research Institute for Media, Arts and Performance at the University of Bedfordshire, UK.
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  • 88
    ISBN: 9783031303128
    Language: English
    Pages: 1 Online-Ressource(XIV, 212 p. 7 illus., 5 illus. in color.)
    Edition: 1st ed. 2023.
    Series Statement: Geocriticism and Spatial Literary Studies
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    Keywords: Literature, Modern—20th century. ; Literature, Modern—21st century. ; Culture—Study and teaching. ; Comparative literature. ; European literature. ; Space. ; Culture. ; Literature, Modern ; Literature, Modern ; Culture
    Abstract: Introduction: Centers-Peripheries; Literary, Cinematic, and Artistic Spaces -- Artistic Practices at the Border: Waiting and Crossing in the Context of Escape and Exile -- Revolutionary Peripheries: Pier Paolo Pasolini’s “Cinema of Borgata” -- Inner Periphery? The Rhine from Borderland to Interzone -- Enrico Pea and the Awareness of Never-Ending Detachment (Alexandria, Egypt 1896–1914) -- From Mexico to Madrid: Thirdspace in Concha Méndez’s Poemas: Sombras y sueños -- Toward the Periphery of Europe: Erich Maria Remarque’s Novel The Night in Lisbon -- Najat El Hachmi: Away from Patriarchy, Hijab, and Cultural Relativism -- Doctor Möbius, or: How I Learned to Stop Worrying and Love the Line.
    Abstract: Spatiality at the Periphery in European Literatures and Visual Arts analyzes the impact migrations, both internal and external, have on Europe’s literary and visual representations in the nineteenth to twenty-first centuries. The volume aims to subvert a centripetal reading of European cultural production by including peripheral thinkers, writers, and visual artists operating in transcultural contexts. The essays highlight and investigate the fertile artistic discourses generated in the spatial peripheries outside of Europe or its inner peripheries. The volume addresses the need for geocritical readings that overcome the engrained dichotomy of centers-peripheries. By doing so, the book brings a more nuanced approach to national literatures and proposes the idea of “contact zones of imaginative interaction”. Kathryn Everly is Professor of Spanish, Syracuse University, USA. Stefano Giannini is Associate Professor of Italian, Syracuse University, USA. Karina von Tippelskirch is Associate Professor of German, Syracuse University, USA.
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  • 89
    Online Resource
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031286094
    Language: English
    Pages: 1 Online-Ressource(XLII, 609 p. 38 illus.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Culture—Study and teaching. ; Cultural property. ; Collective memory. ; Ethnology. ; Culture. ; Culture.
    Abstract: Chapter 1. Introduction -- Part I: RECOGNITION & REMEMBERING -- Chapter 2. Memorials to settler colonialism in Australia: racism, colonialism and white power -- Chapter 3. Koro and the statue: disrupting colonial amnesia and white settler sovereignty in Aotearoa New Zealand -- Chapter 4. Space and place: cultural heritage and colonial commemoration at Australian tertiary institutions -- Chapter 5. Toppling the racist Anglo-Saxon politics of Cecil Rhodes -- Chapter 6. The dark side of Canadian history: a two-eyed seeing approach -- Chapter 7. “It’s not a day for you”: Indigenous Australians and the ‘disruption’ of Anzac Day -- Chapter 8. Reflections on Representation, Remembrance and the Memorial.-Chapter 9. Lest we forget: the Tunnerminnerwait and Maulboyheenner saga -- Chapter 10. Unwanted Endeavours and the reconstruction of Cook’s world -- Chapter 11. How churches are framed and presented in the contemporary Sámi homeland of Finland to maintain colonial discourses -- Chapter 12. Colonial histories and artefacts: which way gender? -- Chapter 13. Monumental copper and coal: the case for including extractivism in the rethinking of colonial commemorations -- Part II: RESISTANCE & REIMAGINING -- Chapter 14. Holding dissonance, while disrupting narratives -- Chapter 15. Reason and reckoning: provocation and conversations about re-imaging Samuel Griffith’s University -- Chapter 16. Comedic interventions: toppling monuments and dismantling myths in Rutherford Falls -- Chapter 17. Confederates and colonial commemoration in the United States: collective memory and counter-histories -- Chapter 18. The art of Daniel Boyd: decolonising Banks and Cook, challenging colonial commemoration -- Chapter 19. Asserting Indigenous agencies: constructions and deconstructions of James Cook in Northern Queensland -- Chapter 20. Futuring ruins: the grassroots design activism of the Department of Homo Affairs -- Chapter 21. ‘It’s just always been there’: Rutherford Falls, monuments and settler colonial hegemony -- Part III: REMOVAL & RECTIFICATION -- Chapter 22. The need for context: archaeology’s contribution to the ‘statue wars’ -- Chapter 23. Dis-placing white supremacy: intersections of Black and Indigenous struggles in the removal of the Roosevelt statue at the American Museum of Natural History -- Chapter 24. Edifying: the Deathscapes Project and the landscape of settler-colonial monumentality in Australia -- Chapter 25. The problem and potential of anti-Black monuments in museums -- Chapter 26. Local Empire: George Frampton’s Leeds Queen Victoria Memorial -- Chapter 27. The struggle continues down south: dismantling of colonial monuments and symbols of colonialism and white supremacy -- Chapter 28. Standing strong: the renaming of Toronto Metropolitan University.-Chapter 29. The ‘Crowther Reinterpreted’ project -- Chapter 30. You can handle the truth: Aboriginal peoples, colonial commemorations and the unfinished business of truth-telling.
    Abstract: The Palgrave Handbook on Rethinking Colonial Commemorations explores global efforts, particularly from Indigenous and Bla(c)k communities, to dismantle colonial commemorations, monuments, and memorials. Across the world, many Indigenous and Bla(c)k communities have taken action to remove, rectify and/or re-imagine colonial commemorations. These efforts have had the support of some non-Indigenous and white community members, but very often they have faced fierce opposition. In spite of this, many have succeeded, and this work aims to acknowledge and honour these efforts. As a current and much-debated issue, this book will present fresh findings and analyses of recent and historical events, including #RhodesMustFall, Anzac Day protests, and the transferral of confederate monuments to museums. Comprising of chapters written by Indigenous, Bla(c)k and non-Indigenous authors, from a wide variety of locations, backgrounds and purposes, this topical volume is a timely and important contribution to the fields of memory studies, Indigenous Studies, and cultural heritage. Professor Bronwyn Carlson is an award-winning Aboriginal author, researcher and academic who lives on Dharawal Country in New South Wales. Bronwyn is the author of The politics of identity: who counts as Aboriginal today? (2016) and a well-known commentator on the place of colonial monuments. She is a co-author of Monumental Disruptions: Aboriginal People and Colonial Commemorations in So-Called Australia (2023). She is the founder and editor of The Journal of Global Indigeneity and the Director of the Centre for Global Indigenous Futures, Head of the Department of Indigenous Studies at Macquarie University and a Fellow of the Australian Academy of the Humanities. Dr Terri Farrelly is an Adjunct Fellow and Postdoctoral Research Associate with the Department of Indigenous Studies at Macquarie University. She is a settler researcher and author whose work has been dedicated to Aboriginal suicidologies and addressing racism and discrimination through truth-telling. She is a co-author of Monumental Disruptions: Aboriginal People and Colonial Commemorations in So-Called Australia (2023).
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  • 90
    Online Resource
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031092572
    Language: English
    Pages: 1 Online-Ressource(XV, 250 p. 3 illus. in color.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Literature. ; Space. ; Culture. ; Emigration and immigration. ; Motion pictures.
    Abstract: 1. Why Refugee Genres? Refugee Representation and Cultural Form -- Part I. Life Writing: Memoir, Comics, Poetry -- 2. “How Do we Survive the Memory of So Much Waiting?”: Reconfiguring Empathy in Dina Nayeri’s The Ungrateful Refugee -- 3. Family Journeys: Refugee Histories in Vietnamese American Graphic Memoirs -- 4. Insular Metaphors: Representations of Cyprus in Mediterranean Refugee Literatures after the 1980s -- Part II. Performance and Documentary Media -- 5. Home Is Goose Bumps (on a Second Skin): Refugee Experience in the Songs of the Zollhausboys -- 6. Migrant and Radical: Political Migrant Theatre and Activism in Migrations: Harbour Europe -- 7. On the Necropolitics of Contemporary Human Uprootedness: Ecocentric Empathy in Documentary Film and Philosophy -- Part III. The Refugee Novel -- 8. Splitting Apart, Coming Together: Bildung (…shards…) into Mosaic-Being through Performance of the Refugee and Forced-Migration Bildungsroman -- 9. Shattered Forms: Transnational Migration Literatures in Melilla and the Balkan Refugee Route -- 10. “Slowly Into Darkness”: Postmemory in Alison Pick’s Far to Go and Natasha Solomons’ Mr Rosenblum’s List -- 11. Responding to Refugee Children: Transfigurations of Genre and Form in Valeria Luiselli’s Tell Me How It Ends and Lost Children Archive -- Part IV. Coda -- 12. The Refugee Imaginary. .
    Abstract: Refugees Genres is a timely, interdisciplinary and far-reaching exploration of a figure at once over-scripted and barely-legible: the contemporary refugee. An international assembly of scholars and critics conduct deep probes into the ways this figure – hyper-visible, politically weaponised, often patronised – emerges in comics and graphic novels, experimental films, modern performance and music, memoirs and literary fiction before, in termite fashion, perverting and restructuring those artistic forms to startling effect. --S. S. Sandhu, Director of the Center for Experimental Humanities and Associate Professor of English and Social and Cultural Analysis, NYU Rich and varied, the essays in Refugee Genres pull together refugee narratives from literature, film and the graphic arts, to make a series of bold interventions into this evolving field. --Agnes Woolley, Lecturer in Transnational Literature and Migration Cultures, Birkbeck, University of London This volume brings together research on the forms, genres, media and histories of refugee migration. Chapters come from a range of disciplines and interdisciplinary approaches, including literature, film studies, performance studies and postcolonial studies. The goal is to bring together chapters that use the perspectives of the arts and humanities to study representations of refugee migration. The chapters of the anthology are organized around specific forms and genres: life-writing and memoir, the graphic novel, theater and music, film and documentary, coming-of-age stories, street literature, and the literary novel. Mike Classon Frangos is Senior Lecturer in English Literature at Linnaeus University, Sweden. He has published articles on comics and graphic novels, as well as literature, migration and human rights. Sheila Ghose is Senior Lecturer in English Literature at Södertörn University, Sweden. She has published on British Asian literature and on postcolonial Sweden. .
    URL: Cover
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  • 91
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031375491
    Language: English
    Pages: 1 Online-Ressource (xxv, 368 Seiten)
    Edition: 1st ed. 2023
    Series Statement: Politics, economics, and inclusive development
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Emigration and immigration. ; Ethnology. ; Culture. ; Peace. ; Economic development. ; Binnenwanderung ; Displaced Person ; Zuwanderer ; Ursache ; Motivation ; Migrationspolitik ; Governance
    Abstract: Chapter 1.Introduction -- Chapter 2. Understanding Internal Migration -- Part I Stakeholders: The State, Migrants, and Hosts. Chapter 3. The Primacy of the State -- Chapter 4. The Many Levels of the State -- Chapter 5. Sympathy for the State: Coping with Internal Migration -- Chapter 6. Migrants in Train: State-Initiated and Managed Migrations -- Chapter 7. Unsponsored Migrants: The Enterprising -- Chapter 8. Unsponsored Migrants: The Expelled -- Chapter 9. Room to Let? Host Community Perspectives.-Part II. What Can Go Wrong. Chapter 10. Migratory Deprivations -- Chapter 11.Migratory Conflicts: Sons of the Soil.-Chapter 12. State Failures -- Part III. What to Do About It. Chapter 13. State Accountability: Theory, Evasion, and Potential Remedies -- Chapter 14. State Responses and Best Practices -- Chapter 15. Societal Responses -- Chapter 16. The International Community -- Chapter 17. Lessons in Governing Internal Migration.
    Abstract: Moving within Borders offers an invaluable contribution. William Ascher and Shane Barter offer an absorbing, cogent, and authoritative account of internal migration across the world today. They offer a set of riveting case studies as well as a compelling theoretical framework for understanding them. They conclude with a set of policy remedies that can enable governments to deal with their internal migrations in ways that lessen the human costs. This book is must-reading for those interested in the plight of human beings who leave their homes in search of a better life. —Michael Lofchie, Professor of Political Science, UCLA If you had no idea that internal migrants outnumber their international counterparts by three to one, then this book is definitely for you. Drawing on an extensive literature and case studies from across the developing world, Ascher and Barter have written the most comprehensive account on internal migration yet. Their policy recommendations that focus on the role states can play complement an unassailably balanced, nuanced analysis that will be the go-to source on the subject for years to come. —Jamie S. Davidson, National University of Singapore This book highlights the attention that policymakers, activists, and the public should pay to internal migration. The book is distinctive in examining the full range of modes and motives of internal migration: state-sponsored or unsponsored, coerced or voluntary, land-seeking or market-seeking, urban or rural, and so on. While approaching internal migration holistically, it also emphasizes how it is distinct from international migration, especially the central role of the state, whose internal divisions and defensive reactions often play decisive roles in governing migration. William Ascher is Donald C. McKenna Professor of Government and Economics at Claremont McKenna College. His research focuses on poverty alleviation and sustainable development in all developing areas. Shane Joshua Barter is Professor of Comparative Politics at Soka University of America. His research interests focus on separatist conflicts in Southeast Asia, civilian responses to war, conflict IDPs, and territorial autonomy. .
    Note: Tabellen, Literaturverzeichnisse, Index
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  • 92
    ISBN: 9783031418372
    Language: English
    Pages: 1 Online-Ressource(XII, 299 p.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als Commercialisation of religion in South Africa
    Keywords: Evangelicalism. ; Pentecostalism. ; Ethnology ; Culture. ; Africa ; Aufsatzsammlung ; Südafrika ; Charismatische Bewegung ; Evangelikale Bewegung ; Pfingstbewegung ; Kommerzialisierung ; Wohlstandsevangelium
    Abstract: Chapter 1: Introduction -- Part 1 : The use of Biblical texts in perpetuating the commercialisation of religion -- Chapter 2: A Piece Of Silver For The Man Of God To Tell Us The Way To Go (1 Sam 9:6-13). -Chapter 3: Serving money over God in Matthew 6:24. - Chapter 4: “The love of money is ‘NOT’ the root of all evil”: some Neo-Pentecostal pastors contradicting 1 Timothy 6:10 in support of materialism -- Part 2: Prosperity gospel and the commercialisation of religion -- Chapter 5: The business practices of Africa’s prosperity teachers -- Chapter 6: Newschapter Opinion Pieces on Prosperity Gospel in South Africa: Critical Reflections, Representations, and Ideology -- Chapter 7: Manipulation of the prosperity message through the sales of sacred products -- Part 3: The economic challenges and commercialisation of religion -- Chapter 8: Socio-economic conditions: The rationale behind the financial abuses -- Chapter 9: The Gospel and Money -- Chapter 10: The riches of some Neo-pentecostal pastors versus ‘Moruti le tlala’ -- Chapter 11: Community empowerment in contrast to individual success among Neo- Pentecostal pastors in South Africa -- Part 4: Theological reflections and implications on the commercialisation of religion -- Chapter 12: Commercial Praxis within Neo-Pentecostal Churches: A Practical Theological Assessment -- Chapter 13: Let us make God in our own image: Reflections on uncommon practices in some Neo-Charismatic/Pentecostal Churches in South Africa -- Chapter 14: The impact of the African traditional belief systems on congregants in promoting commercialisation of Christian religious services -- Part 5: The commercialisation and the regulation of religion -- Chapter 15: The violation of the South African Revenue Services by some Neo-Pentecostal pastors -- Chapter 16: Regulating inimical religious practices and protecting religious freedoms: Practical realities and a constitutional conundrum.
    Abstract: “This volume is a critical text for the study of Pentecostalism, not only in South Africa, but Africa as a whole where ‘gold’ now supersedes God. A must read indeed for those interested in understanding the intersections of Pentecostalism, commerce and the marketization of religion in Africa." —Molly Manyonganise, Senior Lecturer, Zimbabwe Open University and Research Associate, University of Preto Aspects of the 2017 Final Report of the South African Commission on the Promotion and Protection of the Rights of Cultural, Religious and Linguistic Communities (CRL) have drawn strong criticism, particularly from South African scholars, politicians and the public. The criticism is largely regarding the constitutionality of its recommendation, which calls for regulation of the Religion to combat its abuse and commercialization. Scholars have criticized the CRL Rights Commission for hastening its investigation and releasing the final report without having a substantive understanding of what is meant by the commercialization of religion, and consequently the unconstitutional implications of the recommendation, to regulate religion. A close reading of this critique has pointed to the urgent need to assemble a cumulative body of research that examines and advances understanding of what is meant by the commercialization of religion. Accordingly, this book gathers scholarly contributions which offer valuable insights into the basics of what is meant by the commercialization of religion. Contributors examine this phenomenon from the historical roots to the manifestation in the contemporary world, particularly in South Africa. Mookgo Solomon Kgatle is a Professor at the Department of Christian Spirituality, Church History and Missiology, University of South Africa, and a National Research Foundation (NRF) Y-Rated researcher (2019-2024) in African Pentecostalism. Sello Jonas Thinane is a post-doctoral fellow at the University of South Africa. Chammah J. Kaunda is Assistant Professor of World Christianity and Mission Studies at Yonsei University, Korean Republic. He is also an Extraordinary Professor at the University of the Western Cape in South Africa, and a Research Fellow for the Southern African Institute for Policy and Research.
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  • 93
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031120893
    Language: English
    Pages: 1 Online-Ressource(XIX, 177 p. 18 illus.)
    Edition: 1st ed. 2023.
    Series Statement: Sociology of the Arts
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306
    RVK:
    Keywords: Art—Study and teaching. ; Culture. ; Arts. ; Human geography. ; Cultural geography. ; Art
    Abstract: 1. 1. The Art Museum: An Interdisciplinary Space Across Disciplines, Gabriele Pasqui, Eleonora Redaelli, -- 2. Visitors and Museum studies: Serving the Publics, Seph Rodney -- 3. Contemporary Cities and Urban Studies: Museums under Planning Perspectives, Davide Ponzini -- 4. Buildings and Architecture: Typologies that Defy Definition, Zachary Jones, Marzia Loddo -- 5. Exhibitions and Interior Architecture: The Thread of the Speech, Roberto Gigliotti, Francesca Lanz, Jacopo Leveratto -- 6. Programs and Art Education, Dana Kletchka -- 7. Artworks and Art History: Problematizing Good Art, Akiko Walley -- 8.. Participation and Management: Towards Inclusive Governance, James Bradburne -- 9. The Art Museum Across Disciplines: In Class and Beyond, Eleonora Redaelli.
    Abstract: Visiting the Art Museum: A Journey Toward Participation is a book about the visitor experience. It is written as a companion for visitors to and inside the art museum. The volume engages readers in transforming a common experience, the museum visit, into a sophisticated epistemological inquiry. The study of the visitor experience through an epistemological approach consists of the untangling of the academic disciplines that study and inform each step of this experience: urban studies, architecture, design, art history, art education, and nonprofit management. This journey follows a transformative bottom-up trajectory from experiential to epistemological, and, finally, reveals itself as empowering. The book unfolds as an edited volume, with chapters by different authors who are enthusiastic scholars in each discipline and addresses undergraduate students as citizens, master’s students as professionals, and scholars as teachers and researchers. Each reader will discover a kaleidoscopic world made of ideas, values, and possibilities for participation.
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 94
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031466571
    Language: English
    Pages: 1 Online-Ressource(XIII, 300 p. 11 illus.)
    Edition: 1st ed. 2023.
    Series Statement: Food and Identity in a Globalising World
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.8
    RVK:
    Keywords: Ethnology. ; Food science. ; Cultural property. ; Ethnology ; Culture.
    Abstract: Part I From the Plate … -- 1 Setting the Table: From Culinary Enchantment to Gastro-Political Agendas -- 2 On the Formation of Peruvian Gastronomy -- 3 The Professional Chef and the Establishment of Gastronomic Conventions -- 4 Cooking up a Global Cuisine -- Part II … to Gastro-Politics -- 5 Gastro-Politics: Unveiling the Neoliberal Taste -- 6 Food as Heritage: Peruvian Foodways’ Road to UNESCO -- 7 Grassroots Gastro-Politics -- 8 Final Considerations and ‘Reality Check’ -- .
    Abstract: "… This well-researched and thoughtful volume ... constitutes a welcome contribution to the global debates about food and its complex functions in nation-building projects." -Fabio Parasecoli, New York University, USA "… A brilliant analysis … a critical but nuanced and balanced description of the emergence of Peruvian gastronomy and the part played in it by chefs, food producers and media." -Steffan Igor Ayora-Diaz, Universidad Autónoma de Yucatán, Mexico "Matta masterfully succeeds to weave together reflexivity and critical thinking regarding a phenomenon that has captured national imagination and the aspirations of progress of Peruvians." -Gisela Cánepa K., Pontificia Universidad Católica del Perú, Peru This book provides an interdisciplinary examination of Peruvian cuisine’s shift from a culinary to a political object and the making of Peru as a food nation on the global stage. It focuses on the contexts, processes and protagonists that have endowed the country’s cuisine with new meaning, coherence and prominence, and with the ability to communicate what is important for Peruvians after decades of political violence and economic decline. This work uncovers the central processes of the culinary project ranging from the emergence of gastronomy, to the refiguring of indigenous people as producers, and the use of cultural identity as an authenticating force. From the Plate to Gastro-Politics offers a critical reading of what has been called a “gastronomic revolution”, highlighting the ways in which claims to national unity and social reconciliation smooth over ongoing inequalities. This book will be of interest to scholars and students of food studies, cultural anthropology, heritage studies and Latin American studies. Raúl Matta is research associate at the Institut de Recherche pour le Développement (UMR 208 PALOC), France. His research sits at the intersection of the anthropology of food, heritage and cultural studies, and the environmental humanities.
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  • 95
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031298349
    Language: English
    Pages: 1 Online-Ressource (XIII, 298 p. 4 illus., 3 illus. in color.)
    Series Statement: Palgrave Studies in Economic History
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Reassessing the Moral Economy
    Keywords: Economic history. ; Economics. ; Culture. ; Social history. ; Economic Sociology ; Morality of Ancient Greek Commerce ; Early medieval property transfers ; Charitable banking and ethics ; Ethics of Exchange ; The Idea of Economic Growth ; Economics and religion ; Aufsatzsammlung
    Abstract: Introduction (Martin Lutz and Tanja Skambraks) -- Part 1: Antiquity and Middle Ages -- Chapter 1.The Popular Morality of Ancient Greek Commerce (Moritz Hinsch) -- Chapter 2. Early medieval property transfers in favour of the church between religion and economy (Franziska Quaas) -- Chapter 3. Between Pietas and Usury. Dynamics of a Moral Economy in the Middle Ages (Tanja Skambraks) -- Chapter 4. Past the Limits of Usury: Jews and the Moral Economy of Moneylending in the Late Medieval German Territories (Aviya Doron) -- Part 2: Early Modern Period -- Chapter 5.The Moral Economy of Epidemics. Emergency, Charity and Poor Relief in Early Modern Italian Plague Regulations (Lorenzo Coccoli) -- Chapter 6. Fiscality, Debt, and Moral Economy: The View from Florentine Civic Chronicles (Giorgio Lizzul) -- Chapter 7. Moral Economists. The Jesuit Mission in Paraguay and the Idea of Economic Growth in Early Modern Times (David Bete & Philip Knäble, Georg-August-Universität Göttingen) -- Chapter 8. Profit due to Christian behaviour. The Moral Economy of the Moravian Church in the 18th Century (Thomas Dorfner) -- Part 3: Modern Period.-Chapter 9. Negotiating Religion, Moral Economy and Economic Ideas in the Late Ottoman Empire: Perspectives of Peasants and the Intelligentsia (E. Attila Aytekin) -- Chapter 10. Leading a “simple” life in modern capitalism. The moral economy of Mennonite consumption in mid-20th century America (Martin Lutz) -- Chapter 11. Tax Morale in a Centralised Church: How Catholic Clergies Adapted Norms of Paying Taxes to Secular Institutions (1940s–1950s) (Korinna Schönhärl) -- Chapter 12.“Resort City? Why what happened to Las Vegas, Sin City?”: Suburban America, Religious Groups, and the Moral Economy of Gambling in Las Vegas, 1945-1969 (Paul Franke) -- Chapter 13.Reassessing Moral Economies. Concluding thoughts (Benjamin Möckel).
    Abstract: This book examines the concept of moral economy originally established by E.P. Thompson, focusing on the impact of religious norms on economic practice. With each chapter discussing a different empirical case study, the interrelations of the economy and religion are explored from antiquity through to the 20th century. The long-term trajectory and comparative perspective allows for moral economy to be seen in relation to ancient Greek commerce, medieval pawn-broking, Christian and Jewish economic ethics, urban social politics during the Plague, the Jesuit mission in Paraguay, the Ottoman Empire, religion in modern American capitalism, and Catholic attitudes toward taxation. This book aims to provide insight into how moral thinking about the economy and economic practice has evolved from a long historic perspective. It will be relevant to students and researchers interested in economic history and cultural economics. Tanja Skambraks is Professor of Medieval History at Karl-Franzens-University Graz, Austria. Her second book is about “Charitable Credit: the Monti di Pietà, Franciscan Economic Ethics and Poor Relief in late medieval Italy (15th and 16th century)”. Her research and publications focus on economic and social history, especially financial and banking history as well as methodology, material culture and the history of rituals. Martin Lutz is a social and economic historian at Humboldt University of Berlin. He has published on German-Soviet economic relations, the transnational Siemens family and its globalization strategies in the 19th century and German exploitation of Ukraine during World War II. His current work looks at religion in modern capitalism.
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  • 96
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031450518
    Language: English
    Pages: 1 Online-Ressource(XVII, 237 p. 3 illus.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.449
    Keywords: Language policy. ; Language and languages ; Ethnology ; Culture. ; Multilingualism.
    Abstract: Chapter 1: Disobedient ELT research: breaking the rules, finding alternatives, invoking other ontologies -- Chapter 2: Colombian Language Teachers’ Storied Agency: Can It Actually Challenge the Neoliberal Inset of Education Policies?- Chapter 3: Breaking the silence and Empowering Pre-Service English Language Teachers through Critical Collaborative Autoethnography -- Chapter 4: Teaching Spanish and cultural identity: a decolonial perspective -- Chapter 5: Towards a Paradigm Shift in ELT in Colombia -- Chapter 6: Deskilling of English teachers: Neoliberalism, internal colonialism, and the reification of English -- Chapter 7: An Approach to The Discourse of Standard English: Unveiling A Disciplinary Power Exercise in the English Language Curriculum -- Chapter 8: Educational policies in language teaching learning process in Colombia: subjectivities, resistance and struggles -- Chapter 9: English and socioeconomic development: The need to reorient pedagogy in L2 education -- Chapter 10: Examining racialised practices in ELT: enhancing critical new horizons.
    Abstract: This edited book presents a critical vision of language and education policies and practices in Colombia, examining neoliberal perspectives which influence the promotion of English at all levels in the Colombian educational system. Some of the chapters emphasize questions of language teacher recognition and empowerment, while others focus on both teachers and students’ visions of national policies, particularly with regard to colonial and Eurocentric discourses and subsequent discriminatory practices. The volume throws light on recent language and education policies and practices in a South American country where much current research in this area is published in Spanish but not in English, and it gives visibility to voices that are often missing from the global conversation around English language teaching (ELT). Making these voices heard is part of a decolonial project that gives legitimacy to "unauthorized outlooks", embodies knowledge, and focuses on presenting alternatives to second language teaching-learning and research practices from the Global North ontoepistemology. This book will be of interest to students and scholars of ELT, Language Policies and Planning, Applied Linguistics, and Postcolonial and Decolonial Studies. It also has international appeal, as its localized gaze can bring about important considerations regarding other local knowledges.
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 97
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031405822
    Language: English
    Pages: 1 Online-Ressource(XXV, 279 p. 9 illus. in color.)
    Edition: 1st ed. 2023.
    Series Statement: Gender and Cultural Studies in Africa and the Diaspora
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.096
    RVK:
    Keywords: Ethnology ; Culture. ; Sex. ; Africa
    Abstract: This book will provide empirical engagements of Nigerian women in the private and public spaces and their adaptations, alterations and integration of the private and public spaces. This approach is contrary to most existing studies which may not necessarily provide contextual and empirical evidences of the debates about the spaces of women or interrogate both the private and public spaces in a single volume. This book will offer a novel insight into gender and power dynamics, especially as it relates to the cultural spaces, private spaces and public spaces which Nigerian women occupy and subjugate. The essays in this book critically examine the Nigerian women in different positions within the private and public spaces, the strong inhibiting presence of patriarchy, and the resistance women display to empower themselves. Mobolanle Sotunsa has authored and (co)edited several volumes including Feminism and Gender Discourse: The African Experience, Women in Africa: Contexts, Rights, Hegemonies, Gender Culture and Development in Africa, Expressions of Indigenous and Local Knowledge in Africa, and Imagining Vernacular Histories: Essays in Honour of Toyin Falola. Anthonia Makkwemoisa Yakubu is Associate Professor of Gender and Oral Literature at National Open University of Nigeria, Lagos. Her research interests are in the areas of gender, autobiography, film, and oral folklore, and she has published a number of papers in these subject areas, including editing a 4-volume biographical compendium on African women.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 98
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031509704
    Language: English
    Pages: 1 Online-Ressource(VII, 156 p. 1 illus.)
    Edition: 1st ed. 2023.
    Series Statement: Postdisciplinary Studies in Discourse
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.42
    Keywords: Knowledge, Sociology of. ; Literature ; Culture. ; Ethnology.
    Abstract: Chapter 1: A paradoxical belonging -- Chapter 2: Literary discourse analysis and self-constituting discourses -- Chapter 3. Writers and authors -- Chapter 4: The paratopia of literary discourse -- Chapter 5: The impossible common language -- Chapter 6: Paratopia and paratopic potential -- Chapter 7: Paratopic shifters -- Chapter 8: Developing a creative paratopia -- Chapter 9: Male creation and femininity -- Chapter 10: Trouble in paratopia.
    Abstract: This book presents Maingueneau’s notion of paratopia and its application to literary discourse. Unlike most discourse analysts, who pay little attention to literature, the author argues that a discourse analytical perspective allows us to challenge the usual separation between textual and contextual approaches to works. Considered as an impossible belonging, paratopia is a condition of possibility of literature, of the subjects who occupy a writer's position and of the use they make of language. To find their place as creators, writers must elaborate their own paratopia, they must give it shape and meaning. Their works must both construct a certain world and, through paratopic shifters, reflect and legitimise the conditions of their own appearance. Paratopia is an invariant of literature, but it takes different forms throughout history: writers draw on their paratopic potential to appropriate the resources made available to them by literary discourse in their own time. Today, the development of digital technologies and research on gender prompts us to take a different look at traditional forms of paratopia. The corpus includes canonical and recent texts, mainly from Western literature. It will be of interest to students and scholars in literary studies, discourse studies (discourse theory and discourse analysis), and sociology of culture. Dominique Maingueneau is Professor Emeritus of Linguistics at Sorbonne Université, France. His research focuses on discourse analysis.
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 99
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031129780
    Language: English
    Pages: 1 Online-Ressource(VII, 242 p.)
    Edition: 1st ed. 2023.
    Series Statement: Palgrave Studies in Crime, Media and Culture
    Parallel Title: Erscheint auch als Rizov, Vladimir Urban crime control in cinema
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Mass media and crime. ; Criminology. ; Corrections. ; Punishment. ; Motion pictures. ; Culture. ; Crime in motion pictures ; Motion pictures ; History ; RoboCop ; Minority report ; The dark knight rises ; Blade runner 2049 ; Film ; Kriminalitätsbekämpfung ; Kapitalismus
    Abstract: 1. Introduction -- 2. Cinema -- 3. Cities -- 4. Critique -- 5. RoboCop -- 6. Minority Report -- 7. Batman 8. Blade Runner -- 9. Conclusion.
    Abstract: This book uses popular films to understand the convergence of crime control and the ideology of repression in contemporary capitalism. It focuses on the cinematic figure of the fallen guardian, a protagonist who, in the course of a narrative, falls from grace and becomes an enemy of the established social order. The fallen guardian is a figure that allows for the analysis of a particular crime control measure through the perspective of both an enforcer and a target. The very notion of ‘justice’ is challenged, and questions are posed in relation to the role that films assume in the reproduction of policing as it is. In doing so, the book combines a historical far-reaching perspective with popular culture analysis. At the core remains the value of the cinematic figure of the fallen guardian for contemporary understandings of urban space and urban crime control and how films are clear examples of the ways in which the ideology of repression is reproduced. This book questions the justifications that are often given for social control in cities and understands cinema as a medium for offering critique of such processes and justifications. Explored are the crime control measures of private policing in relation to RoboCop (1987), preventative policing and Minority Report (2002), mass incarceration in The Dark Knight Rises (2012), and extra-judicial killing in Blade Runner 2049 (2017). The book speaks to those interested in crime control in critical criminology, cultural criminology, urban studies, and beyond. Vladimir Rizov is Senior Lecturer in Criminology at the University of Winchester, UK. He researches the history of documentary photography in relation to urban studies, the development of video game photography, and the cinematic representation of crime control. His work has been published in CITY, Theory, Culture & Society, The Journal of Aesthetic Education, and Journal of Urban History.
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  • 100
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031245985
    Language: English
    Pages: 1 Online-Ressource (XV, 150 p. 8 illus., 6 illus. in color.)
    Series Statement: Cultural Economics & the Creative Economy
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Economics. ; Culture. ; Cultural policy. ; Economic sociology. ; Cultural property. ; art ; cultural entrepreneurship ; cultural economics ; value ; evaluation of culture ; cultural policy ; art markets ; artistic practice ; cultural sector
    Abstract: Chapter 1: A Pragmatic approach to the arts -- Chapter 2: What values are, and how we learn to appreciate them -- Chapter 3: How Artists Imagine New Worlds -- Chapter 4: How the Audience, as Participant, Makes Worlds Real -- Chapter 5: Making Space for Cultural Civil Society.
    Abstract: This book provides a novel approach to the understanding and realization of the values of art. It argues that art has often been instrumentalized for state-building, to promote social inclusion of diversity, or for economic purposes such as growth or innovation. To counteract that, the authors study the values that artists and audiences seek to realize in the social practices around the arts. They develop the concept of cultural civil society to analyze how art is practiced and values are realized in creative circles and co-creative communities of spectators. The insights are illustrated with case-studies about hip-hop, Venetian art collectives, dance festivals, science-fiction fandom, and a queer museum. The authors provide a four-stage scheme that illustrates how values are realized in a process of value orientation, imagination, realization, and evaluation. The book relies on an interdisciplinary approach rooted in economics and sociology of the arts, with an appreciation for broader social theories. It integrates these disciplines in a pragmatic approach based on the work of John Dewey and more recent neo-pragmatist work to recover the critical and constructive role that cultural civil society plays in a plural and democratic society. The authors conclude with a new perspective on cultural policy, centered around state neutrality towards the arts and aimed at creating a legal and social framework in which social practices around the arts can flourish and co-exist peacefully. Erwin Dekker is Senior Research Fellow at the Mercatus Center at George Mason University. He has previously published Jan Tinbergen (1903-1994) and the Rise of Economic Expertise (2021) and The Viennese Students of Civilization (2016), as well as the edited volume Governing Markets as Knowledge Commons (2021). Valeria Morea is postdoctoral fellow at IUAV University of Venice, Department of Architecture and Arts, where she investigates grassroots cultural and civic practices in Venice. She has recently edited the volume Cultural Commons and Urban Dynamics (2020), published by Springer. Her research explores the role and values of public art in urban settings. .
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