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  • BVB  (6)
  • New York : Oxford University Press  (6)
  • Deutschland  (3)
  • Music / Political aspects  (3)
  • Musicology  (6)
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Material
Language
Years
Subjects(RVK)
  • 1
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780197555194 , 9780197555187
    Language: English
    Pages: X, 181 Seiten , 21 cm
    Series Statement: Oxford theory in ethnomusicology series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/842
    RVK:
    Keywords: Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Abstract: "Citizenship is a fantasy of political community without others. How is it faring in today's world of authoritarianism, failed states, and climate crisis? In a world where democratic experiment is, by now, a networked and global proposition? What might we learn from music - and from ethnomusicology? The relationship between the idea of citizenship and music is long-standing, but it has not yet been looked at from a perspective informed by postcolonialism and today's decolonizing debates. The case studies in this volume are, consequently, drawn from across Latin America, Africa, Asia and Europe. Its first chapter locates the current ethnomusicological interest in citizenship in broad critical landscape, focusing on approaches to audience, media, voice and performance. The second surveys a growing body of recent ethnomusicological literature on citizenship, theorized in terms of identity, technocracy, and intimacy. The third comprises case studies developing an approach to citizenship and political subjectivity beyond conventional liberal categories, defined by mobility ('the citizen on his bike'), collectivity ('the citizen in the crowd') and activism ('the citizen in the square'). The conclusion offers an argument about the implications for citizenship studies of today's thinking in ethnomusicology, musicology and sound studies, reflecting on the hardening rhetoric of political belonging in Europe."
    Description / Table of Contents: Introduction. How Musical is the Citizen? -- Ethnomusicology of Citizenship, Ethnomusicology as Citizenship -- Citizenship Resounding -- Conclusion
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780197555224
    Language: English
    Pages: 1 Online-Ressource (x, 181 Seiten) , Illustrationen
    Series Statement: Oxford theory in ethnomusicology
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 306.4842
    RVK:
    Keywords: Music / ukslc ; Society & culture: general / thema ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Abstract: In 'Music and Citizenship', Martin Stokes challenges the conventional understanding of citizenship in terms of nationalism and national identity though case studies of music from across Latin America, Africa, Asia, and Europe. In this way, this volume reorients key questions about citizenship towards musical ecology, sustainability, democracy, and inclusivity
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    ISBN: 9780197532973
    Language: English
    Pages: xxiii, 613 Seiten , Illustrationen , 243 mm
    Parallel Title: Erscheint auch als
    DDC: 780.8992404309045
    RVK:
    Keywords: Geschichte 1945-1989 ; Musikleben ; Musiker ; Juden ; Deutschland ; Deutschland ; Musiker ; Juden ; Geschichte 1945-1989 ; Deutschland ; Musikleben ; Juden ; Geschichte 1945-1989
    Abstract: By the end of the Second World War, Germany was in ruins and its Jewish population so gravely diminished that a rich cultural life seemed unthinkable. And yet, as surviving Jews returned from hiding, the camps, and their exiles abroad, so did their music. Transcending Dystopia tells the story of the remarkable revival of Jewish musical activity that developed in postwar Germany against all odds. Author Tina Frühauf provides a kaleidoscopic panorama ofmusical practices in worship and social life across the country to illuminate how music contributed to transitions and transformations within and beyond Jewish communities in the aftermath of the Holocaust.Drawing on newly unearthed sources from archives and private collections, this book covers a wide spectrum of musical activity-from its role in commemorations and community events to synagogue concerts and its presence on the radio-across the divided Germany until the Fall of the Wall in 1989. Frühauf's use of mobility as a conceptual framework reveals the myriad ways in which the reemergence of Jewish music in Germany was shaped by cultural transfer and exchange that often relied on thecirculation of musicians, their ideas, and practices within and between communities. By illuminating the centrality of mobility to Jewish experiences and highlighting how postwar Jewish musical practices in Germany were defined by politics that reached across national borders to the United States andIsrael, this pioneering study makes a major contribution to our understanding of Jewish life and culture in a transnational context
    URL: Rezension  (H-Soz-Kult)
    URL: Rezension  (H-Soz-Kult)
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  • 4
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190268244
    Language: English
    Pages: 1 Online-Ressource (X, 171 Seiten) , Notenbeispiele
    Series Statement: Oxford studies in recorded jazz
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 786.2165092
    RVK:
    RVK:
    RVK:
    Keywords: Jarrett, Keith ; Deutschland ; Jarrett, Keith / Performances / Germany / Cologne ; Jazz / History and criticism ; Jarrett, Keith 1945- The Köln Concert
    Abstract: Keith Jarrett ranks among the most accomplished and influential pianists in jazz history. His K{uml}oln Concert stands among the most important jazz recordings of the past four decades, not only because of the music on the record, but also because of the remarkable reception it has received from musicians and lay-listeners alike. Since the album's 1975 release, it has sold over three million copies: an unprecedented feat for a 2 disc set of solo piano performances featuring no well-known songs. This book seeks to uncover what it is about this recording and performance that elicits such success.
    Note: Published to Oxford Scholarship Online: May 2015
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    ISBN: 9780199346424
    Language: English
    Pages: 1 Online-Ressource (IX, 302 S.)
    Parallel Title: Erscheint auch als
    DDC: 781.62/924043
    RVK:
    RVK:
    Keywords: Gesellschaft ; Klezmer music History and criticism ; Klezmer music History and criticism ; Klezmer music Social aspects ; Klezmer music Social aspects ; Rezeption ; Klezmer ; Deutschland ; Polen ; Deutschland ; Polen ; Klezmer ; Rezeption ; Deutschland ; Polen
    Abstract: Klezmer has been a controversial phenomenon in post-Holocaust Europe, ever since this traditional Jewish wedding music made it to concert halls and discos. Played mostly by non-Jews and for non-Jewish audiences, it quickly gained the epithet of 'fakelore' and was branded commercially-motivated heritage appropriation. The present book documents this remarkable music revival in its two European epicentres: Berlin and Krak ow, investigating not only its roots and motivations, but also the consequences that performing Jewish music has had for non-Jewish klezmer revivalists
    Note: Published to Oxford Scholarship Online: January 2014 , Includes bibliographical references and index
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  • 6
    ISBN: 0195363264 , 1280523913 , 1601297319 , 9780195363265 , 9781280523915 , 9781601297310
    Language: English
    Pages: 1 Online-Ressource (xiii, 288 p., [12] p. plates)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780/.951
    RVK:
    Keywords: 1900 - 1999 ; Geschichte 1900-2000 ; Geschichte 1940-1988 ; Musicians / China ; Musique / Chine / 20e siècle / Aspect politique ; Musique / Politique gouvernementale / Chine ; Musiciens / Chine / Biographies ; MUSIC / History & Criticism ; Cultural policy ; Music and state ; Music / Political aspects ; Musicians ; Musik ; Politik ; Music Political aspects 20th century ; Music and state ; Musicians Biography ; Politik ; Klaviermusik ; China ; Westliche Welt ; Biografie ; Biografie ; China ; Politik ; Westliche Welt ; Klaviermusik ; Geschichte 1940-1988
    Note: Includes bibliographical references (p. 215-271) and index , 1. Cosmopolitan Culture at Capitalism's Periphery; 2. The Ambiguous Legacy of Composer Xian Xinghai; 3. The Defector: Fou Ts'ong; 4. Science versus Revolution in the Modernization of Music; 5. Court Pianist to the Cultural Revolution: Yin Chengzong; 6. The Red Aristocrat: Liu Shikun; 7. The Power of Music, the Music of Power; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z. , During the Cultural Revolution the piano, the musical embodiment of Western culture, became the object of intense hostility. This book examines the evolution of China's ever-changing disposition towards European music and Western influences generally
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