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  • HeBIS  (841)
  • Bayreuth UB  (539)
  • Ethn. Museum Berlin  (194)
  • USA  (1,031)
  • Musikethnologie  (302)
  • Musicology  (1,329)
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Keywords
  • 1
    Journal/Serial
    Journal/Serial
    Aachen : Shaker | Bamberg : Univ.-Bibliothek Bamberg | Münster : MV Wiss., Verl.-Haus Monsenstein und Vannerdat OHG ; 1.1990(1992) -
    ISSN: 0943-4224
    Language: German
    Pages: 21 cm
    Additional Material: CD-ROMs als Beil
    Dates of Publication: 1.1990(1992) -
    Former Title: Berichte aus dem ICTM-Nationalkomitee Deutschland
    Former Title: Bericht über die Tagung des Nationalkomitees der Bundesrepublik Deutschland im International Council for Traditional Music (UNESCO) am
    Former Title: Berichte aus dem Nationalkomitee der Bundesrepublik Deutschland im ICTM
    Former Title: Berichte aus dem Nationalkomitee der Bundesrepublik Deutschland im International Council for Traditional Music (ICTM/UNESCO)
    DDC: 780.8905
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    Keywords: Monografische Reihe ; Musikethnologie
    Note: Bis 8.1998 mit Kassettenbeil.; ab 9/10.1999/2000 mit CD-Beil , Ersch. unregelmäßig; enthaltener Kongress ab 20/21.2010/2013 als Monografie behandelt
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  • 2
    Journal/Serial
    Journal/Serial
    Berlin : VWB, Verl. für Wiss. und Bildung | Paris : Internat. Music Council | Kassel : Bärenreiter | Mainz : Schott | Roma : Ed. Lerici | Wilhelmshaven : Heinrichshofen | Wilhelmshaven : Verl. Noetzel ; Nr. 1.1957 - 6.1959; [1.]1959 - [2.]1960; 3.1961 - 53.2011; N.S. Vol. 1.2012 -
    ISSN: 0043-8774 , 2941-3680 , 2941-3680
    Language: German , English , French
    Pages: 23 cm
    Dates of Publication: Nr. 1.1957 - 6.1959; [1.]1959 - [2.]1960; 3.1961 - 53.2011; N.S. Vol. 1.2012 -
    Additional Information: Beil. International Music Council Bulletin of the International Music Council (Unesco)
    Additional Information: 52=17 von Intercultural music studies Berlin : VWB, Verl. für Wiss. und Bildung, 1990 1435-5590
    Parallel Title: Erscheint auch als The world of music
    Former Title: Darin aufgeg. Darin aufgeg. ---〉 Musique dans le monde
    Former Title: Die Welt der Musik
    Former Title: Le monde de la musique
    Former Title: journal of the Department of Ethnomusicology, Otto-Friedrich University of Bamberg
    Former Title: The world of music bibliography
    DDC: 780.89
    RVK:
    Keywords: Musikethnologie ; Zeitschrift ; Musikethnologie
    Note: Gesamttitel teils: Intercultural music studies , Beteil. Körp. bis 32.1990: International Institute of Comparative Music Studies and Documentation (Berlin); International Music Council (UNESCO); 33.1991 - 38.1996: International Institute of Traditional Music (Berlin) , Ersch. 2x jährl., anfangs 3x jährl.; 52.2010 - 53.2011 in 1 Bd. ersch. , Text engl., früher dt., engl., franz. , Index 19/29.1977/87=30.1988,1; Index [1]/52.1959/2010=53.2011
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  • 3
    Journal/Serial
    Journal/Serial
    Berlin : VWB, Verl. für Wiss. und Bildung | Paris : Internat. Music Council | Kassel : Bärenreiter | Mainz : Schott | Roma : Ed. Lerici | Wilhelmshaven : Heinrichshofen | Wilhelmshaven : Verl. Noetzel ; Nr. 1.1957 - 6.1959; [1.]1959 - [2.]1960; 3.1961 - 53.2011; N.S. Vol. 1.2012 -
    Show associated volumes/articles
    ISSN: 0043-8774 , 2941-3680 , 2941-3680
    Language: German , English , French
    Pages: 23 cm
    Dates of Publication: Nr. 1.1957 - 6.1959; [1.]1959 - [2.]1960; 3.1961 - 53.2011; N.S. Vol. 1.2012 -
    Additional Information: Beil. International Music Council Bulletin of the International Music Council (Unesco)
    Additional Information: 52=17 von Intercultural music studies Berlin : VWB, Verl. für Wiss. und Bildung, 1990 1435-5590
    Parallel Title: Erscheint auch als The world of music
    Former Title: Darin aufgeg. Darin aufgeg. ---〉 Musique dans le monde
    Former Title: Die Welt der Musik
    Former Title: Le monde de la musique
    Former Title: journal of the Department of Ethnomusicology, Otto-Friedrich University of Bamberg
    Former Title: The world of music bibliography
    DDC: 780.89
    RVK:
    Keywords: Musikethnologie ; Zeitschrift ; Musikethnologie
    Note: Gesamttitel teils: Intercultural music studies , Beteil. Körp. bis 32.1990: International Institute of Comparative Music Studies and Documentation (Berlin); International Music Council (UNESCO); 33.1991 - 38.1996: International Institute of Traditional Music (Berlin) , Ersch. 2x jährl., anfangs 3x jährl.; 52.2010 - 53.2011 in 1 Bd. ersch. , Text engl., früher dt., engl., franz. , Index 19/29.1977/87=30.1988,1; Index [1]/52.1959/2010=53.2011
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  • 4
    Journal/Serial
    Journal/Serial
    [Cambridge] : Cambridge University Press | New York, NY : Council | Los Angeles, Calif. : [Verlag nicht ermittelbar] | Canberra, ACT : The International Council For Traditional Music | Ljubljana, Slovenia : International Council for Traditional Music | Vienna, Austria : International Council for Traditional Music ; 13.1981(1982) -
    Show associated volumes/articles
    ISSN: 0740-1558 , 2304-3857 , 2304-3857
    Language: English
    Dates of Publication: 13.1981(1982) -
    Parallel Title: Erscheint auch als Yearbook for traditional music
    Former Title: Vorg. International Folk Music Council Yearbook / International Folk Music Council, Copenhagen
    DDC: 780
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    Keywords: Zeitschrift ; Volksmusik ; Musikethnologie
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  • 5
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197683750
    Language: English
    Pages: 1 Online-Ressource (xii, 221 Seiten)
    Series Statement: Oxford theory in ethnomusicology
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 780.89
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    Keywords: Music / ukslc ; Music / thema ; Ethnomusicology ; Music theory ; Musiktheorie ; Musikethnologie ; Musikethnologie ; Musiktheorie
    Abstract: 'Music Theory in Ethnomusicology' outlines a conception of music theory suited to cross-cultural research on musical practices, assessing the extent to which musical terminologies of diverse languages can be interpreted in relation to general concepts without imposing the assumptions and biases of one body of existing theory
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 6
    ISBN: 9780197536261 , 9780197536254
    Language: English
    Pages: xviii, 220 Seiten , Illustrationen
    DDC: 791.45097309045
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    Keywords: Geschichte 1950-1969 ; Rock 'n' Roll ; Fernsehsendung ; Jugendkultur ; Rassendiskriminierung ; USA
    Note: Literaturverzeichnis: Seite 205-207
    URL: Cover  (lizenzpflichtig)
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  • 7
    Online Resource
    Online Resource
    New York : Routledge | Ann Arbor, Michigan : ProQuest
    ISBN: 9781000784671
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Routledge music companions
    DDC: 780.89
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    Keywords: Musikethnologie ; Feldforschung ; Wissenschaftsethik ; Aufsatzsammlung ; Electronic books
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  • 8
    ISBN: 9781324064473 , 9780393651386
    Language: English
    Pages: xvi, 325 Seiten , Illustrationen, Notenbeispiele, Karte
    Edition: Norton paperback
    Parallel Title: Erscheint auch als
    DDC: 782.4215990973
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    Keywords: The star-spangled banner ; Nationalhymne ; USA
    Note: Literaturangaben, Index
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  • 9
    ISBN: 9780306826436 , 9780306826429
    Language: English
    Pages: xii, 256 Seiten
    DDC: 782.421660922
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    Keywords: Pearl Jam ; Geschichte 1990- ; Rockgruppe ; Grungerock ; USA
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  • 10
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780199303533 , 9780199303526
    Language: English
    Pages: xii, 221 Seiten
    Series Statement: Oxford theory in ethnomusicology
    Parallel Title: Erscheint auch als
    DDC: 780.89
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    Keywords: Musiktheorie ; Musikethnologie ; Ethnomusicology ; Music theory ; Musikethnologie ; Musiktheorie
    Abstract: "Music theory's presence in ethnomusicology comes from the socialization and theorizing of participants in the world's musical practices and of ethnomusicologists themselves. Results of processes of theorizing focused on musical activity differ greatly in scope, make-up, and uses. During the 1960s and 70s ethnomusicologists who formed relationships with music-makers and ritual specialists attempted to interpret their understandings of musical actions. Subsequently ethnomusicologists have studied roles of explicit and implicit theory in communication of musical knowledge, with attention to aural learning and relevant techniques of the body. They have observed the production of music theory in institutions of modern nation-states and have sought out groups and individuals whose theorizing is not constrained by projects of existing institutions. They are assessing the ways in which musical terminologies in diverse languages can be related to general concepts without imposing assumptions of one approach to music theory on all others. That exercise is increasingly recognized as a necessary effort of decolonization: the heritage of ethnomusicology encompasses all the world's music-theoretical practices, and no formulation of Western music theory should be used as a standard against which to judge other ways of theorizing and making use of the results. The best future for ethnomusicological engagement with music theory would expand the situations and media of communication along with the topics and viewpoints in play. This book reviews existing work on music theory by ethnomusicologists and others, highlighting potentially productive insights that could inspire and guide future work"
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  • 11
    ISBN: 9781003043904 , 9780367490034 , 9780367630355
    Language: English
    Pages: XVII, 349 Seiten , Illustrationen
    Series Statement: Routledge music companions
    Parallel Title: Äquivalent
    DDC: 780.89
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    Keywords: Ethik ; Musikethnologie ; Forschung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musikethnologie ; Forschung ; Ethik
    Description / Table of Contents: Includes bibliograpical references and index
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  • 12
    ISBN: 9783830997566
    Language: English
    Pages: 1 Online-Ressource (250 p.)
    Edition: 1st ed.
    Series Statement: Populäre Kultur und Musik 40
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    Keywords: Unterhaltungsmusik ; Kultur ; Ästhetik ; USA
    Abstract: The essay collection Americana poses the basic question of how American music can be described and analyzed as such, as American music. Situated at the intersection between musicology and American Studies, the essays focus on the categories of aesthetics, authenticity, and performance in order to show how popular music is made American—from Alaskan Hip Hop to German Schlager, from Creedence Clearwater Revival to film scores, from popular opera to U2, from the Rolling Stones to Country Rap, and from Steve Earle to the Trans Chorus of Los Angeles.
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  • 13
    ISBN: 9783830947561 , 3830947569
    Language: English
    Pages: 233 Seiten
    Series Statement: Populäre Kultur und Musik Band 40
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
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    Keywords: Unterhaltungsmusik ; USA ; Hip-Hop ; Tupac Shakur ; German Schlager ; Schlager-Pop ; Middlebrow Musical Theater ; American Opera ; Broadway-Musical ; Creedence Clearwater Revival ; Bill Morrison ; Spike Lee ; U2 ; Rolling Stones ; Steve Earle ; trans identity ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Unterhaltungsmusik
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  • 14
    ISBN: 9781648250637
    Language: English
    Pages: xvi, 252 Seiten , Illustrationen , 23 cm
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
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    Keywords: Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Description / Table of Contents: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
    URL: Cover  (lizenzpflichtig)
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  • 15
    Online Resource
    Online Resource
    Rochester : University of Rochester Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781800109520
    Language: English
    Pages: 1 Online-Ressource (xvi, 252 pages)
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
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    Keywords: Kolonialismus ; Unterdrückung ; Rassismus ; Diaspora ; Musikethnologie ; Tanz ; Ethnologie ; Ethnomusicology ; Music Performance ; Social aspects ; Intimacy (Psychology) ; Africans Music ; History and criticism ; African Americans Music ; History and criticism ; Music History and criticism ; Music History and criticism ; Music and race ; Afrika ; Aufsatzsammlung
    Abstract: Offers expansive and intersecting understandings of erotic subjectivity, intimacy, and trauma in performance, in ethnography, and in institutional and disciplinary settings.
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  • 16
    Book
    Book
    Bielefeld : transcript
    ISBN: 9783837666434 , 3837666433
    Language: English
    Pages: 206 Seiten , Illustrationen , 22.5 cm x 14.8 cm, 348 g
    Series Statement: Urban Studies
    Parallel Title: Erscheint auch als
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    Keywords: Musikethnologie ; Actor-Network-Theory ; Klang ; Geräusch ; Lärm ; Urbanität ; Sound Studies ; Stadtforschung ; Autoethnografie ; Stadt ; Wien ; Soundscapes ; Sensory Experiences ; Ethnography ; Urban Research ; Affect ; City ; Sound ; Life ; Urban Studies ; Space ; Sociology of Culture ; Sociology ; Stadtforschung ; Klang ; Sound Studies ; Urbanität ; Actor-Network-Theory ; Musikethnologie ; Stadt ; Geräusch ; Lärm ; Wien ; Stadtforschung ; Klang ; Urbanität ; Autoethnografie
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  • 17
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226810331
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago studies in ethnomusicology
    Series Statement: Chicago scholarship online
    DDC: 780.89928073
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    Keywords: Äthiopischer Einwanderer ; Musik ; Ethiopian Americans Music ; Ethiopians Music ; Musicians ; Musicians ; Music Social aspects ; Music Social aspects ; Music Political aspects ; Music Political aspects ; USA
    Abstract: A sweeping history of Ethiopian musicians during and following the 1974 Ethiopian revolution, 'Sing and Sing On' is the first study of the forced migration of musicians out of the Horn of Africa dating from the 1974 Ethiopian revolution, a political event that overthrew one of the world's oldest monarchies and installed a brutal military regime.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 18
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226810959
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago studies in ethnomusicology
    Series Statement: Chicago scholarship online
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    Keywords: Reinhardt, Django Influence ; Gypsy-Jazz ; Musikethnologie ; Jazz Social aspects ; Romanies Music ; Social aspects ; Romanies Music ; Political aspects ; Romanies Ethnic identity ; Music and race ; Musicians, Romani ; Jazz musicians ; Frankreich
    Abstract: 'Django Generations' shows how relationships between racial identities, jazz, and national belonging become entangled in France.
    Note: Previously issued in print: 2021 , Includes bibliographical references and index
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  • 19
    ISBN: 9781793655639
    Language: English
    Pages: ix, 179 Seiten
    Series Statement: For the record : Lexington studies in rock and popular music
    DDC: 781.660973
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    Keywords: Rock 'n' Roll ; Protest ; USA
    Note: References Seite 159-166
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  • 20
    Online Resource
    Online Resource
    Frankfurt a.M. : Peter Lang GmbH | Bern : Peter Lang International Academic Publishers
    ISBN: 9783631875889
    Language: English
    Pages: 1 Online-Ressource (450 Seiten) , Illustrationen
    Edition: 1st, New ed.
    Series Statement: American Culture 16
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    Keywords: Lomax, Alan ; Geschichte 1933-1969 ; Geschichte 1935-1968 ; Folk music ; USA ; Hochschulschrift
    Abstract: Alan Lomax (1915-2002) is arguably the most popular and influential American folk song collector of the 20th century. Pursuing a mission of both preserving and popularizing folk music, Lomax moved between political activism, the scholarly world, and the world of popular culture. Based largely on primary material, the book shows how Lomax’s diverse activities made him an authority in the field of folk music and how he used this power to advocate the cultures of perceived marginalized Americans – whom he located primarily in the American South. In this approach, however, folk music became an abstract idea onto which notions oscillating between hope and disillusionment, fear and perspective were projected. The author argues that Lomax’s role as a cultural mediator, with a politically motivated approach, helped him to decisively shape the perception and reception of what came to be known as American folk music, from the mid 1930s to the late 1960s.
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  • 21
    ISBN: 9780190939953 , 9780190939946 , 0190939958 , 019093994X
    Language: English
    Pages: xi, 564 Seiten , Notenbeispiele
    Edition: Third edition
    DDC: 782.421640973
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    Keywords: Lied ; Volkstümliche Musik ; Songwriter ; USA
    Note: 50th anniversary edition, revised , Previous edition: 1990.
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  • 22
    Book
    Book
    New York, NY : Routledge Taylor & Francis Group
    ISBN: 9780367421687 , 9781032189338 , 1032189339
    Language: English
    Pages: xiv, 203 Seiten , Illustrationen, Diagramme
    Series Statement: Transnational studies in jazz
    Parallel Title: Erscheint auch als
    DDC: 781.6509485
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    Keywords: Geschichte 1947-1963 ; Jazz ; Rezeption ; USA ; Schweden
    Note: Literaturangaben
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  • 23
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190053024
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    DDC: 782.421640973
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    Keywords: Lied ; Volkstümliche Musik ; Songwriter ; Popular music History and criticism ; USA
    Abstract: Composer Alec Wilder's 'American Popular Song' is widely recognized as the definitive book on American popular song. In this volume, which achieved immediate praise and recognition upon its publication, Wilder discusses some 800 songs from the American Songbook, offering a composer's insight, accessible music analysis, as well has his strong personal biases. Nearly 50 years later, this classic study has received a much-needed revision. While leaving Wilder's colorful prose and brazen opinions intact, language, style, and musical nomenclature have been updated to reflect current usage. The musical examples mostly remain, but piano score notation has been replaced with lead-sheet notation: melody, chords, and lyrics. Rhythmic notation has also been adjusted to follow present-day norms. Additionally, a final chapter has been added, which includes more than 50 songs that were not in the original.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 24
    ISBN: 9780226810027 , 022681002X , 9780226810164
    Language: English
    Pages: xxx, 438 Seiten , Illustrationen, Karten
    Series Statement: Chicago studies in ethnomusicology
    DDC: 780.89928073
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    Keywords: Äthiopischer Einwanderer ; Musik ; USA
    Note: Bibliography Seite 391-416
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  • 25
    Book
    Book
    Baltimore, [Maryland] : Johns Hopkins University Press
    ISBN: 9781421444987
    Language: English
    Pages: 400 Seiten , Illustrationen
    DDC: 781.66097309046
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    Keywords: Geschichte 1960-1968 ; Rock 'n' Roll ; Rockmusik ; USA
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  • 26
    Online Resource
    Online Resource
    New York, NY : Columbia University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780231548212
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Leonard Hastings Schoff Lectures
    DDC: 781.650973
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    Keywords: Geschichte 1900-2000 ; Schwarze ; Musik ; Jazz ; Modern Jazz ; Kunst ; Literatur ; Collage ; Fiktion ; USA
    Abstract: Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.
    URL: Cover
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  • 27
    ISBN: 9783944487908 , 3944487907
    Language: German
    Pages: 141 Seiten , Illustrationen , 30 cm, 470 g
    DDC: 782.421640904
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    Keywords: Geschichte 1920-1952 ; Unterhaltungsmusik ; Schallplatte ; USA ; Diskografie
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  • 28
    ISBN: 9780520281844 , 9780520281837
    Language: English
    Pages: xvii, 287 Seiten
    Series Statement: Phono
    DDC: 780.8996073
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    Keywords: Schwarze ; Afroamerikanische Musik ; Ethnische Identität ; USA
    Note: Includes bibliographical references and index
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  • 29
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press
    ISBN: 9780472903016
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Tracking pop
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschlechtsidentität ; Hip-Hop ; Rapmusiker ; LGBT ; Geschlechterforschung ; USA ; USA ; Rapmusiker ; Rapmusiker ; Hip-Hop ; LGBT ; Geschlechtsidentität ; Geschlechterforschung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 30
    ISBN: 9783631867723 , 3631867727
    Language: English
    Pages: 447 Seiten , Illustrationen , 21 cm x 14.8 cm, 646 g
    Series Statement: American Culture Vol. 16
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Lomax, Alan ; Geschichte 1935-1968 ; Folk music ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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  • 31
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781009019804
    Language: English
    Pages: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84249
    RVK:
    Keywords: Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Hip-Hop ; Politik ; Recht ; Rassendiskriminierung ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Abstract: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Note: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 32
    ISBN: 9780231189187 , 9780231189194
    Language: English
    Pages: xiii, 275 Seiten , Illustrationen
    Series Statement: Leonard Hastings Schoff memorial lectures
    Parallel Title: Erscheint auch als O'Meally, Robert G., 1948- Antagonistic cooperation
    DDC: 781.650973
    RVK:
    Keywords: Jazz History and criticism ; African American art ; American literature African American authors ; History and criticism ; African Americans Social life and customs ; Music and literature ; Art and music ; Collage ; Lectures ; USA ; Schwarze ; Musik ; Jazz ; Kunst ; Literatur ; Geschichte 1900-2000 ; Modern Jazz ; Collage ; Fiktion ; USA ; Kunst ; Schwarze
    Abstract: This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare Bearden to Duke Ellington and Toni Morrison -- Hare and Bear : The Racial Profiles of Satchmo's Smile -- The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished.
    Abstract: "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"--
    Note: Includes index
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  • 33
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781009086769
    Language: English
    Pages: 1 Online-Ressource (xviii, 511 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 784.4/973
    RVK:
    RVK:
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    Keywords: Geschichte 1492-1942 ; Geschichte 1492- ; Folk music / United States / History and criticism ; Folk songs / United States / History and criticism ; Protest songs / United States / History and criticism ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; USA ; Protestsong ; Geschichte 1492-1942 ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492-
    Abstract: Long before anyone ever heard of 'protest music', people in America were singing about their struggles. They sang for justice and fairness, food and shelter, and equality and freedom; they sang to be acknowledged. Sometimes they also sang to oppress. This book uncovers the history of these people and their songs, from the moment Columbus made fateful landfall to the start of the Second World War, when 'protest music' emerged as an identifiable brand. Cutting across musical genres, Will Kaufman recovers the passionate voices of America itself. We encounter songs of the mainland and the conquered territories of Hawai'i, Cuba, Puerto Rico, and the Philippines; we hear Indigenous songs, immigrant songs and Klan songs, minstrel songs and symphonies, songs of the heard and the unheard, songs of the celebrated and the anonymous, of the righteous and the despicable. This magisterial book shows that all these songs are woven into the very fabric of American history
    Note: Title from publisher's bibliographic system (viewed on 29 Jul 2022)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 34
    Online Resource
    Online Resource
    Austin : University of Texas Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781477323946
    Language: English
    Pages: 1 Online-Ressource (xii, 343 Seiten)
    Edition: First edition
    Edition: 2022
    Series Statement: American music series
    DDC: 782.421649
    RVK:
    Keywords: Geschichte 1986-1996 ; Gangsta-Rap ; Fernsehsendung ; USA
    URL: Cover
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  • 35
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781478021698
    Language: English
    Pages: 1 Online-Ressource (140 p.)
    Series Statement: Singles
    DDC: 782.42166092
    RVK:
    Keywords: Popmusik ; USA
    Abstract: Jonathan Richman and the Modern Lovers' 1972 song "Roadrunner" captures the freedom and wonder of cruising down the highway late at night with the radio on. Although the song circles Boston's beltway, its significance reaches far beyond Richman's deceptively simple declarations of love for modern moonlight, the made world, and rock & roll. In Roadrunner, cultural theorist and poet Joshua Clover charts both the song's emotional power and its elaborate history, tracing its place in popular music from Chuck Berry to M.I.A. He also locates "Roadrunner" at the intersection of car culture, industrialization, consumption, mobility, and politics. Like the song itself, Clover tells a story about a particular time and place-the American era that rock & roll signifies-that becomes a story about love and the modern world.
    URL: Cover
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  • 36
    Online Resource
    Online Resource
    New York, NY : Columbia University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780231549295
    Language: English
    Pages: 1 Online-Ressource , 10-15 film stills
    Edition: 2021
    Series Statement: Short Cuts
    RVK:
    Keywords: Geschichte ; Popmusik ; Musical ; Musikfilm ; Motion pictures and music ; Musical films History and criticism ; Popular music Social aspects ; History ; PERFORMING ARTS / Theater / Broadway & Musicals ; USA
    Abstract: After Hollywood and Tin Pan Alley's iron grip on the movie musical began to slip in the face of pop's cultural dominance, many believed that the musical genre entered a terminal decline and finally wore itself out by the 1980s. Though the industrial model of the musical was disrupted by the emergence of pop, the Hollywood musical has not gone extinct. Many Hollywood productions from the 1960s to the present have revisited the forms and conventions of the classic musical-except instead of drawing from showtunes and jazz standards, they employ the styles and iconography of pop.Alberto Mira offers a new account of how pop music revolutionized the Hollywood musical. He shows that while the Hollywood system ceased producing large-scale traditional musicals, different pop strains-disco, rock 'n' roll, doo-wop, glam, and hip-hop-renewed the genre, giving it a new life. While the classical musical presented a world light on conflict, defined by theatricality and where effortless talent can shine through, the introduction of pop spurred musicals to address contemporary social and political conditions. Mira traces the emergence of a new set of themes-such as the painful hard work depicted in Dirty Dancing (1987); the double-edged fandom of Velvet Goldmine (1998); and the racial politics of Dreamgirls (2006)-to explore why the Hollywood musical has found renewed relevance.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021)
    URL: Cover
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  • 37
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496831262
    Language: English
    Pages: 1 Online-Ressource (352 pages) , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
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    Keywords: Geschichte 1968-1981 ; Musikleben ; Punk Rock ; Ethnische Identität ; Punk rock music History and criticism ; Music and race History 20th century ; USA ; United States Race relations 20th century ; History
    Abstract: This text offers a portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. The author provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era.
    Note: Previously issued in print: 2020 , Includes bibliographical references, discography, filmography and index
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  • 38
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496832092
    Language: English
    Pages: 1 Online-Ressource (x, 192 pages) , Illustrations (black and white).
    Series Statement: Mississippi scholarship online
    DDC: 781.6508996073
    RVK:
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    Keywords: Higgins, Billy Criticism and interpretation ; Blanchard, Terence Criticism and interpretation ; Carrington, Terri Lyne Criticism and interpretation ; Akinmusire, Ambrose Criticism and interpretation ; Hill, Andrew Criticism and interpretation ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; African American jazz musicians ; Jazz Political aspects ; USA
    Abstract: This text provides an interpretive framework for understanding how African American creative improvisers think of musical space. Featuring a foreword by eminent scholar Robin D.G. Kelley, this is a critical improvisation studies book that uses Black geographies theory to examine the spatial values of musical expression in the improvisational and compositional practices of trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 39
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252052811
    Language: English
    Pages: 1 Online-Ressource , Illustrations (colour).
    Series Statement: Music in American life
    Series Statement: Illinois scholarship online
    DDC: 781.640973
    RVK:
    Keywords: Musik ; Countrymusic ; Rock 'n' Roll ; Soul ; Blues ; Americana (Music) History and criticism ; USA
    Abstract: A musical genre forever outside the lines With a claim on artists from Jimmie Rodgers to Jason Isbell, Americana can be hard to define, but you know it when you hear it. John Milward's 'Americanaland' is filled with the enduring performers and vivid stories that are at the heart of Americana.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 40
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469658896
    Language: English
    Pages: 1 Online-Ressource (268 pages) , Illustrations (black and white).
    Series Statement: North Carolina scholarship online
    DDC: 306.48420973
    RVK:
    Keywords: Geschichte 1788-1865 ; Musikleben ; Politische Kultur ; Alltagskultur ; Musikpolitik ; Nationalbewusstsein ; Konservativismus ; Music Political aspects 19th century ; History ; Music Political aspects 18th century ; History ; Political culture History ; Elite (Social sciences) History ; Conservatism History ; USA
    Abstract: Following the creation of the United States, profound disagreements remained over how to secure the survival of the republic and unite its population. In this groundbreaking account, Billy Coleman uses the history of American music to illuminate the relationship between elite power and the people from the early national period to the Civil War.
    Note: Previously issued in print: 2020 , Includes bibliographical references and index
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  • 41
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226768212 , 9780226768182
    Language: English
    Pages: 225 Seiten, 12 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.421661592
    RVK:
    Keywords: Geschichte 1968-1969 ; Rockmusik ; Aktivismus ; Black power ; Weiße ; USA ; Großbritannien ; Rock music / Social aspects / United States / History / 20th century ; Rock music / United States / 1961-1970 / History and criticism ; Black power / United States / History / 20th century ; Music and race / United States / History / 20th century ; Black power ; Music and race ; Rock music ; Rock music / Social aspects ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; USA ; Großbritannien ; Rockmusik ; Weiße ; Black power ; Aktivismus ; Geschichte 1968-1969
    Abstract: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
    Description / Table of Contents: Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18
    Note: Includes bibliographical references and index
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  • 42
    ISBN: 9781912685806
    Language: English
    Pages: 1 Online-Ressource (171 Seiten) , Illustrationen
    Series Statement: Sonics series
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 2000-2015 ; Musik ; Musikethnologie ; Schwarze ; Musik ; Schwarze ; Musikethnologie ; Geschichte 2000-2015
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 43
    Book
    Book
    Austin : University of Texas Press
    ISBN: 9781477321348
    Language: English
    Pages: xii, 343 Seiten
    Edition: First edition
    Series Statement: American music series
    DDC: 782.421649
    RVK:
    Keywords: Geschichte 1986-1996 ; Gangsta-Rap ; Fernsehsendung ; USA
    Note: Includes bibliographical references and index.
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  • 44
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478014089 , 9781478011941
    Language: English
    Pages: xxii, 552 Seiten , Illustrationen
    Series Statement: Refiguring American music
    DDC: 782.421640973
    RVK:
    Keywords: Volksmusik ; Popmusik ; USA
    Note: Literaturverzeichnis Seite 446-512
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  • 45
    Online Resource
    Online Resource
    Santa Barbara : ABC-CLIO | Ann Arbor, Michigan : ProQuest
    ISBN: 9781440873195
    Language: English
    Pages: 1 Online-Ressource (401 pages)
    DDC: 782.421599097303
    RVK:
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    Keywords: The star-spangled banner ; Geschichte ; USA ; Wörterbuch
    Note: Description based on publisher supplied metadata and other sources
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  • 46
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501346743
    Language: English
    Pages: x, 265 Seiten , Illustrationen, Diagramme, Karten, Notenbeispiele
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Musikethnologie ; Musikbogen ; Südafrika ; Aufsatzsammlung ; Aufsatzsammlung ; Südafrika ; Musikethnologie ; Musikbogen
    Note: Angekündigt unter: Southern African bow music
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  • 47
    ISBN: 9780197517642
    Language: English
    Parallel Title: Erscheint auch als Transforming ethnomusicology Volume II
    Parallel Title: Erscheint auch als Transforming ethnomusicology Volume I
    DDC: 780.89
    RVK:
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    Keywords: Ethnomusicology ; Applied ethnomusicology ; Musikethnologie ; Kolonialismus ; Wissenschaftsethik ; Angewandte Wissenschaften ; Kulturpolitik ; Sozialer Wandel ; Westliche Welt ; Entwicklungsländer ; Musikethnologie
    Abstract: "Transforming Ethnomusicology aims to deepen and broaden the dialogue about social engagement within the discipline of ethnomusicology. It draws upon a very wide array of perspectives that stem from different ethnocultural contexts, philosophical histories, and cultural situations. Volume One begins with overviews of ethical praxis and collaboration in different countries and institutions. Some of the following studies reflect on the challenges that ethnomusicologists have faced and the strategies they have adopted when working in situations as diverse and challenging as the courtrooms of America, the refugee camps of Kenya, the post-earthquake urban context of Haiti, and war-torn South Sudan. Other studies reflect on community activism and the complexities of sustaining and reviving cultural traditions. The final chapter offers a new perspective on disciplinary practice and methodology by examining the power relations implicit in ethnography and the potential of shifting our position to "witnessing." Volume Two focuses on social and ecological issues and includes Indigenous perspectives from America, Australia, and South Africa. The volume as a whole recognizes the interlinking of colonial and environmental damage as institutions that failed to respect the land and its peoples. As in chapter one, the authors deal with the challenging circumstances of the present day where historical practices, and modern neoliberal institutions threaten the creation and sustaining of musical knowledge, the memory of the land (both urban and rural), and the dignity of human life. As in Volume One, the second volume ends with a model for change, a radical rethinking of the structure of knowledge already underway in Brazil"--
    Note: Includes bibliographical references and index
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  • 48
    ISBN: 9781496832108 , 9781496832115
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele , 23 cm
    Edition: First printing
    DDC: 781.6508996073
    RVK:
    RVK:
    Keywords: Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; USA
    Abstract: In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today.
    Note: Literaturangaben
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  • 49
    ISBN: 9780190881979
    Language: English
    Pages: 266 Seiten , Illustrationen, Notenbeispiele , 27 cm
    Series Statement: Oxford studies in music theory
    DDC: 782.4216213
    RVK:
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    Keywords: Volkslied ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Großbritannien ; USA
    Abstract: As children, many of us learn to sing, 'If you're happy and you know it, clap your hands.' But despite the familiarity of this tune, few of us realize that what we're singing is actually part of a pervasive - and centuries-old - musical scheme. This particular scheme, dubbed the 'Sweet Thing,' has generated a large group of songs spanning a broad range of topics, genres, and time periods, but all related through a specific stanzaic form. Early twentieth-century blues songs 'My Babe' and 'Motherless Children,' country songs 'Peg and Awl' and 'Crawdad Song,' and gospel songs 'Pure Religion' and 'This Train' use this form, along with popular songs like Ray Charles's 'I Got a Woman,' The Beatles's 'One After 909,' and the Velvet Underground's 'I'm Waiting for the Man.' Sweet Thing: The History and Musical Structure of a Shared American Vernacular Form studies one of the most productive and enduring shared musical resources in North American vernacular music. Author Nicholas Stoia offers the most comprehensive examination to date of the 'Sweet Thing's' long history, exploring how it made its way from sixteenth-century Scotland to eighteenth-century British broadside ballads to nineteenth-century American ragtime. Stoia also examines the form in various contexts, including early blues and country music, and moving forward to rhythm and blues, soul, and rock music, connecting these modern forms to their ancient roots. Through this close look at a ubiquitous musical from, Sweet Thing shows us how it has linked listeners and musicians alike across the boundaries of genre, race, and even time.
    Note: Literaturverzeichnis: Seite [249]-255
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  • 50
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478014393 , 9781478013471
    Language: English
    Pages: 132 Seiten , 1 Illustration
    Series Statement: Singles
    DDC: 782.42166092
    RVK:
    Keywords: Popmusik ; USA
    Note: Bibliography Seite 125-126
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  • 51
    Language: English
    RVK:
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    Keywords: Musikethnologie ; Kolonialismus ; Wissenschaftsethik ; Angewandte Wissenschaften ; Kulturpolitik ; Sozialer Wandel ; Westliche Welt ; Entwicklungsländer
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  • 52
    ISBN: 9781350107656 , 9781350107663
    Language: English
    Pages: ix, 209 Seiten , Illustrationen
    DDC: 782.42166092
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    Keywords: Presley, Elvis ; Pop-Kultur ; Rassismus ; USA
    Note: Bibliography Seite 182-196
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  • 53
    ISBN: 9781493060603
    Language: English
    Pages: xi, 275 Seiten , Fotografien
    Parallel Title: Erscheint auch als
    DDC: 781.6430973
    RVK:
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    Keywords: Blues ; Musik ; USA
    Note: Literaturverzeichnis Seite 259-261 , Impressum: Backbeat Books is "an imprint of Globe Pequot, the trade division of The Rowman & Littlefield Publishing Group, Inc."
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  • 54
    ISBN: 9781032090030 , 9780367182984
    Language: English
    Pages: x, 198 Seiten
    Edition: issued in paperback
    Series Statement: Routledge advances in international relations and global politics 144
    DDC: 306.48425
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    Keywords: Geschichte 1900-2000 ; Musik ; Jazz ; Politik ; USA
    Note: Originally published: 2020. , Literaturverzeichnis Seite 169-183
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  • 55
    ISBN: 9780231191234
    Language: English
    Pages: viii, 149 Seiten , Illustrationen , 22 cm
    Series Statement: Short cuts : introductions to film studies
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Popmusik ; Musical ; Musikfilm ; USA ; Musical films / United States / History and criticism ; Popular music / Social aspects / United States / History ; Motion pictures and music ; Musical films ; Popular music / Social aspects ; United States ; Criticism, interpretation, etc ; History
    Note: Bibliography Seite 137-142
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  • 56
    Book
    Book
    Oakland : University of California Press
    ISBN: 9780520303713 , 9780520303706
    Language: English
    Pages: viii, 208 Seiten
    DDC: 781.650973
    RVK:
    RVK:
    Keywords: Jazzklub ; Jazz ; Konzertsaal ; USA
    Note: Includes bibliographical references and index.
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  • 57
    ISBN: 9780197534892 , 9780197534885
    Language: English
    Pages: ix, 264 Seiten , Notenbeispiele
    RVK:
    Keywords: Geschichte 1990-2000 ; Punk Rock ; USA
    Note: Literaturverzeichnis: Seite [255]-260
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  • 58
    Book
    Book
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 9780674052819
    Language: English
    Pages: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
    RVK:
    RVK:
    Keywords: Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Abstract: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Note: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
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  • 59
    ISBN: 9783844078947 , 3844078940
    Language: English
    Pages: v, 160 Seiten , Illustrationen , 24 cm x 17 cm, 349 g
    Series Statement: Grazer Beiträge zur Ethnomusikologie Band 27
    Series Statement: Grazer Beiträge zur Ethnomusikologie
    DDC: 781.17
    RVK:
    Keywords: Musikästhetik ; Musikethnologie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musikethnologie ; Musikästhetik ; Musikethnologie ; Musikästhetik
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  • 60
    Online Resource
    Online Resource
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252052811
    Language: English
    Pages: 1 Online-Ressource (299 pages)
    Series Statement: Music in American Life Ser. v.1
    DDC: 781.640973
    RVK:
    Keywords: Musik ; Countrymusic ; Rock 'n' Roll ; Soul ; Blues ; USA ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 61
    Online Resource
    Online Resource
    Ann Arbor, Michigan : University of Michigan Press
    ISBN: 9780472902446 , 047290244X
    Language: English
    Pages: 1 Online-Ressource (XVII, 240 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.4216213073
    RVK:
    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings--including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton--contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element--a sonic rhetoric--for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power of folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes' archive and other repositories of historicized sound. Throughout Listening to the Lomax Archive, there are a number of audio resources for readers to listen to, including songs, oral histories, and radio program excerpts. Each resource is marked with a k&in the text. Visit https://doi.org/10.3998/mpub.9871097#resources to access this audio content
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 62
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190882006
    Language: English
    Pages: 1 Online-Ressource (276 pages) , Illustrations (black and white, and colour).
    Series Statement: Oxford studies in music theory
    Series Statement: Oxford scholarship online
    DDC: 782.4216213
    RVK:
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    Keywords: Volkslied ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Popular music History and criticism ; Großbritannien ; USA
    Abstract: 'Sweet Thing' offers readers a comprehensive new perspective on a musical scheme shared by broadside ballads and experimental rock songs alike.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 63
    ISBN: 9781793639004 , 9781793638984
    Language: English
    Pages: ix, 161 Seiten , Illustrationen
    Series Statement: Music, culture, and identity in Latin America
    DDC: 306.484226872064
    RVK:
    Keywords: Unterhaltungsmusik ; Popmusik ; Tex Mex Music ; USA ; Mexiko
    Note: Bibliography Seite 143-155
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  • 64
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226768359
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago scholarship online
    RVK:
    Keywords: Geschichte 1968-1969 ; Rockmusik ; Black power ; Weiße ; Aktivismus ; Rock music Social aspects 20th century ; History ; Rock music History and criticism 1961-1970 ; Black power History 20th century ; Music and race History 20th century ; USA ; Großbritannien
    Abstract: 'Tear Down the Walls' sheds light on a significant but overlooked facet of 1960s rock and the Black Power era-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. It focuses on 1968 and 1969, years when the New Left in the US and UK began to combine cultural radicalism and political radicalism.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 65
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Resling | Berlin : Walter de Gruyter GmbH
    ISBN: 9783110723168
    Language: English
    Pages: 1 Online-Ressource (VI, 273 p.)
    Edition: 2021
    RVK:
    Keywords: Geschichte 1880-1965 ; Juden ; Schwarze ; Unterhaltungsmusik ; Musikwirtschaft ; Amerikanische Musik ; Ethnizität ; Juden ; Musikindustrie ; HISTORY / General ; USA ; African-American ; American Music ; Civil Rights history ; Ethnicity ; Hegemony ; Jews ; Music industry ; New Left ; Old Left ; Semiotics ; WASP
    Abstract: Stairway to Paradise reveals how American Jewish entrepreneurs, musicians, and performers influenced American popular music from the late nineteenth century till the mid-1960s. From blackface minstrelsy, ragtime, blues, jazz, and Broadway musicals, ending with folk and rock 'n' roll. The book follows the writers and artists' real and imaginative relationship with African-American culture's charisma. Stairway to Paradise discusses the artistic and occasionally ideological dialogue that these artists, writers, and entrepreneurs had with African-American artists and culture. Tracing Jewish immigration to the United States and the entry of Jews into the entertainment and cultural industry, the book allocates extensive space to the charged connection between music and politics as reflected in the Jewish-Black Alliance - both in the struggle for social justice and in the music field. It reveals Jewish success in the music industry and the unique and sometimes problematic relationships that characterized this process, as their dominance in this field became a source of blame for exploiting African-American artistic and human capital. Alongside this, the book shows how black-Jewish cooperation, and its fragile alliance, played a role in the hegemonic conflicts involving American culture during the 20th century. Unintentionally, it influenced the process of decline of the influence of the WASP elite during the 1960s. Stairway to Paradise fuses American history and musicology with cultural studies theories. This inter-disciplinary approach regarding race, class, and ethnicity offers an alternative view of more traditional notions regarding understanding American music's evolution.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
    URL: Cover
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  • 66
    Online Resource
    Online Resource
    Austin : University of Texas Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781477323946
    Language: English
    Pages: 1 Online-Ressource (358 pages)
    Series Statement: American Music Ser.
    DDC: 782.421649
    RVK:
    Keywords: Geschichte 1986-1996 ; Gangsta-Rap ; Fernsehsendung ; USA ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 67
    Book
    Book
    New York, New York : Oxford University Press
    ISBN: 9780197526699 , 9780197526682
    Language: English
    Pages: viii, 276 Seiten , Illustrationen (schwarz-weiß)
    RVK:
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    Keywords: Musikethnologie ; Ethnomusicology ; Ethnomusicology ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musikethnologie
    Abstract: Voices of the Field: Pathways in Public Ethnomusicology provides a reflection on the challenges, opportunities, and often overlooked importance of public ethnomusicology, capturing the authors' years of experience simultaneously navigating the academic world and the world outside academia, and sharing lessons often missing in ethnomusicological training
    Description / Table of Contents: Acknowledgments -- Introduction / León F. García Corona and Kathleen Wiens -- Prologue-Ethnomusicology Is What You Make It / Daniel Sheehy -- I. Different Work for Different Spaces. 1. The Meeting Room as Fieldwork Site: Toward an Ethnography of Power ​/ Huib Schippers -- 2. Running Things: Moving Parts and People ​/ Cullen Buckminster Strawn -- 3. Control, Contribute, Collaborate: Ethnomusicologists as Team Players ​/ Kathleen Wiens -- 4. Freelancing and Consulting: Strategic Preparations for a Long-​Term Professional Commitment in Public Sector Ethnomusicology ​/ Nancy Groce --
    Description / Table of Contents: II. Production and Methodology for Public-Facing Content. 5. Knowing How to Tell a Story ​/ Jeffrey A. Summit -- 6. Communication and Marketing: Building and Reaching Your Community / ​Marysol Quevedo -- 7. Sustainable Ethnomusicology: Technology, Marketing, and Revenue / ​León F. García Corona -- 8. Teaching World Music: Intersections of Music, Education, and Diversity ​/ Patricia Shehan Campbell -- 9. Curating the Virtual Museum: Public-​Facing Ethnomusicology and the "Curationist Moment" ​/ Jeff Janeczko --
    Description / Table of Contents: III. Forging New Paths for Ethnomusicologists. 10. Activate Ethnomusicology Everywhere ​/ Kathryn Metz -- 11. Rethinking the Engagement of Ethnomusicologists with Performance and Applied Music Curricula / Robin Moore -- 12. Navigating a Path Toward a Public-​Facing Career in Ethnomusicology / ​Meryl Krieger -- Epilogue-Envisioning Change Concluding Thoughts ​/ Anthony Seeger -- Index
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  • 68
    Book
    Book
    Chicago : The University of Chicago Press
    ISBN: 9780226810812 , 9780226811000
    Language: English
    Pages: xiii, 260 Seiten
    Series Statement: Chicago studies in ethnomusicology
    DDC: 781.650944
    RVK:
    Keywords: Reinhardt, Django Influence ; Gypsy-Jazz ; Musikethnologie ; Jazz Social aspects ; Romanies Music ; Social aspects ; Romanies Music ; Political aspects ; Romanies Ethnic identity ; Music and race ; Musicians, Romani ; Jazz musicians ; Frankreich
    Abstract: "The distinctive sound of the swing-driven guitar style of Django Reinhardt has become almost synonymous with a carefree, bohemian Frenchness to fans all over the world. However, we in the US refer to his music using a telling designation: Django is known here as the father of gypsy jazz. In France, the cultural significance of the musical style--called jazz manouche in reference to his origins in the Manouche subgroup of Romanies (known pejoratively as "Gypsies")--is fraught both for the Manouche and for the white French men and women eager to claim Django as a native son. In Django Generations, ethnomusicologist Siv B. Lie explores the complicated ways in which Django's legacy and jazz manouche express competing notions of what it means to be French. Though jazz manouche is overwhelmingly popular in France, Manouche people are more often treated as outsiders. However, some Manouche people turn to their musical heritage to gain acceptance in mainstream French society. Considering all of the characteristics and roles attributed to Django--as a world-renowned jazz musician, as an artistic pioneer, as a representative of French heritage, and as a Manouche--jazz manouche becomes a potent means for performers and listeners to articulate their relationships with French society, actual or hoped-for. Weaving together a history of jazz manouche and ethnographic fieldwork undertaken in the bars, festivals, family events, and cultural organizations where jazz manouche is performed and celebrated, Lie offers insight into how a musical genre can channel arguments about national and ethnoracial belonging. She argues that an uncomfortable cohabitation of Manouche identity and French identity lies at the heart of jazz manouche, which is what makes it so successful and powerful
    Note: Literaturverzeichnis Seite 229-252
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  • 69
    Online Resource
    Online Resource
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030676193
    Language: English
    Pages: 1 Online-Ressource (vii, 260 Seiten)
    Series Statement: Leisure studies in a global era
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 301
    RVK:
    RVK:
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    Keywords: Sociology, general ; Sociology of Culture ; Music ; Ethnicity, Class, Gender and Crime ; Sociology ; Culture ; Music ; Critical criminology ; Musikethnologie ; Weißsein ; Nationalismus ; Soziologie ; Ethnizität ; Rassismus ; Popkultur ; Heavy Metal ; Australien ; Südafrika ; Norwegen ; Heavy Metal ; Ethnizität ; Soziologie ; Norwegen ; Südafrika ; Australien ; Heavy Metal ; Rassismus ; Nationalismus ; Weißsein ; Popkultur ; Ethnizität ; Musikethnologie
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 70
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520383739 , 9780520383746
    Language: English
    Pages: xiv, 258 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.48422
    RVK:
    RVK:
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    Keywords: Folk music ; Politik ; USA
    Note: Literaturverzeichnis Seite 225-258
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  • 71
    ISBN: 9780197517567 , 9780197517550
    Language: English
    Pages: viii, 260 Seiten , Illustrationen, Diagramme, Karten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 2
    RVK:
    RVK:
    RVK:
    Keywords: Kolonialismus ; Musikethnologie ; Wissenschaftsethik ; Westliche Welt ; Entwicklungsländer ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Kolonialismus ; Wissenschaftsethik
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  • 72
    ISBN: 9780197517611 , 9780197517604
    Language: English
    Pages: viii, 272 Seiten , Illustrationen, Porträts
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 1
    RVK:
    RVK:
    RVK:
    Keywords: Musikethnologie ; Wissenschaftsethik ; Westliche Welt ; Entwicklungsländer ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Wissenschaftsethik
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  • 73
    Online Resource
    Online Resource
    Singapore : Springer
    ISBN: 9789811644733
    Language: English
    Pages: 1 Online-Ressource (x, 239 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Sinophone and Taiwan studies volume 4
    Series Statement: Sinophone and Taiwan studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306
    RVK:
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    Keywords: Geschichte ; Social Anthropology ; Anthropology ; Ethnography ; Ethnology ; Anthropology ; Ethnography ; Weitergabe ; Internationaler Vergleich ; Musikethnologie ; Indigenes Volk ; Musik ; Volksmusik ; Asien ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; Indigenes Volk ; Volksmusik ; Weitergabe ; Internationaler Vergleich ; Asien ; Geschichte ; Asien ; Europa ; Indigenes Volk ; Musik ; Asien ; Europa ; Musikethnologie
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 74
    Book
    Book
    Baden-Baden : Rombach Wissenschaft
    ISBN: 9783968218175 , 3968218175
    Language: German
    Pages: 296 Seiten , Illustrationen , 23 cm, 464 g
    Edition: 1. Auflage
    Series Statement: Rombach Wissenschaft. Musikethnologie im 21. Jahrhundert Band 1
    Parallel Title: Erscheint auch als Musikethnographien im 21. Jahrhundert
    DDC: 780.89
    RVK:
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    Keywords: Musikethnologie ; Forschungsmethode ; Feldforschung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 75
    Book
    Book
    Santa Barbara, California : ABC-CLIO®, an imprint of ABC-Clio, LLC
    ISBN: 9781440873188
    Language: English
    Pages: xlix, 350 Seiten , Illustrationen
    DDC: 782.421599097303
    RVK:
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    Keywords: The star-spangled banner ; Geschichte ; USA ; Wörterbuch ; Wörterbuch ; Wörterbuch
    Note: Literaturverzeichnis Seite 295-332
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  • 76
    ISBN: 9781478021391
    Language: English
    Pages: 1 Online-Ressource (552 p.)
    Series Statement: Refiguring American Music : 25
    DDC: 782.421640973
    RVK:
    Keywords: Volksmusik ; Popmusik ; USA ; Electronic books
    Abstract: In Songbooks, critic and scholar Eric Weisbard offers a critical guide to books on American popular music from William Billings's 1770 New-England Psalm-Singer to Jay-Z's 2010 memoir Decoded. Drawing on his background editing the Village Voice music section, coediting the Journal of Popular Music Studies, and organizing the Pop Conference, Weisbard connects American music writing from memoirs, biographies, and song compilations to blues novels, magazine essays, and academic studies. The authors of these works are as diverse as the music itself: women, people of color, queer writers, self-educated scholars, poets, musicians, and elites discarding their social norms. Whether analyzing books on Louis Armstrong, the Beatles, and Madonna; the novels of Theodore Dreiser, Gayl Jones, and Jennifer Egan; or varying takes on blackface minstrelsy, Weisbard charts an alternative history of American music as told through its writing. As Weisbard demonstrates, the most enduring work pursues questions that linger across time period and genre-cultural studies in the form of notes on the fly, on sounds that never cease to change meaning.
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 77
    Book
    Book
    Berlin : VWB - Verlag für Wissenschaft und Bildung
    ISBN: 9783861356561 , 3861356562
    Language: English
    Pages: IV, 447 Seiten , Illustrationen , 25 cm, 1060 g
    Series Statement: Intercultural music studies 24
    DDC: 780.89
    RVK:
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    Keywords: Musik ; Interkulturalität ; Musikleben ; Musikethnologie ; Aufsatzsammlung ; Konferenzschrift 2014-2017 ; Aufsatzsammlung ; Konferenzschrift 2014-2017 ; Aufsatzsammlung ; Konferenzschrift 2014-2017 ; Konferenzschrift 2014-2017 ; Konferenzschrift 2014-2017 ; Aufsatzsammlung ; Konferenzschrift 2014-2017
    Note: Literaturverzeichnis Seite 371-414
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  • 78
    Online Resource
    Online Resource
    Baden Baden : Rombach Wissenschaft
    ISBN: 9783968218182
    Language: German
    Pages: 1 Online-Ressource (296 Seiten) , Illustrationen, Karte
    Edition: 1. Auflage
    Series Statement: Rombach Wissenschaft - Musikethnologie im 21. Jahrhundert Band 1
    Series Statement: Rombach Wissenschaft - Musikethnologie im 21. Jahrhundert
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Feldforschung ; Musikethnologie ; Forschungsmethode ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musikethnologie ; Forschungsmethode ; Feldforschung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 79
    ISBN: 9783487159775 , 3487159775
    Language: German , English
    Pages: 479 Seiten , Illustrationen , 25 cm, 1060 g
    Parallel Title: Erscheint auch als Digginʼ Up Music - Musikethnologie als Baustelle
    DDC: 780.89
    RVK:
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    Keywords: Musikethnologie ; Aufsatzsammlung ; Festschrift ; Festschrift ; Festschrift ; Festschrift ; Aufsatzsammlung ; Festschrift ; Festschrift ; Aufsatzsammlung ; Festschrift ; Aufsatzsammlung
    Note: Literaturangaben
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  • 80
    Book
    Book
    Urbana, [Illinois] : University of Illinois Press
    ISBN: 9780252043918
    Language: English
    Pages: 320 Seiten , Portraits
    Series Statement: Music in American life
    DDC: 781.640973
    RVK:
    Keywords: Musik ; Countrymusic ; Rock 'n' Roll ; Soul ; Blues ; USA
    Note: Literaturverzeichnis Seite 281-287
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  • 81
    ISBN: 9783110723120
    Language: English
    Pages: VIII, 272 Seiten
    Uniform Title: Madregot le-gan ʿEden
    Parallel Title: Erscheint auch als Stairway to Paradise
    Parallel Title: Erscheint auch als
    DDC: 781.64089924073
    RVK:
    Keywords: Geschichte 1880-1965 ; Juden ; Schwarze ; Unterhaltungsmusik ; Musikwirtschaft ; USA
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  • 82
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252051944
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Music in American life
    Series Statement: Illinois scholarship online
    RVK:
    Keywords: Geschichte 1930-1960 ; Countrymusic ; Musiker ; Frau ; Country music History and criticism To 1951 ; Country music History and criticism 1951-1960 ; Women country musicians ; Radio and music History 20th century ; USA
    Abstract: Well before the success of Loretta Lynn and Dolly Parton, female artists were integral to the commercial expansion and aural reception of country music. Women in early country music took on and redefined the theatrical and musical roles of the hillbilly maiden, the unruly Okie, the singing cowgirl, and the honky-tonk angel in live performance, on radio, in film, and in the recording studio. This work accounts for the vibrant presence of female country artists through an interdisciplinary focus on performance and vocal expression in relation to the cultural currents of the 1930s and 1950s.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
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  • 83
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496825148
    Language: English
    Pages: 1 Online-Ressource (xi, 506 pages) , Illustrations.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    RVK:
    Keywords: Rollini, Adrian ; Rollini, Adrian ; Geschichte 1903-1956 ; Jazzmusiker ; Jazz musicians Biography ; Saxophonists Biography ; Vibraphonists Biography ; Pianists Biography ; USA ; Biografie
    Abstract: Adrian Rollini (1904-1956)was as a child prodigy, playing piano when he was four. This book describes how job opportunities came to him easily at first and that his versatility helped him when they became rare. At the age of 16 he became a professional musician and, in New York, recorded piano rolls. In 1922, at the start of the jazz age, he joined the California Ramblers. He moved to the bass saxophone and gave it its definite place in early jazz. At the top of his fame Rollini became leader of his own band, with a.o. Bix Beiderbecke, Frank Trumbauer, Eddie Lang, and Joe Venuti. It was star-studded but short-lived. In late 1927, he moved to London to join Fred Eizalde's progressive dance band. Back in the USA in 1930, Rollini joined Bert Lown's hotel band, but the bass saxophone was phasing out, so he moved to the vibraphone.
    Note: Previously issued in print: 2019 , Includes bibliographical references and index
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  • 84
    Online Resource
    Online Resource
    New York : Peter Lang Inc. | Bern : Peter Lang International Academic Publishers
    ISBN: 9781433176951
    Language: English
    Pages: 1 Online-Ressource (168 Seiten) , Illustrationen
    Edition: 1st, New ed.
    Series Statement: Counterpoints 531
    RVK:
    Keywords: Phish ; Popmusik ; Progressive Rock ; Rockmusik ; Jugendkultur ; Gegenkultur ; USA
    Abstract: The late Dennis Carlson uses the alternative nature of the Burlington, Vermont-bred band, Phish, and the larger impact of rock n’ roll to look at youth and revolutionary music culture. A History of Progressive Music and Youth Culture is designed for those who work with or teach young people to understand the nature and origin of musical commitment and devotion. For academics, the book traces a cultural study of rock which is unlike any other discussion of music or musicology published.
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  • 85
    Book
    Book
    Minneapolis ; London : University of Minnesota Press
    ISBN: 9781517910037 , 9781517910044
    Language: English
    Pages: 192 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1960-2020 ; Afroamerikanische Musik ; Kulturkontakt ; Musik ; USA ; Südasien ; African Americans / Music / History and criticism ; Popular music / United States / South Asian influences ; Popular music / United States / History and criticism ; African Americans / Music ; Popular music ; United States ; Criticism, interpretation, etc ; USA ; Afroamerikanische Musik ; Südasien ; Musik ; Kulturkontakt ; Geschichte 1960-2020
    Abstract: "A sixty-year history of Afro-South Asian musical collaborations"--
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 86
    ISBN: 9780252084959 , 9780252043086
    Language: English
    Pages: xi, 250 Seiten
    Series Statement: Music in American life
    Parallel Title: Erscheint auch als Vander Wel, Stephanie, 1969- Hillbilly maidens, okies, and cowgirls
    RVK:
    Keywords: Wells, Kitty ; Montana, Patsy ; Maddox, Rose ; Lulu Belle ; WLS (Radio station : Chicago, Ill ; Geschichte 1930-1960 ; Countrymusic ; Musiker ; Frau ; Country music History and criticism 1951-1960 ; Women country musicians ; Radio and music History 20th century ; Country music History and criticism To 1951 ; USA
    Note: Literaturverzeichnis: Seiten [225]-237
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  • 87
    ISBN: 9782811126889
    Language: French
    Pages: 318, XVI Seiten , Illustrationen
    Series Statement: Les Afriques
    Dissertation note: Dissertation Paris, EHESS 2013
    RVK:
    Keywords: Tuareg ; Musik ; Weltmusik ; Festival ; Globalisierung ; Musikethnologie ; Mali ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: A partir d'une recherche partagée entre les scènes européennes et celles du désert de Tombouctou au Mali, ma thèse questionne les dimensions mondialisées du label « musique touarègue ». De 2006 à 2012 j'ai étudié les modalités de la fabrication de ce label dans le cadre du réseau marchand de la World Music. Ceci m'a amenée à décrire les scènes sur lesquelles il est à l'affiche, à décrypter les opérations de manipulation technique et technologique de ses sons, à identifier les formes d'adaptation au format du « concert », à saisir les négociations nécessaires pour créer l'image d'un « retour aux sources », à réfléchir aux modalités de légitimation et de revendication d'une spécificité culturelle « touarègue » au sein d'un circuit musical interconnecté et global. De 2008 à 2012 j'ai élargi mon terrain au Mali, mettant la circulation des pratiques et des imaginaires liés à la World Music au prisme d'un festival qui se tenait dans la région de Tombouctou. La flexibilité des notions d' « authenticité » et de « tradition » mobilisées par les acteurs qui ont participé à ce festival m'a encouragée à saisir l'élaboration de ce modèle qu'est la « culture nomade » à travers le miroir de ses recompositions culturelles et touristiques et de ses branchements nationaux et internationaux, dans un contexte politique particulièrement conflictuel. De l'analyse d'un festival à celle d'une chanson, des trajectoires des musiciens à celles des stéréotypes et des imaginaires collectifs, ma thèse a ainsi contribué à illustrer la complexité des enjeux de singularisation et d'altérité qui fabriquent l'espace mondialisé d'une World Music et à relever les tensions entre les projets de société qui s'y reflètent.
    Abstract: Based on a double ethnography of European stages and those in the desert around Timbuktu in Mali, my dissertation addresses the globalized aspects of the "Tuareg music" label. I begin by describing the trajectories of groups who, since the mid-1990s, have been playing on international stages, with particular attention to how they interact with the professionals who bring them into the globalized music market. This leads me to analyze how festivals showcase these groups, how this music is recorded in studios, and the media discourse surrounding it, all the while focusing on what is at stake for a type of music that is produced and consumed in different parts of the world, but which is seen as a unique object, rooted in the desert "source". I then use a festival held in the Malian Sahara as a lens to look at the circulation of practices and images associated with world music. This festival provides its own model of "desert cultures" for national and international networks, defying the difficult political and security context. Via the analysis of a festival and a song, and that of musicians' career trajectories and the paths of collective imaginaries, my study clarifies the patrimonialization processes, the cultural and touristic shifts, and the identity and political demands that come to the fore when "Tuareg music" is pushed onto the stage of musical globalization. This serves to illustrate the complexity of the claims of singularity and atherness created by the globalized space of world music, thus revealing the tensions between the societal ideals reflected in it.
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  • 88
    ISBN: 9781498566704
    Language: English
    Pages: xiii, 189 Seiten
    Series Statement: Philosophy of race
    DDC: 305.8996073
    RVK:
    Keywords: Hip-Hop ; Subkultur ; USA
    Note: Discography Seite 177-180 , Bibliography Seite 181-184
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  • 89
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496831224 , 9781496831217
    Language: English
    Pages: x, 351 Seiten , Illustrationen, Porträt
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1968-1981 ; Musikleben ; Punk Rock ; Ethnische Identität ; USA ; Punk rock music / United States / History and criticism ; Music and race / United States / History / 20th century ; Music and race ; Punk rock music ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History
    Note: Literaturverzeichnis Seite 305-321
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  • 90
    Book
    Book
    Minneapolis, MN : University of Minnesota Press
    ISBN: 9781517906283
    Language: English
    Pages: xii, 347 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1965-2020 ; Musikproduktion ; Hip-Hop ; Sampling ; Discjockey ; USA ; USA ; Discjockey ; Sampling ; Hip-Hop ; Musikproduktion ; Geschichte 1965-2020
    Abstract: "Bring That Beat Back: How Sampling Built Hip-Hop is a proposed history of how sampling, as a wholly new form of creating and commenting on music, became a vital part of hip-hop's DNA, from the NY DJs in the late 1970s to today. The story will arc across four DJs who pushed this technology and approach into new territory: Grandmaster Flash, the pioneer; Prince Paul, the innovator; Dr. Dre, the mogul; and Madlib, the left-field curator. Alongside that arc, Patrin will do a deep dive into songs that were heavily sampled and represent/illuminate the power, complexity, and rich history of how sampling has helped build and evolve hip-hop. Throughout, these sections will be far from insular, and instead, reach and pull in the many DJs, producers, and moments that tell this wide-ranging story. Utilizing a wealth of extant interviews and archival material alongside new interviews with people who were there, other critics, and Patrin's own narrative of this history, Bring That Beat Back would be both a geeky dive for music fans and hip-hop heads but also a highly accessible introduction to a form of music that turned power dynamics upside down, made back-row session musicians more iconic to creators than the mega-watt stars at the front of the stage, and how this continual boundary breaking in production and its reshaping of the musical "canon" is very much an extended riff from the history of pop music itself"--
    Description / Table of Contents: Introduction : The art of the loop -- Part I : The grandmaster. Wheels of steel : How DJs became artists ; Change the best : Hip-hop's first crossover ; Funky drummer ; Sampling reaches the people -- Part II : The prince. Synthetic substitution : A new medium finds its canon ; Talkin' all that jazz : The legitimization of an art form ; Constant elevation : Hip-hop's rising underground -- Part III : The doctor. Funky enough : How the West was made ; G Thang : The producer as superstar ; Aftermath : Auteurism is a post-gangsta world -- Part IV : The Beat Konducta. The Loop digga : Sampling preserves history (and itself) ; The illest villains : High concepts and new voices ; Survival test : Hip-hop as a community -- Epilogue : Breaks and echoes
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  • 91
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496825162 , 9781496825155
    Language: English
    Pages: xi, 506 Seiten , Illustrationen
    Series Statement: American made music series
    RVK:
    Keywords: Rollini, Adrian ; Geschichte 1903-1956 ; Jazzmusiker ; USA ; Biografie
    Abstract: "The first and definitive biography of the great bass saxophone jazz man"--
    Note: Bibliography Seite 473-474
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  • 92
    ISBN: 9781478011224 , 9781478010197 , 1478010193 , 147801122X
    Language: English
    Pages: xiv, 392 Seiten
    Series Statement: Refiguring american music
    Parallel Title: Online version Mahon, Maureen Black diamond queens
    RVK:
    RVK:
    Keywords: Schwarze ; Frau ; Rockmusik ; USA
    Abstract: African American women have played a pivotal part in rock and roll-from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.
    Note: Literaturverzeichnis: Seite [349]-373 , Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
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  • 93
    Book
    Book
    Amherst : University of Massachusetts Press
    ISBN: 9781625345141 , 9781625345158
    Language: English
    Pages: xi, 227 Seiten , 24 cm
    Series Statement: African American intellectual history
    DDC: 780.8996073
    RVK:
    Keywords: Baraka, Amiri ; Geschichte 1960- ; Schwarze ; Afroamerikanische Musik ; Soziale Identität ; Black arts movement ; USA
    Abstract: Amiri Baraka is unquestionably the most recognized leader of the Black Arts Movement of the 1960s and 1970s, and one of the key literary and cultural figures of the postwar United States. While Baraka's political and aesthetic stances changed considerably over the course of his career, Brick City Vanguard demonstrates the continuity in his thinking about the meaning of black music in the material, psychic, and ideological development of black people. Drawing on primary texts, paratexts (including album liner notes), audio and visual recordings, and archival sources, James Smethurst takes a new look at how Baraka's writing on and performance of music envisioned the creation of an African American people or nation, as well as the growth and consolidation of a black working class within that nation, that resonates to this day. This vision also provides a way of understanding the encounter of black people with what has been called the urban crisis" and a projection of a liberated black future beyond that crisis.
    Note: Literaturangaben
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  • 94
    ISBN: 1433176947 , 9781433176944 , 1433176890 , 9781433176890
    Language: English
    Pages: 150 Seiten
    Series Statement: Counterpoints 531
    RVK:
    Keywords: Phish ; Popmusik ; Progressive Rock ; Rockmusik ; Jugendkultur ; Gegenkultur ; USA
    Abstract: "The late Dennis Carlson uses the alternative nature of the Burlington, Vermont, bred band, Phish, and the larger impact of rock n' roll to look at youth and revolutionary music culture. A History of Progressive Music and Youth Culture is designed for those who work with or teach young people to understand the nature and origin of musical commitment and devotion. For academics, the book traces a cultural study of rock which is unlike any other discussion of music or musicology published"
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  • 95
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520297371
    Language: English
    Pages: 398 Seiten , Illustrationen , 24 cm
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1900-1999 ; Urheberrecht ; Musik ; Aufführungsrecht ; Darstellende Kunst ; USA
    Abstract: Prologue -- Immigrant passages -- The Pittsburgh troubles -- To Victor belong the spoils -- Tin Pan Alley -- Canned music -- Mr. Burkan goes to Washington -- The two-cent solution -- Entr'acte -- The lone star -- Charlie in the harem -- The price of a good time -- The gospel of performing rights -- Shanley's cabaret extraordinaire -- The music tax -- The ether toy -- The silent screen -- The jazz singer -- Rum runners -- The bindlestiff -- New York's spotlight lawyer -- Love's undertaker -- Nightstick censorship -- The big bankroll and the little flower -- Modern times -- New Deal days -- Gloria -- Blue bloods meet the hoi polloi -- Twilight of the music trust -- Exeunt
    Abstract: "Adventures of a Jazz Age Lawyer is a lively narrative exploring the coming-of-age of institutions, archetypes, and attitudes that define American popular culture. This story is revealed through the career of legal giant Nathan Burkan, whose clients included Charlie Chaplin, Al Jolson, Frank Costello, Victor Herbert, Mae West, Gloria Morgan Vanderbilt, Arnold Rothstein, and Samuel Goldwyn. Burkan was one of the principal draftspeople of the epochal Copyright Act of 1909 and the guiding spirit behind the American Society of Composers, Authors, and Publishers, which was established to protect the rights of composers whose music was being played in cabarets and theaters without compensation. Burkan's groundbreaking work laid the legal foundation for the Great American Songbook and the Golden Age of Hollywood, and it continues to influence popular culture today. Gary A. Rosen tells stories of dramatic and often uproarious courtroom confrontations, scandalous escapades of the rich and famous, and momentous clashes of powerful political, economic, and cultural forces from which the United States emerged as the world's leading exporter of creative energy. Adventures of a Jazz Age Lawyer is not merely an engaging look at the life of Nathan Burkan, but a history of entertainment and intellectual property law in the early twentieth century. Rosen takes us on a fascinating romp through an era of American culture that promises new discoveries for anyone interested in the spirit of the Jazz Age"--Provided by publisher
    Note: Selected bibliography Seite 375-383
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  • 96
    Book
    Book
    New York : Bloomsbury Academic
    ISBN: 9781501344145 , 9781501344152
    Language: English
    Pages: vi, 331 Seiten , 24 cm
    RVK:
    RVK:
    Keywords: Folk music ; Kanada ; USA
    Abstract: Building on his 2006 book, Which Side Are You On?, Dick Weissman's A New History of American and Canadian Folk Music presents a provocative discussion of the history, evolution, and current status of folk music in the United States and Canada. North American folk music achieved a high level of popular acceptance in the late 1950s. When it was replaced by various forms of rock music, it became a more specialized musical niche, fragmenting into a proliferation of musical styles. In the pop-folk revival of the 1960s, artists were celebrated or rejected for popularizing the music to a mass audience. In particular the music seemed to embrace a quest for authenticity, which has led to endless explorations of what is or is not faithful to the original concept of traditional music. This book examines the history of folk music into the 21st century and how it evolved from an agrarian style as it became increasingly urbanized. Scholar-performer Dick Weissman, himself a veteran of the popularization wars, is uniquely qualified to examine the many controversies and musical evolutions of the music, including a detailed discussion of the quest for authenticity, and how various musicians, critics, and fans have defined that pursuit.
    Note: Literaturverzeichnis: Seite 310-322
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  • 97
    Book
    Book
    Lanham : Rowman & Littlefield
    ISBN: 9781538112120
    Language: English
    Pages: xxxvi, 290 Seiten
    DDC: 781.640973
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Popmusik ; Musikwirtschaft ; Tonträgerindustrie ; USA
    Note: Bibliography Seite 267-269
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  • 98
    ISBN: 9781478009597 , 9781478008699
    Language: English
    Pages: x, 217 Seiten
    Series Statement: Refiguring American music
    DDC: 781.644
    RVK:
    Keywords: Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; USA
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  • 99
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197534922
    Language: English
    Pages: 1 Online-Ressource (288 pages) , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    RVK:
    Keywords: Geschichte 1990-2000 ; Punk Rock ; Punk rock music History and criticism ; Rock music History and criticism 1991-2000 ; USA
    Abstract: At the dawn of the 1990s, as the United States celebrated its victory in the Cold War and sole superpower status by waging war on Iraq and proclaiming democratic capitalism as the best possible society, the 1990s underground punk renaissance transformed the punk scene into a site of radical opposition to American empire. Nazi skinheads were ejected from the punk scene; apathetic attitudes were challenged; women, Latino, and LGBTQ participants asserted their identities and perspectives within punk; the scene debated the virtues of maintaining DIY purity versus venturing into the musical mainstream; and punks participated in protest movements from animal rights to stopping the execution of Mumia Abu-Jamal to shutting down the 1999 World Trade Organization meeting. Punk lyrics offered strident critiques of American empire, from its exploitation of the Third World to its warped social relations.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
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  • 100
    Book
    Book
    Oxford : Oxford University Press
    ISBN: 9780190458027 , 9780190458034
    Language: English
    Pages: XX, 442 Seiten
    DDC: 780.89
    RVK:
    Keywords: Musikethnologie ; Queer-Theorie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musikethnologie ; Queer-Theorie
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