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  • KOBV  (44)
  • 2020-2024  (10)
  • 2015-2019  (35)
  • History and criticism
  • Musicology  (31)
  • American Studies  (8)
  • Romance Studies  (5)
Material
Language
Years
Year
Keywords
Subjects(RVK)
  • 1
    Book
    Book
    Leiden : Brill
    ISBN: 9004048731
    Language: English
    Series Statement: Orientalia Rheno-traiectina vol. 22
    DDC: 781.7/54
    RVK:
    RVK:
    Keywords: Somanatha ; son of Mudgala ; Ragavibodha of Somanatha ; Carnatic music ; History and criticism ; Music ; India ; History and criticism ; Raga
    Note: Erschienen: 1 - 2
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  • 2
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190661991 , 9780190661984
    Language: English
    Pages: 1 Online-Ressource (xx, 541 Seiten)
    Series Statement: Oxford handbooks series
    Parallel Title: Erscheint auch als The Oxford handbook of music in China and the Chinese diaspora
    DDC: 780.951
    RVK:
    Keywords: Music History and criticism ; Chinese Music ; History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik
    Abstract: The Oxford Handbook of Music in China and the Chinese Diaspora illuminates new insights into Chinese music studies, musical genres, and contexts. This volume incorporates extensive scholarly insight from China, Taiwan, and the Chinese diaspora, and is arranged into three parts: the historical legacies of Chinese music, evolving practice and musical transformations, and prominent issues in Chinese music studies.
    Note: Includes bibliographical references and index , Description based on publisher supplied metadata and other sources
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  • 3
    Title: Ленинградский рок-клуб, Рубинштейна, 13 : рождение истории
    Author, Corporation: Бурлака, Андрей Петрович
    Publisher: Москва : Издательство АСТ
    ISBN: 9785171488741
    Language: Russian
    Pages: 207 Seiten , Illustrationen , 29 cm
    Series Statement: Zvezdy veka
    RVK:
    RVK:
    Keywords: Akvarium ; Zoopark ; Kino ; Geschichte ; Rockgruppe ; Russland ; History and criticism ; Literature on music ; The performing arts. Show business ; Russland ; Rockgruppe ; Akvarium ; Kino ; Zoopark ; Geschichte
    Note: Akvarium, Zoopark, Popularnaja mechanika, Kino, Mify, Rossijane, Piknik , Text russisch , Kyrillisch
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  • 4
    ISBN: 9781800109537 , 9781800109520
    Language: English
    Pages: 1 Online-Ressource (xvi, 252 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Parallel Title: Erscheint auch als Intimate entanglements in the ethnography of performance
    DDC: 780.89
    RVK:
    Keywords: Ethnomusicology ; Music Performance ; Social aspects ; Intimacy (Psychology) ; Africans Music ; History and criticism ; African Americans Music ; History and criticism ; Music History and criticism ; Music History and criticism ; Music and race ; African Americans ; Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Criticism, interpretation, etc ; Africa ; United States
    Abstract: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk.
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Note: Includes bibliographical references and index
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  • 5
    ISBN: 9780231189187 , 9780231189194
    Language: English
    Pages: xiii, 275 Seiten , Illustrationen
    Series Statement: Leonard Hastings Schoff memorial lectures
    Parallel Title: Erscheint auch als O'Meally, Robert G., 1948- Antagonistic cooperation
    DDC: 781.650973
    RVK:
    Keywords: Jazz History and criticism ; African American art ; American literature African American authors ; History and criticism ; African Americans Social life and customs ; Music and literature ; Art and music ; Collage ; Lectures ; USA ; Schwarze ; Musik ; Jazz ; Kunst ; Literatur ; Geschichte 1900-2000 ; Modern Jazz ; Collage ; Fiktion ; USA ; Kunst ; Schwarze
    Abstract: This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare Bearden to Duke Ellington and Toni Morrison -- Hare and Bear : The Racial Profiles of Satchmo's Smile -- The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished.
    Abstract: "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"--
    Note: Includes index
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  • 6
    Online Resource
    Online Resource
    Cambridge, Massachuesetts ; London, England : The Belknap Press of Harvard University Press
    ISBN: 9780674258808 , 9780674258815
    Language: English
    Pages: 1 Online-Ressource (viii, 598 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 780.82/0973
    RVK:
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    Keywords: Geschichte ; SOCIAL SCIENCE / Popular Culture ; African American feminists ; African American women musicians ; African American women Intellectual life ; African American women Music ; History and criticism ; Musical criticism History ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; USA ; Afroamerikanische Musik ; Feminismus ; Musikkritik ; Geschichte
    Abstract: An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians. With an innovative perspective on the story of Black women in popular music-and who should rightly tell it-Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    Online Resource
    Online Resource
    Oxford : Archaeopress Publishing Ltd
    ISBN: 9781789699333
    Language: English
    Pages: 1 Onliner-Ressource (viii, 200 Seiten) , Notenbeispiele, Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 780.9174927
    RVK:
    Keywords: Arabs Music ; History and criticism ; Songs, Arabic History and criticism ; Electronic books
    Abstract: Offering a comprehensive survey of the history and the development of Arab music and musical theory from its pre-Islamic roots until 1970, this book also offers a discussion of the major genres and forms practiced today, such as the Egyptian gil, the Algerian raï and Palestinian hip hop; it also touches upon musical instruments and folk music
    Note: Also issued in print: 2021 , Includes bibliographical references, discography and index , Zielgruppe: Specialized
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  • 8
    ISBN: 9788418818820
    Language: Spanish
    Pages: 795 Seiten , Diagramme , 24 cm
    Series Statement: Biblioteca del exilio. Anejos no. 51
    Series Statement: Biblioteca del exilio
    DDC: 306
    RVK:
    Keywords: Spanish literature History and criticism 20th century ; Spanish literature Foreign countries ; History and criticism ; Exiles' writings, Spanish History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; Spanien ; Literaturgeschichtsschreibung ; Spanisch ; Literatur ; Inland ; Exilliteratur ; Geschichte 1939-1981
    Note: Includes bibliographical references
    URL: Cover
    URL: Cover
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  • 9
    Book
    Book
    Columbus : The Ohio State University Press
    ISBN: 9780814214770 , 0814214770
    Language: English
    Pages: x, 185 Seiten
    DDC: 305.896/073
    RVK:
    Keywords: Federal Writers' Project Influence ; American literature African American authors ; History and criticism ; African Americans Social conditions ; Liberalism History 20th century ; United States Race relations 20th century ; USA ; Schwarze ; Literatur ; Federal Writers' Project
    Abstract: "Shows how Black writers such as Richard Wright, Zora Neale Hurston, and Ralph Ellison participating in the Federal Writer' Project of the 1930s responded to and shaped New Deal programs and ideology"--
    Note: Includes bibliographical references and index
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  • 10
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197504673
    Language: English
    Pages: 1 Online Ressource (xx, 459 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als Sheleg, Asaf, 1974 - Theological stains
    DDC: 780.8992405694
    RVK:
    Keywords: Music History and criticism 20th century ; Music by Jewish composers History and criticism 20th century ; Jews Music ; History and criticism ; Zionism ; Zionism in literature ; Music ; Israel ; 20th century ; History and criticism ; Music by Jewish composers ; Israel ; 20th century ; History and criticism ; Jews ; Music ; History and criticism ; Zionism ; Zionism in literature ; Israel ; Kunstmusik ; Literatur ; Zionismus ; Juden ; Ethnische Identität ; Geschichte 1950-2000
    Abstract: In this in-depth study of Israeli art music in the second half of the twentieth century, author Assaf Shelleg explores how art music and modern Hebrew literature engaged with Zionism and competing diasporic Jewish histories that are not grounded in notions of territory.
    Note: Also issued in print: 2021. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on November 9, 2020)
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  • 11
    ISBN: 9780199913923 , 9780199913947
    Language: English
    Pages: xiii, 319 Seiten , Illustrationen, Karten
    Series Statement: Currents in Latin American and Iberian music
    Parallel Title: Erscheint auch als Quintero, Michael Birenbaum, author Rites, rights and rhythms
    DDC: 781.6409861
    RVK:
    Keywords: Folk music History and criticism ; Blacks Music ; History and criticism ; Blacks Social conditions ; Schwarze ; Volksmusik ; Soziale Situation ; Kolumbien ; Einführung ; Einführung ; Einführung ; Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Note: Includes bibliographical references and index
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  • 12
    Book
    Book
    Bloomington : Indiana University Press
    ISBN: 9780253041142 , 9780253041135
    Language: English
    Pages: xi, 241 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Wolf, Juan Eduardo, 1971- author Styling blackness in Chile
    DDC: 780.89/96083
    RVK:
    Keywords: Popular music History and criticism ; Blacks Music ; History and criticism ; Music and race Chile ; Musik ; Schwarze ; Tanz ; Chile ; Chile ; Schwarze ; Musik ; Tanz
    Note: Includes bibliographical references and index
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  • 13
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 9780226607474
    Language: English
    Pages: 1 Online-Ressource (x, 279 Seiten) , Illustrationen
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als Tucker, Joshua Making music indigenous
    DDC: 781.62/9832308529
    RVK:
    Keywords: Indians of South America Music History and criticism ; Indians of South America Social life and customs ; Popular music History and criticism ; Songs, Quechua History and criticism ; Indians of South America Social life andcustoms ; Indians of South America Music ; History and criticism ; Indians of South America Social life and customs ; MUSIC / General
    Abstract: When thinking of indigenous music, many people may imagine acoustic instruments and pastoral settings far removed from the whirl of modern life. But, in contemporary Peru, indigenous chimaycha music has become a wildly popular genre that is even heard in the nightclubs of Lima. In Making Music Indigenous, Joshua Tucker traces the history of this music and its key performers over fifty years to show that there is no single way to “sound indigenous.” The musicians Tucker follows make indigenous culture and identity visible in contemporary society by establishing a cultural and political presence for Peru’s indigenous peoples through activism, artisanship, and performance. This musical representation of indigeneity not only helps shape contemporary culture, it also provides a lens through which to reflect on the country’s past. Tucker argues that by following the musicians that have championed chimaycha music in its many forms, we can trace shifting meanings of indigeneity—and indeed, uncover the ways it is constructed, transformed, and ultimately recreated through music
    Abstract: Frontmatter -- Contents -- Prologue -- Introduction: Making Music Indigenous -- 1. Setting a Scene -- 2. Landscape, Performance, and Social Structure -- 3. Song and Sound -- 4. Tradition and Folklore -- 5. Broadcasting and Building Publics -- 6. Success and Sentiment -- 7. Wood and Work -- Epilogue -- Acknowledgments -- Online Resources -- Glossary -- Notes -- References -- Index
    Note: restricted access online access with authorization star , Mode of access: Internet via World Wide Web.
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
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  • 14
    ISBN: 9789004364080
    Language: Spanish
    Pages: 1 Online-Ressource (XVII, 342 Seiten) , Illustrationen
    Series Statement: Foro hispánico volumen 58
    Parallel Title: Erscheint auch als Trans-afrohispanismos
    Parallel Title: Erscheint auch als Trans-afrohispanismos
    RVK:
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    Keywords: Latin American literature Black authors ; History and criticism ; Blacks Intellectual life ; Blacks Intellectual life ; African diaspora ; Latin American literature Black authors ; History and criticism ; Blacks Intellectual life ; Blacks Intellectual life ; African diaspora ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; Lateinamerika ; Spanien ; Schwarze ; Interkulturalität ; Interferenz ; Literatur ; Kultur
    Abstract: Front Matter -- Copyright Page -- Motto -- Agradecimientos -- Notas biobibliográficas de los autores -- ‘Trans-afrohispanismos’ /Dorothy Odartey-Wellington -- Otros hispanismos / otras Áfricas: las fronteras de la afrohispanidad -- Impresiones y conmociones culturales en el afrohispanismo africano /Justo Bolekia Boleká -- El mestizaje lingüístico literario entre la lengua hassaniya o hasania y la lengua española hablada en la República del Sáhara Occidental /Bahia Mahmud Awah -- La isla habitada: paisaje e insularidad /Antonio Becerra Bolaños -- Afromexicanos: el caminar hacia el reconocimiento étnico /Gloria Lara Millán -- Diálogos intra- y transcontinentales: redes alternativas de comunicación y de comparación -- El concepto de la corrupción en Adjá-Adjá y otros relatos de Maximiliano Nkogo Esono y El coronel no tiene quien le escriba de Gabriel García Márquez /Alain Lawo-Sukam -- Límites poscoloniales – límites de lo poscolonial: ‘La higuera (o El ocaso del patriarca)’ del escritor hispanomarroquí Ahmed El Gamoun /Juliane Tauchnitz -- El colonialismo y el patriarcado en la literatura afrohispana: los escritos de resistencia de Lehdia Dafa y María Nsue Angüe /Joanna Allan -- El teatro afrohispano y la emergencia de una ciudadanía global: diálogos del Sur en espacios migratorios /Elisa Rizo -- Tropos de transculturalidad en la obra de Agnès Agboton /Julia Borst -- Invenciones y reinvenciones identitarias: rimas y ritmos afro-globalizados -- Tensiones y resistencia de una comunidad afroecuatoriana: la bomba del Chota /Nayra Pérez Hernández -- La tradición oral y musical afroperuana, una aproximación /Milagros Carazas -- La música de Concha Buika en el mercado cultural global: alianzas locales y transnacionales /Dosinda García-Alvite -- Universos trans-afrohispanos: traducciones, lenguas en contacto e interacciones digitales -- ¿El nacimiento de una lengua afrohispana?: la influencia del español en el criollo inglés de Guinea Ecuatorial /Kofi Yakpo -- Narradoras africanas en versión española: políticas editoriales y traducción /Maya García de Vinuesa -- Temporalidades en red: representaciones artísticas de lo africano y lo afrodescendiente en la era digital /Eduard Arriaga -- Ubuntu, cultura digital e identidad: literatura hispano-saharaui /Dorothy Odartey-Wellington -- Back Matter -- Índice.
    Abstract: Trans-afrohispanismos: puentes culturales críticos entre África, Latinoamérica y España is an innovative approach to Afro-Hispanic Studies. It focuses on the connections between peoples, territories, and media of expression at the confluence of Africa and the Hispanic world. The volume’s contributors apply perspectives from their respective areas of specialization to their examination of transcultural interactions in a diverse range of contexts. These include Equatorial Guinea, Western Sahara, Spain, Morocco, Afro-descendant communities in Latin America and transnational spaces generated by digital technologies and contemporary migration. The volume offers an expanded understanding of Afro-Hispanic Studies and serves as a model of inquiry in a field whose hallmark is the mobility of people and knowledge. Trans-afrohispanismos: puentes culturales críticos entre África, Latinoamérica y España es una aproximación innovadora a los Estudios Afrohispánicos. Destaca las conexiones entre gentes, territorios y medios de expresión en la confluencia de África y el mundo hispánico. Estos incluyen Guinea Ecuatorial, el Sáhara Occidental, España, Marruecos, comunidades de afrodescendientes en América Latina y los espacios transnacionales originados por las tecnologías digitales y la migración. Este libro ofrece una visión más amplia de los Estudios Afrohispánicos. Adicionalmente, sirve de modelo de investigación en un campo cuya seña de identidad es la movilidad de gentes y conocimientos. Contributors are: Joanna Allan, Eduard Arriaga, Antonio Becerra Bolaños, Justo Bolekia Boleká, Julia Borst, Milagros Carazas, Dosinda García-Alvite, Maya García de Vinuesa, Gloria Lara Millán, Alain Lawo-Sukam, Bahia Mahmud Awah, Dorothy Odartey-Wellington, Elisa Rizo, Nayra Pérez Hernández, Juliane Tauchnitz and Kofi Yakpo
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: DOI
    URL: Volltext  (lizenzpflichtig)
    URL: DOI
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  • 15
    ISBN: 9789004364073 , 9004364072
    Language: Spanish
    Pages: XII, 342 Seiten
    Series Statement: Foro hispánico volumen 58
    Series Statement: Foro hispánico
    Parallel Title: Erscheint auch als Trans-afrohispanismos
    DDC: 860.989608
    RVK:
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    Keywords: Latin American literature Black authors ; History and criticism ; Blacks Intellectual life ; Latin America ; Blacks Intellectual life ; Spain ; African diaspora ; Latin American literature Black authors ; History and criticism ; Blacks Intellectual life ; Blacks Intellectual life ; African diaspora ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; Lateinamerika ; Spanien ; Schwarze ; Interkulturalität ; Interferenz ; Literatur ; Kultur
    Note: Includes bibliographical references and index
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  • 16
    Book
    Book
    London ; New York :Routledge, Taylor & Francis Group,
    ISBN: 978-1-138-06240-5
    Language: English
    Pages: xxii, 255 Seiten : , Illustrationen, Notenbeispiele.
    Series Statement: SOAS musicology series
    Parallel Title: Erscheint auch als
    DDC: 780.917/4943
    RVK:
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    Keywords: Geschichte 1900- ; Turkic peoples Music ; History and criticism ; Music ; Music ; Music Turkish influences ; Musik. ; Kultur. ; Türkei. ; Kaukasus. ; Zentralasien. ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musik ; Kultur ; Geschichte 1900-
    Note: Includes bibliographical references and index
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  • 17
    Book
    Book
    Bloomington : Indiana University Press
    ISBN: 9780253032072 , 9780253032096
    Language: English
    Pages: XXI, 210 Seiten , Illustrationen, 1 Karte
    Series Statement: African expressive cultures
    DDC: 782.2209669
    RVK:
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    Keywords: Cherubim and Seraphim Church Movement ; Cherubim and Seraphim Church Movement ; Church music ; Singing Religious aspects ; Christianity ; Singing Social aspects ; Yoruba (African people) Music ; History and criticism ; Yoruba (African people) Religion ; Geistliche Musik ; Gotteslob ; Musikpflege ; Yoruba ; Nigeria ; Lagos ; Nigeria ; Lagos ; Yoruba ; Cherubim and Seraphim Church Movement ; Geistliche Musik ; Gotteslob ; Musikpflege
    Note: Includes bibliographical references and index
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  • 18
    Book
    Book
    Lanham ; Boulder ; New York ; London : Rowman & Littlefield
    ISBN: 9781442258396
    Language: English
    Pages: xix, 192 Seiten
    Series Statement: Listener's companion
    Parallel Title: Erscheint auch als Frühauf, Tina, author Experiencing Jewish music in America
    DDC: 780.89/924073
    RVK:
    Keywords: Jews Music ; History and criticism ; Music History and criticism
    Note: Includes bibliographical references and index
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  • 19
    Book
    Book
    Philadelphia, Pennsylvania : Temple University Press
    ISBN: 9781439911730
    Language: English
    Pages: IX, 282 Seiten , Illustrationen , 24 cm
    Series Statement: Studies in Latin American and Caribbean music
    Parallel Title: Erscheint auch als Ortiz, Fernando, 1881-1969, author Fernando Ortiz on music
    DDC: 780.97291
    RVK:
    Keywords: Music History and criticism ; Blacks Music ; History and criticism
    Note: Includes bibliographical references (pages 267-275) and index
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  • 20
    Book
    Book
    Sheffield, UK ; Bristol, CT : Equinox
    ISBN: 9781781795712 , 9781781795705
    Language: English
    Pages: VI, 212 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte 1950- ; Soziokultur ; Popmusik ; England ; Popular music ; History and criticism ; England, Northern ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; England Nord ; Popmusik ; Soziokultur ; Geschichte 1950-
    Note: Includes bibliographical references and index
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  • 21
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226451640 , 9780226451503
    Language: English
    Pages: x, 360 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64089/96073
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    Keywords: Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte 1812-1925 ; Geschichte ; Musik ; Schwarze. USA ; African Americans Music ; History and criticism ; Popular music History and criticism 19th century ; Popular music History and criticism 20th century ; Minstrel music History and criticism ; Music and race History ; Unterhaltungsmusik ; Schwarze ; Mittelstand ; Ethnische Identität ; Nationalismus ; USA ; USA ; USA ; Schwarze ; Unterhaltungsmusik ; Mittelstand ; Ethnische Identität ; Nationalismus ; Geschichte 1812-1925
    Note: Includes bibliographical references and index
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  • 22
    ISBN: 9781477312087 , 9781477312070
    Language: English
    Pages: x, 261 Seiten , Illustrationen
    Edition: First edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 398.2089/96073
    RVK:
    Keywords: Geschichte 1930-1940 ; Gesellschaft ; Musik ; Schwarze. USA ; African Americans Folklore ; African Americans Race identity ; Sex role ; Popular music History and criticism ; Music Social aspects ; History and criticism ; Popular music African influences ; Folk songs, English ; Rasse ; Volkskunde ; Geschlechterforschung ; Schwarze ; USA ; USA ; USA ; Schwarze ; Volkskunde ; Rasse ; Geschlechterforschung ; Geschichte 1930-1940
    Note: Includes bibliographical references and index
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  • 23
    ISBN: 9780367229603 , 9781138125087
    Language: English
    Pages: xx, 293 pages
    Series Statement: Routledge research in music 14
    Parallel Title: Erscheint auch als
    DDC: 781.5/99
    RVK:
    Keywords: Kipling, Rudyard ; Kipling, Rudyard ; Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte 1948-2015 ; Geschichte 1824-1948 ; Musik ; Music History and criticism 19th century ; Music History and criticism 20th century ; Music Burmese influences ; Orientalism in music ; Rezeption ; Vertonung ; Musik ; Musikleben ; Orientalismus ; Burma Songs and music ; History and criticism ; Birma ; Westliche Welt ; Bibliografie ; Bibliografie ; Bibliografie ; Westliche Welt ; Musik ; Rezeption ; Birma ; Orientalismus ; Geschichte 1824-1948 ; Birma ; Musikleben ; Geschichte 1948-2015 ; Kipling, Rudyard 1865-1936 Mandalay ; Vertonung
    Note: Includes bibliographical references and index
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  • 24
    ISBN: 9783631673218 , 9783631704288 , 9783653065473 , 9783631704295
    Language: Spanish , English
    Pages: 388 Seiten , Illustrationen , 21 cm x 14.8 cm
    Series Statement: America romana 9
    Series Statement: America Romana
    DDC: 305.80097293
    RVK:
    Keywords: National characteristics, Dominican Congresses ; Dominicans (Dominican Republic) Congresses Ethnic identity ; Dominicans (Dominican Republic) Congresses Foreign countries ; Dominican literature Congresses History and criticism ; National characteristics, Dominican Congresses ; Dominicans (Dominican Republic) Congresses ; Ethnic identity ; Dominicans (Dominican Republic) Congresses ; Foreign countries ; Dominican literature Congresses ; History and criticism ; Dominican Republic Congresses In literature ; Dominican Republic Congresses ; In literature ; Konferenzschrift ; Konferenzschrift America Romana Centrum 02.07.2014-03.07.2014 ; Konferenzschrift ; Konferenzschrift America Romana Centrum 02.07.2014-03.07.2014 ; Dominikanische Republik ; Ethnische Identität ; Nationalcharakter ; Dominikanische Republik ; Kultur ; Literatur ; Identität ; Nationalbewusstsein
    Note: "Primer congreso internacional del America Romana Centrum de la Universidad de Tréveris "Dominicanidad - Perspectivas de un concepto (trans-)nacional" - Seite 11 , "Primer congreso internacional del America Romana Centrum de la Universidad de Tréveris "Dominicanidad - Perspectivas de un concepto (trans-)nacional" - Seite 11. - Literaturangaben
    URL: Cover
    URL: Cover
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  • 25
    ISBN: 9780190651305
    Language: English
    Pages: 1 Online-Ressource , Karten, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 780.89/96
    RVK:
    RVK:
    Keywords: Geschichte ; Musik ; Blacks Music ; History and criticism ; Africans Music ; History and criticism ; Diaspora ; Kollektives Gedächtnis ; Afroamerikanische Musik ; Migration ; Schwarze ; Soziale Funktion ; Musik ; Soziokultureller Wandel ; Musiker ; Afrika ; Afrika ; Schwarze ; Musik ; Diaspora ; Soziokultureller Wandel ; Geschichte ; Afroamerikanische Musik ; Musiker ; Migration ; Soziale Funktion ; Kollektives Gedächtnis
    Abstract: Powerful and embracive, "The Transformation of Black Music"explores the full spectrum of black musics over the past thousand years as Africans and their descendants have traveled around the globe making celebrated music both in their homelands and throughout the Diaspora. Authors Samuel A. Floyd, Melanie Zeck, and Guthrie Ramsey brilliantly discuss how the music has blossomed, permeated present traditions, and created new practices. As a companion to the ground-breaking The Power of Black Music, this text brilliantly situates emerging, morphing, and influential black musics in a broader framework of cultural, political, and social histories. Grappling with subjects frequently omitted from traditional musical texts, "The Transformation of Black Music" is guided by more than just the ideals of inclusivity and representation. This work covers overlooked topics that include classical musicians of African descent, and builds upon the contributions of esteemed predecessors in the field of black music study. Providing a sweeping list of figures rarely included in conventional music history and theory textbooks, the text elucidates the findings of ethnomusicologists, cultural historians, Americanists, Africanists, and anthropologists, and weaves these accounts into a powerful and informative narrative. Taking its readers on a journey - one that has never been attempted in a single volume alone - this book reflects the musical phenomena generated by forced African migration and collective memory, and considers the kinds of powerful stories that these musics were meant to tell. Filling in critical musical and historical gaps previously ignored, authors Floyd, Zeck, and Ramsey infuse an engaging musical dialogue with a deeper understanding of the interrelationships between black musical genres and mainstream music.
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 26
    Book
    Book
    Hildesheim ; Zürich ; New York : Olms
    ISBN: 9783487311791
    Language: German
    Pages: 335 Seiten , Notenbeispiele
    Edition: 2., überarbeitete Auflage
    Series Statement: Netiva 6
    Series Statement: Netiva
    Dissertation note: Dissertation Folkwang Universität der Künste 2004
    DDC: 781.76
    RVK:
    RVK:
    Keywords: Geschichte 1800-1938 ; Jews Music ; History and criticism ; Organ music History and criticism ; Orgelmusik ; Judentum ; Synagoge ; Orgel ; Geistliche Musik ; Deutschland ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Synagoge ; Orgel ; Deutschland ; Geschichte 1800-1938 ; Judentum ; Geistliche Musik ; Orgelmusik ; Deutschland ; Geschichte 1800-1938
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  • 27
    Online Resource
    Online Resource
    Durham ; London : Duke University Press
    ISBN: 9780822373117
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89/96073
    RVK:
    Keywords: Geschichte ; Musik ; Schwarze. USA ; African Americans Music ; History and criticism ; Blacks Music ; History and criticism ; Dance music History and criticism ; Music History and criticism ; Afroamerikanische Musik ; Afroamerikanischer Tanz ; Rezeption ; Soziale Funktion ; Ethnische Identität ; Afrika ; USA ; Afrika ; USA ; Rezeption ; Afrika ; Afroamerikanische Musik ; Afroamerikanischer Tanz ; Ethnische Identität ; Soziale Funktion ; Geschichte
    Note: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Cover
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  • 28
    ISBN: 9781315472096 , 9781315472065 , 9781315472089
    Language: English
    Pages: 1 Online-Ressource (433 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Issues in African American music
    DDC: 780.8996073
    RVK:
    Keywords: African Americans Music ; History and criticism ; African American musicians ; Music African American influences ; African Americans ; Music ; History and criticism ; African American musicians ; Music ; African American influences
    Abstract: pt. I. Interpreting music -- pt. II. Mass mediation -- pt. III. Gender -- pt. IV. Musical agency : African American music as resistance.
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  • 29
    Book
    Book
    Urbana ; Chicago ; Springfield : University of Illinois Press
    ISBN: 9780252040573 , 9780252082047
    Language: English
    Pages: xii, 240 Seiten , Illustrationen , 24 cm
    DDC: 305.89607309034
    RVK:
    Keywords: Geschichte 1800-1900 ; LITERARY CRITICISM / American / African American / bisacsh ; SOCIAL SCIENCE / Children's Studies / bisacsh ; SOCIAL SCIENCE / Ethnic Studies / African American Studies / bisacsh ; African American girls History 19th century ; African Americans Social conditions 19th century ; African Americans Politics and government 19th century ; Political culture History 19th century ; African Americans Intellectual life 19th century ; American literature African American authors ; History and criticism ; African Americans in literature ; Girls in literature ; Politics and literature History 19th century ; Schwarze ; Mädchen ; Literatur ; United States Race relations 19th century ; History ; USA ; USA ; Literatur ; Schwarze ; Mädchen ; Geschichte 1800-1900
    Abstract: "Long portrayed as a masculine endeavor, the African American struggle for progress often found expression through an unlikely literary figure: the black girl. Nazera Sadiq Wright uses heavy archival research on a wide range of texts about African American girls to explore this understudied phenomenon. As Wright shows, the figure of the black girl in African American literature provided a powerful avenue for exploring issues like domesticity, femininity, and proper conduct. The characters' actions, however fictional, became a rubric for African American citizenship and racial progress. At the same time, their seeming dependence and insignificance allegorized the unjust treatment of African Americans. Wright reveals fascinating girls who, possessed of a premature knowing and wisdom beyond their years, projected a courage and resiliency that made them exemplary representations of the project of racial advance and citizenship"--Publisher description
    Description / Table of Contents: Includes bibliographical references and index
    Description / Table of Contents: Introduction: Toward a Genealogy of Black Girlhood -- Black Girlhood in the Early Black Press -- Youthful Girls and Prematurely Knowing Girls : Antebellum Black Girlhood -- "Teach your Daughters" : Black Girlhood and Mrs. N. F. Mossell's Advice Column in the New York Freeman -- Moving the Boundaries : Black Girlhood and Public Careers in Frances E.W. Harper's Trial and Triumph -- Black Girlhood in Early-Twentieth-Century Black Conduct Books -- Epilogue: The Changing Same? : Next-Generation Black Girlhood
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  • 30
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190244514
    Language: English
    Pages: xxiv, 412 Seiten , Illustrationen, Notenbeispiele
    DDC: 781.62/924
    RVK:
    Keywords: Sozialgeschichte ; Juden ; Musik ; Klezmer music History and criticism ; Jews Music ; History and criticism ; Klezmer ; Musikalischer Stil ; Aschkenasim ; Tanz ; Musik ; Musikleben ; Osteuropa ; Bibliografie ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Abstract: Klezmer: Music, History, and Memory is the first comprehensive study of the musical structure and social history of klezmer music, the music of the Jewish musicians' guild of Eastern Europe. Emerging in 16th century Prague, the klezmer became a central cultural feature of the largest transnational Jewish community of modern times - the Ashkenazim of Eastern Europe. Much of the musical and choreographic history of the Ashkenazim is embedded in the klezmer repertoire, which functioned as a kind of non-verbal communal memory. The complex of speech, dance, and musical gesture is deeply rooted in Jewish expressive culture, and reached its highest development in Eastern Europe. Klezmer: Music, History, and Memory reveals the artistic transformations of the liturgy of the Ashkenazic synagogue in klezmer wedding melodies, and presents the most extended study available in any language of the relationship of Jewish dance to the rich and varied klezmer music of Eastern Europe. Author Walter Zev Feldman expertly examines the major sources principally in Russian, Yiddish, Hebrew, and Romanian from the 16th to the 20th centuries, including interviews with authoritative European-born klezmorim conducted over a period of more than thirty years in America, Eastern Europe, and Israel. In its musical analysis, this book draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare cantorial and klezmer manuscripts from the late 18th to the early 20th centuries. - Walter Zev Feldman is a leading researcher in both Ottoman Turkish and Jewish music. During the 1970s he spearheaded the revival of klezmer music. His book, Music of the Ottoman Court (Berlin, 1996) is taught as a basic text world wide. He is also an authority on East European Jewish dance, forming part of his current research on the role of gesture in the performing arts.
    Note: Includes bibliographical references and index
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  • 31
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190497071
    Language: English
    Pages: 1 Online-Ressource (293 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: American musicspheres
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.3/6
    RVK:
    RVK:
    RVK:
    Keywords: Juden ; Judentum ; Musik ; Jews Music ; History and criticism ; Judaism Liturgy ; Kirchengesang ; Judentum ; Neue Medien ; Moderne ; Geistliche Musik ; Liturgie ; Judentum ; Geistliche Musik ; Kirchengesang ; Liturgie ; Neue Medien ; Moderne
    Abstract: Singing God's Words is the first in-depth study of the experience and meaning of chanting or "reading" Torah among contemporary American Jews. This experience has been transformed dramatically in recent years by the impact of digital technology, feminism, the empowerment of lay people and a search for self-fulfillment through involvement with community. At a time when worshippers seek deeper spiritual experience, many Jews have found new meaning in the experience of reading Torah, an act that is broadly accessible to Jewish adults even as it requires intensive immersion with the text of the Bible in Hebrew. This book examines why and how growing numbers of American Jews in all denominations see the public chanting of Biblical texts during the synagogue service as one of the most authentic and personal expressions of their religious identity. Drawing on hundreds of interviews with men and women, both professionals and congregants, Jeffrey A. Summit describes how the reading of Torah embodies their understanding of historical religious practice, even as it is shaped by contemporary views of spiritual experience. Through this act, holiness becomes manifest at the intersection of Biblical chant, sacred text, the individual, and the community. - Jeffrey A. Summit is Research Professor in the Department of Music and Judaic Studies at Tufts University, where he also serves as rabbi and Neubauer Executive Director of Tufts Hillel. He is the author of The Lord's Song in a Strange Land: Music and Identity in Contemporary Jewish Worship (OUP). His CD Abayudaya: Music from the Jewish People of Uganda was nominated for a Grammy Award.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 32
    ISBN: 9780816532001
    Language: English
    Pages: XX, 216 Seiten , Illustrationen , 23 cm
    DDC: 810.9/86872
    RVK:
    Keywords: American literature Mexican American authors ; History and criticism ; Environmentalism in literature ; USA ; Mexikaner ; Autor ; Literatur ; Umweltschutz ; Ökologie ; Geschichte 1800-2015
    Abstract: "The book looks to long-established traditions of environmentalist thought alive in Mexican American literary history over the last 150 years"--Provided by publisher
    Abstract: Introduction: defining Mexican American goodlife writing -- Chapter 1. Epistemological hierarchy and the environment: erasure of Mexican American knowledge in three nineteenth century novels -- Chapter 2. The coloniality of being and the land: identity in early twentieth century goodlife writing -- Chapter 3. "La santa tierra": Mexican American writing and transcending possession in the late twentieth century -- Chapter 4. Active subjectivity in migrant farm worker fiction: rejecting alienation from the land -- Chapter 5. Ecology and chicana/o cultural nationalism: creating joyful community in Cherríe Moraga's millenial writings -- Coda: decolonized environmentalisms for the twenty-first century
    Description / Table of Contents: Introduction: defining Mexican American goodlife writingChapter 1. Epistemological hierarchy and the environment: erasure of Mexican American knowledge in three nineteenth century novels -- Chapter 2. The coloniality of being and the land: identity in early twentieth century goodlife writing -- Chapter 3. "La santa tierra": Mexican American writing and transcending possession in the late twentieth century -- Chapter 4. Active subjectivity in migrant farm worker fiction: rejecting alienation from the land -- Chapter 5. Ecology and chicana/o cultural nationalism: creating joyful community in Cherríe Moraga's millenial writings -- Coda: decolonized environmentalisms for the twenty-first century.
    Note: Includes bibliographical references and index
    URL: Cover
    URL: Cover
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  • 33
    ISBN: 9780813937991 , 9780813937984
    Language: English
    Pages: xiii, 216 Seiten
    Parallel Title: Erscheint auch als Wheelock, Stefan M., 1971 - Barbaric culture and Black critique
    DDC: 820.9/3552
    RVK:
    Keywords: Cugoano, Ottobah ; Equiano, Olaudah ; Walker, David ; Stewart, Maria W ; Slaves' writings, English History and criticism ; English literature History and criticism 18th century ; Slavery in literature ; American literature History and criticism 19th century ; American literature African American authors ; History and criticism ; Slavery Religious aspects ; Slavery Political aspects ; USA ; Schwarze ; Cugoano, Ottobah 1757-1803 ; Equiano, Olaudah 1745-1797 ; Stewart, Maria W. 1803-1880 ; Walker, David 1785-1836 ; Englisch ; Literatur ; Sklaverei ; Geschichte 1770-1830
    Abstract: "In an interdisciplinary approach to black antislavery literatures at the dawn of the nineteenth century, Stefan Wheelock shows how the political character of freedom and a religious sensibility allowed Black antislavery writers to countermand ideologies of white supremacy while fostering a sense of racial community and identity. The major figures he selects--Ottobah Cugoano, Olaudah Equiano, David Walker, and Maria Stewart--were principally concerned with ending racial slavery and the slave trade, but they employed antislavery rhetoric at a time when the institution of slavery was preparing progressive Western politics to enter a new phase of imperial and racial domination. This contradictory circumstance, Wheelock argues, poses a significant challenge for understanding the development of this watershed moment in Western political identity. The author looks at the ways in which, during this period, religious and secular versions of collective political destiny both competed and cooperated to forge a vision for a more perfect and just society. What especially captures his interest is how the writers of the African Atlantic deployed religious sensibilities and the call for emancipation as a way of characterizing the liberal foundations of Atlantic political modernity. Although neither "modernity" nor "progress" is a term these writers used, Wheelock contends that a concern with modernity and its liberal character is implicit in their critiques and/or portrayals of the advanced political structures that gave rise to racial enslavement in the first place" --
    Abstract: Preface -- Introduction -- Ottobah Cugoano, liberty, and modern Atlantic barbarism -- Interesting narratives, civility, and the problem of freedom -- David Walker, false grammars, and American racial inheritance -- Maria Stewart and the paradoxes of early national virtue -- Conclusion
    Description / Table of Contents: PrefaceIntroduction -- Ottobah Cugoano, liberty, and modern Atlantic barbarism -- Interesting narratives, civility, and the problem of freedom -- David Walker, false grammars, and American racial inheritance -- Maria Stewart and the paradoxes of early national virtue -- Conclusion.
    Note: Includes bibliographical references and index
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  • 34
    Book
    Book
    Lucca : Libreria musicale italiana
    ISBN: 9788870968378
    Language: English
    Pages: xii, 293 Seiten , Illustrationen , 24 cm
    Additional Material: 1 DVD
    DDC: 781
    RVK:
    Keywords: Folk music History and criticism ; Romanies Music ; History and criticism ; Romanies Rites and ceremonies ; Women, Romani Social life and customs ; Effeminacy ; Kosovo (Republic) Social life and customs ; Kosovo ; Roma ; Frau ; Fest ; Ritual ; Geschlechterrolle ; Musikpflege ; Musikanthropologie
    Note: Includes bibliographical references (pages 273-293)
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  • 35
    ISBN: 9780190497088 , 9780199844081
    Language: English
    Pages: 293 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: American musicspheres
    DDC: 782.3/6
    RVK:
    RVK:
    RVK:
    Keywords: Jews Music ; History and criticism ; Judaism Liturgy ; Judentum ; Liturgie ; Moderne
    Note: Includes bibliographical references (pages 275-283) and index
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  • 36
    Book
    Book
    Chicago : The University of Chicago Press
    ISBN: 9780226327068 , 022632723X , 9780226327235
    Language: English
    Pages: xvi, 319 Seiten , Illustrationen, Diagramm, Karte , 24 cm
    Series Statement: Chicago studies in ethnomusicology
    DDC: 781.62/927061
    RVK:
    Keywords: Music History and criticism ; Music History and criticism ; Arabs Music ; History and criticism ; Arabs Music ; History and criticism ; Music Spanish influences ; Urban ecology (Sociology) ; Ethnomusicology ; Andalusia (Spain) Civilization ; Islamic influences ; Algerien ; Marokko ; Araber ; al- Andalus ; Musik ; Revival
    Description / Table of Contents: Introduction -- Part I. The people of al-Andalus. Prologue: An istikhbår -- 1. An Andalusi archipelago -- 2. The Shaykh and the Mūlūʿ -- 3. Heavy and light : Andalusi music as genre -- Part II. Revival. Prologue: A photograph -- 4. Ambiguous revivals -- 5. Texts, authority, and possession -- 6. The associative movement -- 7. The politics of patrimony -- Conclusion: The lost
    Note: Literaturverzeichnis: Seite 277-298
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  • 37
    ISBN: 9780813938257
    Language: English
    Pages: Online-Ressource
    Edition: Online-Ausg.
    Parallel Title: Erscheint auch als Wheelock, Stefan M., - 1971- Barbaric culture and black critique
    DDC: 820.9/3552
    RVK:
    Keywords: Stewart, Maria W ; Equiano, Olaudah ; Cugoano, Ottobah ; Walker, David ; English literature History and criticism 18th century ; Slavery in literature ; Slavery Religious aspects ; Slavery Political aspects ; Slaves' writings, English History and criticism ; American literature History and criticism 19th century ; American literature African American authors ; History and criticism ; Electronic books ; USA ; Schwarze ; Cugoano, Ottobah 1757-1803 ; Equiano, Olaudah 1745-1797 ; Stewart, Maria W. 1803-1880 ; Walker, David 1785-1836 ; Englisch ; Literatur ; Sklaverei ; Geschichte 1770-1830
    Abstract: "In an interdisciplinary approach to black antislavery literatures at the dawn of the nineteenth century, Stefan Wheelock shows how the political character of freedom and a religious sensibility allowed Black antislavery writers to countermand ideologies of white supremacy while fostering a sense of racial community and identity. The major figures he selects--Ottobah Cugoano, Olaudah Equiano, David Walker, and Maria Stewart--were principally concerned with ending racial slavery and the slave trade, but they employed antislavery rhetoric at a time when the institution of slavery was preparing progressive Western politics to enter a new phase of imperial and racial domination. This contradictory circumstance, Wheelock argues, poses a significant challenge for understanding the development of this watershed moment in Western political identity. The author looks at the ways in which, during this period, religious and secular versions of collective political destiny both competed and cooperated to forge a vision for a more perfect and just society. What especially captures his interest is how the writers of the African Atlantic deployed religious sensibilities and the call for emancipation as a way of characterizing the liberal foundations of Atlantic political modernity. Although neither "modernity" nor "progress" is a term these writers used, Wheelock contends that a concern with modernity and its liberal character is implicit in their critiques and/or portrayals of the advanced political structures that gave rise to racial enslavement in the first place" --
    Description / Table of Contents: PrefaceIntroduction -- Ottobah Cugoano, liberty, and modern Atlantic barbarism -- Interesting narratives, civility, and the problem of freedom -- David Walker, false grammars, and American racial inheritance -- Maria Stewart and the paradoxes of early national virtue -- Conclusion.
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 38
    ISBN: 9782352841623
    Language: French
    Pages: 510 Seiten , Illustrationen
    RVK:
    Keywords: Blacks Latin America ; Music ; History and criticism ; Blacks West Indies ; Music ; History and criticism ; Popular music Latin America ; History and criticism ; Popular music West Indies ; History and criticism ; Lateinamerika ; Musik ; Schwarze ; Karibik ; Schwarze ; Musik
    URL: Cover
    URL: Cover
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  • 39
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190244545
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 781.62924
    RVK:
    Keywords: Sozialgeschichte ; Klezmer music History and criticism ; Jews Music ; History and criticism ; Musikleben ; Klezmer ; Aschkenasim ; Musik ; Musikalischer Stil ; Tanz ; Osteuropa ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Abstract: 'Klezmer' is a comprehensive study of the musical structure and social history of klezmer music - the music of Jewish musicians' guild of Eastern Europe. Author Walter Zev Feldman includes major written sources, as well as interviews with European-born klezmorim, conducted over a period of more than thirty years. Including musical analysis, Feldman draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare klezmer and cantorial manuscripts
    Note: Previously issued in print: 2016
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 40
    Book
    Book
    New York : Scribner
    ISBN: 9781501126345
    Language: English
    Pages: viii, 226 Seiten , Illustrationen , 22 cm
    Edition: First Scribner hardcover edition
    Parallel Title: Erscheint auch als
    DDC: 305.896073
    RVK:
    RVK:
    Keywords: Baldwin, James ; Geschichte ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; SOCIAL SCIENCE / Discrimination & Race Relations ; Schwarze. USA ; African Americans Social conditions 21st century ; Blacks Race identity ; Racism ; African Americans in literature ; African Americans in popular culture ; American literature African American authors ; History and criticism ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; SOCIAL SCIENCE / Discrimination & Race Relations ; Bürgerrecht ; Rassenfrage ; Essay ; Schwarze ; Rassismus ; Rassenpolitik ; USA ; United States Race relations 21st century ; USA ; Quelle ; Quelle ; Quelle ; Quelle ; USA ; Rassenpolitik ; Geschichte ; USA ; Schwarze ; Rassenfrage ; Rassismus ; Bürgerrecht ; USA ; Rassismus ; Essay ; Baldwin, James 1924-1987
    Abstract: "National Book Award-winner Jesmyn Ward takes James Baldwin's 1963 examination of race in America, The Fire Next Time, as a jumping off point for this groundbreaking collection of essays and poems about race from the most important voices of her generation and our time. In light of recent tragedies and widespread protests across the nation, The Progressive magazine republished one of its most famous pieces: James Baldwin's 1962 "Letter to My Nephew," which was later published in his landmark book, The Fire Next Time. Addressing his fifteen-year-old namesake on the one hundredth anniversary of the Emancipation Proclamation, Baldwin wrote: "You know and I know, that the country is celebrating one hundred years of freedom one hundred years too soon." Award-winning author Jesmyn Ward knows that Baldwin's words ring as true as ever today. In response, she has gathered short essays, memoir, and a few essential poems to engage the question of race in the United States.
    Abstract: And she has turned to some of her generation's most original thinkers and writers to give voice to their concerns. The Fire This Time is divided into three parts that shine a light on the darkest corners of our history, wrestle with our current predicament, and envision a better future. Of the eighteen pieces, ten were written specifically for this volume. In the fifty-odd years since Baldwin's essay was published, entire generations have dared everything and made significant progress. But the idea that we are living in the post-Civil Rights era, that we are a "post-racial" society is an inaccurate and harmful reflection of a truth the country must confront. Baldwin's "fire next time" is now upon us, and it needs to be talked about. Contributors include Carol Anderson, Jericho Brown, Garnette Cadogan, Edwidge Danticat, Rachel Kaadzi Ghansah, Mitchell S.
    Abstract: Jackson, Honoree Jeffers, Kima Jones, Kiese Laymon, Daniel Jose Older, Emily Raboteau, Claudia Rankine, Clint Smith, Natasha Trethewey, Wendy S. Walters, Isabel Wilkerson, and Kevin Young"...
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  • 41
    ISBN: 9782745329332
    Language: French
    Pages: 260 Seiten
    Series Statement: Champion essais 45
    Series Statement: Collection Essais
    DDC: 306.09
    RVK:
    RVK:
    Keywords: French language Lexicography ; French language Dictionaries ; History and criticism ; School libraries History ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Französischunterricht ; Wörterbuch ; Schule ; Geschichte ; Frankreich ; Schule ; Wörterbuch ; Geschichte 1830-2010
    Note: Notes bibliogr. - Index
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  • 42
    ISBN: 9783000500992
    Language: German
    Pages: 256 Seiten , Illustrationen , 21 cm
    Series Statement: Militärmusik im Diskurs Band 10
    Series Statement: Militärmusik im Diskurs
    DDC: 781.5/99094309041
    RVK:
    RVK:
    Keywords: Military music Congresses History and criticism 20th century ; World War, 1914-1918 Congresses Songs and music ; History and criticism ; Konferenzschrift 2014 ; Konferenzschrift 2014 ; Militärmusik ; Erster Weltkrieg ; Bonn 〈2014〉
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  • 43
    Book
    Book
    Athens : Ohio Univ. Press
    ISBN: 9780896802940 , 9780896802957
    Language: English
    Pages: xv, 270 S. , Ill., Kt., Notenbeisp. , 23 cm
    Series Statement: Ohio University research in international studies 127
    Series Statement: Southeast Asia series
    DDC: 780.9598/13
    RVK:
    RVK:
    Keywords: Music History and criticism ; Minangkabau (Indonesian people) Music ; History and criticism ; Talempong ; Minangkabau ; Gamelan ; Popmusik
    Abstract: Ethnicity, gongs, and pop songs -- Talempong and community -- Institutionalizing Minangkabau arts -- Reforming talempong -- Talempong in the marketplace -- Multiple ways of sounding Minangkabau
    Description / Table of Contents: Ethnicity, gongs, and pop songsTalempong and community -- Institutionalizing Minangkabau arts -- Reforming talempong -- Talempong in the marketplace -- Multiple ways of sounding Minangkabau.
    Note: Includes bibliographical references and index
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  • 44
    ISBN: 9781138860292
    Language: English
    Pages: VI, 270 S. , Ill.
    Series Statement: Routledge research in transnational indigenous perspectives 1
    Series Statement: Routledge research in transnational indigenous perspectives
    DDC: 810.9/897
    RVK:
    Keywords: American literature Indian authors ; History and criticism ; Canadian literature Indian authors ; History and criticism ; Indians in literature ; Indians of North America Ethnic identity ; Aufsatzsammlung ; Aufsatzsammlung ; Nordamerika ; Indianer ; Ethnische Identität ; Nordamerika ; Indianer ; Literatur
    Abstract: "In recent years, the interdisciplinary fields of Native North American and Indigenous Studies have reflected, at times even foreshadowed and initiated, many of the influential theoretical discussions in the humanities after the "transnational turn." Global trends of identity politics, performativity, cultural performance and ethics, comparative and revisionist historiography, ecological responsibility and education, as well as issues of social justice have shaped and been shaped by discussions in Native American and Indigenous Studies. This volume brings together distinguished perspectives on these topics by the Native scholars and writers Gerald Vizenor (Anishinaabe), Diane Glancy (Cherokee), and Tomson Highway (Cree), as well as non-Native authorities, such as Chadwick Allen, Hartmut Lutz, and Helmbrecht Breinig. Contributions look at various moments in the cultural history of Native North America--from earthmounds via the Catholic appropriation of a Mohawk saint to the debates about Makah whaling rights--as well as at a diverse spectrum of literary, performative, and visual works of art by John Ross, John Ridge, Elias Boudinot, Emily Pauline Johnson, Leslie Marmon Silko, Emma Lee Warrior, Louise Erdrich, N. Scott Momaday, Stephen Graham Jones, and Gerald Vizenor, among others. In doing so, the selected contributions identify new and recurrent methodological challenges, outline future paths for scholarly inquiry, and explore the intersections between Indigenous Studies and contemporary Literary and Cultural Studies at large"--
    Abstract: "In recent years, the interdisciplinary fields of Native North American and Indigenous Studies have reflected, at times even foreshadowed and initiated, many of the influential theoretical discussions in the humanities after the "transnational turn." Global trends of identity politics, performativity, cultural performance and ethics, comparative and revisionist historiography, ecological responsibility and education, as well as issues of social justice have shaped and been shaped by discussions in Native American and Indigenous Studies. This volume brings together distinguished perspectives on these topics by the Native scholars and writers Gerald Vizenor (Anishinaabe), Diane Glancy (Cherokee), and Tomson Highway (Cree), as well as non-Native authorities, such as Chadwick Allen, Hartmut Lutz, and Helmbrecht Breinig. Contributions look at various moments in the cultural history of Native North America--from earthmounds via the Catholic appropriation of a Mohawk saint to the debates about Makah whaling rights--as well as at a diverse spectrum of literary, performative, and visual works of art by John Ross, John Ridge, Elias Boudinot, Emily Pauline Johnson, Leslie Marmon Silko, Emma Lee Warrior, Louise Erdrich, N. Scott Momaday, Stephen Graham Jones, and Gerald Vizenor, among others. In doing so, the selected contributions identify new and recurrent methodological challenges, outline future paths for scholarly inquiry, and explore the intersections between Indigenous Studies and contemporary Literary and Cultural Studies at large"--
    Note: Literaturangaben , Literary transmotion : survivance and totemic motion in Native American Indian art and literature , First Nations writing : a personal history , Reading through peoplehood : towards a culturally responsive approach to Native American literary discourse , Evil and sacrifice in Native North American literature : Johnson, Momaday, Vizenor, Erdrich , Games Indians play : reflections on sports as cultural practice and historical template in contemporary Native American literature and film , Re-scripting indigenous America : earthworks in native art, literature, community , In the shadow of the Marshall court : nineteenth-century Cherokee conceptualizations of the law , A "whale" of a problem : indigenous tradition vs. ecological taboo , Globalizing indigenous histories : comparison, connectedness, and new contexts for Native American history , Catherine Tekakwitha : the construction of a saint , Memory, community, and historicity in Joseph Bruchac's The journal of Jesse Smoke, a Cherokee boy, The Trail of Tears, 1838 , "Indianthusiasts" and "mythbusters" : (de-)constructing transatlantic others
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