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  • HeBIS  (83)
  • KOBV  (17)
  • Jackson : University Press of Mississippi  (59)
  • Berkeley : University of California Press
  • Musicology  (94)
Material
Language
  • 1
    ISBN: 9781496839152
    Language: English
    Pages: xi, 321 Seiten , Illustrationen , 24 cm
    Series Statement: American made music series
    DDC: 780.266
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    Keywords: Rounder Records ; Musiker ; Musikproduktion ; USA Südstaaten
    Abstract: From the 1980s through the early 2000s, a golden era for southern roots music, producer and three-time Grammy winner Scott Billington recorded many of the period's most iconic artists. Working primarily in Louisiana for Boston-based Rounder Records, Billington produced such giants as Irma Thomas, Charlie Rich, Buckwheat Zydeco, Johnny Adams, Bobby Rush, Ruth Brown, Beau Jocque, and Solomon Burke. The loving and sometimes irreverent profiles in Making Tracks reveal the triumphs and frustrations of the recording process, and that obsessive quest to capture a transcendent performance. Billington's long working relationships with the artists give him perspective to present them in their complexity-foibles, failures, and fabled feats-while providing a vivid look at the environs in which their music thrived. He tells about Boozoo Chavis's early days as a musician, jockey, and bartender at his mother's quarter horse track, and Ruth Brown's reign as the most popular star in rhythm and blues, when the challenge of traveling on the "chitlin' circuit" proved the antithesis of the glamour she exuded on stage. In addition, Making Tracks provides a widely accessible study in the craft of recording. Details about the technology and psychology behind the sessions abound. Billington demonstrates varying ways of achieving the mutual goal of a great record. He also introduces the supporting cast of songwriters, musicians, and engineers crucial to the magic in each recording session. Making Tracks sings unforgettably like a "from the vault" discovery.
    Note: Diskographie Seite 281-298
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  • 2
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496842428 , 9781496842404
    Language: English
    Pages: x, 236 Seiten , Illustrationen, Notenbeispiele
    Edition: First printing
    Series Statement: American made music series
    DDC: 781.62410763
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    Keywords: Franzosen ; Kreolen ; Jazz ; Louisiana
    Note: Literaturverzeichnis Seite 194-216, selected discography Seite 217-218 , Titelzusatz auf dem Umschlag: French Creole music & the birth of jazz
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  • 3
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496842435
    Language: English
    Pages: 1 Online-Ressource (x, 236 pages) , Illustrations (black and white), music.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 781.62410763
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    Keywords: Franzosen ; Kreolen ; Jazz ; Creoles Music ; History and criticism ; Jazz History and criticism ; Music ; Music ; Louisiana
    Abstract: This work describes the music played by the Afro-Creole community since the arrival of enslaved Africans in La Louisiane, then a French colony, at the beginning of the eighteenth century, emphasizing the many cultural exchanges that led to the development of jazz.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 4
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 1496836022 , 9781496836038 , 9781496836021
    Language: English
    Pages: VIII, 153 Seiten
    DDC: 820.99287096
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    Keywords: Schwarze Frau ; Jazz ; Literatur
    Note: Bibliography Seite 139-145
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  • 5
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496836076
    Language: English
    Pages: 1 Online-Ressource (viii, 153 pages).
    Series Statement: Mississippi scholarship online
    DDC: 820.99287096
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    Keywords: Schwarze Frau ; Jazz ; Literatur ; English literature Black authors ; History and criticism ; English literature Women authors ; History and criticism ; Jazz in literature ; Women, Black, in literature ; Music and literature
    Abstract: In 1957, Duke Ellington released the influential album A Drum Is a Woman. This musical allegory revealed the implicit truth about the role of women in jazz discourse - jilted by the musician and replaced by the drum. Further, the album's cover displays an image of a woman sitting atop a drum, depicting the way in which the drum literally obscures the female body, turning the subject into an object. This objectification of women leads to a critical reading of the role of women in jazz music: If the drum can take the place of a woman, then a woman can also take the place of a drum. This book challenges that image but also defines a counter-tradition within women's writing that involves the reinvention and reclamation of a modern jazz discourse.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 6
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781496839190
    Language: English
    Pages: 1 Online-Ressource (314 pages)
    Series Statement: American Made Music Ser.
    DDC: 780.266
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    Keywords: Rounder Records ; Musiker ; Musikproduktion ; USA Südstaaten ; Electronic books
    Abstract: A firsthand remembrance of the artists, engineers, crews, and settings that make roots music magical.
    Note: Description based on publisher supplied metadata and other sources
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  • 7
    ISBN: 9781496832108 , 9781496832115
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele , 23 cm
    Edition: First printing
    DDC: 781.6508996073
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    Keywords: Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; USA
    Abstract: In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today.
    Note: Literaturangaben
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  • 8
    ISBN: 9781496837288 , 9781496837271
    Language: English
    Pages: xvii, 232 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64
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    Keywords: Lyrics ; Englisch ; Popmusik ; Lyrik ; Blues ; Blues ; Popmusik ; Lyrics ; Englisch ; Lyrik
    Abstract: Poetic Song Verse: Blues-Based Popular Music and Poetry invokes and critiques the relationship between blues-based popular music and poetry in the twentieth and twenty-first centuries. The volume is anchored in music from the 1960s, when a concentration of artists transformed modes of popular music from entertainment to art-that-entertains.
    Abstract: Musician Mike Mattison and literary historian Ernest Suarez synthesize a wide range of writing about blues and rock-biographies, histories, articles in popular magazines, personal reminiscences, and a selective smattering of academic studies-to examine the development of a relatively new literary genre dubbed by the authors as "poetic song verse." They argue that poetic song verse was nurtured in the fifties and early sixties by the blues and in Beat coffee houses, and matured in the mid-to-late sixties in the art of Bob Dylan, the Beatles, the Rolling Stones, the Doors, Jimi Hendrix, Joni Mitchell, Leonard Cohen, Gil Scott-Heron, Van Morrison, and others who used voice, instrumentation, arrangement, and production to foreground semantically textured, often allusive, and evocative lyrics that resembled and engaged poetry.Among the questions asked in Poetic Song Verse are: What, exactly,
    Abstract: is this new genre? What were its origins? And how has it developed? How do we study and assess it? To answer these questions, Mattison and Suarez engage in an extended discussion of the roots of the relationship between blues-based music and poetry and address how it developed into a distinct literary genre. Unlocking the combination of richly textured lyrics wedded to marc:recorded music reveals a dynamism at the core of poetic song verse that can often go unrealized in what often has been considered merely popular entertainment. This volume balances historical details and analysis of particular songs with accessibility to create a lively, intelligent, and cohesive narrative that provides scholars, teachers, students, music influencers, and devoted fans with an overarching perspective on the poetic power and blues roots of this new literary genre
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  • 9
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496837431 , 9781496832221
    Language: English
    Pages: xx, 289 Seiten, 10 ungezählte Seiten Tafeln , Illustrationen , 25 cm
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1950-2020 ; Jazzmusiker ; Jazz musicians / United States / Interviews ; MUSIC / Genres & Styles / Jazz ; MUSIC / History & Criticism ; Jazz musicians ; Amram, David / Interviews ; Blake, Ran / Interviews ; Cranshaw, Bob / Interviews ; Crow, Bill / 1927- / Interviews ; Davis, Charles / 1933-2016 / Interviews ; Hyman, Dick / 1927- / Interviews ; Jordan, Clifford / Interviews ; Kuhn, Steve / Interviews ; Lateef, Yusef / Interviews ; Owens, Jimmy / 1943- / Interviews ; Pizzarelli, Bucky / Interviews ; Ponomarev, Valery / Interviews ; Porcelli, Bob / Interviews ; Rollins, Sonny / Interviews ; Stewart, Sandy / 1937- / Interviews ; Sudhalter, Carol / Interviews ; Terry, Brad / Interviews ; Terry, Clark / Interviews ; Tucker, Mickey / Interviews ; Turre, Steve / Interviews ; Williams, Buster / Interviews ; Amram, David ; Blake, Ran ; Cranshaw, Bob ; Davis, Charles / 1933-2016 ; Hyman, Dick / 1927- ; Kuhn, Steve ; Lateef, Yusef ; Owens, Jimmy / 1943- ; Pizzarelli, Bucky ; Ponomarev, Valery ; Rollins, Sonny ; Terry, Clark ; Tucker, Mickey ; Turre, Steve ; Williams, Buster ; United States ; Interviews ; Interview
    Abstract: "The Jazz Masters: Setting the Record Straight features twenty-one conversations with musicians who have had at least fifty years of professional experience, and several as many as seventy-five. In all, these voices reflect some seventeen hundred years' worth of paying dues. Appealing to casual fans and jazz aficionados alike, these interviews have been carefully, but minimally edited by Peter Zimmerman for sense and clarity, without changing any of the musicians' actual words. Five of the interviewees-Dick Hyman, Jimmy Owens, Sonny Rollins, Clark Terry, and Yusef Lateef-have received the National Endowment for the Arts' prestigious Jazz Masters Fellowship, attesting to their importance and ability. While not official masters, the rest are veteran performers willing to share their experiences and knowledge. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. The musicians interviewed for the book range in age from their early seventies to mid-nineties. Older musicians started their careers during the segregation of the Jim Crow era, while the youngest came up during the struggle for civil rights. All grapple with issues of race, performance, and jazz's rich legacies. In addition to performing, touring, and recording, many have composed and arranged, and others have contributed as teachers, historians, studio musicians, session players, producers, musicians' advocates, authors, columnists, poets, and artists. The interviews in The Jazz Masters are invaluable primary material for scholars and will appeal to musicians inspired by these veterans' stories and their different approaches to music
    Note: Before words -- , A requiem for Cedar -- , Blowin' in from Chicago : Clifford Jordan, Charles Davis, and Bob Cranshaw -- , The big kahunas : Sonny Rollins and Clark Terry -- , Old school : Sandy Stewart, Dick Hyman, and Bucky Pizzarelli -- , On the scene : Bobby Porcelli and Valery Ponomarev -- , The philosophers : David Amram and Ran Blake , Local 802 : Jimmy Owens and Bill Crow -- , Shells and whistles : Brad Terry and Steve Turre -- , The mutual appreciation society : Mickey Tucker and Carol Sudhalter -- , Something more : Steve Kuhn and Buster Williams -- , The gentle giant : Yusef Lateef -- , RIP, 2012-2020
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  • 10
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496831286 , 9781496831293
    Language: English
    Pages: xxiv, 412 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: American made music series
    DDC: 781.64097471
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    Keywords: Geschichte 1940-1990 ; Musikleben ; Latin Music ; New York, NY
    Abstract: New York City has long been a generative nexus for the transnational Latin music scene. Currently, there is no other place in the Americas where such large numbers of people from throughout the Caribbean come together to make music. In this book, Benjamin Lapidus seeks to recognize all of those musicians under one mighty musical sound, especially those who have historically gone unnoticed. Based on archival research, oral histories, interviews, and musicological analysis, Lapidus examines how interethnic collaboration among musicians, composers, dancers, instrument builders, and music teachers in New York City set a standard for the study, creation, performance, and innovation of Latin music. Musicians specializing in Spanish Caribbean music in New York cultivated a sound that was grounded in tradition, including classical, jazz, and Spanish Caribbean folkloric music. For the first time, Lapidus studies this sound in detail and in its context. He offers a fresh understanding of how musicians made and formally transmitted Spanish Caribbean popular music in New York City from 1940 to 1990. Without diminishing the historical facts of segregation and racism the musicians experienced, Lapidus treats music as a unifying force. By giving recognition to those musicians who helped bridge the gap between cultural and musical backgrounds, he recognizes the impact of entire ethnic groups who helped change music in New York. The study of these individual musicians through interviews and musical transcriptions helps to characterize the specific and identifiable New York City Latin music aesthetic that has come to be emulated internationally.
    Note: Literaturverzeichnis Seite 383-403
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  • 11
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496832092
    Language: English
    Pages: 1 Online-Ressource (x, 192 pages) , Illustrations (black and white).
    Series Statement: Mississippi scholarship online
    DDC: 781.6508996073
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    Keywords: Higgins, Billy Criticism and interpretation ; Blanchard, Terence Criticism and interpretation ; Carrington, Terri Lyne Criticism and interpretation ; Akinmusire, Ambrose Criticism and interpretation ; Hill, Andrew Criticism and interpretation ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; African American jazz musicians ; Jazz Political aspects ; USA
    Abstract: This text provides an interpretive framework for understanding how African American creative improvisers think of musical space. Featuring a foreword by eminent scholar Robin D.G. Kelley, this is a critical improvisation studies book that uses Black geographies theory to examine the spatial values of musical expression in the improvisational and compositional practices of trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 12
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496831262
    Language: English
    Pages: 1 Online-Ressource (352 pages) , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
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    Keywords: Geschichte 1968-1981 ; Musikleben ; Punk Rock ; Ethnische Identität ; Punk rock music History and criticism ; Music and race History 20th century ; USA ; United States Race relations 20th century ; History
    Abstract: This text offers a portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. The author provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era.
    Note: Previously issued in print: 2020 , Includes bibliographical references, discography, filmography and index
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  • 13
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496825162 , 9781496825155
    Language: English
    Pages: xi, 506 Seiten , Illustrationen
    Series Statement: American made music series
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    Keywords: Rollini, Adrian ; Geschichte 1903-1956 ; Jazzmusiker ; USA ; Biografie
    Abstract: "The first and definitive biography of the great bass saxophone jazz man"--
    Note: Bibliography Seite 473-474
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  • 14
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496825148
    Language: English
    Pages: 1 Online-Ressource (xi, 506 pages) , Illustrations.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
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    Keywords: Rollini, Adrian ; Rollini, Adrian ; Geschichte 1903-1956 ; Jazzmusiker ; Jazz musicians Biography ; Saxophonists Biography ; Vibraphonists Biography ; Pianists Biography ; USA ; Biografie
    Abstract: Adrian Rollini (1904-1956)was as a child prodigy, playing piano when he was four. This book describes how job opportunities came to him easily at first and that his versatility helped him when they became rare. At the age of 16 he became a professional musician and, in New York, recorded piano rolls. In 1922, at the start of the jazz age, he joined the California Ramblers. He moved to the bass saxophone and gave it its definite place in early jazz. At the top of his fame Rollini became leader of his own band, with a.o. Bix Beiderbecke, Frank Trumbauer, Eddie Lang, and Joe Venuti. It was star-studded but short-lived. In late 1927, he moved to London to join Fred Eizalde's progressive dance band. Back in the USA in 1930, Rollini joined Bert Lown's hotel band, but the bass saxophone was phasing out, so he moved to the vibraphone.
    Note: Previously issued in print: 2019 , Includes bibliographical references and index
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  • 15
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496831224 , 9781496831217
    Language: English
    Pages: x, 351 Seiten , Illustrationen, Porträt
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1968-1981 ; Musikleben ; Punk Rock ; Ethnische Identität ; USA ; Punk rock music / United States / History and criticism ; Music and race / United States / History / 20th century ; Music and race ; Punk rock music ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History
    Note: Literaturverzeichnis Seite 305-321
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  • 16
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496819710 , 9781496819703
    Language: English
    Pages: xii, 467 Seiten , Illustrationen, Noten
    Series Statement: American made music series
    Parallel Title: Online version Greek music in America
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    Keywords: Geschichte 1850-2018 ; Einwanderer ; Musik ; Schallaufzeichnung ; USA ; Griechenland ; Aufsatzsammlung
    Abstract: "Despite a substantial artistic legacy, there has never been a book devoted to Greek music in America until now. Those seeking to learn about this vibrant and exciting music were forced to seek out individual essays, often published in obscure or ephemeral sources. This volume provides a singular platform for understanding the scope, practice, and development of Greek music in America through essays and profiles written by principal scholars in the field. Greece developed a rich variety of traditional, popular, and art music that diasporic Greeks brought with them to America. In Greek American communities, music was and continues to be an essential component of most social activities. Music links the past to the present, the distant to the near, and bonds the community with an embrace of memories and narrative. From 1896 to 1942, more than a thousand Greek recordings in many genres were made in the United States, and thousands more have appeared since then. These encompass not only Greek traditional music from all regions, but also emerging urban genres, stylistic changes, and new songs of social commentary. Greek Music in America includes essays on all of these topics as well as history and genre, places and venues, the recording business, and profiles of individual musicians. This book is required reading for anyone who cares about Greek music in America, whether scholar, fan, or performer." -- Provided by publisher
    Note: Literaturangaben und Index , Overview of Greek music in America / Tina Bucuvalas and Stavros K. Frangos -- Musical genre, style, and content -- Growth of liturgical music in the Iakovian Era / Frank Desby -- Greek café music / Roderick Conway Morris -- Amanes: the legacy of the oriental mother / Gail Holst-Warhaft -- Rebetika, the blues of Greece and Australia / Stathis Gauntlett -- George Katsaros: the last café-aman performer / Stavros K. Frangos -- Health to you, Marko, with your bouzouki!: the role of spoken interjection in Greek musicians' imagined performance world in historical recordings made in America and abroad -- Michael G. Kaloyanides -- Turkish music in the Greek American experience -- Joseph G. Graziosi -- Places -- Survival of Greek folk music in New York / Sotirios (Sam) Chianis -- Communities born in song / Anna Caraveli -- Musical practice and memory on the edge of two worlds: Kalymnian Tsambouna and song repertoire in the family of Nikitas Tsimouris / Anna Lomax Wood -- , Alternate resonances: Kalymnian traditions in Tarpon Springs, Florida / Panayotis League -- Delivering the music: recording companies and performance venues -- Greek record making in the early days, 1896-1937 / Dick Spottswood -- Greek music piano rolls in the United States / Meletios Pouliopoulos -- Encountering Greek American soundscapes / Anthony Shay -- Bouzoukis and belly dancers, drinkers and dreamers: a look at Greek nightlife at the crossroads / Nick Pappas -- Profiles -- Giorgos "Nisyrios" Makrigiannis (1875-1933) / Panayotis League -- Madame Koula (circa 1880-1954) / Stavros K. Frangos -- George Dimitrios Grachis (1882-1965) / Sotirios (Sam) Chianis -- Harilaos Piperakis (1888-1978) / Panayotis League -- Marika Papagika (1890-1943) / Stavros K. Frangos -- Theodotos "Tetos" Demetriades (1897-1971) / Stavros K. Frangos -- Amalia Baka (1897-1979) / David Soffa -- Ioannis Halikias, aka Jack Gregory (1898-1957) / Aydin Chaloupka -- , John K. Gianaros (1904-1998) / Stavros K. Frangos -- Pericles Halkias (1909-2005) / Jim Stoynoff -- Steve Zembillas (1923-2002) and the grecophon record company / Stavros K. Frangos -- Nicholas "Nicos" Tseperis (1923-2010) and Nina Records / Meletios Pouliopoulos -- Sotirios (Sam) Chianis (b. 1926) / Tina Bucuvalas -- Ilias Kementzides (1926-2006) / National Endowment for the Arts -- Giannis Tatasopoulos (1928-2001) / Tina Bucuvalas -- Gust J. (Dino) Pappas (1931-1999) / Stavros K. Frangos -- Harilaos Papapostolou (1932-1998) / National Endowment for the Arts -- Kay Skordilis (b. 1936) / Tina Bucuvalas -- Peter Stephen Kyvelos (1943-2017) / Michael G. Kaloyanides -- Trio Bel Canto and Takis Elenis (b. 1948) / Tina Bucuvalas -- George E. Soffos (1953-2013) / Tina Bucuvalas
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  • 17
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496813367
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 782.42164092
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    Keywords: Dylan, Bob Criticism and interpretation ; Dylan, Bob ; Popular music History and criticism ; Aufsatzsammlung
    Abstract: This text participates in the creation of the postmillennial Bob Dylan by exploring three central records of the 21st century along with the 2003 film 'Masked and Anonymous', which Dylan helped write and in which he appears as an actor and musical performer. The work does justice to this difficult Bob Dylan by examining his method and effects through a disparate set of viewpoints. Readers will find a variety of critical contexts and cultural perspectives as well as a range of experiences as members of Dylan's audience.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 18
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496816061
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 781.65092
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    Keywords: Wilson, Gerald ; Wilson, Gerald ; Jazz ; Composers Biography ; Jazz musicians Biography ; Band directors Biography
    Abstract: Jazz great Gerald Wilson (1918-2014), born in Shelby, Mississippi, left a global legacy of paramount significance through his progressive musical ideas and his orchestra's consistent influence on international jazz. Aided greatly by interviews that bring Wilson's voice to the story, this text presents a perspective on what the musician and composer called his 'jazz pilgrimage.'
    Note: Previously issued in print: 2018 , Includes bibliographical references, discography and index
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  • 19
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496812544
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Edition: American edition.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
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    Keywords: Boom, J. Frank G. ; Gilbert, Will G ; Music journalists Biography ; Blues (Music) History and criticism ; Blues (Music) History and criticism
    Abstract: This work stands as both a remarkable biography of J. Frank G. Boom (1920-1953) and a recovery of his incredible contribution to blues scholarship originally titled 'The Blues'. The text tells how and when the Netherlands was introduced to African American blues music and describes the equally dramatic and peculiar friendship that existed between Boom and jazz critic and musicologist Will Gilbert, who worked for the Kultuurkamer during World War II and had been charged with the task of formulating the Nazi's Jazzverbod, the decree prohibiting the public performance of jazz.
    Note: Translated from the Dutch , This edition previously issued in print: 2017 , Includes bibliographical references, discography and index
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  • 20
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496810946
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 782.2540922
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    Keywords: Gaither, Gloria ; Gaither, Bill ; Gaither, Gloria ; Gaither, Bill ; Gaither Vocal Band ; Geschichte 1991- ; Gospelsong ; Musikpflege ; Gospel musicians Biography ; Gospel music History and criticism
    Abstract: This ethnography examines songwriters Bill and Gloria Gaithers' Homecoming video and concert series. The Homecomings re-present the 'southern gospel' subgenre of gospel music - a musical style popular among white evangelical Christians in the American South and Midwest. The text explores how the Gaithers negotiate the tension between preservation and modification of community norms as they seek simultaneously to maintain and expand their audience, and to initiate and respond to ideological shifts within their fan base's culture. Using data he collected from his immersion in the Homecoming catalogue, his attendance of numerous concerts and tapings, and his extensive conversations with Homecoming fans and the Gaithers themselves, Harper reveals the Homecomings to be a crucible of American religious, racial, sexual and regional identity formation.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 21
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496819758
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    RVK:
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    Keywords: Geschichte 1850-2018 ; Einwanderer ; Musik ; Schallaufzeichnung ; Greek Americans Music ; History and criticism ; Folk music History and criticism ; Folk music History and criticism ; Greek Americans Social life and customs ; USA ; Griechenland ; Aufsatzsammlung
    Abstract: 'Greek Music in America' provides a foundation for understanding the scope, practice, and development of Greek music in America through essays by the principal scholars in the field. This text offers a comprehensive view of the subject; despite the richness, diversity, and longevity of Greek music in America, there has been relatively little available on the topic. The volume includes several previously published essays, as well as recent work by contemporary specialists on the Greek diaspora.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 22
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496805843
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 782.00973
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    Keywords: Geschichte ; Unterhaltungsmusik ; Countrymusic ; Klassische Musik ; Jodeln ; Yodeling History ; Popular music History and criticism ; USA
    Abstract: Considering yodeling as a musical device in American music, this text investigates in parallel two ways of understanding various meanings associated with yodeling: as the connotative functions of yodeling within specific musical texts and as the ideological implications of its use. It aims to provoke a reflection on the concept of singing and received cultural ideas associated with it. Starting with the premise that music is a discursive practice that is itself inseparable from a critical verbal discourse about music, the work interrogates the relationship between yodeling and predominating musical orthodoxy. Through a critical examination of that relationship, the book explores numerous examples of yodeling in American music, questioning why it achieved prominence and status in some genres and not in others and attempting to account for the relatively low prestige accorded to music featuring yodeling.
    Note: Previously issued in print: 2016 , Includes bibliographical references and index
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  • 23
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496819826
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    RVK:
    Keywords: Armstrong, Louis Criticism and interpretation ; Armstrong, Louis ; Jazz ; Singen ; Musikalischer Stil ; Jazz History and criticism ; Jazz musicians ; Jazz Analysis, appreciation 1921-1930
    Abstract: Throughout his life, Louis Armstrong tried to explain how singing on the streets of New Orleans with a barbershop quartet was foundational to his musicianship. However, up to now, there has been no in-depth inquiry into what he meant when he said 'I Figure Singing and Playing is the Same,' or 'Singing was more into my blood than the trumpet.' This text shows that Armstrong understood exactly the relationship between what he sang and what he played, and that he meant these comments to be taken literally: he was singing through his horn. To describe the relationship between what Armstrong sang and played the work discusses elements of music theory.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 24
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496821898 , 9781496821881
    Language: English
    Pages: X, 384 Seiten , Notenbeispiele
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65/12
    RVK:
    Keywords: Musikalische Analyse ; Jazz ; Musikästhetik ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Jazz ; Musikästhetik ; Jazz ; Musikalische Analyse
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  • 25
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496807571
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Caribbean studies series
    DDC: 780.820972983
    RVK:
    Keywords: Frau ; Afroamerikanische Musik ; Popular music History and criticism ; Women musicians ; Trinidad
    Abstract: Drawing on ethnographic fieldwork conducted by the author in Trinidad and Tobago, this work demonstrates how the increased access and agency of women through folk and popular musical expressions has improved inter-gender relations and representation of gender in this nation.
    Note: Previously issued in print: 2016 , Includes bibliographical references and index
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  • 26
    ISBN: 1496816021 , 9781496817389 , 9781496816023
    Language: English
    Pages: XVII, 189 Seiten , Noten
    Edition: First printing
    Series Statement: American made music series
    DDC: 781.65092
    RVK:
    Keywords: Wilson, Gerald ; Jazz
    Note: Literaturangaben Seite 175-178 und Index
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  • 27
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496819789 , 9781496819772
    Language: English
    Pages: xiv, 235 Seiten , Notenbeispiele
    Series Statement: American made music series
    Parallel Title: Erscheint auch als Hobson, Vic., author Creating the jazz solo
    RVK:
    Keywords: Armstrong, Louis ; Jazz ; Singen ; Musikalischer Stil
    Note: Bibliography Seite 216-229 , "Portions of Chapter 15 have appeared in a different form in Jazz Perspectives, 10, no. 1, 2017, 97?116.". - Includes bibliographical references and index
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  • 28
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781628462159
    Language: English
    Pages: 169 Seiten , Illustrationen
    Series Statement: American made music series
    DDC: 781.6213009
    RVK:
    Keywords: Folk music ; Musikmarkt ; USA
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  • 29
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 9780520968219
    Language: English
    Pages: 1 Online-Ressource (297 pages)
    Edition: Online-Ausg.
    Parallel Title: Print version Chapman, Dale The Jazz Bubble : Neoclassical Jazz in Neoliberal Culture
    DDC: 306.4/84250973
    RVK:
    Keywords: Gordon, Dexter ; Verve Records (Firm) History ; Verve Music Group History ; Jazz Economic aspects ; Jazz History and criticism ; Jazz Social aspects ; Sound recording industry Economic aspects ; Music-halls (Variety-theaters, cabarets, etc.) History ; Electronic books
    Abstract: Hailed by corporate, philanthropic, and governmental organizations as a metaphor for democratic interaction and business dynamics, contemporary jazz culture has a story to tell about the relationship between political economy and social practice in the era of neoliberal capitalism. The Jazz Bubble approaches the emergence of the neoclassical jazz aesthetic since the 1980s as a powerful, if unexpected, point of departure for a wide-ranging investigation of important social trends during this period, extending from the effects of financialization in the music industry to the structural upheaval created by urban redevelopment in major American cities. Dale Chapman draws from political and critical theory, oral history, and the public and trade press, making this a persuasive and compelling work for scholars across music, industry, and cultural studies
    Abstract: Cover -- The Jazz Bubble -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction: Banks, Bonds, and Blues -- 1. âControlled Freedomâ: Jazz, Risk, and Political Economy -- 2. âHomecomingâ: Dexter Gordon and the 1970s Fiscal Crisis in New York City -- 3. Selling the Songbook: The Political Economy of Verve Records (1956â1990) -- 4. Bronfmanâs Bauble: The Corporate History of the Verve Music Group (1990â2005) -- 5. Jazz and the Right to the City: Jazz Venues and the Legacy of Urban Redevelopment in California -- 6. The âYoshiâs Effectâ: Jazz, Speculative Urbanism, and Urban Redevelopment in Contemporary San Francisco -- Notes -- Works Cited -- Index
    Note: Includes bibliographical references and index
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  • 30
    ISBN: 9781628462302
    Language: English
    Pages: XXII, 433 Seiten , Illustrationen, Notenbeispiele
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 1
    RVK:
    Keywords: Bibliografie ; Bibliografie ; Bibliografie
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  • 31
    ISBN: 9781496805119
    Language: English
    Pages: XVI, 301 Seiten
    Series Statement: American made music series
    Uniform Title: Boom's Blues : muziek, journalistiek en vriendschap in oorlogstijd
    RVK:
    Note: A recovery of the first book-length study of the blues and the story behind the extraordinary Dutchman who wrote in under Nazi occupation , Bibliography: Seite 288-290 , Song index and discography: Seite 291-301
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  • 32
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496815262
    Language: English
    Pages: X, 222 Seiten
    Edition: First printing 2017
    Series Statement: American made music series
    DDC: 781.640976335
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    Keywords: Geschichte 1990-2017 ; Jazz ; Musikleben ; New Orleans, La.
    Note: Literaturangaben: Seite 195-207
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  • 33
    ISBN: 9781496813329
    Language: English
    Pages: 196 Seiten
    Series Statement: American made music series
    DDC: 782.42164092
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    Keywords: Dylan, Bob ; Aufsatzsammlung
    Note: Literaturverzeichnis Seite 177-184
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  • 34
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496810908
    Language: English
    Pages: xi, 315 Seiten
    Edition: First printing
    Series Statement: American made music series
    DDC: 782.2540922
    RVK:
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    Keywords: Gaither, Gloria ; Gaither, Bill ; Geschichte 1991- ; Gospelsong ; Musikpflege
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  • 35
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 1496805801 , 9781496805805
    Language: English
    Pages: VIII, 251 Seiten , Notenbeispiele , 24 cm
    Series Statement: American made music series
    Parallel Title: Online version Wise, Timothy E. Yodeling and meaning in American music.
    DDC: 782.00973
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    Keywords: Geschichte ; Unterhaltungsmusik ; Countrymusic ; Klassische Musik ; Jodeln ; USA
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  • 36
    ISBN: 9781496804914 , 9781496805058
    Language: English
    Pages: xviii, 280 Seiten , Diagramme
    Series Statement: American made music series
    DDC: 781.642081
    RVK:
    Keywords: Country-Musiker ; Country-Musikerin ; Geschlechterrolle ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Selected bibliography Seite 255-266
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  • 37
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496823434 , 9781496807533
    Language: English
    Pages: ix, 219 Seiten , Illustrationen
    Series Statement: Caribbean studies series
    Parallel Title: Erscheint auch als
    DDC: 780.820972983
    RVK:
    Keywords: Frau ; Afroamerikanische Musik ; Trinidad
    Note: Literaturverzeichnis: Seite 203-215
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  • 38
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496807786 , 9781617039911
    Language: English
    Pages: x, 168 Seiten , Notenbeispiele
    DDC: 781.653
    RVK:
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    Keywords: Geschichte ; Blues ; Jazz ; Entstehung ; New Orleans, La.
    Note: Bibliography Seite 155-162 , First printing: 2014
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  • 39
    ISBN: 9781628462203 , 9781496803740
    Language: English
    Pages: VI, 425 Seiten , Illustrationen, Notenbeispiele
    Series Statement: American made music series
    DDC: 780.973
    RVK:
    Keywords: Multikulturelle Gesellschaft ; Musik ; Ethnische Identität ; USA ; Aufsatzsammlung
    Note: Literaturangaben
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  • 40
    Book
    Book
    Berkeley : University of California Press
    ISBN: 9780520279346 , 9780520279353
    Language: English
    Pages: xvi, 261 Seiten , Illustrationen
    Series Statement: Music of the African diaspora 18
    DDC: 781.6508996073044361
    RVK:
    RVK:
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    Keywords: Geschichte 1945-1961 ; Amerikanischer Einwanderer ; Jazzmusiker ; Schriftsteller ; Schwarze ; Ethnische Identität ; Kulturkontakt ; Paris
    Note: Literaturverzeichnis Seite 227 - 242
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  • 41
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781628461947 , 9781628461954
    Language: English
    Pages: XIV, 202 Seiten , Illustrationen, Notenbeispiele
    Series Statement: American made music series
    DDC: 788.9/2165092
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    Keywords: Davis, Miles ; Davis, Miles ; Jazz History and criticism ; Jazz musicians ; Popular music History and criticism 1961-1970 ; Popular music History and criticism 1971-1980 ; USA ; Davis, Miles 1926-1991 Bitches Brew
    Note: Includes bibliographical references and index
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  • 42
    ISBN: 9781628461459
    Language: English
    Pages: XI, 383 Seiten , Illustrationen
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    DDC: 781.62/410763
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte ; Alltag, Brauchtum ; Geschichte ; Gesellschaft ; Difference (Philosophy) in music ; Cajun music History and criticism ; Folk music History and criticism ; Zydeco music History and criticism ; Popular music Social aspects ; History ; Cajuns Social life and customs ; Musikleben ; Musiksoziologie ; Differenz ; Zydeco ; Cajun-Music ; Kreolen ; Louisiana ; Louisiana ; Kreolen ; Cajun-Music ; Zydeco ; Musikleben ; Differenz ; Musiksoziologie ; Geschichte
    Description / Table of Contents: Includes bibliographical references and index
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  • 43
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781626745346
    Language: English
    Pages: 1 Online-Ressource (xic, 304 Seiten, 32 ungezählte Seiten) , Illustrationen (teilweise farbig), Notenbeispiele
    Edition: First printing
    Series Statement: American made music series
    DDC: 782.42162/96073
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    Keywords: Sklaverei ; Musik ; Songbook ; USA
    Abstract: The untold story behind the creation of the classic songbook Slave Songs of the United States.
    Note: Literaturverzeichnis: Seite 297-300 , Description based on publisher supplied metadata and other sources
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  • 44
    Book
    Book
    Berkeley : University of California Press
    ISBN: 9780520280656 , 9780520280663
    Language: English
    Pages: xiv, 225 Seiten , Illustrationen , 24 cm
    DDC: 781.642086/640973
    RVK:
    RVK:
    Keywords: Country music History and criticism ; Country music Social aspects ; Homosexuality and popular music ; USA ; Countrymusic ; Homosexualität ; Musiksoziologie
    Note: Includes bibliographical references (pages 195-207) and indexes
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  • 45
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 9780520280656 , 9780520280663 , 9780520958340 (Sekundärausgabe)
    Language: English
    Edition: Online-Ausg. Online-Ressource UPCC book collections on Project MUSE ISBN 9780520958340
    Edition: [Online-Ausg.]
    RVK:
    RVK:
    Note: Online-Ausg.:
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  • 46
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781621039662
    Language: English
    Pages: 1 Online-Ressource (206 pages)
    Series Statement: American Made Music Series
    DDC: 781.64092
    RVK:
    Abstract: Quincy Jones (b. 1933) is one of the most prolific composers, arrangers, bandleaders, producers, and humanitarians in American music history and the recording and film industries. Among pop music fans he is perhaps most famous for producing Michael Jackson's album, Thriller. Clarence Bernard Henry focuses on the life, music, career, and legacy of Jones within the social, cultural, historical, and artistic context of American, African American, popular, and world music traditions. Jones's career has spanned over sixty years, generating a substantial body of work with over five hundred compositions and arrangements. The author focuses on this material as well as many of Jones's accomplishments: performing as a young trumpeter in the bands of Lionel Hampton and Dizzy Gillespie, becoming the first African American to hold an executive position in the competitive white-owned recording industry, breaking racial barriers as a composer in the Hollywood film and television industries, producing the best-selling album of all time, and receiving numerous Grammy Awards. The author also discusses many of Jones's compositions, arrangements, and recordings and his compositional study in France with legendary teacher Nadia Boulanger. In addition, details are provided about Jones's distinct ability as one of the most innovative composers and arrangers who incorporates many different styles of music, techniques, and creative ideas in his compositions, arrangements, and film scores. He collaborated with an array of musicians and groups such as Louis Armstrong, Duke Ellington, Miles Davis, Ella Fitzgerald, Sarah Vaughan, Frank Sinatra, Clifford Brown, Ray Charles, Michael Jackson, USA for Africa, and many others. Clarence Bernard Henry shows how Jones has, throughout his career, wholeheartedly embraced philosophies of globalization and cultural diversity in his...
    Abstract: body of work, collaborations, humanitarian projects, and musical creativity.
    Note: Description based on publisher supplied metadata and other sources
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  • 47
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 9780520268784 , 9780520953987 (Sekundärausgabe)
    Language: English
    Pages: 279 p.
    Edition: Online-Ausg. Online-Ressource ISBN 9780520953987
    Edition: [Online-Ausg.]
    DDC: 781.65
    RVK:
    Keywords: Sozialgeschichte ; Jazz ; Online-Publikation ; Online-Publikation
    Abstract: Why Jazz Happened is the first comprehensive social history of jazz. It provides an intimate and compelling look at the many forces that shaped this most American of art forms and the many influences that gave rise to jazz's post-war styles. Rich with the voices of musicians, producers, promoters, and others on the scene during the decades following World War II, this book views jazz's evolution through the prism of technological advances, social transformations, changes in the law, economic trends, and much more. In an absorbing narrative enlivened by the commentary of key personaliti...
    Note: Description based upon print version of record , Online-Ausg.:
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  • 48
    E-Resource
    E-Resource
    Jackson : University Press of Mississippi
    ISBN: 9781617036262 , 9781617036279 (Sekundärausgabe)
    Language: English
    Pages: 273 p.
    Edition: Online-Ausg. Online-Ressource ISBN 9781617036279
    Edition: [Online-Ausg.]
    Series Statement: American Made Music Series
    DDC: 788.93165
    RVK:
    Keywords: Online-Publikation
    Abstract: Edward ""Kid"" Ory (1886-1973) was a trombonist, composer, recording artist, and early New Orleans jazz band leader. Creole Trombone tells his story from birth on a rural sugar cane plantation in a French-speaking, ethnically mixed family, to his emergence in New Orleans as the city's hottest band leader. The Ory band featured such future jazz stars as Louis Armstrong and King Oliver, and was widely considered New Orleans's top ""hot"" band. Ory's career took him from New Orleans to California, where he and his band created the first African American New Orleans jazz recordings ever made. In 1...
    Note: Description based upon print version of record , Online-Ausg.:
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  • 49
    ISBN: 9781628460643
    Language: English
    Pages: xv, 278 Seiten , Illustrationen
    Edition: First printing
    RVK:
    Keywords: Geschichte 1900-2000 ; Folk music ; Blues ; USA ; Großbritannien ; Konferenzschrift 2009
    Note: Includes bibliographical references and index , The historical and social background of transatlantic roots music revivals / Jill Terry and Neil A. Wynn -- "Early morning blues" : the early years of the transatlantic connection / Paul Oliver -- Dreaming up the blues : transatlantic blues scholarship in the 1950s / Christian O'Connell -- American balladry and the anxiety of ancestry / Erich Nunn -- Woody Guthrie at the crossroads / Will Kaufman -- "It's not British music, it's American music" : Bob Dylan and Britain / John Hughes -- Alan Lomax : an American ballad hunter in Great Britain / Ronald D. Cohen -- Putting the blues in British blues rock / Roberta Freund Schwartz -- The white man, Burdon : the Animals, race, and the American South in the British blues boom / Brian Ward -- Born in Chicago : the impact of the Paul Butterfield Blues Band on the British blues "network," 1964-1970 / Andrew Kellett -- "When somebody take your number and use it" : the 1960s, British blues, and America's racial crossroads / Robert H. Cataliotti -- Groove me : dancing to the discs of northern soul / David Sanjek -- Some reflections on "Celtic" music / Duck Baker
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  • 50
    ISBN: 0520951352 , 9780520951358
    Language: English
    Pages: 1 Online-Ressource (ix, 301 pages)
    Series Statement: Roth Family Foundation music in America imprint
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65
    RVK:
    Keywords: MUSIC / Genres & Styles / Jazz ; Jazz ; Jazz History and criticism ; Jazz ; Aufsatzsammlung ; Online-Publikation ; Jazz
    Note: Includes bibliographical references and index , What is jazz? What is gained--and what is lost--when various communities close ranks around a particular definition of this quintessentially American music? Jazz/Not Jazz explores some of the musicians, concepts, places, and practices which, while deeply connected to established jazz institutions and aesthetics, have rarely appeared in traditional histories of the form. David Ake, Charles Hiroshi Garrett, and Daniel Goldmark have assembled a stellar group of writers to look beyond the canon of acknowledged jazz greats and address some of the big questions facing jazz today , Chapter 1. Incorporation and Distinction in Jazz History and Jazz Historiography -- Chapter 2. Louis Armstrong Loves Guy Lombardo -- Chapter 3. The Humor of Jazz -- Chapter 4. Creating Boundaries in the Virtual Jazz Community -- Chapter 5. Latin Jazz, Afro-Latin Jazz, Afro-Cuban Jazz, Cubop, Caribbean Jazz, Jazz Latin, or Just ... Jazz -- Chapter 6. Jazz with Strings: Between Jazz and the Great American Songbook -- Chapter 7. "Slightly Left of Center": Atlantic Records and the Problems of Genre -- Chapter 8. The Praxis of Composition-Improvisation and the Poetics of Creative Kinship -- Chapter 9. The Sound of Struggle: Black Revolutionary Nationalism and Asian American Jazz -- Chapter 10. Voices from the Jazz Wilderness: Locating Pacific Northwest Vocal Ensembles within Jazz Education -- Chapter 11. Crossing the Street: Rethinking Jazz Education -- Chapter 12. Deconstructing the Jazz Tradition: The "Subjectless Subject" of New Jazz Studies
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  • 51
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi
    ISBN: 9781604738018
    Language: English
    Pages: 1 Online-Ressource (431 Seiten)
    Series Statement: American Made Music
    DDC: 781.620092
    RVK:
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    Keywords: Lomax, Alan ; Geschichte 1935-1945 ; Musikethnologie ; Folk music ; USA ; Briefsammlung 1935-1945
    Abstract: Alan Lomax (1915-2002) began working for the Archive of American Folk Song at the Library of Congress in 1936, first as a special and temporary assistant, then as the permanent Assistant in Charge, starting in June 1937, until he left in late 1942. He recorded such important musicians as Woody Guthrie, Muddy Waters, Aunt Molly Jackson, and Jelly Roll Morton. A reading and examination of his letters from 1935 to 1945 reveal someone who led an extremely complex, fascinating, and creative life, mostly as a public employee.While Lomax is noted for his field recordings, these collected letters, man...
    Note: Description based upon print version of record
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  • 52
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 9780520268463 , 9780520949782 (Sekundärausgabe)
    Language: English
    Pages: 344 p.
    Edition: Online-Ausg. Online-Ressource ISBN 9780520949782
    Edition: [Online-Ausg.]
    DDC: 788.9
    RVK:
    RVK:
    Keywords: Online-Publikation
    Abstract: Compelling from cover to cover, this is the story of one of the most recorded and beloved jazz trumpeters of all time. With unsparing honesty and a superb eye for detail, Clark Terry, born in 1920, takes us from his impoverished childhood in St. Louis, Missouri, where jazz could be heard everywhere, to the smoke-filled small clubs and carnivals across the Jim Crow South where he got his start, and on to worldwide acclaim. Terry takes us behind the scenes of jazz history as he introduces scores of legendary greats-Ella Fitzgerald, Oscar Peterson, Dizzy Gillespie, Dinah Washington, Doc Severinse...
    Note: Description based upon print version of record , Online-Ausg.:
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  • 53
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi
    ISBN: 9781617030116
    Language: English
    Pages: xviii, 277 p., [20] p. of plates
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84243097624
    RVK:
    Keywords: Geschichte ; Geschichte ; Gesellschaft ; Blues (Music) Social aspects ; Blues (Music) History and criticism ; Music and tourism History ; Blues ; Tourismus ; Musikfestspiel ; Mississippi-Gebiet ; Mississippi-Gebiet ; Blues ; Musikfestspiel ; Tourismus ; Mississippi-Gebiet ; Blues ; Geschichte
    Description / Table of Contents: The history of the Mississippi Delta blues -- The history of blues tourism in the Mississippi Delta -- Blues myths and the rhetorical imagination of place -- Blues festivals, race, and the construction of authenticity -- A blues countermemory : the history of Mississippi, the story of the Delta -- Public memory, historical amnesia, and the Shack Up Inn -- Assessing tourism goals : money, image, and reconciliation
    Note: Includes bibliography (p. 239-267), discography (p. 268-270) and index
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  • 54
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 9780520268913 , 9780520950092 (Sekundärausgabe)
    Language: English
    Pages: 382 p.
    Edition: Online-Ausg. Online-Ressource ISBN 9780520950092
    Edition: [Online-Ausg.]
    Series Statement: California Studies in 20th-Century Music v.13
    DDC: 306.48420979461
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    Keywords: Geschichte 20. Jahrhundert ; Musik ; Politik ; San Francisco, Calif. ; Online-Publikation
    Abstract: This lively history immerses the reader in San Francisco's musical life during the first half of the twentieth century, showing how a fractious community overcame virulent partisanship to establish cultural monuments such as the San Francisco Symphony (1911) and Opera (1923). Leta E. Miller draws on primary source material and first-hand knowledge of the music to argue that a utopian vision counterbalanced partisan interests and inspired cultural endeavors, including the San Francisco Conservatory, two world fairs, and America's first municipally owned opera house. Miller demonstrates that ram...
    Note: Description based upon print version of record , Online-Ausg.:
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  • 55
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi
    ISBN: 9781604734386 , 1604734388
    Language: English
    Pages: x, 215 p.
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.642092/273
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    Keywords: MuzikMafia (Musical group) ; MuzikMafia ; Geschichte 2000-2010 ; Country musicians ; Musikleben ; Tonträger ; USA ; Nashville, Tenn. ; Verzeichnis ; Verzeichnis ; MuzikMafia ; Tonträger ; Nashville, Tenn. ; Musikleben ; Geschichte 2000-2010
    Description / Table of Contents: The Nashville scene -- The birth of the MuzikMafia -- August 2002 to March 2004 : growing popularity in Nashville and beyond -- April through December 2004 : the MuzikMafia takes the national stage -- Interlude : meet the MuzikMafia of 2004 -- 2005 : the second wave -- The beginning of the end
    Note: Includes bibliographical references (p.195-197), discography (p. 201-202), videography (p. 199), and index
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  • 56
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    Online Resource
    Berkeley : University of California Press
    ISBN: 9780520255487 , 9780520947429 (Sekundärausgabe)
    Language: English
    Pages: 336 p.
    Edition: Online-Ausg. Online-Ressource ISBN 9780520947429
    Edition: [Online-Ausg.]
    DDC: 781.7/7008209598
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    Abstract: Women, the Recited Qur'an, and Islamic Music in Contemporary Indonesia takes readers to the heart of religious musical praxis in Indonesia, home to the largest Muslim population in the world. Anne K. Rasmussen explores a rich public soundscape, where women recite the divine texts of the Qur'an, and where an extraordinary diversity of Arab-influenced Islamic musical styles and genres, also performed by women, flourishes. Based on unique and revealing ethnographic research beginning at the end of Suharto's "New Order" and continuing into the era of "Reformation," the book considers the po...
    Note: Description based upon print version of record , Online-Ausg.:
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  • 57
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 9780520266889 , 9780520947399 (Sekundärausgabe)
    Language: English
    Pages: 211 p.
    Edition: Online-Ausg. Online-Ressource ISBN 9780520947399
    Edition: [Online-Ausg.]
    DDC: 781.65
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    Keywords: Jazz ; Musikphilosophie
    Abstract: What, where, and when is jazz? To most of us jazz means small combos, made up mostly of men, performing improvisationally in urban club venues. But jazz has been through many changes in the decades since World War II, emerging in unexpected places and incorporating a wide range of new styles. In this engrossing new book, David Ake expands on the discussion he began in Jazz Cultures, lending his engaging, thoughtful, and stimulating perspective to post-1940s jazz. Ake investigates such issues as improvisational analysis, pedagogy, American exceptionalism, and sense of place in jazz. He u...
    Note: Description based upon print version of record , Online-Ausg.:
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  • 58
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 9780520262829 , 9780520262836
    Language: English
    Pages: ix, 280 p
    Series Statement: Music of the African diaspora 14
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89/960729
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    Keywords: Brown, James Criticism and interpretation ; Brown, James ; Geschichte ; Musik ; Schwarze. USA ; Blacks Music ; History and criticism ; African Americans Music ; History and criticism ; Musik ; Schwarze ; Karibik ; Karibik ; Schwarze ; Musik ; Geschichte ; Brown, James 1933-2006
    Note: Includes bibliographical references and index
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  • 59
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi
    ISBN: 9781604732689 , 1604732687
    Language: English
    Pages: 219 p
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.650973/0947
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    Keywords: Geschichte 1900-2000 ; Geschichte 1954-1968 ; Geschichte ; Gesellschaft ; Politik ; Jazz Political aspects 20th century ; History ; Cold War Social aspects ; Ost-West-Konflikt ; Kulturaustausch ; Kulturvermittlung ; Diplomatie ; Jazz ; USA ; USA ; Sowjetunion ; Ost-West-Konflikt ; Diplomatie ; Jazz ; Geschichte 1954-1968 ; USA ; Sowjetunion ; Kulturaustausch ; Geschichte 1954-1968 ; USA ; Jazz ; Kulturvermittlung ; Sowjetunion
    Description / Table of Contents: Introduction -- Battling the Reds -- Jazz diplomacy at home and abroad, 1954-1957 -- Jazz means freedom, 1957-1960 -- The paradox of jazz diplomacy, 1961-1966 -- Jazz behind the iron curtain, 1961-1966 -- Bedlam from the decadent West, 1967-1968 -- Conclusion
    Note: Includes bibliographical references (p. [199]-212) and index
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  • 60
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 052094464X , 1282772635 , 9780520944640 , 9781282772632
    Language: English
    Pages: 1 Online-Ressource (xiii, 187 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6409/048
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    Keywords: 1981 - 1990 ; Geschichte 1980-1990 ; Geschichte 1989 ; Fine Arts ; MUSIC / Genres & Styles / Pop Vocal ; Grunge music ; Nineteen eighty-nine, A.D. ; Popular music ; Rap (Music) ; Underground dance music ; Popular music History and criticism 1981-1990 ; Rap (Music) History and criticism ; Underground dance music History and criticism ; Grunge music History and criticism ; Nineteen eighty-nine, A.D. ; Grungerock ; Rap ; Techno ; Gesellschaft ; Popmusik ; Rap ; Grungerock ; Techno ; Geschichte 1980-1990 ; Popmusik ; Gesellschaft ; Geschichte 1980-1990 ; Popmusik ; Gesellschaft ; Geschichte 1989
    Note: Includes bibliographical references and index , The Bourgeois and the Boulevard -- The Second Summer of Love -- Negative Creep -- The Billboard Consensus -- The Image-Event and the Blind Spot , In a tour de force of lyrical theory, Joshua Clover boldly reimagines how we understand both pop music and its social context in a vibrant exploration of a year famously described as "the end of history." Amid the historic overturnings of 1989, including the fall of the Berlin Wall, pop music also experienced striking changes. Vividly conjuring cultural sensations and events, Clover tracks the emergence of seemingly disconnected phenomena--from grunge to acid house to gangsta rap--asking if "perhaps pop had been biding its time until 1989 came along to make sense of its sensibility."
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  • 61
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    Online Resource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781604737288
    Language: English
    Pages: 1 Online-Ressource (320 pages)
    DDC: 781.643096
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    Keywords: Geschichte ; Blues ; Afrika
    Abstract: In 1969 Gerhard Kubik chanced to encounter a Mozambican labor migrant, a miner in Transvaal, South Africa, tapping a cipendani, a mouth-resonated musical bow. A comparable instrument was seen in the hands of a white Appalachian musician who claimed it as part of his own cultural heritage. Through connections like these Kubik realized that the link between these two far-flung musicians is African-American music, the sound that became the blues. Such discoveries reveal a narrative of music evolution for Kubik, a cultural anthropologist and ethnomusicologist. Traveling in Africa, Brazil, Venezuela, and the United States, he spent forty years in the field gathering the material for Africa and the Blues. In this book, Kubik relentlessly traces the remote genealogies of African cultural music through eighteen African nations, especially in the Western and Central Sudanic Belt. Included is a comprehensive map of this cradle of the blues, along with 31 photographs gathered in his fieldwork. The author also adds clear musical notations and descriptions of both African and African American traditions and practices and calls into question the many assumptions about which elements of the blues were "European" in origin and about which came from Africa. Unique to this book is Kubik's insight into the ways present-day African musicians have adopted and enlivened the blues with their own traditions. With scholarly care but with an ease for the general reader, Kubik proposes an entirely new theory on blue notes and their origins. Tracing what musical traits came from Africa and what mutations and mergers occurred in the Americas, he shows that the African American tradition we call the blues is truly a musical phenomenon belonging to the African cultural world. Gerhard Kubik is a professor in the department of ethnology and African studies at the...
    Abstract: University of Mainz, Germany. Since 1983 he has been affiliated with the Center for Social Research of Malawi, Zomba. He is a permanent member of the Center for Black Music Research in Chicago and an Honorary Fellow of the Royal Anthropological Institute of Great Britain and Ireland, London.
    Note: Description based on publisher supplied metadata and other sources
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  • 62
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781604733372
    Language: English
    Pages: 1 Online-Ressource (260 pages)
    Series Statement: American Made Music
    DDC: 781.62/410763
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    Keywords: Cajun ; Zydeco ; Volkstanz ; Musik ; Kalifornien
    Abstract: Queen Ida. Danny Poullard. Documentary filmmaker Les Blank. Chris Strachwitz and Arhoolie Records. These are names that are familiar to many fans of Cajun music and zydeco, and they have one other thing in common--longtime residence in the San Francisco Bay Area. They are all part of a vibrant scene of dancing and live Louisiana-French music that has evolved over several decades. Cajun and Zydeco Dance Music in Northern California traces how this region of California has been able to develop and sustain dances several times a week with more than a dozen bands. Description of this active regional scene opens into a discussion of several historical trends that have affected life and music in Louisiana and the nation. The book portrays the diversity of people who have come together to adopt Cajun and Creole dance music as a way to cope with a globalized, media-saturated world. Ethnomusicologist Mark F. DeWitt innovatively weaves together interviews with musicians and dancers (some from Louisiana, some not), analysis of popular media, participant observation as a musician and dancer, and historical perspectives from wartime black migration patterns, the civil rights movement, American folk and blues revivals, California counterculture, and the rise of cultural tourism in "Cajun Country." In so doing, he reveals the multifaceted appeal of celebrating life on the dance floor, Louisiana-French style.
    Note: Description based on publisher supplied metadata and other sources
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  • 63
    Online Resource
    Online Resource
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780520940963 , 0520940962 , 9781435611382 , 1435611381
    Language: English
    Pages: 1 Online-Ressource (xi, 239 pages) , music
    DDC: 786.2165092
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    Keywords: Monk, Thelonious ; Biografie ; Biografie
    Abstract: This study combines cultural theory, biography and musical analysis to shed light on Theolonius Monk's music and on the jazz canon itself, Solis showing how Monk's work emerged from the jazz world's fringes to find a central place in its history.
    Note: "Roth Family Foundation music in America imprint , Includes bibliographical references (pages 219-231) and index
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  • 64
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    Online Resource
    Berkeley : University of California Press
    ISBN: 9780520932791
    Language: English
    Pages: 1 Online-Ressource (xi, 371 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 792.0951/156
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    Keywords: Mei, Lanfang ; Mei, Lanfang ; Geschichte 1870-1937 ; Geschichte ; Theater History ; Operas, Chinese History ; Peking-Oper ; Peking-Oper ; Geschichte 1870-1937 ; Mei, Lanfang 1894-1961
    Description / Table of Contents: Includes bibliographical references (p. 335-353) and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 65
    Online Resource
    Online Resource
    Berkeley : University of California Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780520940963
    Language: English
    Pages: 1 Online-Ressource (255 pages)
    Edition: 1st ed.
    DDC: 786.2165092
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    Keywords: Monk, Thelonious ; Biografie
    Abstract: Thelonious Monk (1917-1982) was one of jazz's greatest and most enigmatic figures. As a composer, pianist, and bandleader, Monk both extended the piano tradition known as Harlem stride and was at the center of modern jazz's creation during the 1940s, setting the stage for the experimentalism of the 1960s and '70s. This pathbreaking study combines cultural theory, biography, and musical analysis to shed new light on Monk's music and on the jazz canon itself. Gabriel Solis shows how the work of this stubbornly nonconformist composer emerged from the jazz world's fringes to find a central place in its canon. Solis reaches well beyond the usual life-and-times biography to address larger issues in jazz scholarship-ethnography and the role of memory in history's construction. He considers how Monk's stature has grown, from the narrowly focused wing of the avant-garde in the 1960s and '70s to the present, where he is claimed as an influence by musicians of all kinds. He looks at the ways musical lineages are created in the jazz world and, in the process, addresses the question of how musicians use performance itself to maintain, interpret, and debate the history of the musical tradition we call jazz.
    Note: Description based on publisher supplied metadata and other sources
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  • 66
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    Online Resource
    Berkeley : University of California Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780520940161
    Language: English
    Pages: 1 Online-Ressource (420 pages)
    Edition: 1st ed.
    DDC: 784.481
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    Keywords: Big Band ; Musik ; Jazz ; New York, NY
    Abstract: The received wisdom of popular jazz history is that the era of the big band was the 1930s and '40s, when swing was at its height. But as practicing jazz musicians know, even though big bands lost the spotlight once the bebop era began, they never really disappeared. Making the Scene challenges conventional jazz historiography by demonstrating the vital role of big bands in the ongoing development of jazz. Alex Stewart describes how jazz musicians have found big bands valuable. He explores the rich "rehearsal band" scene in New York and the rise of repertory orchestras. Making the Scene combines historical research, ethnography, and participant observation with musical analysis, ethnic studies, and gender theory, dismantling stereotypical views of the big band.
    Note: Description based on publisher supplied metadata and other sources
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  • 67
    Online Resource
    Online Resource
    Berkeley : University of California Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780520940000
    Language: English
    Pages: 1 Online-Ressource (368 pages)
    Edition: 1st ed.
    Series Statement: American Crossroads v.22
    DDC: 781.642
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    Keywords: Geschichte 1900-2000 ; Politik ; Countrymusic ; Popkultur ; Kalifornien
    Abstract: Proud to Be an Okie brings to life the influential country music scene that flourished in and around Los Angeles from the Dust Bowl migration of the 1930s to the early 1970s. The first work to fully illuminate the political and cultural aspects of this intriguing story, the book takes us from Woody Guthrie's radical hillbilly show on Depression-era radio to Merle Haggard's "Okie from Muskogee" in the late 1960s. It explores how these migrant musicians and their audiences came to gain a sense of identity through music and mass media, to embrace the New Deal, and to celebrate African American and Mexican American musical influences before turning toward a more conservative outlook. What emerges is a clear picture of how important Southern California was to country music and how country music helped shape the politics and culture of Southern California and of the nation.
    Note: Description based on publisher supplied metadata and other sources
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  • 68
    Online Resource
    Online Resource
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 1423789660 , 9781423789666 , 9780520939462 , 0520939468
    Language: English
    Pages: 1 Online-Ressource (xvi, 350 pages) , Illustrations, music
    Series Statement: Music of the African diaspora 9
    DDC: 780/.97291/0904
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    Keywords: Geschichte 1951-2001 ; Politik ; Musik ; Kuba
    Abstract: Provides an introduction to the most prominent artists and musical styles that have emerged in Cuba since 1959, and to the policies that have shaped artistic life. Tracing the development of dance styles, nueva trova, folkloric drumming, and other forms, this book describes how the arts have become a point of negotiation between individuals.
    Note: Includes bibliographical references (pages 317-339) and index
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  • 69
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    Online Resource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781604737301
    Language: English
    Pages: 1 Online-Ressource (264 pages)
    DDC: 781.643
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    Keywords: Geschichte 1950-1999 ; Rhythm and Blues
    Abstract: Rhythm & blues emerged from the African American community in the late 1940s to become the driving force in American popular music over the next half-century. Although sometimes called "doo-wop," "soul," "funk," "urban contemporary," or "hip-hop," R&B is actually an umbrella category that includes all of these styles and genres. It is in fact a modern-day incarnation of a musical tradition that stretches back to nineteenth-century America, and even further to African beginnings. The New Blue Music: Changes in Rhythm & Blues, 1950-1999 traces the development of R&B from 1950 to 1999 by closely analyzing the top twenty-five songs of each decade. The music of artists as wide-ranging as Louis Jordan; John Lee Hooker; Ray Charles; James Brown; Earth, Wind & Fire; Michael Jackson; Public Enemy; Mariah Carey; and Usher takes center stage as the author illustrates how R&B has not only retained its traditional core style, but has also experienced a "re-Africanization" over time. By investigating musical elements of form, style, and content in R&B-and offering numerous musical examples-the book shows the connection between R&B and other forms of American popular and religious music, such as spirituals, ragtime, blues, jazz, country, gospel, and rock 'n' roll. With this evidence in hand, the author hypothesizes the existence of an even larger musical "super-genre" which he labels "The New Blue Music." Richard J. Ripani is a faculty member at Hume-Fogg Academic High School in Nashville, Tennessee. He is also a professional musician and songwriter in Nashville, performing with artists such as Ronnie Milsap, Ronnie McDowell, the Kentucky Headhunters, and Lee Greenwood. He has worked on numerous national television programs and earned gold and platinum records.
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  • 70
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 0520247108 , 0520247116
    Language: English
    Pages: xvi, 350 p.
    Series Statement: Music of the African diaspora 9
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.972910904
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    Keywords: Geschichte 1900-2000 ; Geschichte 1951-2001 ; Musik ; Politik ; Music Political aspects ; Music History and criticism 20th century ; Socialism and music ; Politik ; Musik ; Kuba ; Kuba ; Musik ; Politik ; Geschichte 1951-2001
    Description / Table of Contents: Music and the arts in socialist Cuba -- Revelry and revolution : the paradox of the 1950s -- Music and social change in the first years -- Artistic institutions, initiatives, and policies -- Dance music and the politics of fun -- Transformations in Nueva Trova -- Afro-Cuban folklore in a raceless society -- Ay, dios ampárame : sacred music and revolution -- Music and ideological crisis -- Musical politics into the new millennium
    Note: Includes bibliographical references (p. 317-339) and index
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  • 71
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    Online Resource
    Berkeley : University of California Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780520939448
    Language: English
    Pages: 1 Online-Ressource (216 pages)
    Edition: 1st ed.
    Series Statement: Music of the African Diaspora v.10
    DDC: 781.64097291
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    Abstract: This book explores the complexity of Cuban dance music and the webs that connect it, musically and historically, to other Caribbean music, to salsa, and to Latin Jazz. Establishing a scholarly foundation for the study of this music, Raul A. Fernandez introduces a set of terms, definitions, and empirical information that allow for a broader, more informed discussion. He presents fascinating musical biographies of prominent performers Cachao López, Mongo Santamaría, Armando Peraza, Patato Valdés, Francisco Aguabella, Cándido Camero, Chocolate Armenteros, and Celia Cruz. Based on interviews that the author conducted over a nine-year period, these profiles provide in-depth assessments of the musicians' substantial contributions to both Afro-Cuban music and Latin Jazz. In addition, Fernandez examines the links between Cuban music and other Caribbean musics; analyzes the musical and poetic foundations of the Cuban son form; addresses the salsa phenomenon; and develops the aesthetic construct of sabor, central to Cuban music. Copub: Center for Black Music Research.
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  • 72
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    Online Resource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781604739565
    Language: English
    Pages: 1 Online-Ressource (215 pages)
    DDC: 781.642082
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    Keywords: Countrymusic ; Geschlechterrolle
    Abstract: From the smiling, sentimental mothers portrayed in 1930s radio barn dance posters, to the sexual shockwaves generated by Elvis Presley, to the female superstars redefining contemporary country music, gender roles and imagery have profoundly influenced the ways country music is made and enjoyed. Proper male and female roles have influenced the kinds of sounds and images that could be included in country music; preconceptions of gender have helped to determine the songs and artists audiences would buy or reject; and gender has shaped the identities listeners made for themselves in relation to the music they revered. This interdisciplinary collection of essays is the first book-length effort to examine how gender conventions, both masculine and feminine, have structured the creation and marketing of country music. The essays explore the uses of gender in creating the personas of stars as diverse as Elvis Presley, Patsy Cline, and Shania Twain. The authors also examine how deeply conventions have influenced the institutions and everyday experiences that give country music its image: the popular and fan press, the country music industry in Nashville, and the line dance crazes that created the dance hall boom of the 1990s. From Hank Thompson's "The Wild Side of Life" to Johnny Cash's "A Boy Named Sue," from Tammy Wynette's "Stand by Your Man" to Loretta Lynn's ode to birth control, "The Pill," A Boy Named Sue demonstrates the role gender played in the development of country music and its current prominence. Kristine M. McCusker is a professor of history at Middle Tennessee State University. Diane Pecknold is an independent scholar in Chicago, Illinois.
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  • 73
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    Online Resource
    Berkeley : University of California Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780520937178
    Language: English
    Pages: 1 Online-Ressource (259 pages)
    Edition: 1st ed.
    DDC: 780.89
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    Keywords: Musikethnologie ; Weltmusik ; Ensemble ; Volksmusikgruppe ; Musikerziehung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Performing Ethnomusicology is the first book to deal exclusively with creating, teaching, and contextualizing academic world music performing ensembles. Considering the formidable theoretical, ethical, and practical issues that confront ethnomusicologists who direct such ensembles, the sixteen essays in this volume discuss problems of public performance and the pragmatics of pedagogy and learning processes. Their perspectives, drawing upon expertise in Caribbean steelband, Indian, Balinese, Javanese, Philippine, Mexican, Central and West African, Japanese, Chinese, Middle Eastern, and Jewish klezmer ensembles, provide a uniquely informed and many-faceted view of this complicated and rapidly changing landscape. The authors examine the creative and pedagogical negotiations involved in intergenerational and intercultural transmission and explore topics such as reflexivity, representation, hegemony, and aesthetically determined interaction. Performing Ethnomusicology affords sophisticated insights into the structuring of ethnomusicologists' careers and methodologies. This book offers an unprecedented rich history and contemporary examination of academic world music performance in the West, especially in the United States. "Performing Ethnomusicology is an important book not only within the field of ethnomusicology itself, but for scholars in all disciplines engaged in aspects of performance-historical musicology, anthropology, folklore, and cultural studies. The individual articles offer a provocative and disparate array of threads and themes, which Solís skillfully weaves together in his introductory essay. A book of great importance and long overdue."-R. Anderson Sutton, author of Calling Back the Spirit Contributors: Gage Averill, Kelly Gross, David Harnish, Mantle Hood, David W. Hughes, Michelle Kisliuk, David Locke, Scott Marcus, Hankus Netsky,...
    Abstract: Ali Jihad Racy, Anne K. Rasmussen, Ted Solís, Hardja Susilo, Sumarsam, Ricardo D. Trimillos, Roger Vetter, J. Lawrence Witzleben.
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  • 74
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    Online Resource
    Berkeley : University of California Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780520930490
    Language: English
    Pages: 1 Online-Ressource (276 pages)
    Edition: 1st ed.
    DDC: 781.24095982
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    Keywords: Gamelan ; Zentraljava
    Abstract: The gamelan music of Central Java is one of the world's great orchestral traditions. Its rich sonic texture is not based on Western-style harmony or counterpoint, but revolves around a single melody. The nature of that melody, however, is puzzling. In this book, Marc Perlman uses this puzzle as a key to both the art of the gamelan and the nature of musical knowledge in general. Some Javanese musicians have suggested that the gamelan's central melody is inaudible, an implicit or "inner" melody. Yet even musicians who agree on its existence may disagree about its shape. Drawing on the insights of Java's most respected musicians, Perlman shows how irregularities in the relationships between the melodic parts have suggested the existence of "unplayed melodies." To clarify the differences between these implicit-melody concepts, Unplayed Melodies tells the stories behind their formulation, identifying each as the creative contribution of an individual musician in a postcolonial context (sometimes in response to Western ethnomusicological theories). But these stories also contain evidence of the general cognitive processes through which musicians find new ways to conceptualize their music. Perlman's inquiry into these processes illuminates not only the gamelan's polyphonic art, but also the very sources of creative thinking about music.
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  • 75
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    Online Resource
    Berkeley : University of California Press
    ISBN: 0520238745 , 0520238311
    Language: English
    Pages: vii, 322 p
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780/.89
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    Keywords: Ethnomusicology ; World music Instruction and study ; Folk music groups ; Weltmusik ; Volksmusikgruppe ; Ensemble ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Weltmusik ; Ensemble ; Volksmusikgruppe
    Note: Includes bibliographical references (p. 289-302) and index
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  • 76
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 0520938437 , 9780520938434
    Language: English
    Pages: 1 online resource (297 pages)
    Parallel Title: Erscheint auch als
    DDC: 781.64/089/96073
    RVK:
    Keywords: Geschichte ; MUSIC / Genres & Styles / Pop Vocal ; MUSIC / General ; African Americans in popular culture ; African Americans / Music ; Popular music / Social aspects ; Gesellschaft ; Musik ; Schwarze. USA ; African Americans Music ; History and criticism ; Popular music Social aspects ; African Americans in popular culture ; Musik ; Schwarze ; USA ; USA ; USA ; Musik ; Schwarze ; Geschichte
    Description / Table of Contents: Covering the vast and various terrain of African American music, this text begins with an account of the author's own musical experiences with family and friends on the South Side of Chicago. It goes on to explore the global influence and social relevance of African American music
    Note: Print version record
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  • 77
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 1578066085 , 1578066093
    Language: English
    Pages: XXVII, 292 S. , Notenbeisp.
    DDC: 781.65/09
    RVK:
    RVK:
    Keywords: Geschichte ; Jazz - Histoire et critique ; Jazz History and criticism ; Jazz ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Jazz ; Geschichte
    Abstract: Essays in this collection describe the seldom-acknowledged contributions non-Americans have made to the art and explore the social and ideological crises jazz initiated around the globe.
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  • 78
    Online Resource
    Online Resource
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780520938434 , 0520938437
    Language: English
    Pages: 1 Online-Ressource (297 pages)
    DDC: 781.6408996073
    RVK:
    Keywords: Geschichte ; Afroamerikanische Musik
    Abstract: Covering the vast and various terrain of African American music, this text begins with an account of the author's own musical experiences with family and friends on the South Side of Chicago. It goes on to explore the global influence and social relevance of African American music.
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  • 79
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 0520936531 , 1417508094 , 9780520936539 , 9781417508099
    Language: English
    Pages: Online-Ressource (xiv, 332 p) , ill
    Edition: Online-Ausg.]
    Parallel Title: Print version China's new voices
    DDC: 306.4/84
    RVK:
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    Keywords: Popular music Social aspects ; Popular music Political aspects ; China Civilization 1976-
    Note: Includes bibliographical references (p. 291-309) and index
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  • 80
    Online Resource
    Online Resource
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780520926967 , 052092696X , 0585465886 , 9780585465883 , 0520228871 , 9780520228870 , 0520228898 , 9780520228894 , 159734690X , 9781597346900 , 1282758934 , 9781282758933
    Language: English
    Pages: 1 Online-Ressource (xiii, 223 pages) , Illustrations
    DDC: 781.65
    RVK:
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    Keywords: Jazz ; USA
    Abstract: From its beginning, jazz has presented a contradictory social world: jazz musicians have worked diligently to erase old boundaries, but they have just as resolutely constructed new ones. David Ake's book considers the diverse musics and related identities that jazz communities have shaped over the course of the twentieth century, exploring the many ways in which jazz musicians and audiences experience and understand themselves, their music, their communities, and the world at large. Writing as a professional pianist and composer, the author looks at evolving meanings, values, and ideals--as well as the sounds--that musicians, audiences, and critics carry to and from the various activities they call jazz. Among the compelling topics he discusses is the "visuality" of music: the relationship between performance demeanor and musical meaning. Focusing on pianists Bill Evans and Keith Jarrett, Ake investigates the ways in which musicians' postures and attitudes influence perceptions of them as profound and serious artists. In another essay, Ake examines the musical values and ideals promulgated by college jazz education programs through a consideration of saxophonist John Coltrane. He also discusses the concept of the jazz "standard" in the 1990s and the differing sense of tradition implied in recent recordings by Wynton Marsalis and Bill Frisell. Jazz cultures shows how jazz history has not consisted simply of a smoothly evolving series of musical styles, but rather an array of individuals and communities engaging with disparate--and oftentimes conflicting--actions, ideals, and attitudes.
    Note: Includes bibliographical references (pages 177-208) and index
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  • 81
    Online Resource
    Online Resource
    Berkeley : University of California Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780520935655
    Language: English
    Pages: 1 Online-Ressource (255 Seiten)
    Edition: 1st edition
    DDC: 781.62924
    RVK:
    Keywords: Klezmer ; Jews -- Music -- Congresses ; Klezmer music -- Congresses ; USA ; Konferenzschrift 1996 ; Konferenzschrift 1996 ; Conference papers and proceedings ; Konferenzschrift 1996
    Abstract: Klezmer, the Yiddish word for a folk instrumental musician, has come to mean a person, a style, and a scene. This musical subculture came to the United States with the late-nineteenth-century Jewish immigrants from Eastern Europe. Although it had declined in popularity by the middle of the twentieth century, this lively music is now enjoying recognition among music fans of all stripes. Today, klezmer flourishes in the United States and abroad in the world music and accompany Jewish celebrations. The outstanding essays collected in this volume investigate American klezmer: its roots, its evolution, and its spirited revitalization. The contributors to American Klezmer include every kind of authority on the subject--from academics to leading musicians--and they offer a wide range of perspectives on the musical, social, and cultural history of klezmer in American life. The first half of this volume concentrates on the early history of klezmer, using folkloric sources, records of early musicians unions, and interviews with the last of the immigrant musicians. The second part of the collection examines the klezmer "revival" that began in the 1970s. Several of these essays were written by the leaders of this movement, or draw on interviews with them, and give firsthand accounts of how klezmer is transmitted and how its practitioners maintain a balance between preservation and innovation.
    Note: Description based on publisher supplied metadata and other sources
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  • 82
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781604736762
    Language: English
    Pages: 1 Online-Ressource (191 pages)
    DDC: 781.654
    RVK:
    Keywords: Musikleben ; Swing ; USA
    Abstract: It was for stage bands, for dancing, and for a jiving mood of letting go. Throughout the nation swing re-sounded with the spirit of good times. But this pop genre, for a decade America's favorite, arose during the worst of times, the Great Depression. From its peak in the 1930s until bebop, r & b, and country swamped it after World War II, swing defined an American generation and measured America's musical heartbeat. In its heyday swing reached a mass audience of very disparate individuals and united them. They perceived in the tempers and tempos of swing the very definition of modernity. A survey of the thirties reveals that the time was indeed the Swing Era, America's segue into modernity. What social structures encouraged swing's creation, acceptance, and popularity? Swing, That Modern Sound examines the cultural and historical significance of swing and tells how and why it achieved its audience, unified its fans, defined its generation, and, after World War II, fell into decline. What fed the music? And, in turn, what did the music feed? This book shows that swing manifested the kind of up-to-date allure that the populace craved. Swing sounded modern, happy, optimistic. It flouted the hardship signals of the Great Depression. The key to its rise and appeal, this book argues, was its all-out appropriation of modernity--consumer advertising, the language and symbols of consumption, and the public's all-too-evident wish for goods during a period of scarcity. As it examines the role of race, class, and gender in the creation of this modern music, Swing, That Modern Sound tells how a music genre came to symbolize the cultural revolution taking place in America. Kenneth J. Bindas is an associate professor of history at Kent State University, Trumbull Campus, in Warren, Ohio. He is the author of All of This Music Belongs to the...
    Abstract: Nation: The WPA's Federal Music Project and American Society, 1935--1939.
    Note: Description based on publisher supplied metadata and other sources
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  • 83
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi
    ISBN: 9781604735970 , 160473597X , 1578063337 , 9781578063338 , 1578063345 , 9781578063345 , 1283382024 , 9781283382021
    Language: English
    Pages: 1 Online-Ressource (xvii, 184 pages)
    Series Statement: American made music series
    DDC: 781.643/092
    RVK:
    Keywords: Rachell, Yank ; Rachell, Yank ; Rachell, Yank ; Rachell, Yank ; Rachell, Yank ; BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians ; MUSIC / Genres & Styles / Blues ; MUSIC / Genres & Styles / Soul & R 'n B. ; African American musicians ; Blues (Music) ; Blues musicians ; Biographie ; Blues musicians Biography ; African American musicians Biography ; Blues (Music) History and criticism ; USA ; Biografie ; Rachell, Yank 1908-1997
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references (pages 177-178) , discography (p. 143-157) , and index , Blues Mandolin Man - 3 -- - Appendix 1 - Comments on Yank Rachell's Mandolin Style - Rich DelGrosso - 89 -- - Appendix 2 - Comments on Yank Rachell's Guitar Style - David Evans - 93 -- - Appendix 3 - Interviews - 97 -- - Appendix 4 - Musicians - 125 -- - Appendix 5 - Brownsville Lynching - 139 , Yank Rachell and his mandolin playing style moved every musician lucky enough to hear him perform in the early sixties. When he died in April 1997, he left behind a stack of unanswered requests to tour Europe and to play blues festivals in the United States. In Blues Mandolin Man: The Life and Music of Yank Rachell, Richard Congress delivers the first biography of a family man whose playing inspired and energized the likes of David Honeyboy Edwards, Sleepy John Estes, and Henry Townsend. No other biography discusses the mandolin's influence and role in the blues. Guitar great Ry Cooder said, "
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  • 84
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi
    ISBN: 9781604737271 , 1604737271 , 1283382032 , 9781283382038
    Language: English
    Pages: 1 Online-Ressource (xxxi, 232 pages)
    Series Statement: American made music series
    DDC: 782.421644/092/273
    RVK:
    Keywords: BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians ; MUSIC / Printed Music / General ; MUSIC / Genres & Styles / Soul & R 'n B. ; Soul musicians ; Women singers ; Women singers Biography ; Soul musicians Biography ; Sängerin ; Soul ; USA ; USA ; Biografie ; Biographie ; USA ; Soul ; Sängerin
    Note: Includes bibliographical references (pages 211-213) , selected discography (p. 205-209) , and index , Denise LaSalle : true-to-life stuff -- Ruby Johnson : having soul for it -- Carla Thomas : Memphis's reluctant soul queen -- Bettye LaVette : buzzard luck -- Barbara Mason : a lot of life in a short time -- Maxine Brown : story of a soul legend -- Timi Yuro : giving them the truth of me , American soul music of the 1960s is one of the most creative and influential musical forms of the twentieth century. With its merging of gospel, R & B, country, and blues, soul music succeeded in crossing over from African American culture into the general pop culture. Soul became the byword for the styles, attitudes, and dreams of an entire era. Female performers were responsible for some of the most enduring and powerful contributions to the genre. All too frequently overlooked by the star-making critics, seven of these women are profiled in this book -Maxine Brown, Ruby Johnson, Denise LaSalle, Bettye LaVette, Barbara Mason, Carla Thomas, and Timi Yuro. Getting started during the heyday of soul, each of these talented women had recording contracts and gave live performances to appreciative audiences. Their careers can be tracked through the popularity of soul during the 1960s and its decline in the 1970s. , With humor, candor, pride, and honest recognition that their careers did not surge into the mainstream and gain superstardom, they recount individual stories of how they struggled for success. Their oral histories as told to David Freeland address compelling issues, including racism and sexism within the music industry. They discuss their grueling hardships on the road, their conflicts with male managers, and the cutthroat competition in the recording business. As each singer examines her career with the author, she reveals the dreams, hopes, and desires on which she has built her professional life. All seven face up to the career swings, from the highs of releasing the first hit to the frustrating lows when the momentum stops. Although the obstacles to stardom are heartbreaking, these singers are committed to their art. With determination and style these seven have pressed onward with club appearances and recordings. , They survive through their savvy mix of talent, hubris, and honesty about their lives and their music. David Freeland is an oral historian and artistic adviser of a performance series at Columbia University's Miller Theatre. He has been a guest lecturer at Columbia's School for Social Work
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  • 85
    ISBN: 0520225414 , 9780520225411
    Language: English
    Pages: xv, 260 Seiten , Illustrationen, Notenbeispiele , 23 cm
    Edition: First California paperback
    Parallel Title: Erscheint auch als Brackett, David, 1958 - Interpreting popular music
    DDC: 782.42163146
    RVK:
    Keywords: Popular music History and criticism ; Popular music Analysis, appreciation ; Popular music History and criticism ; Popular music History and criticism ; Popular music Analysis, appreciation ; Unterhaltungsmusik
    Note: Discography: Seiten 249-250 , Literaturverzeichnis: Seiten 237-248 , Originally published: Cambridge University Press, 1995
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  • 86
    Online Resource
    Online Resource
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780520928985 , 0520928989
    Language: English
    Pages: 1 Online-Ressource (362 pages)
    DDC: 781.65
    RVK:
    Keywords: Jazz ; Jazzmusiker ; USA
    Abstract: Floyd Levin, an award-winning jazz writer, has personally known many of the jazz greats who contributed to the music's colorful history. In this collection of his articles, published mostly in jazz magazines over a fifty-year period, Levin takes us into the nightclubs, the recording studios, the record companies, and, most compellingly, into the lives of the musicians who made the great moments of the traditional jazz and swing eras. Brilliantly weaving anecdotal material, primary research, and music analysis into every chapter, Classic Jazz: A Personal View of the Music and the Musicians is a.
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  • 87
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 1578061733 , 1578061741
    Language: English
    Pages: xiii, 156 Seiten , Illustrationen , 22 cm
    DDC: 305.800284
    RVK:
    RVK:
    RVK:
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    Keywords: Sound recordings in ethnology History ; Sound recordings in ethnomusicology History ; Phonograph History ; Cylinder recordings History ; Cylinder recordings Collectors and collecting ; Musik ; Schallaufzeichnung
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Literaturverzeichnis: Seiten 135-147
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  • 88
    Online Resource
    Online Resource
    Berkeley : University of California Press | [Ann Arbor, Michigan] : [ProQuest]
    Language: English
    Pages: xii, 379 p. , Ill.
    DDC: 781.642/09794
    RVK:
    Keywords: Geschichte 1920-1999 ; Countrymusic ; Kalifornien
    Note: Includes bibliographical references (p. 335-356) and indexes
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  • 89
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 0520206274 , 0520206282
    Language: English
    Pages: x, 507 p.
    Series Statement: Music of the African diaspora 1
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780/.89/960730794
    RVK:
    Keywords: Musik ; Schwarze. USA ; African Americans Music ; History and criticism ; Popular music History and criticism ; Afroamerikanische Musik ; Geschichte ; Kalifornien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Kalifornien ; Afroamerikanische Musik ; Geschichte
    Description / Table of Contents: Music in an urban environment -- Music and the media -- The musician as innovator -- Source materials
    Note: Includes bibliographical references and index
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  • 90
    Online Resource
    Online Resource
    Alexandria, VA : Alexander Street Press | Jackson : University Press of Mississippi
    Language: English
    Pages: 1 Online-Ressource (xxiii, 166 p.)
    Edition: Reproduction s.l
    Series Statement: Music Online Reference
    Series Statement: African American music reference
    DDC: 306.4/84
    RVK:
    RVK:
    Keywords: Jazz in literature ; Jazz ; Social aspects ; United States ; Race in literature ; Gesellschaft ; USA ; United States / Race relations
    Note: Includes bibliographical references (p. [153]-160) and index. - Erscheinungsjahr in Vorlageform:c1997
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  • 91
    Online Resource
    Online Resource
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780520911079 , 0520911075 , 0585108455 , 9780585108452
    Language: English
    Pages: 1 Online-Ressource (xxvi, 481 pages) , Illustrations
    DDC: 786.8/848/0931
    RVK:
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    Note: Revision of the author's thesis (Ph. D.)--Harvard University, 1988 , Includes bibliographical references (pages 415-462) and index
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  • 92
    Online Resource
    Online Resource
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780520913837 , 0520913833 , 0585132127 , 9780585132129
    Language: English
    Pages: 1 Online-Ressource (xvii, 233 pages) , Illustrations
    Series Statement: Comparative studies of health systems and medical care
    DDC: 615.8/82/09595
    RVK:
    Keywords: Musik ; Medizin ; Senoi ; Malaysia
    Note: Discography: page 190 , Includes bibliographical references (pages 209-224) nd index
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  • 93
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 0878051570 , 9781604731675
    Language: English
    Pages: XIV, 215 Seiten
    DDC: 784.4/973
    RVK:
    Keywords: Folk music History and criticism ; Volkstümliche Musik ; Volksmusik ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Volksmusik ; USA ; Volkstümliche Musik ; Volkstümliche Musik
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  • 94
    Book
    Book
    Berkeley : University of California Press
    ISBN: 0520036719
    Language: English
    Pages: XIX, 248 Seiten , Illustrationen, Notenbeispiele
    DDC: 781.57209041
    RVK:
    RVK:
    Keywords: Geschichte ; Geschichte 1900- ; Ragtime ; Geschichte ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Literaturverzeichnis Seite 215 - 237
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