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  • GBV  (1,816)
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  • Konferenzschrift
  • American Studies  (1,142)
  • Musicology  (694)
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  • 1
    Language: German
    Pages: TIFF, 300 dpi, Farbe; Digitalisierungsvorlage: Primärausgabe
    Edition: Online-Ausgabe Greifswald Universitätsbibliothek 2021 Digitalisierte Drucke der Universitätsbibliothek Greifswald
    Parallel Title: Elektronische Reproduktion von Lutz, Hartmut, 1945 - "Indianer" und "Native Americans"
    Dissertation note: Habilitationsschrift Universität Osnabrück 1982
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    Keywords: Hochschulschrift ; USA ; Literatur ; Indianer ; Indianer ; Literatur ; Deutsch ; USA ; Indianer ; Indianer ; Literatur ; Indianer ; USA ; Kultur ; Geschichte 1500-1985 ; USA ; Literatur ; Indianer ; Geschichte 1700-1985 ; Indianer ; USA ; Sozialgeschichte 1500-1985 ; Indianer ; USA ; Stereotyp ; Indianer ; Geschichte ; Deutschland ; Stereotyp ; Indianer ; Geschichte
    Note: Erscheinungsjahr aus dem Vorwort ermittelt , UB Greifswald , Maschinenschrift
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  • 2
    Language: German
    Pages: 300 mm x 300 mm, 1450 g
    DDC: 780
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    Keywords: Bildband ; Gespräch ; Reimer, Arne 1972- ; USA ; Jazzmusiker ; Gespräch ; Reimer, Arne 1972- ; Porträtfotografie ; Jazzmusiker ; USA
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  • 3
    Book
    Book
    Paris : Éd. du Centre National de la Recherche Scientifique
    Language: French
    Series Statement: Le chœur des muses
    DDC: 394.2/694
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    Keywords: Charles Congresses ; Festivals Congresses ; Renaissance Congresses ; Europe Congresses Social life and customs ; Konferenzschrift ; Renaissance ; Fest ; Europa ; Fest ; Geschichte 1420-1600
    Note: Erschienen: 1 - 3
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  • 4
    Language: German
    Parallel Title: Elektronische Reproduktion Lutz, Hartmut, 1945 - "Indianer" und "Native Americans"
    Dissertation note: Habilitationsschrift Universität Osnabrück 1982
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    Keywords: Hochschulschrift ; USA ; Literatur ; Indianer ; Indianer ; Literatur ; Deutsch ; USA ; Indianer ; Indianer ; Literatur ; Indianer ; USA ; Kultur ; Geschichte 1500-1985 ; USA ; Literatur ; Indianer ; Geschichte 1700-1985 ; Indianer ; USA ; Sozialgeschichte 1500-1985 ; Indianer ; USA ; Stereotyp ; Indianer ; Geschichte ; Deutschland ; Stereotyp ; Indianer ; Geschichte
    Note: Erscheinungsjahr aus dem Vorwort ermittelt , Maschinenschrift
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  • 5
    Book
    Book
    Hofheim am Taunus : Wolke Verlag | Darmstadt : Jazzinstitut Darmstadt
    ISBN: 9783955930189 , 3955930181
    Language: English , German
    Pages: 264 Seiten , Illustrationen , 21.5 cm x 15 cm, 600 g
    Edition: Originalausgabe
    Series Statement: Darmstädter Beiträge zur Jazzforschung 18
    Series Statement: Darmstädter Beiträge zur Jazzforschung 18
    Series Statement: Darmstädter Beiträge zur Jazzforschung
    DDC: 780
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    Keywords: Jazz ; Jazzgeschichte ; Zukunft des Jazz ; Konferenzschrift 28.09.2021-30.09.2023 ; Konferenzschrift ; Konferenzschrift
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  • 6
    ISBN: 9781648250637
    Language: English
    Pages: xvi, 252 Seiten , Illustrationen , 23 cm
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
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    Keywords: Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Description / Table of Contents: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
    URL: Cover  (lizenzpflichtig)
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  • 7
    ISBN: 9783111060590
    Language: English
    Pages: 1 Online-Ressource (X, 286 p.)
    Edition: Issued also in print
    Series Statement: Buchreihe der Anglia / Anglia Book Series 82
    Parallel Title: Erscheint auch als
    DDC: 302.4
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    Keywords: American literary history ; network model ; relational epistemology ; USA ; Literatur ; Netzwerk ; Geschichte 1800-2023 ; USA ; Literatur ; Vernetzung ; Netzwerktheorie
    Abstract: Spider Web, Labyrinth, Tightrope Walk explores the shifting functions of the network as a metaphor, model, and as an epistemological framework in US American literature and culture from the 19th century until today. The book critically inquires into the literary, cultural, philosophical, and scientific rhetoric, values, and ideological underpinnings that have given rise to the network concept. Literature and culture play a major role in the ways in which networks have been imagined and how they have evolved as conceptual models. This study regards networks as historically emergent and culturally constructed formations closely tied with the development of knowledge technologies in the process of modernization as well as with an increasingly critical awareness of network technologies and infrastructures. While the rise of the network in scientific, philosophical, political and sociological discourses has received wide attention, this book contributes an important cultural and historical perspective to network theory by demonstrating how US American literature and culture have been key sites for thinking in and about networks in the past two centuries
    Note: Frontmatter , Contents , Acknowledgements , Permissions Spider Web, Labyrinth, Tightrope Walk , 1 Introduction: The Network in US American Literature and Culture , 2 Project(ing an) Interconnected America: Nineteenth Century Visions of Material Networks, Transcendental Links, and Alternative Communities , 3 “A Movement Toward Expanded Connectedness” – Networks of Evolution in Pragmatist and Naturalist Literature , 4 Mapping Alternatives: Postwar Networks and the Forking Paths of Knowledge , 5 Recentering the Human: Contemporary Fiction and the Popularization of the Network , 6 Conclusion , Works Cited , Index , Issued also in print , In English
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
    URL: Cover
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  • 8
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    New Brunswick ; Camden ; Newark ; London ; Oxford : Rutgers University Press
    ISBN: 9781978824652 , 9781978824669
    Language: English
    Pages: xv, 161 Seiten
    Uniform Title: The souls of black folk
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.8960730207
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    Keywords: Soziale Situation ; Rassendiskriminierung ; Schwarze ; USA ; Comic ; Comic ; Comic ; Comic ; USA ; Rassendiskriminierung ; Schwarze ; Soziale Situation
    Abstract: With Souls of Black Folk (first published in 1903), W.E.B. Du Bois famously set forth his analysis of the folk culture, including religious folk culture, that would be the basis for future progress. In doing so, he pleaded for education and a new sensibility. But he made clear that the promise of these would not come from the outside
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  • 9
    ISBN: 9780374609900
    Language: English
    Pages: 244 Seiten , Illustrationen , 22 cm
    Edition: First edition
    DDC: 305.868073
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    Keywords: Soziale Situation ; Ethnische Identität ; Einwanderung ; Lateinamerikaner ; USA ; Hispanic Americans / Ethnic identity ; Hispanic Americans / Social conditions ; Immigrants / United States / Social conditions ; United States / Race relations ; HISTORY / United States / General ; Hispanic Americans / Ethnic identity ; Hispanic Americans / Social conditions ; Immigrants / Social conditions ; Race relations ; United States ; Lateinamerikaner ; Soziale Situation ; USA ; Einwanderung ; Ethnische Identität
    Abstract: "A new book by the Pulitzer Prize-winning writer about the twenty-first-century Latino experience and identity"--
    Abstract: "Latino" is the most open-ended and loosely defined of the major race categories in the United States. Our Migrant Souls: A Meditation on Race and the Meanings and Myths of "Latino" assembles the Pulitzer Prize winner Héctor Tobar's personal experiences as the son of Guatemalan immigrants and the stories told to him by his Latinx students to offer a spirited rebuke to racist ideas about Latino people. Our Migrant Souls decodes the meaning of "Latino" as a racial and ethnic identity in the modern United States, and seeks to give voice to the angst and anger of young Latino people who have seen Latinidad transformed into hateful tropes about "illegals" and have faced insults, harassment, and division based on white insecurities and economic exploitation
    Description / Table of Contents: Prologue: Our migrant souls -- Part I: Our country -- Empires ; Walls ; Beginnings ; Cities ; Race ; Intimacies ; Secrets ; Ashes ; Lies ; Part II: Our journey's home -- Light ; Home ; Conclusion: Utopias
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  • 10
    Online Resource
    Online Resource
    Frankfurt u.a : Campus Frankfurt / New York
    ISBN: 9783593450766
    Language: German
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 786.2
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    Keywords: Geschichte 1830-1940 ; Geschichte ; Kulturwissenschaft ; Deutschland ; USA ; Österreich ; Globalgeschichte ; global ; Südafrika ; Musik ; Japan ; Vereinigte Staaten ; Kosmopolitismus ; Verflechtungsgeschichte ; Instrument ; Musikgeschichte ; Musikwissenschaft ; Transkulturalität ; Musikkultur ; Klavier ; Piano ; Kunstmusik ; Pianoforte ; Klavierkultur ; Instrumentenhandel ; Konservatorium ; Musiktransfer ; Tasteninstrumente ; Klavierspiel ; Klavier lernen ; Klavier spielen ; Klavier ; Kulturimperialismus ; Musikwirtschaft ; Klaviermusik ; Hochschulschrift ; Klavier ; Klaviermusik ; Musikwirtschaft ; Kulturimperialismus ; Geschichte 1830-1940
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 11
    ISBN: 9783030935504 , 3030935507
    Language: English
    Pages: x, 287 Seiten , Illustrationen , 21 cm
    Parallel Title: Erscheint auch als
    DDC: 810.9355
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    Keywords: American literature History and criticism 19th century ; American literature History and criticism 20th century ; American literature History and criticism 21st century ; Social change in literature ; Sociology in literature ; American literature ; Civilization ; Social change in literature ; Social conditions ; Sociology in literature ; Criticism, interpretation, etc ; United States Civilization ; United States Social conditions ; United States ; Bourdieu, Pierre 1930-2002 ; Elias, Norbert 1897-1990 ; USA ; Literatur ; Literatursoziologie
    Note: Enthält Literaturangaben und Index
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  • 12
    ISBN: 9780231189187 , 9780231189194
    Language: English
    Pages: xiii, 275 Seiten , Illustrationen
    Series Statement: Leonard Hastings Schoff memorial lectures
    Parallel Title: Erscheint auch als O'Meally, Robert G., 1948- Antagonistic cooperation
    DDC: 781.650973
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    Keywords: Jazz History and criticism ; African American art ; American literature African American authors ; History and criticism ; African Americans Social life and customs ; Music and literature ; Art and music ; Collage ; Lectures ; USA ; Schwarze ; Musik ; Jazz ; Kunst ; Literatur ; Geschichte 1900-2000 ; Modern Jazz ; Collage ; Fiktion ; USA ; Kunst ; Schwarze
    Abstract: This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare Bearden to Duke Ellington and Toni Morrison -- Hare and Bear : The Racial Profiles of Satchmo's Smile -- The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished.
    Abstract: "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"--
    Note: Includes index
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  • 13
    ISBN: 9783458642909 , 3458642900
    Language: German
    Pages: 608 Seiten, 16 ungezählte Seiten , Illustrationen , 21 cm x 12.5 cm
    Edition: Erste Auflage, Deutsche Erstausgabe
    Uniform Title: Flappers
    Parallel Title: Erscheint auch als
    DDC: 305.42097309042
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    Keywords: Biografie ; Flapper ; Cooper, Diana 1892-1986 ; Cunard, Nancy 1896-1965 ; Baker, Josephine 1906-1975 ; Bankhead, Tallulah 1902-1968 ; Fitzgerald, Zelda 1900-1948 ; De Lempicka, Tamara 1898-1980 ; Bankhead, Tallulah 1902-1968 ; Fitzgerald, Zelda 1900-1948 ; Baker, Josephine 1906-1975 ; Cooper, Diana 1892-1986 ; Cunard, Nancy 1896-1965 ; De Lempicka, Tamara 1898-1980 ; USA ; Jazz ; Junge Frau ; Sexuelle Revolution ; Geschichte 1920-1929
    Abstract: Die britische Autorin und Kritikerin Judith Mackrell erzählt in diesem reich bebilderten und spannend geschriebenen Buch von sechs Frauen, die zu Ikonen der ?Roaring Twenties? wurden: der Tänzerin und Sängerin Josephine Baker, der Schriftstellerin und Tänzerin Zelda Fitzgerald, den Schauspielerinnen Tallulah Bankhead und Lady Diana Cooper, der Publizistin und Verlegerin Nancy Cunard und der Malerin Tamara de Lempicka. (Verlagsinformation)
    Note: Literaturverzeichnis: Seite 593-596
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  • 14
    ISBN: 9781839766121
    Language: English
    Pages: xi, 261 Seiten
    Edition: Paperback edition
    DDC: 305.89604
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    Keywords: Geistesgeschichte ; Geschichte 1900-1950 ; Geistesleben ; Kultur ; Schwarze ; USA ; USA ; Geistesleben ; Schwarze ; USA ; Schwarze ; Kultur ; Geschichte 1900-1950 ; Schwarze ; Geistesgeschichte
    Note: First published in the United Kingdom by Verso 1993
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  • 15
    ISBN: 9781793613851
    Language: English
    Pages: x, 363 Seiten
    Parallel Title: Online version Fowler, Beth (Beth Nicole) Rock and roll, desegregation movements, and racism in the post-civil rights era
    DDC: 781.6609730904
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    Keywords: Geschichte 1946-1964 ; Bürgerrechtsbewegung ; Rock 'n' Roll ; USA ; Rock music / United States / To 1961 / History and criticism ; Rock music / United States / 1961-1970 / History and criticism ; Rhythm and blues music / History and criticism ; Music and race / United States / History / 20th century ; Segregation / United States / History / 20th century ; Rock (Musique) / États-Unis / 1961-1970 / Histoire et critique ; Musique et race / États-Unis / Histoire / 20e siècle ; Ségrégation / États-Unis / Histoire / 20e siècle ; Rock (Musique) / États-Unis / Jusqu'à 1961 / Histoire et critique ; Music and race ; Rhythm and blues music ; Rock music ; Segregation ; United States ; To 1999 ; Criticism, interpretation, etc ; History ; Hochschulschrift ; Hochschulschrift ; USA ; Rock 'n' Roll ; Bürgerrechtsbewegung ; Geschichte 1946-1964
    Abstract: "This book uses archival research and analyses of musical performances and original oral histories to explore the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era"--
    Description / Table of Contents: Introduction. "A Subtle Defiance in the Songs" -- Shufflin' 'Til the Break of Dawn," 1946-1953 -- "If It's a Hit, It's a Hit," 1954-1956 -- "A Teen Ager in Love," 1957-1960 -- "They'd All Be Dancing Together," 1961-1964 -- "A Drummer With a Totally Different Beat," The Post-Civil Rights Era
    URL: Cover
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  • 16
    ISBN: 9783825349271
    Language: English
    Pages: 563 Seiten , Illustrationen , 21 cm x 13.5 cm
    Series Statement: American Studies - a monograph series volume 318
    Series Statement: American Studies - a monograph series
    Parallel Title: Erscheint auch als
    DDC: 306.0973
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    Keywords: Popular culture studies ; Popkultur ; Massenkultur ; USA ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 2019 ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 2019 ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; USA ; Massenkultur ; Popkultur ; USA ; Popkultur
    Note: S.20: "This volume would not exist without the conference 'U.S.-American Culture as Popular Culture' (...) took place from June 13-15,2019 at the University of Hamburg."
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 17
    Book
    Book
    New York : Penguin Press
    ISBN: 9780735217959
    Language: English
    Pages: 370 Seiten
    DDC: 306.0973/09049
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    Keywords: Popular culture History 20th century ; United States Civilization 1970- ; United States Social life and customs 1971- ; United States Intellectual life 20th century ; USA ; Alltagskultur ; Pop-Kultur ; Geschichte 1990-2000
    Abstract: It was long ago, but not as long as it seems: The Berlin Wall fell and the Twin Towers collapsed. In between, one presidential election was allegedly decided by Ross Perot while another was plausibly decided by Ralph Nader. In the beginning, almost every name and address was listed in a phone book, and everyone answered their landlines because you didn’t know who it was. By the end, exposing someone’s address was an act of emotional violence, and nobody picked up their new cell phone if they didn’t know who it was. The 90s brought about a revolution in the human condition we’re still groping to understand. Happily, Chuck Klosterman is more than up to the job. Beyond epiphenomena like "Cop Killer" and Titanic and Zima, there were wholesale shifts in how society was perceived: the rise of the internet, pre-9/11 politics, and the paradoxical belief that nothing was more humiliating than trying too hard. Pop culture accelerated without the aid of a machine that remembered everything, generating an odd comfort in never being certain about anything. On a 90’s Thursday night, more people watched any random episode of Seinfeld than the finale of Game of Thrones. But nobody thought that was important; if you missed it, you simply missed it. It was the last era that held to the idea of a true, hegemonic mainstream before it all began to fracture, whether you found a home in it or defined yourself against it. In The Nineties, Chuck Klosterman makes a home in all of it: the film, the music, the sports, the TV, the politics, the changes regarding race and class and sexuality, the yin/yang of Oprah and Alan Greenspan. In perhaps no other book ever written would a sentence like, “The video for ‘Smells Like Teen Spirit’ was not more consequential than the reunification of Germany” make complete sense. Chuck Klosterman has written a multi-dimensional masterpiece, a work of synthesis so smart and delightful that future historians might well refer to this entire period as Klostermanian.
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Enthält Literaturangaben und ein Register
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  • 18
    ISBN: 9783030999438
    Language: English
    Pages: xiv, 224 Seiten , 21 cm
    Series Statement: African American philosophy and the African diaspora
    Parallel Title: Erscheint auch als
    DDC: 305.8
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    Keywords: Racism ; USA ; Literatur ; Antirassismus ; Philosophie
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  • 19
    ISBN: 9783423290098 , 3423290099
    Language: German
    Pages: 238 Seiten , 21 cm x 13.5 cm
    Uniform Title: Notes of a native son
    DDC: 305.896073
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    Keywords: Autobiografie ; USA ; Schwarze ; Kultur ; Alltag ; Rassismus ; Geschichte 1943-1963
    Abstract: J. Baldwin gilt als einer der bedeutendsten US-amerikanischen Schriftsteller des 20. Jahrhunderts. Seine grossen Themen sind der Rassismus sowie die Fragen nach Identität und Gleichstellung unterschiedlicher ethnischer, sozialer, religiöser oder sexuell orientierter Gruppen. Der Essayband vereint Texte aus den Jahren 1948-1955. Fast immer wählt Baldwin einen persönlichen Zugang zu seinen Themen, egal, ob es um Alltagsphänomene, Kunst, Politik oder Geschichte geht. Dies macht die sprachlich sehr eleganten und geschliffenen Aufsätze sehr authentisch. Besonders eindringlich sind die Essays, die sich mit seiner eigenen Herkunft, Harlem und seinem Stiefvater beschäftigen; ebenso aber die Beschreibungen der Anfeindung und Ausgrenzung, die ihm in einem Dorf in der Schweiz widerfahren sind. Baldwins Texte sind nach über 60 Jahren von bemerkenswerter und erschreckender Aktualität. Die vorliegende Neuübersetzung durch M. Mandelkow ist die erste vollständige deutschsprachige Ausgabe von "Notes of a Native Son" (Original erstmals 1955 erschienen). Die Lektüre ist inspirierend, bereichernd - breit einsetzbar. (2)
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  • 20
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469671567 , 1469671565 , 9781469671550 , 1469671557
    Language: English
    Pages: 1 Online-Ressource (291 pages)
    Parallel Title: Erscheint auch als Hutchins, Zachary McLeod Before Equiano
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    Keywords: Slave narratives History and criticism ; Slavery History 17th century ; American newspapers History 17th century ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; USA ; Sklave ; Zeitung ; Berichterstattung ; Autobiografie ; Geschichte 1690-1789
    Abstract: Introduction. Slavery and the Newspaper: A Foreign Affair -- Sewall's Secret: The Selling of More than Two Dozen Black Africans -- Daniel and the Scotts: The Serialized Stories of Serial Runaways -- Royalty Enslaved: Of Princes, Pretenders, and Politics -- Fighting for, and against, the English: Briton Hammon and the Power of Black Africans' Allegiance -- Narratives of Slavery and the Stamp Act: Dickinson and Crèvecoeur Debate the Racial Limits of a Genre -- Conclusion. After Equiano: The Medium and the Message.
    Abstract: "In the antebellum United States, formerly enslaved men and women who told their stories and advocated for abolition helped establish a new genre with widely recognized tropes: the slave narrative. This book investigates how enslaved black Africans conceived of themselves and their stories before the War of American Independence and the genre's development in the nineteenth century. Zachary McLeod Hutchins argues that colonial newspapers were pivotal in shaping popular understandings of both slavery and the black African experience well before the slave narrative's proliferation. Introducing the voices and art of black Africans long excluded from the annals of literary history, Hutchins shows how the earliest life writing by and about enslaved black Africans established them as political agents in an Atlantic world defined by diplomacy, war, and foreign relations. In recovering their stories, Hutchins sheds new light on how black Africans became Black Americans; how the earliest accounts of enslaved life were composed editorially from textual fragments rather than authored by a single hand; and how the public discourse of slavery shifted from the language of just wars and foreign policy to a heritable, race-based system of domestic oppression."--
    Note: Includes bibliographical references and index
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  • 21
    ISBN: 9780231205023 , 9780231205030
    Language: English
    Pages: xi, 287 Seiten , Illustrationen
    Series Statement: Literature now
    Parallel Title: Erscheint auch als Brooks, John, - 1989- The racial unfamiliar
    DDC: 810.9/896073
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    Keywords: American literature African American authors ; History and criticism ; African American art 21st century ; African Americans Race identity ; Race in literature ; Race in art ; African Americans in literature ; African Americans in art ; African Americans Intellectual life 21st century ; Literary criticism ; USA ; Literatur ; Kunst ; Schwarze ; Ästhetik ; Abstraktion
    Abstract: "Through what strategies might contemporary artists confront cultural assumptions about race? In what ways can the devices that make race feel familiar-such as stereotypes or strategic essentialism-be used to make race feel unfamiliar? What new perspectives might emerge out of such disorienting confrontations? In The Racial Unfamiliar, John Brooks argues that twenty-first-century African American artists have turned to abstractionist aesthetics to complicate and illuminate how we think and see race. Brooks shows that established categories of cultural production-such as "African American art" or "Black history"-reproduce familiar but confining ideas about race, and that some audiences assume such ideas reflect a "truth" about Black identity or Black experience in the United States. Instead of countering representations of race with "authentic" portrayals of African American identity and experience, recent artists have begun exaggerating and overemphasizing them. By inflating and abstracting clichéd representations and stereotypes, these artists expose the incongruities that underlie racist attitudes and refute the idea that any single African American experience exists to be represented. Through the production of illegible misrepresentations of a multitude of black experiences, the literary and visual works considered in this book insist that blackness exceeds categorical representation. Brooks traces the disorienting effects of this experimental aesthetic through a broad array of recent artworks, from novels and plays by Percival Everett and Suzan-Lori Parks to photography by Roy DeCarava and installation art by Kara Walker, to show how contemporary African American cultural production can be understood as an operation in abstracting and upending the cultural determinants that make racial Blackness intelligible"--
    Note: Includes bibliographical references and index
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  • 22
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781009019804
    Language: English
    Pages: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84249
    RVK:
    Keywords: Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Hip-Hop ; Politik ; Recht ; Rassendiskriminierung ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Abstract: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Note: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 23
    Book
    Book
    New York : New York University Press
    ISBN: 9781479829828 , 9781479820733
    Language: English
    Pages: xii, 435 Seiten, 16 ungezählte Seiten , Illustrationen , Breite 152 mm, Hoehe 229 mm
    DDC: 306.76
    RVK:
    Keywords: Geschichte 1970-1991 ; Frauenbewegung ; Geschlechtsidentität ; Homosexuellenbewegung ; LGBT ; Massenmedien ; USA
    Abstract: In this book, Ramzi Fawaz explores how the central values of 1970s movements for women's and gay liberation-including consciousness-raising, separatism, and coming out of the closet-were translated into a range of American popular culture forms. Throughout this period, feminist and gay activists fought social and political battles to expand, transform, or wholly explode definitions of so-called "normal" gender and sexuality. In doing so, they inspired artists, writers, and filmmakers to invent new ways of formally representing, or giving shape to, non-normative genders and sexualities. This included placing women, queers, and gender outlaws of all stripes into exhilarating new environments-from the streets of an increasingly gay San Francisco to a post-apocalyptic commune, from an upper-East Side New York City apartment to an all-female version of Earth-and finding new ways to formally render queer genders and sexualities by articulating them to figures, outlines, or icons that could be imagined in the mind's eye and interpreted by diverse publics. Surprisingly, such creative attempts to represent queer gender and sexuality often appeared in a range of traditional, or seemingly generic, popular forms including the sequential format of comic strip serials, the token figures of science fiction genre, the narrative conventions of film melodrama, and the serialized rhythm of installment fiction. Through studies of queer and feminist cultural productions including Mart Crowley's The Boys in the Band (1970), Armistead Maupin's Tales of the City (1976-1983), Lizzy Borden's Born in Flames (1983), and Tony Kushner's Angels in America (1989-1991), Fawaz show how artists innovated in many popular mediums and genres to make the experience of gender and sexual non-conformity recognizable to mass audiences in the modern US. Ultimately, Queer Forms tells the pre-history of the contemporary renaissance in feminist and LGBTQ political cultures by developing a genealogy of late twentieth-century artifacts that projected images of gender and sexual rebellion, which came to infuse the American popular imagination in the 1970s and after.
    Note: Literaturverzeichnis Seite 407-421
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  • 24
    Online Resource
    Online Resource
    New York : New York University Press
    ISBN: 9781479810932 , 9781479810925
    Language: English
    Pages: 1 Online-Ressource (261 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.896/073
    RVK:
    RVK:
    Keywords: LITERARY CRITICISM / American / African-American ; African Americans ; Age Social aspects ; Blacks ; Human body Social aspects ; Racism ; Altern ; Körper ; Soziale Situation ; Aussehen ; Schwarze ; USA ; USA ; Schwarze ; Körper ; Aussehen ; Altern ; Soziale Situation
    Abstract: A view of transatlantic slavery's afterlife and modern Blackness through the lens of age. Although more than fifty years apart, the murders of Emmett Till and Trayvon Martin share a commonality: Black children are not seen as children. Time and time again, excuses for police brutality and aggression-particularly against Black children- concern the victim "appearing" as a threat. But why and how is the perceived "appearance" of Black persons so completely separated from common perceptions of age and time? Black Age: Oceanic Lifespans and the Time of Black Life posits age, life stages, and lifespans as a central lens through which to view Blackness, particularly with regard to the history of transatlantic slavery. Focusing on Black literary culture of the late twentieth and early twenty-first centuries, Habiba Ibrahim examines how the history of transatlantic slavery and the constitution of modern Blackness has been reimagined through the embodiment of age. She argues that Black age-through nearly four centuries of subjugation- has become contingent, malleable, and suited for the needs of enslavement. As a result, rather than the number of years lived or a developmental life stage, Black age came to signify exchange value, historical under-development, timelessness, and other fantasies borne out of Black exclusion from the human.Ibrahim asks: What constitutes a normative timeline of maturation for Black girls when "all the women"-all the canonically feminized adults-"are white"? How does a "slave" become a "man" when adulthood is foreclosed to Black subjects of any gender? Black Age tracks the struggle between the abuses of Black exclusion from Western humanism and the reclamation of non-normative Black life, arguing that, if some of us are brave, it is because we dare to live lives considered incomprehensible within a schema of "human time.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 25
    ISBN: 9780197517598
    Language: English
    Pages: 1 Online-Ressource (272 Seiten)
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    RVK:
    RVK:
    Keywords: Ethnomusicology ; Wissenschaftsethik ; Kolonialismus ; Musikethnologie ; Entwicklungsländer ; Westliche Welt ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Kolonialismus ; Wissenschaftsethik
    Abstract: For decades, ethnomusicologists across the world have considered how to affect positive change for the communities they work with. Through illuminating case studies and reflections by a diverse array of scholars and practitioners, 'Transforming Ethnomusicology' aims to both expand dialogues about social engagement within ethnomusicology and, at the same time, transform how we understand ethnomusicology as a discipline. This second volume takes as a point of departure the recognition that colonial and environmental damages are grounded in historical and institutional failures to respect the land and its peoples
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 26
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478021391 , 147802139X
    Language: English
    Pages: 1 Online-Ressource (xxii, 530 Seiten) , Illustrationen
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als Weisbard, Eric Songbooks
    DDC: 782.421640973
    RVK:
    RVK:
    Keywords: Popular music History and criticism ; Popular music Historiography ; Electronic books ; USA ; Volksmusik ; Popmusik
    Abstract: Setting the Scene -- The Jazz Age -- Midcentury Icons -- Vernacular Counterculture -- After the Revolution -- New Voices, New Methods -- Topics in Progress.
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 27
    ISBN: 9783446269712
    Language: German
    Pages: 283 Seiten , 21 cm
    Edition: 2. Auflage
    Uniform Title: Sister Outsider
    DDC: 810
    RVK:
    Keywords: Lorde, Audre 1934-1992 ; USA ; Lesbische Orientierung ; Schwarze Frau
    Abstract: Audre Lorde ist die revolutionäre Denkerin und Ikone des Schwarzen Feminismus. Audre Lorde wusste, was es heißt, als Bedrohung zu gelten: als feministische Dichterin, als Schwarze Frau in einer weißen akademischen Welt, als lesbische Mutter eines Sohnes. Viele „Formen menschlicher Verblendung haben ein und dieselbe Wurzel: die Unfähigkeit, Unterschiedlichkeit als eine dynamische Kraft zu begreifen, die bereichernd ist, nicht bedrohlich“. Lorde widmete ihr Schaffen dem Kampf gegen Unterdrückung. Verschiedenheit und Schwesternschaft, Zorn, Erotik und Sprache wurden zu kraftvollen Waffen. In ihren Texten über Rassismus, Patriarchat und Klasse finden wir Antworten auf die brennenden Fragen der Gegenwart – ein halbes Jahrhundert nach Erscheinen beweist der Band seine erschreckende Aktualität.
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 28
    ISBN: 9783962332730 , 3962332731
    Language: German , English
    Pages: 271 Seiten , Illustrationen, Notenbeispiele , 24 cm x 16,5 cm
    Series Statement: Musikwissenschaftliche Schriften der Hochschule für Musik und Theater München Band 16
    Parallel Title: Erscheint auch als Jüdische Musik im süddeutschen Raum
    DDC: 780.899240434
    RVK:
    Keywords: Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Süddeutschland ; Juden ; Musik ; Geschichte
    Abstract: Dieser Band kartiert die jüdische Musik Süddeutschlands im 19. und 20. Jahrhundert: als einen Raum, der jüdische Musikgeschichte produziert, beherbergt und bewahrt; als einen gemeinsamen Raum von Juden und Nicht-Juden mit der möglichen Kultur des Zusammenflusses; und als einen Raum der Ausgrenzung und Verfolgung. Diese Räume - teils symbolisch, abstrakt, metaphorisch, teils konkret und inszeniert - erschließen sich in acht Kapiteln: zur Topografie jüdischen Musiklebens im NS-Staat in München, zum Leben und Wirken von Jakob Schönberg und Richard Fuchs im Kontext jüdischer Kunstmusik, zu den musikalischen Praktiken der jüdischen Gemeinden in Bamberg und Binswangen, zu den Aktivitäten des Esslinger Cantors Mayer Levi, zur Verlagerung süddeutscher und österreichischer jüdischer Musiker und ihrem Wirken in Ferramonti di Tarsia und nicht zuletzt zu Paul Ben-Haims sozialem und intellektuellem Umfeld vor und kurz nach der Emigration.
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  • 29
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520303171 , 9780520303188
    Language: English
    Pages: xiv, 176 Seiten
    Series Statement: American studies now 14
    Series Statement: American studies now
    Parallel Title: Erscheint auch als
    DDC: 970.00497
    RVK:
    Keywords: Ausbeutung ; Verschwinden ; Indigene Frau ; Aktivismus ; Indigenes Volk ; Gewalt ; Erdöl ; USA ; Kanada ; Indians of North America / Social conditions ; Social justice / North America / 21st century ; Social movements / North America / 21st century ; Indians of North America / Social conditions ; Social justice ; Social movements ; North America ; 2000-2099 ; Kanada ; USA ; Indigenes Volk ; Indigene Frau ; Verschwinden ; Erdöl ; Aktivismus ; Ausbeutung ; Gewalt
    Abstract: "New Indigenous movements are gaining traction in North America: the Missing and Murdered Women and Idle No More movements in Canada, and the Native Lives Matter and NoDAPL movements in the United States. These do not represent new demands for social justice and treaty rights, which Indigenous groups have sought for centuries. But owing to the extraordinary visibility of contemporary activism, Indigenous people have been newly cast as terrorists--a designation that justifies severe measures of policing, exploitation, and violence. The Red Scare investigates the intersectional scope of these four movements, and the broader context of the treatment of Indigenous social justice movements as threats to neoliberal and imperialist social orders. In The Red Scare, Joanne Barker shows how US and Canadian leaders leverage the fear-driven discourses of terrorism to allow for extreme responses to Indigenous activists, framing them as threats to social stability and national security. The alignment of Indigenous movements now with broader struggles against sexual, police, and environmental violence puts them at the forefront of new intersectional solidarities in prominent ways. The activist-as-terrorist framing is cropping up everywhere, but the historical and political complexities of Indigenous movements and state responses are unique. Indigenous criticisms of state policy, resource extraction and contamination, intense surveillance, and neoliberal values are met with outsized and shocking measures of militarized policing, environmental harm, and sexual violence. The Red Scare provides students and readers with a concise and thorough survey of these movements and their links to broader organizing; the common threads of historical violence against Indigenous people; and the relevant alternatives we can find in Indigenous forms of governance and relationality"--
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  • 30
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478014089 , 9781478011941
    Language: English
    Pages: xxii, 552 Seiten , Illustrationen
    Series Statement: Refiguring American music
    DDC: 782.421640973
    RVK:
    Keywords: Volksmusik ; Popmusik ; USA
    Note: Literaturverzeichnis Seite 446-512
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  • 31
    Book
    Book
    New York NY : New York University Press
    ISBN: 9781479810895 , 9781479810888
    Language: English
    Pages: 261 Seiten
    DDC: 305.896/073
    RVK:
    Keywords: African Americans ; Blacks ; Age Social aspects ; Human body Social aspects ; Racism ; USA ; Schwarze ; Körper ; Aussehen ; Altern ; Soziale Situation
    Abstract: Introduction: Emmett's Face, Emmett's Flesh -- Shape-Shifters and Body-Snatchers -- Vampires and Relics -- The Mass and Men -- Ghosts -- Epilogue: And with Black Children.
    Abstract: "Black Age argues that age tracks the struggle between the abuses of black exclusion from western humanism, and the reclamation of non-normative black life"--
    Note: Includes bibliographical references and index
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  • 32
    ISBN: 9783453677432 , 3453677439
    Language: German
    Pages: 415 Seiten , Fotografien (schwarz-weiß) , 20.6 cm x 13.5 cm
    Edition: Überarbeitete und aktualisierte Ausgabe
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.642092
    RVK:
    RVK:
    RVK:
    Keywords: Cash, Johnny 1932-2003 ; Countrymusic ; USA
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 33
    Book
    Book
    Columbus : The Ohio State University Press
    ISBN: 9780814214770 , 0814214770
    Language: English
    Pages: x, 185 Seiten
    DDC: 305.896/073
    RVK:
    Keywords: Federal Writers' Project Influence ; American literature African American authors ; History and criticism ; African Americans Social conditions ; Liberalism History 20th century ; United States Race relations 20th century ; USA ; Schwarze ; Literatur ; Federal Writers' Project
    Abstract: "Shows how Black writers such as Richard Wright, Zora Neale Hurston, and Ralph Ellison participating in the Federal Writer' Project of the 1930s responded to and shaped New Deal programs and ideology"--
    Note: Includes bibliographical references and index
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  • 34
    Book
    Book
    New Brunswick : Rutgers University Press
    ISBN: 9781978807587 , 9781978807594
    Language: English
    Pages: ix, 229 Seiten
    Series Statement: War culture
    Parallel Title: Erscheint auch als Boyle, Brenda M American war stories
    DDC: 303.6/6
    RVK:
    Keywords: War and society ; Militarism ; War stories, American ; United States History, Military 21st century ; USA ; Kriegsliteratur
    Abstract: "American War Stories asks readers to contemplate what traditionally constitutes a "war story" and how that constitution obscures the normalization of militarism in American culture. The book claims the traditionally narrow scope of "war story," as by a combatant about his wartime experience, compartmentalizes war, casting armed violence as distinct from everyday American life. Broadening "war story" beyond the specific genres of war narratives such as "war films," "war fiction," or "war memoirs," American War Stories exposes how ingrained militarism is in everyday American life, a condition that challenges the very democratic principles the United States is touted as exemplifying"--
    Note: Includes bibliographical references and index
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  • 35
    Online Resource
    Online Resource
    Hamburg : rowohlt e-Book
    ISBN: 9783644012493
    Language: German
    Pages: 1 Online-Ressource (209 ungezählte Seiten)
    Series Statement: rowohlts monographien
    Parallel Title: Erscheint auch als Posener, Alan, 1949 - Elvis Presley
    DDC: 782.42166/092
    RVK:
    RVK:
    Keywords: Amerika Nord-Amerika ; USA ; Populäre Musik ; Biografie ; Presley, Elvis 1935-1977
    Note: "Das Bildmaterial der Printausgabe ist in diesem E-Book nicht enthalten."
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  • 36
    Online Resource
    Online Resource
    Berkeley, CA : University of California Press
    ISBN: 9780520972674
    Language: English
    Pages: 1 Online-Ressource (192 p)
    Edition: [Online-Ausgabe]
    Series Statement: American Studies Now: Critical Histories of the Present 14
    Parallel Title: Erscheint auch als Barker, Joanne, 1962 - Red Scare
    RVK:
    Keywords: Indians of North America Social conditions ; Social justice 21st century ; Social movements 21st century ; HISTORY / Native American ; Kanada ; USA ; Indigenes Volk ; Indigene Frau ; Verschwinden ; Erdöl ; Aktivismus ; Ausbeutung ; Gewalt
    Abstract: Frontmatter -- Contents -- Overview -- Prologue -- Scared Red -- The Murderable Indian -- The Kinless Indian -- Radical Alterities from Huckleberry Roots -- Acknowledgments -- Appendix I: A Chronology -- Appendix II: Cherokee Treaties and Membership/Census Rolls -- Notes -- Glossary -- Selected Bibliography
    Abstract: How the rhetoric of terrorism has been used against high-profile movements to justify the oppression and suppression of Indigenous activists. New Indigenous movements are gaining traction in North America: the Missing and Murdered Women and Idle No More movements in Canada, and the Native Lives Matter and NoDAPL movements in the United States. These do not represent new demands for social justice and treaty rights, which Indigenous groups have sought for centuries. But owing to the extraordinary visibility of contemporary activism, Indigenous people have been newly cast as terrorists—a designation that justifies severe measures of policing, exploitation, and violence. The Red Scare investigates the intersectional scope of these four movements, and the broader context of the treatment of Indigenous social justice movements as threats to neoliberal and imperialist social orders. In The Red Scare, Joanne Barker shows how US and Canadian leaders leverage the fear-driven discourses of terrorism to allow for extreme responses to Indigenous activists, framing them as threats to social stability and national security. The alignment of Indigenous movements now with broader struggles against sexual, police, and environmental violence puts them at the forefront of new intersectional solidarities in prominent ways. The activist-as-terrorist framing is cropping up everywhere, but the historical and political complexities of Indigenous movements and state responses are unique. Indigenous criticisms of state policy, resource extraction and contamination, intense surveillance, and neoliberal values are met with outsized and shocking measures of militarized policing, environmental harm, and sexual violence. The Red Scare provides students and readers with a concise and thorough survey of these movements and their links to broader organizing; the common threads of historical violence against Indigenous people; and the relevant alternatives we can find in Indigenous forms of governance and relationality
    Note: Mode of access: Internet via World Wide Web. , In English
    URL: Cover
    URL: Cover
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  • 37
    Book
    Book
    Amherst : University of Massachusetts Press
    ISBN: 9781625345264 , 9781625345257
    Language: English
    Pages: xi, 224 Seiten , Illustrationen , 23 cm
    Series Statement: Studies in print culture and the history of the book
    DDC: 071/.308996073
    RVK:
    Keywords: African American periodicals History 20th century ; African American newspapers History 20th century ; American literature African American authors ; Publishing ; History ; African Americans and mass media ; African Americans Legal status, laws, etc ; Racism ; USA ; Schwarze ; Zeitschrift ; Zeitung ; Magazin ; Geschichte 1900-1950
    Abstract: "Scholars have paid relatively little attention to the highbrow, middlebrow, and popular periodicals that African Americans read and discussed regularly during the Jim Crow era-publications such as the Chicago Defender, the Crisis, Ebony, and the Half-Century Magazine. Jim Crow Networks considers how these magazines and newspapers, and their authors, readers, advertisers, and editors worked as part of larger networks of activists and thinkers to advance racial uplift and resist racism during the first half of the twentieth century. As Eurie Dahn demonstrates, authors like James Weldon Johnson, Nella Larsen, William Faulkner, and Jean Toomer wrote in the context of interracial and black periodical networks, which shaped the literature they produced and their concerns about racial violence. This original study also explores the overlooked intersections between the black press and modernist and Harlem Renaissance texts, and highlights key sites where readers and writers worked toward bottom-up sociopolitical changes during a period of legalized segregation"--
    Note: Includes bibliographical references and index
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  • 38
    ISBN: 9780753559543 , 9780593230572 , 9780753559536
    Language: English
    Pages: xxxiii, 590 Seiten , Illustrationen
    Parallel Title: Erscheint auch als 1619 Project
    DDC: 973
    RVK:
    Keywords: 1619 Project ; African-Americans History ; Slavery Political aspects ; History ; United States Civilization ; United States Race relations ; USA ; Sklaverei ; Rassismus ; Ethnische Beziehungen
    Abstract: "The animating idea of The 1619 Project is that our national narrative is more accurately told if we begin not on July 4, 1776, but in late August of 1619, when a ship arrived in Jamestown bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival inaugurated a barbaric and unprecedented system of chattel slavery that would last for the next 250 years. This is sometimes referred to as the country's original sin, but it is more than that: It is the country's very origin. The 1619 Project tells this new origin story, placing the consequences of slavery and the contributions of Black Americans at the center of the story we tell ourselves about who we are as a country. Orchestrated by the editors of The New York Times Magazine, led by MacArthur "genius" and Pulitzer Prize-winning journalist Nikole Hannah-Jones, this collection of essays and historical vignettes includes some of the most outstanding journalists, thinkers, and scholars of American history and culture--including Linda Villarosa, Jamelle Bouie, Jeneen Interlandi, Matthew Desmond, Wesley Morris, and Bryan Stevenson. Together, their work shows how the tendrils of 1619--of slavery and resistance to slavery--reach into every part of our contemporary culutre, from voting, housing and healthcare, to the way we sing and dance, the way we tell stories, and the way we worship. Interstitial works of flash fiction and poetry bring the history to life through the imaginative interpretations of some of our greatest writers. The 1619 Project ultimately sends a very strong message: We must have a clear vision of this history if we are to understand our present dilemmas. Only by reckoning with this difficult history and trying as hard as we can to undersand its powerful influence on our present, can we prepare ourselves for a more just future"--
    Note: Includes index
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  • 39
    Book
    Book
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469658865 , 9781469658872
    Language: English
    Pages: xv, 249 Seiten , Illustrationen
    DDC: 306.48420973
    RVK:
    Keywords: Geschichte 1788-1865 ; Musikleben ; Politische Kultur ; Alltagskultur ; Musikpolitik ; Nationalbewusstsein ; Konservativismus ; USA
    Note: Bibliography Seite 209-234
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  • 40
    ISBN: 9781478009009
    Language: English
    Pages: 1 Online-Ressource (325 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.896/073
    RVK:
    Keywords: Geschichte 2000-2019 ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; African American arts ; African Americans in popular culture ; Politics and culture ; Popular culture ; Racism in popular culture ; Massenkultur ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Massenkultur ; Geschichte 2000-2019
    Abstract: The advent of the internet and the availability of social media and digital downloads have expanded the creation, distribution, and consumption of Black cultural production as never before. At the same time, a new generation of Black public intellectuals who speak to the relationship between race, politics, and popular culture has come into national prominence. The contributors to Are You Entertained? address these trends to consider what culture and blackness mean in the twenty-first century's digital consumer economy. In this collection of essays, interviews, visual art, and an artist statement the contributors examine a range of topics and issues, from music, white consumerism, cartoons, and the rise of Black Twitter to the NBA's dress code, dance, and Moonlight. Analyzing the myriad ways in which people perform, avow, politicize, own, and love blackness, this volume charts the shifting debates in Black popular culture scholarship over the past quarter century while offering new avenues for future scholarship.Contributors. Takiyah Nur Amin, Patricia Hill Collins, Kelly Jo Fulkerson-Dikuua, Simone C. Drake, Dwan K. Henderson, Imani Kai Johnson, Ralina L. Joseph, David J. Leonard, Emily J. Lordi, Nina Angela Mercer, Mark Anthony Neal, H. Ike Okafor-Newsum, Kinohi Nishikawa, Eric Darnell Pritchard, Richard Schur, Tracy Sharpley-Whiting, Vincent Stephens, Lisa B. Thompson, Sheneese Thompson
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 41
    ISBN: 9783930559923
    Language: German
    Pages: 157 Seiten , Illustrationen
    Edition: 6. Auflage
    Uniform Title: HipHop, diskursive Kultur und die Konstruktion kollektiver afroamerikanischer Identität
    Dissertation note: Diplomarbeit 1999
    DDC: 780
    RVK:
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    Keywords: Geschichte ; Rap ; Hochschulschrift ; USA ; Hochschulschrift ; USA ; Rap ; Geschichte
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  • 42
    ISBN: 9783644005167
    Language: German
    Pages: 1 Online-Ressource (437 Seiten)
    Uniform Title: The source of self-regard
    Parallel Title: Erscheint auch als Morrison, Toni, 1931 - 2019 Selbstachtung
    DDC: 809.933552
    RVK:
    Keywords: Rassismus ; Literatur ; USA ; Rassismus ; Schwarze ; Diskriminierung
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  • 43
    ISBN: 9780253050267 , 9780253050250
    Language: English
    Pages: xii, 303 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Music in world war II
    DDC: 780.9/04
    RVK:
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    Keywords: World War, 1939-1945 Music and the war ; Music History and criticism 20th century ; Music History and criticism 20th century ; Popular music History and criticism 1941-1950 ; Popular music History and criticism 1931-1940 ; Music Political aspects 20th century ; History ; Zweiter Weltkrieg ; Musik ; Unterhaltungsmusik ; Europa ; USA ; Aufgabensammlung ; Europa ; USA ; Zweiter Weltkrieg ; Musikleben ; Musikpolitik ; Musikpolitik ; Weltgesellschaft ; Zweiter Weltkrieg ; Kulturelle Einrichtung ; Sound ; Musik ; Geschichte
    Abstract: "How can music withstand the death and destruction brought on by war? Global conflicts of the 20th century fundamentally transformed not only national boundaries, power relations, and global economies, but also the arts and culture of every nation involved. An important, unacknowledged aspect of these conflicts is that they have unique musical soundtracks. Music in World War II explores how music and sound took on radically different dimensions in the United States and Europe before, during, and after World War II. Additionally, the collection examines the impact of radio and film as the disseminators of the war's musical soundtrack. Contributors contend that the European and American soundtrack of World War II was largely one of escapism rather than the lofty, solemn, heroic, and celebratory mode of "war music" in the past. Furthermore, they explore the variety of experiences of populations forced from their homes and interned in civilian and POW camps in Europe and the United States, examining how music in these environments played a crucial role in maintaining ties to an idealized "home" and constructing politicized notions of national and ethnic identity. This fascinating and well-constructed volume of essays builds understanding of the role and importance of music during periods of conflict and highlights the unique aspects of music during World War II"--
    Note: Literaturverzeichnis: Seiten 275-287
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  • 44
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780191890406
    Language: English
    Pages: 1 Online-Ressource (xviii, 242 Seiten) , Illustrationen
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 306.4613
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    Keywords: Geschichte ; Prosthesis Social aspects ; Prosthesis Psychological aspects ; Body image ; Amputees Psychology ; Amputees History 20th century ; Prothese ; Schwerstbehinderung ; Krieg ; Literatur ; Weltkrieg ; Behinderung ; USA ; USA ; Literatur ; Behinderung ; Prothese ; Krieg ; Schwerstbehinderung ; Weltkrieg ; Geschichte
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  • 45
    ISBN: 9780385544009
    Language: English
    Pages: 445 Seiten, 16 ungezählte Seiten , Illustrationen, Karten
    Edition: First edition
    Parallel Title: Erscheint auch als Brands, H. W Zealot and the emancipator
    DDC: 326/.80922
    RVK:
    Keywords: Brown, John ; Lincoln, Abraham ; Abolitionists Biography ; Presidents Biography ; Antislavery movements History 19th century ; United States History Civil War, 1861-1865 ; Causes ; Harpers Ferry (W. Va.) History John Brown's Raid, 1859 ; United States History Civil War, 1861-1865 ; Causes ; United States History 19th century ; Brown, John 1800-1859 ; Lincoln, Abraham 1809-1865 ; USA ; Abolitionismus ; Geschichte
    Abstract: Pottawatomie -- Springfield -- Harpers Ferry -- The telegraph office.
    Abstract: "What do moral people do when democracy countenances evil? The question, implicit in the idea that people can govern themselves, came to a head in America at the middle of the nineteenth century, in the struggle over slavery. John Brown's answer was violence--violence of a sort some in later generations would call terrorism. Brown was a deeply religious man who heard the God of the Old Testament speaking to him, telling him to do whatever was necessary to destroy slavery. When Congress opened Kansas territory to slavery, the eerily charismatic Brown raised a band of followers to wage war against the evil institution. One dark night his men tore several proslavery settlers from their homes and hacked them to death with broadswords, as a bloody warning to others. Three years later Brown and his men assaulted the federal arsenal at Harpers Ferry, Virginia, with the goal of furnishing slaves with weapons to murder their masters in a race war that would cleanse the nation of slavery once and for all. Abraham Lincoln's answer was politics. Lincoln was an ambitious lawyer and former office-holder who read the Bible not for moral guidance but as a writer's primer. He disliked slavery yet didn't consider it worth shedding blood over. He distanced himself from John Brown and joined the moderate wing of the new, antislavery Republican party. He spoke cautiously and dreamed big, plotting his path to Washington and perhaps the White House. Yet Lincoln's caution couldn't preserve him from the vortex of violence Brown set in motion. Arrested and sentenced to death, Brown comported himself with such conviction and dignity on the way to the gallows that he was canonized in the North as a martyr to liberty. Southerners responded in anger and horror that a terrorist was made into a saint. Lincoln shrewdly threaded the needle of the fracturing country and won election as president, still preaching moderation. But the time for moderation had passed. Slaveholders lumped Lincoln with Brown as an enemy of the Southern way of life; seven Southern states left the Union. Lincoln resisted secession, and the Civil War followed. At first a war for the Union, it became the war against slavery Brown had attempted to start. Before it was over, slavery had been destroyed, but so had Lincoln's faith that democracy can resolve its moral crises peacefully"--
    Note: Includes bibliographical references and index
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  • 46
    Online Resource
    Online Resource
    Stuttgart : Franz Steiner Verlag
    ISBN: 9783515125932
    Language: German
    Pages: 1 Online-Ressource (520 Seiten) , Diagramme
    Edition: 1. Auflage
    Series Statement: Studien zur Alltags- und Kulturgeschichte Band 33
    Series Statement: Geschichte
    Series Statement: Studien zur Alltags- und Kulturgeschichte
    Parallel Title: Erscheint auch als Borscheid, Peter, 1943 - The American way of music
    DDC: 781.6409
    RVK:
    Keywords: USA ; Disco ; EDM ; Globalisierung ; Hip-Hop ; Jazz ; Kulturgeschichte ; MTV ; Musikfilm ; Musikindustrie ; Musikkultur ; Musikmarkt ; Popmusik ; Rockmusik ; Techno ; Tonträgerindustrie ; Wirtschaftsgeschichte ; amerikanische Geschichte ; USA ; USA ; Popmusik ; Rockmusik ; Musikwirtschaft ; Internationalisierung ; Globalisierung ; Geschichte 1945-2020 ; Unterhaltungsmusik ; Amerikanisierung ; Geschichte ; USA ; Popmusik ; Musikwirtschaft ; Internationalisierung ; Globalisierung ; Geschichte 1945-2020 ; Unterhaltungsmusik ; Amerikanisierung ; Geschichte
    URL: Volltext  (lizenzpflichtig)
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  • 47
    ISBN: 9783925170461
    Language: German
    Pages: 339 Seiten , Illustrationen, Notenbeispiele
    Edition: 1. Auflage
    Series Statement: Veröffentlichungsreihe der Forschungsstelle für Fränkische Volksmusik 77
    Series Statement: Veröffentlichungsreihe der Forschungsstelle für Fränkische Volksmusik
    DDC: 781.62
    RVK:
    RVK:
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    Keywords: Verbot ; Unterhaltungsmusik ; Volksmusik ; Konferenzschrift 2018 ; Konferenzschrift 2018 ; Konferenzschrift ; Konferenzschrift ; Volksmusik ; Unterhaltungsmusik ; Verbot
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  • 48
    ISBN: 9780393357622 , 0393357627
    Language: English
    Pages: xxi, 441 Seiten , Illustrationen , 21 cm
    Edition: First published as a Norton paperback
    DDC: 305.48/896073
    RVK:
    RVK:
    Keywords: African American young women Social conditions 19th century ; African American young women Social conditions 20th century ; African American young women Sexual behavior ; History ; Single women Social conditions 19th century ; Single women Social conditions 20th century ; Urban women Social conditions 19th century ; Urban women Social conditions 20th century ; Sex customs History ; Prostitution History ; Man-woman relationships ; Man-woman relationships ; Prostitution ; Sex customs ; Single women ; Social conditions ; Urban women ; Social conditions ; History ; United States ; USA ; Schwarze Frau ; Sexualverhalten ; Soziale Situation ; Geschichte
    Abstract: "A breathtaking exploration of the lives of young black women in the early twentieth century. In Wayward Lives, Beautiful Experiments, Saidiya Hartman examines the revolution of black intimate life that unfolded in Philadelphia and New York at the beginning of the twentieth century. Free love, common-law and transient marriages, serial partners, cohabitation outside of wedlock, queer relations, and single motherhood were among the sweeping changes that altered the character of everyday life and challenged traditional Victorian beliefs about courtship, love, and marriage. Hartman narrates the story of this radical social transformation against the grain of the prevailing century-old argument about the crisis of the black family. In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship that were indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading conditions of work. Beautifully written and deeply researched, Wayward Lives recreates the experience of young urban black women who desired an existence qualitatively different than the one that had been scripted for them--domestic service, second-class citizenship, and respectable poverty--and whose intimate revolution was apprehended as crime and pathology. For the first time, young black women are credited with shaping a cultural movement that transformed the urban landscape. Through a melding of history and literary imagination, Wayward Lives recovers their radical aspirations and insurgent desires."--Publisher's description
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  • 49
    ISBN: 9781479804177 , 9781479856770
    Language: English
    Pages: xvii, 273 Seiten , 1 Illustration
    DDC: 323.092
    RVK:
    Keywords: Du Bois, W. E. B ; Sociology History ; African Americans Social conditions ; Race relations History ; History ; Du Bois, William E. B. 1868-1963 ; USA ; Schwarze ; Ethnische Beziehungen ; Soziologie ; Geschichte
    Abstract: ""The Sociology of W.E.B. Du Bois" explores racism and colonialism at the center of the understanding of modernity"--
    Note: Literaturverzeichnis: Seite 249-257
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  • 50
    Book
    Book
    Minneapolis, Minnesota : Graywolf Press
    ISBN: 9781644450215
    Language: English
    Pages: 342 Seiten , Illustrationen, Diagramme, Karten, Portraits (zum Teil farbig) , 24 cm
    DDC: 305.896073
    RVK:
    Keywords: Whites / Race identity / United States ; African Americans / Social conditions / 21st century ; African Americans / Social conditions ; Race relations ; Social conditions ; Whites / Race identity ; Ethnische Beziehungen ; United States / Race relations / 21st century ; United States / Social conditions / 21st century ; United States ; USA ; Essays ; Essays ; USA ; Ethnische Beziehungen
    Abstract: "At home and in government, contemporary America finds itself riven by a culture war in which aggression and defensiveness alike are on the rise. It is not alone. In such partisan conditions, how can humans best approach one another across our differences? Taking the study of whiteness and white supremacy as a guiding light, Claudia Rankine explores a series of real encounters with friends and strangers - each disrupting the false comfort of spaces where our public and private lives intersect, like the airport, the theatre, the dinner party and the voting booth - and urges us to enter into the conversations which could offer the only humane pathways through this moment of division. Just Us is an invitation to discover what it takes to stay in the room together, and to breach the silence, guilt and violence that surround whiteness. Brilliantly arranging essays, images and poems along with the voices and rebuttals of others, it counterpoints Rankine's own text with facing-page notes and commentary, and closes with a bravura study of women confronting the political and cultural implications of dyeing their hair blonde."--Publisher's description
    Description / Table of Contents: What if -- Liminal spaces I -- Evolution -- Lemonade -- Outstretched -- Daughter -- Notes on the state of whiteness -- Tiki torches -- Study on white male privilege -- Tall -- Social contract -- Violent -- Sound and fury -- Big little lies -- Ethical loneliness -- Liminal spaces II -- José Martí -- Boys will be boys -- Complicit freedoms -- Whitening -- Liminal spaces III.
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  • 51
    Book
    Book
    New Brunswick : Rutgers University Press
    ISBN: 9781978807112 , 9781978807389
    Language: English
    Pages: xi, 285 Seiten , Illustrationen
    Edition: Second edition
    DDC: 792.6089/0097471
    RVK:
    Keywords: USA ; Broadway ; Musical ; Ethnische Identität ; Geschichte 1927-2019
    Abstract: Preface to the second edition -- Overture: all singin'! all dancin'! all white people? -- Act one: 1927-1957 -- Only make believe: performing race in Show boat -- Playing cowboys and indians: forging whiteness in Oklahoma! and Annie get your gun -- Trouble in New York city: the racial politics of West side story and The music man -- Act Two: 1967-2019 -- Carbon copies: Black and interracial productions of white musicals -- A chorus line: The Benetton of Broadway musicals -- Everything old Is new again: nostalgia and the Broadway musical at the end of the twentieth century -- Blockbuster musicals in the Age of Obama: The book of Mormon and Hamilton -- Exit Music -- Acknowledgments.
    Abstract: "The initial publication of The Great White Way was and remains the first and only book-length investigation into the ways in which race and ethnicity have shaped the American musical over the course of the twentieth century up through today. In addition to the musicals mentioned above, the book contains analyses of Tony Award-winning shows A Chorus Line, 42nd Street, and The Will Rogers Follies, as well as an examination of the role of casting practices in the musical, particularly the phenomenon of African American and interracial productions of Broadway musicals. Now updated to include a discussion of the blockbuster musicals Hamilton and The Book of Mormon, as well as other developments of the musical in recent years, The Great White Way provides both lovers of the musical and academics with a probing looking at the ways in which issues of race and ethnicity shape this all-American art form." This second edition will reflect new developments that have occurred in the world of the Broadway musical in recent years. Chapter four will be revised and an entire new chapter will be added about smash hits The Book of Mormon and Hamilton, which are both incredibly important when analyzing race and the Broadway musical. Hoffman will also include a new Afterword that will bring the book up to the 21st century and elaborate on what is happening off-Broadway as well"--
    Note: Includes bibliographical references and index
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  • 52
    ISBN: 9781498566704
    Language: English
    Pages: xiii, 189 Seiten
    Series Statement: Philosophy of race
    DDC: 305.8996073
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    Keywords: Hip-Hop ; Subkultur ; USA
    Note: Discography Seite 177-180 , Bibliography Seite 181-184
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  • 53
    ISBN: 9783515125857 , 351512585X
    Language: German
    Pages: 519 Seiten , Illustrationen , 25 cm, 1022 g
    Series Statement: Studien zur Alltags- und Kulturgeschichte Band 33
    Series Statement: Geschichte
    Parallel Title: Erscheint auch als Borscheid, Peter, 1943- The American Way of Music
    DDC: 781.6409
    RVK:
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    Keywords: Geschichte 1945-2020 ; Geschichte ; Popmusik ; Rockmusik ; Musikwirtschaft ; Internationalisierung ; Globalisierung ; Unterhaltungsmusik ; Amerikanisierung ; USA
    Note: Literaturverzeichnis Seite 508-519
    URL: Cover
    URL: Cover
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  • 54
    ISBN: 9783825379230
    Language: English
    Pages: 1 Online-Ressource (viii, 301 Seiten)
    Series Statement: American studies volume 305
    Series Statement: American studies
    Parallel Title: Erscheint auch als Schubert, Stefan Narrative instability
    Dissertation note: Dissertation Universität Leipzig 2018
    DDC: 306.0973
    RVK:
    Keywords: Electronic books. ; Hochschulschrift ; USA ; Pop-Kultur ; Identität ; Instabilität ; Wirklichkeit ; Narrativität ; Geschichte 2000-2019 ; USA ; Pop-Kultur ; Identität ; Instabilität ; Wirklichkeit ; Narrativität ; Geschichte 2000-2019
    Note: Literaturverzeichnis: Seite 275-301
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  • 55
    ISBN: 3826066251 , 9783826066252
    Language: German
    Pages: 602 Seiten , Illustrationen , 23.5 cm x 15.5 cm
    Series Statement: Studien zur deutsch-türkischen Literatur und Kultur Band 8
    Series Statement: Studien zur deutsch-türkischen Literatur und Kultur
    Dissertation note: Dissertation Rheinische Friedrich-Wilhelms-Universität Bonn 2018
    DDC: 813.540986872073
    RVK:
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    Keywords: Hochschulschrift ; USA ; Mexikaner ; Migrantenliteratur ; Politische Beteiligung ; Deutschland ; Türken ; Migrantenliteratur ; Politische Beteiligung ; USA ; Mexikaner ; Migrantenliteratur ; Deutschland ; Türken ; Migrantenliteratur
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  • 56
    ISBN: 9783837646672 , 383764667X
    Language: English
    Pages: 214 Seiten , 22.5 cm x 14.8 cm, 318 g
    Series Statement: Music and sound culture Volume 35
    Series Statement: Musik und Klangkultur
    Parallel Title: Erscheint auch als Music practices across borders
    Parallel Title: Erscheint auch als Music practices across borders
    Parallel Title: Erscheint auch als Music Practices Across Borders
    DDC: 306.4842
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    Keywords: Music and globalization ; Emigration and immigration Social aspects ; Global Musik ; Kulturaustausch ; Internationale kulturelle Zusammenarbeit ; Kulturprojekt ; Kulturindustrie ; Transnationale Beziehungen ; Künstler ; Netzwerk (institutionell/sozial) ; Rezeption ; Evaluation ; Migrationsforschung ; Länderbezogene Beiträge ; Global Music ; Cultural exchange ; International cultural cooperation ; Cultural projects ; Cultural industries ; transnational relations ; Artists ; Networks (institutional/social) ; reception ; Evaluation ; migration research ; Country related contents ; Internet Kenia ; Festspiele ; Interethnische Beziehungen ; Argentinien ; Diaspora ; Italiener ; Jahrhundert 19. ; Europa ; Afrika ; Brasilien ; Deutschland ; Internationaler Vergleich/Ländervergleich ; Internet Kenya ; Pageants ; Interethnic relations ; Argentina ; Diaspora ; Italians ; Century 19th ; Europe ; Africa ; Brazil ; Germany ; International/country comparison ; Konferenzschrift ; Aufsatzsammlung ; Globalisierung ; Internationale Migration ; Kulturkontakt ; Weltmusik ; Interkulturalität
    Note: Literaturangaben , Seite 8: [...] we organized a conference at the University of Duisburg-Essen in June 2018, entitled (E)valuating Transnational Music Practices: Space, Diversity, and Exchange [...]
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  • 57
    Book
    Book
    Wiesbaden :Springer VS,
    ISBN: 978-3-658-22278-9
    Language: English
    Pages: VII, 158 Seiten : , Notenbeispiele ; , 21 cm x 14.8 cm.
    Series Statement: Musik und Gesellschaft
    Parallel Title: Erscheint auch als
    DDC: 306.4842
    RVK:
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    Keywords: Musiksoziologie. ; Konferenzschrift 2015 ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift 2015 ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Musiksoziologie
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  • 58
    ISBN: 3847109529 , 9783847109525
    Language: English
    Pages: 287 Seiten , Illustrationen , 23.2 cm x 15.5 cm
    Parallel Title: Erscheint auch als American/Medieval Goes North
    DDC: 306.4
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    Keywords: Aufsatzsammlung ; Nordeuropa ; Nordamerika ; Mythologie ; Natur ; Geschichte ; Nordeuropa ; Nordamerika ; Film ; Fernsehserie ; Computerspiel ; Mittelalterbild ; Geschichtsdarstellung ; USA ; Massenkultur ; Massenmedien ; Mittelalterbild ; Geschichtsdarstellung
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  • 59
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource (328 Seiten)
    Series Statement: Popular music
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als Popular Music and Public Diplomacy (Veranstaltung : 2015 : Dortmund) Popular music and public diplomacy
    RVK:
    Keywords: International relations and culture ; Music and diplomacy ; Music ; Popular music Political aspects ; history ; Politics ; Music ; Cultural History ; History of the 20th Century ; Popular Culture ; Musicology ; Pop Music ; International Relations ; Diplomacy ; MUSIC / History & Criticism ; Konferenzschrift ; Konferenzschrift ; Unterhaltungsmusik ; Public Diplomacy ; Geschichte ; Musik ; Kulturveranstaltung ; Interdisziplinarität ; Transnationalisierung
    Abstract: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries
    Abstract: Frontmatter -- Table of Contents -- Acknowledgements -- Popular Music and Public Diplomacy / Dunkel, Mario / Nitzsche, Sina A. -- Part I: Competition and Collaboration -- Music in Transnational Transfers and International Competitions / Nathaus, Klaus -- The Paradoxes of Cultural and Music Diplomacy in a Federal Country / Mazzola, Alessandro -- Dervish on the Eurovision Stage / Şahin, Nevin Ş -- Part II: Infiltration and Appropriation -- Between Propaganda and Public Diplomacy / Ritter, Rüdiger -- "Liberated from Serfdom" / Feustle, Maristella -- A Musical Inquisition? / Ignácz, Ádám -- Part III: Education and Promotion -- Dancing in Chains / Bayles, Martha -- Becoming a Blue-Collar Musical Diplomat / Brown, Nicholas Alexander -- Music Trade in the Slipstream of Cultural Diplomacy / Kube, Sven -- National Flamencoism / Díaz, Carlos Sanz / Morales Tamaral, José Manuel -- Part IV: Representation and Participation -- The Ethics and Politics of Empathy in US Hip-Hop Diplomacy / Salois, Kendra -- Popular Musicking and the Politics of Spectatorship at the United Nations / Ball, James R. -- From Sons of Gastarbeita to Songs of Gastarbeiter / Nieden, Gesa zur -- Public Diplomacy and Decision-Making in the Eurovision Song Contest / Vuletic, Dean -- List of Contributors -- Index
    Note: Open Access , Mode of access: Internet via World Wide Web.
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 60
    Online Resource
    Online Resource
    Woodbridge, Suffolk, UK : The Boydell Press
    ISBN: 9781787445345
    Language: English
    Pages: 1 Online-Ressource (xviii, 284 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 306.4842
    RVK:
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    Keywords: Geschichte 1800-1960 ; Music / Social aspects / History / 19th century ; Music / Social aspects / History / 20th century ; Salons / Europe / History / 19th century ; Salons / United States / History / 20th century ; Music in the home / Social aspects / History / 19th century ; Music in the home / Social aspects / History / 20th century ; Soziokultur ; Salonmusik ; Europe / Intellectual life / 19th century ; United States / Intellectual life / 20th century ; USA ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; USA ; Salonmusik ; Soziokultur ; Geschichte 1800-1960
    Abstract: This collection explores the idea of music in the salon during the long nineteenth century, both as a socio-cultural phenomenon, and as a source of artistic innovation and exchange. Drawing on a wide range of scholarly approaches, this book uses the idea of the salon as a springboard to examine issues such as gender, religion, biography and performance; to explore the ways in which the salon was represented in different media; and to showcase the heterogeneity of the salon through a selection of case studies. It offers fresh considerations of familiar salons in large cultural centres, as well as insights into lesser-known salons in both Europe and the United States. Bringing together an international group of scholars, the collection underscores the enduring impact of the European musical salon
    Note: Introduction - Anja Bunzel and Natasha Loges -- - Johanna Kinkel's Social Life in Berlin (1836-39) : Reflections on Historiographical Sources - Anja Bunzel -- - Accidental Aesthetics in the Salon : Amateurism and the Romantic Fragment in the Lied Sketches of Bettina von Arnim - Jennifer Ronyak -- - Salon Culture in the Circle of Joseph Joachim, or, Composing Inwardness : C. J. Arnold's "Quartettabend bei Bettina von Arnim" Reconsidered - Katharina Uhde and R. Larry Todd -- - Reading, Singing, Becoming : The M adchenlieder of Paul Heyse and Johannes Brahms - Natasha Loges -- - Fridays with Malla : Musical Repertoire in the Swedish Salon of Malla Silfverstolpe - Kirsten Santos Rutschman -- - Observing Musical Salon Culture in England c. 1800 through the Lens of the Caricature - Maren Bagge and Clemens Kreutzfeldt -- - The Salon Singer as Subject of Satire during the July Monarchy - Mary Anne Garnett -- - The Instruments of the Vienna Biedermeier Salon : Diversity in Design, Sound, and Technology - Beatrix Darmst adter -- - Offenbach and the Representation of the Salon - P eter Boz o -- - Affordances of the Piano : A Cinematic Representation of the Victorian Salon - Harry White -- - 'Der Mensch ist zur Geselligkeit geboren' : Salon Culture, Night Thoughts, and a Schubert Song - Susan Youens -- - Traditions, Preferences and Musical Taste in the Staegemann-Olfers Salon in Nineteenth-Century Berlin - Petra Wilhelmy-Dollinger -- - Josephine Lang and the Salon in Southern Germany - Harald Krebs -- - Jessie Hillebrand and Musical Life in 1870s Florence - Michael Uhde -- - An Invitation to 309 Beacon Street : Clara Kathleen Rogers and her Boston Salon - Katie A. Callam -- - "Too Much Playing Four Hands!" : Ernst von Dohn anyi's European Salon in the United States of the 1950s - Veronika Kusz
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 61
    ISBN: 9780190462611
    Language: English
    Pages: 1 online resource , illustrations (black and white).
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.65071
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    Keywords: Jazz Instruction and study ; USA ; Schule ; Musikerziehung ; Jazz
    Abstract: 'Teaching School Jazz' is an edited collection of suggested practices in school jazz education authored by a seasoned and diverse lineup of jazz educators with supporting research-based case studies woven into the narrative. It provides not only a wealth of school jazz teaching strategies but also, and perhaps as important, the jazz perspectives and principles from which they are derived.
    Note: Also issued in print: 2019. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on June 11, 2019)
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  • 62
    ISBN: 9783981786538
    Language: English
    Pages: 317 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Sounding heritage volume 4
    Series Statement: Sounding heritage
    DDC: 781.65072
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    Keywords: Jazz ; Jazzforschung ; Konferenzschrift 09.2018 ; Aufsatzsammlung ; Konferenzschrift 09.2018 ; Aufsatzsammlung ; Konferenzschrift 09.2018 ; Aufsatzsammlung ; Konferenzschrift 09.2018 ; Aufsatzsammlung ; Konferenzschrift 09.2018 ; Aufsatzsammlung ; Konferenzschrift ; Jazz ; Jazzforschung
    Note: "Das vorliegende Buch versammelt die Beiträge einer Tagung zur Jazzforschung im deutschsprachigen Raum, die im September 2018 in Weimar stattgefunden hat." - Einleitung , Beiträge teilweise deutsch, teilweise englisch
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  • 63
    ISBN: 9783837650587 , 3837650588
    Language: German , English
    Pages: 308 Seiten , Illustrationen, Diagramme , 22.5 cm x 14.8 cm, 486 g
    Series Statement: Beiträge zur Popularmusikforschung 45
    Series Statement: Beiträge zur Popularmusikforschung
    Parallel Title: Erscheint auch als (Dis-)orienting sounds - machtkritische Perspektiven auf populäre Musik
    DDC: 781.6301
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    Keywords: Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Unterhaltungsmusik ; Macht ; Intersektionalität ; Unterhaltungsmusik ; Musikerziehung ; Unterhaltungsmusik ; Forschung ; Musikwissenschaft ; Popmusik
    Note: Literaturangaben , Beiträge teilweise in Deutsch, teilweise in Englisch
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  • 64
    ISBN: 9783946114611
    Language: German , Chinese , English
    Pages: xi, 248 Seiten , Illustrationen, Notenbeispiele , 23 cm x 15 cm, 360 g
    Edition: 1. Auflage
    Series Statement: Deutsche Ostasienstudien 29
    Series Statement: Deutsche Ostasienstudien
    DDC: 780.95
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    Keywords: Kulturerbe ; Forschung ; Restaurierung ; Musik ; Sammlung ; Musikinstrument ; Ostasien ; Konferenzschrift GRASSI Museum für Völkerkunde 28.10.2016-29.10.2016 ; Hochschulschrift ; Konferenzschrift GRASSI Museum für Völkerkunde 28.10.2016-29.10.2016 ; Hochschulschrift ; Hochschulschrift ; Konferenzschrift 2016 ; Konferenzschrift GRASSI Museum für Völkerkunde 28.10.2016-29.10.2016 ; Hochschulschrift ; Hochschulschrift ; Konferenzschrift 2016 ; Konferenzschrift ; Ostasien ; Musik ; Musikinstrument ; Sammlung ; Forschung ; Restaurierung ; Kulturerbe
    Note: Das vorliegende Buch ist das Ergebnis einer internationale Konferenz, die am 28. und 29. Oktober 2016 am GRASSI Museum für Völkerkunde zu Leipzig stattfand. Das Thema der Konferenz lautete: "Discovery, Research, and Presentation: Die Ostasische Musik und ihre Musikinstrumente in den Sammlungen von Museen." - aus der Einleitung , Abstracts Seite [239]-244 , Deutscher, chinesischer und englischer Text , Zusammenfassung jeweils in englischer Sprache
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  • 65
    Online Resource
    Online Resource
    Berlin/Boston : De Gruyter
    ISBN: 9783110903768 , 3110903768
    Language: English
    Pages: Online-Ressource, 277 Seiten
    Edition: 2nd printing. Reprint 2019
    Series Statement: Studies in folklore 2
    Series Statement: Studies in folklore
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 390
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    Keywords: (Produktform)Electronic book text ; (Zielgruppe)Fachpublikum/ Wissenschaft ; (Zielgruppe)Fachpublikum/ Wissenschaft ; (BISAC Subject Heading)LIT000000 ; (BIC subject category)DSB: Literary studies: general ; USA ; Volkskunde ; (VLB-WN)9562
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 66
    ISBN: 9781351672634
    Language: English
    Pages: 1 online resource (401 pages)
    Series Statement: Routledge Literature Companions Ser.
    Parallel Title: Erscheint auch als The Routledge companion to transnational American studies
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    Keywords: Electronic books ; Aufsatzsammlung ; USA ; Kultur ; Politik ; Transnationalisierung
    Abstract: Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Table of Contents -- List of figures -- List of contributors -- Preface -- Introduction: Recognizing Transnational American Studies -- Note -- Bibliography -- 1. Collaboration in Transnational American Studies -- Introduction -- Coda -- Notes -- Bibliography -- PART I: Theorizing Transnational American Studies -- 2. Reorienting the transnational: Transatlantic, transpacific, and antipodean -- Introduction -- Notes -- Bibliography -- 3. Worlding America and Transnational American Studies -- Introduction -- Transnational American Studies as relational studies -- Transnational connectivity and the early Americas -- Conclusion -- Notes -- Bibliography -- 4. Archipelagic American Studies: An open and comparative insularity -- Introduction -- Notes -- Bibliography -- 5. The transnational poetics of Edward Said: Dangerous affiliations and impossible comparisons -- Introduction -- Notes -- Bibliography -- 6. The Pacific turn: Transnational Asian American Studies -- Boundaries, history, and debates -- The transnational turn, the immigrant, and US imperialism -- US-centric approaches and Japanese imperialism -- The polycentric transpacific -- Notes -- Bibliography -- PART II: Culture and performance: Histories and reciprocities -- 7. Cultural performance and Transnational American Studies -- Concepts and crossroads -- Antebellum African American performances of August 1 -- German-American encounters and epistemologies of embodied performance -- Conclusion -- Notes -- Bibliography -- 8. The Barbary frontier and transnational allegories of freedom -- Introduction -- Refashioning Barbary -- The Barbary frontier in American drama -- Conclusion -- Notes -- Bibliography -- 9. Stages of crossing: Transnational Indigenous futures -- Acts of mapping: Cambodia/Kassel.
    Note: Description based on publisher supplied metadata and other sources
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  • 67
    ISBN: 9783205232872
    Language: English , English , German
    Pages: 1 Online-Ressource (286 Seiten)
    Series Statement: Music Traditions Vol. 1
    Parallel Title: Erscheint auch als Ethnomusicology matters
    DDC: 780
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    Keywords: Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift 28.09.2017-30.09.2017 ; Aufsatzsammlung ; Konferenzschrift ; Musikethnologie ; Kulturerbe ; Musikethnologie
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  • 68
    ISBN: 9781978803596 , 9781978803589
    Language: English
    Pages: xiii, 246 Seiten , Illustrationen , 23 cm
    DDC: 306.484243
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    Keywords: Geschichte 1970- ; Schwarze ; Rhythm and Blues ; Identität ; Sexualität ; Neoliberalismus ; USA
    Abstract: Despite rhythm and blues culture’s undeniable role in molding, reflecting, and reshaping black cultural production, consciousness, and politics, it has yet to receive the serious scholarly examination it deserves. Destructive Desires corrects this omission by analyzing how post-Civil Rights era rhythm and blues culture articulates competing and conflicting political, social, familial, and economic desires within and for African American communities. As an important form of black cultural production, rhythm and blues music helps us to understand black political and cultural desires and longings in light of neo-liberalism’s increased codification in America’s racial politics and policies since the 1970s. Robert J. Patterson provides a thorough analysis of four artists—Kenneth “Babyface” Edmonds, Adina Howard, Whitney Houston, and Toni Braxton—to examine black cultural longings by demonstrating how our reading of specific moments in their lives, careers, and performances serve as metacommentaries for broader issues in black culture and politics.
    Note: Literaturverzeichnis: Seite 225-236
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  • 69
    Online Resource
    Online Resource
    Bloomington, IN : Indiana University Press
    ISBN: 9780253045478 , 0253045479
    Language: English
    Pages: 1 Online-Ressource , illustrations
    Edition: First paperback edition
    Series Statement: [Helen B. Schwartz book in Jewish studies]
    Parallel Title: Erscheint auch als Cohen, Judah M Making of a Reform Jewish cantor
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    Keywords: Hebrew Union College-Jewish Institute of Religion ; Hebrew Union College-Jewish Institute of Religion - New York Campus - School of Sacred Music ; Cantillation Instruction and study ; Cantors (Judaism) Education ; Reform Judaism ; Hebrew Union College-Jewish Institute of Religion ; Berufsausbildung ; Kantor ; Reformjudentum ; USA ; USA ; MUSIC / Ethnomusicology ; Cantillation ; Instruction and study ; Reform Judaism ; Judaïsme réformé ; Cantors (Judaïsme) - Éducation ; Reform Judaism ; Cantors (Judaism) ; Reform Judaism - Liturgy - History ; Synagogue music ; Cantillations ; Cantillations ; Synagogue music ; Cantillations ; Musique synagogale ; Electronic books ; Synagogue music ; Cantillations
    Abstract: To fashion a cantor -- Seeking the tradition -- Constructing a tradition -- Through the prism of the practicum -- A prism of cantorial sound -- A prism of cantorial identity.
    Abstract: "The Making of a Reform Jewish Cantor provides an unprecedented look into the meaning of attaining musical authority among American Reform Jews at the turn of the twenty-first century. How do aspiring cantors adapt traditional musical forms to the practices of contemporary American congregations? What is the cantor's role in American Jewish religious life today? Judah M. Cohen follows cantorial students at the School of Sacred Music, Hebrew Union College, over the course of their training, as they prepare to become modern Jewish musical leaders. Opening a window on the practical, social, and cultural aspects of aspiring to musical authority, this book provides unusual insights into issues of musical tradition, identity, gender, community, and high and low musical culture."--Jacket
    Note: Includes bibliographical references and index
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  • 70
    Book
    Book
    Stanford, California : Stanford University Press
    ISBN: 9781503607293 , 9781503607774
    Language: English
    Pages: xi, 208 Seiten , Illustrationen
    Series Statement: Stanford studies in comparative race and ethnicity
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    Keywords: Literatur ; Ethnische Identität ; Rasse ; Grenze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 71
    Online Resource
    Online Resource
    New York : Columbia University Press
    ISBN: 9780231547253
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Parallel Title: Erscheint auch als Zamalin, Alex, 1986 - Black utopia
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    Keywords: Utopias ; African Americans Intellectual life ; African Americans Politics and government ; HISTORY / African American ; PHILOSOPHY / Political ; USA ; Schwarze ; Geistesleben ; Utopie ; Ethnische Identität ; Nationalismus
    Abstract: Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction: Utopia and Black American Thought -- 1. Martin Delany’s Experiment in Escape -- 2. Turn- of- the- Century Black Literary Utopianism -- 3. W. E. B. Du Bois’s World of Utopian Intimacy -- 4. George S. Schuyler, Irony, and Utopia -- 5. Richard Wright’s Black Power and Anticolonial Antiutopianism -- 6. Sun Ra and Cosmic Blackness -- 7. Samuel Delany and the Ambiguity of Utopia -- 8. Octavia Butler and the Politics of Utopian Transcendence -- Conclusion: Black Utopia and the Contemporary Political Imagination -- Notes -- Bibliography -- Index
    Abstract: Within the history of African American struggle against racist oppression that often verges on dystopia, a hidden tradition has depicted a transfigured world. Daring to speculate on a future beyond white supremacy, black utopian artists and thinkers offer powerful visions of ways of being that are built on radical concepts of justice and freedom. They imagine a new black citizen who would inhabit a world that soars above all existing notions of the possible.In Black Utopia, Alex Zamalin offers a groundbreaking examination of African American visions of social transformation and their counterutopian counterparts. Considering figures associated with racial separatism, postracialism, anticolonialism, Pan-Africanism, and Afrofuturism, he argues that the black utopian tradition continues to challenge American political thought and culture. Black Utopia spans black nationalist visions of an ideal Africa, the fiction of W. E. B. Du Bois, and Sun Ra’s cosmic mythology of alien abduction. Zamalin casts Samuel R. Delany and Octavia E. Butler as political theorists and reflects on the antiutopian challenges of George S. Schuyler and Richard Wright. Their thought proves that utopianism, rather than being politically immature or dangerous, can invigorate political imagination. Both an inspiring intellectual history and a critique of present power relations, this book suggests that, with democracy under siege across the globe, the black utopian tradition may be our best hope for combating injustice
    Note: Mode of access: Internet via World Wide Web. , In English
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
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  • 72
    ISBN: 3839446678 , 9783839446676
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Musik und Klangkultur 35
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    Keywords: Music ; Musicology ; Ethnomusicology ; SOCIAL SCIENCE / General ; MUSIC / History & Criticism ; Music ; Musicology ; Ethnomusicology ; Electronic books ; Konferenzschrift ; Aufsatzsammlung
    Abstract: Frontmatter --Content --Introduction-Music practices across borders /Peres da Silva, Glaucia / Hondros, Konstantin --Valuation in a reversed economy /Fryberger, Annelies --Culture, creativity and practice /Wafula, Mukasa Situma --"Come and expose yourself to the fantastic music from around the world" /Lell, Peter --From desire for recognition to desire for independence /Le Coz, Sandrine --The invention of African art music /Riva, Nepomuk --Contemplating musical life in Tunisia under the French protectorate-the society and challenges /El Kahla, Alla --The construction of an Italian diasporic identity in the city of Buenos Aires at the turn of the 19th century /Anabel González, Daniela --Brazilian grooves and cultured clichés /Boy Bystron, Janco / Santana, Chico --About the authors
    Abstract: Reconnecting migration studies and the theory of valuation, this collection offers an interdisciplinary approach to the study of transnational music practices. Music is here approached as a practice not confined by audibility - rather, it is "seen" when the YouTube video is clicked, "felt" when the subwoofer vibrates, and "smelled" when the festival crowd dances: practices make music emerge in concrete situations constituted by people, objects, techniques, meanings, and emotions. Through these practices, values are created and shared which connect a way of music-making with objects and places of experiencing music unconfined by borders of any kind
    Note: In English
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  • 73
    ISBN: 9780429467851 , 9780429885877 , 9780429885884 , 9780429885860 , 9780429467851
    Language: English
    Pages: 1 online resource (232 pages) , 86 illustrations, text file, PDF.
    Edition: First edition.
    Series Statement: Routledge Research in Art and Race
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Morgan, Jo-Ann The Black Arts movement and the Black Panther Party in American visual culture
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    Keywords: Black Panther Party History ; Arts and society History 20th century ; Black Arts movement ; Black Arts movement Case studies ; Arts Political aspects ; African Americans Race identity ; African Americans Intellectual life 20th century ; African American arts 20th century ; Black Arts movement ; African American arts ; 20th century ; African Americans ; Race identity ; African Americans ; Intellectual life ; 20th century ; Arts ; Political aspects ; United States ; History ; 20th century ; Electronic books ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; ART / Art & Politics ; AfriCOBRA ; African American art ; African American history ; African American studies ; American art ; Angela Davis ; art history ; Berkeley ; Black Panthers ; black power ; California ; civil rights ; desegregation ; Eldridge Cleaver ; Emory Douglas ; Huey P. Newton ; identity ; Kathleen Cleaver ; Malcolm X ; newspaper ; Oakland ; Oakland Museum ; paintings ; photography ; politics ; posters ; prints ; visual culture ; Electronic books ; Electronic books ; USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
    Abstract: Part I. Black arts we make : aesthetics, collaboration, and social identity in the visual art of Black Power -- Introduction to Part I -- Pedigree of the Black arts movement : the march on Washington, death of Malcolm X, and free jazz -- Organization of Black American culture : a show of respect -- African commune of bad relevant artists : forging a Black aesthetic -- New perspectives in Black art : an Oakland class of '68 Says Black Lives Matter. -- Part II. The Black Panther Party in photography and print ephemera. Introduction to Part II -- Huey P. Newton enthroned : iconic image of Black Power -- Eldridge Cleaver's visual acumen and the coalition of Black Power with White resistance -- Emory Douglas : revolutionary artist and visual theorist -- Picturing the female revolutionary.
    Note: Includes bibliographical references and index
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  • 74
    Book
    Book
    New York ; London : The New Press
    ISBN: 9781620975879 , 9781620974360
    Language: English
    Pages: 248 Seiten
    Parallel Title: Erscheint auch als
    DDC: 301.092
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    Keywords: BIOGRAPHY & AUTOBIOGRAPHY / Social Scientists & Psychologists ; SOCIAL SCIENCE / Feminism & Feminist Theory ; SOCIAL SCIENCE / Popular Culture ; SOCIAL SCIENCE / Discrimination & Race Relations ; Women sociologists / United States ; Women, Black / United States ; Soziologin ; Feminismus ; Schwarze Frau ; Ethnische Beziehungen ; Diskriminierung ; USA ; Autobiografie ; Biografie ; Schwarze Frau ; Soziologin ; Diskriminierung ; Feminismus ; Ethnische Beziehungen ; USA
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  • 75
    Book
    Book
    New York : Columbia University Press
    ISBN: 9780231190541
    Language: English
    Pages: 222 Seiten , Illustrationen
    Series Statement: Gender and culture
    Parallel Title: Erscheint auch als Miller, Nancy K., 1941- author My brilliant friends
    DDC: 305.420973
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    Keywords: Miller, Nancy K. ; Miller, Nancy K. ; Schor, Naomi ; Middlebrook, Diane Wood ; Cross, Amanda ; Geschichte ; Feminism ; Female friendship ; Feminismus ; USA ; Biografie ; Biografie ; Biografie ; Miller, Nancy K. 1941- ; Cross, Amanda 1926-2003 ; Schor, Naomi 1943-2001 ; Middlebrook, Diane Wood 1939-2007 ; USA ; Feminismus ; Geschichte
    Description / Table of Contents: Includes bibliographical references
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  • 76
    ISBN: 9781138605923
    Language: English
    Pages: XX, 211 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Morgan, Jo-Ann The Black Arts Movement and the Black Panther Party in American Visual Culture
    Parallel Title: Erscheint auch als Morgan, Jo-Ann The Black Arts Movement and the Black Panther Party in American Visual Culture
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    Keywords: USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
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  • 77
    ISBN: 9781538101452
    Language: English
    Pages: xxvii, 382 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Mitchell, Verner D., 1957- author Encyclopedia of the Black Arts Movement
    DDC: 700.89/96073
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    Keywords: Black Arts movement Encyclopedias ; Wörterbuch ; Enzyklopädie ; Wörterbuch ; Black arts movement ; USA ; Schwarze ; Künste ; Black power
    Abstract: "The Black Arts Movement (BAM) was the name given to a group of black poets, artists, dramatists, musicians, and writers who emerged in the wake of the Black Power Movement. The entries in this volume include key contributors to the Black Arts Movement, their major works produced during the period, significant publications, and influential groups and organizations"--
    Note: Includes bibliographical references and index
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  • 78
    ISBN: 9783896466709
    Language: English , German
    Pages: XXII, 284 Seiten , Illustrationen, Diagramme, Karten, Notenbeispiele
    Series Statement: Studien zur Musikarchäologie / Deutsches Archäologische Institut, Orient-Abteilung 11, Buch
    Series Statement: Orient-Archäologie Band 40, Buch
    Series Statement: Studien zur Musikarchäologie
    Series Statement: Orient-Archäologie
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    Keywords: Konferenzschrift ; Konferenzschrift
    Note: Parallel als CD-ROM erschienen , Vorwort und "In memorian Ellen Hickmann" deutsch und englisch, Beiträge englisch mit deutscher Zusammenfassung
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  • 79
    ISBN: 9780691181547
    Language: English
    Pages: xii, 482 S. , Ill. , 20,5 cm
    DDC: 305.800973
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    Keywords: Baldwin, James Political and social views ; Buckley, William F ; African Americans Social conditions 20th century ; United States Race relations 20th century ; Baldwin, James 1924-1987 ; Buckley, William F. 1925-2008 ; USA ; Schwarze ; Rassismus ; Geschichte
    Abstract: "In February 1965, novelist and 'poet of the Black Freedom Struggle' James Baldwin and political commentator and father of the modern American conservative movement William F. Buckley met in Cambridge Union to face-off in a televised debate. The topic was 'The American Dream is at the expense of the American Negro.' Buccola uses this momentous encounter as a lens through which to deepen our understanding of two of the most important public intellectuals in twentieth century American thought. The book begins by providing intellectual biographies of each debater. As Buckley reflected on the civil rights movement, he did so from the perspective of someone who thought the dominant norms and institutions in the United States were working quite well for most people and that they would eventually work well for African-Americans. From such a perspective, any ideology, personality, or movement that seems to threaten those dominant norms and institutions must be deemed a threat. Baldwin could not bring himself to adopt such a bird's eye point of view. Instead, he focused on the 'inner lives' of those involved on all sides of the struggle. Imagine what it must be like, he told the audience at Cambridge, to have the sense that your country has not 'pledged its allegiance to you?' Buccola weaves the intellectual biographies of these two larger-than-life personalities and their fabled debate with the dramatic history of the civil rights movement that includes a supporting cast of such figures as Robert Kennedy, Martin Luther King Jr., Malcolm X, Lorraine Hansberry, and George Wallace. Buccola shows that the subject of their debate continues to have resonance in our own time as the social mobility of blacks remains limited and racial inequality persists"--
    Note: Bibliogr. S. [459] - 476 , Hier auch später erschienene, unveränderte Nachdrucke
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  • 80
    ISBN: 9783837649482 , 3837649482
    Language: German
    Pages: 222 Seiten , Illustrationen , 23 cm, 357 g
    Series Statement: Amerika: Kultur - Geschichte - Politik Band 12
    Parallel Title: Erscheint auch als Märkl, Simon, 1987- Big Science Fiction - Kernfusion und Popkultur in den USA
    Dissertation note: Dissertation Ludwig-Maximilians-Universität München 2019
    DDC: 306.40973
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    Keywords: Geschichte 1945-1975 ; Kernfusion ; Großforschung ; Legitimation ; Fortschrittsgedanke ; Diskurs ; Massenmedien ; Massenkultur ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Literaturverzeichnis Seite [211]-222
    URL: Cover
    URL: Cover
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  • 81
    ISBN: 9783896466709
    Language: English , German
    Pages: 1 CD-ROM
    Series Statement: Studien zur Musikarchäologie / Deutsches Archäologische Institut, Orient-Abteilung 11, CD-ROM
    Series Statement: Orient-Archäologie Band 40, CD-ROM
    Series Statement: Studien zur Musikarchäologie
    Series Statement: Orient-Archäologie
    RVK:
    Keywords: Konferenzschrift ; CD-ROM ; Konferenzschrift ; CD-ROM
    Note: Parallel als Buchausgabe erschienen , Vorwort und "In memorian Ellen Hickmann" deutsch und englisch, Beiträge englisch mit deutscher Zusammenfassung
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  • 82
    Book
    Book
    Lincoln : Co-published by the University of Nebraska Press and the American Philosophical Society
    ISBN: 9781496211903
    Language: English
    Pages: x, 463 Seiten
    Series Statement: New visions in Native American and indigenous studies
    DDC: 810.8/0897
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    Keywords: Deloria, Vine ; Indian authors Biography ; Indian activists Biography ; Biografie ; Biografie ; Deloria, Vine 1933-2005 ; USA ; Red Power
    Abstract: "In Life of the Indigenous Mind: Vine Deloria Jr. and the Birth of the Red Power Movement, David Martínez examines the activism, life, and writings of Vine Deloria Jr., the most influential indigenous activist and writer of the 20th century and one of the intellectual architects of the Red Power Movement"--
    Note: Includes bibliographical references and index
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  • 83
    ISBN: 9783423281812 , 3423281812
    Language: German
    Pages: 121 Seiten , 22 cm
    Edition: Neuübersetzung
    Uniform Title: The fire next time
    DDC: 305.896073
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    Keywords: Schwarze ; Diskriminierung ; Rassismus ; USA ; Aufsatzsammlung
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  • 84
    ISBN: 9783205232865 , 3205232860
    Language: English
    Pages: 285 Seiten , Illustrationen
    Series Statement: Music traditions vol. 1
    DDC: 780.89
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    Keywords: Musikethnologie ; Kulturerbe ; Konferenzschrift 28.09.2017-30.09.2017 ; Aufsatzsammlung ; Konferenzschrift
    Note: Literaturangaben
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  • 85
    ISBN: 9783825346843 , 3825346846
    Language: English
    Pages: viii, 301 Seiten , 22 cm
    Series Statement: American Studies volume 305
    Series Statement: American studies
    Parallel Title: Erscheint auch als Schubert, Stefan Narrative instability
    Dissertation note: Dissertation Universität Leipzig 2018
    DDC: 306.0973
    RVK:
    Keywords: Hochschulschrift ; Hochschulschrift ; USA ; Pop-Kultur ; Identität ; Instabilität ; Wirklichkeit ; Narrativität ; Geschichte 2000-2019 ; USA ; Pop-Kultur ; Identität ; Instabilität ; Wirklichkeit ; Narrativität ; Geschichte 2000-2019
    Note: Literaturverzeichnis: Seite 275-301
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  • 86
    ISBN: 9783442758142
    Language: German
    Pages: 317 Seiten , 21.5 cm x 13.5 cm
    Edition: 1. Auflage
    DDC: 306.4613
    RVK:
    Keywords: Body image ; Discrimination against overweight persons United States ; Feeding and eating disorders ; Rehabilitation ; Personal narrative ; Adult survivors of child abuse ; Psychology ; Personal narrative ; Erlebnisbericht ; USA ; Frau ; Körper ; Anorexia nervosa ; Feminismus
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  • 87
    ISBN: 9780451493026
    Language: English
    Pages: xiii, 217 Seiten , 20 cm
    Edition: First edition
    Series Statement: Borzoi Book
    DDC: 305.48896073
    RVK:
    Keywords: Schwarze Frau ; Ethnische Beziehungen ; Soziale Situation ; USA ; Autobiografie ; Autobiografie
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  • 88
    ISBN: 9781138058903 , 1138058904
    Language: English
    Pages: xix, 380 Seiten , Illustrationen, Karte
    Series Statement: Routledge literature companions
    Series Statement: Routledge companions
    Parallel Title: Erscheint auch als The Routledge companion to transnational American studies
    Parallel Title: Erscheint auch als Morgan, Nina The Routledge Companion to Transnational American Studies.
    Parallel Title: Erscheint auch als The Routledge companion to transnational American studies
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kultur ; Politik ; Transnationalisierung
    Note: Literaturangaben
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  • 89
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780415786980
    Language: English
    Pages: xiv, 250 Seiten , Illustrationen
    Series Statement: Routledge advances in sociology
    Parallel Title: Erscheint auch als
    DDC: 781.66
    RVK:
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    Keywords: Unabhängigkeit ; Musikleben ; Kulturvergleich ; Underground ; Underground music / History and criticism ; Underground music / Social aspects ; Underground music ; Criticism, interpretation, etc ; Konferenzschrift ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift ; Musikleben ; Underground ; Unabhängigkeit ; Kulturvergleich
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  • 90
    ISBN: 9780231187411 , 9780231187404
    Language: English
    Pages: 182 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Zamalin, Alex, 1986 - Black utopia
    DDC: 973/.0496073
    RVK:
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    Keywords: African Americans Politics and government ; African Americans Intellectual life ; Utopias ; USA ; Schwarze ; Geistesleben ; Utopie ; Ethnische Identität ; Nationalismus
    Abstract: "Within the history of African American struggle against racist oppression that often verges on dystopia, a hidden tradition has depicted a transfigured world. Daring to speculate on a future beyond white supremacy, black utopian artists and thinkers offer powerful visions of ways of being that are built on radical concepts of justice and freedom. They imagine a new black citizen who would inhabit a world that soars above all existing notions of the possible. In Black Utopia, Alex Zamalin offers a groundbreaking examination of African American visions of social transformation and their counterutopian counterparts. Considering figures associated with racial separatism, postracialism, anticolonialism, Pan-Africanism, and Afrofuturism, he argues that the black utopian tradition continues to challenge American political thought and culture. Black Utopia spans black nationalist visions of an ideal Africa, the fiction of W.E.B. Du Bois, and Sun Ra's cosmic mythology of alien abduction. Zamalin casts Samuel R. Delany and Octavia E. Butler as political theorists and reflects on the antiutopian challenges of George S. Schuyler and Richard Wright. Their thought proves that utopianism, rather than being politically immature or dangerous, can invigorate political imagination. Both an inspiring intellectual history and a critique of present power relations, this book suggests that, with democracy under siege across the globe, the black utopian tradition may be our best hope for combating injustice"--
    Note: Bibliographie: Seite [171]-178
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  • 91
    ISBN: 9780190632991
    Language: English
    Pages: xxi, 641 Seiten , Illustrationen
    Edition: Fifth Edition
    Parallel Title: Erscheint auch als Starr, Larry author American popular music
    DDC: 781.640973
    RVK:
    Keywords: Popular music History and criticism ; USA ; Popmusik
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  • 92
    ISBN: 9781479823420 , 9781479850600
    Language: English
    Pages: vii, 275 Seiten , Illustrationen , 23 cm
    DDC: 305.48/697
    RVK:
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    Keywords: Schwarze Frau ; Muslimin ; USA
    Note: Literaturverzeichnis: Seite 249-260
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  • 93
    ISBN: 9783825369392
    Language: English
    Pages: 245 Seiten , Illustrationen
    Series Statement: American studies volume 297
    Series Statement: American studies
    Dissertation note: Dissertation Universität Wien 2015
    DDC: 303.48243073
    RVK:
    Keywords: Transnationalisierung ; Kapitalismus ; Kulturübertragung ; Neoliberalismus ; Kultur ; USA ; Österreich ; Deutschland ; Transnationalismus ; U.S.A. ; Performance ; Kapitalismus ; Neoliberalismus ; Stonewall Riots ; Ureinwohner Nordamerikas ; Indianer ; kulturelle Identität ; Miller, Arthur ; Loman, Willy ; Flicker, Florian ; 21. Jahrhundert ; 20. Jahrhundert ; Gegenwartsliteratur ; Deutschland ; Österreich ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Kultur ; Transnationalisierung ; Neoliberalismus ; USA ; Transnationalisierung ; Kulturübertragung ; Neoliberalismus ; Kapitalismus ; Österreich ; Deutschland
    Note: Literaturverzeichnis: Seite 223-241
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  • 94
    ISBN: 9780190499631 , 9780190499648
    Language: English
    Pages: xiii, 253 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Ingalls, Monique, 1981 - Singing the congregation
    DDC: 264/.2
    RVK:
    Keywords: Contemporary Christian music History and criticism ; Evangelicalism Social aspects ; USA ; Evangelikale Bewegung ; Anbetung ; Musik ; USA ; Evangelikale Bewegung ; Anbetung ; Musik ; Gotteslob ; Neues geistliches Lied ; Gottesdienst ; Evangelikale Bewegung
    Note: Includes bibliographical references and index
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  • 95
    ISBN: 9783814223711
    Language: German
    Pages: 266 Seiten , Illustrationen
    DDC: 780
    RVK:
    RVK:
    Keywords: Popmusik ; Grenzüberschreitung ; Medien ; Musikwissenschaft ; Gesellschaft ; Politik ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift ; Konferenzschrift 2016 ; Konferenzschrift ; Konferenzschrift 2016 ; Popmusik ; Gesellschaft ; Politik ; Medien ; Musikwissenschaft ; Grenzüberschreitung
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  • 96
    ISBN: 9783944666532 , 3944666534
    Language: German
    Pages: 289 Seiten , Illustration , 21 cm
    Edition: 1. Auflage
    Series Statement: reihe schwarz bewegt
    Uniform Title: Black looks
    DDC: 305.896073
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    Keywords: Schwarze Frau ; Stereotyp ; Rassismus ; Sexismus ; Massenkultur ; Vermarktung ; USA
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  • 97
    ISBN: 9780755601974 , 9781784538583
    Language: English
    Pages: XVI, 240 Seiten , Illustrationen , 22 cm
    Series Statement: Library of World War II studies 1
    Series Statement: Library of World War II studies
    DDC: 940.5488
    RVK:
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    Keywords: World War, 1939-1945 Propaganda ; Radio in propaganda History 20th century ; Radio in propaganda History 20th century ; Jazz Social aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Radio broadcasting History 20th century ; Radio broadcasting History 20th century ; World War (1939-1945) ; Jazz ; Social aspects ; Propaganda ; Radio broadcasting ; Radio in propaganda ; Germany ; Great Britain ; History ; Jazz ; Jazz ; Propaganda ; Radio broadcasting ; Radio broadcasting ; Radio broadcasting ; Radio in propaganda ; Radio in propaganda ; World War, 1939-1945 ; Germany ; Great Britain ; World War (1939-1945) ; History ; 1900-1999 ; Deutschland ; Großbritannien ; USA ; Jazz ; Propaganda ; Soziale Situation ; Geschichte 1939-1945 ; Jazz ; Zweiter Weltkrieg ; Kultur ; Geschichte
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 98
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190279646
    Language: English
    Pages: 1 Online-Ressource (288 Seiten) , illustrations (black and white, and colour), maps (black and white)
    Additional Information: Rezensiert in Lewis, Bonnie Sue [Rezension von: Graber, Jennifer, The Gods of Indian Country: Religion and the Struggle for the American West] 2020
    Parallel Title: Erscheint auch als Graber, Jennifer, 1973 - The gods of Indian country
    DDC: 978.00497492
    RVK:
    Keywords: Kiowa Indians History 19th century ; Kiowa Indians Government relations 19th century ; History ; Kiowa Indians Missions 19th century ; History ; Kiowa Indians ; History ; 19th century ; Kiowa Indians ; Government relations ; History ; 19th century ; Kiowa Indians ; Missions ; History ; 19th century ; USA ; Kiowa ; Ethnische Religion ; Kulturelle Identität ; Siedler ; Mission ; Rassendiskriminierung ; Geschichte 1803-1903
    Abstract: During the nineteenth century, Americans sought the cultural transformation and the physical displacement of American Indian nations. Native people resisted these efforts. Though this process is often understood as a clash of rival economic systems or racial ideologies, it was also a profound spiritual struggle. The conflict over Indian Country sparked crises for both Natives and Americans. In the end, the experience of intercultural encounter and conflict over land produced religious transformations on both sides. This work focuses on Kiowa Indians during Americans' hundred-year effort to acquire, explore, and seize their homeland between 1803 and 1903.
    Note: Previously issued in print: 2018. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on March 5, 2018)
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  • 99
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520292833 , 9780520292826
    Language: English
    Pages: xiii, 291 Seiten , Karten
    Parallel Title: Erscheint auch als Hunter, Marcus Anthony, author Chocolate cities
    DDC: 973.0496073
    RVK:
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    Keywords: Geschichte ; African Americans History ; Stadt ; Kulturleben ; Schwarze ; USA ; USA ; Schwarze ; Stadt ; Kulturleben ; Geschichte
    Abstract: "When you think of a map of the United States, what do you see? Now think of the Seattle that begot Jimi Hendrix. The Dallas that shaped Erykah Badu. The Holly Springs, Mississippi, that compelled Ida B. Wells to activism against lynching. The Birmingham where Martin Luther King, Jr., penned his most famous missive. Now how do you see the United States? Chocolate Cities offers a new cartography of the United States...a "Black Map" that more accurately reflects the lived experiences and the future of Black life in America. Drawing on cultural sources such as film, music, fiction, and plays, and on traditional resources like Census data, oral histories, ethnographies, and health and wealth data, the book offers a new perspective for analyzing, mapping, and understanding the ebbs and flows of the Black American experience...all in the cities, towns, neighborhoods, and communities that Black Americans have created and defended. Black maps are consequentially different from our current geographical understanding of race and place in America. And as the United States moves toward a majority minority society, Chocolate Cities provides a broad and necessary assessment of how racial and ethnic minorities make and change America's social, economic, and political landscape"...Provided by publisher
    Note: Includes bibliographical references and index
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  • 100
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780190840624
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: [Oxford handbooks online
    Series Statement: Literature]
    Parallel Title: Erscheint auch als The Oxford handbook of American folklore and folklife studies
    DDC: 398.209473
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    Keywords: Folklore ; Volkskultur ; Volksliteratur ; USA ; Folklore ; United States ; United States ; Social life and customs ; United States Social life and customs ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Volkskunde ; Volkskultur
    Abstract: Surveying the materials, approaches, and contexts of American folklore and folklife studies, this handbook guides folklorists and students/scholars of American culture, history, and society through more than 350 years of work in the subject.
    Note: Titel ist noch nicht vollständig erschienen, Beiträge werden nach und nach online hinzugefügt
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