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  • GBV  (76)
  • Online Resource  (76)
  • USA  (35)
  • History  (31)
  • Europa
  • Musicology  (76)
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  • 1
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781009019804
    Language: English
    Pages: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84249
    RVK:
    Keywords: Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Hip-Hop ; Politik ; Recht ; Rassendiskriminierung ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Abstract: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Note: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    Online Resource
    Online Resource
    Oxford : Archaeopress publishing Ltd
    ISBN: 9781803271071
    Language: English
    Pages: 1 Online-Ressource (xvii, 144 Seiten) , Illustrationen, Karten
    Series Statement: Archaeopress Archaeology
    Parallel Title: Erscheint auch als Zeeuw, Hans de The Ottoman Tanbûr
    DDC: 787.8209
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    Keywords: Ṭanbūr History ; Ṭanbūr Construction ; History ; Folk music History and criticism ; Tanbur
    Abstract: Tanbūrs are long-necked lute-like instruments played in the art, Sufi, and folk musical traditions along the Silk Road and beyond. This book provides a detailed study of the history of the tanbūr, its role in Ottoman music, construction and playing technique
    Note: Also issued in print: 2022 , Includes bibliographical references, discography and index , Zielgruppe: Specialized
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  • 3
    ISBN: 9783593450766
    Language: German
    Pages: 1 Online-Ressource (434 Seiten) , Illustrationen, Diagramme
    Parallel Title: Erscheint auch als Torp, Claudius, 1973 - Klavierwelten
    DDC: 786.2
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    Keywords: Geschichte ; Kulturwissenschaft ; Deutschland ; USA ; Österreich ; Globalgeschichte ; global ; Südafrika ; Musik ; Japan ; Vereinigte Staaten ; Kosmopolitismus ; Verflechtungsgeschichte ; Instrument ; Musikgeschichte ; Musikwissenschaft ; Transkulturalität ; Musikkultur ; Klavier ; Piano ; Kunstmusik ; Pianoforte ; Klavierkultur ; Instrumentenhandel ; Konservatorium ; Musiktransfer ; Tasteninstrumente ; Klavierspiel ; Klavier lernen ; Klavier spielen ; Hochschulschrift ; Klavier ; Klaviermusik ; Musikwirtschaft ; Geschichte 1830-1940
    Abstract: Zwischen den 1830er und den 1930er Jahren entfaltete die europäische Kunstmusik eine erhebliche kosmopolitische Anziehungskraft. Auch der Handel mit Tasteninstrumenten nahm damals globale Dimensionen an. Besonders das Klavier erfüllte bedeutsame kulturelle Funktionen: Es war ein Werkzeug der Kanonbildung sowie der Übersetzung musikalischer und literarischer Stoffe. Es stand im Zentrum öffentlicher Spektakel und diente einer ästhetischen Leistungsschau. Darüber hinaus beförderte es eine intime Gefühlskultur. Weltbild und Habitus außereuropäischer Eliten und Musiker haben die Auseinandersetzung mit dem Klavier entscheidend geprägt. Claudius Torp zeichnet in seiner Globalgeschichte des Klaviers die Institutionen des Instrumentenhandels, der Missionen und Konservatorien nach und analysiert die Bedeutung des Klaviers in den drei Fallstudien USA, Südafrika und Japan.
    Note: Literaturverzeichnis: Seite [391]-429
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    Online Resource
    Online Resource
    Ithaca : Cornell University Press
    ISBN: 9781501759857
    Language: English
    Pages: 1 Online-Ressource (368 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.48428
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    Keywords: Geschichte 1870-1990 ; Musicians, Black Germany ; History ; 20th century ; Musicians, Black Austria ; History ; 20th century ; Musicians, Black Germany ; History ; 19th century ; Schwarze ; Musiker ; Österreich ; Deutschland ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
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  • 5
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478021391 , 147802139X
    Language: English
    Pages: 1 Online-Ressource (xxii, 530 Seiten) , Illustrationen
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als Weisbard, Eric Songbooks
    DDC: 782.421640973
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    Keywords: Popular music History and criticism ; Popular music Historiography ; Electronic books ; USA ; Volksmusik ; Popmusik
    Abstract: Setting the Scene -- The Jazz Age -- Midcentury Icons -- Vernacular Counterculture -- After the Revolution -- New Voices, New Methods -- Topics in Progress.
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 6
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197531372
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 782.4216490941
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    Keywords: Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Rap (Music) ; Political aspects ; Great Britain ; History ; 21st century ; Rap (Music) ; Great Britain ; History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Abstract: 'Brithop' investigates rap music's politics in the 21st century United Kingdom. In it, the author argues that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially responding through rap to mainstream Britain's political discourses. The rappers in this volume critique the United Kingdom's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture.
    Note: Also issued in print: 2020. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on September 16, 2020)
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  • 7
    Online Resource
    Online Resource
    Hamburg : rowohlt e-Book
    ISBN: 9783644012493
    Language: German
    Pages: 1 Online-Ressource (209 ungezählte Seiten)
    Series Statement: rowohlts monographien
    Parallel Title: Erscheint auch als Posener, Alan, 1949 - Elvis Presley
    DDC: 782.42166/092
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    Keywords: Amerika Nord-Amerika ; USA ; Populäre Musik ; Biografie ; Presley, Elvis 1935-1977
    Note: "Das Bildmaterial der Printausgabe ist in diesem E-Book nicht enthalten."
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  • 8
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190938314
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: The new cultural history of music
    Series Statement: Oxford scholarship online
    DDC: 306.48420943809048
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    Keywords: NSZZ "Solidarność" ; Geschichte 1980-1990 ; Musik ; Politischer Protest ; Untergrund ; Music Political aspects 20th century ; History ; Polen ; Poland Politics and government 1980-1989
    Abstract: A vibrant study of music and protest that focuses on the Solidarity movement in 1980s Poland, 'Musical Solidarities' explores how and why sound mattered to the opposition to state socialism. Unfurling the rich soundscapes of political action at demonstrations, church services, meetings, and in detention, it offers a nuanced portrait of this pivotal decade of European and global history.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
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  • 9
    ISBN: 9783515127882
    Language: English
    Pages: 1 Online-Ressource (184 Seiten)
    Series Statement: Studien zur Geschichte der Europäischen Integration Band 34
    Series Statement: Studien zur Geschichte der Europäischen Integration
    Parallel Title: Erscheint auch als Pichler, Peter, 1980 - Metal music, sonic knowledge, and the cultural ear in Europe since 1970
    DDC: 781.66
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    Keywords: 20. Jahrhundert ; Cultural Ear ; Cultural History ; Europe ; European Integration ; Heavy Metal Music ; Metal Music Studies ; Popular Music ; Sonic Knowledge ; Subculture ; Europa ; Heavy Metal ; Subkultur ; Kulturelle Identität ; Europäisierung ; Geschichte 1970-2020
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  • 10
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781108776233
    Language: English
    Pages: 1 Online-Ressource (346 Seiten)
    Edition: First published
    Series Statement: New Studies in European History
    Parallel Title: Erscheint auch als
    DDC: 781.650943/1
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    Keywords: Jazz History and criticism 20th century ; Music and state History 20th century ; Jazz Political aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Jazz History and criticism ; Electronic books ; Electronic books ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1918-1945 ; Deutschland ; Jazz ; Kulturpolitik
    Abstract: Chronicles the history of jazz over the complete lifespan of East Germany, from 1945 to 1990, for the first time.
    Note: Description based on publisher supplied metadata and other sources
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  • 11
    ISBN: 9781786607386
    Language: English
    Pages: 1 online resource (206 pages)
    Series Statement: Popular Musics Matter: Social, Political and Cultural Interventions
    Parallel Title: Erscheint auch als Bottà, Giacomo, 1974 - Deindustrialisation and popular music
    DDC: 781.66
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    Keywords: Popular music-Social aspects-Europe-History ; Electronic books ; Europa ; Großstadt ; Deindustrialisierung ; Punk Rock ; Postpunk ; Musikleben ; Sozialer Wandel ; Unterhaltungsmusik ; Volkstümliche Musik ; Sozialer Wandel
    Abstract: The book offers a new and unique point of view on industrial cities and their popular music cultures based on interdisciplinary research and methods.
    Abstract: Intro -- Title Page -- Acknowledgements -- Introduction -- The Industrial City -- A Genealogy of 'Industrial City Music' -- Manchester -- Düsseldorf -- Torino -- Tampere -- Industrial Heritages -- From Vanishing Mediator to Cultural Catalyst -- Conclusion -- References -- Index -- About the Author.
    Note: Description based on publisher supplied metadata and other sources
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  • 12
    Online Resource
    Online Resource
    Stuttgart : Franz Steiner Verlag
    ISBN: 9783515125932
    Language: German
    Pages: 1 Online-Ressource (519 Seiten) , Diagramme
    Series Statement: Studien zur Alltags- und Kulturgeschichte Band 33
    Series Statement: Studien zur Alltags- und Kulturgeschichte
    Parallel Title: Erscheint auch als
    DDC: 781.6409
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    Keywords: Geschichte ; Geschichte 1945-2020 ; Musikmarkt ; Unterhaltungsmusik ; Internationalisierung ; Musikwirtschaft ; Rockmusik ; Globalisierung ; Amerikanisierung ; Popmusik ; USA ; Wirtschaftsgeschichte ; Musikfilm ; Tonträgerindustrie ; MTV ; Kulturgeschichte ; Globalisierung ; Disco ; Hip-Hop ; Rockmusik ; Jazz ; Musikindustrie ; Popmusik ; Musikkultur ; EDM ; Techno ; Musikmarkt ; amerikanische Geschichte ; USA ; Unterhaltungsmusik ; Musikmarkt ; Amerikanisierung ; Geschichte ; USA ; Popmusik ; Rockmusik ; Musikwirtschaft ; Internationalisierung ; Globalisierung ; Geschichte 1945-2020
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 13
    Online Resource
    Online Resource
    New York : Cambridge University Press
    ISBN: 9781108645638 , 9781108486187 , 9781108731928
    Language: English
    Pages: 1 online resource (xxviii, 315 pages) , digital, PDF file(s).
    Series Statement: New studies in European history
    Parallel Title: Erscheint auch als Kaldewey, Helma, 1962 - A people's music
    DDC: 781.650943/1
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    Keywords: Jazz History and criticism 20th century ; Music and state History 20th century ; Jazz Political aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Jazz History and criticism ; Jazz ; Germany ; 20th century ; History and criticism ; Music and state ; Germany ; History ; 20th century ; Jazz ; Political aspects ; Germany ; History ; 20th century ; Jazz ; Social aspects ; Germany ; History ; 20th century ; Jazz ; Germany (East) ; History and criticism ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1918-1945 ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1945-1990
    Abstract: A People's Music presents the first full history of jazz in East Germany, drawing on new and previously unexamined sources and vivid eyewitness accounts. Helma Kaldewey chronicles the experiences of jazz musicians, fans, and advocates, and charts the numerous policies state socialism issued to manage this dynamic art form. Offering a radical revision of scholarly views of jazz as a musical genre of dissent, this vivid and authoritative study marks developments in the production, performance, and reception of jazz decade by decade, from the GDR's beginning in the 1940s to its end in 1990, examining how members of the jazz scene were engaged with (and were sometimes complicit with) state officials and agencies throughout the Cold War. From postwar rebuilding, to Stalinism and partition, to détente, Ostpolitik, and glasnost, and finally to its acceptance as a national art form, Kaldewey reveals just how many lives jazz has lived.
    Note: Title from publisher's bibliographic system (viewed on 18 Dec 2019)
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  • 14
    ISBN: 9780190462611
    Language: English
    Pages: 1 online resource , illustrations (black and white).
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.65071
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    Keywords: Jazz Instruction and study ; USA ; Schule ; Musikerziehung ; Jazz
    Abstract: 'Teaching School Jazz' is an edited collection of suggested practices in school jazz education authored by a seasoned and diverse lineup of jazz educators with supporting research-based case studies woven into the narrative. It provides not only a wealth of school jazz teaching strategies but also, and perhaps as important, the jazz perspectives and principles from which they are derived.
    Note: Also issued in print: 2019. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on June 11, 2019)
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  • 15
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199365197 , 9780190874438
    Language: English
    Pages: 1 Online-Ressource (xiv, 264 Seiten) , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.11
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    Keywords: Musical ability / Cross-cultural studies ; Musiker ; Kreativität ; Kulturvergleich ; Europa ; Nordamerika ; Afrika ; Europa ; Nordamerika ; Afrika ; Musiker ; Kreativität ; Kulturvergleich
    Abstract: How are an individual's ability and motivation to be creative shaped by the world around her? Why does creativity seem to flourish in some environments, while in others it is stifled? Many societies value creativity as an abstract concept and many, perhaps even most, individuals feel an internal drive to be creative; however, tremendous social pressures restrict development of creative skill sets, engagement in creative activities, and willingness to take creative risks. Becoming Creative explores how social and cultural factors enable or inhibit creativity in music. The text integrates perspectives from ethnomusicology, education, sociology, psychology, and performance studies, prioritizing the voices of practicing musicians and music educators
    Note: Previously issued in print: 2018. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 16
    Online Resource
    Online Resource
    New York : Bloomsbury Academic & Professional
    ISBN: 9781501346606
    Language: English
    Pages: 1 online resource (201 pages)
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Electronic books ; Europa ; Jazz ; Forschung ; Musikerziehung ; Musikförderung ; Netzwerk ; Kulturelle Identität
    Abstract: Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Preface -- Acknowledgements -- Abbreviations -- Introduction -- 1 Researching jazz in Europe today -- 2 Challenges for European jazz networking -- 3 Current strategies -- 4 Giving voice to ground players -- Conclusions -- References -- Index.
    Note: Description based on publisher supplied metadata and other sources
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  • 17
    Online Resource
    Online Resource
    Bloomington, IN : Indiana University Press
    ISBN: 9780253045478 , 0253045479
    Language: English
    Pages: 1 Online-Ressource , illustrations
    Edition: First paperback edition
    Series Statement: [Helen B. Schwartz book in Jewish studies]
    Parallel Title: Erscheint auch als Cohen, Judah M Making of a Reform Jewish cantor
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    Keywords: Hebrew Union College-Jewish Institute of Religion ; Hebrew Union College-Jewish Institute of Religion - New York Campus - School of Sacred Music ; Cantillation Instruction and study ; Cantors (Judaism) Education ; Reform Judaism ; Hebrew Union College-Jewish Institute of Religion ; Berufsausbildung ; Kantor ; Reformjudentum ; USA ; USA ; MUSIC / Ethnomusicology ; Cantillation ; Instruction and study ; Reform Judaism ; Judaïsme réformé ; Cantors (Judaïsme) - Éducation ; Reform Judaism ; Cantors (Judaism) ; Reform Judaism - Liturgy - History ; Synagogue music ; Cantillations ; Cantillations ; Synagogue music ; Cantillations ; Musique synagogale ; Electronic books ; Synagogue music ; Cantillations
    Abstract: To fashion a cantor -- Seeking the tradition -- Constructing a tradition -- Through the prism of the practicum -- A prism of cantorial sound -- A prism of cantorial identity.
    Abstract: "The Making of a Reform Jewish Cantor provides an unprecedented look into the meaning of attaining musical authority among American Reform Jews at the turn of the twenty-first century. How do aspiring cantors adapt traditional musical forms to the practices of contemporary American congregations? What is the cantor's role in American Jewish religious life today? Judah M. Cohen follows cantorial students at the School of Sacred Music, Hebrew Union College, over the course of their training, as they prepare to become modern Jewish musical leaders. Opening a window on the practical, social, and cultural aspects of aspiring to musical authority, this book provides unusual insights into issues of musical tradition, identity, gender, community, and high and low musical culture."--Jacket
    Note: Includes bibliographical references and index
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  • 18
    Online Resource
    Online Resource
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    DDC: 780
    RVK:
    Keywords: Geschichte ; Unterhaltungsmusik ; Public Diplomacy ; Cultural History ; Diplomacy ; History of the 20th Century ; History ; International Relations ; Music ; Musicology ; Politics ; Pop Music ; Popular Culture ; Unterhaltungsmusik ; Public Diplomacy ; MUSIC / History & Criticism ; Electronic books
    Abstract: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Jun 2019)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Image
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  • 19
    Online Resource
    Online Resource
    Paderborn : Wilhelm Fink
    ISBN: 9783846764640
    Language: German
    Pages: 1 Online-Ressource (X, 442 Seiten) , Karte, Notenbeispiele , 23.5 cm x 15.5 cm
    Series Statement: Kulturtransfer und "kulturelle Identität" Band 3
    Series Statement: Kulturtransfer und "kulturelle Identität"
    Parallel Title: Erscheint auch als Erhardt, Sonja Europäischer Musiktransfer
    Dissertation note: Dissertation Albert-Ludwigs-Universität Freiburg i. Br. 2018
    DDC: 780
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    Keywords: Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Westeuropa ; Musik ; Rezeption ; Russland ; Kulturaustausch ; Geschichte 1775-1800 ; Westeuropa ; Russland ; Kulturaustausch ; Geschichte 1775-1800 ; Kulturvermittlung ; Europa ; Geschichte 1775-1800
    URL: Volltext  (lizenzpflichtig)
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  • 20
    Online Resource
    Online Resource
    Woodbridge, Suffolk, UK : The Boydell Press
    ISBN: 9781787445345
    Language: English
    Pages: 1 Online-Ressource (xviii, 284 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 306.4842
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    Keywords: Geschichte 1800-1960 ; Music / Social aspects / History / 19th century ; Music / Social aspects / History / 20th century ; Salons / Europe / History / 19th century ; Salons / United States / History / 20th century ; Music in the home / Social aspects / History / 19th century ; Music in the home / Social aspects / History / 20th century ; Soziokultur ; Salonmusik ; Europe / Intellectual life / 19th century ; United States / Intellectual life / 20th century ; USA ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; USA ; Salonmusik ; Soziokultur ; Geschichte 1800-1960
    Abstract: This collection explores the idea of music in the salon during the long nineteenth century, both as a socio-cultural phenomenon, and as a source of artistic innovation and exchange. Drawing on a wide range of scholarly approaches, this book uses the idea of the salon as a springboard to examine issues such as gender, religion, biography and performance; to explore the ways in which the salon was represented in different media; and to showcase the heterogeneity of the salon through a selection of case studies. It offers fresh considerations of familiar salons in large cultural centres, as well as insights into lesser-known salons in both Europe and the United States. Bringing together an international group of scholars, the collection underscores the enduring impact of the European musical salon
    Note: Introduction - Anja Bunzel and Natasha Loges -- - Johanna Kinkel's Social Life in Berlin (1836-39) : Reflections on Historiographical Sources - Anja Bunzel -- - Accidental Aesthetics in the Salon : Amateurism and the Romantic Fragment in the Lied Sketches of Bettina von Arnim - Jennifer Ronyak -- - Salon Culture in the Circle of Joseph Joachim, or, Composing Inwardness : C. J. Arnold's "Quartettabend bei Bettina von Arnim" Reconsidered - Katharina Uhde and R. Larry Todd -- - Reading, Singing, Becoming : The M adchenlieder of Paul Heyse and Johannes Brahms - Natasha Loges -- - Fridays with Malla : Musical Repertoire in the Swedish Salon of Malla Silfverstolpe - Kirsten Santos Rutschman -- - Observing Musical Salon Culture in England c. 1800 through the Lens of the Caricature - Maren Bagge and Clemens Kreutzfeldt -- - The Salon Singer as Subject of Satire during the July Monarchy - Mary Anne Garnett -- - The Instruments of the Vienna Biedermeier Salon : Diversity in Design, Sound, and Technology - Beatrix Darmst adter -- - Offenbach and the Representation of the Salon - P eter Boz o -- - Affordances of the Piano : A Cinematic Representation of the Victorian Salon - Harry White -- - 'Der Mensch ist zur Geselligkeit geboren' : Salon Culture, Night Thoughts, and a Schubert Song - Susan Youens -- - Traditions, Preferences and Musical Taste in the Staegemann-Olfers Salon in Nineteenth-Century Berlin - Petra Wilhelmy-Dollinger -- - Josephine Lang and the Salon in Southern Germany - Harald Krebs -- - Jessie Hillebrand and Musical Life in 1870s Florence - Michael Uhde -- - An Invitation to 309 Beacon Street : Clara Kathleen Rogers and her Boston Salon - Katie A. Callam -- - "Too Much Playing Four Hands!" : Ernst von Dohn anyi's European Salon in the United States of the 1950s - Veronika Kusz
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 21
    ISBN: 9780190908027
    Language: English
    Pages: 1 Online-Ressource (xviii, 386 Seiten)
    DDC: 781.641234
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    Keywords: Popular music History and criticism ; Popular music Production and direction ; History ; Tone color (Music) ; Unterhaltungsmusik ; Klangfarbe ; Schallaufzeichnung ; Musikproduktion ; Geschichte 1930-
    Abstract: The Relentless Pursuit of Tone: Timbre in Popular Music assembles a wide spectrum of contemporary perspectives on how sound functions in an equally wide array of popular music. With subjects ranging from the twang of country banjos and the sheen of hip-hop strings to the crunch of amplified guitars and the thump of subwoofers on the dance floor, this volume attempts to bridge the gap between timbre, the purely acoustic characteristics of sound waves, and tone, an emergent musical construct that straddles the borderline between the perceptual and the political. The book’s chapters engage with the entire history of popular music as recorded sound, from the 1930s to the present day, under four large categories. The chapters in Part I, “Genre,” ask how sonic signatures define musical identities and publics; Part II, “Voice,” considers the most naturalized musical instrument, the human voice, as racial and gendered signifier, as property or likeness, and as raw material for algorithmic perfection through software; Part III, “Instrument,” tells stories of the way some iconic pop music machines—guitars, strings, synthesizers—got (or lost) their distinctive sounds; and Part IV, “Production,” puts it all together, asking structural questions about what happens in a recording studio, what is produced (sonic cartoons, rockist authenticity, empty space?), and what it all might mean. The book includes a general theoretical introduction by the editors and an afterword by noted popular music scholar Simon Frith.
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  • 22
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199374052
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    DDC: 786.908995073
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    Keywords: Taiko (Drum ensemble) ; Music Social aspects ; Asian American musicians ; USA ; Taiko ; Musik ; Asien ; Einfluss ; Asiaten ; Performance ; Soziale Funktion ; Identität ; Kulturpolitik
    Abstract: With its dynamic choreographies and booming drumbeats, taiko has gained worldwide popularity since its emergence in 1950s Japan. Harnessed by Japanese Americans in the late 1960s, taiko's sonic largesse and buoyant energy challenged stereotypical images of Asians in America as either model minorities or sinister foreigners. While the majority of North American taiko players are Asian American, more than four hundred groups now exist across the United States and Canada, and these groups are comprised of people from a variety of racial and ethnic identities. Using ethnographic and historical approaches combined with performance description and analysis, this text explores the connections between taiko and Asian American cultural politics at the intersections of race, gender, and sexuality.
    Note: Previously issued in print: 2018. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on April 18, 2018)
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  • 23
    ISBN: 9783847004738
    Language: German
    Pages: 1 Online-Ressource (380 Seiten) , Illustrationen
    Series Statement: Schriften zur Politischen Musikgeschichte Band 002
    Parallel Title: Erscheint auch als Zwischen Inklusion und Exklusion? "Deutsche" Musik in Europa und Nordamerika 1848-1945 (Veranstaltung : 2012 : Düsseldorf) Inklusion & Exklusion
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    Keywords: Nationalsozialismus ; Deutsches Reich ; 19./20. Jahrhundert ; Weimarer Republik /Geistes- und Kulturleben ; Chormusik ; Besatzungsmusik ; Musikleben ; Österreich/ Musik ; Kulturexport ; Gesangsverein ; Konferenzschrift 2012 ; Konferenzschrift 2012 ; Deutschland ; Musikleben ; Rezeption ; Europa ; Nordamerika ; Geschichte 1848-1945
    Abstract: Musik spielt bei der Politisierung der Gesellschaft im 19. und 20. Jahrhundert eine zentrale Rolle. Als Ausdrucksform und Trägerin von politischen Botschaften ist sie als emotionales Kommunikationsereignis zu deuten. Neben Geselligkeit generiert Musik auch Werte und stiftet Identität und Solidarität. Die Vision von einer ›deutschen‹ Musik entfaltete als ästhetischer Identitätsentwurf bei der gesellschaftlichen Neufindung des ›Deutschseins‹ reale Wirkungsmacht.Doch was kennzeichnete das ›Deutsche‹ in ihr? Dieser Band untersucht das Phänomen im interdisziplinären und transnationalen Dialog zwischen 1848er-Revolution und Zweitem Weltkrieg. Es entsteht ein Panorama von gesellschaftlichen und politischen Inklusions- und Exklusionsprozessen, die sich durch Muster einer propagierten ›deutschen‹ Musik- und ›Machtkultur‹ ereigneten, wandelten und neu definierten.
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  • 24
    Online Resource
    Online Resource
    Münster ; New York : Waxmann
    ISBN: 9783830986799 , 9783830987123
    Language: German
    Pages: 1 Online-Ressource (287 Seiten) , Diagramme
    Series Statement: Musik und Migration Band 1
    Series Statement: Musik und Migration
    Parallel Title: Erscheint auch als
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    Keywords: Kulturvermittlung ; Oper ; Identitätsentwicklung ; Musikwissenschaft ; Exil ; Migration ; Europa ; Musikwissenschaft ; transkulturell ; cultural mobility ; Alfred Einstein ; Shanghai ; Ostasien ; Migrationsforschung ; Lateinamerika ; Afrika ; Tanz ; Arabs Got Talent ; Identität ; Barock ; Wien ; operisti ; Marianne Pirker ; italiensische Oper ; Hugo Riesenfeld ; Stummfilm ; Franz Waxman ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift ; Konferenzschrift 2016 ; Konferenzschrift ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Musikwissenschaft ; Migration ; Exil ; Identitätsentwicklung ; Europa ; Oper ; Kulturvermittlung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 25
    Online Resource
    Online Resource
    Oxford : Peter Lang Ltd, International Academic Publishers
    ISBN: 9781788743198
    Language: English
    Pages: 1 Online-Ressource (538 p) , 93 ill
    Parallel Title: Erscheint auch als Wasserberger, Igor, 1937 - Jazz in Europe
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Jazz ; Modern Jazz ; Europa ; Geschichte 1900-2000
    Abstract: Jazz in Europe provides a detailed record of how «new» (American) music evolved on the «old» (European) continent. The «chroniclers» explore the history of jazz in individual European countries from a local perspective, with each author contributing a unique bird’s-eye view of their particular context. This comprehensive analysis of the origins and dissemination of jazz on the old continent, produced by an international team of distinguished writers, is the first of its kind. Although members of national jazz communities may not agree with all the views presented in the book, it will undoubtedly provoke lively debate and open up new avenues for research within European jazz scholarship
    Abstract: CONTENTS: Foreword: Jazz and Europe in the Twentieth Century: Dominants and Stereotypes of the New Music in the Old Continent – Great Britain – France and the Francophone Countries – Austria – Germany – The Soviet Union – Switzerland – Italy – Hungary – Scandinavian Countries and the Nordic Concept – The Netherlands – The Iberian Peninsula (Spain and Portugal) – Yugoslavia and Succession Countries: Serbia, Croatia, Slovenia – Poland – The Czech Lands – Slovakia
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 26
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 9780520966758
    Language: English
    Pages: 1 online resource (290 pages)
    Edition: 1st ed.
    Parallel Title: Print version Nava, Alejandro In Search of Soul : Hip-Hop, Literature, and Religion
    Parallel Title: Nava, Alejandro, 1956 - In search of soul
    DDC: 233/.5
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    Keywords: Hip-hop Religious aspects ; Christianity ; Soul in literature ; Music Philosophy and aesthetics 20th century ; Music Philosophy and aesthetics 21st century ; Soul Judaism ; Soul Christianity ; Soul Christianity ; Electronic books ; USA ; Schwarze ; Hispanos ; Literatur ; Hip-Hop ; Seele ; Christentum ; Judentum ; Geschichte
    Abstract: In Search of Soul explores the meaning of "soul" in sacred and profane incarnations, from its biblical origins to its central place in the rich traditions of black and Latin history. Surveying the work of writers, artists, poets, musicians, philosophers and theologians, Alejandro Nava shows how their understandings of the "soul" revolve around narratives of justice, liberation, and spiritual redemption. He contends that biblical traditions and hip-hop emerged out of experiences of dispossession and oppression. Whether born in the ghettos of America or of the Roman Empire, hip-hop and Christianity have endured by giving voice to the persecuted. This book offers a view of soul in living color, as a breathing, suffering, dreaming thing.
    Abstract: Cover -- Contents -- Acknowledgments -- Abbreviations -- Introduction -- PART ONE: SACRED HISTORIES OF THE SOUL -- 1 In Search of Soul -- 2 On Hebrew Soul: De Eloquentia Vulgaria -- 3 Christian Soul and the Revolt of the Slave -- PART TWO: PROFANE ACCENTS OF SOUL -- 4 In Search of Duende: Lorca on Spanish Soul -- 5 The Souls of Black Folk: Ralph Ellison's Tragicomic Portrait -- 6 From Soul to Hip-Hop: The Rise of the Apocalypse -- 7 Afro-Latin Soul and Hip-Hop -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z.
    Note: Includes bibliographical references and index
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  • 27
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190235468 , 9780190235475 , 9780190235482 , 9780190235499
    Language: English
    Pages: 1 Online-Ressource (xv, 155 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.421649
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    Keywords: Geschichte 2000-2016 ; Rap (Music) History and criticism ; Rap (Music) Social aspects ; Posthumanismus ; Rap ; Kulturkritik ; USA ; Hochschulschrift ; Hochschulschrift ; USA ; Rap ; Posthumanismus ; Kulturkritik ; Geschichte 2000-2016
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 28
    Online Resource
    Online Resource
    Paderborn : Wilhelm Fink Verlag
    ISBN: 9783846761731
    Language: German
    Pages: 1 Online-Ressource
    Parallel Title: Murasov, Andrej Electronic Chants: Groove from land to land
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    Keywords: Afrika Bambaataa ; black culture ; Edo Maajka ; Funktionen des Literarischen in Prozessen der Globalisierung ; Grandmaster Flash ; Kool Herc ; Marshall McLuhan ; Rap ; Schriftbildlichkeit ; Wild Style ; USA ; Deutschland ; Bosnien ; Hip-Hop ; Gegenkultur ; Medialisierung
    Abstract: HipHop-Kultur ist global: In jeder Sprache wird gerappt, gesampelt wird alles, von Soul Funk Breaks über Klassik bis hin zum folkloristischen Bläsersatz und auf Youtube tanzen B-Boys aus der ganzen Welt vor Wänden voller Graffiti. Ausgehend von den frühen HipHop-Performances im New York der Siebziger untersucht der Autor die Entstehung der kulturspezifischen Körpertechniken im Kontext der elektronischen Medien und zeigt, wie Unterwanderungen technischer Konventionen die spätere Wanderung dieser Kulturpraxis und ihre lokale Reproduktion initiieren. Aus der Selbstinszenierung einer lokalen Gegenkultur wird im globalen Kontext eine Kultur der Selbstinszenierung, deren Widerstand sich nicht gegen ein kulturell Anderes, sondern gegen eine andere Kultur des Medialen richtet. Die Arbeit erklärt die medialen Dynamiken der Anfänge der HipHop Kultur anhand ihrer selbstreferentiellen Erzählstrategien in Rapmusik, Djing, Breakdance und Graffiti.
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  • 29
    ISBN: 9783839438329
    Language: German
    Pages: 1 Online-Ressource (325 Seiten)
    Series Statement: Studien zur Popularmusik
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    Keywords: Amerika ; Anti-Religiosität ; Georges Bataille ; Kanye West ; Medienästhetik ; Musik ; Musikvideo ; Musikwissenschaft ; Popkultur ; Popmusik ; Religion ; Sakralisierung ; Sakraltheorie ; USA. ; Video ; Hip-Hop ; Sakralisierung ; Musikvideo ; Das Sakrale ; USA ; Hochschulschrift ; Hochschulschrift ; USA ; Das Sakrale ; Hip-Hop ; USA ; Hip-Hop ; Musikvideo ; Sakralisierung
    Abstract: Forschung auf dem Gebiet »Hip-Hop und Religion« hat sich bisher meist auf religiöse Lesarten von Raptexten konzentriert und zudem Musikvideos bei dieser Betrachtung weitestgehend außer Acht gelassen. Eileen Simonow geht der These nach, dass religiöses Material in den Clips sakral und damit entgrenzend, in Bedeutungen überschießend - und damit im eigentlichen Sinne anti-religiös inszeniert - ist. Dafür werden Musikvideos des US-amerikanischen Mainstreams in ihrer komplexen Verschränkung der auditiven und visuellen Ebenen mit der Sakraltheorie Georges Batailles gelesen. In vier Analysen von Musikvideos - u.a. von Kanye West - wird das Sakrale als aus dem Sozialen hervorgehende Kraft im Spannungsfeld von Macht, Ideologie und Widerstand diskutiert
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017) , In German
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
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  • 30
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781316271476
    Language: English
    Pages: 1 online resource (ix, 284 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/842094
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    Keywords: Geschichte 1400-1600 ; Geschichte ; Gesellschaft ; Musik ; Music / Social aspects / History ; Music therapy / History ; Plague / Europe / History ; Musik ; Pest ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Pest ; Musik ; Geschichte 1400-1600
    Abstract: Plague, a devastating and recurring affliction throughout the Renaissance, had a major impact on European life. Not only was pestilence a biological problem, but it was also read as a symptom of spiritual degeneracy and it caused widespread social disorder. Assembling a picture of the complex and sometimes contradictory responses to plague from medical, spiritual and civic perspectives, this book uncovers the place of music - whether regarded as an indispensable medicine or a moral poison that exacerbated outbreaks - in the management of the disease. This original musicological approach further reveals how composers responded, in their works, to the discourses and practices surrounding one of the greatest medical crises in the pre-modern age. Addressing topics such as music as therapy, public rituals and performance and music in religion, the volume also provides detailed musical analysis throughout to illustrate how pestilence affected societal attitudes toward music
    Note: Title from publisher's bibliographic system (viewed on 07 Jul 2017)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: Volltext  (lizenzpflichtig)
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  • 31
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press | The Hague : OAPEN Foundation
    ISBN: 9780472122660
    Language: English
    Pages: 1 Online-Ressource (xi, 311 Seiten) , Illustrationen
    Series Statement: Social history, popular culture, and politics in Germany
    DDC: 306.4/8425094309042
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    Keywords: Kultur ; Jazz ; Modernität ; Ethnische Beziehungen ; Deutschland ; Electronic books ; Criticism, interpretation, etc ; History ; Electronic book ; Electronic book ; Criticism, interpretation, etc. ; History ; Electronic books.
    URL: Volltext  (Kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: JSTOR
    URL: OAPEN
    URL: OAPEN
    URL: Image  (Thumbnail cover image)
    URL: FULL  ((Currently Only Available on Campus))
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 32
    ISBN: 9789004314986
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Intersections 43
    Series Statement: Intersections
    Parallel Title: Erscheint auch als Identities, Intertextuality and Performance in Song Culture (2012 : Amsterdam) Identity, intertextuality, and performance in early modern song culture
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    Keywords: Vocal music History and criticism 16th century ; Vocal music History and criticism 17th century ; Vocal music History and criticism 18th century ; Vocal music History and criticism 19th century ; Music Social aspects 16th century ; History ; Music Social aspects 17th century ; History ; Music Social aspects 18th century ; History ; Music Social aspects 19th century ; History ; Autograph albums History 16th century ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Vokalmusik ; Volkslied ; Liederbuch ; Geschichte 1450-1850
    Abstract: Preliminary Material -- 1 Introduction /Louis Peter Grijp and Dieuwke van der Poel -- 2 Local and Religious Identity in Swedish Popular Hymn Singing during the Seventeenth and Eighteenth Centuries /Ingrid Åkesson -- 3 Performing Pietism in the Peatlands: Songs in the Manuscript Miscellany of a Village Schoolmaster in the Dutch Republic between 1750 and 1800 /Nelleke Moser -- 4 Guilielmus Bolognino’s Den Gheestelijcken Leeuwercker: The Collected Songs of a Counter-Reformation Champion /Hubert Meeus and Tine de Koninck -- 5 Songs and Identities: Handwritten Secular Songbooks in German-Speaking Areas of the Fifteenth and Sixteenth Centuries /Franz-Josef Holznagel -- 6 ‘Social Networking is in Our dna’: Women’s Alba Amicorum as Places to Build and Affirm Group Identities /Sophie Reinders -- 7 The Many Shades of Love: Possessors and Inscribers of Sixteenth-Century Women’s Alba /Clara Strijbosch -- 8 Exploring Love’s Options: Song and Youth Culture in the Sixteenth Century Netherlands /Dieuwke van der Poel -- 9 Oppositional Political Identity in the Song Culture of the Vormärz and the 1848 Revolution in Germany /David Robb -- 10 The Perils of Performance: From Political Songs to National Airs in Romantic-Era Wales (1790–1820) /Mary-Ann Constantine -- 11 Folksongs, Conflicts and Social Protest in Early Modern France /Éva Guillorel -- 12 “Fortune My Foe”: The Circulation of an English Super-Tune /Christopher Marsh -- 13 Samuel Pepys and the Making of Ballad Publics /Patricia Fumerton -- 14 Slave Orchestras and Rainbow Balls: Colonial Culture and Creolisation at the Cape of Good Hope, 1750–1838 /Anne Marieke van der Wal -- Index Nominum.
    Abstract: Singing together is a tried and true method of establishing and maintaining a group’s identity. Identity, Intertextuality, and Performance in Early Modern Song Culture for the first time explores comparatively the dynamic process of group formation through the production and appropriation of songs in various European countries and regions. Drawing on oral, handwritten and printed sources, with examples ranging from 1450 to 1850, the authors investigate intertextual patterns, borrowing of melodies, and performance practices as these manifested themselves in a broad spectrum of genres including ballads, popular songs, hymns and political songs. The volume intends to be a point of departure for further comparative studies in European song culture. Contributors are: Ingrid Åkesson, Mary-Ann Constantine, Patricia Fumerton, Louis Peter Grijp, Éva Guillorel, Franz-Josef Holznagel, Tine de Koninck, Christopher Marsh, Hubert Meeus, Nelleke Moser, Dieuwke van der Poel, Sophie Reinders, David Robb, Clara Strijbosch, and Anne Marieke van der Wal
    Note: Includes bibliographical references and index
    URL: DOI
    URL: DOI
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  • 33
    ISBN: 9783839434246
    Language: German
    Pages: 1 online resource
    Series Statement: Histoire 88
    DDC: 900
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    Keywords: 1960er Jahre ; 1960s ; 1968 ; 1970er Jahre ; 1970s ; Contemporary History ; Cultural History ; Deutsche Geschichte ; Deutschland ; Europa ; Europe ; German History ; Germany ; Geschichte des 20. Jahrhunderts ; Geschichtswissenschaft ; History of the 20th Century ; History ; Kulturgeschichte ; Music ; Musik ; Pop Music ; Popkultur ; Popmusik ; Populärkultur ; Transnational History ; Transnationale Geschichte ; USA. ; Usa ; Zeitgeschichte ; HISTORY / Europe / Germany ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: Als experimentelle bundesdeutsche Popmusik im Laufe der 1970er Jahre zu transnationalem Ruhm kam, begann eine neue Ära der Popmusik. Zum ersten Mal in der Geschichte des Pop kamen neueste Innovationen nicht mehr aus den Vereinigten Staaten oder dem Vereinigten Königreich, sondern aus der Bundesrepublik. Für einige Jahre galten Bands wie Kraftwerk, Can, Tangerine Dream, Amon Düül, Popol Vuh oder Faust - neben vielen anderen - als Pop-Avantgarde: in Europa, Nordamerika und weit darüber hinaus.Alexander Simmeth erforscht die Wurzeln des sogenannten Krautrock im Umfeld der jugendlichen Revolte am Ende der 1960er Jahre, die Rezeption zu Hause und in den beiden Ursprungsländern des Pop, und die Gründe für den andauernden Einfluss des Phänomens. Er identifiziert Krautrock als zentrales Moment kultureller Transnationalisierung in der Bundesrepublik, indem er grenzübergreifende Erfahrungen ebenso in den Blick nimmt wie den Austausch von Konzepten und Ideen
    Abstract: When West-German experimental pop rose to transnational fame in the early 1970s, it marked nothing less than the beginning of a new era. For the first time in pop history, the latest innovations originated outside the United States and the United Kingdom; for several years, bands such as Kraftwerk, Can, Tangerine Dream, Amon Düül or Faust - among many others - were considered pop avant-garde, across Europe and the United States. In his book, Alexander Simmeth traces the roots of the so-called Krautrock in West Germany's late 1960s, its zealous reception at home and in the two motherlands of pop, and the reasons for its lasting impact in the decades to come. He identifies Krautrock as a key site of the transnational in West-German cultural history, focusing on the exchange of concepts and ideas, on shared experiences across borders, as well as on mutual key concepts such as authenticity and identity
    URL: Cover
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 34
    ISBN: 9789004314986
    Language: English
    Pages: 1 online resource (397 pages) , illustrations, photographs.
    Series Statement: Intersections Volume 43
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Identities, Intertextuality and Performance in Song Culture (2012 : Amsterdam) Identity, intertextuality, and performance in early modern song culture
    DDC: 782.0094
    RVK:
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    Keywords: Autograph albums History 16th century ; Music Social aspects 16th century ; History ; Music Social aspects 17th century ; History ; Music Social aspects 18th century ; History ; Music Social aspects 19th century ; History ; Vocal music History and criticism 16th century ; Vocal music History and criticism 17th century ; Vocal music History and criticism 18th century ; Vocal music History and criticism 19th century ; Vocal music ; Europe ; 16th century ; History and criticism ; Vocal music ; Europe ; 17th century ; History and criticism ; Vocal music ; Europe ; 18th century ; History and criticism ; Vocal music ; Europe ; 19th century ; History and criticism ; Music ; Social aspects ; Europe ; History ; 16th century ; Music ; Social aspects ; Europe ; History ; 17th century ; Music ; Social aspects ; Europe ; History ; 18th century ; Music ; Social aspects ; Europe ; History ; 19th century ; Autograph albums ; Netherlands ; History ; 16th century ; Electronic books ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift Identity, intertextuality, and performance in early modern song culture 17.10.2012-19.10.2012 ; Vokalmusik ; Volkslied ; Liederbuch ; Geschichte 1450-1850
    Abstract: Contents -- Acknowledgements -- Notes on the Editors -- Notes on the Contributors -- List of Illustrations -- Chapter 1 Introduction -- Chapter 2 Local and Religious Identity in Swedish Popular Hymn Singing during the Seventeenth and Eighteenth Centuries -- Chapter 3 Performing Pietism in the Peatlands: Songs in the Manuscript Miscellany of a Village Schoolmaster in the Dutch Republic between 1750 and 1800 -- Chapter 4 Guilielmus Bolognino's Den Gheestelijcken Leeuwercker: The Collected Songs of a Counter-Reformation Champion -- Chapter 5 Songs and Identities: Handwritten Secular Songbooks in German-Speaking Areas of the Fifteenth and Sixteenth Centuries -- Chapter 6 'Social Networking is in Our Dna': Women's Alba Amicorum as Places to Build and Affirm Group Identities -- Chapter 7 The Many Shades of Love: Possessors and Inscribers of Sixteenth-Century Women's Alba -- Chapter 8 Exploring Love's Options: Song and Youth Culture in the Sixteenth Century Netherlands -- Chapter 9 Oppositional Political Identity in the Song Culture of the Vormärz and the 1848 Revolution in Germany -- Chapter 10 The Perils of Performance: From Political Songs to National Airs in Romantic-Era Wales (1790-1820) -- Chapter 11 Folksongs, Conflicts and Social Protest in Early Modern France -- chapter 12 "Fortune My Foe": The Circulation of an English Super-Tune -- Chapter 13 Samuel Pepys and the Making of Ballad Publics -- Chapter 14 Slave Orchestras and Rainbow Balls: Colonial Culture and Creolisation at the Cape of Good Hope, 1750-1838 -- Index Nominum
    Note: Includes bibliographical references at the end of each chapters and index. Description based on print version record
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  • 35
    Online Resource
    Online Resource
    London : Palgrave Macmillan
    ISBN: 9781137497802
    Language: English
    Pages: 1 Online-Ressource (XI, 228 Seiten)
    Series Statement: Palgrave studies in the history of subcultures and popular music
    Parallel Title: Erscheint auch als
    DDC: 941
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    Keywords: History ; Music ; Great Britain / History ; Civilization / History ; History of Britain and Ireland ; Cultural History ; Geschichte ; Musik ; Politik ; Musik ; Postpunk ; Kultur ; Großbritannien ; Großbritannien ; Electronic books ; Großbritannien ; Kultur ; Musik ; Postpunk ; Großbritannien ; Postpunk ; Politik
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 36
    Online Resource
    Online Resource
    Bielefeld : transcript | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839432273
    Language: German
    Pages: 1 Online-Ressource (202 Seiten)
    Series Statement: Cultural studies Band 46
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    Keywords: Geschichte 2000-2015 ; Rap ; Musikleben ; Jugendkultur ; Sozialer Wandel ; Digitalisierung ; Musikproduktion ; Rezeption ; 21. Jahrhundert ; Cultural Studies ; Deutschland ; Internet ; Kulturwissenschaft ; Musik ; Popkultur ; Popmusik ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturangaben , Beiträge überwiegend deutsch, teilweise englisch
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  • 37
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199389223
    Language: English
    Pages: 1 Online-Ressource (241 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 782.14
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    Keywords: Kern, Jerome, ; Kern, Jerome ; Geschichte 1900-2000 ; Geschichte ; Geschichte ; Music and race History 20th century ; Sänger ; Aufführung ; Ethnische Identität ; USA ; Kern, Jerome 1885-1945 Show boat ; Sänger ; Aufführung ; Ethnische Identität ; Geschichte
    Abstract: "Who should sing Ol' man river? : the lives of an American song tells the almost eighty-year performance history of a great popular song. Examining over two hundred recorded and filmed versions of Jerome Kern and Oscar Hammerstein II's classic song, the book reveals the power of performers to remake one popular song into many different guises"...Provided by publisher
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 38
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199379866
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Robinson, Danielle Modern moves
    DDC: 793.33097471
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    Keywords: Ballroom dancing History 20th century ; Dance History 20th century ; Dance Social aspects 20th century ; History ; Jazz History and criticism 1921-1930 ; Music and race History 20th century ; Immigrants History 20th century ; Racism History 20th century ; New York (N.Y.) Race relations 20th century ; History ; New York, NY ; Tanz ; Ragtime ; Jazz ; Ethnische Beziehungen ; Einwanderung ; New York, NY ; Tanz ; Ragtime ; Jazz ; Ethnische Beziehungen ; Einwanderung
    Abstract: 'Modern Moves' examines the movement of American social dances between black and white cultural groups and immigrant and migrant communities during the early twentieth century. It is structured by five overlapping case studies drawn from the disparate and yet related dance scenes of Manhattan, a black Atlantic capital into which diverse people and dances flowed and intermingled, and out of which new dances were marketed globally.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on June 24, 2015)
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  • 39
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190230944
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    Edition: [First edition].
    DDC: 201.678165
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    Keywords: Geschichte ; Jazz ; Religion ; Jazz Religious aspects ; Jazz History and criticism ; Music Social aspects ; USA
    Abstract: This is the first comprehensive comparative study of religions in the history of American jazz, and of jazz's contributions to American religions. Going beyond extant biographical studies of individual exemplars, or cursory attention to either 'spirituality' or jazz in the civil rights movement, the book argues for the centrality of religious experiences to any legitimate understanding of jazz, while also suggesting that attention to jazz opens up new interpretations of American religious history.
    Note: Includes bibliographical references and index
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  • 40
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190246068
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    DDC: 793.33
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    Keywords: Salsa (Dance) ; Salsa (Dance) ; Salsa (Dance) ; Mambo (Dance) ; Dance ; Karibik ; Kuba ; New York, NY ; Los Angeles, Calif. ; Florida Süd ; Salsa ; Mambo ; USA ; Kommerzialisierung ; Sozialer Wandel
    Abstract: This study chronicles histories of salsa dance in the United States, starting from its incarnation as mambo in the late 1940s, through the creation of salsa as a musical genre in the 1970s, into the formation of a global salsa dance industry in the 1990s and 2000s. Equally informative for those interested in the dance's changing aesthetics and its relationship to evolving music styles and those concerned with how sociopolitical issues related to race, class, ethnicity, nationality, and gender played into this history, the text considers dance as both an object and an agent of change.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on May 26, 2015)
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  • 41
    ISBN: 9783839430866
    Language: German
    Pages: Online-Ressource (518 S.)
    Series Statement: texte zur populären musik v.8
    DDC: 780
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Popmusik ; Ausdruck ; Geschichte 1900-1960
    Abstract: Dieses Buch widmet sich den Stimmen und Gesangsweisen in der populären Musik der USA. Am Beispiel von Sängerinnen und Sängern aus den Bereichen Vaudeville, Gospel, Blues, American Popular Song, Musical, Jazz, Country, Folk, Rhythm & Blues, Rock'n'Roll und Soul beschreiben die Beiträge detailliert, wie vokale Ausdrucksmittel einander über Genregrenzen hinweg beeinflusst haben und wie sich in ihnen Images, kulturelle Stereotypen und kollektive Identitäten spiegeln. Die Verknüpfung von musikanalytischen mit kulturwissenschaftlichen Forschungsansätzen gibt neue Impulse für die Auseinandersetzung m
    Description / Table of Contents: Cover Stimme, Kultur, Identität; Inhalt; Dank; 1. Zur Einführung; 2. USA 1900-1960. Populäre Musik im/als Spiegel ihrer Zeit; 3. Was ist populärer Gesang? Zur Terminologie vokaler Gestaltungsmittel in populärer Musik; Musiktheater; 4. »Down in a Great Big Rathskeller«. Vaudeville-Shows zu Beginn des 20. Jahrhunderts; 5. »Doin' What Comes Natur'lly« Stimme, Star, Theaterdramaturgie und das Original Broadway Cast Album; American Popular Song; 6. »The Cutest Flapper That You've Ever Seen«. Über die Anfänge des Crooning; 7. »For You I Sigh, for You, Dear, Only«. Torch Song im Jazz
    Description / Table of Contents: 8. »Same Old Saturday Night«.Singen in Primetime-Fernsehshows der 1950er JahreAfroamerikanische Traditionen; 9. »You Better Have Your Ticket in Your Hand«. Predigten und Gospelgesang; 10. »Blues Falling Down Like Hail«. Vokaler Ausdruck in drei Spielarten des Blues; Euroamerikanische Traditionen; 11. »Sometimes I Live in the Country,Sometimes I Live in Town« Von Folklore zu Folk; 12. »It Wasn't God Who Made Honky Tonk Angels«. Geschlechterrollen und Klassenzugehörigkeit in Country Music, 1927-1963; Rock'n'Roll, Soul, Gesangsgruppen
    Description / Table of Contents: 13. »Kiss Me Ting-a-ling-a-ling«. Rock'n'Roll-Gesang bei Little Richard, Chuck Berry und Elvis Presley14.»Bring It On Home to Me«. Anfänge des Soulgesangs; 15. »Sh-Boom«. Die Gesangsgruppen; Nachwort; Anhang; Glossar; Chartsübersicht; Bibliografie; Diskografie; Register
    URL: Cover
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  • 42
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781316181478 , 9781107100862 , 9781107498297
    Language: English
    Pages: 1 online resource (xii, 287 pages) , digital, PDF file(s).
    Series Statement: Cambridge cultural social studies
    Parallel Title: Erscheint auch als
    DDC: 306.4842#n/a
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    Keywords: Music Competitions ; History ; Music ; Competitions ; History ; Electronic books ; Electronic books ; Klassische Musik ; Wettbewerb
    Abstract: Although competitions in classical music have a long history, the number of contests has risen dramatically since the Second World War, all of them aiming to launch young artists' careers. This is not the symptom of marketization that it might appear to be. Despite the establishment of an international governing body, competitions are plagued by rumors of corruption, and even the most mathematically sophisticated voting system cannot quell accusations that the best talent is overlooked. Why do musicians take part? Why do audiences care so much about who wins? Performing Civility is the first book to address these questions. In this groundbreaking study, Lisa McCormick draws from firsthand observations of contests in Europe and the US, in-depth interviews with competitors, jurors and directors, as well as blog data from competition observers to argue that competitions have endured because they are not only about music, they are also about civility.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
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  • 43
    ISBN: 9789004261778 , 900426177X
    Language: English
    Pages: 1 Online-Ressource (xi, 375 Seiten) , Illustrations
    Series Statement: Verhandelingen van het Koninklijk Instituut voor Taal- volume 290
    Series Statement: Southeast Asia mediated ; volume 5
    DDC: 781.6309595/1
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    Keywords: Popular music History and criticism ; Popular music History and criticism ; Music Social aspects 20th century ; History ; Music Social aspects 20th century ; History ; MUSIC Instruction & Study ; Theory ; Music Social aspects ; Popular music ; MUSIC / Genres & Styles / General ; Musiksoziologie ; Popmusik ; Criticism, interpretation, etc ; History
    Abstract: "Sonic Modernities situates Southeast Asian popular music in specific socio-historical settings, hoping that a focus on popular culture and history may shed light on how some people in a particular part of the world have been witnessing the emergence of all things modern. In its focus on pioneering artists, their creative use of new genres and border crossing technologies it aims at a rewriting of Southeast Asia's twentieth century from the perspective of popular music makers, the entertainment industry and its ever changing audiences"--...
    Note: Includes bibliographical references (pages 369-370) and index
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  • 44
    Online Resource
    Online Resource
    Baltimore : Johns Hopkins University Press | [Ann Arbor, Michigan] : [ProQuest]
    ISBN: 9781421413938
    Language: English
    Pages: 1 Online-Ressource (265 pages)
    DDC: 306.48426
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    Keywords: Rockmusiker ; Ruhm ; USA ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 45
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822376262
    Language: English
    Pages: Online-Ressource (281 p)
    Edition: Online-Ausg.
    Series Statement: Sign, Storage, Transmission
    Series Statement: Sign, Storage, Transmission Ser.
    Parallel Title: Print version Aurality : Listening and Knowledge in Nineteenth-Century Colombia
    DDC: 302.2/24209861
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    Keywords: Oral communication History 19th century ; Listening Social aspects 19th century ; History ; Voice Social aspects 19th century ; History ; Sound Social aspects 19th century ; History ; Sound - Social aspects - Colombia - History - 19th century ; Sound - Social aspects - Colombia - History - 19th century ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: 〈div〉Ochoa Gautier's groundbreaking book draws primarily from nineteenth-century Colombian sources to explore how listening has been central to the production of notions of language, music, voice, and sound.〈/div〉
    Description / Table of Contents: Contents; Preface and Acknowledgments; Introduction. The Ear and the Voice in the Lettered City's Geophysical History; Chapter 1. On Howls and Pitches; Chapter 2. On Popular Song; Chapter 3. On the Ethnographic Ear; Chapter 4. On Vocal Immunity; Epilogue. The Oral in the Aural; Notes; References; Index
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 46
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199354467
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 306.1
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    Keywords: Geschichte 1940-1970 ; Gesellschaft ; Counterculture / United States ; Popular music / Social aspects / United States ; Hippie ; Musik ; Soziale Bewegung ; USA ; USA ; USA ; Hippie ; Soziale Bewegung ; Musik ; Geschichte 1940-1970
    Abstract: 'Dig' argues that in hip culture it is sound itself, and the faculty of hearing, that is the privileged part of the sensory experience. Through a string of lucid and illuminating examples author Phil Ford shows why and how music became a central facet of hipness and the counterculture
    Note: Includes bibliographical references and index
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  • 47
    ISBN: 9781137311641 , 9781137311658
    Language: English
    Pages: 1 Online-Ressource(xii, 219 Seiten) , Illustrationen, Notenbeispiele
    Edition: Online-Ausgabe
    Series Statement: Palgrave studies in cultural and intellectual history
    Parallel Title: Erscheint auch als Linden, Bob van der Music and empire in Britain and India
    DDC: 780.9171/241
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    Keywords: Music Social aspects 20th century ; History ; Music History and criticism 19th century ; Music History and criticism 20th century ; Music History and criticism 19th century ; Music History and criticism 20th century ; Music Indic influences ; Music Western influences ; Music Social aspects 19th century ; History ; Music Social aspects 19th century ; History ; Music Social aspects 20th century ; History ; Great Britain-History ; Electronic books ; Electronic books ; Indien ; England ; Geschichte 1649-1660 ; Musik ; Kulturkontakt ; Geschichte
    Abstract: Partly because of academic disciplinary boundaries, music remains a neglected subject in British Imperial history and, indeed, intellectual history at large. Nonetheless, the imperial encounter was, as this richly detailed new study demonstrates, a sound exercise, and music was a key dimension of identity formation as well as transnational networks and transcultural communication between colonizer and colonized. Specifically, it explores the ways in which rational, moral, and aesthetic motives underlying the institutionalization and modernization of 'classical' music converged and diverged in
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
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  • 48
    ISBN: 9780203078921
    Language: English
    Pages: 1 Online-Ressource (xiii, 309 Seiten)
    Series Statement: Routledge research in music 4
    Series Statement: Routledge research in music
    Parallel Title: Erscheint auch als Musical performance and the changing city
    DDC: 306.4/8424
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    Keywords: Popular music Social aspects ; Popular music History and criticism ; Popular music Social aspects ; Electronic books ; Popmusik ; Musiksoziologie ; USA ; Europa ; Popmusik ; Nachindustrielle Gesellschaft ; Urbanität
    Note: Includes bibliographical references at the end of each chapters and index
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  • 49
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822354680 , 9780822354796 , 0822378280 , 1306077109 , 0822354683 , 0822354799 , 9780822378280 , 9781306077101
    Language: English
    Pages: Online-Ressource
    Edition: Knowledge unlatched pilot collection
    Series Statement: Knowledge Unlatched
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    Keywords: Music ; Politics ; History ; Palestine ; Music Political aspects ; Music Political aspects ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Palästinensische Autonomiegebiete ; Israel ; Israel ; Gazastreifen ; Westjordanland ; Nahostkonflikt ; Politisches Lied ; Politische Lyrik ; Musikwissenschaft ; Arabische Musik
    Abstract: David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. The first of its kind, this book offers an in-depth ethnomusicological analysis of the Israeli-Palestinian conflict, contributing a performative perspective to the larger scholarly conversation about one of the world's most contested humanitarian issues. This title was made Open Access by libraries from around the world through Knowledge Unlatched.--Provided by publisher
    Abstract: Nationalism, belonging, and the performativity of resistance -- Poets, singers, and songs : voices in the resistance movement (1917-1967) -- Al-Naksa and the emergence of political song (1967-1987) -- The Intifada and the generation of the Stones (1987-2000) -- Revivals and new arrivals: the al-Aqsa Intifada (2000-2010) -- "My songs can reach the whole nation" : Baladna and protest song in Jordan -- Imprisonment and exile : negotiating power and resistance in Palestinian protest song -- New directions and new modalities : Palestinian hip-hop in Israel -- "Carrying words like weapons" : DAM brings hip-hop to the West Bank
    Note: Im Rahmen von "Knowledge Unlatched" Open-Access-Publikation auf OAPEN. - Gesehen am 29.04.2014
    URL: Cover  (Thumbnail cover image)
    URL: Cover  (Thumbnail cover image)
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  • 50
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199980390
    Language: English
    Pages: 1 Online-Ressource (XXXV, 175 S.)
    Parallel Title: Erscheint auch als
    DDC: 792.80951
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    Keywords: Alltag, Brauchtum ; Gesellschaft ; Verstädterung ; Dance ; Movement, Aesthetics of ; Dance Social aspects ; Public spaces ; Urbanization ; Chinesen ; Tanz ; Kulturelle Identität ; Stadt ; China Social life and customs ; China ; USA ; China ; USA ; Chinesen ; Stadt ; Kulturelle Identität ; Tanz
    Abstract: 'Kinesthetic City' uses choreography as subject and method to explore how movement through particular spaces at precise moments can illuminate the communities in those places and times. It examines the simultaneous persistence and mobility of the idea of Chineseness as it travels across a transnational network of Chinese cities
    Note: Includes bibliographical references and index
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  • 51
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 0822391902 , 0822354152 , 0822354306 , 9780822391906 , 9780822354154 , 9780822354307
    Language: English
    Pages: Online-Ressource (xvii, 364 pages) , illustrations
    Edition: Online-Ausg.
    Parallel Title: Print version Making samba
    DDC: 781.640981
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    Keywords: Blacks Race identity ; Blacks Music ; History ; Music and race History ; Sambas History ; Sambas Social aspects ; History ; Sambas -- Brazil -- History ; Sambas -- Social aspects -- Brazil -- History ; Blacks -- Brazil -- Music -- History ; Music and race -- Brazil -- History ; Blacks -- Race identity -- Brazil ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: 〈DIV〉By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture.〈/div〉
    Description / Table of Contents: Contents; A Note about Brazilian Terminology, Currency, and Orthography; Abbreviations; Acknowledgments; Introduction; One. Between Fascination and Fear, Musicians' Worlds in Nineteenth-Century Rio de Janeiro; Two. Beyond the Punishment Paradigm, Popular Entertainment and Social Control after Abolition; Three. Musicians Outside the Circle, Race, Wealth, and Property in Fred Figner's Music Market; Four. "Our Music", "Pelo telefone," the Oito Batutas, and the Rise of "Samba""; Five. Mediators and Competitors, Musicians, Journalists, and the Roda do Samba
    Description / Table of Contents: Six. Bodies and Minds: Mapping Africa and Brazil during the Golden AgeSeven. Alliances and Limits: The SBAT and the Rise of the Entertainment Class; Eight. Everywhere and Nowhere: The UBC and the Consolidation of Racial and Gendered Difference; Nine. After the Golden Age: Reinvention and Political Change; Conclusion; Notes; Bibliography; Index
    Note: Includes bibliographical references (pages [299]-335) and index
    URL: Volltext  (lizenzpflichtig)
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  • 52
    Online Resource
    Online Resource
    Cambridge, Mass. [u.a.] : Harvard Univ. Press
    ISBN: 9780674046245
    Language: English
    Pages: XII, 244 S. , Ill.
    Series Statement: The Nathan I. Huggins lectures
    Parallel Title: Druckausg. Kelley, Robin D. G. Africa speaks, America answers
    DDC: 781.65/7296
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    Keywords: Warren, Guy ; Weston, Randy ; Abdul-Malik, Ahmed ; Benjamin, Sathima Bea ; Fela ; Weston, Randy ; Fela ; Abdul-Malik, Ahmed ; Benjamin, Sathima Bea ; Geschichte 1950-1970 ; Jazz African influences ; Jazz History and criticism 1951-1960 ; Jazz History and criticism 1961-1970 ; Jazz musicians Biography ; Jazz ; Afrika ; USA ; Biografie ; Afrika ; Jazz ; USA ; Geschichte 1950-1970 ; Weston, Randy 1926-2018 ; Benjamin, Sathima Bea 1936-2013 ; Abdul-Malik, Ahmed 1927-1993 ; Fela 1938-1997
    Note: Includes bibliographical references and index
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  • 53
    ISBN: 9783839420508
    Language: German
    Pages: 1 Online-Ressource (270 Seiten)
    Series Statement: Amerika: Kultur - Geschichte - Politik Band 2
    Uniform Title: Reborn to be wild : Christian Pop in der amerikanischen Geschichte und Kultur
    Parallel Title: Erscheint auch als Harju, Bärbel Rock & Religion
    Dissertation note: Dissertation Ludwig-Maximilians-Universität München 2011
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    Keywords: USA ; history ; cultural history ; music ; History ; Music ; Cultural History ; Usa ; Geschichte ; Kulturgeschichte ; Geschichtswissenschaft ; Religionswissenschaft ; Amerika ; Popkultur ; Kultur ; Amerikanische Geschichte ; Christian Pop ; Rockmusik ; Popmusik ; Religion ; Culture ; Religious Studies ; America ; American History ; Popular Culture ; Pop Music ; Musik; Religion; USA; Kultur; Geschichte; Christian Pop; Rockmusik; Popmusik; Popkultur; Amerika; Amerikanische Geschichte; Kulturgeschichte; Religionswissenschaft; Geschichtswissenschaft; Music; Culture; Pop Music; Popular Culture; America; American History; Cultural History; Religious Studies; History; ; Hochschulschrift ; Hochschulschrift ; USA ; Popmusik ; Christentum ; Geschichte ; USA ; Neues geistliches Lied ; Geschichte
    Abstract: »Reborn to be wild!« - seit Ende der 1960er Jahre verkünden wiedergeborene Christen diesen Schlachtruf zu den Klängen von Rock- und Popmusik. Heute existiert in den USA nicht nur eine vielfältige und millionenschwere christliche Musikindustrie; auch im musikalischen Mainstream gelingt es christlichen Künstlern zunehmend, sich erfolgreich zu etablieren.Mit dem genuin amerikanischen Phänomen Christian Pop untersucht Bärbel Harju ein facettenreiches Spannungsfeld an der Schnittstelle von Religiosität und Kommerz. Auf der Basis einer Fülle an Interviews und Primärquellen wird Christian Pop so erstmals umfassend in der amerikanischen Kulturgeschichte verankert.
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  • 54
    Online Resource
    Online Resource
    New York ; : Oxford University Press
    ISBN: 9780199894758
    Language: English
    Pages: 1 online resource.
    Series Statement: New cultural history of music
    Parallel Title: Erscheint auch als
    DDC: 781.59909599
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    Keywords: Music Political aspects 20th century ; History ; Nationalism in music ; Music and state ; Music History and criticism 20th century ; Philippinen ; Musik ; Nationalbewusstsein ; Politik
    Abstract: A cultural history of the Philippines during the 20th century this title focuses on the relationships between music performance, and ideologies of the nation. Christi-Anne Castro reveals how individuals and groups negotiate with and contest the power of the Philippine state to define the nation as a modern and hybrid entity.
    Note: Includes bibliographical references and index. - Description based on online resource; title from PDF title page (viewed on May 11, 2011)
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  • 55
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781139058483
    Language: English
    Pages: Online-Ressource (1 online resource (356 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Conway, David, 1950 - Jewry in music
    DDC: 780.89924
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    Keywords: Jews Music ; History and criticism ; Jews in music ; Jews Music ; History and criticism ; Jews ; Music ; History and criticism ; Jews in music ; Jewish musicians ; History ; Jewish composers ; History ; Jews ; Music ; Judentum ; Musik ; Geschichte
    Abstract: David Conway analyses why and how Jews, virtually absent from Western art music until the end of the eighteenth century, came to be represented in all branches of the profession within fifty years as leading figures – not only as composers and performers, but as publishers, impresarios and critics. His study places this process in the context of dynamic economic, political, sociological and technological changes and also of developments in Jewish communities and the Jewish religion itself, in the major cultural centres of Western Europe. Beginning with a review of attitudes to Jews in the arts and an assessment of Jewish music and musical skills, in the age of the Enlightenment, Conway traces the story of growing Jewish involvement with music through the biographies of the famous, the neglected and the forgotten, leading to a new and radical contextualisation of Wagner's infamous 'Judaism in Music'.
    Note: Title from publishers bibliographic system (viewed on 18 Feb 2013)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 56
    ISBN: 9783839417324
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Kultur und soziale Praxis
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Kulturwissenschaft ; migration ; Soziale Bewegungen ; Musik ; Culture ; Globalization ; Kultur ; Postkolonialismus ; Kunst ; Bürgerrechtsbewegung ; Music ; Zivilgesellschaft ; Civil Society ; Arts ; Cultural studies ; Postcolonialism ; Social Movements ; Musikwissenschaft ; Musicology ; Afroamerikanische Musik ; Bürgerrechtsbewegung ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Bürgerrechtsbewegung ; Afroamerikanische Musik ; Geschichte
    Abstract: Globalisierung und Migration können zu interkulturellen Spannungen führen. Ist Kunst in der Lage, eine Brücke zwischen den Kulturen zu schlagen? Und wenn ja - auf welche Weise?Ausgehend von diesen Fragen beleuchtet Jürg Martin Meili Gehalt und Wirkung von Kunst im Hinblick auf ihren gesellschaftspolitischen Einfluss. Dazu werden u.a. Texte von Bürgerrechtlern wie Martin Luther King jr. und Malcolm X, Musikern wie Miles Davis, Chuck Berry und 2Pac sowie Philosophen wie John Dewey und Richard Rorty aus unterschiedlichen disziplinären Perspektiven (Philosophie, Soziologie, Geschichte sowie Anglistik/Afro-Amerikanistik) untersucht
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    URL: Cover
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  • 57
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190268060
    Language: English
    Pages: 1 Online-Ressource (VIII, 206 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.421643092
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    Keywords: House, Son ; House, Son ; Blues musicians Biography ; USA ; Biografie ; Biografie ; Biografie ; Biografie ; House, Son 1902-1988
    Abstract: This is a biography of American blues singer and guitarist Eddie James 'Son' House, Jr. (1902-1988), who pioneered an innovative style, incorporating strong repetitive rhythms with elements of southern gospel and spiritual vocals. A seminal figure in the history of the Delta blues, he influenced such figures as Muddy Waters and Robert Johnson. The landscape of Son House's life and the vicissitudes he endured make for an absorbing narrative, threaded through with a tension between House's religious beliefs and his spells of commitment to a lifestyle that implicitly rejected it.
    Note: Published to Oxford Scholarship Online: May 2015
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 58
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781139042758
    Language: English
    Pages: Online-Ressource (1 online resource (306 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Garratt, James, 1974 - Music, culture and social reform in the age of Wagner
    Parallel Title: Print version
    DDC: 306.4/842094309034
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    Keywords: Wagner, Richard ; Music Political aspects ; History ; 19th century ; Germany ; Music Social aspects ; History ; 19th century ; Germany ; Music Social aspects 19th century ; History ; Music Political aspects 19th century ; History ; Music ; Political aspects ; Germany ; History ; 19th century ; Music ; Social aspects ; Germany ; History ; 19th century ; Music ; Germany ; 19th century ; History and criticism ; Socialism and music ; Germany ; History ; 19th century ; Music ; Political aspects ; Germany ; History ; 19th century ; Music ; Social aspects ; Germany ; History ; 19th century ; Deutschland ; Musik ; Gesellschaft ; Geschichte 1815-1870 ; Deutschland ; Musikästhetik ; Politik ; Geschichte 1815-1870 ; Deutschland ; Musik ; Politik ; Geschichte 1800-1900 ; Deutschland ; Musik ; Gesellschaft ; Geschichte 1800-1900
    Abstract: Challenging received views of music in nineteenth-century German thought, culture and society, this 2010 book provides a radical reappraisal of its socio-political meanings and functions. Garratt argues that far from governing the nineteenth-century musical discourse and practice, the concept of artistic autonomy and the aesthetic categories bequeathed by Weimar classicism were persistently challenged by alternative models of music's social role. The book investigates these competing models and the social projects that gave rise to them. It interrogates nineteenth-century musical discourse, discussing a wide range of manifestos championing musical democratization or seeking to make music an engine for the transformation of society. In addition, it explores institutions and movements that attempted to realize these goals, and compositions - by Mendelssohn, Lortzing and Liszt as well as Wagner - in which the relation between aesthetic and social claims is programmatic
    Abstract: Liberalism, autonomy and the social functions of art. Liberal individualism, perfectionism and aesthetic autonomy ; Music and Schillerian autonomy ; Choral music and socialization in the early nineteenth century: Nägeli and Zelter -- Radical and social aesthetics in the Vormärz. The trouble with Tannhäuser: artistic discourse as oppositional politics ; Left Hegelians and the politicization of literature and music ; Socialism in Vormärz literary and musical discourse -- Speaking for the Volk: music, politics and Vormärz festivals. Commemorative festivals and the cult of genius ; Lortzing, Mendelssohn and the Leipzig Gutenberg Festival ; An equal music? Singing festivals as mass and counter-culture ; To the artists (i): Mendelssohn and the German-Flemish singing festival -- Revolutionary voices: blueprints for an aesthetic state. Musical reform and the state ; Wagner, Lortzing and the music of revolution -- Music and the politics of post-revolutionary culture. Between anarchism and socialism: Wagner's Zurich essays ; The politics of progressivism: Liszt and the New German School ; To the artists (ii): Liszt and the Karlsruhe music festival ; Citizen Sachs? A Wagnerian coda -- The song of the workers: idylls and activism. Socialization and self-help: workers' education societies ; Lassalle, Bülow and the end of bourgeois music ; Schiller's heirs: art, Bildung and proletarian identity
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
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  • 59
    Online Resource
    Online Resource
    New York, NY : Routledge
    ISBN: 9780203954072 , 9780415941792 , 9780415875691
    Language: English
    Pages: 1 Online-Ressource (XVIII, 488 Seiten) , Ill.
    Parallel Title: Erscheint auch als Encyclopedia of American gospel music
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    Keywords: Gospel music Encyclopedias ; Gospel music Bio-bibliography ; Contemporary Christian music Encyclopedias ; Contemporary Christian musicians Biography ; United States ; Contemporary Christian music Encyclopedias ; Contemporary Christian musicians Biography ; United States ; Gospel music Bio-bibliography ; Gospel music Encyclopedias ; Wörterbuch ; Biografie ; Wörterbuch ; Biografie ; USA ; Gospelsong ; USA ; Gospelsänger
    Note: Includes discographical and bibliographical references and index
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  • 60
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 0521110548 , 9780521110549
    Language: English
    Pages: Online-Ressource (xi, 292 p) , 26 cm
    Edition: Online-Ausg. 2011 Electronic reproduction; Available via World Wide Web
    Parallel Title: Print version Music, Culture and Social Reform in the Age of Wagner
    DDC: 306.4/842094309034
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    Keywords: Music Political aspects 19th century ; History ; Music Social aspects 19th century ; History
    Abstract: A radical reappraisal of the left-wing politics at the heart of nineteenth-century German music and culture
    Description / Table of Contents: Cover; Half-title; Title; Copyright; Dedication; Contents; Acknowledgments; Abbreviations; Introduction; 1 Liberalism, autonomy and the social functions of art; 2 Radical and social aesthetics in the Vormärz; 3 Speaking for the Volk: music, politics and Vormärz festivals; 4 Revolutionary voices: blueprints for an aesthetic state; 5 Music and the politics of post-revolutionary culture; 6 The song of the workers: idylls and activism; Notes; Bibliography; Index
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
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  • 61
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press | Baltimore, Md. : Project MUSE
    ISBN: 9780472027477 , 0472027476
    Language: English
    Pages: 1 Online-Ressource (292 p. :) , Ill.
    DDC: 780.89/96
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    Keywords: Geschichte ; Afroamerikanische Musik ; Afroamerikanischer Tanz ; Amerika ; Karibik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Includes bibliographical references and index , Description based on print version record
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 62
    ISBN: 9780199868551
    Language: English
    Pages: 1 online resource (xi, 292 p.) , ill.
    Parallel Title: Erscheint auch als
    DDC: 780.904
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    Keywords: Music Political aspects 20th century ; History ; Avant-garde (Music) ; Nineteen sixties ; Musik
    Abstract: This text examines the encounter of avant-garde music and 'the Sixties' across a range of genres, aesthetic positions and geographical locations.
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 63
    ISBN: 9783839410745
    Language: English
    Pages: 1 Online Ressource (438 Seiten) , Illustrationen, Diagramme
    Series Statement: Kultur und soziale Praxis
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    Keywords: Minderheit ; Musik ; Kulturelle Identität ; Migration ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Diverse musical cultures of migrant and minority communities have existed in Europe for centuries and shaped its countries significantly. As part of an EU-funded project this volume deals with the musical activities of minorities and their impact on musical traditions in Europe. It also raises questions such as: How are musical traditions of minorities integrated in education and the public music life? Can music facilitate transcultural dialogue? And to what extent do musical practice and performance reassert the own cultural tradition in a foreign environment? Answers to those and similar questions as well as a review on what can be observed in the 21st century Europe are gathered in various thematic approaches. The book also provides model projects with a practical insight into the life and work with music of migrant and minority cultures across Europe.
    URL: Cover
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    URL: Cover  (lizenzpflichtig)
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  • 64
    Online Resource
    Online Resource
    New York : Routledge, Taylor & Francis Group
    ISBN: 9780203931455
    Language: English
    Pages: 1 Online-Ressource (278 Seiten)
    Parallel Title: Erscheint auch als Meeder, Christopher Jazz
    DDC: 781.6509
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    Keywords: Jazz History and criticism ; Jazz musicians ; USA ; Jazz ; Geschichte ; USA ; Jazzmusiker ; Geschichte
    Description / Table of Contents: Fundamentals -- Pre-jazz -- Early jazz recordings -- Louis Armstrong -- The 1920s -- The swing era, part I: big bands -- The swing era, part II: small groups and soloists -- Bebop and the moldy figs -- Charlie Parker -- Thelonious Monk -- The 1950s: the beginning of jazz -- Miles Davis -- Avant-garde jazz of the 1950s and early 1960s -- John Coltrane -- The 1960s, part I: inside -- The 1960s, part II: free jazz -- The 1960s, part III: Chicago -- Postbop pianists -- Fusion -- The 1980s and new conservatism -- The genre busters -- Lately
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  • 65
    ISBN: 9780199869992
    Language: English
    Pages: 1 online resource (368 p.)
    Series Statement: AMS studies in music
    Parallel Title: Erscheint auch als Bohlman, Philip V., 1952 - Jewish music and modernity
    Parallel Title: Print version
    Parallel Title: Erscheint auch als Bohlman, Philip V., 1952 - Jewish music and modernity
    DDC: 780.89/924
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    Keywords: Jews History ; Jews Music ; History and criticism ; Jews ; Music ; History and criticism ; Jews ; Germany ; History ; Jews Music ; History and criticism ; Jews Germany ; History ; Jews ; Germany ; Music ; Jews ; Germany ; History ; Deutschland ; Juden ; Musik ; Moderne ; Geschichte ; Judentum ; Musik ; Modernität ; Urbanität ; Geschichte 1890-1933 ; Zionismus ; Musik
    Abstract: Bohlman investigates several aspects of Jewish music within the context of the period beginning with the emancipation of German-Jewish culture during the eighteenth century and culminating in the destruction of that same culture under the Nazis.
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 66
    Online Resource
    Online Resource
    Rochester : University of Rochester Press
    ISBN: 9781282894969 , 9781580467230 , 128289496X
    Language: English
    Pages: 1 Online-Ressource (XIX, 260 Seiten)
    Series Statement: Eastman studies in music
    Parallel Title: Print version French Music, Culture, and National Identity, 1870-1939
    Parallel Title: Erscheint auch als French music, culture, and national identity, 1870 - 1939
    DDC: 306.4842094409034
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    Keywords: Nationalism in music ; Music Political aspects 19th century ; History ; Music Political aspects 20th century ; History ; Music -- Political aspects -- France -- History -- 19th century ; Music -- Political aspects -- France -- History -- 20th century ; Nationalism in music ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Musik ; Kultur ; Nation
    Description / Table of Contents: ""Frontcover""; ""CONTENTS""; ""LIST OF ILLUSTRATIONS""; ""ACKNOWLEDGMENTS""; ""TIMELINE: Selective Chronology of Historical and Cultural Events,1870â€?1939""; ""INTRODUCTION: The Roles of Music and Culture in National Identity Formation""; ""Part One: Heroism, Art, and New Media: France and Identity Formation""; ""1 Unifying the French Nation: Savorgnan de Brazza and the Third Republic""; ""2 New Media, Source-Bonding, and Alienation: Listening at the 1889 Exposition Universelle""; ""3 Debussy and the Making of a musicien franÃais: Pelléas, the Press, and World War I""
    Description / Table of Contents: ""4 À bas Wagner!: The French Press Campaign against Wagner during World War I""""Part Two: Canon, Style, and Political Alignment""; ""5 D�Indy�s Beethoven""; ""6 Messidor: Republican Patriotism and the French Revolutionary Tradition in Third Republic Opera""; ""7 The Symphony and National Identity in Early Twentieth-Century France""; ""8 Transcending the Word?: Religion and Music in Gauguin�s Quest for Abstraction""; ""9 Jolivet�s Search for a New French Voice: Spiritual “Otherness� in Mana (1935)""; ""Part Three: Regionalism""
    Description / Table of Contents: ""10 Rameau in Late Nineteenth-Century Dijon: Memorial, Festival, Fiasco""""11 Becoming Alsatian: Anti-German and Pro-French Cultural Propaganda in Alsace, 1898�1914""; ""12 National Identity and the Double Border in Lorraine, 1870�1914""; ""LIST OF CONTRIBUTORS""; ""INDEX ""; ""Backcover""
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
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  • 67
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199864492
    Language: English
    Pages: 1 Online-Ressource (xi, 402 p.) , Ill.
    DDC: 781.651599
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    Keywords: Geschichte 1950-1970 ; Jazz ; Gesellschaft ; Politik ; Schwarze ; Bürgerrechtsbewegung ; Jazz History and criticism 1951-1960 ; Jazz History and criticism 1961-1970 ; Jazz Social aspects ; Jazz Political aspects ; African Americans Civil rights 20th century ; History ; USA
    Abstract: An insightful examination of the impact of the civil rights movement and African independence on jazz in the 1950s and 60s this text traces the complex relationships between music politics, aesthetics, and activism through the lens of racial and economic issues.
    Note: Includes bibliographical references, discography and index
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  • 68
    ISBN: 9781351577984
    Language: English
    Pages: 1 Online-Ressource (xxi, 190 Seiten)
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als A Song for Europe
    DDC: 306.48424079
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    Keywords: Eurovision Song Contest ; Popular music Competitions ; Europe ; Popular music Political aspects ; Europe ; Grand Prix Eurovision de la Chanson ; Europa ; Politik ; Soziologie ; Grand Prix eurovision de la chanson ; Politik
    Abstract: The world's largest and longest-running song competition, the Eurovision Song Contest is a significant and extremely popular media event throughout the continent and abroad. The Contest is broadcast live in over 30 countries with over 100 million viewers annually. Established in 1956 as a televised spectacle to unify postwar Western Europe through music, the Contest features singers who represent a participating nation with a new popular song. Viewers vote by phone for their favourite performance, though they cannot vote for their own country's entry. This process alone reveals much about national identities and identifications, as voting patterns expose deep-seated alliances and animosities among participating countries. Here, an international group of scholars from a variety of disciplines, including musicology, communications, history, sociology, English and German studies, explore how the contest sheds light on issues of European politics, national and European identity, race, gender and sexuality, and the aesthetics of camp. For some countries, participation in Eurovision has been simultaneously an assertion of modernity and a claim to membership in Europe and the West. Eurovision is sometimes regarded as a low-brow camp spectacle of little aesthetic or intellectual value. The essays in this collection often contradict this assumption, demonstrating that the contest has actually been a significant force and forecaster for social, cultural and political transformations in postwar Europe.
    Abstract: Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of tables -- List of contributors -- General Editor's preface -- Additional reading and resources -- Introduction -- 1 Camping on the borders of Europe -- 2 Return to ethnicity: The cultural significance of musical change in the Eurovision Song Contest -- 3 Eurovision at 50: Post-Wall and Post-Stonewall -- 4 Chanson, canzone, Schlager, and song: Switzerland's identity struggle in the Eurovision Song Contest -- 5 Chasing the "magic formula" for success: Ralph Siegel and the Grand Prix Eurovision de la Chanson -- 6 Fernando, Filippo, and Milly: Bringing blackness to the Eurovision stage -- 7 Finland, zero points: Nationality, failure, and shame in the Finnish media -- 8 The socialist star: Yugoslavia, Cold War politics and the Eurovision Song Contest -- 9 Lithuanian contests and European dreams -- 10 "Russian body and soul": t.A.T.u. performs at Eurovision 2003 -- 11 Gay brotherhood: Israeli gay men and the Eurovision Song Contest -- 12 Articulating the historical moment: Turkey, Europe, and Eurovision 2003 -- 13 "Everyway that I can": Auto-Orientalism at Eurovision 2003 -- 14 Idol thoughts: Nationalism in the pan-Arab vocal competition Superstar -- 15 "Changing Japan, unchanging Japan": Shifting visions of the Red and White Song Contest -- Index
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  • 69
    Online Resource
    Online Resource
    Bielefeld : transcript
    ISBN: 9783839407042
    Language: German
    Pages: 1 Online resource (274 Seiten) , Illustrationen
    Series Statement: Cultural Studies Band 28
    Series Statement: Cultural Studies
    Parallel Title: Erscheint auch als
    DDC: 306.1094
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    Keywords: Eigeninitiative ; Hardcore (Music) ; Hardcore ; Jugendkultur ; Punk culture ; Sozialwissenschaften, Soziologie, Anthropologie ; Hardcore (Music) ; Punk culture ; Hardcore ; Jugendkultur ; Eigeninitiative ; Europa ; Europa ; Hochschulschrift 2007 ; Hochschulschrift ; Hochschulschrift 2007 ; Europa ; Hardcore ; Jugendkultur ; Eigeninitiative
    Description / Table of Contents: Die Studie bietet auf breiter empirischer Basis - Experteninterviews, Szenepublikationen, quantitative Befragung von über 400 Szenegängern - Einblicke in die Jugendkultur Hardcore. Im Mittelpunkt steht der charakteristische Szeneaktivismus nach dem Prinzip des do it yourself (DIY): Die kulturelle Widerspenstigkeit des DIY-Aktivismus, die Bedeutung des DIY-Engagements als Authentizitätskriterium sowie die Eigenleistung Jugendlicher beim Erwerb und der Vermittlung von DIY-Kompetenzen werden herausgearbeitet. Damit liefert die Studie neue Impulse für die gegenwärtigen jugendkultursoziologischen Diskussionen
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 70
    ISBN: 9783839402566
    Language: German
    Pages: 1 Online-Ressource (211 Seiten) , Illustrationen
    Series Statement: Beiträge zur Popularmusikforschung 32
    Series Statement: Beiträge zur Popularmusikforschung
    Parallel Title: Erscheint auch als 9/11 - the world's all out of tune
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    Keywords: Music ; Globalization ; globalization ; music ; Globalisierung ; Terrorismus ; Frieden ; Popkultur ; Erinnerungskultur ; Musikwissenschaft ; Popmusik ; Memory Culture ; Popular Culture ; Musicology ; Pop Music ; Terrorism ; Musik ; Popmusik ; Geschichte, 11. September 2001 ; Terroranschlag 〈 11. September 2001〉 ; Terrorismus ; Gewalt ; Musik; Globalisierung; Terrorismus; Frieden; Popkultur; Erinnerungskultur; Popmusik; Musikwissenschaft; Music; Globalization; Terrorism; Popular Culture; Memory Culture; Pop Music; Musicology; ; USA ; Elfter September ; Auswirkung ; Popmusik
    Abstract: »The world's all out of tune« hieß es, kaum waren die Bilder von den einstürzenden Türmen des World Trade Centers und dem brennenden Pentagon um die Welt gegangen. Und ebenso schnell, wie die US-Administration zur Bestätigung dieser Weltsicht die Operation »Infinite Justice« resp. »Enduring Freedom« in Gang setzte, reagierte auch die Musikwelt auf die terroristischen Anschläge mit der Produktion hunderter »9/11-Songs« und »September 11-Tracks« - von Pop, Rock, Folk, Country, HipHop bis Techno und NewAge, von arrivierten Popstars bis zur vox populi übrigens keineswegs »out of tune«. Der Band sucht »Nine-Eleven« und das Pop-Territorium in Beziehung zu setzen, kontroverse Positionen auszuloten und Neu- bzw. Umorientierungen des popmusikalischen Konstrukts von Gewaltfreiheit, Friedensliebe, überhaupt gesellschaftlicher Solidarität auf die Spur zu kommen.
    Note: Literaturangaben
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
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  • 71
    ISBN: 9780199849536
    Language: English
    Pages: 1 online resource (xii, 370 p.) , ill.
    Parallel Title: Erscheint auch als
    DDC: 785.2540922
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    Keywords: Dixie Hummingbirds ; Gospel musicians Biography ; Biografie ; Dixie Hummingbirds ; USA ; Musikgruppe ; Gospelsong ; Geschichte
    Abstract: The Dixie Hummingbirds have been one of gospel's most durable and inspiring groups. This is their story and with it the story of a changing music industry and a changing nation.
    Note: Includes bibliographical references, discography and index. - Description based on print version record
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  • 72
    ISBN: 0812235282
    Language: English
    Pages: 1 Online-Ressource (x, 408 p.)
    Edition: Sekundärausgabe Alexandria, VA Alexander Street Press 2012 (Anthropology online)
    Parallel Title: Reproduktion von Hinson, Glenn Fire in my bones
    Parallel Title: Erscheint auch als
    DDC: 306.6/64/008996073
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    Keywords: Schwarze. USA ; African American public worship ; African Americans Religion ; Experience (Religion) ; Gospelsong ; Religion ; Schwarze ; USA ; USA ; Schwarze ; Religion ; Gospelsong
    Note: "In collaboration with saints from a host of churches." , Includes bibliographical references (p. [377]-390) and index , This edition in English
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  • 73
    Online Resource
    Online Resource
    Edinburgh : Edinburgh University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781474473293
    Language: English
    Pages: 1 Online-Ressource (211 pages)
    Series Statement: BAAS Paperbacks
    DDC: 781.65/0973
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    Keywords: Geschichte ; Jazz ; Kultur ; Jazz-Social aspects-United States ; USA ; Electronic books
    Abstract: Jazz in American Culture offers an informed and entertaining introduction to jazz - one of the great musical cultures of the world.
    Note: Description based on publisher supplied metadata and other sources
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  • 74
    Online Resource
    Online Resource
    Cambridge [England] ; New York : Cambridge University Press
    ISBN: 0521620457 , 0521629667 , 1139939300 , 9780521620451 , 9780521629669 , 9781139939300
    Language: English
    Pages: 1 online resource (xi, 191 pages)
    Series Statement: Cambridge cultural social studies
    Parallel Title: Erscheint auch als Eyerman, Ron Music and social movements
    DDC: 306.4/84
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    Keywords: Geschichte 1900-2000 ; Geschichte 1900-1995 ; Populaire muziek ; Sociale bewegingen ; Sociale verandering ; Musique / Aspect social / Histoire / 20e siècle ; Mouvements sociaux / Histoire / 20e siècle ; Sociologie politique / Histoire / 20e siècle ; Culture populaire / Histoire / 20e siècle ; Music and society / History / 20th century ; Music / Social aspects ; Political sociology ; Popular culture ; Social movements ; POLITICAL SCIENCE / Public Policy / Cultural Policy ; SOCIAL SCIENCE / Anthropology / Cultural ; SOCIAL SCIENCE / Popular Culture ; Geschichte ; Gesellschaft ; Musik ; Sozialer Wandel ; Music Social aspects 20th century ; History ; Social movements History 20th century ; Political sociology History 20th century ; Popular culture History 20th century ; Music Social aspects ; Soziale Bewegung ; Musik ; Musik ; Soziale Bewegung ; Geschichte 1900-1995
    Description / Table of Contents: 1. On social movements and culture --- 2. Taking traditions seriously --- 3. Making an alternative popular culture: from populism to the popular front --- 4. The movements of black music: from the New Negro to civil rights --- 5. Politics and music in the 1960s --- 6. From the sixties to the nineties: the case of Sweden --- 7. Structures of feeling and cognitive praxis
    Description / Table of Contents: Building on their studies of sixties culture and theory of cognitive praxis, Ron Eyerman and Andrew Jamison examine the mobilization of cultural traditions and formulation of new collective identities through the music of activism. They combine a sophisticated theoretical argument with historical-empirical studies of nineteenth-century populists and twentieth-century labour and ethnic movements, focusing on the interrelations between music and social movements in the United States and the transfer of those experiences to Europe. Specific chapters examine folk and country music, black music, music of the 1960s movements, and music of the Swedish progressive movement
    Note: Description based on print version record
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: Volltext  (lizenzpflichtig)
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  • 75
    Online Resource
    Online Resource
    New York ; : Oxford University Press
    ISBN: 9780199853243
    Language: English
    Pages: 1 online resource (316 p.) , ill., music.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Floyd, Samuel A. The power of black music
    DDC: 780.8996073
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    RVK:
    Keywords: African Americans Music ; History and criticism ; Music History and criticism ; Schwarze ; Musik ; USA ; Afrika ; USA ; Schwarze ; Musik ; USA ; Jazz ; Afroamerikanische Musik
    Abstract: The author offers a new way of listening to the music of black America, and appreciating its profound contribution to all American music. By breaking down the barriers that remain between high art and low art, it illuminates the centuries-old linkage between the music, myths and rituals of Africa and the continuing evolution and enduring vitality of African-American music.
    Note: Includes bibliographical references, discography, filmography and index. - Description based on print version record
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  • 76
    Online Resource
    Online Resource
    Alexandria, VA : Alexander Street Press | Jackson : University Press of Mississippi
    Language: English
    Pages: 1 Online-Ressource (xxiii, 166 p.)
    Edition: Reproduction s.l
    Series Statement: Music Online Reference
    Series Statement: African American music reference
    DDC: 306.4/84
    RVK:
    RVK:
    Keywords: Jazz in literature ; Jazz ; Social aspects ; United States ; Race in literature ; Gesellschaft ; USA ; United States / Race relations
    Note: Includes bibliographical references (p. [153]-160) and index. - Erscheinungsjahr in Vorlageform:c1997
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