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  • GBV  (1,625)
  • MEK Berlin  (409)
  • MPI-MMG  (45)
  • Image  (1,947)
  • Kunst  (1,216)
  • History  (580)
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  • 1
    Language: Polish
    Pages: 10 volumes , 31 cm
    Keywords: Clothing and dress Pictorial works ; Clothing and dress History ; Ethnic costume Pictorial works ; Ethnic costume History ; Ethnology ; Clothing and dress ; Costume ; Ethnology ; Illustrated works ; History ; Illustrated works ; Małopolska (Poland) Social life and customs ; Poland ; Poland ; Małopolska ; Kleinpolen ; Köhler, Barbara 1959-2021 Trachten ; Volkskunde
    Abstract: tom I.Krakowiacy Zachodni /tekst, wybór materiału ilustracyjnego Agnieszka Marczak --tom II.Krakowiacy Wschodni /tekst, wybór materiału ilustracyjnego Urszula Gieroń --tom III.Lachy Sądeckie, Pogórzanie /tekst, wybór materiału ilustracyjnego Maria Brylak-Załuska --tom IV.Lachy Limanowskie, Lachy Szczyrzyckie /tekst, wybór materiału ilustracyjnego Małgorzata Wojtowicz-Wierzbicka, Maria Brylak-Załuska --tom. V.Górale Zagórzańscy, Górale Kliszczaccy /tekst, wybór materiału ilustracyjnego dr Katarzyna Ceklarz, dr Dorota Majerczyk --tom VI.Górale Babiogórscy, Górale Orawscy /tekst, wybór materiału ilustracyjnego Karolina i Marcin Kowalczykowie, Jadwiga Pilch --tom VII.Górale Podhalańscy, Górale Ochotniccy /tekst, wybór materiału ilustracyjnego dr hab. Stanisława Trebunia-Staszel, Katarzyna Fiedler --tom VIII.Górale Spiscy, Górale Szczawniccy i Pienińscy /tekst, wybór materiału ilustracyjnego Justyna Masłowiec, Barbara Alina Węglarz --tom IX.Górale Sądeccy, Górale Nadpopradzcy /tekst, wybór materiału ilustracyjnego Maria Brylak-Załuska, Piotr Kulig --tom X.Łemkowie Sądeccy i Gorliccy, Rusini Szlachtowscy /tekst, wybór materiału ilustracyjnego Jerzy Starzyński.
    Note: Includes bibliographical references
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  • 2
    Language: German
    Pages: 300 mm x 300 mm, 1450 g
    DDC: 780
    RVK:
    Keywords: Bildband ; Gespräch ; Reimer, Arne 1972- ; USA ; Jazzmusiker ; Gespräch ; Reimer, Arne 1972- ; Porträtfotografie ; Jazzmusiker ; USA
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  • 3
    ISBN: 9781478025160 , 9781478020271
    Language: English
    Pages: 554 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Alvarez, Daniela Future/present
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    RVK:
    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Description / Table of Contents: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references
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  • 4
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    Zürich : Scheidegger & Spiess | Zürich : Schweizerisches Nationalmuseum
    ISBN: 9783039421879 , 3039421875 , 9783905875638
    Language: German
    Pages: 157 Seiten , Illustrationen , 27 cm
    DDC: 940
    RVK:
    Keywords: Ausstellungskatalog Schweizerisches Nationalmuseum 15.03.2024-14.07.2024 ; Bildband ; Aufsatzsammlung ; Mittelalter ; Körper ; Körperbild ; Kunst ; Geschichte 1000-1500 ; Mittelalter ; Krankheit ; Gewalt ; Leiche ; Kunst ; Geschichte 1000-1500
    Note: Impressum: "Die Publikation erscheint anlässlich der Ausstellung 'begehrt. umsorgt. gemartert. Körper im Mittelalter' im Schweizerischen Nationalmuseum, Landesmuseum Zürich 15. März bis 14. Juli 2024" , Literaturverzeichnis: Seite 152-156
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  • 5
    ISBN: 9783871572630 , 9783905014785 , 3871572632
    Language: German
    Pages: 268 Seiten , Illustrationen
    Series Statement: Jahresgabe des Deutschen Vereins für Kunstwissenschaft 2018
    Dissertation note: Habilitationsschrift Johannes Gutenberg-Universität Mainz 2016
    DDC: 700
    RVK:
    RVK:
    Keywords: Hochschulschrift ; Textilkunst ; Seide ; Asien ; Mittelalter ; Handel ; Mode ; Textilkunst ; Buchmalerei ; Renaissance
    Abstract: Im Mittelalter war Seide das bevorzugte textile Material, um Reichtum und Status zum Ausdruck zu bringen. Wurden Luxusgewebe bis zum 13. Jahrhundert aus Byzanz und Spanien importiert, so gelangten nach 1300 Seidenstoffe aus dem mongolischen Großreich in den Westen. Die aus chinesischen, persischen und muslimischen Motiven komponierten Muster trugen eine neue Ästhetik nach Europa. Das Buch behandelt Gewänder und Objekte aus panni tartarici, die in Gräbern, Kirchenschätzen und musealen Sammlungen erhalten geblieben sind. Anhand von Form und Funktion der Textilien wird unter Einbeziehung von Quellen, Texten und Bildern gezeigt, wie Klerus und Adel sich das fremde Material aneigneten. Indem Herkunftsregionen untersucht und Wege der Seide nach Westen nachgezeichnet werden, thematisiert die Studie die globale Vernetzung in der Vormoderne.
    Note: Literaturverzeichnis: Seite 241-254 , "... handelt es sich um die überarbeitete Fassung meiner ... eingereichten Habilitationsschrift" - Vorwort der Autorin
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  • 6
    ISBN: 9781643363202 , 9781643363219
    Language: English
    Pages: xviii, 209 Seiten
    Parallel Title: Erscheint auch als Koverman, Jill Beute The Words and Wares of David Drake
    DDC: 738.092
    Keywords: ART / American / African American ; ART / Collections, Catalogs, Exhibitions ; Ausstellungskataloge, Museumskataloge und Sammlungen ; Ceramic arts, pottery, glass ; Exhibition catalogues & specific collections ; HIS056000 ; HISTORY / United States / State & Local / South (AL, AR, FL, GA, KY, LA, MS, NC, SC, TN, VA, WV) ; History of art & design styles: from c 1900 - ; Individual artists, art monographs ; Keramik, Glas, Mosaikkunst ; Kunstgeschichte ; Sklaverei und Abschaffung der Sklaverei ; Slavery & abolition of slavery ; Social & cultural history ; Sozial- und Kulturgeschichte ; einzelne Künstler, Künstlermonografien ; South Carolina ; South Carolina ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Drake, David 1800-1870 ; Edgefield, SC ; Schwarze ; Keramik
    Abstract: David Drake, also known as Dave the Potter, was born enslaved in Edgefield, South Carolina, at the turn of the nineteenth century. Despite laws prohibiting enslaved people from learning to read or write, Drake was literate and signed some of his pots. This volume collects multifaceted scholarship about Drake and his craft
    Note: Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 7
    ISBN: 9783422990760 , 3422990763
    Language: English
    Pages: 112 Seiten , 100 Illustrationen
    Edition: 1. Auflage
    DDC: 305.8975253
    RVK:
    RVK:
    Keywords: Ausstellungskatalog Humboldt Forum 2022-2023 ; Ausstellungskatalog Humboldt Forum 2022-2023 ; Ausstellungskatalog Humboldt Forum 2022-2023 ; Ethnologisches Museum Berlin ; La Flesche, Francis 1857-1932 ; Sammlung ; Omaha ; Kultur ; Kultgegenstand ; Kunst ; Fotografie ; Geschichte 1850-1930
    Note: Kolophon: This book is published in connection with the exhibition: Against the current, the Omaha, Francis La Flesche and his collection, at the Humboldt Forum Berlin, 2022-2023
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 8
    ISBN: 9783422800786 , 3422800786
    Language: German
    Pages: 158 Seiten , Illustrationen
    DDC: 700.9432224074
    RVK:
    RVK:
    Keywords: Ausstellungskatalog TRAFO 23.09.2022-19.11.2022 ; Aufsatzsammlung ; Ausstellungskatalog TRAFO 23.09.2022-19.11.2022 ; Aufsatzsammlung ; Jena ; Hinterhof ; Kulturveranstaltung ; Gegenkultur ; Künste ; Geschichte 1986-1989 ; Jena ; Kunst ; Musik ; Gegenkultur ; Geschichte 1986-1989
    Abstract: Zwischen 1986 und 1989 fanden abseits des offiziellen DDR-Kulturbetriebes 13 Jenaer Hofvernissagen statt, die einem breiten Publikum freie Formen bildender Kunst, Literatur, Musik, Film und Theater zugänglich machten. So entstand in Jena eine „kulturelle Parallelwelt", in der alternative Handlungsmuster und Lebensentwürfe öffentlich sichtbar wurden. Der Ausstellungskatalog vermittelt die Entstehung und Entwicklung der Hinterhof-Veranstaltungen und spannt mit Kunstwerken aus der Zeit der Vernissagen, der „Nachwendejahre" und der Gegenwart den Bogen zum Heute. Neben zeit­, kultur­ und kunstgeschichtlichen Aufsätzen sowie Werkbetrachtungen vermitteln zahlreiche historische Quellen, Fotografien und Kunstwerke das Wirken einer überregional bedeutsamen, selbstbestimmten Kulturszene in den letzten Jahren der DDR.
    Note: Aus dem Impressum: "Dieser Katalog erscheint anlässlich der Ausstellung 'Autonome Kunst und Kultur in der späten DDR. Die Jenaer Hofvernissagen 1986–89', 23. September-19. November 2022, TRAFO, Jena"
    URL: Cover
    URL: Unbekannt  (lizenzpflichtig)
    URL: Cover
    URL: Unbekannt  (lizenzpflichtig)
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  • 9
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    Washington : National Gallery of Art | New Haven : Yale University Press
    ISBN: 9780300267105
    Language: English
    Pages: 356 Seiten , Illustrationen , 29 cm
    Series Statement: Studies in the history of art 83
    Series Statement: Symposium papers 60
    Series Statement: Studies in the history of art
    RVK:
    Keywords: Snowden, Sylvia - 1942- ; Stovall, Lou - 1937- ; Thomas, Alma - 1891-1978 ; Donaldson, Jeff - 1932-2004 ; Porter, James A. (James Amos) - 1905-1970 ; Burwell, Lilian Thomas - 1927- ; Coleman, Floyd W - 1939- ; Driskell, David C - 1931-2020 ; Gilliam, Sam - 1933-2022 ; Morrison, Keith - 1942- ; Puryear, Martin - 1941- ; Howard University - United States ; The Phillips Collection - United States ; African American Art - United States ; Konferenzschrift National Gallery of Art, Washington, DC ; Konferenzschrift National Gallery of Art, Washington, DC ; Washington, DC ; Schwarze ; Kunst ; Ästhetik ; Geschichte 1920-
    Abstract: In a twentieth century during which modern art largely abandoned beauty as its imperative, a group of Black artists from Washington, DC, made beauty the center of their art making. This book highlights these influential artists, including David C. Driskell, Sam Gilliam, Lois Mailou Jones, and Alma Thomas, in the context of what Jeffrey C. Stewart describes as the Washington Black Renaissance. Vibrant histories of key District institutions and the city's communities of educators, critics, and collectors animate a nuanced consideration of the evolution of an aesthetic dialectic from the 1920s up to the present day. The fifteen essays in the volume are grounded by voices from a live artist panel at the National Gallery of Art in 2017, which included Lilian Thomas Burwell, Floyd Coleman, David C. Driskell, Sam Gilliam, Keith Morrison, Martin Puryear, Sylvia Snowden, and Lou Stovall
    Note: Titelblattrückseite: This volume includes proceedings of the symposium "The African American Art World in Twentieth-Century Washington, DC", organized by the Center for Advanced Study in the Visual Arts, National gallery of Art, and sponsored by the Wyeth Foundation for American Art and the Arthur Vining Davis Foundations. The symposium was held March 16-17, 2017, in Washington , Includes bibliography and index , English
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  • 10
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    Paris : Musée des Arts décoratifs
    ISBN: 9782383140139
    Language: French
    Pages: XII, 285 Seiten , Illustrationen , 32 cm
    DDC: 391
    Keywords: Geschichte 1400-2020 ; Medien ; Haartracht ; Verpackung ; Behaarung ; Rasur ; Haar ; Haarschnitt ; Frisur ; Kopfhaar ; Frisur ; Haarpflege ; Werkzeug ; Kunst ; Kosmetikum ; Ausstellungskatalog Musée des Arts décoratifs 05.04.2023-17.09.2023 ; Aufsatzsammlung ; Ausstellungskatalog Musée des Arts décoratifs 05.04.2023-17.09.2023 ; Aufsatzsammlung ; Aufsatzsammlung ; Ausstellungskatalog Musée des Arts décoratifs 05.04.2023-17.09.2023 ; Aufsatzsammlung ; Ausstellungskatalog Musée des Arts décoratifs 05.04.2023-17.09.2023 ; Aufsatzsammlung ; Ausstellungskatalog Musée des Arts décoratifs 05.04.2023-17.09.2023 ; Kopfhaar ; Behaarung ; Haarpflege ; Frisur ; Haarschnitt ; Rasur ; Werkzeug ; Kosmetikum ; Verpackung ; Geschichte 1400-2020 ; Haar ; Frisur ; Haartracht ; Kunst ; Medien ; Geschichte 1400-2020
    Abstract: La coiffure et les poils humains, au même titre que les vêtements, les bijoux et les accessoires, participent depuis des siècles à la construction des apparences. À la frontière entre la mode et la représentation du corps, le sujet ne laisse personne indifférent. Dans la culture occidentale, le cheveu hirsute autant que l'excès de poils ont souvent été associés au diable, à l'animal et à l'homme sauvage. Si bien que pendant des siècles la femme et l'homme civilisés ont dû peigner, dompter et parfois même dissimuler leur toison. Parce que le poil est un matériau corporel qui peut être transformé de mille et une manières - étiré, coupé, complété, coloré, orné, caché ou exhibé -, il est un élément essentiel de la mise en scène de soi qui permet d'afficher l'adhésion à une mode, une conviction, une contestation et est porteur de nombreuses significations, telles la féminité, la virilité, la négligence, etc. Quelques noms de coiffures célèbres - à la Fontanges, à la Titus, à la garçonne, à l'iroquoise, etc. - révèlent que les cheveux sont eux aussi l'objet de véritables phénomènes de mode, porteurs de codes sociaux et culturels que les contemporains de chaque époque savent décrypter. De la fin du Moyen Âge à nos jours, ce livre aborde plusieurs thèmes inhérents à l'histoire de la coiffure (cheveux peignés, coupés, ornés ; perruques, postiches, calvitie ; coloration), sans oublier les questions liées à la pilosité faciale (visages imberbes, barbes, moustaches, sourcils) et à la pilosité corporelle (torse, jambes, pubis, aisselles, épilation). L'utilisation de cheveux pour réaliser des bijoux, la gloire des coiffeurs superstars ou encore l'emploi des cheveux dans la haute couture sont d'autres thèmes qui offriront au lecteur de nombreuses surprises
    Note: Textes de: Marie Brimicombe, Denis Bruna, Yanis Cambon, Astrid Castres, Pierre-Jean Desemerie, Ana Escobar Saavedra, Saga Esedín Rojo, Louise Guillot, Guillaume Herrou, César Imbert, Sophie Lemahieu, Maëva Le Petit, Aurore Mariage, Anne-Cécile Moheng, Sophie Motsch, Marie Olivier, Dominique Prevôt, Hélène Renaudin, Raphaël Sagodira et Bastien Salva , Impressum: Cet ouvrage a été publié à l'occasion de l'exposition "Des cheveux et des poils" présentée au musée des Arts décoratifs, à Paris, du 5 avril au 17 septembre 2023 , Includes bibliographical references (pages 282-283) and index
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  • 11
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    New York : Bard Graduate Center | [Chicago] : University of Chicago Press | United Kingdom : BookLabs
    ISBN: 9781941792360 , 1941792367
    Language: English
    Pages: XX, 215 Seiten , Illustrationen , 19 x 26 cm
    DDC: 394.1250940903
    RVK:
    Keywords: Food habits Exhibitions History ; Food presentation Exhibitions History ; Cooking Exhibitions History ; Food presentation Handbooks, manuals, etc History ; Exhibitions ; Cooking ; Food habits ; Food presentation ; Manners and customs ; Exhibition catalogs ; History ; Europe Exhibitions Social life and customs ; Europe ; Ausstellungskatalog Bard Graduate Center Gallery 17.02.2023-09.07.2023 ; Ausstellungskatalog Bard Graduate Center Gallery 17.02.2023-09.07.2023 ; Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture ; Alltagskultur ; Kochen ; Ernährungsgewohnheit ; Tradition ; Zeremonie ; Geschichte 1500-1800
    Note: "This catalogue is published in conjunction with the exhibition Staging the Table in Europe 1500–1800 held at Bard Graduate Center Gallery, New York, from February 17 to July 9, 2023." - Impressum, Seite 5 , Includes bibliographical references (pages 202-211) and index
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  • 12
    ISBN: 9781606067857
    Language: English
    Pages: xiii, 137 Seiten , Illustrationen , 27 cm
    Parallel Title: Erscheint auch als Balthazar
    DDC: 704.9/484
    Keywords: Balthazar Art ; Art, Medieval Themes, motives ; Art, Renaissance Themes, motives ; Black people in art ; Africans in art ; Magi Art ; Ausstellungskatalog Getty Center 19.11.2019-16.02.2020 ; Aufsatzsammlung ; Ausstellungskatalog Getty Center 19.11.2019-16.02.2020 ; Aufsatzsammlung ; Ausstellungskatalog Getty Center 19.11.2019-16.02.2020 ; Aufsatzsammlung ; Drei Könige ; Balthasar Heiliger ; Afrikaner ; Schwarze ; Kunst ; Geschichte 1000-1600
    Abstract: "In this book, experts explore the representation of Balthazar as a Black African king. They examine medieval and Renaissance artworks that portray the European fantasy of the Black magus, offer clues about the Africans who may have inspired these images, and chronicle the Black presence in premodern Europe"--
    Note: Seite [138]: "This publication was inspired by the exhibition "Balthazar: A Black African King in Medieval and Renaissance Art", on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from November 19, 2019-February 16, 2020."--Colophon , Includes bibliographical references and index
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  • 13
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    Oakland, California : University of California Press
    ISBN: 9780520392458 , 9780520359567
    Language: English
    Pages: x, 305 Seiten , Illustrationen
    DDC: 709.5
    RVK:
    Keywords: Art, Comparative ; Art and race ; Artists, Black ; Kunstsoziologie ; Asien ; Schwarze ; Kunst ; Geschichte 1960-2020
    Abstract: "How do we embark on a history of art that proceeds from the assumption of a global majority? Taking as a rhetorical departure the construct of Afro Asia which doubles as both an ontological reference and an epistemological intervention, this book centers the worlds Black and Asian artists initiate through their work. Afro Asia breaks down delineated time into points, trajectories, angles, magnitudes and relative positions so that temporality and chronology figure primarily as questions of geometry: it asks if and how we can we be something other than what biology, politics, culture, and economics tells us we are or must become. Spanning North America, Europe, Asia, and Africa, this book challenges the institutionalization of contemporary art as a global enterprise increasingly governed by the judgments of a self-selecting minority"--
    Description / Table of Contents: Coincident intensities: friendship, comparison, and the Afro Asian body -- Angles of incidence: photographing interracial encounters in postwar Asia -- Integral tangents: Black arts of Asia -- Planes of collaboration: non-consensus spaces -- Circling Afro China: the new global majority.
    Note: Includes bibliographical references and index
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  • 14
    ISBN: 9783702241452 , 3702241450
    Language: German
    Pages: 200 Seiten , 24 cm x 17 cm
    Series Statement: Vorarlberg museum Schriften 71
    DDC: 943.645
    Keywords: Ausstellungskatalog vorarlberg mueseum 01.07.2023-07.01.2024 ; Aufsatzsammlung ; Vorarlberg ; Sachkultur ; Geschichte ; Tiroler Landesmuseum Ferdinandeum ; Vorarlberg ; Kunst ; Geschichte
    Note: Aus dem Impressum: Diese Publikation erscheint anlässlich der Ausstellung "Wir sind Tirol! Vorarlberger Objekte in der Sammlung des Tiroler Landesmuseums Ferdinandeum", vorarlberg museum, Bregenz. 1. Juli 2023 bis 7. Jänner 2024
    URL: Inhaltstext  (lizenzpflichtig)
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  • 15
    ISBN: 9783865024947
    Language: German
    Pages: 159 Seiten , 28 x 24 cm
    DDC: 709.040074434167
    RVK:
    Keywords: Felsbild ; Abstrakte Kunst ; Bildband ; Ausstellungskatalog Hessisches Landesmuseum Darmstadt 24.03.2023-25.06.2023 ; Aufsatzsammlung ; Ausstellungskatalog Hessisches Landemuseum 24.03.2023-25.06.2023 ; Bildband ; Ausstellungskatalog Hessisches Landemuseum 24.03.2023-25.06.2023 ; Bildband ; Bildband ; Ausstellungskatalog Hessisches Landesmuseum Darmstadt 24.03.2023-25.06.2023 ; Aufsatzsammlung ; Bildband ; Ausstellungskatalog, Hessisches Landesmuseum Darmstadt, 24.03.2023-25.06.2023, Darmstadt ; Aufsatzsammlung ; Frobenius, Leo 1873-1938 ; Felsbild ; Kopie ; Sammlung ; Frobenius-Institut ; Rezeption ; Kunst ; Geschichte 1930-1982 ; Frobenius, Leo 1873-1938 ; Sammlung ; Felsbild ; Rezeption ; Moderne ; Kunst ; Geschichte 1930-1980
    Note: Impressum: "Diese Publikation erscheint anläßlich der Ausstellung 'Urknall der Kunst. Moderne trifft Vorzeit' Hessisches Landesmuseum Darmstadt 24. März bis 25. Juni 2023"
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 16
    ISBN: 9783933726698
    Language: German
    Pages: 111 Seiten , Illustrationen
    Keywords: Haus der Geschichte Baden-Württemberg ; Auswanderung ; Auswanderer ; Persönlichkeit ; Baden ; Württemberg ; Stuttgart ; Ausstellungskatalog Haus der Geschichte Baden-Württemberg 17.11.2023-28.07.2024 ; Baden-Württemberg ; USA ; Einwanderung ; Geschichte
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 17
    ISBN: 9783860600603 , 9783777441139 , 3777441139
    Language: German , English
    Pages: 317 Seiten , 25 cm
    DDC: 709.171709431
    RVK:
    Keywords: Ausstellungskatalog Museum der bildenden Künste Leipzig 18.05.2023-10.09.2023 ; Aufsatzsammlung ; Ausstellungskatalog Museum der bildenden Künste Leipzig 18.05.2023-10.09.2023 ; Aufsatzsammlung ; Sozialistische Staaten ; Künstler ; Zuwanderung ; Deutschland ; Kunsthochschule ; Geschichte ; Deutschland ; Internationale Politik ; Kulturaustausch ; Sozialistische Staaten ; Geschichte ; Museum der Bildenden Künste Leipzig ; Kunst ; Ausstellung ; Geschichte 2023 ; Deutschland ; Internationale Politik ; Museum der Bildenden Künste Leipzig ; Hochschule für Grafik und Buchkunst Leipzig ; Künstler ; Zuwanderung ; Geschichte 1949-1989
    Abstract: An den Kunsthochschulen der DDR studierten ausländische Künstlerinnen und Künstler aus den Sozialistischen Bruderländern wie Ägypten, Äthiopien, Israel oder Uruguay. Was wurde aus ihnen und warum tauchen sie in den Rückschauen zur DDR-Kunst nicht auf? Ihre Werke rücken nun ins Zentrum. Zugleich werden die Einwanderungsgeschichte und die Erinnerung an die Wiedervereinigung aus der Perspektive ostdeutscher Migrant*innen erzählt. Positionen junger Künstler*innen of Color der zweiten und dritten Generation mit biografischem Bezug zur DDR ergänzen die aktuelle Perspektive.
    Note: "Diese Publikation erscheint anlässlich der Ausstellung 'Re-Connect. Kunst und Kampf im Bruderland', Museum der bildenden Künste Leipzig, 18. Mai bis 10. September 2023. This catalogue is published on the occasion of the exhibition 'Re-Connect. Art and Conflict in Brotherland', Museum der bildenden Künste Leipzig, 18 May - 10 September 2023" (Impressum) , Text deutsch und englisch
    URL: Cover
    URL: Cover
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  • 18
    ISBN: 9783946217336 , 3946217338
    Language: English , German
    Pages: 343 Seiten , Illustrationen , 27 cm x 22 cm
    Parallel Title: Erscheint auch als
    DDC: 306.094370904
    RVK:
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    Keywords: Geschichte ; Kulturaustausch ; Kunst ; Kultur ; Migration ; Migration ; Migration ; Kulturgeschichte ; Kulturaustausch ; Geschichte ; Kunst ; Globalisierung ; Einwanderung ; Auswanderung ; Ausstellung ; Ausstellungskatalog Germanisches Nationalmuseum 30.03.2023-10.09.2023 ; Ausstellungskatalog Germanisches Nationalmuseum 30.03.2023-10.09.2023 ; Ausstellungskatalog Germanisches Nationalmuseum 30.03.2023-10.09.2023 ; Aufsatzsammlung ; Ausstellungskatalog Germanisches Nationalmuseum 30.03.2023-10.09.2023 ; Ausstellungskatalog Germanisches Nationalmuseum 30.03.2023-10.09.2023 ; Aufsatzsammlung ; Ausstellungskatalog Germanisches Nationalmuseum 30.03.2023-10.09.2023 ; Aufsatzsammlung ; Migration ; Kulturaustausch ; Geschichte ; Migration ; Kunst ; Kultur ; Geschichte
    Note: Impressum: Die Online-Version dieser Publikation ist auf https://www.arthistoricum.net dauerhaft frei verfügbar (Open Access) , Text deutsch und englisch
    URL: Cover
    URL: Cover
    URL: Cover
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  • 19
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    New Brunswick ; Camden ; Newark ; London ; Oxford : Rutgers University Press
    ISBN: 9781978824652 , 9781978824669
    Language: English
    Pages: xv, 161 Seiten
    Uniform Title: The souls of black folk
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.8960730207
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    Keywords: Soziale Situation ; Rassendiskriminierung ; Schwarze ; USA ; Comic ; Comic ; Comic ; Comic ; Comic ; USA ; Rassendiskriminierung ; Schwarze ; Soziale Situation
    Abstract: With Souls of Black Folk (first published in 1903), W.E.B. Du Bois famously set forth his analysis of the folk culture, including religious folk culture, that would be the basis for future progress. In doing so, he pleaded for education and a new sensibility. But he made clear that the promise of these would not come from the outside
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  • 20
    ISBN: 9781350195929 , 9781350195936
    Language: English
    Pages: xiii, 394 Seiten , Illustrationen , 24 cm
    Edition: Second edition
    DDC: 306.0952
    Keywords: Popular culture History ; Popular culture Political aspects ; History ; Japan Civilization ; Japan Intellectual life ; Japan Social life and customs ; Japan ; Volkskultur ; Massenkultur ; Geschichte 1600-2017
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  • 21
    ISBN: 1642832618 , 9781642832617
    Language: English
    Pages: xiv, 239 Seiten , Illustrationen, Karten , 23 cm
    DDC: 303.48320973
    Keywords: Express highways Social aspects ; Roads Design and construction ; Social aspects ; City planning ; City planning ; Express highways - Social aspects ; United States ; USA ; Städtebaupolitik ; Autobahnbau ; Auswirkung ; Rassismus
    Abstract: Justice and the Interstates examines the toll that the construction of the U.S. Interstate Highway System has taken on vulnerable communities over the past seven decades, details efforts to restore these often- segregated communities, and makes recommendations for moving forward. It opens up new areas for historical inquiry, while also calling on engineers, urban planners, transportation professionals, and policymakers to account for the legacies of their practices
    Note: Includes bibliographical references and index , Introduction: How Can a Highway be Racist? , The Myth and the Truth about Interstate Highways / , The Interstates, Racism, and the Need for Truth and Reconciliation: The Case of Highway Routing in Alabama / , Overton Park: The Race and Class Politics of Environmentalism, Historic Preservation, and Highway Construction / , Milwaukee's Freeway Fights: Lessons from Building and Rebuilding / , The Perils of Civic Participation: Community Engagement and Interstate Planning in Baltimore / , Right in the Way: Generations of Highway Impacts in Houston / , Latino Interchanges: Greater East Los Angeles in the Freeway Era / , A Contemporary Path to Transportation Justice in Rondo / , Guerrilla in the Room / , Conclusion: Never Again Is Now: The Transportation Professions' Responsibility to Work Toward Justice /
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  • 22
    ISBN: 9781467148719 , 1467148717
    Language: English
    Pages: 174 Seiten , Illustrationen, Karten , 23 cm
    DDC: 973.7115
    Keywords: 1800-1899 ; Underground Railroad ; Fugitive slaves History 19th century ; Fugitive slaves Biography ; Antislavery movements History 19th century ; Antislavery movements ; Fugitive slaves ; Underground Railroad ; Biographies ; History ; Maryland ; United States ; Biografie ; Biografie ; Maryland ; Underground Railroad ; Sklave ; Flüchtling ; Geschichte 1824-1850
    Abstract: "Maryland was the starting point of many unsung heroes of the Underground Railroad. Freedom seekers embarked on the perilous journey from slavery to freedom in whatever way they could. John Thompson signed onto a whaling ship. James Watkins sailed to England and became a lecturer on slavery. Hester Norman fled, was caught and was rescued by the Black community in her husband’s Pennsylvania town. They used ruses and found allies to elude slave catchers but lived in constant fear until they obtained their freedom papers. In their adventures, these freedom seekers used initiative, determination and courage. These qualities served them well as they achieved freedom. Jenny Masur tells their stories." -- From the publisher's website
    Note: Includes bibliographical references (pages [165]-170) and index , Setting a Legal Precedent , Alexander Helmsley (Queen Anne's), Mid-1820s , Curious Places of Refuge , Moses Viney (Talbot), 1840 , Basil Dorsey (Frederick), 1836 , Crossing the Wide Waters , John Thompson (Southern Maryland), 1835 , James Watkins (Baltimore County), 1844 , Retaliation for Achieving Freedom , Matilda and Richard Neal (Anne Arundel), 1849 and 1853 , A Network of African American Underground Railroad Agents , Isaac Mason (Kent), 1846 , Rescues from Slave Catchers , Hester Norman (Washington), 1847 , James Hamlet (Baltimore County), 1850.
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  • 23
    ISBN: 9780774890649
    Language: English
    Pages: 255 Seiten , Illustrationen , 28 cm
    DDC: 704.03/96071
    RVK:
    Keywords: Art, Black ; Artists, Black History ; Black people History ; Art museums Curatorship ; Social aspects ; Art noir - Canada ; Artistes noirs - Canada - Histoire ; Personnes noires - Canada - Histoire ; Musées d'art - Conservation - Aspect social - Canada ; Art, Black ; Artists, Black ; Black people ; History ; Canada ; Canada History ; Aufsatzsammlung ; Canada History ; Aufsatzsammlung ; Kanada ; Kunst ; Künstler ; Person of Color ; Geschichte 2000- ; Kanada ; Schwarze ; Kunst ; Schwarzenbild ; Museum ; Kulturelle Einrichtung ; Kunstgeschichtsschreibung ; Geschichte
    Abstract: "Making History is an unprecedented reflection on the positioning of Black history and art within the Canadian cultural landscape. Featuring boundary-breaking artists and others from the art world, Making History brings together poems, artist statements, and art portfolios that showcase a careful and thoughtful understanding of Black aesthetics. This beautifully illustrated book also discusses the presence of Black contemporary art in Canadian institutions and offers artistic perspectives on contemporary and historical art practices. The many voices and points of view within this publication present ideas that corroborate the state of cultural emergency in which we are living, where museums are rethinking and rewriting the stories of their collections. The book explores alternate ways of approaching the relationship between institutions, artists, and audiences, emphasizing the significance of collaboration, resisting hierarchical and hegemonic curatorial practices, and making room for multiple perspectives to bring about transformative change. Through powerful essays and striking visual art, Making History highlights the dynamism and complexity of African and diasporic experiences seen through the lens of museological interventions and artistic practices at large."--
    Note: Includes bibliographical references , Of Africa: A Reflection on "Speaking Back" / , Opening Spaces: Of Africa, Hauntings, Hesitations, and Possible Futures / , The Into the Heart of Africa Exhibition and the Coalition for the Truth about Africa: A Personal Journey / , Lessons Learned from the Heart of Afro-Canada: Into the Heart of Africa 30 Years Later / , A Life in the Day of an Object / , Here We Are Here: Creating in the Black Atlantic / , Sweet Childhood, Art, and Memory / , From Souvenir to How She Read: The Poetry behind the Design / , Between Absence and Presence: The Politics and Poetics of (In)Visibility in the Work of Sandra Brewster / , On Sucking Teeth / , Hoodies and Regimentals: Black Attire and Access in the Canadian Art Museum / , What to Wear in Canada in Winter / , Longing and Belonging: A Personal Journey through Art and Identity / , Singularity and Strangeness: One-on-One with Eddy Firmin / , On Quiet Happiness, Charcoal, Wood, and Metal: Charmaine Lurch's Being, Belonging and Grace / , Esmaa Mohamoud: Playing the Game / , Twisted Together: The Sweet Ironies of Belonging in the Art of Bushra Junaid / , A Self-Portrait of Creation: Depi m sòti nan Ginen / , Digging Us: Making Visible Black Canadian Narratives / , Travelling Exhibition: Here We Are Here at the Montreal Museum of Fine Arts / , Why Are There No Famous Black Canadian Artists? Here We Are Here and How Diversity and Inclusion Trump Aesthetic Critique / , The Pervasive Persistence of Primitivism: Face-to-Face and Exhibition Practices in the 21st Century /
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  • 24
    ISBN: 9789492852885 , 9492852888
    Language: Dutch
    Pages: 507 Seiten , Illustrationen
    Parallel Title: Parallele Sprachausgabe Perrée, Rob, 1947 - A black collage
    DDC: 700.411
    Keywords: USA ; Schwarze ; Kunst ; Museum ; Ausstellung ; Kunstbetrieb ; Geschichte 1990-2023
    Abstract: In dit boek vertelt Rob Perrée zijn geschiedenis met Afrikaans-Amerikaanse kunst. Van 1990 tot 2023. Hij doet dat door middel van een chronologische collage van nieuwe teksten, verbindende teksten, eerder gepubliceerde artikelen, essays, interviews, recensies, columns en korte verhalen. De nieuwe teksten plaatsen de andere in context. Tezamen geven ze de ontwikkeling van de Afrikaans Amerikaanse kunst weer en laten ze zien hoe de appreciatie ervoor en de perceptie ervan in de loop van de tijd is veranderd, in de VS, maar vooral ook in Nederland, bij het publiek, maar ook bij de instituties. Het is een blik achter de schermen die zijn passie voor deze kunst zichtbaar maakt.00Rob Perrée is kunsthistoricus, onafhankelijk schrijver en curator, oprichter van het online tijdschrift Africanah.org. Zijn artikelen zijn verschenen in diverse (kunst)tijdschriften, kranten en catalogi. Hij woont en werkt in Amsterdam en Brooklyn
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  • 25
    ISBN: 9783035626926
    Language: German , English
    Pages: 417 Seiten
    DDC: 707.4
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    Keywords: MAK - Österreichisches Museum für Angewandte Kunst / Gegenwartskunst ; Verkleidung ; Fotografie ; Künstlerfest ; Festdekoration ; Kunst ; Fest ; Ausstellungskatalog MAK - Österreichisches Museum für Angewandte Kunst 14.12.2022-07.05.2023 ; Bildband ; Ausstellungskatalog MAK 14.12.2022-07.05.2023 ; Aufsatzsammlung ; Bildband ; Ausstellungskatalog MAK 14.12.2022-07.05.2023 ; Aufsatzsammlung ; Ausstellungskatalog MAK - Österreichisches Museum für Angewandte Kunst 14.12.2022-07.05.2023 ; Ausstellungskatalog MAK - Österreichisches Museum für Angewandte Kunst / Gegenwartskunst 14.12.2022-07.05.2023 ; Kunst ; Fotografie ; Fest ; Festdekoration ; Verkleidung ; Festdekoration ; MAK - Österreichisches Museum für Angewandte Kunst / Gegenwartskunst ; Künstlerfest
    Note: Impressum: "THE FEST. Zwischen Repräsentation und Aufruhr". Erschienen anlässlich der gleichnamigen Ausstellung im MAK, Wien, 14.12.2022 - 7.5.2023 , Text deutsch und englisch
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  • 26
    ISBN: 9781984859433
    Language: English
    Pages: 283 Seiten , 27 cm
    Edition: First graphic edition
    Parallel Title: Erscheint auch als
    DDC: 741.5973
    Keywords: Rassismus ; Ethnische Beziehungen ; Soziale Gerechtigkeit ; Rassendiskriminierung ; Schwarze ; USA ; Racism / United States / History / Comic books, strips, etc ; United States / Race relations / Comic books, strips, etc ; Race discrimination / Political aspects / United States / Comic books, strips, etc ; Race discrimination / Economic aspects / United States / Comic books, strips, etc ; African Americans / Social conditions / History / Comic books, strips, etc ; African Americans / Social conditions / Comic books, strips, etc ; Racism against Black people / United States / Comic books, strips, etc ; Anti-racism / Comic books, strips, etc ; Social justice / Comic books, strips, etc ; Race Relations / history ; Black or African American ; Social Conditions / history ; Educational comics ; Graphic novel adaptations ; Comic ; Comic ; Comic ; USA ; Schwarze ; Rassismus ; Rassendiskriminierung ; Soziale Gerechtigkeit ; Ethnische Beziehungen
    Abstract: "A comprehensive history of anti-black racism in graphic-novel format focuses on the lives of five major players in American history and highlights the debates that took place between assimilationists and segregationists and between racists and anti-racists."--
    Note: Includes index , Cotton Mather -- , Thomas Jefferson -- , William Lloyd Garrison -- , W.E.B. Du Bois -- , Angela Davis
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  • 27
    ISBN: 9783961821426 , 3961821429
    Language: German
    Pages: 296 Seiten , Illustrationen , 24 cm x 17 cm
    Series Statement: Medienwissenschaften 21
    Series Statement: Reihe Medienwissenschaft
    Parallel Title: Erscheint auch als Herold, Marc Wirklichkeitsmodelle und Postfaktizität
    Dissertation note: Dissertation Universität Siegen 2023
    DDC: 302.2301
    RVK:
    Keywords: Hochschulschrift ; Medienphilosophie ; Erkenntnistheorie ; Wahrheit ; Wirklichkeit
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 28
    ISBN: 9783944193243
    Language: German , English
    Pages: 131 Seiten , Illustrationen
    DDC: 700
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    Keywords: Ausstellungskatalog Museum am Rothenbaum 08.09.2023-25.02.2024 ; Ausstellungskatalog Museum am Rothenbaum 08.09.2023-25.02.2024 ; Ausstellungskatalog Museum am Rothenbaum 08.09.2023-25.02.2024 ; Ausstellungskatalog Museum am Rothenbaum 08.09.2023-25.02.2024 ; Lappland ; Samen ; Kultur ; Handwerk ; Ethnologisches Museum ; Provenienzforschung ; Samen ; Völkerkundliche Schaustellung ; Hagenbecks Tierpark ; Samen ; Kultur ; Rezeption ; Kunst
    Note: 08.09.2023-25.02.2024, Museum am Rothenbaum - Kulturen und Künste der Welt (MARKK) "Das Land spricht. Sámi Horizonte" , Text deutsch und englisch
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  • 29
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    Edinburgh : NMS Enterprises Limited - Publishing
    ISBN: 9781910682272 , 1910682276
    Language: English
    Pages: 159 Seiten , 27 cm
    DDC: 391.72
    Keywords: 1900-2099 ; Fashion Exhibitions History 20th century ; Fashion Exhibitions History 21st century ; Dresses Exhibitions ; Black ; Black ; Dresses ; Fashion ; exhibition catalogs ; Exhibition catalogs ; History ; Ausstellungskatalog ; Ausstellungskatalog ; National Museum of Scotland ; Kleid ; Mode ; Schwarz
    Note: "This publication was developed alongside the exhibition 'Beyond the little black dress', 1 July-29 October 2023 (at National Museum of Scotland, ..., Edinburgh ...)" -- Colophon , Includes bibliographical references and index
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  • 30
    ISBN: 9788833403762 , 9788833404127
    Language: Italian
    Pages: 399 Seiten , Illustrationen , 30 cm
    Parallel Title: Parallele Sprachausgabe The Jews, the Medici, and the ghetto of Florence
    DDC: 709
    Keywords: Ausstellungskatalog Le Gallerie degli Uffizi 24.10.2023-28.01.2024 ; Aufsatzsammlung ; Ausstellungskatalog Le Gallerie degli Uffizi 24.10.2023-28.01.2024 ; Aufsatzsammlung ; Medici Familie : 13.-18. Jahrhundert ; Florenz ; Juden ; Getto ; Kunst ; Kultur ; Geschichte 1420-1800
    Abstract: La mostra "Gli ebrei, i Medici e il Ghetto di Firenze" ha un doppio valore, storico e culturale. I secoli di vita del ghetto rappresentano il capitolo centrale della storia della presenza ebraica a Firenze, caratterizzato da norme di segregazione ed al contempo simbolo di una forma di "inclusione" ufficiale nel tessuto civico di Firenze: il ghetto si trovava di fronte al Mercato Vecchio (oggi piazza della Repubblica), allora cuore pulsante del commercio cittadino. Il ghetto fu uno strumento di oppressione ma anche, paradossalmente un luogo ove si permise la vita e la crescita della comunità. Si tratta senz'altro di un periodo la cui conoscenza, nonostante la demolizione e la cancellazione della memoria fisica dei luoghi, è necessaria per comprendere dinamiche e caratteristiche del rapporto fra la minoranza ebraica e la città. Compongono il catalogo una corposa sezione di saggi, le schede delle cento opere in mostra e gli schemi e le planimetrie urbanistiche del ghetto di Firenze
    Note: Mostra: "Gli ebrei, i Medici e il ghetto di Firenze. Storie e identità tra cultura e segregazione", Firenze, Le Gallerie degli Uffizi, Palazzo Pitti, 24 ottobre 2023-28 gennaio 2024
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  • 31
    ISBN: 9783422990753 , 3422990755
    Language: German
    Pages: 127 Seiten
    DDC: 305.8975253
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    Keywords: Ausstellungskatalog Humboldt Forum, Berliner Schloss 2022-2023 ; Ausstellungskatalog Humboldt Forum, Berliner Schloss 2022-2023 ; Ausstellungskatalog Humboldt Forum, Berliner Schloss 2022-2023 ; Ausstellungskatalog Humboldt Forum, Berliner Schloss 2022-2023 ; Ethnologisches Museum Berlin ; La Flesche, Francis 1857-1932 ; Sammlung ; Omaha ; Kultur ; Kultgegenstand ; Kunst ; Fotografie ; Geschichte 1850-1930 ; Ethnologisches Museum Berlin Fachreferat Amerikanische Archäologie ; La Flesche, Francis 1857-1932 ; Sammlung ; Omaha ; Kultur ; Kultgegenstand ; Kunst ; Fotografie ; Geschichte 1850-1930
    Note: Impressum: "Dieses Buch erscheint anlässlich der Ausstellung 'Gegen den Strom. Die Omaha, Francis La Flesche und seine Sammlung' im Humboldt Forum Berlin, 2022-2023"
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 32
    ISBN: 9788775512003
    Language: English
    Pages: 221 Seiten , Illustrationen
    Keywords: Ausstellungskatalog SMK - The National Gallery of Denmark 27.05.2023-05.11.2023 ; Aufsatzsammlung ; Statens Museum for Kunst ; Europa ; Barock ; Kunst ; Geschichte 1600-1700
    Note: Impressum: "Exhibition 'BAROQUE - Out of Darkness', 27. May-5 November 2023, SMK - The National Gallery of Denmark"
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  • 33
    ISBN: 9789462625389
    Language: English
    Pages: 135 Seiten , Illustrationen , 29 cm
    Additional Material: 1 Beilage
    DDC: 700
    RVK:
    Keywords: Ausstellungskatalog Staatliche Kunstsammlungen Dresden ; 06.05.2023-10.09.2023 ; Ausstellungskatalog Museum de Fundatie ; 14.10.2023-28.01.2024 ; Aufsatzsammlung ; Staatliche Kunstsammlungen Dresden ; Fotografie ; Ausstellung ; Geschichte 2023 ; Ukraine ; Kunst ; Geschichte 1920-2023
    Note: Ausstellungsdaten der Dresdner Ausstellung im Internet ermittelt: "Kaleidoscope of (Hi)stories. Ukrainian Art 1912–2023", 06/05/2023—10/09/2023 , Seite 134: This book is published to accompany the eponymous exhibition in Museum de Fundatie Zwolle from October 14, 2023 to January 28, 2024
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  • 34
    ISBN: 9783868598742 , 386859874X
    Language: German
    Pages: 159 Seiten , Illustrationen
    Parallel Title: Parallele Sprachausgabe
    DDC: 307.762
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    Keywords: Tribsees ; Leerstand ; Stadtsanierung ; Kunst ; Projekt ; Einwohner ; Beteiligung ; Tribsees ; Stadtplanung
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  • 35
    ISBN: 1350341061 , 9781350341067 , 9781350341050 , 1350341053
    Language: English
    Pages: xi, 522 Seiten , Illustrationen , 24 cm
    Uniform Title: Eros, Wollust, Sünde: Sexualität in Europa von der Antike bis in die Frühe Neuzeit
    DDC: 306.709409
    Keywords: To 1500 ; Sex History To 1500 ; Sex ; History ; Early modern history: c 1450/1500 to c 1700 ; European history ; Europäische Geschichte ; HISTORY / Ancient / General ; HISTORY / Europe / General ; HISTORY / Medieval ; Medieval history ; SOC065000 ; Sex und Sexualität, soziale Aspekte ; Social & cultural history ; Sozial- und Kulturgeschichte ; Europe
    Abstract: How did sexual relationships work before, in and outside of marriage in the pre-modern era? What problems did contraception and sexually transmitted diseases pose? How did people deal with prostitution and pornography back then? What were the possibilities for same-sex and queer desire and practice? Using numerous examples and sources from across the continent, Sexuality in Premodern Europe shows that even in earlier centuries, sexual life had an elementary significance for the coexistence of couples and communities. It was just as decisive for how individuals saw themselves and others as it was for maintaining the social, economic and political order.Franz X. Eder interestingly emphasises the socio-historical view of sexuality, offering an apt foil for the cultural perspective which is so prevalent in the field. In this book, sexual behaviour is understood and thought about as social practice. From this vantage point, Eder deals with the function of the sexual in upbringing and socialization, its significance for the image of men and women, its role in marriage initiation, and the importance of sexual life for marital relationships and concubinage.Deviant and discriminated sexual forms such as prostitution, pornography and same-sex acts are also addressed throughout. The book explores the ways in which many people gained sexual experiences before, besides or beyond marriage, even if these experiences were forbidden in former societies. While research into the history of sexuality has so far dealt with such forms of the sexual primarily from the point of view of regulation and sanctioning, here they are understood as positive' practices that allowed people to understand and take ownership of their sexual desire
    Abstract: List of IllustrationsPreface1. Introduction2. Reign of the Phallus: Greek Antiquity3. Infamia and Pudicitia: Roman Antiquity4. How the Evil Thorn Pierced the Flesh: Judaism and Early Christianity5. Contradictory Sexual Worlds in the Middle Ages6. Reformation and Discipline: 15th to 17th Century7. CodaBibliography Index
    Note: Literaturverzeichnis: Seite 407-506
    URL: Cover  (lizenzpflichtig)
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  • 36
    ISBN: 9783731912590
    Language: German
    Pages: 248 Seiten , 31 cm
    DDC: 709.430744947325
    Keywords: Ausstellungskatalog Kirchner Museum Davos 12.02.2023-24.09.2023 ; Ausstellungskatalog Museum Ostwall im Dortmunder U 28.10.2023-18.02.2024 ; Ausstellungskatalog Kunstmuseum Moritzburg Halle (Saale) 17.03.2024-23.06.2024 ; Bildband ; Deutschland ; Kunst ; Expressionismus ; Geschichte 1906-1938 ; Horn, Rolf 1912-1995 ; Horn, Bettina 1939- ; Sammlung ; Horn, Rolf 1912-1995 ; Horn, Bettina 1939- ; Sammlung ; Expressionismus ; Kunst ; Geschichte 1900-1930
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 37
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    Memphis, Tennessee : Dixon Gallery and Gardens | New Haven : Yale University Press
    ISBN: 9780300273465
    Language: English
    Pages: 143 Seiten , Illustrationen , 29 cm
    RVK:
    Keywords: Porter, James A Exhibitions ; Simpson, Merton D Exhibitions ; African American art Exhibitions 20th century ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Kunst ; Schwarze ; Geschichte 1950-1980
    Abstract: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Description / Table of Contents: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone.
    Note: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index
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  • 38
    ISBN: 9783837664072
    Language: German
    Pages: 267 Seiten , Illustrationen, Diagramme , 22.5 cm x 14.8 cm, 468 g
    Series Statement: !1462471617!Edition Moderne Postmoderne
    Parallel Title: Erscheint auch als Krumme, Julia, 1975 - Die performative Oberflächlichkeit der Dinge
    Dissertation note: Dissertation Hochschule für Philosophie München 2021/2022
    DDC: 305.301
    RVK:
    Keywords: Hochschulschrift ; Design ; Feminismus ; Geschlechterverhältnis ; Macht ; Ästhetik ; Performativität ; Feminismus ; Geschlechterrolle ; Design
    Abstract: Die Einsicht, dass Sprache performativ Geschlecht herstellen kann, markiert seit langem den Kern des feministischen Mainstreams. Welche Rolle Alltagsgegenstände bei der Produktion spielen, ist in der Forschung bisher allerdings ein blinder Fleck. Eingebettet in das Feld des diskursiven Konstruktivismus und im Anschluss an Judith Butler und Michel Foucault zeigt Julia Krumme, welche affirmativ und subversiv performativen Möglichkeiten die Oberflächen gestalteter Objekte in sich bergen. Durch ihre interdisziplinäre Auseinandersetzung mit produktsprachlichen Theorien ermöglicht sie den Blick auf potenzielle Erweiterungen des Design-Begriffs.
    Abstract: Cover -- Inhalt -- Abbildungs- und Tabellenverzeichnis -- Siglenverzeichnis - Werke von Judith Butler -- Danksagung -- 1 Einleitung -- 1.1 Feministische Perspektiven: Post(‑)feminismus, Pop(‑)feminismus und die Hyperästhetisierung des alltäglichen Lebens -- 1.2 Makro‑, Meso- und Mikroebene der Analyse -- 1.3 Forschungsfrage -- 1.4 Theoretischer Bezugsrahmen -- 1.4.1 Diskursiver Konstruktivismus als theoretische Grundlage -- 1.4.2 Praxistheoretische Ergänzung - Konsum als Kulturleistung und soziale Praxis -- 1.4.3 Poststrukturalistische Ergänzungen - gegen den »horror materiae« -- 1.5 Erwartete Ergebnisse und vorzunehmende Abgrenzungen -- 1.5.1 Ziel der Arbeit -- 1.5.2 Abgrenzungen des Gegenstandsbereichs -- 1.6 Aufbau der Arbeit und Anordnung der Kapitel -- 1.7 Implikationen und Anschlussmöglichkeiten -- 1.7.1 Unvermeidbarkeit von Ausschlüssen -- 1.7.2 Erweiterung des Design-Begriffs - Gestaltungs-»Netzwerke« -- 2 »Geschlecht« - Drei Dimensionen einer Phänomenbeschreibung -- 2.1 Alltagsweltliche Grundannahmen und Architektur des »Geschlechterverhältnisses« -- 2.2 Geschichtliche Perspektive: Differenztheoretische Überlegungen -- 2.2.1 Antike -- 2.2.2 Bürgerliche Moderne -- 2.2.3 Second Wave Feminism -- 2.2.4 Kritik der differenztheoretischen Überlegungen -- 2.3 Historisch‐kulturelle Perspektive: »soziales Geschlecht« als Konstruktion -- 2.3.1 Trennung von Sex und Gender -- 2.3.2 Jenseits der Unterscheidung von »Geschlecht« und »Geschlechtsidentität« -- 3 »Geschlecht« als umfassende Konstruktion -- 3.1 Struktur des Kapitels und ideengeschichtlicher Hintergrund -- 3.1.1 »Geschlecht« - Sex und/oder Gender? -- 3.1.2 Variabilität der biologischen Grundlage -- 3.1.3 Unerfüllbarkeit des eigenen Anspruchs und implizite Binarität -- 3.1.4 Konsequenzen -- 3.2 »Geschlecht« als das »radikal Konstruierte« -- 3.3 »Geschlecht« - eine zentrale soziale Kategorie.
    Note: Bibliographie: Seite 245-267
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 39
    ISBN: 9780300272963
    Language: English
    Pages: 263 Seiten
    DDC: 702.81/20973
    RVK:
    Keywords: African American collage Exhibitions 21st century ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; USA ; Collage ; Person of Color ; Geschichte 1960- ; USA ; Schwarze ; Collage ; Geschichte 1980-2023
    Abstract: "The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"--
    Description / Table of Contents: Hurston's Law, or a Philosophy of Display / Richard J. Powell, PhD -- Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists / Patricia Hills -- Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories / Rebecca VanDiver, PhD -- Pon tu mano con la mía: Rhizomatic Pathways and Collage / María Elena Ortiz -- Meditations on the Multivalence of Black Womanhood / Valerie Cassel Oliver -- Minor Figures, Continuous Tension / Tiffany E. Barber, PhD -- also also also and and and: Digital Stitches and the Collage as Glitch / Anita N. Bateman, PhD.
    Note: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references
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  • 40
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    Durham : Duke University Press
    ISBN: 9781478025382 , 9781478020615
    Language: English
    Pages: xii, 267 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als Omelsky, Matthew Fugitive time
    Parallel Title: Erscheint auch als Omelsky, Matthew Fugitive Time
    Parallel Title: Erscheint auch als Omelsky, Matthew Fugitive Time
    RVK:
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    Keywords: Aesthetics, Black ; Time in literature ; Time and art ; Aesthetics in literature ; Literature Black authors ; Artists, Black ; Authors, Black ; Utopias in literature ; SOCIAL SCIENCE / Black Studies (Global) ; LITERARY CRITICISM / Semiotics & Theory ; Schwarze ; Person of Color ; Kunst ; Zeit
    Abstract: "In Fugitive Time, Matthew Omelsky theorizes the embodied experience of time in twentieth- and twenty-first-century black artforms from across the world. Through the lens of time, he charts the sensations and coursing thoughts that accompany desires for freedom as they appear in the work of artists as varied as Toni Morrison, Yvonne Vera, Aimé Césaire, and Issa Samb. "Fugitive time" names a distinct utopian desire directed at the anticipated moment when the body and mind have been unburdened of the violence that has consumed black life globally for centuries, bringing with it a new form of being. Omelsky shows how fugitive time is not about attaining this transcendent release, but instead sustaining the idea of it as an ecstatic social gathering. From the desire for ethereal queer worlds in the Black Audio Film Collective's Twilight City to Sun Ra's transformation of nineteenth-century scientific racism into an insurgent fugitive aesthetic, Omelsky shows how fugitive time evolves and how it remains a dominant form of imagining freedom in global black cultural expression"--
    Description / Table of Contents: Black Beyondness -- Toni Morrison's Anachronic Ease -- Aimé Césaire, Wifredo Lam, and the Aesthetics of Surging Life -- Black Audio's Archival Flight -- Sun Ra, Issa Samb, and the Drapetomaniacal Avant-Garde -- Yvonne Vera, NoViolet Bulawayo, and the Imminence of Dreaming Air -- Fugitive Ether.
    Note: Includes bibliographical references and index
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  • 41
    ISBN: 9789054500278
    Language: German , English
    Pages: 296 Seiten , Illustrationen
    RVK:
    Keywords: Schick, Anton ; Schick, Katharina ; Ethnografika ; Kunst ; Sammlung ; Bildband
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  • 42
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    Fredericton, New Brunswick : Goose Lane Editions | Toronto, Ontario : Art Gallery of Ontario
    ISBN: 9781773102023 , 1773102028
    Language: English , Ojibwa
    Pages: 265 Seiten , Illustrationen , 26 cm
    DDC: 704.03/97071
    Keywords: Indigenous art Exhibitions ; Art, Canadian Exhibitions ; Art autochtone - Canada - Expositions ; ART ; ART / Canadian ; ART / Collections, Catalogs, Exhibitions / Permanent Collections ; ART / History / Canadian ; ART / Museum Studies ; Art, Canadian ; Indigenous art ; exhibition catalogs ; Exhibition catalogs ; Exhibition catalogs ; Catalogues d'exposition ; Canada ; Ausstellungskatalog Art Gallery of Ontario ; Art Gallery of Ontario ; Ausstellung ; Indigenes Volk ; Minderheit ; Nationale Minderheit ; Kunst ; Kanada
    Abstract: "Moving the museum : indigenous & Canadian Art at the AGO documents the reopening of the J.S. McLean Centre for Indigenous & Canadian Art with a renewed focus on the AGO's Indigenous art collection. The volume reflects the nation to nation treaty relationship that is the foundation of Canada, asking questions, discovering truths, and leading conversations that address the weight of history. Lavishly illustrated with more than 100 reproductions, Indigenous & Canadian Art at the AGO features the work of First Nations artists--including Carl Beam, Rebecca Belmore, and Kent Monkman--along with work by Inuit artists like Shuvinai Ashoona and Annie Pootoogook. Canadian artists include Lawren Harris, Kazuo Nakamura, Joyce Wieland, and many others. Drawing from stories about our origins and identities, the featured artists and essayists invite readers to engage with issues of land, water, transformation, and sovereignty and to contemplate the historic representation of Indigenous and Canadian art in museums. Contains a list of works at the back."--
    Note: Catalogue of an exhibition held at the Art Gallery of Ontario's J.S. McLean Centre for Indigenous + Canadian Art beginning June 30, 2018 , Ausstellungsdaten von der Webseite der Art Gallery of Ontario ermittelt , Includes bibliographical references , In English with some Anishinaabemowin (Ojibwa) text
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  • 43
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    London : Royal Collection Trust
    ISBN: 9781909741850
    Language: English
    Pages: 343 Seiten , 30 cm
    DDC: 391.0094109033
    Keywords: 1700-1899 ; Fashion History 18th century ; Fashion History 19th century ; Fashion in art ; Fashion Exhibitions History 18th century ; Fashion Exhibitions History 19th century ; Fashion in art Exhibitions ; Fashion ; Fashion in art ; Exhibition catalogs ; History ; Great Britain ; Ausstellungskatalog Queen's Gallery 2023 ; Bildband ; Royal Collection ; Großbritannien ; Mode ; Kleidung ; Geschichte 1714-1830 ; Royal Collection ; Großbritannien ; Malerei ; Mode ; Geschichte 1714-1830
    Note: Letzte Seite: "Published on the occasion of the exhibition Style & Society: Dressing the Georgians at The Queen's Gallery, Buckingham Palace, London, in 2023."
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  • 44
    ISBN: 9782370742254 , 2370742259
    Language: French
    Pages: 223 pages , illustrations , 26 cm
    DDC: 668
    Keywords: Perfumes Social aspects ; History ; Perfumes Religious aspects ; Senses and sensation in art ; Sens et sensations dans l'art ; Parfums - Aspect religieux ; exhibition catalogs ; Exhibition catalogs ; Catalogues d'exposition
    Abstract: Cet ouvrage explore la culture du parfum dans le monde arabe, de l?Antiquité à nos jours. Le parfum y jouit en effet d?une considération notable, très ancienne et riche d?implications. Dès l?Antiquité, l?Arabie est au coeur des échanges de matières olfactives. Terre d?origine de l?encens et de la myrrhe, elle fut aussi l?espace de transit des épices et aromates amenés depuis les confins orientaux du monde connu. Elle alimenta en produits odoriférants les mondes égyptiens et romains qui en étaient particulièrement friands. À ces traditions historiques et commerciales, s?ajoute le goût prononcé du prophète de l?islam pour les parfums. Ne disait-il pas qu?il n?aimait rien tant que les femmes, les parfums et la prière ? Aussi la civilisation arabo-musulmane est-elle une civilisation des senteurs : les parfums baignent la vie de chacun et imprègnent des pratiques aussi bien sociales qu?intimes très largement répandues.000Exhibition: Institut du Monde Arabe, Paris (26.09.2023-11.02.2024)
    Note: Foreword by Jack Lang , Catalogue for an exhibition at the l'Institut du monde arabe, Paris, from the 25th September, 2023-17 March 2024 , Includes bibliography (pages 220-223)
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  • 45
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    [S.l.] : SKIRA RIZZOLI
    ISBN: 885724802X , 9788857248028 , 8857248038 , 9788857248035
    Language: English
    Pages: 208 pages , illustrations , 28 cm
    DDC: 305.906918
    Keywords: Pastoral systems ; Pastoral systems ; Pastoral systems ; Nomads History ; Nomads History ; Nomads History ; Nomads ; Pastoral systems ; History ; Eurasia ; Persian Gulf ; Sahara
    Note: Catalog of an exhibition held at the National Museum of Qatar, Doha, Qatar, October 27-January 14, 2023 , Joint ed , Includes bibliographical references (pages 203-205)
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  • 46
    ISBN: 9781636810164 , 1636810160
    Language: English
    Pages: 222 Seiten , 32 x 24 cm
    DDC: 704.0396073
    RVK:
    RVK:
    Keywords: Los Angeles County Museum of Art Catalogs ; Los Angeles County Museum of Art ; African Americans Portraits ; Exhibitions ; Portrait photography Exhibitions ; African Americans in art Exhibitions ; Art, American Exhibitions ; Art Catalogs ; African Americans ; African Americans in art ; Art ; Art, American ; Portrait photography ; Catalogs ; Exhibition catalogs ; California - Los Angeles ; Ausstellungskatalog Los Angeles County Museum of Art 2021-2022 ; Ausstellungskatalog Spelman College 2023 ; Ausstellungskatalog Memphis Brooks Museum of Art 2023-2024 ; Bildband ; Los Angeles County Museum of Art ; Sammlung ; Porträtfotografie ; Person of Color ; USA ; Schwarze ; Kunst ; Bildnis ; Schwarze
    Abstract: Spanning over two centuries from around 1800 to the present day, Black American Portraits chronicles the ways in which Black Americans have used portraiture to envision themselves in their own eyes. Remembering Two Centuries of Black American Art, curated by David C. Driskell at LACMA 45 years ago, this book is a companion to the exhibition of the same name that reframes portraiture to center Black American subjects, sitters and spaces. This selection of approximately 140 works from LACMA's permanent collection highlights emancipation, scenes from the Harlem Renaissance, portraits from the Civil Rights and Black Power eras, multiculturalism of the 1990s and the spirit of Black Lives Matter.0Countering a visual culture that often demonizes Blackness and fetishizes the spectacle of Black pain, these images center love, abundance, family, community and exuberance. Black American Portraits depicts Black figures in a range of mediums such as painting, drawing, prints, photography, sculpture, mixed media and time-based media. In addition to work by artists of African descent, Black American Portraits includes several works by artists of other backgrounds who have exemplified a thoughtfulness about, sensitivity toward and commitment to Black artists, communities, histories and subjects.00Exhibition: Los Angeles County Museum of Art (LACMA), LA, USA (07.11.2021-07.04.2022)
    Note: Seite [224]: Published in conjunction with the exhibition "Black American Portraits". Itinerary Los Angeles County Museum of Art, November 7, 2021-April 17, 2022; Spelman College Museum of Fine Art, January 30-May 14, 2023; Memphis Brooks Museum of Art, September 23, 2023-July 1, 2024 , Artists include: Cedric Adams ; Laura Aguilar ; Alvin Baltrop ; Sadie Barnette ; Richmond Barthé ; Edward Biberman ; John Biggers ; Dannielle Bowman ; Diedrick Brackens ; Mark Bradford ; Kwame Brathwaite ; Frederick J. Brown ; Bisa Butler ; Micaiah Carter ; Jordan Casteel ; Elizabeth Catlett ; Jonathan Lyndon Chase ; Renee Cox ; Njideka Akunyili Crosby ; Kim Dacres ; Bruce Davidson ; Kenturah Davis ; Roy DeCarava ; Beauford Delaney ; Woody De Othelllo ; Emory Douglas ; Stan Douglas ; Sam Doyle ; David C. Driskell ; rafa esparza ; Shepard Fairey ; Kohshin Finley ; Genevieve Gaignard ; Charles Gaines ; Rico Gatson ; Jerrell Gibbs ; Todd Gray ; Chase Hall ; Lauren Halsey ; David Hammons ; Lyle Ashton Harris ; Miki Hayakawa ; William Armfield Hobday ; Reggie Burrows Hodges ; Janna Ireland ; Arthur Jafa ; Lee Jaffe ; Sargent Claude Johnson ; Kahlil Joseph ; Isaac Julien ; Glenn Kaino ; Consuelo Kanaga ; Clifford Prince King ; Jacob Lawrence ; Deana Lawson ; Samella Lewis ; Whitfield Lovell ; Kerry James Marshall ; Wangari Mathenge ; Willie Robert Middlebrook ; Nicole Miller ; Zora J. Murff ; Alice Neel ; Ralph Nelson ; Toyin Ojih Odutola ; Lorraine O'Grady ; Kambui Olujimi ; Catherine Opie ; Gordon Parks ; Ada Pinkston ; Robert Pruitt ; Otis Kwame Kye Quaicoe ; Nathaniel Mary Quinn ; Umar Rashid ; Calida Rawles ; Deborah Roberts ; Alison Saar ; Betye Saar ; Lezley Saar ; William Scott ; Paul Mpagi Sepuya ; Amy Sherald ; Xaviera Simmons ; Lorna Simpson ; Ming Smith ; Shinique Smith ; Edward Steichen ; Martine Syms ; Henry Taylor ; Mickalene Thomas ; Tourmaline ; Kent Twitchell ; James Van Der Zee ; Meta Vaux Warrick Fuller ; Fulton Leroy Washington (aka Mr. Wash) ; Timothy Washington ; Carrie Mae Weems ; Charles White ; Kehinde Wiley ; D'Angelo Lovell Williams ; Deborah Willis , Includes bibliographical references , Face it / , A museum's commitment to the Trayvon Generation / , Black American art at LACMA: a history / , Beyond the master / , Proof of life / , A lil' history of photography: Black American photography before Barack Obama / , The elusive body: Mark Bradford and David Hammons /
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  • 47
    ISBN: 0691245452 , 9780691245454
    Language: English
    Pages: 175 Seiten , 26 cm
    RVK:
    Keywords: 2000-2099 ; Indian art Exhibitions. 21st century ; Indigenous art Exhibitions. 21st century ; Art, American Exhibitions. 21st century ; Art, American ; Indian art ; Indigenous art ; Exhibition catalogs ; United States ; Bildband ; Ausstellungskatalog National Gallery of Art 22.09.2023-15.01.2024 ; Ausstellungskatalog New Britain Museum of American Art 18.04.2024-15.09.2024 ; USA ; Indianer ; Indigenes Volk ; Kunst ; Geschichte 2000-
    Abstract: A groundbreaking survey of contemporary Indigenous art and its enduring connections to the landThe Land Carries Our Ancestors: Contemporary Art by Native Americans brings together works by many of today s most boldly innovative Native American artists. Jaune Quick-to-See Smith, one of the leading artists and curators of her generation, has carefully chosen some fifty works across a diversity of practices-including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video-that share the common thread of the land.
    Note: Seite [176]: "Exhibition dates: National Gallery of Art, Washington, September 22, 2023-January 15, 2024; New Britain Museum of American Art, April 18-September 15, 2024"--Colophon , Includes bibliographical references and index
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  • 48
    ISBN: 9783035626926 , 3035626928
    Language: English , German
    Pages: 417 Seiten , 32 cm x 24 cm
    DDC: 707.4
    RVK:
    Keywords: Bildband ; Ausstellungskatalog MAK 14.12.2022-07.05.2023 ; Aufsatzsammlung ; Fest ; Kultur ; Kunst ; Geschichte ; Fest ; Fest ; Kultur ; Kunst
    Note: Erscheint anlässlich der gleichnamigen Ausstellung im MAK, Wien, 14.12.2022-7.5.2023 - Impressum , Text deutsch und englisch
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  • 49
    ISBN: 9783000749803
    Language: German
    Pages: 176 Seiten
    DDC: 770
    RVK:
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    Keywords: Ausstellungskatalog Städtische Museen Zittau 14.05.2023-27.08.2023 ; Bildband ; Aufsatzsammlung ; Biografie ; Sachsen ; Brandenburg ; Fluss ; Fotografie ; Lebenslauf ; Handwerk ; Kunst ; Lausitzer Neiße Region ; Oder-Gebiet ; Persönlichkeit ; Alltag ; Lebenslauf ; Bildnis ; Städtische Museen Zittau ; Guben ; Museum ; Projekt ; Ausstellung ; Geschichte 2023
    Note: Ausstellungs- und Publikationsprojekt in Partnerschaft mit den Städtischen Museen Zittau und dem Stadt- und Industriemuseum Guben; Sonderausstellung 14.05.2023 bis zum 27.08.2023, Kulturhistorisches Museum Franziskanerkloster, Zittau, Veranstalter: Städtische Museen Zittau
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  • 50
    ISBN: 9788024652887 , 9788024653013 , 9788024652030 , 9788024652047 , 8024652889
    Language: English
    Pages: 358 pages , illustrations , 24 cm
    DDC: 305.89240437109034
    Keywords: 1800-1899 ; Jews History 19th century ; LITERARY CRITICISM / Jewish ; Ethnic relations ; Jews ; History ; Bohemia (Czech Republic) Ethnic relations 19th century ; History ; Czech Republic - Bohemia ; Böhmische Länder ; Juden ; Geschichte 1700-1800
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  • 51
    ISBN: 9788446053347
    Language: Spanish
    Pages: 503 pages , illustrations , 22 cm
    Series Statement: Akal/pensamiento crítico 105
    Series Statement: Akal Pensamiento crítico
    DDC: 306
    Keywords: Fossil fuels Social aspects ; History ; Technology and civilization
    Note: Includes bibliographical references and index
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  • 52
    ISBN: 9783422801516 , 3422801510
    Language: English , French
    Pages: 214 Seiten , Illustrationen , 24 x 25 cm, 1145 g
    DDC: 745.58209
    Keywords: Europa ; USA ; Grabschmuck ; Glasperle ; Blume ; Geschichte ; Venedig ; Volkskunst ; Perlenarbeit ; Blume ; Geschichte
    URL: Unbekannt  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 53
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    東京 : 八木書店出版部
    Title: 禮物軌式
    Title: レイモツ キシキ
    ISBN: 9784840652193
    Language: Japanese
    Pages: 2, 3, 220, 6p, 図版 [8] Seiten , 挿図 , 22 cm
    Edition: 初版
    Series Statement: Shiryō sanshū Kokiroku hen
    Series Statement: 219
    Keywords: 尾張藩 ; Gifts Sources Political aspects ; History ; Ceremonial exchange Sources History ; 武家故実 ; Japan Sources History Tokugawa period, 1600-1868 ; Owari-han (Japan) Sources History ; 日本 歴史 ; 江戸中期 ; 史料
    Note: 翻刻 , 礼物軌式品目一覧: 巻末p3-6 , 付: 配本案内第219号 (4p ; 21cm)
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  • 54
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    Baltimore : Baltimore Museum of Art | New York : Gregory R. Miller & Co | St. Louis : Saint Louis Art Museum
    ISBN: 1941366546 , 9781941366547
    Language: English
    Pages: 306 Seiten , 30 cm
    RVK:
    Keywords: 2000-2099 ; Hip-hop Exhibitions ; Hip-hop in art Exhibitions ; Hip-hop Exhibitions Influence ; Art and popular culture Exhibitions History 21st century ; Art, Modern Exhibitions Themes, motives 21st century ; Hip-hop - Expositions ; Hip-hop dans l'art - Expositions ; Hip-hop - Influence - Expositions ; Art et culture populaire - Histoire - 21e siècle - Expositions ; Art - 21e siècle - Thèmes, motifs - Expositions ; Art and popular culture ; Art, Modern - Themes, motives ; Hip-hop ; Hip-hop in art ; Hip-hop - Influence ; exhibition catalogs ; Exhibition catalogs ; History ; Exhibition catalogs ; Catalogues d'exposition ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2023 ; Ausstellungskatalog Saint Louis Art Museum 2023-2024 ; Ausstellungskatalog Cincinnati Art Museum 2024 ; Ausstellungskatalog Art Gallery of Ontario 2024-2025 ; Aufsatzsammlung ; Ausstellungskatalog Baltimore Museum of Art 05.05.2023-16.07.2023 ; Ausstellungskatalog St. Louis Art Museum 26.08.2023-01.01.2024 ; Ausstellungskatalog Cincinnati Art Museum 28.06.2024-29.09.2024 ; Ausstellungskatalog Art Gallery of Ontario 23.11.2024-23.03.2025 ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2023 ; Ausstellungskatalog Saint Louis Art Museum 2023-2024 ; Ausstellungskatalog Cincinnati Art Museum 2024 ; Ausstellungskatalog Art Gallery of Ontario 2024-2025 ; Aufsatzsammlung ; Kunst ; Hip-Hop ; Geschichte 2000-
    Abstract: « Accompanying a groundbreaking exhibition originating at the Baltimore Museum of Art, this book captures the extraordinary influence of hip hop, which has driven innovations in music, visual and performing arts, fashion, and technology and grown into a global phenomenon since its emergence in the 1970s. It features approximately 70 objects by both established and emerging artists, design houses, streetwear icons and musicians working in a wide range of mediums to demonstrate hip hop’s proliferation from the street to the runway, the studio to the museum gallery, and countless sites in between. The exhibition also explores how hip hop has and continues to challenge structures of power, dominant cultural narratives, and political and social systems of oppression. »--[Source inconnue]
    Note: Seite [308]: This catalogue is published ... on the occasion of "The Culture: Hip Hop and Contemporary Art in the 21st Century" ... Baltimore Museum of Art, April 5, 2023-July 16, 2023; Saint Louis Art Museum, August 26, 2023-January 1, 2024; Cincinnati Art Museum, June 28, 2024-September 29, 2024; Art Gallery of Ontario, November 23, 2024-March 23, 2025
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  • 55
    ISBN: 1912520958 , 9781912520954
    Language: English
    Pages: 141 Seiten
    DDC: 700.8996073
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    Keywords: 1900-1999 ; African American art Exhibitions ; Artists, Black Exhibitions ; ART / General ; African American art ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; USA ; Künstler ; Person of Color ; Geschichte 1960- ; Schwarze ; Kunst
    Abstract: "For generations, Black artists from the American South have forged a unique art tradition. Working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, recycled and cast-off objects that articulate America's painful past -- the inhuman practice of enslavement, the cruel segregationist policies of the Jim Crow era, and institutionalised racism. Their works date from the early 20th century to today and respond to issues ranging from economic inequality, oppression and social marginalisation, to sexuality, the influence of place and ancestral memory. Among the sculptures, paintings, reliefs and drawings included here are works by Thornton Dial, Lonnie Holley, Ronald Lockett, Hawkins Bolden, Bessie Harvey, Charles Williams, Mary T. Smith, Purvis Young, Mose Tolliver, Nellie Mae Rowe, Mary Lee Bendolph, Marlene Bennett Jones, Martha Jane Pettway, Loretta Pettway, and Henry and Georgia Speller. Also featured are the celebrated quiltmakers of Gee's Bend, Alabama, and the neighbouring communities of Rehoboth and Alberta."--Page four of cover
    Note: Titelblattrückseite: ... published in occasion of the exhibition "Souls Grown Deep like the Rivers: Black Artists from the American South", Royal Academy of Arts, 17 March-18 June 2023 , Includes bibliographical references and index
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  • 56
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    New Haven : Yale University Press
    ISBN: 9780300259247
    Language: English
    Pages: xvii, 517 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    DDC: 306.094309045
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    Keywords: 20. Jahrhundert (1900 bis 1999 n. Chr.) ; Europäische Geschichte ; Geschichte allgemein und Weltgeschichte ; HISTORY / Europe / Germany ; HISTORY / Modern / 20th Century ; HISTORY / Social History ; History ; Sozial- und Kulturgeschichte ; Deutschland ; Westdeutschland ; Sozialgeschichte ; Kultur ; Geschichte 1900-1999 ; Westdeutschland ; Künste ; Gesellschaft ; Geschichte 1945-1990
    Abstract: "After World War II a mood of despair and impotence pervaded the arts in West Germany. The culture and institutions of the Third Reich were abruptly dismissed, yet there was no immediate return to the Weimar period's progressive ideals. In this moment of cultural stasis, how could West Germany's artists free themselves from their experiences of Nazism? Moving from 1945 to reunification, Michael H. Kater explores West German culture as it emerged from the darkness of the Third Reich. Examining periods of denial and complacency as well as attempts to reckon with the past, he shows how all postwar culture was touched by the vestiges of National Socialism. From the literature of Günter Grass to the happenings of Joseph Beuys and Karlheinz Stockhausen's innovations in electronic music, Kater shows how it was only through the reinvigoration of the cultural scene that West Germany could contend with its past - and eventually allow democracy to reemerge"--
    Abstract: A wide-ranging, insightful history of culture in West Germany-from literature, film, and music to theater and the visual arts
    URL: Cover  (lizenzpflichtig)
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  • 57
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    Fort Worth : Amon Carter Museum of Art | Williamstown : Williams College Museum of Art | Oakland : University of California Press
    ISBN: 9780520393301
    Language: English
    Pages: 139 Seiten
    DDC: 730.973
    Keywords: ART / History / Contemporary (1945-) ; ART / History / Modern (late 19th Century to 1945) ; Art & design styles: from c 1960 ; Black & Asian studies ; Ethnic Studies ; Ethnische Gruppen und multikulturelle Studien ; HIS056000 ; History of art & design styles: from c 1900 - ; History of the Americas ; Kunstgeschichte ; Modernismus ; SOC056000 ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; Sozial- und Kulturgeschichte ; USA ; Ausstellungskatalog Amon Carter Museum of American Art 12.03.2023-09.07.2023 ; Ausstellungskatalog Newcomb Art Museum 05.08.2023-11.11.2023 ; Ausstellungskatalog Museum of Art 16.02.2024-16.06.2024 ; Aufsatzsammlung ; Ausstellungskatalog Amon Carter Museum of American Art 12.03.2023-09.07.2023 ; Ausstellungskatalog Newcomb Art Museum 05.08.2023-11.11.2023 ; Ausstellungskatalog Museum of Art 16.02.2024-16.06.2024 ; Aufsatzsammlung ; USA ; Schwarze ; Künste ; Geschichte 1800-2020 ; USA ; Schwarze ; Künste ; Kultur ; Bürgerrechtsbewegung ; Geschichte 1800-2020
    Abstract: This stunning exhibition catalog visualizes what freedom looks like for Black Americans today and the legacy of the Civil War in 2023 and beyond. Emancipation: The Unfinished Project of Liberation sits at the intersection of history and contemporary life. Building upon in-depth conversations about representations of enslavement and emancipation at the close of the Civil War, this project originates from an analysis of sculptor John Quincy Adams Ward's The Freedman (1863), one of the first bronze representations of a Black person in the United States, and expands into an investigation of how living artists envision emancipation, freedom, and liberation today. Featuring interviews with artists Sadie Barnette, Alfred Conteh, Maya Freelon, Hugh Hayden, Letitia Huckaby, Jeffrey Meris, and Sable Elyse Smith, the exhibition catalog explores their practices along with cutting-edge scholarship by Kirsten Pai Buick and Kelvin Parnell, among others, as well as a haunting story of embodiment and exploitation by celebrated science-fiction author N. K. Jemisin. Burdened by failed promises but buoyed by hope, this project is mournful and melancholy yet also reflective and celebratory in its aspirations for a brighter future. Published in association with the Amon Carter Museum of American Art Exhibition dates: Amon Carter Museum of American Art: March 12-July 9, 2023 Newcomb Art Museum at Tulane University: August 5-November 11, 2023 Williams College Museum of Art: February 16-June 16, 2024
    Note: Seite [140]: Published on the occasion of the exhibition "Emancipation: The Unfinished Project of Liberation", organized by the Amon Carter Musum of American Art, Fort Worth, Texas and the Williams College Museum of Art, Williamstown, Massachusetts. Exposition dates: Amon Carter Center of American Art, Fort Worth, Texas, March 12 through July 9, 2023. - New Comb Museum at Tulane University, New Orleans, Louisiana, August 5 through November 11, 2023. - Williams College Museum of Art, Williamstown, Massachusetts, February 16 through June 16, 2024 , Zielgruppe: 5PB, Bezug zu Personen: ethnische Gruppen, indogene Völker, Kulturen, Stämme und andere Gruppierungen von Menschen , Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern
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  • 58
    ISBN: 9780300267389 , 030026738X , 9780300267389
    Language: English
    Pages: 226 Seiten
    DDC: 770
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    Keywords: Bildband ; Ausstellungskatalog New Orleans Museum of Art 15.09.2022-08.01.2023 ; Bildband ; Ausstellungskatalog New Orleans Museum of Art 15.09.2022-08.01.2023 ; USA ; Porträtfotografie ; Fotostudio ; Person of Color ; Geschichte 1860- ; USA ; Schwarze ; Fotostudio ; Fotografie ; Geschichte
    Note: Gegenüber Titelseite: "Called to the Camera: Black American Studio Photographers" ... exhibition dates: New Orleans Museum of Art, September 15, 2022-January 8, 2023
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  • 59
    ISBN: 9780691236162
    Language: English
    Pages: 279 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Crow, Thomas The Artist in the Counterculture
    Parallel Title: Erscheint auch als Crow, Thomas E., 1948 - The Artist in the Counterculture
    DDC: 701/.03
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    Keywords: Art and society History 20th century ; Counterculture ; Kalifornien ; Kunst ; Kunstsoziologie ; Gegenkultur ; Geschichte 1960-1980
    Abstract: "An examination of the counterculture movement in California and how it both influenced and was influenced by art"--
    Note: Includes bibliographical references and index
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  • 60
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    Athens : The University of Georgia Press
    ISBN: 9780820360478
    Language: English
    Pages: xii, 233 Seiten , Illustrationen
    DDC: 700.89/96073
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    Keywords: African American art 20th century ; African American art 21st century ; Art and society History 20th century ; Art and society History 21st century ; USA ; Kunstsoziologie ; Kunst ; Schwarze ; Geschichte 1985-2015
    Abstract: "Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1990 to the present. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come. Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams"--
    Note: Includes bibliographical references and index
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  • 61
    ISBN: 9780271094939
    Language: English
    Pages: xvi, 187 Seiten, 10 ungezählte Seiten Bildtafeln , Illustrationen
    Additional Information: Rezensiert in Wolfskill, Phoebe [Rezension von: Mary Ann Calo, African American artists and the new deal art programs] 2023
    DDC: 700.89/96073
    Keywords: 1930 bis 1939 n. Chr ; c 1918 to c 1939 (Inter-war period) ; African American artists History 20th century ; African American art 20th century ; New Deal art ; Federal aid to the arts History 20th century ; Art and race ; 20th century history: c 1900 to c 2000 ; ART / American / African American ; ART / History / Modern (late 19th Century to 1945) ; Amerikanische Geschichte ; HIS056000 ; HISTORY / Social History ; HISTORY / United States / 20th Century ; History of art & design styles: from c 1900 - ; History of the Americas ; Kunstgeschichte ; Social & cultural history ; Sozial- und Kulturgeschichte ; USA ; Vereinigte Staaten von Amerika, USA ; Federal Art Project ; New Deal ; Schwarze ; Kunst ; Kunstförderung ; Geschichte 1935-1943
    Abstract: "Examines the involvement of African Americans in the New Deal art programs, shifting emphasis from individual artists toward broader issues informed by the uniqueness of Black experience"--
    Abstract: This book examines the involvement of African American artists in the New Deal art programs of the 1930s. Emphasizing broader issues informed by the uniqueness of Black experience rather than individual artists' works, Mary Ann Calo makes the case that the revolutionary vision of these federal art projects is best understood in the context of access to opportunity, mediated by the reality of racial segregation.Focusing primarily on the Federal Art Project (FAP) of the Works Progress Administration (WPA), Calo documents African American artists' participation in community art centers in Harlem, in St. Louis, and throughout the South. She examines the internal workings of the Harlem Artists' Guild, the Guild's activities during the 1930s, and its alliances with other groups, such as the Artists' Union and the National Negro Congress. Calo also explores African American artists' representation in the exhibitions sponsored by WPA administrators and the critical reception of their work. In doing so, she elucidates the evolving meanings of the terms race, culture, and community in the interwar era. The book concludes with an essay by Jacqueline Francis on Black artists in the early 1940s, after the end of the FAP program.Presenting essential new archival information and important insights into the experiences of Black New Deal artists, this study expands the factual record and positions the cumulative evidence within the landscape of critical race studies. It will be welcomed by art historians and American studies scholars specializing in early twentieth-century race relations
    Description / Table of Contents: Historiography -- Participation -- Advocacy -- Visibility -- Aftermath.
    Note: Includes bibliographical references and index , Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern
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  • 62
    ISBN: 9783406806223 , 3406806228
    Language: German
    Pages: 464 Seiten , Illustrationen , 24 cm x 15.8 cm
    Uniform Title: A little history of art
    DDC: 709
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    Keywords: Kunst ; Geschichte
    Abstract: Mit diesem Buch liegt eine neue, umfassende Geschichte der Kunst vor, glänzend und mit spielerischer Leichtigkeit erzählt von der englischen Kunsthistorikerin Charlotte Mullins. Es ist höchste Zeit für eine aktuelle und globale Neubetrachtung – denn die Kunstgeschichte wurde bisher vor allem aus eurozentristischer Perspektive und am Beispiel vorwiegend männlicher Protagonisten erzählt. Wir begeben uns auf eine faszinierende Zeitreise, die bei den ersten Bildzeugnissen in der Frühsteinzeit beginnt und bei jüngsten Phänomenen wie NFTs aufhört. Neben den klassischen Meisterwerken werden gleichrangig auch die Nok-Terrakotten Nigerias, mexikanische Wandmalereien oder die feministische Kunst der Guerilla Girls vorgestellt – vor unseren Augen entsteht so ein wahrhaft weltumspannendes Panorama, das auch bisher vernachlässigte Positionen einbezieht.
    URL: Inhaltstext  (lizenzpflichtig)
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  • 63
    ISBN: 9781606068793
    Language: English
    Pages: viii, 263 Seiten , Illustrationen
    Series Statement: Issues & debates
    Parallel Title: Erscheint auch als Art history and anthropology
    DDC: 709
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    Keywords: Art and anthropology ; Art History ; Aufsatzsammlung ; Aufsatzsammlung ; Kunstgeschichte ; Kunstwissenschaft ; Anthropologie ; Geschichte 1870-1970 ; Ethnologie ; Naturvolk ; Kunst
    Abstract: "Exploring case studies from Australia, Austria, Brazil, France, Germany, and the United States, this volume addresses connections and rejections between art historians and anthropologists--often in the contested arena of "primitive art.""--
    Description / Table of Contents: Introduction / Peter Probst -- The Allure of Architectural Ornament: Ethnographic Art and the "Shortcomings" of Inka Stonemasonry / Carolyn Dean -- Anatomy of a Chronological Hallucination: The Category of Primitive Art and Élie Faure's L'art medieval / John Warne Monroe -- Ethnology at the Margins of "General Art History": The Case of Alois Hein / Priyanka Basu -- What Happens When Natives Draw? Theodor Koch-Grünberg and the Beginnings of World Art History / Claudia Mattos Avolese -- Boas and Semper: From the Biology of Images to Primitive Art / Carlo Severi -- Empathy with the Unknown: Reproducing "World Art" after 1900 / Joseph Imorde -- Fatal Attraction: Carl Einstein's "Ethnological" Turn / Charles W. Haxthausen -- Pathos and Paideuma: Aby Warburg, Leo Frobenius, and the Demons of Culture / Peter Probst -- Ernst Vatter: A Forgotten Pioneer of Art Ethnology / Karl-Heinz Kohl -- The Anthropologist as Critic: Claude Lévi-Strauss / Boris Wiseman -- René d'Harnoncourt, Twentieth Century Cultural Broker: Bridging Art History and Anthropology through the Display of Indigenous Art / Nancy Lutkehaus -- Outside and Inside Art History: Anthropologists, Art Historians, Curators, and the Recognition of Aboriginal Art / Howard Morphy.
    Note: Includes bibliographical references and index
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  • 64
    ISBN: 9783961762330 , 3961762333
    Language: German
    Pages: 231 Seiten , 26 cm
    DDC: 500
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    Keywords: Ausstellungskatalog Kunstmuseum Schloss Derneburg 09.06.2023-04.02.2024 ; Ausstellungskatalog Landesmuseum Hannover (LMH) 09.06.2023-04.02.2024 ; Ausstellungskatalog PS.Speicher Einbeck (PSS) 09.06.2023-04.02.2024 ; Bildband ; Bewegung ; Mobilität ; Geschwindigkeit ; Kunst ; Technologie ; Geschichte
    Note: Impressum: "Diese Publikation erscheint anlässlich der Ausstellung 'Tempo. Tempo! Tempo?. Eine Geschichte der Geschwindigkeit', 09.06.2023-04.02.2024 Kunstmuseum Schloss Derneburg (KSD), Landesmuseum Hannover (LMH), PS.Speicher Einbeck (PSS)" , Eine Ausstellung in Kooperation von Niedersächsischem Landesmuseum Hannover, PS.SPEICHER Einbeck, Kunstmuseum Schloss Derneburg
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 65
    ISBN: 9783038762645 , 3038762644
    Language: German
    Pages: 239 Seiten , 28 cm x 24 cm
    Series Statement: Midas Collection
    DDC: 704.949394266309
    Keywords: Bildband ; Kunst ; Weihnachten ; Geschichte
    URL: Inhaltstext  (lizenzpflichtig)
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  • 66
    ISBN: 9783806246599
    Language: German
    Pages: 192 Seiten , Karten , 28 cm x 24 cm
    Edition: Sonderausgabe, 4. unveränd. Auflage
    DDC: 930
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    Keywords: Bildband ; Schwäbische Alb ; Pleistozän ; Höhle ; Felsbild ; Artefakt ; Funde ; Eiszeit ; Höhle ; Kunst ; Schwäbische Alb ; Höhlenkunst
    Note: Literaturverzeichnis: Seite 182-184
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  • 67
    ISBN: 9783777441276
    Language: German
    Pages: 296 Seiten , 29 cm x 22 cm
    DDC: 738.30985074494586
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    Keywords: Bildband ; Ausstellungskatalog Museum zu Allerheiligen 30.09.2023-28.04.2024 ; Mochekultur ; Keramik ; Metallkunst ; Mochė ; Kunst ; Kultur ; Geschichte
    Abstract: Die wichtigste Hinterlassenschaft der Moche ist ihre Keramik, auch "keramische Bibliothek" genannt. Sämtliche Lebensbereiche sind darin dargestellt, die Objekte erzählen von Alltag und Ritualen, geben Hinweise zur politischen Elite und zur bäuerlichen Basis der Gesellschaft. In vorliegender Publikation finden sich über 200 hochkarätige Objekte der Sammlung Ebnöther im Museum zu Allerheiligen Schaffhausen, gewürdigt von führenden Moche-Expertinnen und -Experten
    Note: Literaturverzeichnis: Seite 290-295 , "Diese Publikation erscheint anlässlich der Ausstellung "Moche : 1000 Jahre vor den Inka" vom 30. September 2023 bis 28. April 2024" - Impressum
    URL: Inhaltstext  (lizenzpflichtig)
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  • 68
    ISBN: 9783865995452
    Language: German
    Pages: 447 Seiten , Illustrationen, Pläne, Karten , 30 cm
    DDC: 709.39607443155
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    Keywords: Antike ; Archäologische Fundstätten ; Archäologische Wissenschaften, Methoden, Techniken ; Asiatische Geschichte ; Edelmetalle, Edelsteine und Schmuck: Kunst und Design ; Keramik, Glas, Mosaikkunst ; Kunstgeschichte ; Natur in der Kunst ; Objekte in der Kunst (Stadtbild, Maschinen usw.) ; Porträts & Selbstporträts in der Kunst ; Religiöse und zeremonielle Motive in der Kunst ; Alexander der Große ; Antike ; Gandhara-Kunst ; Graeco-Baktrisches Reich ; Kampyrtepa ; Seidenstraße ; frühe buddhistische Kunst ; griechisches Seleukidenreich ; hellenistische Kunst ; Ausstellungskatalog Neues Museum und James-Simon-Galerie 04.05.2023-14.01.2024 ; Ausstellungskatalog Neues Museum und James-Simon-Galerie 04.05.2023-14.01.2024 ; Usbekistan ; Kunst ; Geschichte 336 v. Chr.-300 ; Funde ; Usbekistan ; Kunst ; Hellenismus ; Steppe ; Seidenstraße ; Buddhismus ; Münzfund ; Befestigung ; Schmuck ; Baktrien ; Asien ; Vor- und Frühgeschichte ; Archäologie
    Abstract: Erstmals werden in Berlin hochrangige Kunstwerke der vorislamischen Epochen aus Museen und Instituten Usbekistans präsentiert. Sie führen in eine weitgehend unbekannte Welt. Seitdem Alexander der Große im 4. Jahrhundert v. Chr. auf seinem beispiellosen Kriegszug auch in die zentralasiatischen Gebiete vordrang, gelangten hellenistische Einflüsse in diese Region. Mit der Einwanderung nomadischer Reiterstämme aus China entwickelte sich eine Bau- und Kunstsprache, die östliche und westliche Elemente in besonderer Art und Weise verband. Diese Verbindung künstlerischer Traditionen des Hellenismus mit Einflüssen aus Indien und den Traditionen der Steppenvölker erlebte im Reich der Kuschan vom 1. bis ins 3. Jahrhundert n. Chr. ihre Blütezeit. So entstand in den Palästen, den großen Städten und den buddhistischen Klöstern eine einzigartige Bilderwelt. Unter den Lehmhügeln der verfallenen Gebäude überdauerten deren Zeugnisse bis zu ihrer Wiederentdeckung die Stürme der Zeit. In diesem Katalog werden die aktuellen Ergebnisse der usbekischen und internationalen Forschung umfassend vorgestellt
    Note: Literaturverzeichnis: Seite 434-444 , Impressum: "Eine Ausstellung des Museums für Vor- und Frühgeschichte, Staatliche Museen zu Berlin in Kooperation mit der Art and Culture Development Foundation (Ministerkabinett der Republik Usbekistan), Berlin, Neues Museum und James-Simon-Galerie, 4. Mai 2023 bis 14. Januar 2024"
    URL: Cover  (lizenzpflichtig)
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  • 69
    ISBN: 9781781301234 , 1781301239
    Language: English
    Pages: 192 Seiten , Illustrationen, Karten , 25 cm
    DDC: 382.440942659
    Keywords: Slave trade History ; Slavery History ; Slave traders History ; Slave trade ; Slave traders ; Slavery ; History ; Cambridge (England) History ; England - Cambridge ; Ausstellungskatalog Fitzwilliam Museum 08.09.2023-07.01.2024 ; Ausstellungskatalog Fitzwilliam Museum 08.09.2023-07.01.2024 ; Fitzwilliam Museum ; Großbritannien ; Niederlande ; Sklaverei ; Sklavenhandel ; Schwarze ; Kunst ; Geschichte 1400-1900
    Abstract: An important illustrated history of the relationship between Cambridge and the Black Atlantic. Between 1400 and 1900, European powers, not least Britain, colonised the Americas and transported over 12.5 million people from sub-Saharan Africa as slaves. The contested space, formed by the interactions of multiple people and cultures, both Black and white, we now call the Black Atlantic. Cambridge and Cambridgeshire played a key role in this international narrative - a story of commerce, profit and colonialism, of opinion-forming, and of struggle. Through the lens of historic artworks, artefacts and natural history specimens, this book and the exhibition it accompanies analyse the rise and growth of enslavement, the profits made by Dutch and British traders and plantation-owners, the power of images, the knowledge produced by enslaved people, histories of resistance movements and the consequences of these events today. Works by contemporary makers challenge long-held assumptions, address erasures, and create alternative narratives of repair, freedom and justice
    Note: Index , Titelblattrückseite: Published on the occasion of the exhibition: "Black Atlantic: Power, People, Resistance", The Fitzwilliam Museum, Cambridge, 8 September 2023 - 7 January 2024
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  • 70
    ISBN: 9783854743644 , 3854743645
    Language: English , German
    Pages: 231 Seiten , 26 cm
    Series Statement: Kataloge der OÖ Landes-Kultur GmbH
    DDC: 709.05107443624
    Keywords: Ausstellungskatalog 2016-2021 ; Bildband ; Kunst ; Geschichte 1962-2021 ; Höhenrausch ; Kunst ; Rausch ; Kunst ; Rausch ; Sinne
    Note: Impressum: "Diese Publikation erscheint zum Abschluss der HÖHENRAUSCH Ausstellungsserie (2009-21) im OK/OÖ Kulturquartier und umfasst die Projekte von 2016-21"
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 71
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    London : Thames and Hudson
    ISBN: 9780500024621 , 0500024626
    Language: English
    Pages: 303 Seiten , 25 cm
    DDC: 700.8996041
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    Keywords: Arts, Black Exhibitions 21st century ; Arts, Black ; History ; Bildband ; Ausstellungskatalog Hayward Gallery 29.06.2022-18.09.2022 ; Bildband ; Ausstellungskatalog Hayward Gallery 29.06.2022-18.09.2022 ; Afrikaner ; Fotografie ; Malerei ; Videokunst ; Plastik ; Mixed media ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Note: Titelblattrückseite: This book was published on the occasion of the exhibition In the Black Fantastic" at the Hayward Gallery, London (29 June-18 September 2022) , Includes bibliographical references, filmography, discography and index
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  • 72
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    London : Ridinghouse
    ISBN: 1909932698 , 9781909932692
    Language: English
    Pages: 253 Seiten , Illustrationen , 23 cm
    DDC: 306.76094237
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    Keywords: Sexual minorities History ; Arts History ; Arts ; Manners and customs ; Sexual minorities ; History ; St. Ives (Cornwall, England) Social life and customs ; St. Ives (Cornwall, England) History ; England ; St. Ives (Cornwall) ; Saint Ives ; Kunst ; LGBT ; Geschichte 1945-1980
    Abstract: This first ever queer history of St Ives weaves together biography with art and social history to shine new light on a pivotal era in the development of British modernism. At its centre is the sculptor John Milne (1931-1978), who arrived in the town in 1952 to work as an assistant to Barbara Hepworth.0Hidden behind 20-foot-high granite walls, Milne's house, Trewyn, became a meeting point for queer figures from the arts as well as the scene of legendary parties. The large cast - both queer and otherwise - featured in Queer St Ives and Other Stories includes artists Francis Bacon, Alan Lowndes, Marlow Moss, Patrick Procktor, Mark Tobey, Keith Vaughan and Brian Wall; Whitechapel Art Gallery director Bryan Robertson; actors Keith Barron and Richard Wattis; potter Janet Leach; and writers Tony Warren and Richard Blake Brown. There is also the extraordinary Julian Nixon, a queer Everyman whose involvement in the group has been little explored until now.0Based on original interviews and previously unpublished letters and diaries, Queer St Ives and Other Stories reveals a fascinating, previously undocumented history, adding vital new insights into the history of this fabled Cornish art colony. Publication supported by the Paul Mellon Centre
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  • 73
    ISBN: 0913516333 , 9780913516331
    Language: English
    Pages: xvii, 333 Seiten , Illustrationen, Karten , 25 cm
    Series Statement: Yale University publications in anthropology number 97
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    Keywords: Excavations (Archaeology) ; Land settlement patterns ; Antiquities ; Civilization ; Excavations (Archaeology) ; Land settlement patterns ; History ; Shandong Sheng (China) Civilization ; History ; Shandong Sheng (China) Antiquities ; China - Shandong Sheng
    Abstract: "From 1995 to 2007, researchers from China and the United States conducted a systematic, full-coverage regional archaeological survey in southeastern Shandong Province, China, covering an area of more than 1,400 square kilometers. This pioneering multiyear international project transformed the archaeological understanding of regional settlement patterns from the Neolithic to the Han period in southeastern Shandong. As an update of the 2012 synthesis published in Chinese, this volume is the most detailed account of the project in English. The team discovered many new sites, including the earliest known Neolithic settlements in the area, and revealed distinctly different regional settlement patterns in the hinterlands of the two largest late Neolithic sites, Liangchengzhen and Yaowangcheng. The book includes field procedures, methods of analysis, and descriptions of major sites generously illustrated with maps as well as photographs of key artifacts and archaeological localities"--
    Description / Table of Contents: The survey region, prior investigations, and the research process -- The value of systematic, full-coverage regional survey -- Descriptions of major sites and collections -- Regional settlement patterns and the development of complex societies.
    Note: Bibliografie, Seite 307-322 und Index
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  • 74
    ISBN: 9781597115308 , 1597115304
    Language: English
    Pages: 223 Seiten , 24 cm
    Edition: First edition
    DDC: 306.76/6208996073
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    Keywords: Gay liberation movement Pictorial works ; African American transgender people Pictorial works ; Transgender people Pictorial works ; Protest movements Pictorial works ; Documentary photography ; Protest literature, American ; Photographers ; Photography, Artistic ; African American transgender people ; Gay liberation movement ; Photography, Artistic ; Transgender people ; Black transgender people ; Black queer people ; Queer rights ; Pictorial works ; New York (N.Y.) Social conditions ; United States ; Bildband ; Bildband ; USA ; Dokumentarfotografie ; LGBT ; Transgender ; Geschichte 2020-2021
    Abstract: "'Revolution is love: a year of Black Trans Liberation' is the powerful and celebratory visual record of a contemporary activist movement in New York City, and a moving testament to the enduring power of photography in actisim, advocacy, and community. In June 2020, activists Qween Jean and Joela Rivera founded the Stonewall Protests, weekly actions centering Black trans and queer identities that took place across New York City." "This book gathers twenty-four photographers who share images and words on the demonstrations, preserving this legacy as it unfolded."--Back flap of printed paper wrapper
    Note: Qween Jean and Raquel Willis in conversation , Images and voices , An ongoing revolution: writing a new history at Stonewall /
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  • 75
    ISBN: 9783422988217
    Language: German
    Pages: 208 Seiten , Illustrationen , 26 cm x 19.5 cm
    Series Statement: Bayerische Studien zur Museumsgeschichte Band 5
    Series Statement: Bayerische Studien zur Museumsgeschichte
    Dissertation note: Dissertation Universität Bayreuth 2018
    DDC: 305.8007443364
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    Keywords: Ausstellungskonzeption ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Museum Fünf Kontinente ; Exponat ; Präsentation ; Rezeption ; Popularität ; Museumskunde ; Ethnologie ; München ; Provenienzforschung ; Afrika ; Benin ; Museum Fünf Kontinente ; Exponat ; Rezeption ; Popularität
    Note: Literaturverzeichnis Seite 196-206
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  • 76
    ISBN: 9783753302386 , 9781846382635 , 3753302384
    Language: English
    Pages: 267 Seiten , Illustrationen
    Series Statement: Exhibition histories
    DDC: 704.039604109045
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Großbritannien ; Afrikaner ; Schwarze ; Künstler ; Kunstbetrieb ; Geschichte ; Künstler ; Person of Color ; Repräsentation ; Ausstellung ; Kunst ; Person of Color ; Kunstwissenschaft ; USA ; Großbritannien ; Schwarze ; Kunstausstellung ; Museum ; Kunstbetrieb ; Geschichte
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  • 77
    ISBN: 9781588347244
    Language: English
    Pages: 271 Seiten
    DDC: 306.0973/074
    Keywords: National Museum of American History (U.S.) Catalogs ; Americana Catalogs ; Arts and society Catalogs ; Popular culture Catalogs History ; Bildband ; Bildband ; Smithsonian Institution ; Pop-Kultur ; Identität ; Ausstellung ; USA
    Abstract: Harmony and discord -- Broadening and narrowing the signal -- Comedy and tragedy -- Gaining and losing ground -- Heroes and villians.
    Abstract: "U.S. history gets the star treatment with this essential guide to the Smithsonian's first permanent exhibition on pop culture"--
    Note: Literaturverzeichnis: Seite 259-261 , Catalog of an ever-changing selection from its collection of theater, music, sports, movie and television objects held by the National Museum of American History under the banner of "Entertaiment Nation" exhibited since December 2022
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  • 78
    ISBN: 9781588397447
    Language: English
    Pages: 139 Seiten , Illustrationen , 23 cm
    Edition: First printing
    Keywords: Ausstellungskatalog Metrotpolitan Museum of Art 10.03.2022-05.03.2023 ; Aufsatzsammlung ; Ausstellungskatalog Metrotpolitan Museum of Art 10.03.2022-05.03.2023 ; Aufsatzsammlung ; Carpeaux, Jean-Baptiste 1827-1875 Pourquoi naître esclave! ; Sklaverei ; Sklave ; Schwarze ; Kunst ; Geschichte 1700-2020
    Abstract: "This groundbreaking publication on Jean-Baptiste Carpeaux’s (1827–1875) bust Why Born Enslaved! examines the work in the context of transatlantic abolitionist movements and France’s colonialist fascination with Africa in the nineteenth century. Thoughtful essays by noted art historians and literary scholars, including Adrienne L. Childs, James Smalls, and Wendy S. Walters, unpack European artists’ engagement with the Black figure, simultaneously evoked as a changeable political symbol and a representation of exoticized beauty and desire. The authors compare Carpeaux’s sculpture to works by his contemporaries, such as Charles-Henri-Joseph Cordier, Edmonia Lewis, and Louis Simon Boizot, as well as to objects by twenty-first-century artists Kara Walker and Kehinde Wiley. In so doing, the book critically examines the portrayal of Black emancipation and personhood; the commodification of Black images to assert social capital; the role of sculpture in generating the sympathies of its audiences; and the relevance of Carpeaux’s sculpture to legacies of empire in the postcolonial present. It will also feature a chronology of events central to the nineteenth-century antislavery movement." -- Publisher's description
    Abstract: "Organized around a single object—the marble bust Why Born Enslaved! by French sculptor Jean-Baptiste Carpeaux—Fictions of Emancipation: Carpeaux Recast is the first exhibition at The Met to examine Western sculpture in relation to the histories of transatlantic slavery, colonialism, and empire. Created in the wake of American emancipation and some twenty years after the abolition of slavery in the French Atlantic, Why Born Enslaved! was shaped by the enduring popularity of antislavery imagery, the development of nineteenth-century ethnographic theories of racial difference, and France’s colonialist fascination with Africa. The exhibition will explore the sculpture’s place within these contexts. Featuring more than thirty-five works of art in sections unfolding around Carpeaux’s sculpture, Fictions of Emancipation will offer an in-depth look at portrayals of Black enslavement, emancipation, and personhood with an aim toward challenging the notion that representation in the wake of abolition constitutes a clear moral or political stance. Important works by Josiah Wedgwood, Frédéric Auguste Bartholdi, Charles Cordier, Edmonia Lewis, Louis-Simon Boizot, and others will show how Western artists of the nineteenth century engaged with the Black figure as a political symbol and site of exoticized beauty, while contemporary sculptures by Kara Walker and Kehinde Wiley will connect the dialogue around Carpeaux’s bust to current conversations about the legacies of slavery in the Western world. This exhibition was conceived in collaboration with guest curator Wendy S. Walters and enriched through conversations with numerous intellectual partners. It is one of many projects that the Museum is undertaking in an effort to reassess and broaden the narratives it presents about the past and present." -- Metropolitan Museum of Art website
    Note: "This catalogue is published in conjunction with Fictions of Emancipation: Carpeaux Recast, on view at The Metropolitan Museum of Art, New York, from March 10, 2022, through March 5, 2023." -- Title page verso
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  • 79
    ISBN: 9781773102245 , 1773102249
    Language: English
    Pages: 447 Seiten , Illustrationen
    DDC: 700.89/009113
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    Keywords: Arts ; Arts ; Arts ; Indigenous art ; Indigenous art ; Indigenous art ; Art, Arctic ; Art, Sami ; Art, Arctic ; Art, Sami ; Arts ; Indigenous art ; Arctic Regions ; Northern Canada ; Scandinavia ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Arktis ; Polargebiete ; Eskimo ; Samen ; Kunst
    Abstract: "Qummut Qukiria! celebrates art and culture within and beyond traditional Inuit and Sámi homelands in the Circumpolar Arctic — from the recovery of traditional practices such as storytelling and skin sewing to the development of innovative new art forms such as throatboxing (a hybrid of traditional Inuit throat singing and beatboxing). In this illuminating book, curators, scholars, artists, and activists from Inuit Nunangat, Kalaallit Nunaat, Sápmi, Canada, and Scandinavia address topics as diverse as Sámi rematriation and the revival of the ládjogahpir (a traditional woman’s headgear), the experience of bringing Inuit stone carving to a workshop for inner-city youth, and the decolonizing potential of Traditional Knowledge and its role in contemporary design and beyond. Qummut Qukiria! showcases the thriving art and culture of the Indigenous Circumpolar peoples in the present and demonstrates its importance for the revitalization of language, social well-being, and cultural identity."--
    Note: Includes bibliographical references
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  • 80
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    Baltimore, MD : Baltimore Museum of Art | Jackson, MS : Mississippi Museum of Art | New Haven and London : Baltimore Museum of Art and Mississippi Museum of Art, in association with Yale University Press
    ISBN: 9780300265736 , 0300265735
    Language: English
    Pages: 151 Seiten , 28 cm
    DDC: 305.896073075
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    Keywords: Great Migration, ca. 1914-ca. 1970 Pictorial works ; Exhibitions ; African American art Exhibitions 21st century ; Art ; Exhibition catalogs ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; USA ; Kunst ; Fotografie ; Schwarze ; USA ; Schwarze ; Migration ; Geschichte 1915-1970 ; Rezeption ; Kunst ; Geschichte 2021-2022
    Abstract: The Great Migration (1915-70) saw more than six million African Americans leave the South for destinations across the United States. This incredible dispersal of people across the country transformed nearly every aspect of Black life and culture. Offering a new perspective on this historical phenomenon, this incisive volume presents immersive photography of newly commissioned works of art by Akea, Mark Bradford, Zoë Charlton, Larry W. Cook, Torkwase Dyson, Theaster Gates Jr., Allison Janae Hamilton, Leslie Hewitt, Steffani Jemison, Robert Pruitt, Jamea Richmond-Edwards, and Carrie Mae Weems. The artists investigate their connections to the Deep South through familial stories of perseverance, self-determination, and self-reliance and consider how this history informs their working practices. Essays by Kiese Laymon, Jessica Lynne, Sharifa Rhodes-Pitts, and Willie Jamaal Wright explore how the Great Migration continues to reverberate today in the public and private spheres and examine migration as both a historical and a political consequence, as well as a possibility for reclaiming agency
    Note: Seite [172]: Published in conjunction with the exhibition "A Movement in Every Direction: Legacies of the Great Migration", presented at the Mississippi Museum of Art, April 9-September 11, 2022; the Baltimore Museum of Art, October 30, 2022-January 29, 2023; the Brooklyn Museum, March 3-June 25, 2023; and the California African American Museum, August 5, 2023-March 3, 2024 , Includes bibliographical references
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  • 81
    ISBN: 1734248513 , 9781734248517
    Language: English
    Pages: 269 Seiten , 27 cm
    Edition: First edition
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    Keywords: Taylor, Breonna Exhibitions ; Racism Exhibitions History 21st century ; Social movements in art Exhibitions ; African Americans Exhibitions Social conditions 21st century ; African American artists Exhibitions ; African American artists ; African Americans ; Social conditions ; Race relations ; Racism ; Social movements in art ; Exhibition catalogs ; Exhibition catalogs ; Louisville (Ky.) Exhibitions Race relations 21st century ; History ; Kentucky ; Louisville ; United States ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Kentucky ; Kunst ; Rassismus ; Protestbewegung ; Geschichte 2020- ; Louisville, Ky. ; Rassismus ; Polizei ; Gewalttätigkeit ; Schwarze Frau ; Geschichte 2020-2022 ; Rezeption ; Kunst ; Taylor, Breonna 1993-2020
    Abstract: The New York Times called the Speed Art Museum's Promise, Witness, Remembrance--centered around artist Amy Sherald's portrait of Breonna Taylor and originally commissioned by Ta-Nehisi Coates for the cover of Vanity Fair magazine--one of the best art exhibitions of 2021. In the words of critic Holland Cotter, "the show was assembled in four months--warp speed in museum-time--and created a prototype for institutional responses to history-as-it's-happening." This breathtaking book documents not just the 32 works featured in the exhibition, but also the process by which the Speed used this opportunity to memorialize the life of Breonna Taylor, who was killed by Louisville police in March 2020, and to serve its community through art, featuring real-time quotations from Curator Allison Glenn, Community Engagement Strategist Toya Northington, Director Stephen Reily, Tamika Palmer (Breonna Taylor's mother), artist Amy Sherald, and others. With 200 photos, featuring work by 22 Black artists, including Sam Gilliam, Lorna Simpson, Kerry James Marshall, Hank Willis Thomas, and Theaster Gates, Promise, Witness, Remembrance is a vital addition to the canon of Black American art
    Note: Titelblattrückseite: Published to document the exhibition "Promise, Witness, Remembrance", organized by the Speed Art Museum in Louisville, Kentucky, on view from April 7 to June 13, 2021 , Includes bibliographical references
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  • 82
    ISBN: 9780520388062
    Language: English
    Pages: 274 Seiten
    Edition: First edition
    DDC: 770.74/776579
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    Keywords: African American photographers Exhibitions ; Bildband ; Ausstellungskatalog University of Minnesota 13.09.2022-10.12.2022 ; Biografie ; Bildband ; Ausstellungskatalog University of Minnesota 13.09.2022-10.12.2022 ; Biografie ; USA ; Fotografie ; Fotograf ; Person of Color ; Person of Color ; USA ; Schwarze ; Fotografie ; Schwarze ; Geschichte 1840-2020
    Abstract: Foreword / Deborah Willis -- Preface / Herman J. Milligan, Jr. -- Preface / Howard Oransky -- Mining the archive of black life and culture / Cheryl Finley -- A visual politics of black pleasure / crystal am nelson -- Why we wear a suit to do the work / Seph Rodney.
    Abstract: "A Picture Gallery of the Soul presents the work of more than one hundred Black American artists whose practice incorporates the photographic medium. Organized by the Katherine E. Nash Gallery at the University of Minnesota, this group exhibition samples a range of photographic expressions produced over three centuries, from traditional photography to mixed media and conceptual art. From the daguerreotypes made by Jules Lion in New Orleans in 1840 to the Instagram post of the Baltimore Uprising made by Devin Allen in 2015, photography has chronicled Black American life, and Black Americans have defined the possibilities of photography. Frederick Douglass recognized the quick, easy, and inexpensive reproducibility of photography and developed a theoretical framework for understanding its impact on public discourse, which he delivered as a series of four lectures during the Civil War. The subject of 160 photographic portraits and the most photographed American of the nineteenth century, Douglass anticipated that the history of American photography and the history of Black American culture and politics would be deeply intertwined. A Picture Gallery of the Soul honors the diverse visions of Blackness made manifest through the lens of photography. Published in association with the Katherine E. Nash Gallery. Exhibition dates: Katherine E. Nash Gallery: September 13-December 10, 2022"--
    Note: Titelblattrückseite: "This catalogue is published in conjunction with the exhibition "A Picture Gallery of the Soul", organized by Herman J. Milligan Jr. and Howard Oransky for the Katherine E. Nash Gallery at the University of Minnesota, Minneapolis, September 13-December 10, 2022" , Includes bibliographical references and index
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  • 83
    ISBN: 9783868326895
    Language: German
    Pages: 255 Seiten , 28 cm
    DDC: 709.435509052
    Keywords: Konferenzschrift 2021 ; Ausstellungskatalog 05.03.2022$b02.04.2022 ; Bildband ; Nordrhein-Westfalen ; Technisches Denkmal ; Nutzungsänderung ; Kunst ; Geschichte 2019-2022 ; Industriekultur ; Technisches Museum ; Zukunft ; Nordrhein-Westfalen ; Kunst ; Industriekultur ; Deindustrialisierung ; Nordrhein-Westfalen ; Technisches Museum ; Prognose
    Note: Ein Projekt der Landschaftsverbände Rheinland und Westfalen-Lippe , "Die Publikation versammelt Beiträge der Auftakt gebenden Konferenz "IC4 Future" vom 4./5. November 2021" (Seite 30) , "Das Buch gibt zudem einen Überblick über die künstlerischen Arbeiten, die dauerhaft an den Standorten entstanden und temporär während des Festivals vom 5. März bis zum 2. April 2022 zu sehen waren" (Seite 30)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 84
    ISBN: 9783862414796 , 3862414795
    Language: German
    Pages: 480 Seiten , Illustrationen , 23 x 31 cm
    DDC: 709.4315509051
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    Keywords: Bewegungen, Soziale und politische ; Kunst ; Stadt ; Bildband ; Berlin ; Streetart ; Politische Kunst ; Subkultur ; Offspace ; Geschichte 2003-2021 ; Berlin ; Subkultur ; Selbstverwaltung ; Aktionskunst ; Straßenkunst ; Graffito ; Streetart ; Gentrifizierung ; Geschichte 2003-2021
    Abstract: Ausgangspunkt dieses Buches ist der Frühling einer subkulturellen Bewegung im Umfeld besetzter Häuser, selbstverwalteter Projekte und ungenutzter Brachen im Zentrum Berlins. Eine Unzahl von Kollektiven ergriff die Gelegenheit, sich diese Räume anzueignen und sie jenseits der Spielregeln der kapitalistischen Marktwirtschaft zu nutzen. Eine seit Jahrzehnten gewachsene Graffiti-Szene traf sich mit Künstler*innen und Aktivist*innen aus aller Welt, um neue ästhetische Ausdrucksformen zu erfinden und ein Recht auf Stadt für alle zu reklamieren. Es folgte eine kreative Explosion in den Straßen. Es war der euphorische Aufbruch einer Bewegung, die glaubte, die Trennung zwischen Kunst und Alltagsleben auflösen und den öffentlichen Raum zu einem Gesamtkunstwerk umgestalten zu können. - »BITTE LEBN« ist die einzigartige und aus einer aktivistischen Perspektive geschriebene Geschichte und fotografische Dokumentation dieser Bewegung, von urbaner Kunst und Subkultur in Berlin zu Beginn des 21. Jahrhunderts. Das reich illustrierte Buch fragt aber auch nach den Grenzen künstlerischer Aktionsformen, die Gefahr laufen, selbst zur Marke und zum Standortfaktor im Wettbewerb der Metropolen zu werden.
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Deutsch
    URL: Cover
    URL: Cover
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  • 85
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    Liverpool : Liverpool University Press
    ISBN: 9781802070583 , 1802070583
    Language: English
    Pages: xiv, 224 Seiten , Illustrationen , 25 cm
    Series Statement: Reappraisals in Irish history 18
    Series Statement: Reappraisals in Irish history
    Parallel Title: Erscheint auch als
    DDC: 306.309417
    Keywords: 1900-1999 ; Consumption (Economics) History 20th century ; Advertising History 20th century ; Women consumers History 20th century ; Advertising ; Consumption (Economics) ; Women consumers ; History ; Ireland ; Irland ; Entwicklung ; Werbewirtschaft ; Geschichte 1922-1962
    Description / Table of Contents: Machine generated contents note:
    Note: Includes bibliographical references (pages 209-217) and index
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  • 86
    ISBN: 9783903439665
    Language: German , English
    Pages: 231 Seiten
    DDC: 701.03
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    Keywords: Ausstellungskatalog Museum der Moderne Salzburg 24.04.2021-10.10.2021 ; Bildband ; Ausstellungskatalog, Museum der Moderne Salzburg, 24.04.2021-10.10.2021, Salzburg ; Bildband ; Ausstellungskatalog Museum der Moderne Salzburg 24.04.2021-10.10.2021 ; Bildband ; Ausstellungskatalog Museum der Moderne Salzburg 24.04.2021-10.10.2021 ; Gespräch ; Kunst ; Rassismus ; Fremdenfeindlichkeit ; Postkolonialismus ; Geschichte 1968-2021 ; Kunst ; Rassismus ; Fremdenfeindlichkeit ; Postkolonialismus
    Note: Impressum: "Diese Publikation erscheint anlässlich der Ausstellung / Published in conjunction with the exhibition "This World Is White No Longer", 24. April-10. Oktober 2021 / April 24-October 10, 2021, Museum der Moderne Salzburg" , Text englisch und deutsch
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  • 87
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    New Heaven : Yale University Press
    ISBN: 0300257635 , 9780300257632
    Language: English
    Pages: x, 331 Seiten , Illustrationen , 26 cm
    DDC: 757.0973
    Keywords: Portrait painting, American ; Portraits, American ; Slaves Portraits ; Slavery in art ; Black people in art ; Portraits (peinture) - États-Unis ; Esclaves - États-Unis - Portraits ; Esclaves - Dans l'art ; Noirs - Dans l'art ; USA ; Schwarze ; Sklave ; Bildnismalerei ; Geschichte 1700-2012
    Abstract: This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of whiteness and of nation building erased the aesthetic production of enslaved Americans of African descent and obscured the portrait's importance as a site of resistance. Moving from the wharves of colonial Rhode Island to antebellum Louisiana plantations to South Carolina townhouses during the Civil War, the book illuminates how enslaved people's relationships with portraits also shaped the trajectory of African American art post-emancipation. Van Horn asserts that Black creativity, subjecthood, viewership, and iconoclasm constituted instances of everyday rebellion against systemic oppression. Portraits of Resistance is not only a significant intervention in the fields of American art and history but also an important contribution to the reexamination of racial constructs on which American culture was built
    Note: Notes bibliographiques. Index
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  • 88
    ISBN: 9781328900241 , 132890024X
    Language: English
    Pages: xviii, 330 Seiten , Illustrationen , 24 cm
    DDC: 973.7/1140922
    Keywords: Douglass, Frederick ; Garrison, William Lloyd ; Chapman, Maria Weston ; Douglass, Frederick ; Antislavery movements 19th century ; Antislavery movements History ; African American abolitionists ; Abolitionists History 19th century ; Racism Political aspects 19th century ; History ; HISTORY / United States / 19th Century ; BIOGRAPHY & AUTOBIOGRAPHY / Social Activists ; BIOGRAPHY & AUTOBIOGRAPHY / Historical ; Antislavery movements ; Racism ; Political aspects ; Slavery ; United States ; African American abolitionists ; Abolitionists ; History ; Massachusetts ; Boston ; United States ; Douglass, Frederick 1818-1895 ; Garrison, William Lloyd 1805-1879 ; Chapman, Maria Weston 1806-1885 ; USA ; Abolitionismus ; Geschichte
    Abstract: Introduction: Meeting on Nantucket --Part I: Allies Arise --Printer Garrison Learns His Trade --Manager Weston Chapman Comes of Age --Garrison Will Be Heard --The Enslaved Write Their History --Frederick Douglass's History in Slavery --Frederick Douglass's Escape --Part II: Abolition Takes Root --David Walker Appeals and Garrison Hears --Starting the Black and White Antislavery Societies --A National Movement Emerges --The Liberator Will Be Read --Maria Weston Chapman Takes the Reins --Antislavery on the March --Moral Garrison Splits with the Politicos --Part III: The Grand Alliance at Work --Douglas Joins Garrison --The Façade and the Cracks in the Alliance --Political Abolition Pulls on Garrisonians --The Cracks Widen --Douglass Writes and Garrison Publishes --Frederick Douglass, International Superstar and Publisher --Part IV: Douglass to the Political Side --Slave Power Rises and Abolition Power Rises --The Private Lives of Public Activists --Compromise Makes Conflict Worse --Douglass Recruits the Constitution --Part V: Douglass and Garrison Divide --The Political Divorce --The Personal Divorce --Epilogue: Three Meetings and a Funeral.
    Abstract: "The story of the fascinating, fraught alliance among Frederick Douglass, William Lloyd Garrison, and Maria Weston Chapman -- and how its breakup led to the success of America's most important social movement. In the crucial early years of the Abolition movement, the Boston branch of the cause seized upon the star power of the eloquent ex-slave Frederick Douglass to make its case for slaves' freedom. Journalist William Lloyd Garrison promoted emancipation while Garrison loyalist Maria Weston Chapman, known as "the Contessa," raised money and managed Douglass's speaking tour from her Boston townhouse. Conventional histories have seen Douglass's departure for the New York wing of the Abolition party as a result of a rift between Douglass and Garrison. But, as acclaimed historian Linda Hirshman reveals, this completely misses the woman in power. Weston Chapman wrote cutting letters to Douglass, doubting his loyalty; the Bostonian abolitionists were shot through with racist prejudice, even aiming the N-word at Douglass among themselves. Through incisive, original analysis, Hirshman convinces that the inevitable breakup was in fact a successful failure. Eventually, as the most sought-after Black activist in America, Douglass was able to dangle the prize of his endorsement over the Republican Party's candidate for President, Abraham Lincoln. Two years later the abolition of slavery -- if not the abolition of racism -- became immutable law." --
    Note: Includes bibliographical references (pages 279-314) and index , Text in American English
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  • 89
    ISBN: 9791037506320
    Language: French
    Pages: 140 pages, 3 unnumbered pages , 27 cm
    Series Statement: Les Arènes BD
    DDC: 741
    Keywords: 1800-1899 ; Foreign workers, Italian Comic books, strips, etc ; Massacres Comic books, strips, etc History 19th century ; Salt industry and trade Comic books, strips, etc History 19th century ; Xenophobia Comic books, strips, etc History 19th century ; Foreign workers, Italian ; Massacres ; Salt industry and trade ; Xenophobia ; Comics (Graphic works) ; History ; France - Aigues-Mortes ; Comic ; Comic ; Aigues-Mortes ; Salzgewinnung ; Italienischer Arbeitnehmer ; Ausländerfeindlichkeit ; Massaker ; Geschichte 1893
    Note: Includes bibliographical references (page 142)
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  • 90
    ISBN: 9788862087742
    Language: English
    Pages: 159 Seiten , illustrations , 31 cm
    DDC: 779
    Keywords: Bildband ; Bildband ; Verger, Pierre 1902-1996 ; USA ; Fotografie ; Alltag ; Geschichte 1934-1937
    Note: Pierre Verger (1902-1996), known also as Fatumbi, French photographer
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  • 91
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    Cleveland, Ohio : Belt Publishing
    ISBN: 9781953368270
    Language: English
    Pages: 172 Seiten , Illustrationen, Karten , 24 cm
    Edition: First edition
    DDC: 305.8927077/252
    Keywords: Geschichte ; Arab Americans History 20th century ; Arab Americans Social conditions ; Syrian Americans ; Araber ; Arab Americans ; Arab Americans ; Social conditions ; Race relations ; Syrian Americans ; History ; Informational works ; Informational works ; Middle West Race relations 20th century ; History ; Indianapolis (Ind.) Race relations ; History ; Indianapolis, Ind. ; Indiana ; Indianapolis ; Middle West
    Abstract: From peddlers to grocery store owners --Willard Street: Indianapolis's Syrian colony --Sadie Hider: a founding mother of Arab Indianapolis --Syrian corner grocery --NFL quarterback Jeff George --Julia David, Nicholas Shaheen, and Monument Circle --Founding of St. George Syrian Church --Syrian American Brotherhood --Ann Zarick and women's leadership --Healing Hoosiers for a century --Indianapolis connection to St. Jude's Hospital --Imam Ahmed Alamine --Arab Americans in the two world wars --Palestinian Hoosiers --Hope in exile: an Algerian American story --Iraqi Poet Sajjad Jawad --Helen Corey, Reporter --Mitch Daniels, governor --Fady Qaddoura, state senator --Rabia Jermoumi, economist --Educators Dounya Muslet and Nermeen Mouftah --Holidays and holy days --Maqluba (upside down) --Arab restaurants --Mediation on Helen Corey's Tabbouli.
    Abstract: "An accessible, intimate look at the oft-neglected history of Arab Americans in Greater Indianapolis who have made a remarkable impact on the region since the late 1800s. From establishing local businesses to working in the fields of health care and education, Arab Americans have made indelible contributions to the cultural vitality, economic growth, and social fabric of central Indiana."--Page 4 of cover
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  • 92
    ISBN: 9781639361670 , 1639361677
    Language: English
    Pages: xxvi, 305 pages, 24 unnumbered pages of plates , illustrations (some color), portraits (some color) , 24 cm
    Edition: First Pegasus Books cloth edition
    DDC: 305.892/4047709041
    Keywords: Caprove, Anne ; Brahin, Lisa Family ; Pogroms History 20th century ; Jews Persecutions 20th century ; History ; Jewish families Biography ; Families ; Jews ; Persecutions ; Pogroms ; History ; Instructional and educational works ; Instructional and educational works ; Biographies ; Ukraine ; Stavishche ; Juden ; Pogrom ; Auswanderung
    Abstract: Preface: A granddaughter's memories -- Russian Jewish timeline: a brief chronology of historical events, 1881--1921 -- Prologue: Stavishche, June 15--16, 1919 -- Part I: Calm before the storm: 1876-1918 -- Family folklore -- A total eclipse -- A Passover tragedy -- Days of innocence -- Avrum Cutler's brief betrothals -- Count Wladyslaw Branicki and the noble family of Stavishche -- Part II: The pogroms: 1917-1920 -- Grigoriev's bandits -- From village to village -- Ataman Zeleny meets Rabbi Pitsie Avram -- The murder of Bessie Cutler's husband -- General Denikin's militia -- Refuge in Belaya Tserkov -- Part III: Exodus to the Goldene Medina, 1920-1925 -- There was a place nearby, where they made the little coffins -- The unlikely arrival of Barney Stumacher, an American hero -- The great escape: the wagon trains -- The perilous crossing of the Dniester River -- Adventures in Romania -- Life in Kishinev -- Journey on the SS Braga -- America: the first years -- Part IV: Rebecca and Isaac's children: select stories in Philadelphia, 1926-1931 -- Struggling in the golden land -- The story of Anne and Ben -- When Sunny met Harry -- Beryl -- Part V: Rabbis and reunions 1941-1950 rainbows 1925 and 2003 -- Rabbi Pitsie Avram in the Bronx -- The events that defined their lives in the New World -- Rainbows.
    Abstract: "Between 1917 and 1921, twenty years before the Holocaust began, an estimated 100,000 to 250,000 Jews were murdered in anti-Jewish pogroms across Ukraine. Lisa grew up transfixed by her grandmother Channa's stories about her family being forced to flee their hometown of Stavishche, as armies and bandit groups raided village after village, killing Jewish residents. Channa described a perilous three-year journey through Russia and Romania, led at first by a gallant American who had snuck into Ukraine to save his immediate family and ended up leading an exodus of nearly eighty to safety. With almost no published sources to validate her grandmother's tales, Lisa embarked on her incredible journey to tell Channa's story, forging connections with archivists around the world to find elusive documents to fill in the gaps of what happened in Stavishche. She also tapped into connections closer to home, gathering testimonies from her grandmother's relatives, childhood friends and neighbors. The result is a moving historical family narrative that speaks to universal human themes--the resilience and hope of ordinary people surviving the ravages of history and human cruelty. With the growing passage of time, it is unlikely that we will see another family saga emerge so richly detailing this forgotten time period. Tears Over Russia eloquently proves that true life is sometimes more compelling than fiction." --
    Note: Includes bibliographical references (pages 299-305)
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  • 93
    ISBN: 9782897913267 , 2897913266
    Language: French
    Pages: 437 pages , illustrations, portraits , 23 cm
    DDC: 306.09714 H341h
    Keywords: Cultural policy ; History ; Québec (Province) Cultural policy 19th century ; History ; Québec (Province) Cultural policy 20th century ; History ; Québec ; Québec ; Kulturpolitik ; Geschichte 1855-1976
    Abstract: "Révélatrice des débats qui ont animé sur plus d'un siècle les relations entre les instances politiques, les fonctionnaires et le milieu culturel en général, l'histoire des politiques culturelles au Québec permet de prendre conscience du chemin parcouru. Dans cet ouvrage, Fernand Harvey explore la période moins connue qui précède la Révolution tranquille, soit de 1855 à 1960. L'intervention encore mal assurée de l'État se manifeste alors dans le domaine de l'enseignement des arts, la création d'institutions culturelles, l'aide aux écrivains, aux artistes et aux scientifiques ainsi que dans la protection du patrimoine. La seconde partie consacrée aux années 1961-1976 met en lumière la place croissante de la culture dans le débat public, la difficile affirmation du nouveau ministère des Affaires culturelles au sein de l'appareil d'État et, également, les relations fédérales-provinciales conflictuelles en matière de culture et de communication. Cette période demeure le point de départ des politiques culturelles générales et sectorielles qui vont se développer au cours des décennies ultérieures." --
    Note: Includes bibliographical references (pages 411-418) and index
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  • 94
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    South Brisbane, QLD : Griffith University
    ISBN: 9781922212719 , 1922212717
    Language: English
    Pages: 323 pages, 20 pages of plates , illustrations (some colour) , 24 cm
    Series Statement: Griffith review 76
    Series Statement: Griffith review
    DDC: 305.89915
    Keywords: Constitutional law ; Aboriginal Australians Civil rights ; Aboriginal Australians Politics and government ; Aboriginal Australians Government relations ; Aboriginal Australians Legal status, laws, etc ; Australiens (Aborigènes) - Droits ; Australiens (Aborigènes) - Relations avec l'État ; Aboriginal Australians - Civil rights ; Aboriginal Australians - Government relations ; Aboriginal Australians - Legal status, laws, etc ; Aboriginal Australians - Politics and government ; Constitutional law ; Politics and government ; Race relations ; History ; Australia Politics and government ; Australia Race relations ; Australia History ; Australie - Politique et gouvernement ; Australie - Relations raciales ; Australie - Histoire ; Australia
    Abstract: Truth-telling in a post-truth world. Four years on from the Uluru Statement from the Heart, there's a clear divide between the groundswell of popular support to recognise the rightful place of First Nations people in Australia's democratic life and ongoing political inertia in the same space. Griffith Review 76: Acts of Reckoning is a wide-ranging discussion of the multifaceted issues at play in Australia's fraught journey towards a full settlement with Indigenous peoples. What might be possible for Australia's narrative when reconciliation between the world's oldest continuing culture and one of its newest nation states is achieved? And how can this take place in an era of quick assumptions and divides, alternative facts and cancellations? Examining questions of history, truth-telling and decolonisation and revisiting colonial figures and assumptions and their ongoing legacies, in Australia and beyond, Acts of Reckoning reframes the past in order to form new futures, and celebrates how much work is already underway
    Note: Teela Reid, Michael Mohammed Ahmad, Tony Birch, Henry Reynolds, Melissa Lucashenko, Tom Griffiths, Lucas Grainger-Brown, Samuel Watson, Megan Davis
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  • 95
    ISBN: 9783775752022 , 3775752021
    Language: English
    Pages: 368 Seiten , 29.5 cm x 22.5 cm
    Series Statement: Kulturgeschichte
    Parallel Title: Parallele Sprachausgabe Blitzsymbol und Schlangentanz
    DDC: 701.18
    RVK:
    RVK:
    Keywords: Ausstellungskatalog Museum am Rothenbaum - Kulturen und Künste der Welt 04.03.2022-08.01.2023 ; Bildband ; Ausstellungskatalog Museum am Rothenbaum - Kulturen und Künste der Welt 04.03.2022-08.01.2023 ; Bildband ; Puebloindianer ; Kunst ; Ritual ; Rezeption ; Warburg, Aby 1866-1929 ; Warburg, Aby 1866-1929 Schlangenritual
    Note: Impressum: "This book accompanies the exhibition 'Lightning Symbol and Snake Dance: Aby Warburg and Pueblo Art', March 4, 2022 to january 8, 2023, MARKK Museum am Rothenbaum - Kulturen und Künste der Welt, Hamburg"
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  • 96
    ISBN: 9781419744358 , 1419744356
    Language: English
    Pages: xi, 226 pages , illustration , 22 cm
    DDC: 306.76/5
    Keywords: Shaw, Julia ; Bisexuality ; Bisexuality History ; Bisexuals ; SOCIAL SCIENCE / LGBTQ+ Studies / General ; BIOGRAPHY & AUTOBIOGRAPHY / LGBTQ+ ; Bisexuality ; Bisexuals ; Bisexual studies ; History ; Autobiographies ; Bisexualität
    Abstract: Introduction: I want more -- The bi option -- Our history -- Nothing but mammals -- The bisexual closet -- Invisi-bi-lity -- It's political -- Free love -- Conclusion: Bidentity.
    Abstract: "A provocative, eye-opening, and original book on the science of sexuality beyond gender from an internationally bestselling pop-psychologist. Despite all the welcome changes that have happened in our culture and laws over the past few decades in regards to sexuality, the subject remains one of the most influential but least understood aspects of our lives. For psychologist and bestselling author Julia Shaw, this is both professional and personal--Shaw studies the science of sexuality and she herself is proudly and vocally bisexual. It's an admission, she writes, that usually causes people's pupils to dilate, their cheeks to flush, and their questions to start flowing. Ask people to name famous bisexual actors, politicians, writers, or scientists, and they draw a blank. Despite statistics that show bisexuality is more common than homosexuality, bisexuality is often invisible. In BI: The Hidden Culture, History, and Science of Bisexuality, Shaw probes the science and culture of attraction beyond the binary. From the invention of heterosexuality to the history of the Kinsey scale, as well as asylum seekers trying to defend their bisexuality in a court of law, there is so much more to explore than most have ever realized. Drawing on her own original research--and her own experiences--this is a personal and scientific manifesto; it's an exploration of the complexities of the human sexual experience and a declaration of love and respect for the nonconformists among us"--
    Note: Simultaneously published: Edinburgh : Canongate, 2022 , Includes bibliographical references (pages 183-214) and index
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  • 97
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    Boston : Academic Studies Press
    ISBN: 1644698943 , 9781644698945
    Language: English
    Pages: vi, 355 , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: Studies in the history and sociology of music
    DDC: 306.484209479
    RVK:
    Keywords: Since 1991 ; Music Social aspects ; History ; Music Political aspects ; History ; Communism and music ; Communism and music ; Manners and customs ; Music - Political aspects ; Music - Social aspects ; History ; Baltic States Social life and customs ; Baltic States History 1991- ; Baltic States ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: This volume provides a transnational study of the impact of musical cultures in the Eastern Baltics – Lithuania, Latvia, Poland, and Russia – at the end of the Cold War and in the early post-Communist period. Throughout the book, the contributors explore and conceptualize transnational musical collaboration and the diffusion of information, people, and ideas focusing on musical activity which shaped the moral and artistic outlook of several generations. The volume sheds light on the transformative power of politically and socially engaged music and offers a deeper understanding of the artistic potential of societies and its impact on social and political change.
    Note: Enthält Literaturangaben und ein Namenregister
    URL: Cover
    URL: Cover
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  • 98
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    Seattle : University of Washington Press
    ISBN: 9780295751283 , 0295751282
    Language: English
    Pages: 144 Seiten , Illustrationen , 23 cm
    DDC: 709
    Keywords: Propaganda History ; Propaganda Pictorial works History ; Propaganda ; History ; Pictorial works
    Abstract: Propaganda is thousands of years old. But it came of age in the 20th century, when the development of mass media (and later multimedia communications) offered a fertile ground for its dissemination, and the century's global conflicts provided the impetus needed for its growth. Put simply, propaganda is the dissemination of ideas intended to convince people to think and act in a particular way and for a particular persuasive purpose. But it takes many forms, is fluid and indeed is constantly developing, most fervently in our own digital era. Terms such as 'fake news', 'post-truth', 'gate-keepers' and 'asymmetrical warfare' were unknown a decade ago yet today are now commonplace, and often cynically derided, in daily media communications. In this timely and fully international book, David Welch has selected fifty images to highlight the continuities and dis-continuities of mass-communication throughout history, be they via images, events, films or by 'propaganda by deed'. Such an approach demonstrates how changing technological innovations (such as television and the internet) have continued to shape the propaganda narrative but also demonstrate how tried and trusted forms of propaganda - such as the humble leaflet - can still prove highly effective. The fifty images included are not all necessarily the most striking - rather they have been chosen because they illustrate recurring themes and devices (such as humour) and different mediums employed by propagandists - from early Egyptian coins eulogizing Alexander the Great to the psychological warfare used in the war against terrorism following the destruction of the Twin Towers in New York, and the use of social media employed so widely in the current Covid pandemic
    Note: Includes bibliographical references (pages 142-143)
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  • 99
    ISBN: 9783030986568 , 303098656X
    Language: English
    Pages: xii, 297 Seiten , Illustrationen , 21 cm
    Parallel Title: Erscheint auch als
    DDC: 305.8009450904
    Keywords: Racism History 20th century ; Race discrimination History ; Italy Race relations 20th century ; History ; Konferenzschrift 2018 ; Italien ; Ethnische Beziehungen ; Rassismus ; Rassendiskriminierung ; Geschichte 1880-2018
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  • 100
    ISBN: 9780691209272 , 0691209278
    Language: English
    Pages: 133 Seiten , 29 cm
    DDC: 709.73
    RVK:
    Keywords: African Americans Exhibitions Violence against ; Black people Exhibitions Violence against ; African Americans in art Exhibitions ; Black people in art Exhibitions ; Violence in art Exhibitions ; African Americans Exhibitions Social conditions ; African American art Exhibitions 20th century ; African American art Exhibitions 21st century ; Racism Exhibitions History ; Art Exhibitions Political aspects ; Art, American Exhibitions 20th century ; Art, American Exhibitions 21st century ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; USA ; Schwarze ; Engagierte Kunst ; Rassismus ; Gewalt
    Abstract: Preface / Huey Copeland -- A site of struggle / Janet Dees -- Making racial violence visible / Leslie M. Harris -- Functional abstractions : sensorial afterlives of the Black body / Sampada Aranke -- Black redaction, Black evidence : another testimony of Black life / LaCharles Ward -- Pausing at the threshold / Courtney R. Baker.
    Abstract: Examines the vast array of art produced by African Americans in response to the continuing impact of anti-Black violence and how it is used to protest, process, mourn and memorialize those events
    Note: Impressum: This publication accompanies the exhibition "A Site of Struggle: American Art against Anti-Black Violence", organized by the Mary and Leigh Block Museum of Art, Northwestern University, on view at the Block January 26-July 10, 2022, and the Montgomery Museum of Fine Arts, August 13-November 6, 2022 , Includes bibliographical references (pages 127-131)
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