ISBN:
9783319408743
Language:
English
Pages:
1 online resource (342 pages)
Parallel Title:
Erscheint auch als Hanan, David Cultural Specificity in Indonesian Film
Parallel Title:
Print version Hanan, David Cultural Specificity in Indonesian Film : Diversity in Unity
DDC:
301
Keywords:
Motion pictures-Asia
;
Ethnologie
;
Film
;
Motion pictures ; Indonesia
;
Electronic books
;
Indonesien
Abstract:
Acknowledgements -- Contents -- List of Figures -- Chapter 1: Introduction -- In the Words of a Filmmaker … -- Studies of Cultural Specificity in Film in Japan, India and 'the Third World' -- The Term 'Culture' in the Framework of this Study -- The Example of the Film Roro Mendut -- Bibliography -- Chapter 2: Indonesia: An Emerging Nation -- The Colonial Period -- Indonesia and 'the Third World' -- The Pancasila-Visions of Hope -- Phases in National Political History -- The Experiment with Democracy in the Early Sukarno Period (1950-59) -- Guided Democracy (1959-65) -- From Abortive Army Purge to Systematic Annihilation of the Left (30 September 1965) -- The Suharto New Order Regime (1966-98) -- The Post-Suharto 'Reformasi' Period -- The Regulation of Cinema Under the Suharto New Order Regime -- Is There an Indonesian National Culture? -- Bibliography -- Chapter 3: Intermittent Industries: Film Production in Indonesia over Nine Decades -- Film Production in the Netherlands East Indies -- The Japanese Occupation (1942-45) -- Film in the Period 1945 to 1949 -- New Initiatives in the Early Independence Period -- Imported or Local Films: Political Economy of the Indonesian Film Industry -- The Guided Democracy Period: Conflict between Left and Right Cultural Organizations -- Film Policies in the New Order Period -- New Emerging Writer-Directors in the 1970s -- Popular Indonesian Genres in the New Order Period -- Initiatives of the 1980s -- Changes in Film Exhibition in the 1980s and the Decline of Local Production in the 1990s -- The Post-Suharto Reformasi Period -- Bibliography -- Chapter 4: Regions and Regional Societies and Cultures in the Indonesian Cinema -- Conversation as an Alternative to Violence: The Formation of 'the Social' -- The Quest for Regional Authenticity in Harimau Tjampa (1953)
Abstract:
The Region and Historical Change in Para Perintis Kemerdekaan (1977) -- Mufakat and Islamic Reform in the Film -- Syncretism and Gotong Royong in Tjambuk Api (1958) -- Regional Performance Forms Versus Modern Film Genres in Tiga Buronan (1957) -- A Flag Rising above a People under Siege: Tjoet Nja' Dhien (1988) -- The Region within the Nation-state and a Globalizing World: Surat Untuk Bidadari (1993) -- Conclusion -- Bibliography -- Chapter 5: Group Body Language in Performance Art, Films and Dance by the Indonesian Avant-Garde -- Introduction -- Group Body Language in Meta Ekologi (1979) -- Research in Anthropology on Proxemics, Kinesics and Choreometrics -- Participatory Regional Performance Forms: The Barong in Sardono W. Kusuma's The Sorceress of Dirah (1992) -- Participatory Regional Performance Forms: Didong in Garin Nugroho's Puisi Tak Terkuburkan (1999) -- Group Body Language and the Concept of 'Habitus': Models from Anthropological Theory -- Conclusion -- Bibliography -- Chapter 6: Body Language: From Wall Reliefs and Painting to Popular Narrative Film -- Body Language as a Cultural Contrast in a Nineteenth-Century Javanese Painting: Raden Saleh's Diponegoro Captured at Magelang -- Contrasting Body Languages in an Indonesian Historical Film: Teguh Karya's November 1828 -- The Transition from Incorporation in the Same-Sex Group to the Constitution of the Heterosexual Couple: Ada Apa Dengan Cinta? -- Framing and Composition of the Group and the Individual in Shot/Reverse-Shots in Roro Mendut -- Conclusion, and a Caveat: Nya Abbas Akup's Matt Dower -- Bibliography -- Chapter 7: Women in a Context of Cultural Difference -- Introduction -- Film Theory and the Visual Representation of Women -- Feminist Criticism of the Representation of Women in Indonesian Cinema -- Strong Women in South East Asia -- Introduction to Particular Studies of Films
Abstract:
Suci Sang Primadona ('Suci the Primadonna', 1977) -- Sangkuriang (1982) -- Nji Ronggeng ('The Ronggeng Dancer', 1969) -- The Mother's Role in Creating Body Language: Some Questions -- Complicating Anthropological Generalizations: Dibalik Kelambu (1982) -- Sawdust and Tinsel (1953): Power Relations in Relationships -- Summary and Conclusion -- Bibliography -- Conclusion: 'Placing Culture' -- Glossary and Abbreviations -- Index
Note:
Includes bibliographical references at the end of each chapters and index. Description based on print version record
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