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  • History  (589)
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  • 1
    ISBN: 9783836539708 , 3836539705
    Language: German , English , French
    DDC: 750
    Keywords: Bildband ; USA ; Magazin ; Pin-up-girl ; Geschichte
    Note: Text dt., engl. und franz
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  • 2
    ISBN: 9781478025160 , 9781478020271
    Language: English
    Pages: 554 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Alvarez, Daniela Future/present
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    RVK:
    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Description / Table of Contents: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references
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  • 3
    ISBN: 1032368713 , 9781032368719
    Language: English
    Pages: xvi, 168 Seiten , Illustrationen , 25 cm
    Series Statement: Routledge research in design history
    Parallel Title: Erscheint auch als
    DDC: 391
    Keywords: 1800-1999 ; Kimonos History 19th century ; Kimonos History 20th century ; Kimonos Social aspects ; Kimonos - Grande-Bretagne - Histoire - 19e siècle ; Kimonos - Grande-Bretagne - Histoire - 20e siècle ; Kimonos - Aspect social - Grande-Bretagne ; Kimonos ; History ; Great Britain
    Abstract: Using interdisciplinary research and critical analysis, this book examines experiences through (or with) kimonos in Britain during the late Victorian and Edwardian periods. Bringing new perspectives to challenge the existing model of "Japonisme in fashion" and introducing overlooked contacts between kimonos and people, this book explores not only fine arts and department stores but also a variety of theatres and cheap postcards. Putting a particular focus on the responses and reactions elicited by kimonos in visual, textual and material forms, this book initiates an entirely new discussion on the British adoption of Japanese kimonos beyond the monolithic view of the relationship between the East and West. This book will be of interest to scholars working in fashion studies, British studies, Japanese studies, design history and art history
    Description / Table of Contents: Introduction 1. Translating Bodies 2. Creating Fashion 3. Making it "Picturesque" 4. Educating People 5. Circulating Beyond Conclusion
    Note: Includes bibliographical references and index
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  • 4
    ISBN: 9780300246544
    Language: English
    Pages: 272 Seiten , Illustrationen, Karten, Pläne , 28 cm
    DDC: 700.946
    Keywords: Velázquez, Diego Influence ; Aguado, Mateo ; Philip Art patronage ; Women's clothing 17th century ; Fashion Political aspects 17th century ; History ; Nobility Clothing 17th century ; History ; Fashion in art 17th century ; Clothing and dress 17th century ; Dressmaking 17th century ; Tailoring (Women's) 17th century ; Fashion Political aspects 17th century ; History ; Nobility Clothing 17th century ; History ; Mode dans l'art - 17e siècle ; Couture (Profession) - Espagne - 17e siècle ; Vêtements de femme - Espagne - 17e siècle ; Confection pour femmes - Espagne - 17e siècle ; Spain Court and courtiers 17th century ; Clothing ; History ; Spain Queens 17th century ; Clothing ; Spain Court and courtiers 17th century ; Clothing ; History ; Spain Queens 17th century ; Clothing ; Velázquez, Diego Rodríguez de Silva y 1599-1660 ; Mode ; Kleidung ; Spanien ; Malerei ; Mode ; Kleidung ; Geschichte 1600-1700
    Abstract: Spanish Fashion in the Age of Velázquez is the first archival study of dress at the court of Philip IV, as told through the life and work of royal tailor Mateo Aguado. Tailor to the queens of Spain from 1630 to 1672, Aguado designed the striking dresses that gave the Spanish court its distinctive look in the Baroque era. The most influential dress designer in the seventeenth-century Spanish world, Aguado was responsible for creating the iconic dresses that appear in some of Diego Velázquez’s most famous court portraits. Based on new research, this book brings to life the world of Aguado and his colleagues at court. The long-lost garments and accessories that the court artisans made for their royal employers are reconstructed here for the first time. Aguado’s creations played a crucial role in domestic and international politics by shaping the royal image, and his dresses took center-stage in major political events during Philip IV’s reign. Richly illustrated with well-known masterpieces along with surviving textiles and garments, the book explores how Aguado’s dress designs shaped a new vision of Spanish style, and Spanishness, that defined Golden-Age Spain
    Abstract: "One of the most extreme periods of fashion history flourished at the Spanish court of Philip IV, where women were encaged in enormous bell-shaped farthingales and men wore tightly tailored garments and stiff starched collars. This book tells the story of this distinctive style of dress that was immortalized by Velázquez and Murillo"--
    Note: Includes bibliographical references (pages 243-259) and index
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  • 5
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    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts
    ISBN: 9781350293380 , 1350293385 , 9781350293373 , 1350293377
    Language: English
    Pages: xv, 260 Seiten , Illustrationen , 25 cm
    Parallel Title: Erscheint auch als Gernerd, Elisabeth The Modern Venus
    DDC: 391.209182109033
    Keywords: 1700-1799 ; Women's clothing History 18th century ; Women's clothing History 18th century ; Underwear History 18th century ; Vêtements de femme - Atlantique, Région de l' - Histoire - 18e siècle ; Sous-vêtements - Atlantique, Région de l' - Histoire - 18e siècle ; Vêtements de femme - Grande-Bretagne - Histoire - 18e siècle ; Underwear ; Women's clothing ; History ; Atlantic Ocean Region
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  • 6
    ISBN: 9783871572630 , 9783905014785 , 3871572632
    Language: German
    Pages: 268 Seiten , Illustrationen
    Series Statement: Jahresgabe des Deutschen Vereins für Kunstwissenschaft 2018
    Dissertation note: Habilitationsschrift Johannes Gutenberg-Universität Mainz 2016
    DDC: 700
    RVK:
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    Keywords: Hochschulschrift ; Textilkunst ; Seide ; Asien ; Mittelalter ; Handel ; Mode ; Textilkunst ; Buchmalerei ; Renaissance
    Abstract: Im Mittelalter war Seide das bevorzugte textile Material, um Reichtum und Status zum Ausdruck zu bringen. Wurden Luxusgewebe bis zum 13. Jahrhundert aus Byzanz und Spanien importiert, so gelangten nach 1300 Seidenstoffe aus dem mongolischen Großreich in den Westen. Die aus chinesischen, persischen und muslimischen Motiven komponierten Muster trugen eine neue Ästhetik nach Europa. Das Buch behandelt Gewänder und Objekte aus panni tartarici, die in Gräbern, Kirchenschätzen und musealen Sammlungen erhalten geblieben sind. Anhand von Form und Funktion der Textilien wird unter Einbeziehung von Quellen, Texten und Bildern gezeigt, wie Klerus und Adel sich das fremde Material aneigneten. Indem Herkunftsregionen untersucht und Wege der Seide nach Westen nachgezeichnet werden, thematisiert die Studie die globale Vernetzung in der Vormoderne.
    Note: Literaturverzeichnis: Seite 241-254 , "... handelt es sich um die überarbeitete Fassung meiner ... eingereichten Habilitationsschrift" - Vorwort der Autorin
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  • 7
    ISBN: 9781350195929 , 9781350195936
    Language: English
    Pages: xiii, 394 Seiten , Illustrationen , 24 cm
    Edition: Second edition
    DDC: 306.0952
    Keywords: Popular culture History ; Popular culture Political aspects ; History ; Japan Civilization ; Japan Intellectual life ; Japan Social life and customs ; Japan ; Volkskultur ; Massenkultur ; Geschichte 1600-2017
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  • 8
    ISBN: 9782845979420
    Language: French
    Pages: 478 Seiten , Illustrationen
    DDC: 306.768
    RVK:
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    Keywords: Geschichte 1900-2000 ; American Transgender network ; History ; Fotografie ; Transgender ; Transsexualität ; Netzwerk ; USA ; Ausstellungskatalog 03.07.2023-24.09.2023 ; Ausstellungskatalog Art Gallery of Ontario 23.12.2023-14.04.2024 ; Bildband ; Ausstellungskatalog 03.07.2023-24.09.2023 ; Ausstellungskatalog Art Gallery of Ontario 23.12.2023-14.04.2024 ; Bildband ; Bildband ; Ausstellungskatalog Art Gallery of Ontario 23.12.2023-14.04.2024 ; Transgender ; Transsexualität ; Fotografie ; USA ; Netzwerk ; Geschichte 1900-2000
    Abstract: En 2004, à New York, 340 photographies datant du début des années 1960 sont retrouvées aux puces. Ces clichés d'amateurs révèlent un vaste réseau clandestin de travestis entre les Etats-Unis et le Canada. Susanna accueillait fréquemment des amis travestis dans sa propriété des Catskill. La photographie leur permet alors de conserver une trace de leur fille intérieure
    Note: Impressum: Cet ouvrage est publié à l'occasion de l'exposition "Casa Susanna", présentée aux Rencontres d'Arles du 3 juillet au 24 septembre 2023, puis à l'Art Gallery of Ontario du 23 décembre 2023 au 14 avril 2024
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  • 9
    ISBN: 9781636810164 , 1636810160
    Language: English
    Pages: 222 Seiten , 32 x 24 cm
    DDC: 704.0396073
    RVK:
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    Keywords: Los Angeles County Museum of Art Catalogs ; Los Angeles County Museum of Art ; African Americans Portraits ; Exhibitions ; Portrait photography Exhibitions ; African Americans in art Exhibitions ; Art, American Exhibitions ; Art Catalogs ; African Americans ; African Americans in art ; Art ; Art, American ; Portrait photography ; Catalogs ; Exhibition catalogs ; California - Los Angeles ; Ausstellungskatalog Los Angeles County Museum of Art 2021-2022 ; Ausstellungskatalog Spelman College 2023 ; Ausstellungskatalog Memphis Brooks Museum of Art 2023-2024 ; Bildband ; Los Angeles County Museum of Art ; Sammlung ; Porträtfotografie ; Person of Color ; USA ; Schwarze ; Kunst ; Bildnis ; Schwarze
    Abstract: Spanning over two centuries from around 1800 to the present day, Black American Portraits chronicles the ways in which Black Americans have used portraiture to envision themselves in their own eyes. Remembering Two Centuries of Black American Art, curated by David C. Driskell at LACMA 45 years ago, this book is a companion to the exhibition of the same name that reframes portraiture to center Black American subjects, sitters and spaces. This selection of approximately 140 works from LACMA's permanent collection highlights emancipation, scenes from the Harlem Renaissance, portraits from the Civil Rights and Black Power eras, multiculturalism of the 1990s and the spirit of Black Lives Matter.0Countering a visual culture that often demonizes Blackness and fetishizes the spectacle of Black pain, these images center love, abundance, family, community and exuberance. Black American Portraits depicts Black figures in a range of mediums such as painting, drawing, prints, photography, sculpture, mixed media and time-based media. In addition to work by artists of African descent, Black American Portraits includes several works by artists of other backgrounds who have exemplified a thoughtfulness about, sensitivity toward and commitment to Black artists, communities, histories and subjects.00Exhibition: Los Angeles County Museum of Art (LACMA), LA, USA (07.11.2021-07.04.2022)
    Note: Seite [224]: Published in conjunction with the exhibition "Black American Portraits". Itinerary Los Angeles County Museum of Art, November 7, 2021-April 17, 2022; Spelman College Museum of Fine Art, January 30-May 14, 2023; Memphis Brooks Museum of Art, September 23, 2023-July 1, 2024 , Artists include: Cedric Adams ; Laura Aguilar ; Alvin Baltrop ; Sadie Barnette ; Richmond Barthé ; Edward Biberman ; John Biggers ; Dannielle Bowman ; Diedrick Brackens ; Mark Bradford ; Kwame Brathwaite ; Frederick J. Brown ; Bisa Butler ; Micaiah Carter ; Jordan Casteel ; Elizabeth Catlett ; Jonathan Lyndon Chase ; Renee Cox ; Njideka Akunyili Crosby ; Kim Dacres ; Bruce Davidson ; Kenturah Davis ; Roy DeCarava ; Beauford Delaney ; Woody De Othelllo ; Emory Douglas ; Stan Douglas ; Sam Doyle ; David C. Driskell ; rafa esparza ; Shepard Fairey ; Kohshin Finley ; Genevieve Gaignard ; Charles Gaines ; Rico Gatson ; Jerrell Gibbs ; Todd Gray ; Chase Hall ; Lauren Halsey ; David Hammons ; Lyle Ashton Harris ; Miki Hayakawa ; William Armfield Hobday ; Reggie Burrows Hodges ; Janna Ireland ; Arthur Jafa ; Lee Jaffe ; Sargent Claude Johnson ; Kahlil Joseph ; Isaac Julien ; Glenn Kaino ; Consuelo Kanaga ; Clifford Prince King ; Jacob Lawrence ; Deana Lawson ; Samella Lewis ; Whitfield Lovell ; Kerry James Marshall ; Wangari Mathenge ; Willie Robert Middlebrook ; Nicole Miller ; Zora J. Murff ; Alice Neel ; Ralph Nelson ; Toyin Ojih Odutola ; Lorraine O'Grady ; Kambui Olujimi ; Catherine Opie ; Gordon Parks ; Ada Pinkston ; Robert Pruitt ; Otis Kwame Kye Quaicoe ; Nathaniel Mary Quinn ; Umar Rashid ; Calida Rawles ; Deborah Roberts ; Alison Saar ; Betye Saar ; Lezley Saar ; William Scott ; Paul Mpagi Sepuya ; Amy Sherald ; Xaviera Simmons ; Lorna Simpson ; Ming Smith ; Shinique Smith ; Edward Steichen ; Martine Syms ; Henry Taylor ; Mickalene Thomas ; Tourmaline ; Kent Twitchell ; James Van Der Zee ; Meta Vaux Warrick Fuller ; Fulton Leroy Washington (aka Mr. Wash) ; Timothy Washington ; Carrie Mae Weems ; Charles White ; Kehinde Wiley ; D'Angelo Lovell Williams ; Deborah Willis , Includes bibliographical references , Face it / , A museum's commitment to the Trayvon Generation / , Black American art at LACMA: a history / , Beyond the master / , Proof of life / , A lil' history of photography: Black American photography before Barack Obama / , The elusive body: Mark Bradford and David Hammons /
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  • 10
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    New York : Rizzoli | Mumbai : Nita Mukesh Ambani Cultural Centre
    ISBN: 084787110X , 9780847871100
    Language: English
    Pages: 255 Seiten , Illustrationen , 30 cm
    DDC: 746.920954
    Keywords: Fashion Exhibitions History ; Clothing and dress Exhibitions History ; Textile fabrics Exhibitions History ; Embroidery Exhibitions History ; Fashion Exhibitions History ; Fashion Exhibitions History ; Fashion Exhibitions Asian influences ; Clothing and dress ; Embroidery ; Fashion ; Fashion - Asian influences ; Textile fabrics ; exhibition catalogs ; Exhibition catalogs ; History ; Europe ; India ; North America ; Aufsatzsammlung ; Indien ; Kleidung ; Textilkunst ; Rezeption ; Europa ; USA ; Mode ; Geschichte 1700-2023
    Abstract: India in Fashion' explores the beautiful and sophisticated history and aesthetics of traditional Indian fashion, dress, and textiles and their profound impact on European and American fashion from the eighteenth century to today. This intoxicating and visually rich volume - with texts by experts from India, Europe, and North America - is published to accompany a major exhibition that celebrates the long historical contributions that Indian dress, textiles, and embroidery have had on Western fashion. From the introduction of chintz dressmaking fabrics in the eighteenth century to the early nineteenth-century vogue for light Indian fabrics, paisleys, and chikan embroideries to larger realities of empire and cultural appropriation, this volume features paintings, fashion magazine editorials, and portraits of influential people who championed Indian style throughout history. Traditional hues of brilliant royal blue, marigold, and fuchsia; intricate ikat and calico patterns; and sumptuous textiles enliven every page. Archival and contemporary fashion stories include kaleidoscopic images by photographers such as Henry Clarke in Udaipur in 1967, Arthur Elgort in Jaipur in 1999, and Mikael Jansson in Goa with Indian actress Lakshmi Menon in 2011. Traditional Indian embroidery techniques; design motifs; and dress forms such as saris, jodhpurs, and turbans are reimagined by renowned designers Paul Poiret, Elsa Schiaparelli, Pierre Balmain, Zandra Rhodes, Halston, Yves Saint Laurent, Oscar de la Renta, Gianni Versace, Jean Paul Gaultier, and Alexander McQueen, in addition to a wealth of contemporary Indian designers
    Description / Table of Contents: Fashion, textiles, history -- Designer profiles -- Glossary.
    Note: Informationen von der Website des Nita Mukesh Ambani Cultural Centre: Exhibition from 2 April - 4 June, 2023 , Includes bibliographical references
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  • 11
    ISBN: 9783961821426 , 3961821429
    Language: German
    Pages: 296 Seiten , Illustrationen , 24 cm x 17 cm
    Series Statement: Medienwissenschaften 21
    Series Statement: Reihe Medienwissenschaft
    Parallel Title: Erscheint auch als Herold, Marc Wirklichkeitsmodelle und Postfaktizität
    Dissertation note: Dissertation Universität Siegen 2023
    DDC: 302.2301
    RVK:
    Keywords: Hochschulschrift ; Medienphilosophie ; Erkenntnistheorie ; Wahrheit ; Wirklichkeit
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 12
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    Minneapolis, MN : Minneapolis Institute of Art
    ISBN: 9780300272161 , 0300272162
    Language: English
    Pages: 295 Seiten , Illustrationen , 31 cm
    DDC: 305.80022/2
    RVK:
    Keywords: 19th century ; Métis art Exhibitions ; Inuit art Exhibitions ; Indigenous art Exhibitions ; Indians of North America Pictorial works ; Exhibitions ; Indian photographers Exhibitions ; Photography, Artistic Exhibitions ; Art métis - Expositions ; photobooks ; Photobooks ; Livres de photographies ; Photographie artistique - Expositions ; Art Métis - Expositions ; Art inuit - Expositions ; Art autochtone - Expositions ; Photography, Artistic - Exhibitions ; Indigenous art ; Métis art ; Inuit art ; Indians of North America - Exhibitions ; Indigenous peoples ; exhibition catalogs ; Pictorial works ; Exhibition catalogs ; Illustrated works ; Exhibition catalogs ; Catalogues d'exposition ; Ausstellungskatalog Minneapolis Institute of Arts 22.10.2023-14.01.2024 ; Amerika ; Indigenes Volk ; Fotografie ; Geschichte 1890-2021
    Abstract: This exhibition and catalog includes works by First Nations, Métis, Inuit, and Native American photographers accompanied by research that analyzes their methodologies, principles, and impact upon the medium. With incisive contributions by individual curatorial council members, this volume presents Native photography in three thematic sections that underscore the following: Native people are present in all facets of American life; their role is transformative in the larger society; and their view of, and connections to, the land and all living things is holistic and fundamental. The publication features 130 photographic works by Native photographers from the late nineteenth century to the present, ranging from documentary photographs to family snapshots to conceptual works. Illustrated in full color, the photographs in this book offer diverse perspectives spanning geographic, chronological, and artistic experience, and shed new light on the extraordinary contributions of Native, First Nations, Metis, and Inuit artists to the art of the Americas. --Adapted from publisher's description
    Note: Rückseite Titelblatt: "This catalogue is published in conjunction with the exhibition 'In Our Hands. Native Photography, 1890 to Now', organized by theMinneapolis Institute of Arts, October 22, 2023-January 14, 2024" , Comprend des références bibliographiques (pages 281-290) , Always present. , To the future / , Rematriating photography / , B.A. Haldane: inspiring resurgence through images of resistance / , From weapon to gift: my journey as an Indigenous photographer / , Always leaders. , A Poolaw photo, pictures by an Indian / , An enduring passion / , Rosalie Favell's photographic revisitations: Indigenous family archives & historical memory / , Another way: vernacular / , A world of relations. , Researching the legacy of the Native Indian/Inuit Photographers' Association (NIIPA): an interview with Rhéanne Chartrand and Casey Riley. , On ten years of the Critical Indigenous Photograph Exchange [CIPX] / , "We make that connection": eight Diné (Navajo) photographers / , "Indigenous storywork" and Native American photography / , The last one hundred years /
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  • 13
    ISBN: 9781838955748
    Language: English
    Pages: x, 453 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als Vogler, Pen‏ Stuffed
    DDC: 394.1/20941
    Keywords: Food habits History ; Food Social aspects ; History ; Food security History ; Habitudes alimentaires - Grande-Bretagne - Histoire ; Aliments - Aspect social - Grande-Bretagne - Histoire ; Sécurité alimentaire - Grande-Bretagne - Histoire ; Food habits ; Food security ; Food - Social aspects ; History ; Great Britain ; Großbritannien ; Ernährung ; Überfluss ; Mangel
    Abstract: "The fascinating history of the people, the ideas and the dishes that have fed - and starved - the nation, by the author of the Sunday Times bestselling Scoff. In times of plenty, we stuff ourselves. When the food runs out, we're stuffed too. How have people in the British Isles shared the riches from our fields, dairies, kitchens and seas, as well as those from around the world? And when the cupboard is bare, who steps up to the plate to feed the nation's hungry children, soldiers at war or families in crisis? Stuffed tells the stories of the food and drink at the centre of social upheavals from prehistory to the present: the medieval inns boosted by the plague; the Enclosures that finished off the celebratory roast goose; the Victorian chemist searching for unadulterated mustard; the post-war supermarkets luring customers with strawberries. Drawing on cookbooks, literature and social records, Pen Vogler reveals how these turning points have led to today's extremes of plenty and want: roast beef and food banks; allotment-fresh vegetables and ultra-processed fillers. It is a tale of feast and famine, and of the traditions, the ideas and the laws which have fed - or starved - the nation, but also of the yeasty magic of bread and ale, the thrill of sugary treats, the pies and puddings that punctuate the year, and why the British would give anything - even North America - for a nice cup of tea"--Publisher's description
    Description / Table of Contents: Introduction -- Before the enclosures -- The enclosures and after -- Organization -- Children and families -- Sharing -- Crises.
    Note: Includes bibliographical references (pages 401-425) and index
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  • 14
    ISBN: 9780271094939
    Language: English
    Pages: xvi, 187 Seiten, 10 ungezählte Seiten Bildtafeln , Illustrationen
    Additional Information: Rezensiert in Wolfskill, Phoebe [Rezension von: Mary Ann Calo, African American artists and the new deal art programs] 2023
    DDC: 700.89/96073
    Keywords: 1930 bis 1939 n. Chr ; c 1918 to c 1939 (Inter-war period) ; African American artists History 20th century ; African American art 20th century ; New Deal art ; Federal aid to the arts History 20th century ; Art and race ; 20th century history: c 1900 to c 2000 ; ART / American / African American ; ART / History / Modern (late 19th Century to 1945) ; Amerikanische Geschichte ; HIS056000 ; HISTORY / Social History ; HISTORY / United States / 20th Century ; History of art & design styles: from c 1900 - ; History of the Americas ; Kunstgeschichte ; Social & cultural history ; Sozial- und Kulturgeschichte ; USA ; Vereinigte Staaten von Amerika, USA ; Federal Art Project ; New Deal ; Schwarze ; Kunst ; Kunstförderung ; Geschichte 1935-1943
    Abstract: "Examines the involvement of African Americans in the New Deal art programs, shifting emphasis from individual artists toward broader issues informed by the uniqueness of Black experience"--
    Abstract: This book examines the involvement of African American artists in the New Deal art programs of the 1930s. Emphasizing broader issues informed by the uniqueness of Black experience rather than individual artists' works, Mary Ann Calo makes the case that the revolutionary vision of these federal art projects is best understood in the context of access to opportunity, mediated by the reality of racial segregation.Focusing primarily on the Federal Art Project (FAP) of the Works Progress Administration (WPA), Calo documents African American artists' participation in community art centers in Harlem, in St. Louis, and throughout the South. She examines the internal workings of the Harlem Artists' Guild, the Guild's activities during the 1930s, and its alliances with other groups, such as the Artists' Union and the National Negro Congress. Calo also explores African American artists' representation in the exhibitions sponsored by WPA administrators and the critical reception of their work. In doing so, she elucidates the evolving meanings of the terms race, culture, and community in the interwar era. The book concludes with an essay by Jacqueline Francis on Black artists in the early 1940s, after the end of the FAP program.Presenting essential new archival information and important insights into the experiences of Black New Deal artists, this study expands the factual record and positions the cumulative evidence within the landscape of critical race studies. It will be welcomed by art historians and American studies scholars specializing in early twentieth-century race relations
    Description / Table of Contents: Historiography -- Participation -- Advocacy -- Visibility -- Aftermath.
    Note: Includes bibliographical references and index , Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 15
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    New York : Bard Graduate Center | [Chicago] : University of Chicago Press | United Kingdom : BookLabs
    ISBN: 9781941792360 , 1941792367
    Language: English
    Pages: XX, 215 Seiten , Illustrationen , 19 x 26 cm
    DDC: 394.1250940903
    RVK:
    Keywords: Food habits Exhibitions History ; Food presentation Exhibitions History ; Cooking Exhibitions History ; Food presentation Handbooks, manuals, etc History ; Exhibitions ; Cooking ; Food habits ; Food presentation ; Manners and customs ; Exhibition catalogs ; History ; Europe Exhibitions Social life and customs ; Europe ; Ausstellungskatalog Bard Graduate Center Gallery 17.02.2023-09.07.2023 ; Ausstellungskatalog Bard Graduate Center Gallery 17.02.2023-09.07.2023 ; Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture ; Alltagskultur ; Kochen ; Ernährungsgewohnheit ; Tradition ; Zeremonie ; Geschichte 1500-1800
    Note: "This catalogue is published in conjunction with the exhibition Staging the Table in Europe 1500–1800 held at Bard Graduate Center Gallery, New York, from February 17 to July 9, 2023." - Impressum, Seite 5 , Includes bibliographical references (pages 202-211) and index
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  • 16
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    Athens : The University of Georgia Press
    ISBN: 9780820360478
    Language: English
    Pages: xii, 233 Seiten , Illustrationen
    DDC: 700.89/96073
    RVK:
    Keywords: African American art 20th century ; African American art 21st century ; Art and society History 20th century ; Art and society History 21st century ; USA ; Kunstsoziologie ; Kunst ; Schwarze ; Geschichte 1985-2015
    Abstract: "Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1990 to the present. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come. Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams"--
    Note: Includes bibliographical references and index
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  • 17
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    Fort Worth : Amon Carter Museum of Art | Williamstown : Williams College Museum of Art | Oakland : University of California Press
    ISBN: 9780520393301
    Language: English
    Pages: 139 Seiten
    DDC: 730.973
    Keywords: ART / History / Contemporary (1945-) ; ART / History / Modern (late 19th Century to 1945) ; Art & design styles: from c 1960 ; Black & Asian studies ; Ethnic Studies ; Ethnische Gruppen und multikulturelle Studien ; HIS056000 ; History of art & design styles: from c 1900 - ; History of the Americas ; Kunstgeschichte ; Modernismus ; SOC056000 ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; Sozial- und Kulturgeschichte ; USA ; Ausstellungskatalog Amon Carter Museum of American Art 12.03.2023-09.07.2023 ; Ausstellungskatalog Newcomb Art Museum 05.08.2023-11.11.2023 ; Ausstellungskatalog Museum of Art 16.02.2024-16.06.2024 ; Aufsatzsammlung ; Ausstellungskatalog Amon Carter Museum of American Art 12.03.2023-09.07.2023 ; Ausstellungskatalog Newcomb Art Museum 05.08.2023-11.11.2023 ; Ausstellungskatalog Museum of Art 16.02.2024-16.06.2024 ; Aufsatzsammlung ; USA ; Schwarze ; Künste ; Geschichte 1800-2020 ; USA ; Schwarze ; Künste ; Kultur ; Bürgerrechtsbewegung ; Geschichte 1800-2020
    Abstract: This stunning exhibition catalog visualizes what freedom looks like for Black Americans today and the legacy of the Civil War in 2023 and beyond. Emancipation: The Unfinished Project of Liberation sits at the intersection of history and contemporary life. Building upon in-depth conversations about representations of enslavement and emancipation at the close of the Civil War, this project originates from an analysis of sculptor John Quincy Adams Ward's The Freedman (1863), one of the first bronze representations of a Black person in the United States, and expands into an investigation of how living artists envision emancipation, freedom, and liberation today. Featuring interviews with artists Sadie Barnette, Alfred Conteh, Maya Freelon, Hugh Hayden, Letitia Huckaby, Jeffrey Meris, and Sable Elyse Smith, the exhibition catalog explores their practices along with cutting-edge scholarship by Kirsten Pai Buick and Kelvin Parnell, among others, as well as a haunting story of embodiment and exploitation by celebrated science-fiction author N. K. Jemisin. Burdened by failed promises but buoyed by hope, this project is mournful and melancholy yet also reflective and celebratory in its aspirations for a brighter future. Published in association with the Amon Carter Museum of American Art Exhibition dates: Amon Carter Museum of American Art: March 12-July 9, 2023 Newcomb Art Museum at Tulane University: August 5-November 11, 2023 Williams College Museum of Art: February 16-June 16, 2024
    Note: Seite [140]: Published on the occasion of the exhibition "Emancipation: The Unfinished Project of Liberation", organized by the Amon Carter Musum of American Art, Fort Worth, Texas and the Williams College Museum of Art, Williamstown, Massachusetts. Exposition dates: Amon Carter Center of American Art, Fort Worth, Texas, March 12 through July 9, 2023. - New Comb Museum at Tulane University, New Orleans, Louisiana, August 5 through November 11, 2023. - Williams College Museum of Art, Williamstown, Massachusetts, February 16 through June 16, 2024 , Zielgruppe: 5PB, Bezug zu Personen: ethnische Gruppen, indogene Völker, Kulturen, Stämme und andere Gruppierungen von Menschen , Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 18
    ISBN: 1912520958 , 9781912520954
    Language: English
    Pages: 141 Seiten
    DDC: 700.8996073
    RVK:
    Keywords: 1900-1999 ; African American art Exhibitions ; Artists, Black Exhibitions ; ART / General ; African American art ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; USA ; Künstler ; Person of Color ; Geschichte 1960- ; Schwarze ; Kunst
    Abstract: "For generations, Black artists from the American South have forged a unique art tradition. Working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, recycled and cast-off objects that articulate America's painful past -- the inhuman practice of enslavement, the cruel segregationist policies of the Jim Crow era, and institutionalised racism. Their works date from the early 20th century to today and respond to issues ranging from economic inequality, oppression and social marginalisation, to sexuality, the influence of place and ancestral memory. Among the sculptures, paintings, reliefs and drawings included here are works by Thornton Dial, Lonnie Holley, Ronald Lockett, Hawkins Bolden, Bessie Harvey, Charles Williams, Mary T. Smith, Purvis Young, Mose Tolliver, Nellie Mae Rowe, Mary Lee Bendolph, Marlene Bennett Jones, Martha Jane Pettway, Loretta Pettway, and Henry and Georgia Speller. Also featured are the celebrated quiltmakers of Gee's Bend, Alabama, and the neighbouring communities of Rehoboth and Alberta."--Page four of cover
    Note: Titelblattrückseite: ... published in occasion of the exhibition "Souls Grown Deep like the Rivers: Black Artists from the American South", Royal Academy of Arts, 17 March-18 June 2023 , Includes bibliographical references and index
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  • 19
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    New Haven : Yale University Press
    ISBN: 9780300259247
    Language: English
    Pages: xvii, 517 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    DDC: 306.094309045
    RVK:
    RVK:
    Keywords: 20. Jahrhundert (1900 bis 1999 n. Chr.) ; Europäische Geschichte ; Geschichte allgemein und Weltgeschichte ; HISTORY / Europe / Germany ; HISTORY / Modern / 20th Century ; HISTORY / Social History ; History ; Sozial- und Kulturgeschichte ; Deutschland ; Westdeutschland ; Sozialgeschichte ; Kultur ; Geschichte 1900-1999 ; Westdeutschland ; Künste ; Gesellschaft ; Geschichte 1945-1990
    Abstract: "After World War II a mood of despair and impotence pervaded the arts in West Germany. The culture and institutions of the Third Reich were abruptly dismissed, yet there was no immediate return to the Weimar period's progressive ideals. In this moment of cultural stasis, how could West Germany's artists free themselves from their experiences of Nazism? Moving from 1945 to reunification, Michael H. Kater explores West German culture as it emerged from the darkness of the Third Reich. Examining periods of denial and complacency as well as attempts to reckon with the past, he shows how all postwar culture was touched by the vestiges of National Socialism. From the literature of Günter Grass to the happenings of Joseph Beuys and Karlheinz Stockhausen's innovations in electronic music, Kater shows how it was only through the reinvigoration of the cultural scene that West Germany could contend with its past - and eventually allow democracy to reemerge"--
    Abstract: A wide-ranging, insightful history of culture in West Germany-from literature, film, and music to theater and the visual arts
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 20
    ISBN: 9780300267389 , 030026738X , 9780300267389
    Language: English
    Pages: 226 Seiten
    DDC: 770
    RVK:
    RVK:
    Keywords: Bildband ; Ausstellungskatalog New Orleans Museum of Art 15.09.2022-08.01.2023 ; Bildband ; Ausstellungskatalog New Orleans Museum of Art 15.09.2022-08.01.2023 ; USA ; Porträtfotografie ; Fotostudio ; Person of Color ; Geschichte 1860- ; USA ; Schwarze ; Fotostudio ; Fotografie ; Geschichte
    Note: Gegenüber Titelseite: "Called to the Camera: Black American Studio Photographers" ... exhibition dates: New Orleans Museum of Art, September 15, 2022-January 8, 2023
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  • 21
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    London : Royal Collection Trust
    ISBN: 9781909741850
    Language: English
    Pages: 343 Seiten , 30 cm
    DDC: 391.0094109033
    Keywords: 1700-1899 ; Fashion History 18th century ; Fashion History 19th century ; Fashion in art ; Fashion Exhibitions History 18th century ; Fashion Exhibitions History 19th century ; Fashion in art Exhibitions ; Fashion ; Fashion in art ; Exhibition catalogs ; History ; Great Britain ; Ausstellungskatalog Queen's Gallery 2023 ; Bildband ; Royal Collection ; Großbritannien ; Mode ; Kleidung ; Geschichte 1714-1830 ; Royal Collection ; Großbritannien ; Malerei ; Mode ; Geschichte 1714-1830
    Note: Letzte Seite: "Published on the occasion of the exhibition Style & Society: Dressing the Georgians at The Queen's Gallery, Buckingham Palace, London, in 2023."
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  • 22
    ISBN: 9781350244207
    Language: English
    Pages: x, 278 Seiten , Illustrationen , 24 cm
    Series Statement: Dress cultures
    Parallel Title: Erscheint auch als Kaplan-Wajselbaum, Jonathan C Jews in suits
    DDC: 305.892/4043613
    RVK:
    Keywords: Jews Identity ; Jewish men Clothing ; History ; Tailoring History ; Suits (Clothing) History ; Clothing and dress Psychological aspects ; Juifs - Autriche - Vienne - Identité ; Confection - Autriche - Vienne - Histoire ; Clothing and dress - Psychological aspects ; Jews - Identity ; Suits (Clothing) ; Tailoring ; History ; Austria - Vienna ; Wien ; Juden ; Männerkleidung ; Geschichte 1890-1938
    Abstract: Surviving photographs of Jewish Viennese men during the fin-de-siècle and interwar periods - both the renowned cultural luminaries and their many anonymous coreligionists - all share a striking sartorial detail: the tailored suit. Yet, until now, the adoption of the tailored suit and its function in the formation of modern Jewish identities remains under-researched. 'Jews in Suits' uses a rich range of written and visual sources, including literary fiction and satire, 'ego-documents', photography, trade catalogues, invoices, and department store culture, to propose a new narrative of men, fashion, and their Jewish identities. It reveals that dressing in a modern manner was not simply a matter of assimilation, but rather a way of developing new models of Jewish subjectivity beyond the externally prescribed notion of 'the Jew'. Drawing upon fashionable dress, folk costume, religious dress, avant-garde, oppositional dress, typologies which are often considered separate from one another, it proposes a new way of reading men and clothing cultures within an iconic cultural milieu, offering insights into the relationship of clothing and grooming to the understanding of the self
    Description / Table of Contents: Chapter 1: Europe's Third Most Jewish City -- Chapter 2: Fashioning the Self, Dressing Society: Dress and Identity in Europe's Third Jewish Capital -- Chapter 3: Refashioning the Self: Acculturation, Assimilation, and Clothing -- Chapter 4: Strangers in the City: "Rootless" Jews and Urbanity in Vienna -- Chapter 5: Der kleine Cohn: Dress and the Function of Mocking through Caricature -- Chapter 6: The Man in the Suit: Jewish Writers and Their Clothing.
    Note: Includes bibliographical references (pages 250-269) and index
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  • 23
    ISBN: 9781350277601
    Language: English
    Pages: xvii, 274 Seiten , Illustrationen , 24 cm
    Series Statement: Material culture of art and design
    Parallel Title: Erscheint auch als
    DDC: 392.3/6
    Keywords: 1700-1799 ; Bedrooms History 18th century ; Bedrooms Social aspects 18th century ; History ; Interior decoration Social aspects 18th century ; History ; Rooms in art ; Chambres à coucher - Histoire - 18e siècle ; Chambres à coucher - Aspect social - Histoire - 18e siècle ; Décoration intérieure - Aspect social - Histoire - 18e siècle ; Pièces (Architecture) dans l'art ; Rooms in art ; Interior decoration - Social aspects ; Bedrooms ; History ; Aufsatzsammlung ; Schlafzimmer ; Boudoir ; Innenarchitektur ; Privatheit ; Sexualität ; Politik ; Geschichte 1700-1800 ; Boudoir ; Schlafzimmer ; Kunst ; Geschichte 1700-1800
    Abstract: "A desire for intimacy in domestic spaces - motivated by a growing sense of individualistic expression, an incentive to conceal the labor or enslavement taking place, and an appetite for solace and comfort - led to interiors taking on more specific roles in the eighteenth century. By examining the architectural, visual, and material culture of eighteenth-century spaces, Intimate Interiors foregrounds the interrelated concepts of intimacy, privacy, informality, and sociability in order to show how these ideas played an increasingly integral role in the period's architectural and material design. Across eleven innovative chapters that explore issues of gender, politics, travel, exoticism, imperialism, sensorial experiences, identity, interiority, and modernity, this volume demonstrates how intimacy was a fundamental goal in the planning of private quarters. In doing so, the political nature of private spaces is uncovered, whilst highlighting the contradictions and complexities of these highly performative "private" interiors. Employing distinct methodological perspectives across various geographical sites, from Turkey to Versailles, Britain to Benin, Intimate Interiors draws as-yet untraced connections between Enlightenment Europe, imperial outposts, and major metropolitan centers across the globe"--
    Note: Includes bibliographical references and index , Introduction / , Power, Authority, Agency, Privacy. , 1. , Sex, Lies, and Books: Staging Identity in the Comte d'Artois's cabinet turc / , Enlightenment Naples Imagines Imperial China: Queen Maria Amalia's Chinoiserie Boudoir / , Who Let the Dogs In?: The Hundezimmer in the Amalienburg Palace / , Material Temptations: Isabel de Farnesio and the Politics of the Bedroom / , Staging Identity and Performing Sociability. , A Stage for Wealth and Power in Eighteenth-Century Lima: The Estrado of Doña Rosa Juliana Sánchez de Tagle, First Marchioness of Torre Tagle / , An Artist's Bedrooms: Angelica Kauffman in London and Rome / , The Mask in the Dressing Room: Cosmetic Discourses and the Masquerade Toilet in Georgian Print Culture / , Hidden Lives and Interiority. , Mythologies of the Boudoir: Jacques-Louis David's The Loves of Paris and Helen / , Political Interiority and Spatial Seclusion in West African Royal Sleeping Rooms / , On the Wings of Perfumed Reverie: Multisensory Construction of Elsewhere and Elite Female Autonomy in Marie Antoinette's boudoir turc / , "Virginian Luxuries" at Thomas Jefferson's Monticello /
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  • 24
    ISBN: 9781032004914
    Language: English
    Pages: 284 pages , illustrations (black and white) , 23 cm
    Series Statement: Routledge studies in eighteenth-century cultures and societies
    DDC: 303.484
    Keywords: Protest movements History 18th century ; Arts Political aspects 18th century ; History ; Enlightenment
    Note: Includes bibliographical references and index
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  • 25
    ISBN: 0691245452 , 9780691245454
    Language: English
    Pages: 175 Seiten , 26 cm
    RVK:
    Keywords: 2000-2099 ; Indian art Exhibitions. 21st century ; Indigenous art Exhibitions. 21st century ; Art, American Exhibitions. 21st century ; Art, American ; Indian art ; Indigenous art ; Exhibition catalogs ; United States ; Bildband ; Ausstellungskatalog National Gallery of Art 22.09.2023-15.01.2024 ; Ausstellungskatalog New Britain Museum of American Art 18.04.2024-15.09.2024 ; USA ; Indianer ; Indigenes Volk ; Kunst ; Geschichte 2000-
    Abstract: A groundbreaking survey of contemporary Indigenous art and its enduring connections to the landThe Land Carries Our Ancestors: Contemporary Art by Native Americans brings together works by many of today s most boldly innovative Native American artists. Jaune Quick-to-See Smith, one of the leading artists and curators of her generation, has carefully chosen some fifty works across a diversity of practices-including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video-that share the common thread of the land.
    Note: Seite [176]: "Exhibition dates: National Gallery of Art, Washington, September 22, 2023-January 15, 2024; New Britain Museum of American Art, April 18-September 15, 2024"--Colophon , Includes bibliographical references and index
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  • 26
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    London : Routledge, Taylor & Francis Group
    ISBN: 9780367902209 , 9780367902193
    Language: English
    Pages: x, 200 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 305.409
    RVK:
    Keywords: Women heroes History ; Women History ; Women ; Women heroes ; History ; Biographies ; Heroismus ; Frauenemanzipation ; Frauenbild ; Geschichte
    Abstract: "Heroines in History: A Thousand Faces moves beyond stories of individual heroines, taking a thematic, synthesising and global in scope approach to challenge previous understandings of heroines in history. Responding to Joseph Campbell's Hero with a Thousand Faces, Katie Pickles explores the idea of a transcultural heroine archetype that recurs through time. Each chapter addresses an archetypal theme important for heroines in history. The volume offers a new consideration of the often-awkward position of women in history and embeds heroines in the context of their times, as well as interpreting and analysing how their stories are told, re-told and represented at different moments. To do so it recovers and compares some women now forgotten, along with well-known recent heroines and brings together a diversity of women from around the world. Pickles looks at the interplay of gender, race, heredity status, class and politics in different ways and chronicles the emergence of heroines as historical subjects valued for their substance and achievements, rather than as objects valued for their image and celebrity. In an accessible and original way, the book builds upon developments in women's and gender history and is essential reading for anyone interested in this field"--Publisher's description
    Description / Table of Contents: Introduction: the heroine with a thousand faces? -- Mothers: super-womanly, spiritual Goddess power -- Warriors: modern Amazons serving their people -- Callings: from selfless to gloriously selfish -- Cross-dressing: the limits of binary identity -- Death and disability: a heroine's lot -- Feminist icons and role models: white, female and middle class -- Glamour: all image and no substance? -- Conclusion: plastic body parts, celebrity mothers, Perspex cages and a new Joan of Arc.
    Note: Includes bibliographical references (pages 177-190) and index
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  • 27
    ISBN: 1350341061 , 9781350341067 , 9781350341050 , 1350341053
    Language: English
    Pages: xi, 522 Seiten , Illustrationen , 24 cm
    Uniform Title: Eros, Wollust, Sünde: Sexualität in Europa von der Antike bis in die Frühe Neuzeit
    DDC: 306.709409
    Keywords: To 1500 ; Sex History To 1500 ; Sex ; History ; Early modern history: c 1450/1500 to c 1700 ; European history ; Europäische Geschichte ; HISTORY / Ancient / General ; HISTORY / Europe / General ; HISTORY / Medieval ; Medieval history ; SOC065000 ; Sex und Sexualität, soziale Aspekte ; Social & cultural history ; Sozial- und Kulturgeschichte ; Europe
    Abstract: How did sexual relationships work before, in and outside of marriage in the pre-modern era? What problems did contraception and sexually transmitted diseases pose? How did people deal with prostitution and pornography back then? What were the possibilities for same-sex and queer desire and practice? Using numerous examples and sources from across the continent, Sexuality in Premodern Europe shows that even in earlier centuries, sexual life had an elementary significance for the coexistence of couples and communities. It was just as decisive for how individuals saw themselves and others as it was for maintaining the social, economic and political order.Franz X. Eder interestingly emphasises the socio-historical view of sexuality, offering an apt foil for the cultural perspective which is so prevalent in the field. In this book, sexual behaviour is understood and thought about as social practice. From this vantage point, Eder deals with the function of the sexual in upbringing and socialization, its significance for the image of men and women, its role in marriage initiation, and the importance of sexual life for marital relationships and concubinage.Deviant and discriminated sexual forms such as prostitution, pornography and same-sex acts are also addressed throughout. The book explores the ways in which many people gained sexual experiences before, besides or beyond marriage, even if these experiences were forbidden in former societies. While research into the history of sexuality has so far dealt with such forms of the sexual primarily from the point of view of regulation and sanctioning, here they are understood as positive' practices that allowed people to understand and take ownership of their sexual desire
    Abstract: List of IllustrationsPreface1. Introduction2. Reign of the Phallus: Greek Antiquity3. Infamia and Pudicitia: Roman Antiquity4. How the Evil Thorn Pierced the Flesh: Judaism and Early Christianity5. Contradictory Sexual Worlds in the Middle Ages6. Reformation and Discipline: 15th to 17th Century7. CodaBibliography Index
    Note: Literaturverzeichnis: Seite 407-506
    URL: Cover  (lizenzpflichtig)
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  • 28
    ISBN: 1847013643 , 9781847013644
    Language: English
    Pages: 366 Seiten , Illustrationen , 24 cm
    DDC: 393.9
    Keywords: 2000-2099 ; Death History 21st century ; Funeral rites and ceremonies History 21st century ; Collective memory ; Funérailles - Rites et cérémonies - Zimbabwe - Histoire - 21e siècle ; Mémoire collective - Zimbabwe ; Collective memory ; Colonial influence ; Death ; Funeral rites and ceremonies ; Politics and government ; History ; Zimbabwe Politics and government 21st century ; Zimbabwe Colonial influence ; Zimbabwe - Politique et gouvernement - 21e siècle ; Zimbabwe - Influence coloniale ; Zimbabwe
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  • 29
    ISBN: 9788024652887 , 9788024653013 , 9788024652030 , 9788024652047 , 8024652889
    Language: English
    Pages: 358 pages , illustrations , 24 cm
    DDC: 305.89240437109034
    Keywords: 1800-1899 ; Jews History 19th century ; LITERARY CRITICISM / Jewish ; Ethnic relations ; Jews ; History ; Bohemia (Czech Republic) Ethnic relations 19th century ; History ; Czech Republic - Bohemia ; Böhmische Länder ; Juden ; Geschichte 1700-1800
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  • 30
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    [Freiburg im Breisgau] : Städtische Museen Freiburg, Museum Natur und Mensch | [Dresden] : Sandstein Verlag
    ISBN: 9783954987726
    Language: English , German
    Pages: 176 Seiten , 28 cm x 24 cm
    RVK:
    Keywords: Museum Natur und Mensch (Freiburg, Germany) Exhibitions Photograph collections ; Augustinermuseum ; Photography Exhibitions ; Japan Pictorial works ; Exhibitions ; Freiburg im Breisgau ; Ausstellungskatalog Augustinermuseum, Haus der Graphischen Sammlung 28.10.2023-28.04.2024 ; Bildband ; Ausstellungskatalog Augustinermuseum, Haus der Graphischen Sammlung 28.10.2023-28.04.2024 ; Bildband ; Ausstellungskatalog Museum Natur und Mensch 28.10.2023-28.04.2024 ; Ausstellungskatalog Städtische Museen Freiburg, Museum Natur und Mensch 28.10.2023-28.04.2024 ; Bildband ; Japan ; Fotografie ; Geschichte 1860-1999 ; Japan ; Fotografie ; Geschichte 1860-1999
    Note: Impressum: "Diese Publikation erscheint anlässlich der Ausstellung 'Erinnerungen schaffen. Japanische Fotografien' der Ethnologischen Sammlung des Museums Natur und Mensch im Haus der Graphischen Sammlung des Augustinermuseums, Städtische Museen Freiburg vom 28. Oktober 2023 bis 28. April 2024." , Text deutsch und englisch
    URL: Inhaltstext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltstext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 31
    ISBN: 9781350192065 , 9781350192102
    Language: English
    Pages: x, 248 Seiten , Illustrationen , 24 cm
    Edition: Paperback edition
    Series Statement: New directions in social and cultural history
    DDC: 305.40941
    RVK:
    Keywords: Women Social conditions ; Public welfare History ; Welfare state Social aspects ; History ; 21st century history: from c 2000 - ; British & Irish history ; Europäische Geschichte ; Geschichte ; HIS015070 ; HIS015080 ; HIS058000 ; HISTORY / Social History ; History ; Militärgeschichte ; Oral history ; Postwar 20th century history, from c 1945 to c 2000 ; Social & cultural history ; Sozial- und Kulturgeschichte ; Great Britain Social conditions 1945-
    Abstract: Women born in mid twentieth-century Britain were the welfare state generation - not only were their lives fundamentally shaped by the welfare state, they helped to transform it. In this ground-breaking work, Eve Worth examines the impact of the welfare state on the life course of women whose opportunities and social experiences were formed by it in the post-1945 period. Centred around an oral history study, this book argues that the welfare state was so central to the lives of women born in Britain between the late 1930s and early 1950s that they should be considered the welfare state generation . The post-war expansion of the welfare state was one of the most transformative political changes of the twentieth century, yet we know little about its development in practice, nor its long-term impact on those who grew up within it. Using a ground-breaking life history methodology to examine women from their birth in the long 1940s to retirement in the mid-2010s, it includes thirty-six original life history interviews alongside social surveys and the Census for wider contextBy deploying a cross-class approach, this book moves the discussion on from just looking at university-educated women, to include women often overlooked in gender and social studies. Re-conceptualising the causes of social mobility in post-war Britain, exploring a new understanding of work and an updated periodisation of welfare state development, The Welfare State Generation offers a new approach to the history of class and gender, arguing that we need to move beyond the focus on women s emotions and personal identity, to consider their experiences and relationships with the state as employer, educator and provider
    Note: Includes bibliographical references and index
    URL: Cover  (lizenzpflichtig)
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  • 32
    ISBN: 9781781301234 , 1781301239
    Language: English
    Pages: 192 Seiten , Illustrationen, Karten , 25 cm
    DDC: 382.440942659
    Keywords: Slave trade History ; Slavery History ; Slave traders History ; Slave trade ; Slave traders ; Slavery ; History ; Cambridge (England) History ; England - Cambridge ; Ausstellungskatalog Fitzwilliam Museum 08.09.2023-07.01.2024 ; Ausstellungskatalog Fitzwilliam Museum 08.09.2023-07.01.2024 ; Fitzwilliam Museum ; Großbritannien ; Niederlande ; Sklaverei ; Sklavenhandel ; Schwarze ; Kunst ; Geschichte 1400-1900
    Abstract: An important illustrated history of the relationship between Cambridge and the Black Atlantic. Between 1400 and 1900, European powers, not least Britain, colonised the Americas and transported over 12.5 million people from sub-Saharan Africa as slaves. The contested space, formed by the interactions of multiple people and cultures, both Black and white, we now call the Black Atlantic. Cambridge and Cambridgeshire played a key role in this international narrative - a story of commerce, profit and colonialism, of opinion-forming, and of struggle. Through the lens of historic artworks, artefacts and natural history specimens, this book and the exhibition it accompanies analyse the rise and growth of enslavement, the profits made by Dutch and British traders and plantation-owners, the power of images, the knowledge produced by enslaved people, histories of resistance movements and the consequences of these events today. Works by contemporary makers challenge long-held assumptions, address erasures, and create alternative narratives of repair, freedom and justice
    Note: Index , Titelblattrückseite: Published on the occasion of the exhibition: "Black Atlantic: Power, People, Resistance", The Fitzwilliam Museum, Cambridge, 8 September 2023 - 7 January 2024
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  • 33
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    London : Thames & Hudson Ltd., in association with the Victoria and Albert Museum | New York, New York : Thames & Hudson Inc
    ISBN: 9780500480939 , 0500480931
    Language: English
    Pages: 224 Seiten , Illustrationen , 29 cm
    DDC: 391.00951
    Keywords: Victoria and Albert Museum ; Costume Catalogs ; Dress accessories Catalogs ; Clothing and dress Catalogs History ; Fashion Catalogs History ; Vêtements - Accessoires - Chine - Catalogues ; DESIGN / Fashion & Accessories ; Clothing and dress ; History ; Pictorial works ; China ; Bildband ; Victoria and Albert Museum ; China ; Kleidung ; Mode ; Geschichte ; Sammlung
    Abstract: "This informative and fascinating survey of Chinese fashion brings together nearly 100 items of clothing, from as early as the Shang dynasty ( c.1600-1046 BCE) to the present day. Showcasing some of the finest pieces in the V&A's dress collection, Chinese Dress in Detail reveals the exquisite embroidery, weaving and dyeing techniques and decorative motifs of these spectacular garments." --
    Note: Includes bibliographical references (page 220) and index , Headwear , Necklines and Shoulders , Sleeves , Pleats , Edgings , Buttons , Embroidery , Footwear.
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  • 34
    ISBN: 0847873137 , 9780847873135
    Language: English
    Pages: 256 Seiten , Illustrationen , 29 cm
    Keywords: Smith College Catalogs Art collections ; Smith College Catalogs ; Smith College ; Women's clothing Private collections ; Women's clothing History ; Women's clothing History ; Social aspects ; Women's clothing Catalogs Private collections ; Women's clothing Social aspects ; History ; Vêtements de femme - Collections privées - Massachusetts - Northampton ; Vêtements de femme - États-Unis - Histoire ; Vêtements de femme - Histoire - Aspect social - États-Unis ; HISTORY / Women ; Art museums ; Women's clothing ; Women's clothing - Social aspects ; Catalogs ; History ; Illustrated works ; Ouvrages illustrés ; Massachusetts - Northampton ; United States ; Smith College ; Sammlung ; Frauenkleidung ; Damenmode ; Geschichte 1800-2000
    Abstract: "Real Clothes, Real Lives highlights over 300 garments and accessories from the Smith College Historic Clothing Collection. This unique survey honors countless lives, tracing through the lens of dress how women's roles have changed over the decades. Each piece holds colorful stories about the woman who wore it, the one who made or bought it, and her context in place and time. Whether homemade or ready-made, many of the garments are modest and inexpensive. Some are one-of-a-kind pieces; others are examples of clever making-do, which seems particularly relevant today; and most reflect the popular styles of their era. Among the many extraordinary examples are a rare World War I uniform worn by an American woman working behind enemy lines and a 1970s go-go dancer's costume."--Publisher's website
    Note: Includes bibliographical references (page 254)
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  • 35
    ISBN: 9781789696257
    Language: English
    Pages: xxiv, 393 Seiten , Illustrationen, Diagramme, Karten, Pläne , 29 cm
    Parallel Title: Erscheint auch als Milka, Eleni Mortuary differentiation and social structure in the Middle Helladic Argolid, 2000-1500 B.C
    Dissertation note: Dissertation
    DDC: 393/.109388
    RVK:
    Keywords: To 1500 ; Burial History To 1500 ; Funeral rites and ceremonies History To 1500 ; Human remains (Archaeology) ; Excavations (Archaeology) ; Burial History To 1500 ; Funeral rites and ceremonies History To 1500 ; Human remains (Archaeology) ; Excavations (Archaeology) ; Antiquities ; Burial ; Excavations (Archaeology) ; Funeral rites and ceremonies ; Human remains (Archaeology) ; History ; Argolis (Greece) Antiquities ; Greece - Argolis ; Hochschulschrift ; Argolis ; Bestattung ; Bestattungsritus ; Geschichte 2000 v. Chr.-1500 v. Chr.
    Abstract: "Until recently, the Middle Helladic period was described as homogeneous and static. However, recent research has shown regional variability, early changes and more complexity. In Mortuary differentiation and social structure in the Middle Helladic Argolid, 2000-1500 B.C. the archaeological, anthropological and radiocarbon data from selected sites are integrated to determine if there was variation between individual burials, groupings and cemeteries and to reconstruct change through time. This work was done for selective Argive sites, namely Lerna, Asine and Aspis. The analysis has shown that in all cemeteries and through time kinship was the most important structuring principle, and age position in the kin network the most important component. Differentiation was not only observed within each burial place, but also between sites during the same period. Generally, a steady 'scaling up' can be observed, but it did not affect all sites in the same way. Changes were already underway at the beginning of the period but became intensified towards its end"--
    Note: Includes bibliographical references (pages 383-393)
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  • 36
    ISBN: 9783837664072
    Language: German
    Pages: 267 Seiten , Illustrationen, Diagramme , 22.5 cm x 14.8 cm, 468 g
    Series Statement: !1462471617!Edition Moderne Postmoderne
    Parallel Title: Erscheint auch als Krumme, Julia, 1975 - Die performative Oberflächlichkeit der Dinge
    Dissertation note: Dissertation Hochschule für Philosophie München 2021/2022
    DDC: 305.301
    RVK:
    Keywords: Hochschulschrift ; Design ; Feminismus ; Geschlechterverhältnis ; Macht ; Ästhetik ; Performativität ; Feminismus ; Geschlechterrolle ; Design
    Abstract: Die Einsicht, dass Sprache performativ Geschlecht herstellen kann, markiert seit langem den Kern des feministischen Mainstreams. Welche Rolle Alltagsgegenstände bei der Produktion spielen, ist in der Forschung bisher allerdings ein blinder Fleck. Eingebettet in das Feld des diskursiven Konstruktivismus und im Anschluss an Judith Butler und Michel Foucault zeigt Julia Krumme, welche affirmativ und subversiv performativen Möglichkeiten die Oberflächen gestalteter Objekte in sich bergen. Durch ihre interdisziplinäre Auseinandersetzung mit produktsprachlichen Theorien ermöglicht sie den Blick auf potenzielle Erweiterungen des Design-Begriffs.
    Abstract: Cover -- Inhalt -- Abbildungs- und Tabellenverzeichnis -- Siglenverzeichnis - Werke von Judith Butler -- Danksagung -- 1 Einleitung -- 1.1 Feministische Perspektiven: Post(‑)feminismus, Pop(‑)feminismus und die Hyperästhetisierung des alltäglichen Lebens -- 1.2 Makro‑, Meso- und Mikroebene der Analyse -- 1.3 Forschungsfrage -- 1.4 Theoretischer Bezugsrahmen -- 1.4.1 Diskursiver Konstruktivismus als theoretische Grundlage -- 1.4.2 Praxistheoretische Ergänzung - Konsum als Kulturleistung und soziale Praxis -- 1.4.3 Poststrukturalistische Ergänzungen - gegen den »horror materiae« -- 1.5 Erwartete Ergebnisse und vorzunehmende Abgrenzungen -- 1.5.1 Ziel der Arbeit -- 1.5.2 Abgrenzungen des Gegenstandsbereichs -- 1.6 Aufbau der Arbeit und Anordnung der Kapitel -- 1.7 Implikationen und Anschlussmöglichkeiten -- 1.7.1 Unvermeidbarkeit von Ausschlüssen -- 1.7.2 Erweiterung des Design-Begriffs - Gestaltungs-»Netzwerke« -- 2 »Geschlecht« - Drei Dimensionen einer Phänomenbeschreibung -- 2.1 Alltagsweltliche Grundannahmen und Architektur des »Geschlechterverhältnisses« -- 2.2 Geschichtliche Perspektive: Differenztheoretische Überlegungen -- 2.2.1 Antike -- 2.2.2 Bürgerliche Moderne -- 2.2.3 Second Wave Feminism -- 2.2.4 Kritik der differenztheoretischen Überlegungen -- 2.3 Historisch‐kulturelle Perspektive: »soziales Geschlecht« als Konstruktion -- 2.3.1 Trennung von Sex und Gender -- 2.3.2 Jenseits der Unterscheidung von »Geschlecht« und »Geschlechtsidentität« -- 3 »Geschlecht« als umfassende Konstruktion -- 3.1 Struktur des Kapitels und ideengeschichtlicher Hintergrund -- 3.1.1 »Geschlecht« - Sex und/oder Gender? -- 3.1.2 Variabilität der biologischen Grundlage -- 3.1.3 Unerfüllbarkeit des eigenen Anspruchs und implizite Binarität -- 3.1.4 Konsequenzen -- 3.2 »Geschlecht« als das »radikal Konstruierte« -- 3.3 »Geschlecht« - eine zentrale soziale Kategorie.
    Note: Bibliographie: Seite 245-267
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 37
    ISBN: 9789462585546 , 9462585547
    Language: Dutch
    Pages: 79 Seiten
    DDC: 398
    RVK:
    Keywords: Leeden, Henk van der Exhibitions ; Portrait photography Exhibitions ; Portraits, Dutch Exhibitions ; Ethnic costume Pictorial works ; Exhibitions ; Ethnic costume ; Portrait photography ; Portraits, Dutch ; Exhibition catalogs ; Exhibition, pictorial works ; Netherlands - Staphorst ; Bildband ; Ausstellungskatalog Museum Staphorst 01.04.2023-23.12.2023 ; Leeden, Henk van der 1941- ; Fotografie ; Staphorst ; Mensch ; Tracht
    Abstract: Staphorst is een van de laatste plaatsen in Nederland waar ook tegenwoordig nog dagelijks klederdracht wordt gedragen. Maar lang niet zoveel meer als decennia geleden.00Fotograaf Henk van der Leeden kwam in de jaren tachtig naar het dorp en zag de charme van deze kleurrijke gemeenschap. Hij betrok tijdelijk een leegstaande boerderij aan de rand van het dorp en wist het dagelijks leven met zijn camera te betrappen. Mensen aan het werk op het land, bezig rond huis, op de fiets naar school en op zondag ter kerke. En de meesten gekleed in de streekeigen kleding. Van der Leeden biedt een unieke kijk op een tijd die ook in het Overijsselse dorp definitief voorbij is.00Exhibition: Museum Staphorst, The Netherlands (01.04. - 23.12.2023)
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  • 38
    ISBN: 9780300272963
    Language: English
    Pages: 263 Seiten
    DDC: 702.81/20973
    RVK:
    Keywords: African American collage Exhibitions 21st century ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; USA ; Collage ; Person of Color ; Geschichte 1960- ; USA ; Schwarze ; Collage ; Geschichte 1980-2023
    Abstract: "The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"--
    Description / Table of Contents: Hurston's Law, or a Philosophy of Display / Richard J. Powell, PhD -- Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists / Patricia Hills -- Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories / Rebecca VanDiver, PhD -- Pon tu mano con la mía: Rhizomatic Pathways and Collage / María Elena Ortiz -- Meditations on the Multivalence of Black Womanhood / Valerie Cassel Oliver -- Minor Figures, Continuous Tension / Tiffany E. Barber, PhD -- also also also and and and: Digital Stitches and the Collage as Glitch / Anita N. Bateman, PhD.
    Note: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references
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  • 39
    ISBN: 9781944466619
    Language: English
    Pages: XI, 228 Seiten , Illustrationen
    Series Statement: Smithsonian contribution to knowledge
    Parallel Title: Erscheint auch als Japan in the age of modernization
    Parallel Title: Erscheint auch als Japan in the age of modernization
    DDC: 759.952
    Keywords: Tomioka, Tessai ; Rengetsu ; Painting, Japanese Chinese influences ; Calligraphy, Japanese Chinese influences ; Waka Women authors 19th century ; History
    Abstract: "Japan entered an age of rapid modernization following the arrival of Commodore Matthew Perry's US navy ships on its shores in the 1850s. It soon became the first nation in Asia whose military and industry were on par with Western imperialist countries in the late nineteenth and early twentieth century. As the Japanese grappled with the massive effects of this rapid Western-inspired modernization, they searched for their cultural identity and increasingly turned to China for inspiration. The distinctively modern identity they built through the arts has only recently begun to be examined by researchers and through exhibitions. This book gathers contributions by scholars from the United States, Japan, and Europe, who look beyond Japan's Western industrialization to examine China's role in forming the nation's modern identity. It accompanies a retrospective of the modern Japanese painter Tomioka Tessai (1836-1924) on view in late 2022, at the Freer Gallery of Art, the Smithsonian's National Museum of Asian Art"--
    Note: Enthält bibliographische Angaben und Register , Introduction: Waves of Change , Between Asia and the West: The Struggle for "Japan" in the Era of Modernization, 1860s-1910s , Reinventing Oneself: The Artistic Careers of Ōtagaki Rengetsu, 1791-1875 , Ōtagaki Rengetsu's Waka Poetics: Sentiment, Selfhood, and the Saigyō Persona , Four Perfections: Tomioka Tessai and a Sino-Japanese Network, 1895-1924 , Tessai and His Space of Seclusion: Ike Taiga, Su Dongpo, Shitao, and the Collecting of Shinwatari Chinese Paintings , Discovering Tessai: Masamune Tokusaburō and Yōga Painters , Along the Scholar's Path: A Study of the Mounting Styles of Works by Tomioka Tessai and Ōtagaki Rengetsu in the Mary and Cheney Cowles Collection
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  • 40
    ISBN: 9781805260493
    Language: English
    Pages: 323 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 306.4609
    RVK:
    Keywords: Material culture History ; Personal belongings History ; Human beings History ; Human behavior ; Technology Anthropological aspects ; Culture matérielle - Histoire ; Objets personnels - Histoire ; Êtres humains - Histoire ; Comportement humain ; human behavior ; Human behavior ; Human beings ; Material culture ; Personal belongings ; Technology - Anthropological aspects ; History ; Sachkultur ; Besitz ; Alltagsgegenstand ; Techniksoziologie ; Verhalten ; Geschichte
    Note: Includes bibliographical references and index
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  • 41
    Image
    Image
    Memphis, Tennessee : Dixon Gallery and Gardens | New Haven : Yale University Press
    ISBN: 9780300273465
    Language: English
    Pages: 143 Seiten , Illustrationen , 29 cm
    RVK:
    Keywords: Porter, James A Exhibitions ; Simpson, Merton D Exhibitions ; African American art Exhibitions 20th century ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Kunst ; Schwarze ; Geschichte 1950-1980
    Abstract: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Description / Table of Contents: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone.
    Note: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index
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  • 42
    ISBN: 9781643363202 , 9781643363219
    Language: English
    Pages: xviii, 209 Seiten
    Parallel Title: Erscheint auch als Koverman, Jill Beute The Words and Wares of David Drake
    DDC: 738.092
    Keywords: ART / American / African American ; ART / Collections, Catalogs, Exhibitions ; Ausstellungskataloge, Museumskataloge und Sammlungen ; Ceramic arts, pottery, glass ; Exhibition catalogues & specific collections ; HIS056000 ; HISTORY / United States / State & Local / South (AL, AR, FL, GA, KY, LA, MS, NC, SC, TN, VA, WV) ; History of art & design styles: from c 1900 - ; Individual artists, art monographs ; Keramik, Glas, Mosaikkunst ; Kunstgeschichte ; Sklaverei und Abschaffung der Sklaverei ; Slavery & abolition of slavery ; Social & cultural history ; Sozial- und Kulturgeschichte ; einzelne Künstler, Künstlermonografien ; South Carolina ; South Carolina ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Drake, David 1800-1870 ; Edgefield, SC ; Schwarze ; Keramik
    Abstract: David Drake, also known as Dave the Potter, was born enslaved in Edgefield, South Carolina, at the turn of the nineteenth century. Despite laws prohibiting enslaved people from learning to read or write, Drake was literate and signed some of his pots. This volume collects multifaceted scholarship about Drake and his craft
    Note: Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 43
    ISBN: 9780774890649
    Language: English
    Pages: 255 Seiten , Illustrationen , 28 cm
    DDC: 704.03/96071
    RVK:
    Keywords: Art, Black ; Artists, Black History ; Black people History ; Art museums Curatorship ; Social aspects ; Art noir - Canada ; Artistes noirs - Canada - Histoire ; Personnes noires - Canada - Histoire ; Musées d'art - Conservation - Aspect social - Canada ; Art, Black ; Artists, Black ; Black people ; History ; Canada ; Canada History ; Aufsatzsammlung ; Canada History ; Aufsatzsammlung ; Kanada ; Kunst ; Künstler ; Person of Color ; Geschichte 2000- ; Kanada ; Schwarze ; Kunst ; Schwarzenbild ; Museum ; Kulturelle Einrichtung ; Kunstgeschichtsschreibung ; Geschichte
    Abstract: "Making History is an unprecedented reflection on the positioning of Black history and art within the Canadian cultural landscape. Featuring boundary-breaking artists and others from the art world, Making History brings together poems, artist statements, and art portfolios that showcase a careful and thoughtful understanding of Black aesthetics. This beautifully illustrated book also discusses the presence of Black contemporary art in Canadian institutions and offers artistic perspectives on contemporary and historical art practices. The many voices and points of view within this publication present ideas that corroborate the state of cultural emergency in which we are living, where museums are rethinking and rewriting the stories of their collections. The book explores alternate ways of approaching the relationship between institutions, artists, and audiences, emphasizing the significance of collaboration, resisting hierarchical and hegemonic curatorial practices, and making room for multiple perspectives to bring about transformative change. Through powerful essays and striking visual art, Making History highlights the dynamism and complexity of African and diasporic experiences seen through the lens of museological interventions and artistic practices at large."--
    Note: Includes bibliographical references , Of Africa: A Reflection on "Speaking Back" / , Opening Spaces: Of Africa, Hauntings, Hesitations, and Possible Futures / , The Into the Heart of Africa Exhibition and the Coalition for the Truth about Africa: A Personal Journey / , Lessons Learned from the Heart of Afro-Canada: Into the Heart of Africa 30 Years Later / , A Life in the Day of an Object / , Here We Are Here: Creating in the Black Atlantic / , Sweet Childhood, Art, and Memory / , From Souvenir to How She Read: The Poetry behind the Design / , Between Absence and Presence: The Politics and Poetics of (In)Visibility in the Work of Sandra Brewster / , On Sucking Teeth / , Hoodies and Regimentals: Black Attire and Access in the Canadian Art Museum / , What to Wear in Canada in Winter / , Longing and Belonging: A Personal Journey through Art and Identity / , Singularity and Strangeness: One-on-One with Eddy Firmin / , On Quiet Happiness, Charcoal, Wood, and Metal: Charmaine Lurch's Being, Belonging and Grace / , Esmaa Mohamoud: Playing the Game / , Twisted Together: The Sweet Ironies of Belonging in the Art of Bushra Junaid / , A Self-Portrait of Creation: Depi m sòti nan Ginen / , Digging Us: Making Visible Black Canadian Narratives / , Travelling Exhibition: Here We Are Here at the Montreal Museum of Fine Arts / , Why Are There No Famous Black Canadian Artists? Here We Are Here and How Diversity and Inclusion Trump Aesthetic Critique / , The Pervasive Persistence of Primitivism: Face-to-Face and Exhibition Practices in the 21st Century /
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  • 44
    ISBN: 9783933726698
    Language: German
    Pages: 111 Seiten , Illustrationen
    Keywords: Haus der Geschichte Baden-Württemberg ; Auswanderung ; Auswanderer ; Persönlichkeit ; Baden ; Württemberg ; Stuttgart ; Ausstellungskatalog Haus der Geschichte Baden-Württemberg 17.11.2023-28.07.2024 ; Baden-Württemberg ; USA ; Einwanderung ; Geschichte
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 45
    ISBN: 9783030997878
    Language: English
    Pages: xx, 305 Seiten , Illustrationen , 22 cm
    Series Statement: Palgrave critical studies of antisemitism and racism
    Uniform Title: Russkaja armija i evrei. 1914-1917
    Parallel Title: Erscheint auch als Goldin, Semion The Russian Army and the Jewish Population, 1914–1917
    Parallel Title: Erscheint auch als Goldin, Semion The Russian Army and the Jewish Population, 1914-1917
    DDC: 305.89240947
    Keywords: Russia History 20th century ; Russia ; Jews History 20th century ; Jews Social conditions 20th century ; Antisemitism History 20th century ; World War, 1914-1918 ; Antisemitism ; Jews ; Jews ; Social conditions ; History ; Russia
    Abstract: This book represents a new reading of a key moment in the history of East European Jewry, namely the period preceding the collapse of the Russian Empire. Offering a novel analysis of relations between the Russian army and Jews during the First World War, it points to the army and military authorities as the 'gravediggers' of the Jews' fragile co-existence with the tsarist regime. It focuses on various aspects of the Russian army's brutal treatment of Jews living in or near the Eastern Front, where three quarters of European Jewry were living when the war began. At the same time, it shows the enormous harm this anti-Jewish campaign wreaked on the Russian empire's economy, finances, public security, and international status
    Note: Includes bibliographical references and index
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  • 46
    ISBN: 9780815637547 , 9780815637516
    Language: English
    Pages: xiii, 225 Seiten , Illustrationen , 23 cm
    Edition: First edition
    Series Statement: Contemporary issues in the Middle East
    DDC: 303.609561
    Keywords: Memorials Political aspects 21st century ; History ; Memorialization History 21st century ; Victims of state-sponsored terrorism Monuments ; History ; Violence History 21st century ; Türkei ; Gewalt ; Kollektives Gedächtnis ; Gefängnis
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  • 47
    ISBN: 9781990445002 , 1990445004
    Language: English , Inuktitut
    Pages: xiii, 319 pages , illustrations , 21 x 28 cm
    Series Statement: [Visualizing the North Atlantic 3]
    DDC: 971.8/20049712009047
    Keywords: 1900-1999 ; Inuit History 20th century ; Inuit Pictorial works History 20th century ; Inuit Social life and customs 20th century ; Inuit Pictorial works Social life and customs 20th century ; Inuit Biography ; Inuits - Terre-Neuve-et-Labrador - Labrador - Histoire - 20e siècle ; Inuits - Terre-Neuve-et-Labrador - Labrador - Histoire - 20e siècle - Ouvrages illustrés ; Inuits - Terre-Neuve-et-Labrador - Labrador - Mœurs et coutumes - 20e siècle ; Inuits - Terre-Neuve-et-Labrador - Labrador - Mœurs et coutumes - 20e siècle - Ouvrages illustrés ; Inuits - Terre-Neuve-et-Labrador - Labrador - Biographies ; Inuit ; Inuit - Social life and customs ; Biographies ; History ; Illustrated works ; Pictorial works ; Illustrated works ; Biographies ; Ouvrages illustrés ; Biographies ; Newfoundland and Labrador - Labrador ; Ethnologie ; Eskimo ; Labrador ; Fotografie
    Abstract: "TautukKonik / Looking Back is a project to collaboratively create a portrait using repatriated photographs and Inuit narratives in Inuktitut and English interpreting life during a transitional time in northern Labrador. The Nunatsiavut Creative Group was formed in 2017 to weave together Inuit stories and recollections with photographs taken by Candace Cochrane of Inuit life on the north coast of Labrador between 1969 and 1986. Community researcher Andrea Procter connected Cochrane with the group of Inuit leaders and storytellers, all of whom are passionate about sharing and teaching Inuit history and culture to their children and grandchildren. Over the next five years, Candace Cochrane, Andrea Procter, and the Creative Group reclaimed and resituated the photographs with Inuit stories in a truly collaborative way. Together, they have created an inspired portrait of time and place in northern Labrador."--
    Note: Series statement from publisher , Includes bibliographical references and index , Text in English and in Inuktitut translation
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  • 48
    ISBN: 9789462702288 , 9462702284
    Language: English
    Pages: 295 Seiten , 29 cm
    DDC: 950
    Keywords: Université catholique de Louvain (1835-1969) Exhibitions ; Université catholique de Louvain (1835-1969) History ; Université catholique de Louvain (1835-1969) ; 1900-1999 ; Book donations Exhibitions History 20th century ; Book donations Exhibitions History 20th century ; Book donations ; Civilization ; Manners and customs ; Exhibition catalogs ; History ; Exhibition catalogs ; Japan Sources Civilization ; Exhibitions ; Japan Exhibitions Social life and customs 20th century ; Japan Sources Civilization ; Exhibitions ; Belgium ; Japan ; Ausstellungskatalog University Library of the University of Leuven 10.2022-01.2023 ; Bildband
    Abstract: "With more than 3,000 titles in almost 14,000 volumes, the 1920s Japanese book donation to the University of Leuven/Louvain is an invaluable time capsule of near-forgotten pre-modern culture and knowledge in Japan. This book combines an attractively illustrated overview of the history of the donation, thus giving the reader fascinating insights into the vibrant 1920s in Japan, its politics, society, and popular culture, with detailed descriptions of a careful selection of 100 pre-modern Japanese books. This book offers a collection of cutting-edge academic essays and a wealth of high-quality reproductions of astonishing exhibits such as visually captivating commercial and political 1920s posters that represent progress and conflict, highlighting both Imperial ambitions and a willingness to contribute to international cooperation."--Publisher information
    Note: "Japan's Book Donation to the University of Louvain. Japanese Cultural Identity and Modernity in the 1920s" (October 2022-January 2023)
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  • 49
    ISBN: 9780691209272 , 0691209278
    Language: English
    Pages: 133 Seiten , 29 cm
    DDC: 709.73
    RVK:
    Keywords: African Americans Exhibitions Violence against ; Black people Exhibitions Violence against ; African Americans in art Exhibitions ; Black people in art Exhibitions ; Violence in art Exhibitions ; African Americans Exhibitions Social conditions ; African American art Exhibitions 20th century ; African American art Exhibitions 21st century ; Racism Exhibitions History ; Art Exhibitions Political aspects ; Art, American Exhibitions 20th century ; Art, American Exhibitions 21st century ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; USA ; Schwarze ; Engagierte Kunst ; Rassismus ; Gewalt
    Abstract: Preface / Huey Copeland -- A site of struggle / Janet Dees -- Making racial violence visible / Leslie M. Harris -- Functional abstractions : sensorial afterlives of the Black body / Sampada Aranke -- Black redaction, Black evidence : another testimony of Black life / LaCharles Ward -- Pausing at the threshold / Courtney R. Baker.
    Abstract: Examines the vast array of art produced by African Americans in response to the continuing impact of anti-Black violence and how it is used to protest, process, mourn and memorialize those events
    Note: Impressum: This publication accompanies the exhibition "A Site of Struggle: American Art against Anti-Black Violence", organized by the Mary and Leigh Block Museum of Art, Northwestern University, on view at the Block January 26-July 10, 2022, and the Montgomery Museum of Fine Arts, August 13-November 6, 2022 , Includes bibliographical references (pages 127-131)
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  • 50
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    Yorkshire : Pen & Sword History
    ISBN: 9781399004169
    Language: English
    Pages: xix, 164 Seiten, 8 ungezählte Seiten Bildtafeln , Illustrationen , 24 cm
    DDC: 391.0094109034
    Keywords: Clothing and dress History 19th century ; Fashion History 19th century ; Clothing and dress Pictorial works History 19th century ; Fashion Pictorial works History 19th century ; Clothing and dress ; Fashion ; History ; Pictorial works ; Great Britain ; Großbritannien ; Damenmode ; Geschichte 1840-1900
    Abstract: 'Victorian fashions for women' explores the British styles and clothing throughout the long reign of Queen Victoria, from the late 1830s to the first years of the 20th century. Within are a superb overview of the dresses, hats, hair styles, corsetry, undergarments shoes and boots that combined to present the prevailing styles for each decade. From those who had enough money to have day and evening wear and clothes for sports and outdoor activities, to those with limited income and wardrobes or labouring folk with little more than the clothes they stood up in. All decades are illustrated with original photographs, adverts and contemporary magazine features from the authors' own remarkable collections, accompanied by a knowledgeable and informative text that describes the fashions, their social history context and influences reflected in the clothes of the time. Laid out in a clear and easy-to-follow chronological order, the key features of styles, decoration and accoutrements will help family historians to date family photographs and will provide a useful resource for students and costume historians or for anyone with a love of fashion and style to enjoy
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  • 51
    ISBN: 1734248513 , 9781734248517
    Language: English
    Pages: 269 Seiten , 27 cm
    Edition: First edition
    RVK:
    Keywords: Taylor, Breonna Exhibitions ; Racism Exhibitions History 21st century ; Social movements in art Exhibitions ; African Americans Exhibitions Social conditions 21st century ; African American artists Exhibitions ; African American artists ; African Americans ; Social conditions ; Race relations ; Racism ; Social movements in art ; Exhibition catalogs ; Exhibition catalogs ; Louisville (Ky.) Exhibitions Race relations 21st century ; History ; Kentucky ; Louisville ; United States ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Kentucky ; Kunst ; Rassismus ; Protestbewegung ; Geschichte 2020- ; Louisville, Ky. ; Rassismus ; Polizei ; Gewalttätigkeit ; Schwarze Frau ; Geschichte 2020-2022 ; Rezeption ; Kunst ; Taylor, Breonna 1993-2020
    Abstract: The New York Times called the Speed Art Museum's Promise, Witness, Remembrance--centered around artist Amy Sherald's portrait of Breonna Taylor and originally commissioned by Ta-Nehisi Coates for the cover of Vanity Fair magazine--one of the best art exhibitions of 2021. In the words of critic Holland Cotter, "the show was assembled in four months--warp speed in museum-time--and created a prototype for institutional responses to history-as-it's-happening." This breathtaking book documents not just the 32 works featured in the exhibition, but also the process by which the Speed used this opportunity to memorialize the life of Breonna Taylor, who was killed by Louisville police in March 2020, and to serve its community through art, featuring real-time quotations from Curator Allison Glenn, Community Engagement Strategist Toya Northington, Director Stephen Reily, Tamika Palmer (Breonna Taylor's mother), artist Amy Sherald, and others. With 200 photos, featuring work by 22 Black artists, including Sam Gilliam, Lorna Simpson, Kerry James Marshall, Hank Willis Thomas, and Theaster Gates, Promise, Witness, Remembrance is a vital addition to the canon of Black American art
    Note: Titelblattrückseite: Published to document the exhibition "Promise, Witness, Remembrance", organized by the Speed Art Museum in Louisville, Kentucky, on view from April 7 to June 13, 2021 , Includes bibliographical references
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  • 52
    ISBN: 9783837660784 , 3837660788
    Language: German
    Pages: 341 Seiten , Illustrationen, Diagramme, Tabellen , 22.5 cm x 14.8 cm, 573 g
    Series Statement: Kunst- und Designwissenschaft Band 6
    Series Statement: Kunst- und Designwissenschaft
    Parallel Title: Erscheint auch als Landgraf-Freudenreich, Verena Ästhetik des Brauchtums
    Parallel Title: Erscheint auch als Landgraf-Freudenreich, Verena, 1979 - Ästhetik des Brauchtums
    Dissertation note: Dissertation Folkwang Universität der Künste zu Essen 2020
    DDC: 302.230943
    RVK:
    Keywords: Hochschulschrift ; Hochschulschrift ; Deutschland ; Schützenverein ; Festschrift ; Titelseite ; Visuelle Kommunikation ; Brauch ; Ästhetik ; Geschichte 1950-2000
    Note: Literaturverzeichnis: Seite 213-220
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  • 53
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    London : Ridinghouse
    ISBN: 1909932698 , 9781909932692
    Language: English
    Pages: 253 Seiten , Illustrationen , 23 cm
    DDC: 306.76094237
    RVK:
    Keywords: Sexual minorities History ; Arts History ; Arts ; Manners and customs ; Sexual minorities ; History ; St. Ives (Cornwall, England) Social life and customs ; St. Ives (Cornwall, England) History ; England ; St. Ives (Cornwall) ; Saint Ives ; Kunst ; LGBT ; Geschichte 1945-1980
    Abstract: This first ever queer history of St Ives weaves together biography with art and social history to shine new light on a pivotal era in the development of British modernism. At its centre is the sculptor John Milne (1931-1978), who arrived in the town in 1952 to work as an assistant to Barbara Hepworth.0Hidden behind 20-foot-high granite walls, Milne's house, Trewyn, became a meeting point for queer figures from the arts as well as the scene of legendary parties. The large cast - both queer and otherwise - featured in Queer St Ives and Other Stories includes artists Francis Bacon, Alan Lowndes, Marlow Moss, Patrick Procktor, Mark Tobey, Keith Vaughan and Brian Wall; Whitechapel Art Gallery director Bryan Robertson; actors Keith Barron and Richard Wattis; potter Janet Leach; and writers Tony Warren and Richard Blake Brown. There is also the extraordinary Julian Nixon, a queer Everyman whose involvement in the group has been little explored until now.0Based on original interviews and previously unpublished letters and diaries, Queer St Ives and Other Stories reveals a fascinating, previously undocumented history, adding vital new insights into the history of this fabled Cornish art colony. Publication supported by the Paul Mellon Centre
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  • 54
    ISBN: 9780520388062
    Language: English
    Pages: 274 Seiten
    Edition: First edition
    DDC: 770.74/776579
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    Keywords: African American photographers Exhibitions ; Bildband ; Ausstellungskatalog University of Minnesota 13.09.2022-10.12.2022 ; Biografie ; Bildband ; Ausstellungskatalog University of Minnesota 13.09.2022-10.12.2022 ; Biografie ; USA ; Fotografie ; Fotograf ; Person of Color ; Person of Color ; USA ; Schwarze ; Fotografie ; Schwarze ; Geschichte 1840-2020
    Abstract: Foreword / Deborah Willis -- Preface / Herman J. Milligan, Jr. -- Preface / Howard Oransky -- Mining the archive of black life and culture / Cheryl Finley -- A visual politics of black pleasure / crystal am nelson -- Why we wear a suit to do the work / Seph Rodney.
    Abstract: "A Picture Gallery of the Soul presents the work of more than one hundred Black American artists whose practice incorporates the photographic medium. Organized by the Katherine E. Nash Gallery at the University of Minnesota, this group exhibition samples a range of photographic expressions produced over three centuries, from traditional photography to mixed media and conceptual art. From the daguerreotypes made by Jules Lion in New Orleans in 1840 to the Instagram post of the Baltimore Uprising made by Devin Allen in 2015, photography has chronicled Black American life, and Black Americans have defined the possibilities of photography. Frederick Douglass recognized the quick, easy, and inexpensive reproducibility of photography and developed a theoretical framework for understanding its impact on public discourse, which he delivered as a series of four lectures during the Civil War. The subject of 160 photographic portraits and the most photographed American of the nineteenth century, Douglass anticipated that the history of American photography and the history of Black American culture and politics would be deeply intertwined. A Picture Gallery of the Soul honors the diverse visions of Blackness made manifest through the lens of photography. Published in association with the Katherine E. Nash Gallery. Exhibition dates: Katherine E. Nash Gallery: September 13-December 10, 2022"--
    Note: Titelblattrückseite: "This catalogue is published in conjunction with the exhibition "A Picture Gallery of the Soul", organized by Herman J. Milligan Jr. and Howard Oransky for the Katherine E. Nash Gallery at the University of Minnesota, Minneapolis, September 13-December 10, 2022" , Includes bibliographical references and index
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  • 55
    ISBN: 9783753302386 , 9781846382635 , 3753302384
    Language: English
    Pages: 267 Seiten , Illustrationen
    Series Statement: Exhibition histories
    DDC: 704.039604109045
    RVK:
    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Großbritannien ; Afrikaner ; Schwarze ; Künstler ; Kunstbetrieb ; Geschichte ; Künstler ; Person of Color ; Repräsentation ; Ausstellung ; Kunst ; Person of Color ; Kunstwissenschaft ; USA ; Großbritannien ; Schwarze ; Kunstausstellung ; Museum ; Kunstbetrieb ; Geschichte
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  • 56
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    University Park, Pennsylvania : The Pennsylvania State University Press
    ISBN: 9780271090603
    Language: English
    Pages: xiii, 221 Seiten , Illustrationen
    Additional Information: Rezensiert in Duits, Rembrandt [Rezension von: Timothy McCall, Brilliant bodies, fashioning courtly men in early Renaissance Italy] 2023
    DDC: 391/.1
    Keywords: Nobility Clothing To 1500 ; History ; Men's clothing History To 1500 ; Fashion Political aspects To 1500 ; History ; Body image in men History To 1500 ; Fashion and art ; Italy Court and courtiers To 1500 ; Clothing ; History ; Italien ; Adel ; Männerbild ; Herrenmode ; Geschichte 1400-1500 ; Italien ; Höfische Kunst ; Mann ; Geschichte 1400-1500
    Abstract: Introduction : brilliant bodies and fashionable men at court -- Riddled with gilt : lords in shining armor and shimmering brocades -- "Ornado d'oro e giemme" : brilliant male bodies adorned -- The contours of Renaissance fashion -- Fair princes : blanched beauty, nobility, and power -- Epilogue : black is the new gold.
    Abstract: "Explores the relationship between fashion and power in Renaissance Italy, focusing on visual art and culture and the nature of aristocratic masculinity and patriarchal authority"--
    Note: Includes bibliographical references and index
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  • 57
    ISBN: 9783422988217
    Language: German
    Pages: 208 Seiten , Illustrationen , 26 cm x 19.5 cm
    Series Statement: Bayerische Studien zur Museumsgeschichte Band 5
    Series Statement: Bayerische Studien zur Museumsgeschichte
    Dissertation note: Dissertation Universität Bayreuth 2018
    DDC: 305.8007443364
    RVK:
    Keywords: Ausstellungskonzeption ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Museum Fünf Kontinente ; Exponat ; Präsentation ; Rezeption ; Popularität ; Museumskunde ; Ethnologie ; München ; Provenienzforschung ; Afrika ; Benin ; Museum Fünf Kontinente ; Exponat ; Rezeption ; Popularität
    Note: Literaturverzeichnis Seite 196-206
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  • 58
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    London : Thames and Hudson
    ISBN: 9780500024621 , 0500024626
    Language: English
    Pages: 303 Seiten , 25 cm
    DDC: 700.8996041
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    Keywords: Arts, Black Exhibitions 21st century ; Arts, Black ; History ; Bildband ; Ausstellungskatalog Hayward Gallery 29.06.2022-18.09.2022 ; Bildband ; Ausstellungskatalog Hayward Gallery 29.06.2022-18.09.2022 ; Afrikaner ; Fotografie ; Malerei ; Videokunst ; Plastik ; Mixed media ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Note: Titelblattrückseite: This book was published on the occasion of the exhibition In the Black Fantastic" at the Hayward Gallery, London (29 June-18 September 2022) , Includes bibliographical references, filmography, discography and index
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  • 59
    ISBN: 9781597115308 , 1597115304
    Language: English
    Pages: 223 Seiten , 24 cm
    Edition: First edition
    DDC: 306.76/6208996073
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    Keywords: Gay liberation movement Pictorial works ; African American transgender people Pictorial works ; Transgender people Pictorial works ; Protest movements Pictorial works ; Documentary photography ; Protest literature, American ; Photographers ; Photography, Artistic ; African American transgender people ; Gay liberation movement ; Photography, Artistic ; Transgender people ; Black transgender people ; Black queer people ; Queer rights ; Pictorial works ; New York (N.Y.) Social conditions ; United States ; Bildband ; Bildband ; USA ; Dokumentarfotografie ; LGBT ; Transgender ; Geschichte 2020-2021
    Abstract: "'Revolution is love: a year of Black Trans Liberation' is the powerful and celebratory visual record of a contemporary activist movement in New York City, and a moving testament to the enduring power of photography in actisim, advocacy, and community. In June 2020, activists Qween Jean and Joela Rivera founded the Stonewall Protests, weekly actions centering Black trans and queer identities that took place across New York City." "This book gathers twenty-four photographers who share images and words on the demonstrations, preserving this legacy as it unfolded."--Back flap of printed paper wrapper
    Note: Qween Jean and Raquel Willis in conversation , Images and voices , An ongoing revolution: writing a new history at Stonewall /
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  • 60
    ISBN: 9783030986568 , 303098656X
    Language: English
    Pages: xii, 297 Seiten , Illustrationen , 21 cm
    Parallel Title: Erscheint auch als
    DDC: 305.8009450904
    Keywords: Racism History 20th century ; Race discrimination History ; Italy Race relations 20th century ; History ; Konferenzschrift 2018 ; Italien ; Ethnische Beziehungen ; Rassismus ; Rassendiskriminierung ; Geschichte 1880-2018
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  • 61
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    Manchester : Manchester University Press
    ISBN: 9781526163639
    Language: English
    Pages: 225 Seiten , Illustrationen (black and white) , 24 cm
    Edition: Paperback
    Series Statement: Studies in design 6 material culture
    DDC: 305.31094109034
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    Keywords: Masculinity History 18th century ; Masculinity History 19th century ; Human body History 18th century ; Human body History 19th century ; Material culture History 18th century ; Material culture History 19th century ; Human body ; Masculinity ; Material culture ; Great Britain ; History ; Großbritannien ; Arbeiter ; Körper ; Männlichkeit ; Geschichte 1760-1900
    Note: Select bibliography Seiten [215]-221
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  • 62
    ISBN: 9781800082700 , 9781800082694
    Language: English
    Pages: xxv, 367 , Illustrationen , 24 cm
    Series Statement: Fringe
    DDC: 303.3
    Keywords: Power (Social sciences) Cross-cultural studies ; Economics History 21st century ; Economics ; Power (Social sciences) ; Cross-cultural studies ; History ; Konferenzschrift 2020 ; Russland ; Politische Ökonomie ; Volkswirtschaft ; Machtstruktur
    Note: This edited volume grew out of the workshop "Variety of power in the economy" organized by HSE University in Moscow in 2020 (Seite xix)
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  • 63
    ISBN: 151282366X , 9781512823660
    Language: English
    Pages: 1 volume , illustrations, maps , 24 cm
    Series Statement: The Middle Ages series
    DDC: 306.36209822
    Keywords: Slave trade History To 1500 ; Slavery History To 1500 ; Slave trade ; Slavery ; History ; Mediterranean Region
    Note: Includes bibliographical references and index
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  • 64
    ISBN: 9781789384215 , 1789384214
    Language: English
    Pages: xxv, 446 Seiten , Illustrationen , 25 cm
    Parallel Title: Erscheint auch als Ainsworth, Alan John Sight Readings
    DDC: 781.650973
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    Keywords: Jazz in art ; Photography History 20th century ; Jazz History and criticism ; Jazz ; Jazz in art ; Photography ; Criticism, interpretation, etc ; History ; USA ; Fotografie ; Jazz ; Jazzmusiker ; Geschichte 1900-1960
    Note: Includes bibliographical references (pages 366-424) and index
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  • 65
    ISBN: 9781474470063 , 1474470068
    Language: English
    Pages: 1 volume , illustrations (black and white) , 24 cm
    Series Statement: Edinburgh critical studies in modernism, drama and performance
    DDC: 394.26
    Keywords: 1800-1999 ; Masquerades ; Performance art ; Art and society History 19th century ; Art and society History 20th century ; Art and society ; Masquerades ; Performance art ; History ; Europe
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  • 66
    ISBN: 9781032278049 , 1032278048
    Language: English
    Pages: 252 pages , illustrations (black and white) , 23 cm
    Parallel Title: Erscheint auch als Collective memory, identity and the legacies of slavery and indenture
    DDC: 306.36209729
    Keywords: Slavery History ; Collective memory ; Mémoire collective ; Historiography ; Collective memory ; Slavery ; History ; Caribbean Area Historiography ; Caraïbes (Région) - Historiographie ; Caribbean Area
    Abstract: The Caribbean history provides a rich study of the different forms of labour systems that have historically marked the politics of the coloniser and the colonised. It further provides the basis for an essential study for discourses on colonialism and capitalism. This interdisciplinary volume bridges the gap between historiography and the present-day diasporic communities, which emerged from the slave trade and indenture. Through case studies from the Caribbean context, the volume demonstrates how the region's historical labour mobility remains central to performances and negotiations of collective memory and identity. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka
    Note: Includes bibliographical references and index
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  • 67
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    London : Routledge, Taylor & Francis Group
    ISBN: 9780367458225 , 9780367460990
    Language: English
    Pages: xii, 174 Seiten , Illustrationen , 24 cm
    Series Statement: Global perspectives in comics studies
    Series Statement: Cultural studies
    Series Statement: popular culture
    Series Statement: history
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Matthewson, Amy Cartooning China
    DDC: 303.4825104109034
    Keywords: Punch (London, England) ; Public opinion History 19th century ; Caricatures and cartoons ; Chinese Caricatures and cartoons ; English wit and humor, Pictorial History and criticism ; China Foreign public opinion, English 19th century ; History ; Caricatures and cartoons ; Great Britain Foreign relations ; China Foreign relations ; Punch ; China ; Karikatur ; Geschichte 1841-1901
    Note: Literaturverzeichnis Seite 159-167
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  • 68
    ISBN: 9783031094637
    Language: English
    Pages: xxx, 255 Seiten , Diagramme , 24 cm
    Series Statement: Language policy volume 30
    Series Statement: Language policy
    Parallel Title: Erscheint auch als Sharma, Abhimanyu Reconceptualising power in language policy
    Dissertation note: Dissertation University of Cambridge
    DDC: 306.449
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    Keywords: Language policy Cross-cultural studies ; Language policy Research ; Methodology ; Power (Social sciences) ; Hochschulschrift ; Europäische Union ; Indien ; Sprachpolitik
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  • 69
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    Bloomington, Indiana :Indiana University Press,
    ISBN: 978-0-253-06216-1 , 978-0-253-06215-4
    Language: English
    Pages: x, 343 Seiten : , Illustrationen, Karten, Porträts ; , 23,5 cm.
    Series Statement: Worlds in crisis: refugees, asylum, and forced migration
    Parallel Title: Erscheint auch als
    DDC: 940.477943912
    RVK:
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    Keywords: Hungary / Budapest ; 1900-1999 ; Geschichte ; World War, 1914-1918 / Civilian relief / Hungary / Budapest ; World War, 1914-1918 / Children / Hungary / Budapest ; Humanitarian assistance / Hungary / Budapest / History / 20th century ; Child welfare / Hungary / Budapest / History / 20th century ; Child welfare ; Children ; Civilian war relief ; Humanitarian assistance ; Erster Weltkrieg. ; Nachkriegszeit. ; Kind. ; Humanitäre Hilfe. ; Fürsorge. ; Soziale Wohlfahrt. ; Budapest. ; History ; Erster Weltkrieg ; Nachkriegszeit ; Kind ; Humanitäre Hilfe ; Fürsorge ; Soziale Wohlfahrt ; Geschichte
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  • 70
    ISBN: 9781639361670 , 1639361677
    Language: English
    Pages: xxvi, 305 pages, 24 unnumbered pages of plates , illustrations (some color), portraits (some color) , 24 cm
    Edition: First Pegasus Books cloth edition
    DDC: 305.892/4047709041
    Keywords: Caprove, Anne ; Brahin, Lisa Family ; Pogroms History 20th century ; Jews Persecutions 20th century ; History ; Jewish families Biography ; Families ; Jews ; Persecutions ; Pogroms ; History ; Instructional and educational works ; Instructional and educational works ; Biographies ; Ukraine ; Stavishche ; Juden ; Pogrom ; Auswanderung
    Abstract: Preface: A granddaughter's memories -- Russian Jewish timeline: a brief chronology of historical events, 1881--1921 -- Prologue: Stavishche, June 15--16, 1919 -- Part I: Calm before the storm: 1876-1918 -- Family folklore -- A total eclipse -- A Passover tragedy -- Days of innocence -- Avrum Cutler's brief betrothals -- Count Wladyslaw Branicki and the noble family of Stavishche -- Part II: The pogroms: 1917-1920 -- Grigoriev's bandits -- From village to village -- Ataman Zeleny meets Rabbi Pitsie Avram -- The murder of Bessie Cutler's husband -- General Denikin's militia -- Refuge in Belaya Tserkov -- Part III: Exodus to the Goldene Medina, 1920-1925 -- There was a place nearby, where they made the little coffins -- The unlikely arrival of Barney Stumacher, an American hero -- The great escape: the wagon trains -- The perilous crossing of the Dniester River -- Adventures in Romania -- Life in Kishinev -- Journey on the SS Braga -- America: the first years -- Part IV: Rebecca and Isaac's children: select stories in Philadelphia, 1926-1931 -- Struggling in the golden land -- The story of Anne and Ben -- When Sunny met Harry -- Beryl -- Part V: Rabbis and reunions 1941-1950 rainbows 1925 and 2003 -- Rabbi Pitsie Avram in the Bronx -- The events that defined their lives in the New World -- Rainbows.
    Abstract: "Between 1917 and 1921, twenty years before the Holocaust began, an estimated 100,000 to 250,000 Jews were murdered in anti-Jewish pogroms across Ukraine. Lisa grew up transfixed by her grandmother Channa's stories about her family being forced to flee their hometown of Stavishche, as armies and bandit groups raided village after village, killing Jewish residents. Channa described a perilous three-year journey through Russia and Romania, led at first by a gallant American who had snuck into Ukraine to save his immediate family and ended up leading an exodus of nearly eighty to safety. With almost no published sources to validate her grandmother's tales, Lisa embarked on her incredible journey to tell Channa's story, forging connections with archivists around the world to find elusive documents to fill in the gaps of what happened in Stavishche. She also tapped into connections closer to home, gathering testimonies from her grandmother's relatives, childhood friends and neighbors. The result is a moving historical family narrative that speaks to universal human themes--the resilience and hope of ordinary people surviving the ravages of history and human cruelty. With the growing passage of time, it is unlikely that we will see another family saga emerge so richly detailing this forgotten time period. Tears Over Russia eloquently proves that true life is sometimes more compelling than fiction." --
    Note: Includes bibliographical references (pages 299-305)
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  • 71
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    Cham, Switzerland : Springer
    ISBN: 9783031149917
    Language: English
    Pages: xxxiii, 164 Seiten , 24 cm
    DDC: 363.2096761
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    Keywords: Uganda Police Force ; Uganda Police Force ; Police History ; Police ; History ; United States ; Uganda ; Polizei ; Organisationsstruktur
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  • 72
    ISBN: 9780197267110
    Language: English
    Pages: viii, 239 Seiten , Illustrationen , 24 cm
    Series Statement: British Academy monographs
    DDC: 305.420943155209045
    RVK:
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    Keywords: Women Social conditions 20th century ; Women Crimes against 20th century ; History ; Family violence History 20th century ; Berlin (Germany : East) Social conditions 20th century ; Berlin (Germany : West) Social conditions 20th century
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 73
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    London : Strange Attractor Press
    ISBN: 9781913689230
    Language: English
    Pages: 343 Seiten , Illustrationen
    Edition: Unlimited paperback edition
    Series Statement: The trash project vol. 2
    Series Statement: Hollings, Ken 1954- The trash project.
    DDC: 814.6
    Keywords: 1900-1999 ; Popular culture History 20th century ; Motion pictures History 20th century ; Culture populaire - Europe - Histoire - 20e siècle ; Cinéma - Europe - Histoire - 20e siècle ; Motion pictures ; Popular culture ; History ; Europe
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  • 74
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    New Heaven : Yale University Press
    ISBN: 0300257635 , 9780300257632
    Language: English
    Pages: x, 331 Seiten , Illustrationen , 26 cm
    DDC: 757.0973
    Keywords: Portrait painting, American ; Portraits, American ; Slaves Portraits ; Slavery in art ; Black people in art ; Portraits (peinture) - États-Unis ; Esclaves - États-Unis - Portraits ; Esclaves - Dans l'art ; Noirs - Dans l'art ; USA ; Schwarze ; Sklave ; Bildnismalerei ; Geschichte 1700-2012
    Abstract: This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of whiteness and of nation building erased the aesthetic production of enslaved Americans of African descent and obscured the portrait's importance as a site of resistance. Moving from the wharves of colonial Rhode Island to antebellum Louisiana plantations to South Carolina townhouses during the Civil War, the book illuminates how enslaved people's relationships with portraits also shaped the trajectory of African American art post-emancipation. Van Horn asserts that Black creativity, subjecthood, viewership, and iconoclasm constituted instances of everyday rebellion against systemic oppression. Portraits of Resistance is not only a significant intervention in the fields of American art and history but also an important contribution to the reexamination of racial constructs on which American culture was built
    Note: Notes bibliographiques. Index
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  • 75
    ISBN: 9781914124211
    Language: English
    Pages: xi, 228 Seiten , 25,8 cm
    Parallel Title: Erscheint auch als
    DDC: 306.76
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    Keywords: Städtebau ; LGBT ; Architektur ; Sexual minorities / Homes and haunts ; Sexual minorities / History ; Sexual minorities ; History ; Bildband ; Bildband ; History ; Pictorial works ; Bildband ; Aufsatzsammlung ; LGBT ; Architektur ; Städtebau
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  • 76
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    Baltimore, MD : Baltimore Museum of Art | Jackson, MS : Mississippi Museum of Art | New Haven and London : Baltimore Museum of Art and Mississippi Museum of Art, in association with Yale University Press
    ISBN: 9780300265736 , 0300265735
    Language: English
    Pages: 151 Seiten , 28 cm
    DDC: 305.896073075
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    Keywords: Great Migration, ca. 1914-ca. 1970 Pictorial works ; Exhibitions ; African American art Exhibitions 21st century ; Art ; Exhibition catalogs ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; USA ; Kunst ; Fotografie ; Schwarze ; USA ; Schwarze ; Migration ; Geschichte 1915-1970 ; Rezeption ; Kunst ; Geschichte 2021-2022
    Abstract: The Great Migration (1915-70) saw more than six million African Americans leave the South for destinations across the United States. This incredible dispersal of people across the country transformed nearly every aspect of Black life and culture. Offering a new perspective on this historical phenomenon, this incisive volume presents immersive photography of newly commissioned works of art by Akea, Mark Bradford, Zoë Charlton, Larry W. Cook, Torkwase Dyson, Theaster Gates Jr., Allison Janae Hamilton, Leslie Hewitt, Steffani Jemison, Robert Pruitt, Jamea Richmond-Edwards, and Carrie Mae Weems. The artists investigate their connections to the Deep South through familial stories of perseverance, self-determination, and self-reliance and consider how this history informs their working practices. Essays by Kiese Laymon, Jessica Lynne, Sharifa Rhodes-Pitts, and Willie Jamaal Wright explore how the Great Migration continues to reverberate today in the public and private spheres and examine migration as both a historical and a political consequence, as well as a possibility for reclaiming agency
    Note: Seite [172]: Published in conjunction with the exhibition "A Movement in Every Direction: Legacies of the Great Migration", presented at the Mississippi Museum of Art, April 9-September 11, 2022; the Baltimore Museum of Art, October 30, 2022-January 29, 2023; the Brooklyn Museum, March 3-June 25, 2023; and the California African American Museum, August 5, 2023-March 3, 2024 , Includes bibliographical references
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  • 77
    ISBN: 9781636810225 , 1636810225
    Language: English
    Pages: 343 Seiten , Illustrationen , 30 cm
    DDC: 700.973
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    Keywords: Indians of South America Exhibitions Antiquities ; Indigenous art Exhibitions ; Indian art Exhibitions ; Indian mythology Exhibitions ; Art, Colombian Exhibitions ; Archäologisches Denkmal ; Indigenes Volk ; Landschaft ; Antiquities ; Art, Colombian ; Indian art ; Indian mythology ; Indians of South America ; Antiquities ; Indigenous art ; Exhibition catalogs ; History ; Colombia Exhibitions Antiquities ; Colombia Exhibitions History ; Kolumbien ; Colombia ; Ausstellungskatalog Los Angeles County Museum of Art 29.05.2022-02.10.2022 ; Ausstellungskatalog Museum of Fine Arts 06.11.2022-23.04.2023 ; Ausstellungskatalog Montreal Museum of Fine Arts 29.05.2023-08.10.2023 ; Aufsatzsammlung ; Ausstellungskatalog Los Angeles County Museum of Art 29.05.2022-02.10.2022 ; Ausstellungskatalog Museum of Fine Arts 06.11.2022-23.04.2023 ; Ausstellungskatalog Montreal Museum of Fine Arts 29.05.2023-08.10.2023 ; Aufsatzsammlung
    Abstract: Spanning major pre-Columbian cultures of Colombia, and featuring artworks made in this region--from cast gold pendants and ceramic effigies to modern Indigenous stools, barkcloths and featherworks--The Portable Universe/El Universo en tus Manos: Thought and Splendor of Indigenous Colombia recasts how we approach ancient Colombian art. Featuring a cover design with tip-on images, the book is arranged so as to envelop the works with life and meaning and guide readers to different ways of understanding the world and our place in it. It includes contributions by Indigenous Colombians, historians, ethnographers, archaeologists, and art historians. The Portable Universe/El Universo en tus Manos recaptures some of the knowledge of Indigenous American cultures and presents new historical findings, drawing heavily on contemporary Indigenous understandings to evoke a worldview in which these ancient pieces make sense and have power today
    Note: Published in conjunction with an exhibition of the same name held at the Los Angeles County Museum of Art, May 29-October 2, 2022; Museum of Fine Arts, Houston, presented as "Golden Worlds: The Portable Universe of Indigenous Colombia," November 6, 2022-April 23, 2023; and Montréal Museum of Fine Arts, presented as "L'univers au creux des mains: pensées et splendeurs de la Colombie autochtone," May 29-October 8, 2023 , "This exhibition was organized by Los Angeles County Museum of Art, the Museum of Fine Arts, Houston, and the Museo del Oro, Banco de República, Bogotá"--Colophon , Includes bibliographical references (pages 327-332) and index
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  • 78
    ISBN: 9781788841450 , 178884145X
    Language: English
    Pages: 311 Seiten , Illustrationen , 31 x 24 cm
    DDC: 683.82
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    Keywords: Nutmeg graters Collectors and collecting ; Spice boxes Collectors and collecting ; Nutmeg (Spice) History ; Nutmeg (Spice) ; History ; Verzeichnis ; Führer ; Muskatnuss ; Gewürzhandel ; Küchengerät ; Verwahrung ; Dose ; Geschichte 1500-2000 ; Raspel ; Gewürzgefäß ; Sammeln
    Note: Literaturverzeichnis Seite 300 , Mit Registern
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  • 79
    ISBN: 9783932113871 , 393211387X
    Language: German
    Series Statement: Beiträge zur Geschichte Ingolstadts 11
    Dissertation note: Dissertation Universität Heidelberg 2018
    DDC: 930
    Keywords: Hochschulschrift ; Verzeichnis
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  • 80
    ISBN: 1032098961 , 9781032098968 , 9781138018525
    Language: English
    Pages: xii, 220 Seiten , Illustrationen , 25 cm
    Edition: First issued in paperback
    DDC: 305.8924043
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    Keywords: Jews / Europe, Central / History ; Cosmopolitanism / Europe, Central / History ; Jewish nationalism / Europe, Central / History ; Jewish way of life ; Cosmopolitanism ; Jewish nationalism ; Jewish way of life ; Jews ; History ; Central Europe
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  • 81
    ISBN: 9781501770180
    Language: English
    Pages: xiii, 351 Seiten , Illustrationen , 23 cm
    DDC: 306.48428
    Keywords: Musicians, Black History ; Musicians, Black History ; African American musicians History ; African American musicians History ; Music Social aspects ; History ; Music Social aspects ; History ; Music Political aspects ; History ; Music Political aspects ; History ; Music and race ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
    Note: Includes bibliographical references and index
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  • 82
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    Berlin : Bezirksamt Steglitz-Zehlendorf von Berlin, Abteilung Bildung, Kultur, Sport und Soziales, Amt für Weiterbildung und Kultur, Fachbereich Kultur
    ISBN: 9783981938814 , 398193881X
    Language: German
    Pages: 71 Seiten , Karten , 24 cm x 17 cm
    DDC: 950
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    Keywords: Kolonialismus ; Kolonialverwaltung ; China History 1907-1914 ; Germany Colonies ; Administration ; China Colonization ; History ; China ; Deutschland ; Deutsches Reich ; Ausstellungskatalog 03.12.2021-15.05.2022 ; Bildband ; Ausstellungskatalog ; Ausstellungskatalog 03.12.2021-15.05.2022 ; Bildband ; China ; Kolonialismus ; Deutschland ; Geschichte 1900 ; Fischer, Karl 1881-1941 ; Geschichte ; Nachlass ; Archivalien ; Ausstellung ; Ausstellungskatalog
    Note: Titelblatt: Begleitpublikation zur gleichnamigen Ausstellung in der Schwartzschen Villa, Berlin-Steglitz vom 3.12.2021 bis zum 15.5.2022
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  • 83
    ISBN: 9781788841481 , 1788841484
    Language: English
    Pages: 272 Seiten , 27 cm
    DDC: 746.92092
    Keywords: Baker, Caroline Influence ; Fashion design ; Clothing and dress History 20th century ; Image consultants ; Fashion photography ; Clothing and dress ; Fashion design ; Fashion photography ; Image consultants ; Influence (Literary, artistic, etc.) ; History ; Bildband ; Bildband ; Kleidung ; Ankleiden ; Mode ; Modefotografie ; Geschichte ; Baker, Caroline 1964- ; Nova ; Mode ; Streetstyle
    Abstract: Caroline Baker is the antidote to high fashion. As the legendary fashion editor of Nova magazine in the 1960s and '70s, her style was quite literally cutting-edge (she famously chopped up clothes to achieve her desired looks). She is credited with challenging the status quo of the industry and society at large, and introducing street fashion to the mass market. Stylist-of-choice for the most dynamic female designers on the scene - Katharine Hamnett and Vivienne Westwood - Caroline has continued her trajectory as a fashion provocateur. Her work has appeared on the pages of Vogue, Tatler and Cosmopolitan as well as The Face and i-D - and unsurprisingly, a new generation of style-setters is now looking to Baker's back catalogue for inspiration.0This book offers an in-depth overview of Baker's work, expertly curated and considered by Iain R. Webb. It is divided into sections that highlight specific recurring themes and tropes - such as Punk Rock, DIY, Utility and Sportswear. These ideas have defined Baker's evolving sartorial vocabulary over six decades, and set a template for street fashion that endures to this day. Accompanied with personal commentary from Baker herself and specially written contributions by Vivienne Westwood and Katharine Hamnett, this is the definitive guide to Caroline Baker and her influence on fashion
    Note: Includes index
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  • 84
    ISBN: 9780062979667 , 0062979663
    Language: English
    Pages: 38 ungezählte Seiten , color illustrations , 24 x 29 cm
    Edition: First edition
    Keywords: Davids, Sharice ; Indianer ; Indigenes Volk ; Weibliche Abgeordnete ; Minderheit ; Frau ; USA ; Bilderbuch ; Autobiografie ; USA ; Indigenes Volk ; Davids, Sharice 1980- ; Weibliche Abgeordnete ; Minderheit ; Indianer ; Frau
    Abstract: This inspiring picture book autobiography tells the remarkable story of Sharice Davids, one of the first Native American women elected to Congress and the first LGBTQ congressperson to represent Kansas
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  • 85
    ISBN: 9783969000106 , 3969000106
    Language: English
    Pages: 172 ungezählte Seiten , 24 cm x 30 cm
    DDC: 779.9920350973
    Keywords: Landschaftsfotografie ; Indianer ; Stätte ; USA ; Bildband ; Sherwin, Michael ; Landschaftsfotografie ; USA ; Indigenes Volk ; Heiligtum ; Kultstätte ; Gedenkstätte ; Historische Stätte
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  • 86
    ISBN: 9781741177435 , 174117743X
    Language: English
    Pages: 530 Seiten , Illustrationen, Karten , 22 cm
    Edition: 2nd edition, fully revised and updated
    DDC: 919.40472
    Keywords: Indigenous peoples ; Aboriginal Australians History ; Aboriginal Australians Social life and customs ; Aborigines ; Landeskunde ; Australiens (Aborigènes) - Histoire ; Australiens (Aborigènes) - Mœurs et coutumes ; Aboriginal Australians ; Aboriginal Australians - Social life and customs ; Indigenous peoples ; Manners and customs ; Travel ; travel guidebooks ; Guidebooks ; History ; Guidebooks ; Guides touristiques ; Australia Description and travel ; Australia Guidebooks ; Australia Social life and customs ; Australien ; Australie - Descriptions et voyages ; Australie - Guides ; Australie - Mœurs et coutumes ; Australia ; Guidebook
    Abstract: Marcia Langton: Welcome to Country 2nd edition is the essential follow-up to Australia's landmark travel guide to Indigenous Australia, Welcome to Country. In this extensively updated edition, Marcia Langton offers a full range of Indigenous-owned or -operated tourism experiences across Australia, including an expanded directory with 250 new listings, illustrated maps, and photography by Wayne Quilliam. Australia is home to the longest continuing culture on Earth, and Welcome to Country 2nd edition highlights myriad ways to engage and deepen our knowledge and appreciation of the First Peoples through travel. Everything from arts centres to tours is covered in this guide, and there are also fascinating insights into Indigenous cultures and histories, as well as etiquette for visitors. This guide also addresses the events and issues facing Australia today, such as as Native Title, the Stolen Generations, the 2020 bushfires, the Black Lives Matter movement, and making a rightful place in the nation for the First Australians. Welcome to Country was the first book of its kind and this updated edition, brought together by a highly respected First Nations scholar and author, is a must-have for every Australian home
    Description / Table of Contents: Part One. Introducing Indigenous cultures. Introduction -- 1. Precolonial history -- 2. Aboriginal & Torres Strait Islander cultures and postcolonial history -- 3. Languages -- 4. Kinship -- 5. Knowledge -- 6. Art -- 7. Performance -- 8. Storytelling -- 9. Native title -- 10. The Stolen Generations -- 11. What if your guide is not Indigenous? -- 12. Making a rightful place in the nation for the First Australians -- 13. Business and tourism -- 14. Cultural awareness for visitors -- 15. Looking to the future for Indigenous Australia -- 16. Glossary -- 17. Endnotes -- Part Two. Exploring Indigenous Australia. 1. Northern Territory -- 2. Western Australia -- 3. New South Wales -- 4. Victoria -- 5. South Australia -- 6. Queensland -- 7. Tasmania -- 8. Australian Capital Territory -- 9. Torres Strait Island.
    Note: Includes index
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  • 87
    ISBN: 9781849767651 , 1849767653
    Language: English
    Pages: 271 Seiten , 27 cm
    DDC: 700.9/045
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    Keywords: Postcolonialism and the arts Exhibitions ; Postcolonialism and the arts Exhibitions ; Imperialism in art Exhibitions ; Exhibitions ; Imperialism in art ; International relations ; Postcolonialism and the arts ; Art ; Caribbean Area Exhibitions Relations ; Great Britain Exhibitions Relations ; Great Britain In art ; Caribbean Area In art ; Caribbean Area ; Great Britain ; Bildband ; Ausstellungskatalog Tate Britain 01.12.2021-03.04.2022 ; Großbritannien ; Beziehung ; Karibik ; Kunst ; Postkolonialismus ; Geschichte 1950-
    Abstract: Anew: to the future, via the past / Alex Farquharson -- Caribbean movements in Britain / David A. Bailey -- Stuart Hall's vernacular modernism / David Scott -- Nature erupts into orchestras of nemesis: the ecological imaginary of the Caribbean / Giulia Smith -- Colour bars and bass cultures, dub aesthetics and Cockney translations: music in the Creole history of Black life in Britain / Paul Gilroy -- Movement of people / a rhythm sequence by Grace Wales Bonner -- Comin rite thru: masquerade and marches, resistance and revolution / Allison Thompson -- Home and away: odysseys, entanglements and acts of resistance / Gilane Tawadros -- Hostile environments and Black geographies / Daniella Rose King.
    Abstract: "This fascinating exhibition book traces the connection between Britain and the Caribbean in the visual arts from the 1950s to today, a social and cultural history more often told through literature or popular music. It celebrates how people from the Caribbean have forged new communities and identities in post-war Britain - and in doing so have transformed British culture and society. ...Arranged chronologically, it sheds light on a number of themes such as Caribbean modernism, social and political struggles, subculture and its policing, the front room as a private and public space, after-images of slavery and the Middle Passage, and syncretic and creolised metaphor and allegory (carnival, folklore, new world religions). Readers will find themselves charting a course between two worlds: London or other urban localities in the UK and images of formerly British Caribbean nations."
    Note: Published on the occasion of the exhibition Life between islands : Caribbean-British art 1950s - now held at the Tate Britain, London 1 December 2021-3 April 2022 , Print on demand edition , Includes bibliographical references (page 259) and index
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  • 88
    Language: German
    Pages: viii, 493 Seiten , Illustrationen, Karten
    Additional Material: 1 CD-ROM
    Dissertation note: Dissertation Technische Universität Dortmund 2021
    Keywords: Hochschulschrift ; Nazcakultur
    Note: Erscheint auch als Online-Ausgabe
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  • 89
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    Göttingen : Steidl
    ISBN: 9783958298828 , 3958298826
    Language: English
    Pages: 214 Seiten , 30.5 cm x 24.8 cm
    DDC: 779.997000497
    Keywords: Bildband ; Ausstellungskatalog Ryerson Image Centre 28.04.2021-07.08.2021 ; Claxton, Dana 1959- ; Inszenierte Fotografie ; USA ; Indigenes Volk ; Geschichte 1993-2021
    Note: Literaturverzeichnis: Seiten 203-213 , Scotiabank Photography Award
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  • 90
    ISBN: 9781912168217 , 1912168219
    Language: English
    Pages: 223 Seiten , 23 x 24 cm
    DDC: 391.72
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    Keywords: Rings Catalogs Private collections ; Rings Inscriptions ; Rings History ; Courtship History ; Courtship ; Rings ; Rings ; Private collections ; Catalogs ; History ; Inscriptions ; Bildband ; Katalog ; Griffin Collection ; Sammlung ; Ring ; Inschrift ; Geschichte 1400-1900
    Abstract: The distinguished private collection, known as the Griffin Collection, comprises in its entirety examples of every category of ring - signet, devotional, memorial, decorative - dating from antiquity to modern times. This catalogue, focusing on about 150 rings in the collection, is concerned with perhaps the most personal rings of all, those associated with love and marriage. Some can be recognised by the figure of Cupid armed with his quiver of golden arrows, others by the symbols of heart and clasped hands. However, the majority are gold bands, sometimes plain and occasionally decorated, that are inscribed with mottoes in English expressing the admiration, affection, and pledges of fidelity which bind humankind together. – Known as posies or little poems because they often rhyme, these mottoes were current on rings from the late Middle Ages until the middle of the 19 th century. Through these rings, Ms. Scarisbrick engagingly tells the long story of the relations between the sexes from the fifteenth century, when the cult of courtly love was superseded by an idealization of monogamous marriage, to an end in the twentieth century as a result of a different moral outlook. – Scholars would agree that the Griffin Collection of posy rings makes an important contribution to English social history and connects with the national literature from Chaucer to Byron. Small though they are in scale, their significance was appreciated by Victorian collectors, and they are well represented in the leading museums, notably the Victoria and Albert Museum, the British Museum, and the Museum of London, as well as the Ashmolean and Fitzwilliam museums in Oxford and Cambridge. Yet none of these institutions have ever published fully illustrated catalogues of their posy rings, nor has there been an up-to-date study since the seminal monograph by Joan Evans entitled English Posies and Posy rings (1931). In this respect, the catalogue of the Griffin Collection, which illustrates the rings and sets them in context, using wide-ranging literary and historical sources, breaks new ground. It also contains posy rings with inscriptions hitherto unrecorded and others with identified maker’s marks.
    Note: Ad Ilissvm ist ein Imprint von: Paul Holberton Publishing, London
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  • 91
    ISBN: 9390918464 , 9789390918461
    Language: English
    Pages: 168 Seiten , Illustrationen
    DDC: 391.00954552
    Keywords: 1800-1999 ; Clothing and dress History 20th century ; Textile fabrics History 19th century ; Textile fabrics History 20th century ; Handicraft ; Clothing and dress History 19th century ; Clothing and dress History 19th century ; Clothing and dress History 20th century ; Textile fabrics History 19th century ; Textile fabrics History 20th century ; Handicraft ; Clothing and dress ; Handicraft ; Textile fabrics ; History ; India ; Punjab ; India - Punjab ; Pandschab ; Kolonialismus ; Textilien ; Kleidung
    Note: Literaturverzeichnis: Seite 161-165
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  • 92
    ISBN: 9789045044279 , 9045044277
    Language: English
    Pages: 350 Seiten , Illustrationen , 24 cm
    Parallel Title: Parallele Sprachausgabe Slavernij
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    Keywords: Slavery Colonies ; History ; Slaves Biography Colonies ; Slaves Colonies ; Social conditions ; Netherlandish colonies ; Slavery ; Colonies ; Biographies ; History ; Netherlands Colonies ; History ; Netherlands ; Ausstellungskatalog Rijksmuseum 18.05.2021-29.08.2021 ; Aufsatzsammlung ; Ausstellungskatalog Rijksmuseum 18.05.2021-29.08.2021 ; Aufsatzsammlung ; Ausstellungskatalog Rijksmuseum 18.05.2021-29.08.2021 ; Ausstellungskatalog Rijksmuseum 18.05.2021-29.08.2021 ; Aufsatzsammlung ; Ausstellungskatalog Rijksmuseum 18.05.2021-29.08.2021 ; Aufsatzsammlung ; Ausstellungskatalog Rijksmuseum 18.05.2021-29.08.2021 ; Niederlande ; Subsaharisches Afrika ; Sklave ; Sklaverei ; Kolonie ; Geschichte
    Abstract: Foreword.Together we write history /Taco Dibbits --Slavery : an exhibition of many voices /Eveline Sint Nicolaas, Valika Smeulders --Dutch colonial slavery /Eveline Sint Nicolaas --Living inside the slavery system --João : caught in the crossfire in Dutch Brazil /Stephanie Archangel --Wally : surviving on a plantation in Suriname /Eveline Sint Nicolaas --Oopjen : wealth in the Dutch republic /Eveline Sint Nicolaas --Paulus : a ‘moor’ in the Dutch republic /Valika Smeulders, Lisa Lambrechts --van Bengalen : shipped to Batavia, Banda, Cape Town and Dokkum /Maria Holtrop --Thinking about freedom --Surapati : from enslaved servant to sovereign /Maria Holtrop --Sapali : an independent society /Valika Smeulders --Tula : liberty, equality and fraternity /Valika Smeulders --Dirk : from abolitionist to slaveholder /Valika Smeulders, Lisa Lambrechts --Lohkay : beads versus laws /Valika Smeulders --Talking about slavery --Current thinking about slavery in the Netherlands /Karwan Fatah-Black, Martine Gosselink --Works in the exhibition.
    Abstract: "What did a woman who lived and worked under slavery know about her ‘owner’ in the Dutch Republic? What did an owner of a sugar factory in Amsterdam know about the circumstances under which the sugar he processed was grown? And what did a freedom fighter on Curaçao know about the struggle for equal civil rights in Europe? Under Dutch rule during the colonial era, more than a million men, women and children from Asia and Africa were enslaved and shipped to the other side of the world. Very little is known about their lives. Using a variety of sources, Slavery provides a portrait of ten people from this period: people who suffered under the slavery system, people who rose in resistance against it and people who profited from it. This broad palette of individual experiences reveals diverse facets of the Dutch history of slavery and gives us a unique isight into the societal reality of the time"
    Note: This book was published on the occasion of the exhibition Slavery at the Rijksmuseum in Amsterdam, scheduled to open Spring 2021 , Book design: Irma Boom , Includes bibliographical references (pages 324-334) and index
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  • 93
    ISBN: 9781941366325 , 1941366325
    Language: English
    Pages: 627 Seiten , Illustrationen , 23 cm
    DDC: 704.03/096/073
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    Keywords: African American art 20th century ; African American artists History 20th century ; Art and society History 20th century ; Black power History 20th century ; Black Arts movement ; Arts Political aspects ; African American art ; African American artists ; Art and society ; Arts ; Political aspects ; Black Arts movement ; Black power ; Art criticism ; Essays ; History ; Essays ; Art criticism ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunstsoziologie ; Schwarze ; Künstler ; Person of Color ; Black power ; Geschichte 1960-1980
    Abstract: "A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --
    Note: "Originating in research for the landmark traveling exhibition Soul of a nation: art in the age of Black power, this anthology brings together more than two hundred texts, most of them rare and long out of print"--Page 4 of cover , Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright , Includes bibliographical references
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  • 94
    ISBN: 9783903334151 , 3903334154
    Language: German
    Pages: 192 Seiten , 21 x 22 cm
    Edition: 1. Auflage
    Series Statement: Beiträge zur Geschichte der Fotografie in Österreich Band 21
    Series Statement: Fotohof edition Band 315
    Series Statement: Beiträge zur Geschichte der Fotografie in Österreich
    Series Statement: Edition Fotohof
    DDC: 305.80074
    RVK:
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    Keywords: Luschan, Emma von, 1864-1941 Exhibitions Photograph collections ; Luschan, Felix von Exhibitions Photograph collections ; Ethnology Pictorial works ; Exhibitions ; Anthropology Pictorial works ; Exhibitions ; Indigenous peoples Pictorial works ; Exhibitions ; Ausstellungskatalog 2021 ; Bildband ; Aufsatzsammlung ; Ausstellungskatalog 2021 ; Bildband ; Aufsatzsammlung ; Ausstellungskatalog Photoinstitut Bonartes 29.07.2021-29.10.2021 ; Aufsatzsammlung ; Ausstellungskatalog Photoinstitut Bonartes 29.07.2021-29.10.2021 ; Aufsatzsammlung ; Ausstellungskatalog 2021 ; Bildband ; Aufsatzsammlung ; Luschan, Felix von 1854-1924 ; Luschan, Emma von 1864-1941 ; Ethnologische Fotografie ; Sammlung ; Luschan, Emma von 1864-1941 ; Luschan, Felix von 1854-1924 ; Sammlung ; Fotografie ; Indigenes Volk
    Note: Impressum: "Die Publikation erscheint anlässlich der Ausstellung 'Überleben im Bild. Wege aus der Anonymität anthropologischer 'Typenfotografien' in der Sammlung Emma und Felix von Luschan', im Photoinstitut Bonartes, Wien (29. Juli-29. Oktober 2021)
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  • 95
    ISBN: 1934351199 , 9781934351192
    Language: English
    Pages: xiii, 282 Seiten , Illustrationen , 28 cm
    DDC: 700.8996073075
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    Keywords: African American art Exhibitions 20th century ; African American art Exhibitions 21st century ; Material culture Exhibitions ; African Americans Music ; African Americans Religion ; African American art Political aspects ; African American art ; African Americans ; African Americans ; Religion ; Material culture ; Exhibition catalogs ; Music ; Southern States In art ; Exhibitions ; Southern States ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; USA ; Kunst ; Schwarze ; Geschichte 1945- ; Musik ; Literatur
    Abstract: Director's foreword / Alex Nyerges -- What you know about the Dirty South? / Valerie Cassel Oliver -- a poem for black art / Fred Moten -- Landscape : the politics and poetics of dirt. Cosmic encounter / Charlie R. Braxton ; Bevery Buchanan : forms of ruination / Andrea Barnwell Brownlee, Jennifer Burris, and Park MacArthur ; Quilted beats bound at the rut : a theorization of the Dirty South / Regina N. Bradley ; Plates -- Systems of thought : the vision of envisioning. Songs that are sacred and pure (for Toni Morrison) / Charlie R. Braxton ; Dreaming empire, conjuring freedom : Renée Stout, African American landscape representation, and the imperial South / Kirsten Pai Buick ; Bible Belt swag : Houston hip-hop and Black religion / Anthony B. Pinn ; Dreaming of the South in stereo : Black music's American journey / Guthrie P. Ramsey Jr. ; Plates -- The Black body : repository/site/agent. Bluesosophy (for Julius Thompson) / Charlie R. Braxton ; Picturing the South : how photographers have imaged the region / Rhea L. Combs ; Changing the rules, the practice of pleasure : the linguistic possibilities of dirt / Roger Reeves ; Plates -- Epilogue. Code Black : the Dirty South / Paul D. Miller ; The Dirty South playlist ; Plates -- Artist biographies -- Contributor biographies -- Exhibition checklist and image credits.
    Abstract: "This exhibition catalog to the Virginia Museum of Fine Arts’ The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse chronicles the pervasive visual and sonic parallels in the work of Black artists from the southern United States. It looks to contemporary southern hip-hop as a portal into the roots and aesthetic legacies that have shaped contemporary art from the 1920s to the present. It features multiple generations of both academically trained and 'outsider' artists working in a variety of genres and disciplines, including Thornton Dial, Allison Janae Hamilton, Arthur Jafa, Jason Moran, Sister Gertrude Morgan, Sun Ra, Kara Walker, and William Edmondson. Creating a capacious understanding of southern expression in visual art, material culture, and music, this richly illustrated volume documents the exhibition’s artworks and includes critical essays, poems, artist biographies, and an extended bibliography"--https://vmfashop.com/dirty-south/the-dirty-south-exhibition-catalog.html
    Note: "This catalogue accompanies the exhibition 'The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse', presented at the Virginia Museum of Fine Arts, May 22-September 6, 2021; Contemporary Arts Museum Houston, October 28, 2021-February 6, 2022; Crystal Bridges Museum of American Art, March 12-July 25, 2022; Museum of Contemporary Art Denver, September 2022-February 2023"--Page iv , Includes artists: Terry Adkins, Charles Henry Alston, Emma Amos, Benny Andrews, Radcliffe Bailey, Romare Bearden, Kevin Beasley, Paul Stephen Benjamin, Julia Beverly, John Biggers, Sanford Biggers, Herman Poole Blount (AKA Sony'r Ra or Sun Ra), Sheila Pree Bright, Beverly Buchanan, Bisa Butler, Elizabeth Catlett, Nick Cave, Mel Chin, Sonya Clark, Bethany Collins, Eldzier Cortor, Abraham Lincoln Criss, Jamal Cyrus, Bruce Davenport Jr. (AKA Dapper Bruce Lafitte), Beauford Delaney, Thornton Dial, Nathaniel Donnett, Aaron Douglas, William Edmondson, Melvin Edwards, Winton and Rosa Eugene, Minnie Evans, Leonard Freed, Theaster Gates, Sam Gilliam, Allison Janae Hamilton, David Hammons, Bessie Harvey, Palmer Hayden (AKA Peyton Cole Hedgeman), Robert Hodge, Earlie Hudnall, Jr., Clementine Hunter, Arthur Jafa, Anderson Johnson, William H. Johnson, Richard FIEND Jones (aka International Jones), Jacob Lawrence, El Franco Lee II, Samella Lewis, James Little, Whitfield Lovell, Jonathan Mannion, Kerry James Marshall, James Martin (AKA Spider Martin), Rodney McMillian, Michi Meko, Jason Moran, Sister Gertrude Morgan, Marilyn Nance (AKA Soulsista), Rashaad Newsome, Tameka Jenean Norris (AKA T.J. Dedeaux-Norris and Meka Jean), Demetrius Oliver, Joe Overstreet, Fahamu Pecou, Rita Mae Pettway, Robert Pruitt, Deborah Roberts, Nadine Robinson, Sulton Rogers, RaMell Ross, Nellie Mae Rowe, Kenneth Royster, Paul Rucker, Augusta Savage, Joyce J. Scott, John Sims, Kevin Sipp, Kaneem Smith, Renée Stout, Jimmy Lee Sudduth, Felandus Thames, Alma Thomas, James Thomas (AKA Son Ford), Bob Thompson, Mildred Thompson, Mose Tolliver, Bill Traylor, Freeman Vines, Kara Walker, Nari Ward, Arliss Watford, Jack Whitten, William T. Williams, Purvis Young
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  • 96
    ISBN: 9781733622066
    Language: English
    Pages: 269 Seiten , Illustrationen , 24 cm
    DDC: 613.19409
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    Keywords: Nudists History ; Nudists ; History ; England ; Großbritannien ; Freikörperkultur ; Bildwissenschaft ; Geschichte 1920-1970
    Abstract: This richly illustrated volume examines the idiosyncratic phenomenon of social nudism in mid-20th-century Britain, an island nation fabled for its lack of sunshine and its reserved social attitudes.00Structured across three interrelated phases, readers first encounter the movement at its genesis in the 1920s, when nudism was synonymous with vegetarianism, intellectualism and utopianism. That nascent culture proliferated in the postwar era, with a widening landscape of amateur clubs and governing organizations alongside high-circulation publications and censorship-challenging photographers. Finally, Annebella Pollen examines the movement?s redefinition as naturism, its cultural battles and its struggle to survive amid shifts in sexual liberation in the permissive 1960s.00Unadorned bodies were the central campaigning tool of British naturism?s photographic propaganda. They drew attention to the cause and drove publication sales but they also attracted regular public opprobrium. Naturism?s shifting visual culture thus provides a microcosmic view of British moral, legal and aesthetic transformations in a period of rapid social change, revealing evolving perspectives on health and sex, gender and ethnicity, pleasure and power
    Note: Includes bibliographical references and index
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  • 97
    ISBN: 9781633451148 , 1633451143
    Language: English
    Pages: 173 Seiten , Pläne, Karten, Diagramme , 26 cm
    DDC: 720.8996073
    RVK:
    Keywords: Museum of Modern Art (New York, N.Y.) ; Museum of Modern Art (New York, N.Y.) ; Architecture and race Exhibitions ; Racism Exhibitions History ; African American architects Exhibitions ; African American architects ; Architecture and race ; Racism ; History ; United States ; Ausstellungskatalog The Museum of Modern Art 20.02.2021-31.05.2021 ; Bildband ; Ausstellungskatalog The Museum of Modern Art 20.02.2021-31.05.2021 ; Bildband ; USA ; Schwarze ; Architektur ; Geschichte ; USA ; Architekturgeschichtsschreibung ; Rassismus
    Abstract: Foreword / Glenn D. Lowry -- Preface / Robin D. G. Kelley -- Introduction / Sean Anderson and Mabel O. Wilson -- Refusal. Black gathering: An assembly in three parts / Christina Sharpe -- Immeasurability (Atlanta, GA) / Emanuel Admassu -- Visible by design / Michelle Joan Wilkinson -- The refusal of space (Nashville, TN) / Mario Gooden -- Moving beyond repair: Constructing a revisionist history of architectural modernity at MoMA / Charles L. Davis II -- Liberation. Designing for social justice / Roberta Washington -- Fabricating networks: Transmissions and receptions from Pittsburgh's Hill district (Pittsburgh, PA) / Felecia Davis -- Reconstruction's breadth / Adrienne Brown -- Black towers / Black power (Oakland, CA) / Walter J. Hood -- At the YMCA swimming pool / Arièle Dionne-Krosnick -- Supply-side criminomics / Carla Shedd -- On exactitude in science (Watts) / David Hartt -- Imagination. Time, memory, and living in shotgun houses in the south of the South City of New Orleans / Tonya M. Foster -- A spectrum of Blackness: The search for sedimentation in Miami, FL / Germane Barnes -- Shack stories / Aruna D'Souza -- R:R (New Orleans, LA) / V. Mitch McEwen -- Entanglements of slavery, segregation, and mass incarceration in the United States / Dianne Harris -- Care. We had a garden / Audry Petty -- We outchea: HIp-hop fabrications and public space (Syracuse, NY) / Sekou Cooke -- Housing as insertion point for creative urban alchemy / Ifeoma Ebo -- Environmental racism and its afterlives in the prison system / David Naguib Pellow -- Directions to Black space (after Mutabaruka) (Kinloch, MO) / Amanda Williams -- Knowledge. A refusal of border / Jennifer Newsom -- black city: the los angeles edition (Los Angeles, CA) / J. Yolande Daniels -- Reconstructing difference: Design for all of the above / Justin Garrett Moore -- The frozen neighborhoods (Brooklyn, NY) / Olalekan Jeyifous -- Toward an architecture race theory / Milton S. F. Curry -- Manifesting statement: the Black Reconstruction Collective -- Project teams -- Acknowledgments -- Trustees of The Museum of Modern Art.
    Abstract: "Reconstructions: Architecture and Blackness in America is an urgent call for architects to accept the challenge of reconceiving and reconstructing our built environment rather than continue giving shape to buildings, infrastructure and urban plans that have, for generations, embodied and sustained anti-Black racism in the United States. The architects, designers, artists and writers who were invited to contribute to this book--and to the exhibition at the Museum of Modern Art for which it serves as a "field guide"--reimagine the legacies of race-based dispossession in 10 American cities (Atlanta; Brooklyn, New York; Kinloch, Missouri; Los Angeles; Miami; Nashville; New Orleans; Oakland; Pittsburgh; and Syracuse) and celebrate the ways individuals and communities across the country have mobilized Black cultural spaces, forms and practices as sites of imagination, liberation, resistance, care and refusal. A broad range of essays by the curators and prominent scholars from diverse fields, as well as a portfolio of new photographs by the artist David Hartt, complement this volume's richly illustrated presentations of the architectural projects at the heart of MoMA's groundbreaking exhibition."--Back cover
    Abstract: "The Museum of Modern Art announces the fourth installment of the Issues in Contemporary Architecture series, Reconstructions: Architecture and Blackness in America, an investigation into the intersections of architecture, Blackness and anti-Black racism in the American context. On view from February 20 through May 31, 2021, the exhibition and accompanying publication will examine contemporary architecture in the context of how systemic racism has fostered violent histories of discrimination and injustice in the United States. Such conditions have structured and continue to inform the built environment of American cities through public policies, municipal planning, and architecture, with specific repercussions for African American and African diaspora communities. Projects will explore how people have mobilized Black cultural spaces, forms, and practices as sites of imagination, liberation, resistance, and refusal."--City Life Org website (viewed on February 18, 2021)
    Note: Impressum: Published in conjunction with the exhibition "Reconstructions: Architecture and Blackness in America", at The Museum of Modern Art, New York, February 20-May 31, 2021 , Includes bibliographical references
    URL: Exhibit website  (Exhibit website)
    URL: Exhibit website  (Exhibit website)
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  • 98
    ISBN: 9783731909323
    Language: German
    Pages: 381 Seiten , Illustrationen , 28 cm
    Dissertation note: Dissertation Universität Innsbruck 2018
    DDC: 704.949394709023
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    Keywords: Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Kunst ; Turnier ; Geschichte 1200-1600 ; Ritter ; Turnier ; Geschichte ; Turnier ; Kunst
    Note: Dissertation wurde für die hier vorliegende Fassung nochmals überarbeitet und erweitert
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  • 99
    Image
    Image
    Vancouver : MOA | Vancouver : Figure.1
    ISBN: 9781773271378 , 1773271377
    Language: English
    Pages: xiv, 239 Seiten , Illustrationen , 31.5 cm
    DDC: 391.4/34
    RVK:
    Keywords: Masks History ; Masks Pictorial works History ; Masks History ; Masks Pictorial works History ; Festivals History ; Festivals History ; Rites and ceremonies History ; Rites and ceremonies History ; Festivals ; Masks ; Rites and ceremonies ; History ; Pictorial works ; Andes ; Mexico ; Bildband ; Bildband ; Bildband ; Mexiko ; Südamerika ; Brauch ; Fest ; Maske
    Abstract: "Theatrum Mundi ("the theatre of the world”) describes the diversity of masks and performances that originated from the violent struggles between European, Arabic and “New World” civilizations. This authoritative study celebrates over 500 years of Mexican and South American Indigenous dance dramas and explains how mask makers, religious practitioners, masqueraders and entrepreneurs have helped to continuously reinvent, revitalize and express the changing world around them. The culmination of four decades of research by Dr. Anthony Shelton, professor of art history and director of the Museum of Anthropology (MOA) at the University of British Columbia, the text is illustrated by field photographs and images from MOA and other notable mask collections."--
    Note: Includes bibliographical references and index
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  • 100
    ISBN: 9789045042459
    Language: Dutch
    Pages: 350 Seiten , Illustrationen , 24 cm
    Parallel Title: Parallele Sprachausgabe Slavery
    DDC: 700-9492
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    Keywords: Slave trade History ; Slavery History ; Netherlands Colonies ; History ; Ausstellungskatalog Rijksmuseum 12.02.2021-30.5.2021 ; Ausstellungskatalog Rijksmuseum 12.02.2021-30.5.2021 ; Ausstellungskatalog Rijksmuseum 12.02.2021-30.5.2021 ; Niederlande ; Kolonialismus ; Sklaverei ; Kunst ; Kultur ; Geschichte 1600-1850 ; Sklaverei ; Kunst ; Geschichte 1600-2020
    Abstract: Tijdens de koloniale slavernij zijn miljoenen mensen gereduceerd tot het bezit van een ander. Van slechts een deel van alle betrokkenen zijn hun levensverhalen te achterhalen. Het Rijksmuseum stelt in een tentoonstelling tien historische personen centraal, bekende en minder bekende. Met deze persoonlijke blik wil het museum de slavernij van gezichten voorzien en de universele, tijdloze relevantie van deze geschiedenis invoelbaar maken. Hoe moeten we ons het harde leven voorstellen van een man in slavernij op een plantage in Brazilië in de zeventiende eeuw? Of het luxe leven van een Nederlandse slavenhandelaar in diezelfde tijd? Of dat van een vrouw die kans zag de plantage te ontvluchten? In deze rijk geïllustreerde publicatie worden de levens van tien personen beschreven die deel uitmaakten van de Nederlandse koloniale slavernijgeschiedenis en die centraal staan in de tentoonstelling Slavernij in het Rijksmuseum. We maken onder anderen kennis met de Afrikaanse João Mina die op een suikerplantage in Braziliëwerkte, met Jonas Witsen, eigenaar van een plantage in Suriname, Untung Surapati, die zich aan slavernij ontworstelde en in Indonesië een nationale held werd, en met de illustere One-Tété Lokhay, die een inspiratiebron was voor de mensen die het slavernijsysteem op Sint Maarten tot stilstand brachten. Door hun verhalen krijgt de geschiedenis reliëf en krijgen we beter zicht op het systeem van slavernij, de ervaring ervan, en hoe mensen toen dachten over vrijheid. In het slotessay wordt de balans opgemaakt: waar staan we anno 2020 in onze omgang met het koloniale slavernijverleden? De tentoonstelling concentreert zich op de Nederlandse betrokkenheid bij slavenhandel en slavernij. De Nederlandse koloniale periode staat centraal, van de 17de tot en met de 19de eeuw, zowel in de driehoek Nederland-Afrika-Amerika, als in de landen rondom de Indische Oceaan waar de VOC actief was.
    Note: Ausstellung im Rijksmuseum, Amsterdam (12.2-30.5.2021)
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