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* Ihre Aktion:   suchen [und] (PICA Prod.-Nr. [PPN]) 1860508359
 Felder   ISBD   MARC21 (FL_924)   Citavi, Referencemanager (RIS)   Endnote Tagged Format   BibTex-Format   RDF-Format 
Bücher, Karten, Noten
 
K10plusPPN: 
1860508359     Zitierlink
Titel: 
Jews in suits : men's dress in Vienna, 1890-1938 / Jonathan C. Kaplan-Wajselbaum (Hrsg.)
Beteiligt: 
Kaplan-Wajselbaum, Jonathan C. [Herausgeberin/-geber] info info
Erschienen: 
London : Bloomsbury Visual Arts, 2023 [©2023]
Umfang: 
x, 278 Seiten : Illustrationen ; 24 cm
Sprache(n): 
Englisch
Schriftenreihe: 
Angaben zum Inhalt: 
Chapter 1: Europe's Third Most Jewish City -- Chapter 2: Fashioning the Self, Dressing Society: Dress and Identity in Europe's Third Jewish Capital -- Chapter 3: Refashioning the Self: Acculturation, Assimilation, and Clothing -- Chapter 4: Strangers in the City: "Rootless" Jews and Urbanity in Vienna -- Chapter 5: Der kleine Cohn: Dress and the Function of Mocking through Caricature -- Chapter 6: The Man in the Suit: Jewish Writers and Their Clothing.
Anmerkung: 
Includes bibliographical references (pages 250-269) and index
Bibliogr. Zusammenhang: 
Erscheint auch als: Kaplan-Wajselbaum, Jonathan C : Jews in suits. - London : Bloomsbury Visual Arts, 2023 (Online-Ausgabe)
ISBN: 
978-1-350-24420-7 (hardback)
978-1-350-24423-8 (ISBN der parallelen Ausgabe im Fernzugriff); 978-1-350-24422-1 (ISBN der parallelen Ausgabe im Fernzugriff)
Sonstige Nummern: 
OCoLC: 1372361555     see Worldcat


Art und Inhalt: 
unbewegtes Bild
RVK-Notation: 
Sachgebiete: 
Schlagwortfolge: 
Sonstige Schlagwörter: 
Inhaltliche
Zusammenfassung: 
Surviving photographs of Jewish Viennese men during the fin-de-siècle and interwar periods - both the renowned cultural luminaries and their many anonymous coreligionists - all share a striking sartorial detail: the tailored suit. Yet, until now, the adoption of the tailored suit and its function in the formation of modern Jewish identities remains under-researched. 'Jews in Suits' uses a rich range of written and visual sources, including literary fiction and satire, 'ego-documents', photography, trade catalogues, invoices, and department store culture, to propose a new narrative of men, fashion, and their Jewish identities. It reveals that dressing in a modern manner was not simply a matter of assimilation, but rather a way of developing new models of Jewish subjectivity beyond the externally prescribed notion of 'the Jew'. Drawing upon fashionable dress, folk costume, religious dress, avant-garde, oppositional dress, typologies which are often considered separate from one another, it proposes a new way of reading men and clothing cultures within an iconic cultural milieu, offering insights into the relationship of clothing and grooming to the understanding of the self

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