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  • BSZ  (23)
  • HBZ
  • English  (23)
  • Polish
  • Thomas, Nicholas  (10)
  • Clark, Alison  (8)
  • Rijksmuseum voor Volkenkunde  (8)
  • Buijs, Cunera C. M.  (3)
  • Leiden : Sidestone Press  (19)
  • Leiden : Leiden University Press  (2)
  • Leiden : Museum  (2)
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  • English  (23)
  • Polish
  • Dutch  (3)
Author, Corporation
Subjects(RVK)
  • 1
    Language: English
    Series Statement: Pacific presences 4
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  • 2
    Journal/Serial
    Journal/Serial
    Leiden : Sidestone Press | Leiden : Brill | Leiden : RVM | Leiden : CNWS ; 1.1947 -
    ISSN: 0169-9156
    Language: Dutch , English
    Dates of Publication: 1.1947 -
    Parallel Title: Online-Ausg. Rijksmuseum voor Volkenkunde (Leiden) Mededelingen van het Rijksmuseum voor Volkenkunde
    DDC: 390
    Keywords: Monografische Reihe
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  • 3
    Journal/Serial
    Journal/Serial
    Leiden : Sidestone Press | Leiden : Brill | Leiden : RVM | Leiden : CNWS ; 1.1947 -
    ISSN: 0169-9156
    Language: Dutch , English
    Dates of Publication: 1.1947 -
    Parallel Title: Online-Ausg. Rijksmuseum voor Volkenkunde (Leiden) Mededelingen van het Rijksmuseum voor Volkenkunde
    DDC: 390
    Keywords: Monografische Reihe
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  • 4
    ISBN: 9789088906343
    Language: English
    Pages: 1 Online-Ressource (479 Seiten) , Illustrationen
    Series Statement: Pacific presences 7
    Series Statement: Pacific presences
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 779.90695092
    RVK:
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    Keywords: Fotografie ; Kolonialismus ; Ethnologisches Museum ; Europa ; Ozeanien ; Bildband ; Ethnologisches Museum ; Kolonialismus ; Fotografie ; Ozeanien ; Europa
    Abstract: Ethnographic museums, now often rebranded as collections of ‘world cultures’, appear permanently problematic, even as their contexts and the orientation of their activities change. Across Europe and elsewhere, curators and other museum staff are committed to dialogue and collaboration with the peoples from whom collections were made. But their vast assemblages of artefacts, removed from countries of origin primarily during the colonial period, and assumed, mostly inaccurately, to have been looted, seem always in question. Photo-Museology arises from an art project undertaken over 25 years. From the early 1990s, Mark Adams and Nicholas Thomas together investigated sites of cross-cultural encounter in the Pacific and associated places in Europe, ranging from Captain Cook memorials to ethnographic museums. Some of those museums still exhibited colonial symbols and forms of knowledge, others had attempted to displace such histories, foregrounding more inclusive or progressive stories. Complementing the academic studies in the Pacific Presences series, this book offers what John Berger referred to as ‘another way of telling’. Through photography, it revisits the places collections were made, and the places they ended up in. It is a meditation on presence and absence.
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 5
    ISBN: 9789088906329 , 9789088906336
    Language: English
    Pages: 479 Seiten
    Series Statement: Pacific presences 7
    Series Statement: Pacific presences
    Parallel Title: Erscheint auch als
    DDC: 779.90695092
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    Keywords: Adams, Mark ; Thomas, Nicholas ; Fotografie ; Kolonialismus ; Ethnologisches Museum ; Europa ; Ozeanien ; Bildband ; Bildband ; Bildband ; Bildband ; Bildband ; Ozeanien ; Europa ; Ethnologisches Museum ; Kolonialismus ; Fotografie ; Adams, Mark 1949- ; Thomas, Nicholas 1960-
    Abstract: Ethnographic museums, now often rebranded as collections of ‘world cultures’, appear permanently problematic, even as their contexts and the orientation of their activities change. Across Europe and elsewhere, curators and other museum staff are committed to dialogue and collaboration with the peoples from whom collections were made. But their vast assemblages of artefacts, removed from countries of origin primarily during the colonial period, and assumed, mostly inaccurately, to have been looted, seem always in question. Photo-Museology arises from an art project undertaken over 25 years. From the early 1990s, Mark Adams and Nicholas Thomas together investigated sites of cross-cultural encounter in the Pacific and associated places in Europe, ranging from Captain Cook memorials to ethnographic museums. Some of those museums still exhibited colonial symbols and forms of knowledge, others had attempted to displace such histories, foregrounding more inclusive or progressive stories. Complementing the academic studies in the Pacific Presences series, this book offers what John Berger referred to as ‘another way of telling’. Through photography, it revisits the places collections were made, and the places they ended up in. It is a meditation on presence and absence.
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  • 6
    ISBN: 9789088909184 , 9088909180 , 9088909199 , 9789088909191
    Language: English
    Pages: 173 pages , illustrations (chiefly colour) , 23 cm
    Parallel Title: Erscheint auch als Buijs, C. Healing Power
    DDC: 234.131
    RVK:
    Keywords: Spiritual healing ; Indigenous peoples Spiritual life ; Healing in art ; Spiritualism in art ; Spiritualism in art ; Healing in art ; Spiritual healing
    Abstract: Hidden healing practices exert fascination as well as stimulate extensive scientific and public interest. It is a contested topic for many indigenous peoples. Throughout the ages, numerous spiritual healing forms have been marginalized or severely persecuted. Nowadays, however, there is a growing interest in these traditions all over the world. Some are recovered and sometimes also mixed resulting in the blending of different indigenous and Western approaches. After the loss of the original spiritual contexts during the colonization period, Indigenous peoples around the world revive parts of their cultural heritage. They also find inspiration in foreign cultural traditions. Next generations develop new ways to connect to the ancestors and search for new healing practices. This publication explores a limited selection of the manifold collective and individual healing practices, such as shamanism, winti, vodou and European witchcraft. Practitioners and/or academics share their insights and perspectives. Power objects and healing related art from the collection of the National Museum of World Cultures in the Netherlands reveal hidden meanings of sacred traditions. Contemporary artists are inspired by spiritual healing and renew its meaning in the present
    Note: Includes bibliographical references
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  • 7
    ISBN: 9789088907791 , 908890779X
    Language: English
    Pages: 1 Online-Ressource (225 pages) , illustrations
    Parallel Title: Erscheint auch als MATTERS OF BELONGING
    DDC: 305.80074
    Keywords: Ethnological museums and collections ; Anthropological museums and collections ; Ethnologie - Musées et collections - Europe ; Anthropologie - Musées et collections - Europe ; Anthropological museums and collections ; Ethnological museums and collections ; Europe ; Aufsatzsammlung
    Abstract: Matters of Belonging' foregrounds critical practices within ethnographic museums in relation to their diverse stakeholders, with a special focus on collaboration with artists and differently constituted, self-identified communities. The book emerges from the EU-funded project SWICH (Sharing a World of Inclusion, Creativity and Heritage) that places ethnographic museums at the centre of ongoing debates about Europe's shifting polity and questions around heritage, citizenship and belonging. Addressing diverse political climates and citizenship regimes, legal frameworks and colonial/migratory histories, the articles seek to question the role of ethnographic and world cultures museums within contemporary negotiations of how to define Europe, Europeans, and European heritage, especially mindful of the region's colonial and migratory pasts.0The book is neither celebratory nor congratulatory, and does not depict a triumphal overcoming by ethnographic museums of their troubled pasts. Its aim is to think critically about these museums' responses, to identify both pitfalls and positive developments, and to sketch out possible futures for museums generally, and ethnographic museums specifically, as they try to locate themselves within discussions about Europe and its futures.0Core to the book's argument is that it may exactly be in their entanglement with the colonial past that these museums can become important sites for thinking about colonial entailments in the present. Facing up to this past is the beginning of addressing these larger legacies. The authors suggest that the ethnographic museum has been the site not just for trenchant questioning of colonial durabilities in contemporary Europe, but also for the development of new practices - of collaboration and authority-sharing, of recognition and belonging. The book explores these models, not as complete, but as a starting point to push forward new practices
    Abstract: $uIntro; Introduction: Ethnographic Museums and the Double Bind; Wayne Modest; Heritage; The Museum Inside-out: Twenty Observations; Nicholas Thomas; Museums and Source Communities: Reflections and Implications; Laura Peers; Collaboration and the Dilemma of the Exotic: A Research Note; Barbara Plankensteiner; Our House Is Made of Thin, Burning Ice. Let's Dance; Sandra Ferracuti; Creativity; Questions of Belonging; Alana Jelinek; Love and Loss in the Ethnographic Museum; Rajkamal Kahlon; Eyes in the Back of Your Head: A Talisman Against Disillusionment; Bianca Baldi; I Came as a Stranger
    Abstract: $uAleksandra PawloffThe Long Walk: Following the Tick-Ticking Sounds into the Unknown - or, The Omitted; Jacqueline Hoàng Nguyễn; Inclusion; Shared Authority Matters: Collaboration with Heritage Bearers with Migrant Background; Tina Palaić and Bojana Rogelj Škafar; Uncomfortable Memory and Community Participation at the Barcelona Ethnological and World Cultures Museum; Salvador García Arnillas and Lluís-Josep Ramoneda Aigüadé; The Making of a Point of View:: A Participatory Exhibition at the Pigorini Museum in Rome; Rosa Anna Di Lella and Loretta Paderni
    Abstract: $uOut of Boxes: Touching wor(l)ds moving picturesA Collective Case Study on a Collaborative Exhibition at the Weltmuseum Wien, Vienna.; UrbanNomadMixes; For Contingent Collaboration: The Making of the Afterlives of Slavery Exhibition at the Tropenmuseum; Rita Ouédraogo, Robin Lelijveld, Martin Berger, Richard Kofi, and Wayne Modest; Biographies of Contributors; Lege pagina; Lege pagina
    Note: Includes bibliographical references
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  • 8
    ISBN: 9789088906923
    Language: English
    Pages: 1 Online-Ressource (250 Seiten) , Illustrationen
    Series Statement: Pacific Presences 5
    Parallel Title: Erscheint auch als Tiki
    DDC: 709.96
    RVK:
    Keywords: Electronic books
    Abstract: Created across the six islands of a remote archipelago in eastern Polynesia, the art of the Marquesas is one of the world's most distinctive and remarkable art traditions. Though exhibited in major museums around the world, Marquesan art is nevertheless poorly understood, and the formation of collections still largely unresearched.This book documents and explores the most extensive early collection from the archipelago. In May, 1804, participants in the first Russian voyage round the world, usually known as the Krusenstern expedition after the principal commander, spent twelve days at the island of Nuku Hiva. Inspired by the science and collecting associated with the voyages of Captain James Cook, the mariners interacted with Islanders, and made extensive collections of artefacts. While the lives of the collectors and exchanges among scientists led to these artefacts being widely dispersed, the research reported here has identified some 200 objects collected during the voyage which are now in museums in Russia, Estonia, Germany, Switzerland and the Netherlands. The outcome of years of work in museum stores and archives, Tiki reassembles a collection of exceptional importance. A set of essays contextualise these precisely-provenanced artefacts historically, and in the life and environment of the Marquesas Islands. For the first time, this heritage is made accessible to Islanders themselves, and to interested scholars and curators.
    Note: Literaturverzeichnis: Seite 239-245
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  • 9
    ISBN: 9789088906312
    Language: English
    Pages: 1 Online-Ressource (276 pages) , illustrations, maps
    Series Statement: Pacific presences 6
    Parallel Title: Erscheint auch als Clark, Alison Resonant histories : Pacific artefacts and the voyages of HMS Royalist 1890-1893
    DDC: 910.4
    RVK:
    Keywords: Davis, Ed. H. M. Travel ; Davis, Ed. H. M. Ethnological collections ; Royalist (Ship) ; Geschichte 1890-1893 ; Sailing ships History 19th century ; Voyages and travels History 19th century ; Sammlung ; Royalist ; Ethnografika ; Ozeanien ; Royalist ; Ozeanien ; Ethnografika ; Sammlung ; Geschichte 1890-1893
    Abstract: This book explores a complex relational assemblage, a collection of 1481 Pacific artefacts brought together by Captain Edward Henry Meggs Davis, during the three voyages of HMS Royalist between 1890-1893. The collection is indicative not just of a period of colonial collecting in the Pacific, but also the development of ethnographic collections in the UK and Europe. This period of history remains present in the social and cultural lives of many Pacific Islanders today. Using the collections as a starting point the book is divided into two parts. The first provides the historical background to the three voyages of HMS Royalist, discussing each voyage, its aims and outcomes, and the role that Davis played within this. Davis' motivations to collect and the various means of collecting that he employed are then explored within this historical context. Finally the first part considers what happened to the collection once it was sent from the Pacific to England, where and how it was sold, and how the collection was a part of and subject to the networks of museums, and private collectors in the UK and Europe during the end of the 19th century beginning of the 20th century. It offers a detailed view of the contents and development of the collection, and what the collection can tell us about British ethnographic collecting at the end of the nineteenth century. The second part of the book explores the traces left by the ship amongst the Pacific Islands communities it visited. Focusing on three Pacific Islands- Vanuatu, Solomon Islands and Kiribati- the chapters in this section interrogate the contemporary relevance of this period of colonial history for Islanders today, exploring current social, political and environmental issues. -- Back cover
    Note: Description based on print version record
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  • 10
    Book
    Book
    Leiden : Sidestone Press
    ISBN: 9789088906909 , 9789088906916
    Language: English
    Pages: 250 Seiten , Illustrationen
    Series Statement: Pacific presences 5
    Series Statement: Pacific presences
    Parallel Title: Erscheint auch als
    DDC: 709.96
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    Keywords: Iwan Fedorovi Kruzenstern (1770-1846) ; Kruzenštern, Ivan Ḟ. ; Sachkultur ; Expedition ; Museum ; Kunstwerk ; Sammlung ; Marquesasinseln ; Kruzenštern, Ivan Ḟ. 1770-1846 ; Marquesasinseln ; Sachkultur ; Kunstwerk ; Expedition ; Sammlung ; Museum
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  • 11
    ISBN: 9789088907777 , 9789088907784
    Language: English
    Pages: 225 Seiten , Illustrationen , 23 cm
    RVK:
    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; Ethnologisches Museum
    Note: Literaturangaben
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  • 12
    ISBN: 9088906297 , 9789088906299 , 9088906300 , 9789088906305 , 9789088906312
    Language: English
    Pages: 272 Seiten , Illustrationen, Karten
    Series Statement: Pacific presences 6
    Series Statement: Pacific presences
    RVK:
    Note: Literaturverzeichnis: Seite 267-269
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  • 13
    ISBN: 9789088906268 , 9789088906275
    Language: English
    Pages: 511 Seiten , Illustrationen
    Series Statement: Pacific presences 4B
    Series Statement: Pacific presences
    Angaben zur Quelle: Volume 2
    Keywords: Ozeanien ; Kunstwerk ; Museum
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  • 14
    ISBN: 9789088905896 , 9789088905902
    Language: English
    Pages: 253 Seiten , Illustrationen
    Series Statement: Pacific presences 4A
    Series Statement: Pacific presences
    Angaben zur Quelle: Volume 1
    Keywords: Ozeanien ; Kunstwerk ; Museum
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  • 15
    Online Resource
    Online Resource
    Leiden : Sidestone Press
    ISBN: 9789088905674 , 9088905673
    Language: English
    Pages: 1 Online-Ressource (201 pages) , illustrations
    Series Statement: Pacific Presences 2
    Parallel Title: Erscheint auch als Fighting fibres
    DDC: 301
    Keywords: Armor ; SOCIAL SCIENCE - Anthropology - General ; SOCIAL SCIENCE - Regional Studies ; SOCIAL SCIENCE - Sociology - General ; Armor ; Kiribati
    Abstract: This book brings together artists, curators, researchers and conservators to consider the significance of coconut fibre armour from the islands of Kiribati. Taking as its focus the armour found in museum collections, it investigates the historical context that led to these unique artefacts leaving the Pacific and entering the orbit of British collectors and institutions, as well the legacies of those practices in the present. As well as exploring the historical milieux surrounding its collection, the book includes essays from expert conservators that discuss the challenges of caring for coconut fibre armour. Other contributions include case studies focusing on the construction and variety of the armour and helmets, and the findings of a comprehensive survey which has tracked down and documented every piece of Kiribati armour held in UK museum collections. Finally, the book considers the significance of coconut fibre armour in the present, with particular reference to the work of a group of I-Kiribati artists whose creativity has led to the production of a contemporary suit of armour inspired by the armour of the past
    Abstract: $uIntro; List of figures and table; Biographies; Preface; Introduction: Fighting Fibres; Julie Adams; Adventures in Collecting: A Survey of Coconut Fibre Armour in UK Museums; Polly Bence; Te tanga: Contextualising the Kiribati Cuirass; Alison Clark; Protection, Status or Intimidation? A Typology of Kiribati Helmets in UK Collections; Polly Bence; 'Bob, a native of Tarawa, Kingsmill Group, Aged 18'; Alison Clark; Conserving Kiribati Armour; Rachel Howie; Kiribati Weaponry; Alison Clark and Rhian Ward; The Fibres That Connect Us: An Interview.
    Abstract: $uKaetaeta Watson, Chris Charteris, Lizzy Leckie and Alison ClarkProvenance; Compiled by Kate Adams, Polly Bence, Alison Clark and Geoff Rubenstein Edited by Colin Adams; Catalogue; Bibliography; Acknowledgements; Lege pagina; Lege pagina.
    Note: Includes bibliographical references (pages 195-200)
    URL: Volltext  (lizenzpflichtig)
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  • 16
    ISBN: 9789088905667 , 9088905665 , 9789088905650 , 9088905657
    Language: English
    Pages: 201 Seiten , Illustrationen, Karte , 27 cm
    Series Statement: Pacific presences 2
    Series Statement: Pacific presences
    DDC: 355.8/241099681
    Keywords: Armor ; Rüstung ; Kokosnuss ; Kiribati ; Kokosnuss
    Abstract: This book brings together artists, curators, researchers and conservators to consider the significance of coconut fibre armour from the islands of Kiribati. Taking as its focus the armour found in museum collections, it investigates the historical context that led to these unique artefacts leaving the Pacific and entering the orbit of British collectors and institutions, as well the legacies of those practices in the present. As well as exploring the historical milieux surrounding its collection, the book includes essays from expert conservators that discuss the challenges of caring for coconut fibre armour. Other contributions include case studies focusing on the construction and variety of the armour and helmets, and the findings of a comprehensive survey which has tracked down and documented every piece of Kiribati armour held in UK museum collections. Finally, the book considers the significance of coconut fibre armour in the present, with particular reference to the work of a group of I-Kiribati artists whose creativity has led to the production of a contemporary suit of armour inspired by the armour of the past
    Note: Literaturverzeichnis: Seite 195-200
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  • 17
    ISBN: 9789088904462 , 9789088904479
    Language: English
    Pages: 303 Seiten , Illustrationen , 26 cm
    Series Statement: Pacific presences 1
    Series Statement: Pacific presences
    DDC: 301
    RVK:
    RVK:
    Keywords: Anthony Forge ; Art and society ; Art and anthropology ; Art et anthropologie ; Forge, Anthony ; Papua-Neuguinea ; Kunst ; Ethnologie ; Forge, Anthony 1929-1991
    Abstract: Anthropology's engagement with art has a complex and uneven history. While material culture, 'decorative art', and art styles were of major significance for founding figures such as Alfred Haddon and Franz Boas, art became marginal as the discipline turned towards social analysis in the 1920s. This book addresses a major moment of renewal in the anthropology of art in the 1960s and 1970s. British anthropologist Anthony Forge (1929-1991), trained in Cambridge, undertook fieldwork among the Abelam of Papua New Guinea in the late 1950s and 1960s, and wrote influentially, especially about issues of style and meaning in art. His powerful, questioning-raising arguments addressed basic issues, asking why so much art was produced in some regions, and why was it so socially important?
    Abstract: Part 1. Anthony Forge on art, 1960-1990. Introduction to Primitive Art and Society ; Three Kamanggabi Figures from the Arambak People of the Sepik District New Guinea ; Notes on Eastern Abelam Designs Painted on Paper, New Guinea ; Paint: A Magical Substance ; Art and Environment in the Sepik ; The Abelam Artist ; Style and Meaning in Sepik Art ; The Problem of Meaning in Art ; Learning to See in New Guinea ; The Power of Culture and the Culture of Power ; Draft Introduction to Sepik Culture History, the Proceedings from the second Wenner-Gren conference on Sepik Culture History 1986, Mijas, Spain -- Part 2. On Forge. Anthony Forge and Alfred Bühler: From Field Collecting to Friendship / Christian Kaufmann ; Style and Meaning: Abelam Art through Yolngu Eyes / Howard Morphy ; Anthony Forge and Innovation: Perspectives from Vanuatu / Lissant Bolton ; The problem of agency in art / Ludovic Coupaye ; Looking back: Abelam art and some of Forge's theses from a 2015 perspective / Brigitta Hauser-Schäublin ; Communicating with Anthony Forge / Michael O'Hanlon
    Note: Literaturverzeichnis: Seite 293-302
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  • 18
    ISBN: 9789400602557 , 9789087282592
    Language: English
    Pages: 1 Online-Ressource (192 Seiten) , Illustrationen
    Series Statement: Leiden Publications
    Parallel Title: Erscheint auch als Mols, Luitgard E. M., 1968 - Western Arabia in the Leiden collections
    Parallel Title: Erscheint auch als Mols, Luitgard E. M., 1968 - Western Arabia in the Leiden collections
    DDC: 932-933
    RVK:
    Keywords: Museum Volkenkunde (Leiden, Netherlands) ; Rijksuniversiteit te Leiden ; Arabs Material culture ; Arabs Clothing ; Ethnology ; Manuscripts, Arabic ; Muslim pilgrims and pilgrimages in art ; Ethnological museums and collections ; Saudi Arabia Civilization 19th century ; Saudi Arabia Social life and customs ; Saudi Arabia Religious life and customs ; Rijksuniversiteit Leiden Bibliotheek ; Rijksmuseum voor Volkenkunde ; Niederlande ; Konsulat ; Dschidda ; Arabien West ; Geschichte ; Vrolijk, Arnoud 1958- ; Mols, Luitgard E. M. 1968-
    Abstract: In the late nineteenth and early twentieth century Dutch diplomats, scholars and travellers assembled unique collections in Jeddah, Mecca and Medina. The Dutch presence in Arabia, where they established a consulate in Jeddah, was intimately connected with the supervision of the annual pilgrimage to Mecca from the Netherlands East Indies, present-day Indonesia. Notable guests at this consulate included the formidable Dutch Islamicist Christiaan Snouck Hurgronje, visiting Arabia in 1884-1885. With the invaluable help of local Muslims, Dutch collectors tried to capture the essence of what they regarded as an ‘authentic’ Oriental culture in a period when Arabia was already looking towards modernity. These extensive collections are now preserved at the Leiden Museum of Ethnology and Leiden University Libraries. Together, they allow a glimpse into a colourful and vibrant society, one virtually vanished today under ever-growing numbers of pilgrims, changing political and religious allegiances and sudden economic prosperity.
    Description / Table of Contents: Literaturverzeichnis Seite 184-189
    Note: Colofon: "This book is published in association with Leiden University Libraries and Museum Volkenkunde (Museum of Ethnology), Leiden" , English
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 19
    ISBN: 9789087282592 , 9789400602557
    Language: English
    Pages: 192 Seiten
    Series Statement: Leiden Publications
    Parallel Title: Erscheint auch als Mols, Luitgard E. M., 1968 - Western Arabia in the Leiden collections
    DDC: 932-933
    RVK:
    Keywords: Bildband ; Bildband ; Rijksuniversiteit Leiden Bibliotheek ; Rijksmuseum voor Volkenkunde ; Niederlande ; Konsulat ; Dschidda ; Arabien West ; Geschichte
    Note: Colofon: "This book is published in association with Leiden University Libraries and Museum Volkenkunde (Museum of Ethnology), Leiden"
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  • 20
    ISBN: 9789088901812 , 9088901813
    Language: English
    Pages: Online Ressource (vi, 243 pages) , illustrations (some color).
    Series Statement: Mededelingen van het Rijksmuseum voor Volkenkunde, Leiden no. 39
    Parallel Title: Print version Sharing knowledge & cultural heritage
    DDC: 305.80074
    Keywords: Ethnological museums and collections Congresses ; Intercultural communication Congresses ; Indians of North America Congresses ; Antiquities ; Collectors and collecting ; Indians of South America Congresses ; Antiquities ; Collectors and collecting ; Indigenous peoples Congresses ; Antiquities ; Collectors and collecting ; Greenland ; Intercultural communication Congresses ; Indians of North America Congresses Antiquities ; Collectors and collecting ; Indians of South America Congresses Antiquities ; Collectors and collecting ; Indigenous peoples Congresses Antiquities ; Collectors and collecting ; Ethnological museums and collections Congresses ; Indians of South America Congresses Antiquities ; Collectors and collecting ; Indigenous peoples Congresses Antiquities ; Collectors and collecting ; Intercultural communication Congresses ; Indians of North America Congresses Antiquities ; Collectors and collecting ; Ethnological museums and collections Congresses ; SOCIAL SCIENCE ; Minority Studies ; Ethnological museums and collections ; Indians of North America ; Antiquities ; Collectors and collecting ; Indians of South America ; Antiquities ; Collectors and collecting ; Intercultural communication ; SOCIAL SCIENCE ; Ethnic Studies ; General ; SOCIAL SCIENCE ; Anthropology ; Cultural ; Conference papers and proceedings ; SOCIAL SCIENCE ; Discrimination & Race Relations ; Greenland ; Electronic books ; Electronic books ; Konferenzschrift
    Abstract: Sharing Knowledge & Cultural Heritage (SK&CH), First Nations of the Americas, testifies to the growing commitment of museum professionals in the twenty-first century to share collections with the descendants of people and communities from whom the collections originated. Thanks to collection histories and the documenting of relations with particular indigenous communities, it is well known that until as recently as the 1970s, museum doors - except for a handful of cases - were shut to indigenous peoples. This volume is the result of an ""expert meeting"" held in November 2007 at the National M
    Note: Includes bibliographical references. - Print version record
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  • 21
    ISBN: 9088900663 , 9789088900662
    Language: English
    Pages: VI, 243 S. , Ill., graph. Darst. , 26 cm
    Series Statement: Mededelingen van het Rijksmuseum voor Volkenkunde, Leiden no. 39
    DDC: 305.80074
    RVK:
    Keywords: Ethnological museums and collections Congresses ; Intercultural communication Congresses ; Indians of North America Congresses Antiquities ; Collectors and collecting ; Indians of South America Congresses Antiquities ; Collectors and collecting ; Indigenous peoples Congresses Antiquities ; Collectors and collecting ; Konferenzschrift 2007 ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift 2007 ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift 2007 ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift 2007 ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift 2007 ; Aufsatzsammlung ; Konferenzschrift ; Amerika ; Indigenes Volk ; Kulturerbe ; Ethnologisches Museum
    Note: Op titelp.: Proceedings of an expert meeting, National Museum of Ethnology Leiden , Met lit. opg
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  • 22
    Journal/Serial
    Journal/Serial
    Leiden : Museum ; 2002(2003) - 2008; damit Ersch. eingest.
    Show associated volumes/articles
    Language: English
    Dates of Publication: 2002(2003) - 2008; damit Ersch. eingest.
    Parallel Title: Online-Ausg. Rijksmuseum voor Volkenkunde (Leiden) Annual report
    Former Title: Vorg. Rijksmuseum voor Volkenkunde (Leiden) Jaarverslag
    DDC: 390
    Keywords: Zeitschrift
    Note: Urh. 2002 - 2004: National Museum of Ethnology, Leiden
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  • 23
    Journal/Serial
    Journal/Serial
    Leiden : Museum ; 2002(2003) - 2008; damit Ersch. eingest.
    Language: English
    Dates of Publication: 2002(2003) - 2008; damit Ersch. eingest.
    Parallel Title: Online-Ausg. Rijksmuseum voor Volkenkunde (Leiden) Annual report
    Former Title: Vorg. Rijksmuseum voor Volkenkunde (Leiden) Jaarverslag
    DDC: 390
    Keywords: Zeitschrift
    Note: Urh. 2002 - 2004: National Museum of Ethnology, Leiden
    Library Location Call Number Volume/Issue/Year Availability
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