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  • BSZ  (14)
  • HBZ
  • Englisch  (14)
  • Polnisch
  • Thomas, Nicholas  (7)
  • Clark, Alison  (3)
  • Rijksmuseum voor Volkenkunde  (3)
  • Buijs, Cunera C. M.  (2)
  • Brinkgreve, Francine
  • Leiden : Sidestone Press  (11)
  • Leiden : Leiden University Press  (2)
  • Cambridge : Cambridge Univ. Press  (1)
  • Leiden : Museum
  • Ethnologie  (14)
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  • 1
    ISBN: 9789088906343
    Sprache: Englisch
    Seiten: 1 Online-Ressource (479 Seiten) , Illustrationen
    Serie: Pacific presences 7
    Serie: Pacific presences
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 779.90695092
    RVK:
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    Schlagwort(e): Fotografie ; Kolonialismus ; Ethnologisches Museum ; Europa ; Ozeanien ; Bildband ; Ethnologisches Museum ; Kolonialismus ; Fotografie ; Ozeanien ; Europa
    Kurzfassung: Ethnographic museums, now often rebranded as collections of ‘world cultures’, appear permanently problematic, even as their contexts and the orientation of their activities change. Across Europe and elsewhere, curators and other museum staff are committed to dialogue and collaboration with the peoples from whom collections were made. But their vast assemblages of artefacts, removed from countries of origin primarily during the colonial period, and assumed, mostly inaccurately, to have been looted, seem always in question. Photo-Museology arises from an art project undertaken over 25 years. From the early 1990s, Mark Adams and Nicholas Thomas together investigated sites of cross-cultural encounter in the Pacific and associated places in Europe, ranging from Captain Cook memorials to ethnographic museums. Some of those museums still exhibited colonial symbols and forms of knowledge, others had attempted to displace such histories, foregrounding more inclusive or progressive stories. Complementing the academic studies in the Pacific Presences series, this book offers what John Berger referred to as ‘another way of telling’. Through photography, it revisits the places collections were made, and the places they ended up in. It is a meditation on presence and absence.
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 2
    ISBN: 9789088906329 , 9789088906336
    Sprache: Englisch
    Seiten: 479 Seiten
    Serie: Pacific presences 7
    Serie: Pacific presences
    Paralleltitel: Erscheint auch als
    DDC: 779.90695092
    RVK:
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    Schlagwort(e): Adams, Mark ; Thomas, Nicholas ; Fotografie ; Kolonialismus ; Ethnologisches Museum ; Europa ; Ozeanien ; Bildband ; Bildband ; Bildband ; Bildband ; Bildband ; Ozeanien ; Europa ; Ethnologisches Museum ; Kolonialismus ; Fotografie ; Adams, Mark 1949- ; Thomas, Nicholas 1960-
    Kurzfassung: Ethnographic museums, now often rebranded as collections of ‘world cultures’, appear permanently problematic, even as their contexts and the orientation of their activities change. Across Europe and elsewhere, curators and other museum staff are committed to dialogue and collaboration with the peoples from whom collections were made. But their vast assemblages of artefacts, removed from countries of origin primarily during the colonial period, and assumed, mostly inaccurately, to have been looted, seem always in question. Photo-Museology arises from an art project undertaken over 25 years. From the early 1990s, Mark Adams and Nicholas Thomas together investigated sites of cross-cultural encounter in the Pacific and associated places in Europe, ranging from Captain Cook memorials to ethnographic museums. Some of those museums still exhibited colonial symbols and forms of knowledge, others had attempted to displace such histories, foregrounding more inclusive or progressive stories. Complementing the academic studies in the Pacific Presences series, this book offers what John Berger referred to as ‘another way of telling’. Through photography, it revisits the places collections were made, and the places they ended up in. It is a meditation on presence and absence.
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  • 3
    ISBN: 9789088909184 , 9088909180 , 9088909199 , 9789088909191
    Sprache: Englisch
    Seiten: 173 pages , illustrations (chiefly colour) , 23 cm
    Paralleltitel: Erscheint auch als Buijs, C. Healing Power
    DDC: 234.131
    RVK:
    Schlagwort(e): Spiritual healing ; Indigenous peoples Spiritual life ; Healing in art ; Spiritualism in art ; Spiritualism in art ; Healing in art ; Spiritual healing
    Kurzfassung: Hidden healing practices exert fascination as well as stimulate extensive scientific and public interest. It is a contested topic for many indigenous peoples. Throughout the ages, numerous spiritual healing forms have been marginalized or severely persecuted. Nowadays, however, there is a growing interest in these traditions all over the world. Some are recovered and sometimes also mixed resulting in the blending of different indigenous and Western approaches. After the loss of the original spiritual contexts during the colonization period, Indigenous peoples around the world revive parts of their cultural heritage. They also find inspiration in foreign cultural traditions. Next generations develop new ways to connect to the ancestors and search for new healing practices. This publication explores a limited selection of the manifold collective and individual healing practices, such as shamanism, winti, vodou and European witchcraft. Practitioners and/or academics share their insights and perspectives. Power objects and healing related art from the collection of the National Museum of World Cultures in the Netherlands reveal hidden meanings of sacred traditions. Contemporary artists are inspired by spiritual healing and renew its meaning in the present
    Anmerkung: Includes bibliographical references
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  • 4
    Online-Ressource
    Online-Ressource
    Leiden : Sidestone Press
    ISBN: 9789088906923
    Sprache: Englisch
    Seiten: 1 Online-Ressource (250 Seiten) , Illustrationen
    Serie: Pacific Presences 5
    Paralleltitel: Erscheint auch als Tiki
    DDC: 709.96
    RVK:
    Schlagwort(e): Electronic books
    Kurzfassung: Created across the six islands of a remote archipelago in eastern Polynesia, the art of the Marquesas is one of the world's most distinctive and remarkable art traditions. Though exhibited in major museums around the world, Marquesan art is nevertheless poorly understood, and the formation of collections still largely unresearched.This book documents and explores the most extensive early collection from the archipelago. In May, 1804, participants in the first Russian voyage round the world, usually known as the Krusenstern expedition after the principal commander, spent twelve days at the island of Nuku Hiva. Inspired by the science and collecting associated with the voyages of Captain James Cook, the mariners interacted with Islanders, and made extensive collections of artefacts. While the lives of the collectors and exchanges among scientists led to these artefacts being widely dispersed, the research reported here has identified some 200 objects collected during the voyage which are now in museums in Russia, Estonia, Germany, Switzerland and the Netherlands. The outcome of years of work in museum stores and archives, Tiki reassembles a collection of exceptional importance. A set of essays contextualise these precisely-provenanced artefacts historically, and in the life and environment of the Marquesas Islands. For the first time, this heritage is made accessible to Islanders themselves, and to interested scholars and curators.
    Anmerkung: Literaturverzeichnis: Seite 239-245
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  • 5
    ISBN: 9789088906312
    Sprache: Englisch
    Seiten: 1 Online-Ressource (276 pages) , illustrations, maps
    Serie: Pacific presences 6
    Paralleltitel: Erscheint auch als Clark, Alison Resonant histories : Pacific artefacts and the voyages of HMS Royalist 1890-1893
    DDC: 910.4
    RVK:
    Schlagwort(e): Davis, Ed. H. M. Travel ; Davis, Ed. H. M. Ethnological collections ; Royalist (Ship) ; Geschichte 1890-1893 ; Sailing ships History 19th century ; Voyages and travels History 19th century ; Sammlung ; Royalist ; Ethnografika ; Ozeanien ; Royalist ; Ozeanien ; Ethnografika ; Sammlung ; Geschichte 1890-1893
    Kurzfassung: This book explores a complex relational assemblage, a collection of 1481 Pacific artefacts brought together by Captain Edward Henry Meggs Davis, during the three voyages of HMS Royalist between 1890-1893. The collection is indicative not just of a period of colonial collecting in the Pacific, but also the development of ethnographic collections in the UK and Europe. This period of history remains present in the social and cultural lives of many Pacific Islanders today. Using the collections as a starting point the book is divided into two parts. The first provides the historical background to the three voyages of HMS Royalist, discussing each voyage, its aims and outcomes, and the role that Davis played within this. Davis' motivations to collect and the various means of collecting that he employed are then explored within this historical context. Finally the first part considers what happened to the collection once it was sent from the Pacific to England, where and how it was sold, and how the collection was a part of and subject to the networks of museums, and private collectors in the UK and Europe during the end of the 19th century beginning of the 20th century. It offers a detailed view of the contents and development of the collection, and what the collection can tell us about British ethnographic collecting at the end of the nineteenth century. The second part of the book explores the traces left by the ship amongst the Pacific Islands communities it visited. Focusing on three Pacific Islands- Vanuatu, Solomon Islands and Kiribati- the chapters in this section interrogate the contemporary relevance of this period of colonial history for Islanders today, exploring current social, political and environmental issues. -- Back cover
    Anmerkung: Description based on print version record
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  • 6
    Buch
    Buch
    Leiden : Sidestone Press
    ISBN: 9789088906909 , 9789088906916
    Sprache: Englisch
    Seiten: 250 Seiten , Illustrationen
    Serie: Pacific presences 5
    Serie: Pacific presences
    Paralleltitel: Erscheint auch als
    DDC: 709.96
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    Schlagwort(e): Iwan Fedorovi Kruzenstern (1770-1846) ; Kruzenštern, Ivan Ḟ. ; Sachkultur ; Expedition ; Museum ; Kunstwerk ; Sammlung ; Marquesasinseln ; Kruzenštern, Ivan Ḟ. 1770-1846 ; Marquesasinseln ; Sachkultur ; Kunstwerk ; Expedition ; Sammlung ; Museum
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  • 7
    ISBN: 9789088907777 , 9789088907784
    Sprache: Englisch
    Seiten: 225 Seiten , Illustrationen , 23 cm
    RVK:
    Schlagwort(e): Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; Ethnologisches Museum
    Anmerkung: Literaturangaben
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  • 8
    ISBN: 9088906297 , 9789088906299 , 9088906300 , 9789088906305 , 9789088906312
    Sprache: Englisch
    Seiten: 272 Seiten , Illustrationen, Karten
    Serie: Pacific presences 6
    Serie: Pacific presences
    RVK:
    Anmerkung: Literaturverzeichnis: Seite 267-269
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  • 9
    ISBN: 9789088904462 , 9789088904479
    Sprache: Englisch
    Seiten: 303 Seiten , Illustrationen , 26 cm
    Serie: Pacific presences 1
    Serie: Pacific presences
    DDC: 301
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    Schlagwort(e): Anthony Forge ; Art and society ; Art and anthropology ; Art et anthropologie ; Forge, Anthony ; Papua-Neuguinea ; Kunst ; Ethnologie ; Forge, Anthony 1929-1991
    Kurzfassung: Anthropology's engagement with art has a complex and uneven history. While material culture, 'decorative art', and art styles were of major significance for founding figures such as Alfred Haddon and Franz Boas, art became marginal as the discipline turned towards social analysis in the 1920s. This book addresses a major moment of renewal in the anthropology of art in the 1960s and 1970s. British anthropologist Anthony Forge (1929-1991), trained in Cambridge, undertook fieldwork among the Abelam of Papua New Guinea in the late 1950s and 1960s, and wrote influentially, especially about issues of style and meaning in art. His powerful, questioning-raising arguments addressed basic issues, asking why so much art was produced in some regions, and why was it so socially important?
    Kurzfassung: Part 1. Anthony Forge on art, 1960-1990. Introduction to Primitive Art and Society ; Three Kamanggabi Figures from the Arambak People of the Sepik District New Guinea ; Notes on Eastern Abelam Designs Painted on Paper, New Guinea ; Paint: A Magical Substance ; Art and Environment in the Sepik ; The Abelam Artist ; Style and Meaning in Sepik Art ; The Problem of Meaning in Art ; Learning to See in New Guinea ; The Power of Culture and the Culture of Power ; Draft Introduction to Sepik Culture History, the Proceedings from the second Wenner-Gren conference on Sepik Culture History 1986, Mijas, Spain -- Part 2. On Forge. Anthony Forge and Alfred Bühler: From Field Collecting to Friendship / Christian Kaufmann ; Style and Meaning: Abelam Art through Yolngu Eyes / Howard Morphy ; Anthony Forge and Innovation: Perspectives from Vanuatu / Lissant Bolton ; The problem of agency in art / Ludovic Coupaye ; Looking back: Abelam art and some of Forge's theses from a 2015 perspective / Brigitta Hauser-Schäublin ; Communicating with Anthony Forge / Michael O'Hanlon
    Anmerkung: Literaturverzeichnis: Seite 293-302
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  • 10
    ISBN: 9789400602557 , 9789087282592
    Sprache: Englisch
    Seiten: 1 Online-Ressource (192 Seiten) , Illustrationen
    Serie: Leiden Publications
    Paralleltitel: Erscheint auch als Mols, Luitgard E. M., 1968 - Western Arabia in the Leiden collections
    Paralleltitel: Erscheint auch als Mols, Luitgard E. M., 1968 - Western Arabia in the Leiden collections
    DDC: 932-933
    RVK:
    Schlagwort(e): Museum Volkenkunde (Leiden, Netherlands) ; Rijksuniversiteit te Leiden ; Arabs Material culture ; Arabs Clothing ; Ethnology ; Manuscripts, Arabic ; Muslim pilgrims and pilgrimages in art ; Ethnological museums and collections ; Saudi Arabia Civilization 19th century ; Saudi Arabia Social life and customs ; Saudi Arabia Religious life and customs ; Rijksuniversiteit Leiden Bibliotheek ; Rijksmuseum voor Volkenkunde ; Niederlande ; Konsulat ; Dschidda ; Arabien West ; Geschichte ; Vrolijk, Arnoud 1958- ; Mols, Luitgard E. M. 1968-
    Kurzfassung: In the late nineteenth and early twentieth century Dutch diplomats, scholars and travellers assembled unique collections in Jeddah, Mecca and Medina. The Dutch presence in Arabia, where they established a consulate in Jeddah, was intimately connected with the supervision of the annual pilgrimage to Mecca from the Netherlands East Indies, present-day Indonesia. Notable guests at this consulate included the formidable Dutch Islamicist Christiaan Snouck Hurgronje, visiting Arabia in 1884-1885. With the invaluable help of local Muslims, Dutch collectors tried to capture the essence of what they regarded as an ‘authentic’ Oriental culture in a period when Arabia was already looking towards modernity. These extensive collections are now preserved at the Leiden Museum of Ethnology and Leiden University Libraries. Together, they allow a glimpse into a colourful and vibrant society, one virtually vanished today under ever-growing numbers of pilgrims, changing political and religious allegiances and sudden economic prosperity.
    Beschreibung / Inhaltsverzeichnis: Literaturverzeichnis Seite 184-189
    Anmerkung: Colofon: "This book is published in association with Leiden University Libraries and Museum Volkenkunde (Museum of Ethnology), Leiden" , English
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 11
    Buch
    Buch
    Leiden : Sidestone Press
    ISBN: 9789088903915 , 9789088903908
    Sprache: Englisch , Niederländisch
    Seiten: 272 Seiten , Illustrationen (überwiegend farbig) , 28 cm
    Paralleltitel: Erscheint auch als Lamak
    Dissertationsvermerk: Dissertation Universitas Udayana Denpasar 2016
    DDC: 745.0959862
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    Schlagwort(e): Ceremonial objects Indonesia ; Bali Island ; Art objects Indonesia ; Bali Island ; Art, Balinese ; Rites and ceremonies Indonesia ; Bali Island ; Material culture Indonesia ; Bali Island ; Ceremonial objects ; Art objects ; Art, Balinese ; Rites and ceremonies ; Material culture ; Kultgegenstand ; Sachkultur ; Geflecht ; Bali Island (Indonesia) Religious life and customs ; Bali Island (Indonesia) Social life and customs ; Bali Island (Indonesia) Religious life and customs ; Bali Island (Indonesia) Social life and customs ; Bali ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Bali ; Kultgegenstand ; Sachkultur ; Geflecht
    Kurzfassung: Study of lamak -- The lamak as ritual object -- Motifs of life -- Ephemeral and permanent lamak -- Lamak and their social network -- Why the Balinese make and remake lamak -- Appendix 1. Lamak in the National Museum of World Cultures -- Appendix 2. List of informants -- Appendix 3. List of figures
    Anmerkung: "Imprint, Sidestone Press Dissertations"--Verso of title page. - Includes bibliographical references. - Summary in Dutch , Includes bibliographical references , Summary in Dutch , Study of lamak , The lamak as ritual object , Motifs of life , Ephemeral and permanent lamak , Lamak and their social network , Why the Balinese make and remake lamak , Appendix 1. Lamak in the National Museum of World Cultures , Appendix 2. List of informants , Appendix 3. List of figures
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  • 12
    ISBN: 9789087282592 , 9789400602557
    Sprache: Englisch
    Seiten: 192 Seiten
    Serie: Leiden Publications
    Paralleltitel: Erscheint auch als Mols, Luitgard E. M., 1968 - Western Arabia in the Leiden collections
    DDC: 932-933
    RVK:
    Schlagwort(e): Bildband ; Bildband ; Rijksuniversiteit Leiden Bibliotheek ; Rijksmuseum voor Volkenkunde ; Niederlande ; Konsulat ; Dschidda ; Arabien West ; Geschichte
    Anmerkung: Colofon: "This book is published in association with Leiden University Libraries and Museum Volkenkunde (Museum of Ethnology), Leiden"
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  • 13
    ISBN: 9088900663 , 9789088900662
    Sprache: Englisch
    Seiten: VI, 243 S. , Ill., graph. Darst. , 26 cm
    Serie: Mededelingen van het Rijksmuseum voor Volkenkunde, Leiden no. 39
    DDC: 305.80074
    RVK:
    Schlagwort(e): Ethnological museums and collections Congresses ; Intercultural communication Congresses ; Indians of North America Congresses Antiquities ; Collectors and collecting ; Indians of South America Congresses Antiquities ; Collectors and collecting ; Indigenous peoples Congresses Antiquities ; Collectors and collecting ; Konferenzschrift 2007 ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift 2007 ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift 2007 ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift 2007 ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift 2007 ; Aufsatzsammlung ; Konferenzschrift ; Amerika ; Indigenes Volk ; Kulturerbe ; Ethnologisches Museum
    Anmerkung: Op titelp.: Proceedings of an expert meeting, National Museum of Ethnology Leiden , Met lit. opg
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  • 14
    Buch
    Buch
    Cambridge : Cambridge Univ. Press
    ISBN: 0521366674
    Sprache: Englisch
    Seiten: X, 153 S. , Ill. , 24 cm
    Serie: Cambridge Studies in social anthropology 67
    Serie: Cambridge studies in social anthropology
    DDC: 900
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    Schlagwort(e): Ethnology Philosophy ; History ; Social evolution ; Ethnology Polynesia ; Polynesia History ; Sozialanthropologie ; Sozialanthropologie ; Sozialanthropologie ; Geschichtswissenschaft
    Anmerkung: Includes index , Bibliography: p. 137-146
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