Anmerkung: Angabe zum ed. board bei den Vol. 1 - 5; 7 und 10 , 2. ed. auch als "new ed." bezeichnet , Ital. Ausg. u.d.T.: Storia della musica , 2. ed. im Verlag Oxford Univ. Press, Oxford [u.a.], erschienen

Anmerkung: Später u.d.T.: Brockhaus-Riemann-Musiklexikon

Anmerkung: Lizenz d. Syndikat-Autoren- u. Verl.-Ges., Frankfurt am Main

Anmerkung: Lizenz d. Syndikat-Autoren- u. Verl.-Ges., Frankfurt am Main

Anmerkung: Contents: v. 1 A-fuzz - v. 2 Gabler-Niewood - v. 3 Nightclubs-Zwingenberger , Includes bibliographical references and discography , Previous ed.: published in 2 v. London : Macmillan, 1988 , Erschienen: Vol. 1-3

Anmerkung: Anfangs auch in d. Akad. Verl.-Ges. Athenaion, Wiesbaden erschienen

Anmerkung: In kyrillischer Schrift, russisch

Anmerkung: Titel ist im Rahmen der Initiative Knowledge Unlatched frei zugänglich.

Anmerkung: "The term 'flow' refers to experiences where the musician moves into a consciousness in which time seems to be suspended and perception of reality is blurred by unconscious forces. An essential part of the jazz tradition, which often serves as the foundation of the musician's identity, flow is recognised within the greater jazz community as a critical factor in accomplished musicianship. Flow as a concept is so deeply embedded in the scene that these experiences are not generally discussed. It contributes to the musicians' work motivation, providing a vital level of satisfaction and accomplishment. The power of the experience, consciously or unconsciously, has given rise to the creation of heroic images, in which jazz musicians are seen as being bold, yet vulnerable, strong and masculine, but still capable of expressing emotions. In this discourse, musicians are pictured as people constantly putting themselves on the line, exposing themselves and their hearts to one another as well as to the audience. Heroic profiles are richly constructed within the jazz scene, and their incorporation into narratives of flow suggests that such images are inseparable from jazz. It is thus unclear how far the musicians are simply reporting personal experience as opposed to unconsciously perpetuating a profoundly internalised mythology. Drawing on eighteen interviews conducted with professional jazz musicians from around the world, Elina Hytönen examines the fundamentals of the phenomenon of flow in jazz that has led to this genre's popularity. Furthermore, she draws on how flow experiences are viewed and constructed by jazz musicians, the meanings they attach to it, and the quality of music that it inspires

Anmerkung: Includes index

Anmerkung: Includes bibliographical references (p. [231]-256) and index

Anmerkung: Literaturverzeichnis: Seite 461-502

Anmerkung: Includes bibliographical references and index

Anmerkung: Die Vorlage enthält insgesamt 9 Werke , Literaturverzeichnis: Seite 209 - 221

Anmerkung: Biogr. Index der Musiker S. 254 - 260. - Diskogr. S. 264 - 265. - Literaturverz. S. 266

Anmerkung: This book is a reproduction of "Social Identities", volume 17, issue 1

Anmerkung: Literatur- und Quellenverz. S. 121 - 130

Anmerkung: Includes bibliographical references (pages 225-226) and index

Anmerkung: Includes bibliographical references

Anmerkung: $dDissertation$eMartin-Luther-Universität Halle-Wittenberg$f2013

Anmerkung: Text teilw. in arab. Schr., arab

Anmerkung: Text überwiegend englisch, teilweise deutsch

Anmerkung: Previous ed.: 2008. - Formerly CIP Uk. - Includes bibliographical references

Anmerkung: Includes bibliographical references and filmography

Anmerkung: Paralleltit: Music, mankind and peace

Anmerkung: Includes bibliographical references and index

Anmerkung: Literaturverz. S. 259 - 281

Anmerkung: Includes bibliographical references and index

Anmerkung: Ce livre a été publié avec le soutien de l'Agence nationale de la recherche, dans le cadre du projet de recherche, "Dimensions de l'objet swahili : textes et terrains"--Preliminary page. - Postface by Albert Kasanda is titled: La musique congolaise, un discours sur l'individu et sur la société , Includes bibliographical references (pages 217-239)

Anmerkung: Literaturangaben

Anmerkung: Includes bibliographical references (pages 231-244) and index , Lubbock or leave it , Lubbock or leave it , Joan Baez , From Roger and out into dang me/chug a lug , Midnight in Memphis with the wicked Pickett , Jackson C. Frank , What time has told me about Nick Drake's Five leaves left , The voice of the quiet one , That's it , New York Dolls , Warren Zevon , Chasing after vengeance , Steve Forbert, alive on arrival from Meridian to Manhattan , Ready for the house , Rickie Lee Jones , Metallica kills , I know someday you'll have a beautiful life , Leann Rimes blue , Third Eye Blind , Dap-dippin' independent tradition , Pilfering the past or postmodern punks? , Cinematic fantastic sampledic funky found sound sifting , Good time rollers , Joan Baez , From Roger and out into dang me/chug a lug , Midnight in Memphis with the wicked Pickett , Jackson C. Frank , What time has told me about Nick Drake's Five leaves left , The voice of the quiet one , That's it , New York Dolls , Warren Zevon , Chasing after vengeance , Steve Forbert, alive on arrival from Meridian to Manhattan , Ready for the house , Rickie Lee Jones , Metallica kills , I know someday you'll have a beautiful life , Leann Rimes blue , Third Eye Blind , Dap-dippin' independent tradition , Pilfering the past or postmodern punks? , Cinematic fantastic sampledic funky found sound sifting

Anmerkung: Includes index

Anmerkung: Includes bibliographical references, discographies, and index.

Anmerkung: Zusätzliches Online-Angebot unter DOI 10.3726/978-3-653-02623-8

Anmerkung: Literaturangaben , Zusätzliches Online-Angebot unter DOI 10.3726/978-3-653-03609-1

Anmerkung: Literaturangaben , Eine Veröffentlichung der Sächsisch-Bretonischen Gesellschaft e.V. anlässlich des 50. Jubiläums des Élysée-Vertrags

Anmerkung: Includes bibliographical references (pages 301-317) and index