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  • GBV  (1.180)
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  • Frobenius-Institut  (15)
  • Englisch  (1.310)
  • USA  (1.175)
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  • 1
    Buch
    Buch
    Tübingen : Stauffenburg-Verl.
    Dazugehörige Bände/Artikel
    Sprache: Englisch
    Serie: Transatlantic perspectives ...
    RVK:
    Schlagwort(e): Aufsatzsammlung ; USA ; Nationalbewusstsein
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  • 2
    Buch
    Buch
    New York : MCD / Farrar, Straus and Giroux
    ISBN: 9780374609900
    Sprache: Englisch
    Seiten: 244 Seiten , Illustrationen , 22 cm
    Ausgabe: First edition
    DDC: 305.868073
    RVK:
    Schlagwort(e): Soziale Situation ; Ethnische Identität ; Einwanderung ; Lateinamerikaner ; USA ; Hispanic Americans / Ethnic identity ; Hispanic Americans / Social conditions ; Immigrants / United States / Social conditions ; United States / Race relations ; HISTORY / United States / General ; Hispanic Americans / Ethnic identity ; Hispanic Americans / Social conditions ; Immigrants / Social conditions ; Race relations ; United States ; Lateinamerikaner ; Soziale Situation ; USA ; Einwanderung ; Ethnische Identität
    Kurzfassung: "A new book by the Pulitzer Prize-winning writer about the twenty-first-century Latino experience and identity"--
    Kurzfassung: "Latino" is the most open-ended and loosely defined of the major race categories in the United States. Our Migrant Souls: A Meditation on Race and the Meanings and Myths of "Latino" assembles the Pulitzer Prize winner Héctor Tobar's personal experiences as the son of Guatemalan immigrants and the stories told to him by his Latinx students to offer a spirited rebuke to racist ideas about Latino people. Our Migrant Souls decodes the meaning of "Latino" as a racial and ethnic identity in the modern United States, and seeks to give voice to the angst and anger of young Latino people who have seen Latinidad transformed into hateful tropes about "illegals" and have faced insults, harassment, and division based on white insecurities and economic exploitation
    Beschreibung / Inhaltsverzeichnis: Prologue: Our migrant souls -- Part I: Our country -- Empires ; Walls ; Beginnings ; Cities ; Race ; Intimacies ; Secrets ; Ashes ; Lies ; Part II: Our journey's home -- Light ; Home ; Conclusion: Utopias
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  • 3
    Buch
    Buch
    London : Verso
    ISBN: 9781804292617 , 1804292613
    Sprache: Englisch
    Seiten: 160 Seiten , Illustrationen , 22 cm
    Paralleltitel: Erscheint auch als Wark, McKenzie, 1961- Love and money, sex and death
    DDC: 306.76/8092
    RVK:
    Schlagwort(e): Wark, McKenzie ; Wark, McKenzie - 1961- ; Transgender women Biography ; Transgender college teachers Biography ; Transgenres féminins - Australie - Biographies ; Transgender college teachers ; Transgender women ; autobiographies (literary works) ; Biographies ; Autobiographies ; Autobiographies ; Australia ; United States ; Biography
    Kurzfassung: "After a successful career, a twenty-year marriage, and raising two kids, McKenzie Wark had a particularly extreme mid-life change: coming out as a trans woman. Changing both social role and bodily form recast her whole relation to the world and revealed it to her as something strange and different. Her past life became a stranger to her, a past she reclaims here by writing to important figures in her life, and addressing the big themes that haunt us all, of love, money, sex and death"--
    Beschreibung / Inhaltsverzeichnis: To McKenzie -- Mothers -- Lovers -- Others -- Postscript.
    URL: Cover  (lizenzpflichtig)
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  • 4
    ISBN: 9783111060590
    Sprache: Englisch
    Seiten: 1 Online-Ressource (X, 286 p.)
    Ausgabe: Issued also in print
    Serie: Buchreihe der Anglia / Anglia Book Series 82
    Paralleltitel: Erscheint auch als
    DDC: 302.4
    RVK:
    Schlagwort(e): American literary history ; network model ; relational epistemology ; USA ; Literatur ; Netzwerk ; Geschichte 1800-2023 ; USA ; Literatur ; Vernetzung ; Netzwerktheorie
    Kurzfassung: Spider Web, Labyrinth, Tightrope Walk explores the shifting functions of the network as a metaphor, model, and as an epistemological framework in US American literature and culture from the 19th century until today. The book critically inquires into the literary, cultural, philosophical, and scientific rhetoric, values, and ideological underpinnings that have given rise to the network concept. Literature and culture play a major role in the ways in which networks have been imagined and how they have evolved as conceptual models. This study regards networks as historically emergent and culturally constructed formations closely tied with the development of knowledge technologies in the process of modernization as well as with an increasingly critical awareness of network technologies and infrastructures. While the rise of the network in scientific, philosophical, political and sociological discourses has received wide attention, this book contributes an important cultural and historical perspective to network theory by demonstrating how US American literature and culture have been key sites for thinking in and about networks in the past two centuries
    Anmerkung: Frontmatter , Contents , Acknowledgements , Permissions Spider Web, Labyrinth, Tightrope Walk , 1 Introduction: The Network in US American Literature and Culture , 2 Project(ing an) Interconnected America: Nineteenth Century Visions of Material Networks, Transcendental Links, and Alternative Communities , 3 “A Movement Toward Expanded Connectedness” – Networks of Evolution in Pragmatist and Naturalist Literature , 4 Mapping Alternatives: Postwar Networks and the Forking Paths of Knowledge , 5 Recentering the Human: Contemporary Fiction and the Popularization of the Network , 6 Conclusion , Works Cited , Index , Issued also in print , In English
    URL: Cover  (lizenzpflichtig)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 5
    Bild
    Bild
    New Brunswick ; Camden ; Newark ; London ; Oxford : Rutgers University Press
    ISBN: 9781978824652 , 9781978824669
    Sprache: Englisch
    Seiten: xv, 161 Seiten
    Originaltitel: The souls of black folk
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.8960730207
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    Schlagwort(e): Soziale Situation ; Rassendiskriminierung ; Schwarze ; USA ; Comic ; Comic ; Comic ; Comic ; Comic ; USA ; Rassendiskriminierung ; Schwarze ; Soziale Situation
    Kurzfassung: With Souls of Black Folk (first published in 1903), W.E.B. Du Bois famously set forth his analysis of the folk culture, including religious folk culture, that would be the basis for future progress. In doing so, he pleaded for education and a new sensibility. But he made clear that the promise of these would not come from the outside
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  • 6
    Buch
    Buch
    New York : Pantheon Books
    ISBN: 9781524748173
    Sprache: Englisch
    Seiten: 197 Seiten , Illustrationen
    Ausgabe: First edition
    Paralleltitel: Erscheint auch als Jefferson, Margo, 1947- Constructing a nervous system
    DDC: 305.896/073
    RVK:
    Schlagwort(e): Jefferson, Margo ; African American women Biography ; African American women critics Biography ; African Americans Race identity ; African Americans Intellectual life ; African Americans Social life and customs ; United States Anecdotes Race relations ; History ; United States Anecdotes Social life and customs
    Kurzfassung: "Stunning for her daring originality, the author of Negroland gives us what she calls "a temperamental autobiography," comprised of visceral, intimate fragments that fuse criticism and memoir. Margo Jefferson constructs a nervous system with pieces of different lengths and tone, conjoining arts writing (poem, song, performance) with life writing (history, psychology). The book's structure is determined by signal moments of her life, those that trouble her as well as those that thrill and restore. In this nervous system: The sounds of a black spinning disc of a 1950's jazz LP as intimate and instructive as a parent's voice. The muscles and movements of a ballerina, spliced with those of an Olympic runner: template for what a female body could be. Harriet Beecher Stowe's Topsy finds her way into the art of Kara Walker and the songs of Cécile McLorin Salvant. Bing Crosby and Ike Turner become alter egos. W.E.B. DuBois and George Eliot meet illicitly, as he appropriates lines from her story "The Hidden Veil" to write his famous "behind the veil" passages in The Souls of Black Folk. The words of multiple others (writers, singers, film characters, friends, family) act as prompts and as dialogue. The fragments of this brilliant book, while not neglecting family, race, and class, are informed by a kind of aesthetic drive: longing, ecstasy, or even acute ambivalence. Constructing a nervous system is Jefferson's relentlessly galvanizing mis en scene for unconventional storytelling as well as a platform for unexpected dramatis personae"--
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  • 7
    Buch
    Buch
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781316514337
    Sprache: Englisch
    Seiten: xvii, 511 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 306.48420973
    RVK:
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    Schlagwort(e): Geschichte 1492-1942 ; Geschichte 1492- ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; Music / Social aspects / United States ; Songs / Social aspects / United States ; Music / Political aspects / United States ; Songs / Political aspects / United States ; Music ; Political aspects ; Music ; Social aspects ; United States ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492- ; USA ; Protestsong ; Geschichte 1492-1942
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  • 8
    ISBN: 9781541647176
    Sprache: Englisch
    Seiten: vii, 405 Seiten , Illustrationen , 25 cm
    Ausgabe: First edition
    Paralleltitel: Erscheint auch als
    DDC: 305.420907471
    RVK:
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    Schlagwort(e): Glaspell, Susan ; Heterodoxy ; Geschichte 1912 ; Feminismus ; Künstlerinnenvereinigung ; New York- Greenwich Village ; Heterodoxy (Club) / History ; Feminism / New York (State) / New York / History / 20th century ; Greenwich Village (New York, N.Y.) / History / 20th century ; Féminisme / New York (État) / New York / Histoire / 20e siècle ; Heterodoxy (Club) ; Feminism ; New York (State) / New York ; New York (State) / New York / Greenwich Village ; SOCIAL SCIENCE / Sociology / General ; 1900-1999 ; History ; Glaspell, Susan 1876-1948 ; New York- Greenwich Village ; Heterodoxy ; Feminismus ; Künstlerinnenvereinigung ; Geschichte 1912
    Kurzfassung: "On a Saturday afternoon in New York in late 1912, around the plain wooden tables of Polly's Restaurant in Greenwich Village, a group of women gathered, all of them convinced that they were going to change the world. It was the first meeting of "Heterodoxy," a secret supper club. The goals of the group were simple: They would meet to talk about their lives, their politics, and the still-not widely recognized idea that women were fundamentally equal to men. In a move of liberation, they kept no records of their meetings, leaving them free to discuss a new term borrowed from the French: feminism. Together, the women of Heterodoxy fostered not only a community, but a movement. The club became a defining agent within the Greenwich Village radical scene in the 1910s. Its members were passionate advocates of free love, equal marriage, and easier divorce; several lived openly in same-sex relationships.
    Kurzfassung: The friendships of Heterodoxy made their unconventional lives possible, through its reassurance that other women felt differently about the world and wanted more from it than they had been raised to expect. Wealthy hostess Mabel Dodge invited artists to mingle with socialites and socialists at her apartment near Washington Square Park. Feminist rabble-rouser Henrietta Rodman turned the Liberal Club's headquarters into a home for plays, parties, and politics. Playwright Susan Glaspell launched the groundbreaking theater collective the Provincetown Players out of the summer home of her Heterodoxy friend Mary Heaton Vorse. For these women, everything from the way they dressed to the causes they championed was self-consciously new, and the daily pursuit of a future they were trying to imagine into being was exhausting. They needed each other; as inspiration and support, as friends and lovers.
    Kurzfassung: Perfect for readers of The Barbizon and At The Existentialist Café, Hotbed is the never-before-told story of the bold women whose radical ideas, unruly lives, and extraordinary friendships blazed the trail for female ambition"--
    Beschreibung / Inhaltsverzeichnis: Introduction: a little world for us -- Way down south in Greenwich Village -- The type has changed -- The rebel girls and the mink brigade -- The new abolitionists -- What we want is a revolution -- To dynamite New York -- Femi-what? -- "That Mr. Freud, does he live in Greenwich Village?" -- Suppressed desires -- "The baby is the great problem" -- How long must we wait? -- A woman's war against war -- Pacifism versus patriotism -- Red scare, red summer -- The future of feminism
    Anmerkung: Includes bibliographical references and index
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  • 9
    Buch
    Buch
    New York : Columbia University Press
    ISBN: 9780231205023 , 9780231205030
    Sprache: Englisch
    Seiten: xi, 287 Seiten , Illustrationen
    Serie: Literature now
    Paralleltitel: Erscheint auch als Brooks, John, - 1989- The racial unfamiliar
    DDC: 810.9/896073
    RVK:
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    Schlagwort(e): American literature African American authors ; History and criticism ; African American art 21st century ; African Americans Race identity ; Race in literature ; Race in art ; African Americans in literature ; African Americans in art ; African Americans Intellectual life 21st century ; Literary criticism ; USA ; Literatur ; Kunst ; Schwarze ; Ästhetik ; Abstraktion
    Kurzfassung: "Through what strategies might contemporary artists confront cultural assumptions about race? In what ways can the devices that make race feel familiar-such as stereotypes or strategic essentialism-be used to make race feel unfamiliar? What new perspectives might emerge out of such disorienting confrontations? In The Racial Unfamiliar, John Brooks argues that twenty-first-century African American artists have turned to abstractionist aesthetics to complicate and illuminate how we think and see race. Brooks shows that established categories of cultural production-such as "African American art" or "Black history"-reproduce familiar but confining ideas about race, and that some audiences assume such ideas reflect a "truth" about Black identity or Black experience in the United States. Instead of countering representations of race with "authentic" portrayals of African American identity and experience, recent artists have begun exaggerating and overemphasizing them. By inflating and abstracting clichéd representations and stereotypes, these artists expose the incongruities that underlie racist attitudes and refute the idea that any single African American experience exists to be represented. Through the production of illegible misrepresentations of a multitude of black experiences, the literary and visual works considered in this book insist that blackness exceeds categorical representation. Brooks traces the disorienting effects of this experimental aesthetic through a broad array of recent artworks, from novels and plays by Percival Everett and Suzan-Lori Parks to photography by Roy DeCarava and installation art by Kara Walker, to show how contemporary African American cultural production can be understood as an operation in abstracting and upending the cultural determinants that make racial Blackness intelligible"--
    Anmerkung: Includes bibliographical references and index
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  • 10
    Buch
    Buch
    New York : New York University Press
    ISBN: 9781479829828 , 9781479820733
    Sprache: Englisch
    Seiten: xii, 435 Seiten, 16 ungezählte Seiten , Illustrationen , Breite 152 mm, Hoehe 229 mm
    DDC: 306.76
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    Schlagwort(e): Geschichte 1970-1991 ; Frauenbewegung ; Geschlechtsidentität ; Homosexuellenbewegung ; LGBT ; Massenmedien ; USA
    Kurzfassung: In this book, Ramzi Fawaz explores how the central values of 1970s movements for women's and gay liberation-including consciousness-raising, separatism, and coming out of the closet-were translated into a range of American popular culture forms. Throughout this period, feminist and gay activists fought social and political battles to expand, transform, or wholly explode definitions of so-called "normal" gender and sexuality. In doing so, they inspired artists, writers, and filmmakers to invent new ways of formally representing, or giving shape to, non-normative genders and sexualities. This included placing women, queers, and gender outlaws of all stripes into exhilarating new environments-from the streets of an increasingly gay San Francisco to a post-apocalyptic commune, from an upper-East Side New York City apartment to an all-female version of Earth-and finding new ways to formally render queer genders and sexualities by articulating them to figures, outlines, or icons that could be imagined in the mind's eye and interpreted by diverse publics. Surprisingly, such creative attempts to represent queer gender and sexuality often appeared in a range of traditional, or seemingly generic, popular forms including the sequential format of comic strip serials, the token figures of science fiction genre, the narrative conventions of film melodrama, and the serialized rhythm of installment fiction. Through studies of queer and feminist cultural productions including Mart Crowley's The Boys in the Band (1970), Armistead Maupin's Tales of the City (1976-1983), Lizzy Borden's Born in Flames (1983), and Tony Kushner's Angels in America (1989-1991), Fawaz show how artists innovated in many popular mediums and genres to make the experience of gender and sexual non-conformity recognizable to mass audiences in the modern US. Ultimately, Queer Forms tells the pre-history of the contemporary renaissance in feminist and LGBTQ political cultures by developing a genealogy of late twentieth-century artifacts that projected images of gender and sexual rebellion, which came to infuse the American popular imagination in the 1970s and after.
    Anmerkung: Literaturverzeichnis Seite 407-421
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  • 11
    ISBN: 9783030935504 , 3030935507
    Sprache: Englisch
    Seiten: x, 287 Seiten , Illustrationen , 21 cm
    Paralleltitel: Erscheint auch als
    DDC: 810.9355
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    Schlagwort(e): American literature History and criticism 19th century ; American literature History and criticism 20th century ; American literature History and criticism 21st century ; Social change in literature ; Sociology in literature ; American literature ; Civilization ; Social change in literature ; Social conditions ; Sociology in literature ; Criticism, interpretation, etc ; United States Civilization ; United States Social conditions ; United States ; Bourdieu, Pierre 1930-2002 ; Elias, Norbert 1897-1990 ; USA ; Literatur ; Literatursoziologie
    Anmerkung: Enthält Literaturangaben und Index
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  • 12
    Online-Ressource
    Online-Ressource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783030993252
    Sprache: Englisch
    Seiten: 1 Online-Ressource (IX, 194 p)
    Ausgabe: 1st ed. 2022
    Serie: Palgrave Gothic
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 809.38729
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    Schlagwort(e): Geschichte ; Gothic Studies ; American Film and TV. ; Film and Television Studies ; Literature ; Goth culture (Subculture) ; Motion pictures, American ; Motion pictures ; Television broadcasting ; Literature ; Ort ; Horrorliteratur ; Raum ; USA ; USA ; Horrorliteratur ; Raum ; Ort ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 13
    Buch
    Buch
    Stanford, California : Stanford University Press
    ISBN: 1503631605 , 9781503631601 , 150363048X , 9781503630482
    Sprache: Englisch
    Seiten: 243 Seiten
    Paralleltitel: Erscheint auch als Beckman, Frida, 1976 - The Paranoid Chronotope
    DDC: 302.0973
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    Schlagwort(e): USA ; Literatur ; Kultur ; Gesellschaft ; Paranoia ; Sozialpsychologie ; Geschichte 1950-2020
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  • 14
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496840448 , 9781496840455
    Sprache: Englisch
    Seiten: X, 175 Seiten
    Serie: Margaret Walker Alexander series in African American studies
    Paralleltitel: Erscheint auch als Abdul-Ghani, Casarae Lavada Start a riot!
    DDC: 700.89/96073
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    Schlagwort(e): Black Arts movement ; African American arts Political aspects 20th century ; History ; Arts Political aspects 20th century ; History ; Black nationalism History 20th century ; United States Race relations 20th century ; History ; Black arts movement ; Literatur ; Aufruhr
    Kurzfassung: Acknowledgments --Introduction: "I'm gonna start a riot!" --Chapter 1: The inability to compromise: examining Black rage and revolt in the revolutionary theatre of Amiri Baraka and Ben Caldwell --Chapter 2: "Blackblues": The BAM aesthetic and Black rage in Gwendolyn Brooks's "Riot" --Chapter 3: The crisis of Black revolutionary politics in Sonia Sanchez's "The Bronx Is next" (and "Sister Son/ji") --Chapter 4: Black politics and the neoliberal dilemma in Henry Dumas's "Riot or revolt?" --Epilogue --Notes --Bibliography --Index.
    Kurzfassung: "While the legacy of Black urban rebellions during the turbulent 1960s continues to permeate throughout US histories and discourses, scholars seldom explore within scholarship examining Black Cultural Production, artist-writers of the Black Arts Movement (BAM) that addressed civil unrest, specifically riots, in their artistic writings. Start a Riot! Civil Unrest in Black Arts Movement Drama, Fiction, and Poetry analyzes riot iconography and its usefulness as a political strategy of protestation. Through a mixed-methods approach of literary close-reading, historical, and sociological analysis, Casarae Lavada Abdul-Ghani considers how BAM artist-writers like Amiri Baraka (LeRoi Jones), Ben Caldwell, Gwendolyn Brooks, Sonia Sanchez, and Henry Dumas challenge misconceptions regarding Black protest through experimental explorations in their writings. Representations of riots became more pronounced in the 1960s as pivotal leaders shaping Black consciousness, such as Malcolm X and Martin Luther King Jr., were assassinated. BAM artist-writers sought to override the public's interpretation in their literary expose̹s that a riot's disjointed and disorderly methods led to more chaos than reparative justice. Start a Riot! uncovers how BAM artist-writers expose anti-Black racism and, by extension, the United States' inability to compromise with Black America on matters related to citizenship rights, housing (in)security, economic inequality, and education-tenets emphasized during the Black Power Movement. Abdul-Ghani argues that BAM artist-writers did not merely write literature that reflected a spirit of protest; in many cases, they understood their texts, themselves, as acts of protest"--
    Anmerkung: Includes bibliographical references and index , Hier auch später erschienene, unveränderte Nachdrucke
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  • 15
    Online-Ressource
    Online-Ressource
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469671567 , 1469671565 , 9781469671550 , 1469671557
    Sprache: Englisch
    Seiten: 1 Online-Ressource (291 pages)
    Paralleltitel: Erscheint auch als Hutchins, Zachary McLeod Before Equiano
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    Schlagwort(e): Slave narratives History and criticism ; Slavery History 17th century ; American newspapers History 17th century ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; USA ; Sklave ; Zeitung ; Berichterstattung ; Autobiografie ; Geschichte 1690-1789
    Kurzfassung: Introduction. Slavery and the Newspaper: A Foreign Affair -- Sewall's Secret: The Selling of More than Two Dozen Black Africans -- Daniel and the Scotts: The Serialized Stories of Serial Runaways -- Royalty Enslaved: Of Princes, Pretenders, and Politics -- Fighting for, and against, the English: Briton Hammon and the Power of Black Africans' Allegiance -- Narratives of Slavery and the Stamp Act: Dickinson and Crèvecoeur Debate the Racial Limits of a Genre -- Conclusion. After Equiano: The Medium and the Message.
    Kurzfassung: "In the antebellum United States, formerly enslaved men and women who told their stories and advocated for abolition helped establish a new genre with widely recognized tropes: the slave narrative. This book investigates how enslaved black Africans conceived of themselves and their stories before the War of American Independence and the genre's development in the nineteenth century. Zachary McLeod Hutchins argues that colonial newspapers were pivotal in shaping popular understandings of both slavery and the black African experience well before the slave narrative's proliferation. Introducing the voices and art of black Africans long excluded from the annals of literary history, Hutchins shows how the earliest life writing by and about enslaved black Africans established them as political agents in an Atlantic world defined by diplomacy, war, and foreign relations. In recovering their stories, Hutchins sheds new light on how black Africans became Black Americans; how the earliest accounts of enslaved life were composed editorially from textual fragments rather than authored by a single hand; and how the public discourse of slavery shifted from the language of just wars and foreign policy to a heritable, race-based system of domestic oppression."--
    Anmerkung: Includes bibliographical references and index
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  • 16
    Buch
    Buch
    Cham : Palgrave Macmillan
    ISBN: 9783030999438
    Sprache: Englisch
    Seiten: xiv, 224 Seiten , 21 cm
    Serie: African American philosophy and the African diaspora
    Paralleltitel: Erscheint auch als
    DDC: 305.8
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    Schlagwort(e): Racism ; USA ; Literatur ; Antirassismus ; Philosophie
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  • 17
    Buch
    Buch
    Heidelberg, Neckar : Universitätsverlag Winter GmbH Heidelberg
    ISBN: 9783825349271
    Sprache: Englisch
    Seiten: 563 Seiten , Illustrationen , 21 cm x 13.5 cm
    Serie: American Studies - a monograph series volume 318
    Serie: American Studies - a monograph series
    Paralleltitel: Erscheint auch als
    DDC: 306.0973
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    Schlagwort(e): Popular culture studies ; Popkultur ; Massenkultur ; USA ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 2019 ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 2019 ; USA ; Massenkultur ; Popkultur ; USA ; Popkultur
    Anmerkung: S.20: "This volume would not exist without the conference 'U.S.-American Culture as Popular Culture' (...) took place from June 13-15,2019 at the University of Hamburg."
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 18
    Buch
    Buch
    London, New York : Verso
    ISBN: 9781839766121
    Sprache: Englisch
    Seiten: xi, 261 Seiten
    Ausgabe: Paperback edition
    DDC: 305.89604
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    Schlagwort(e): Geistesgeschichte ; Geschichte 1900-1950 ; Geistesleben ; Kultur ; Schwarze ; USA ; USA ; Geistesleben ; Schwarze ; USA ; Schwarze ; Kultur ; Geschichte 1900-1950 ; Schwarze ; Geistesgeschichte
    Anmerkung: First published in the United Kingdom by Verso 1993
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  • 19
    Buch
    Buch
    New York : Penguin Press
    ISBN: 9780735217959
    Sprache: Englisch
    Seiten: 370 Seiten
    DDC: 306.0973/09049
    RVK:
    Schlagwort(e): Popular culture History 20th century ; United States Civilization 1970- ; United States Social life and customs 1971- ; United States Intellectual life 20th century ; USA ; Alltagskultur ; Pop-Kultur ; Geschichte 1990-2000
    Kurzfassung: It was long ago, but not as long as it seems: The Berlin Wall fell and the Twin Towers collapsed. In between, one presidential election was allegedly decided by Ross Perot while another was plausibly decided by Ralph Nader. In the beginning, almost every name and address was listed in a phone book, and everyone answered their landlines because you didn’t know who it was. By the end, exposing someone’s address was an act of emotional violence, and nobody picked up their new cell phone if they didn’t know who it was. The 90s brought about a revolution in the human condition we’re still groping to understand. Happily, Chuck Klosterman is more than up to the job. Beyond epiphenomena like "Cop Killer" and Titanic and Zima, there were wholesale shifts in how society was perceived: the rise of the internet, pre-9/11 politics, and the paradoxical belief that nothing was more humiliating than trying too hard. Pop culture accelerated without the aid of a machine that remembered everything, generating an odd comfort in never being certain about anything. On a 90’s Thursday night, more people watched any random episode of Seinfeld than the finale of Game of Thrones. But nobody thought that was important; if you missed it, you simply missed it. It was the last era that held to the idea of a true, hegemonic mainstream before it all began to fracture, whether you found a home in it or defined yourself against it. In The Nineties, Chuck Klosterman makes a home in all of it: the film, the music, the sports, the TV, the politics, the changes regarding race and class and sexuality, the yin/yang of Oprah and Alan Greenspan. In perhaps no other book ever written would a sentence like, “The video for ‘Smells Like Teen Spirit’ was not more consequential than the reunification of Germany” make complete sense. Chuck Klosterman has written a multi-dimensional masterpiece, a work of synthesis so smart and delightful that future historians might well refer to this entire period as Klostermanian.
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke , Enthält Literaturangaben und ein Register
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  • 20
    ISBN: 9781032157863 , 1032157860 , 9781032157832 , 1032157836
    Sprache: Englisch
    Seiten: xxix, 392, xliv Seiten , 23 cm
    Ausgabe: 30th anniversary edition
    Paralleltitel: Erscheint auch als
    DDC: 305.48896073001
    RVK:
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    Schlagwort(e): Feminism ; African American women ; United States Race relations ; United States ; African American women ; Feminism
    Anmerkung: First edition published by Routledge 1990
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  • 21
    Buch
    Buch
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469671536 , 9781469671543
    Sprache: Englisch
    Seiten: xii, 291 Seiten , Illustrationen , 24 cm
    Paralleltitel: Erscheint auch als Hutchins, Zachary McLeod Before Equiano
    DDC: 326.0973
    RVK:
    Schlagwort(e): Slave narratives History and criticism ; Slavery History 17th century ; American newspapers History 17th century ; USA ; Sklave ; Zeitung ; Berichterstattung ; Autobiografie ; Geschichte 1690-1789
    Kurzfassung: "In the antebellum United States, formerly enslaved men and women who told their stories and advocated for abolition helped establish a new genre with widely recognized tropes: the slave narrative. This book investigates how enslaved black Africans conceived of themselves and their stories before the War of American Independence and the genre's development in the nineteenth century. Zachary McLeod Hutchins argues that colonial newspapers were pivotal in shaping popular understandings of both slavery and the black African experience well before the slave narrative's proliferation"--
    Beschreibung / Inhaltsverzeichnis: Slavery and the Newspaper : A Foreign Affair -- Sewall's Secret : The Selling of More than Two Dozen Black Africans -- Daniel and the Scotts : The Serialized Stories of Serial Runaways -- Royalty Enslaved : Of Princes, Pretenders, and Politics -- Fighting for, and against, the English : Briton Hammon and the Power of Black Africans' Allegiance -- Narratives of Slavery and the Stamp Act : Dickinson and Crèvecoeur Debate the Racial Limits of a Genre -- After Equiano : The Medium and the Message.
    Anmerkung: Includes bibliographical references and index
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  • 22
    ISBN: 9780753559543 , 9780593230572 , 9780753559536
    Sprache: Englisch
    Seiten: xxxiii, 590 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als 1619 Project
    DDC: 973
    RVK:
    Schlagwort(e): 1619 Project ; African-Americans History ; Slavery Political aspects ; History ; United States Civilization ; United States Race relations ; USA ; Sklaverei ; Rassismus ; Ethnische Beziehungen
    Kurzfassung: "The animating idea of The 1619 Project is that our national narrative is more accurately told if we begin not on July 4, 1776, but in late August of 1619, when a ship arrived in Jamestown bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival inaugurated a barbaric and unprecedented system of chattel slavery that would last for the next 250 years. This is sometimes referred to as the country's original sin, but it is more than that: It is the country's very origin. The 1619 Project tells this new origin story, placing the consequences of slavery and the contributions of Black Americans at the center of the story we tell ourselves about who we are as a country. Orchestrated by the editors of The New York Times Magazine, led by MacArthur "genius" and Pulitzer Prize-winning journalist Nikole Hannah-Jones, this collection of essays and historical vignettes includes some of the most outstanding journalists, thinkers, and scholars of American history and culture--including Linda Villarosa, Jamelle Bouie, Jeneen Interlandi, Matthew Desmond, Wesley Morris, and Bryan Stevenson. Together, their work shows how the tendrils of 1619--of slavery and resistance to slavery--reach into every part of our contemporary culutre, from voting, housing and healthcare, to the way we sing and dance, the way we tell stories, and the way we worship. Interstitial works of flash fiction and poetry bring the history to life through the imaginative interpretations of some of our greatest writers. The 1619 Project ultimately sends a very strong message: We must have a clear vision of this history if we are to understand our present dilemmas. Only by reckoning with this difficult history and trying as hard as we can to undersand its powerful influence on our present, can we prepare ourselves for a more just future"--
    Anmerkung: Includes index
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  • 23
    ISBN: 9781250756121
    Sprache: Englisch
    Seiten: 261 Seiten
    Ausgabe: First edition
    DDC: 306.874/30896073
    RVK:
    RVK:
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    Schlagwort(e): King, Alberta Williams ; Little, Louise Langdon ; Baldwin, Emma Berdis Jones ; King, Martin Luther Family ; X, Malcolm Family ; Baldwin, James Family ; African American mothers Biography ; African American families Biography ; African Americans Civil rights 20th century ; History ; Racism History 20th century ; United States Race relations 20th century ; History ; Baldwin, Emma Berdis Jones 1903-1999 ; King, Alberta Williams 1904-1974 ; Little, Louise Langdon 1897-1989 ; King, Martin Luther 1929-1968 ; Mutter ; X, Malcolm 1925-1965 ; Mutter ; Baldwin, James 1924-1987 ; Mutter
    Kurzfassung: "In her groundbreaking and essential debut The Three Mothers, scholar Anna Malaika Tubbs celebrates Black motherhood by telling the story of the three women who raised and shaped some of America's most pivotal heroes: Martin Luther King, Jr., Malcolm X, and James Baldwin. Much has been written about Berdis Baldwin's son James, about Alberta King's son Martin Luther, and Louise Little's son Malcolm. But virtually nothing has been said about the extraordinary women who raised them, who were all born at the beginning of the 20th century and forced to contend with the prejudices of Jim Crow as Black women. Berdis, Alberta, and Louise passed their knowledge to their children with the hope of helping them to survive in a society that would deny their humanity from the very beginning-from Louise teaching her children about their activist roots, to Berdis encouraging James to express himself through writing, to Alberta basing all of her lessons in faith and social justice. These women used their strength and motherhood to push their children toward greatness, all with a conviction that every human being deserves dignity and respect despite the rampant discrimination they faced. These three mothers taught resistance and a fundamental belief in the worth of Black people to their sons, even when these beliefs flew in the face of America's racist practices and led to ramifications for all three families' safety. The fight for equal justice and dignity came above all else for the three mothers. These women, their similarities and differences, as individuals and as mothers, represent a piece of history left untold and a celebration of Black motherhood long overdue"--
    Anmerkung: Includes bibliographical references and index
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  • 24
    Online-Ressource
    Online-Ressource
    New York : New York University Press
    ISBN: 9781479810932 , 9781479810925
    Sprache: Englisch
    Seiten: 1 Online-Ressource (261 Seiten)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.896/073
    RVK:
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    Schlagwort(e): LITERARY CRITICISM / American / African-American ; African Americans ; Age Social aspects ; Blacks ; Human body Social aspects ; Racism ; Altern ; Körper ; Soziale Situation ; Aussehen ; Schwarze ; USA ; USA ; Schwarze ; Körper ; Aussehen ; Altern ; Soziale Situation
    Kurzfassung: A view of transatlantic slavery's afterlife and modern Blackness through the lens of age. Although more than fifty years apart, the murders of Emmett Till and Trayvon Martin share a commonality: Black children are not seen as children. Time and time again, excuses for police brutality and aggression-particularly against Black children- concern the victim "appearing" as a threat. But why and how is the perceived "appearance" of Black persons so completely separated from common perceptions of age and time? Black Age: Oceanic Lifespans and the Time of Black Life posits age, life stages, and lifespans as a central lens through which to view Blackness, particularly with regard to the history of transatlantic slavery. Focusing on Black literary culture of the late twentieth and early twenty-first centuries, Habiba Ibrahim examines how the history of transatlantic slavery and the constitution of modern Blackness has been reimagined through the embodiment of age. She argues that Black age-through nearly four centuries of subjugation- has become contingent, malleable, and suited for the needs of enslavement. As a result, rather than the number of years lived or a developmental life stage, Black age came to signify exchange value, historical under-development, timelessness, and other fantasies borne out of Black exclusion from the human.Ibrahim asks: What constitutes a normative timeline of maturation for Black girls when "all the women"-all the canonically feminized adults-"are white"? How does a "slave" become a "man" when adulthood is foreclosed to Black subjects of any gender? Black Age tracks the struggle between the abuses of Black exclusion from Western humanism and the reclamation of non-normative Black life, arguing that, if some of us are brave, it is because we dare to live lives considered incomprehensible within a schema of "human time.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 25
    Buch
    Buch
    Santa Barbara, California : ABC-CLIO, an imprint of ABC-CLIO, LLC
    ISBN: 9781440855566
    Sprache: Englisch
    Seiten: xlii, 243 Seiten
    Serie: Eyewitness to history
    Paralleltitel: Erscheint auch als Documents of the Harlem Renaissance
    DDC: 305.896/07300904
    RVK:
    Schlagwort(e): African Americans Sources Race identity 20th century ; History ; Harlem Renaissance Sources ; African American intellectuals History 20th century ; African Americans Social conditions To 1964 ; United States Sources Race relations 20th century ; History ; Harlem renaissance
    Kurzfassung: "This book explores the transformative energy and excitement that African Americans expressed in aesthetic and civic currents that percolated the opening of the 20th century and proved a force in the modernization of America."--
    Anmerkung: Includes bibliography (page 219-227) and index
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  • 26
    Buch
    Buch
    New York NY : New York University Press
    ISBN: 9781479810895 , 9781479810888
    Sprache: Englisch
    Seiten: 261 Seiten
    DDC: 305.896/073
    RVK:
    Schlagwort(e): African Americans ; Blacks ; Age Social aspects ; Human body Social aspects ; Racism ; USA ; Schwarze ; Körper ; Aussehen ; Altern ; Soziale Situation
    Kurzfassung: Introduction: Emmett's Face, Emmett's Flesh -- Shape-Shifters and Body-Snatchers -- Vampires and Relics -- The Mass and Men -- Ghosts -- Epilogue: And with Black Children.
    Kurzfassung: "Black Age argues that age tracks the struggle between the abuses of black exclusion from western humanism, and the reclamation of non-normative black life"--
    Anmerkung: Includes bibliographical references and index
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  • 27
    Buch
    Buch
    Urbana, IL : University of Illinois Press
    ISBN: 9780252085666 , 9780252043666
    Sprache: Englisch
    Seiten: xii, 205 Seiten , Illustrationen , 23 cm
    Serie: The new Black studies series
    Paralleltitel: Erscheint auch als
    DDC: 810.9896073
    RVK:
    RVK:
    Schlagwort(e): Kreativität ; Vergangenheitsbewältigung ; Schwarze ; Gefühl ; Romantik ; Nostalgie ; USA ; American literature / African American authors / History and criticism ; Nostalgia in literature ; Happiness in literature ; American literature / African American authors ; Happiness in literature ; Nostalgia in literature ; Criticism, interpretation, etc ; USA ; Schwarze ; Kreativität ; Gefühl ; Nostalgie ; Romantik ; Vergangenheitsbewältigung
    Kurzfassung: "As early as the eighteenth century, white Americans and Europeans believed that people of African descent could not experience nostalgia. As a result, black lives have been predominately narrated through historical scenes of slavery and oppression. This phenomenon created a missing archive of romantic historical memories. Badia Ahad-Legardy mines literature, visual culture, performance, and culinary arts to form an archive of black historical joy for use by the African-descended. Her analysis reveals how contemporary black artists find more than trauma and subjugation within the historical past. Drawing on contemporary African American culture and recent psychological studies, she reveals nostalgia's capacity to produce positive emotions. Afro-nostalgia emerges as an expression of black romantic recollection that creates and inspires good feelings even within our darkest moments. Original and provocative, Afro-Nostalgia offers black historical pleasure as a remedy to contend with the disillusionment of the present and the traumas of the past." --
    Beschreibung / Inhaltsverzeichnis: Introduction. Ten thousand recollections: Afro-nostalgia and contemporary Black aesthetics -- (Nostalgic) retribution: the power of the petty in contemporary narratives of slavery -- (Nostalgic) restoration: Utopian pasts and political futures in the music of Black Lives Matter -- (Nostalgic) regeneration: absent archives and historical pleasures in contemporary Black visual culture -- (Nostalgic) reclamation: recipes for radicalism and the politics of soul(food) -- Postscript: a future for Black nostalgia
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  • 28
    Buch
    Buch
    New Brunswick : Rutgers University Press
    ISBN: 9781978807587 , 9781978807594
    Sprache: Englisch
    Seiten: ix, 229 Seiten
    Serie: War culture
    Paralleltitel: Erscheint auch als Boyle, Brenda M American war stories
    DDC: 303.6/6
    RVK:
    Schlagwort(e): War and society ; Militarism ; War stories, American ; United States History, Military 21st century ; USA ; Kriegsliteratur
    Kurzfassung: "American War Stories asks readers to contemplate what traditionally constitutes a "war story" and how that constitution obscures the normalization of militarism in American culture. The book claims the traditionally narrow scope of "war story," as by a combatant about his wartime experience, compartmentalizes war, casting armed violence as distinct from everyday American life. Broadening "war story" beyond the specific genres of war narratives such as "war films," "war fiction," or "war memoirs," American War Stories exposes how ingrained militarism is in everyday American life, a condition that challenges the very democratic principles the United States is touted as exemplifying"--
    Anmerkung: Includes bibliographical references and index
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  • 29
    Buch
    Buch
    Amherst : University of Massachusetts Press
    ISBN: 9781625345264 , 9781625345257
    Sprache: Englisch
    Seiten: xi, 224 Seiten , Illustrationen , 23 cm
    Serie: Studies in print culture and the history of the book
    DDC: 071/.308996073
    RVK:
    Schlagwort(e): African American periodicals History 20th century ; African American newspapers History 20th century ; American literature African American authors ; Publishing ; History ; African Americans and mass media ; African Americans Legal status, laws, etc ; Racism ; USA ; Schwarze ; Zeitschrift ; Zeitung ; Magazin ; Geschichte 1900-1950
    Kurzfassung: "Scholars have paid relatively little attention to the highbrow, middlebrow, and popular periodicals that African Americans read and discussed regularly during the Jim Crow era-publications such as the Chicago Defender, the Crisis, Ebony, and the Half-Century Magazine. Jim Crow Networks considers how these magazines and newspapers, and their authors, readers, advertisers, and editors worked as part of larger networks of activists and thinkers to advance racial uplift and resist racism during the first half of the twentieth century. As Eurie Dahn demonstrates, authors like James Weldon Johnson, Nella Larsen, William Faulkner, and Jean Toomer wrote in the context of interracial and black periodical networks, which shaped the literature they produced and their concerns about racial violence. This original study also explores the overlooked intersections between the black press and modernist and Harlem Renaissance texts, and highlights key sites where readers and writers worked toward bottom-up sociopolitical changes during a period of legalized segregation"--
    Anmerkung: Includes bibliographical references and index
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  • 30
    Buch
    Buch
    Columbus : The Ohio State University Press
    ISBN: 9780814214770 , 0814214770
    Sprache: Englisch
    Seiten: x, 185 Seiten
    DDC: 305.896/073
    RVK:
    Schlagwort(e): Federal Writers' Project Influence ; American literature African American authors ; History and criticism ; African Americans Social conditions ; Liberalism History 20th century ; United States Race relations 20th century ; USA ; Schwarze ; Literatur ; Federal Writers' Project
    Kurzfassung: "Shows how Black writers such as Richard Wright, Zora Neale Hurston, and Ralph Ellison participating in the Federal Writer' Project of the 1930s responded to and shaped New Deal programs and ideology"--
    Anmerkung: Includes bibliographical references and index
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  • 31
    Online-Ressource
    Online-Ressource
    Berkeley, CA : University of California Press
    ISBN: 9780520972674
    Sprache: Englisch
    Seiten: 1 Online-Ressource (192 p)
    Ausgabe: [Online-Ausgabe]
    Serie: American Studies Now: Critical Histories of the Present 14
    Paralleltitel: Erscheint auch als Barker, Joanne, 1962 - Red Scare
    RVK:
    Schlagwort(e): Indians of North America Social conditions ; Social justice 21st century ; Social movements 21st century ; HISTORY / Native American ; Kanada ; USA ; Indigenes Volk ; Indigene Frau ; Verschwinden ; Erdöl ; Aktivismus ; Ausbeutung ; Gewalt
    Kurzfassung: Frontmatter -- Contents -- Overview -- Prologue -- Scared Red -- The Murderable Indian -- The Kinless Indian -- Radical Alterities from Huckleberry Roots -- Acknowledgments -- Appendix I: A Chronology -- Appendix II: Cherokee Treaties and Membership/Census Rolls -- Notes -- Glossary -- Selected Bibliography
    Kurzfassung: How the rhetoric of terrorism has been used against high-profile movements to justify the oppression and suppression of Indigenous activists. New Indigenous movements are gaining traction in North America: the Missing and Murdered Women and Idle No More movements in Canada, and the Native Lives Matter and NoDAPL movements in the United States. These do not represent new demands for social justice and treaty rights, which Indigenous groups have sought for centuries. But owing to the extraordinary visibility of contemporary activism, Indigenous people have been newly cast as terrorists—a designation that justifies severe measures of policing, exploitation, and violence. The Red Scare investigates the intersectional scope of these four movements, and the broader context of the treatment of Indigenous social justice movements as threats to neoliberal and imperialist social orders. In The Red Scare, Joanne Barker shows how US and Canadian leaders leverage the fear-driven discourses of terrorism to allow for extreme responses to Indigenous activists, framing them as threats to social stability and national security. The alignment of Indigenous movements now with broader struggles against sexual, police, and environmental violence puts them at the forefront of new intersectional solidarities in prominent ways. The activist-as-terrorist framing is cropping up everywhere, but the historical and political complexities of Indigenous movements and state responses are unique. Indigenous criticisms of state policy, resource extraction and contamination, intense surveillance, and neoliberal values are met with outsized and shocking measures of militarized policing, environmental harm, and sexual violence. The Red Scare provides students and readers with a concise and thorough survey of these movements and their links to broader organizing; the common threads of historical violence against Indigenous people; and the relevant alternatives we can find in Indigenous forms of governance and relationality
    Anmerkung: Mode of access: Internet via World Wide Web. , In English
    URL: Cover
    URL: Cover
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  • 32
    Buch
    Buch
    Oakland, California : University of California Press
    ISBN: 9780520303188 , 9780520303171
    Sprache: Englisch
    Seiten: 176 Seiten
    Serie: American studies now: critical histories of the present 14
    Serie: American studies now
    Paralleltitel: Erscheint auch als Barker, Joanne Red Scare
    DDC: 970.004/97
    RVK:
    Schlagwort(e): Indians of North America Social conditions ; Social justice 21st century ; Social movements 21st century ; Kanada ; USA ; Indigenes Volk ; Indigene Frau ; Verschwinden ; Erdöl ; Aktivismus ; Ausbeutung ; Gewalt
    Kurzfassung: Prologue -- Scared red -- The murderable Indian : terror as state (in)security -- The kinless Indian : terror as social (in)stability -- Radical alterities from huckleberry roots -- Appendix I : a chronology -- Appendix II : Cherokee treaties and membership/census rolls.
    Kurzfassung: "New Indigenous movements are gaining traction in North America: the Missing and Murdered Women and Idle No More movements in Canada, and the Native Lives Matter and NoDAPL movements in the United States. These do not represent new demands for social justice and treaty rights, which Indigenous groups have sought for centuries. But owing to the extraordinary visibility of contemporary activism, Indigenous people have been newly cast as terrorists--a designation that justifies severe measures of policing, exploitation, and violence. The Red Scare investigates the intersectional scope of these four movements, and the broader context of the treatment of Indigenous social justice movements as threats to neoliberal and imperialist social orders. In The Red Scare, Joanne Barker shows how US and Canadian leaders leverage the fear-driven discourses of terrorism to allow for extreme responses to Indigenous activists, framing them as threats to social stability and national security. The alignment of Indigenous movements now with broader struggles against sexual, police, and environmental violence puts them at the forefront of new intersectional solidarities in prominent ways. The activist-as-terrorist framing is cropping up everywhere, but the historical and political complexities of Indigenous movements and state responses are unique. Indigenous criticisms of state policy, resource extraction and contamination, intense surveillance, and neoliberal values are met with outsized and shocking measures of militarized policing, environmental harm, and sexual violence. The Red Scare provides students and readers with a concise and thorough survey of these movements and their links to broader organizing; the common threads of historical violence against Indigenous people; and the relevant alternatives we can find in Indigenous forms of governance and relationality"--
    Anmerkung: Literaturhinweise: Seite 139-169
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  • 33
    Buch
    Buch
    Washington, DC : Academica Press
    ISBN: 9781680539509 , 1680539507
    Sprache: Englisch
    Seiten: XI, 261 pages , 24 cm
    DDC: 302.343
    RVK:
    Schlagwort(e): Cancel culture ; Freedom of speech ; Cancel culture ; Freedom of speech ; United States
    Anmerkung: Includes bibliographical references
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 34
    Online-Ressource
    Online-Ressource
    New York, NY : New York University Press
    ISBN: 9781479813636
    Sprache: Englisch
    Seiten: 1 Online-Ressource (245 Seiten, 8 ungezählte Seiten Tafeln) , Illustrationen
    Serie: Postmillennial Pop Band 25
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.800973022/2
    RVK:
    RVK:
    RVK:
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    Schlagwort(e): Geschichte ; Aaron McGruder;African American Art;African American cartoonists;African American children;African American Soldiers;African Americans;Black Aesthetics;Black Body;black liberation;black masculinity;Black Panther;Black superheroes ; Brumsic Brandon Jr ; Captain America ; Civil Rights Movement ; Comics ; Hermeneutic ; Ho Che Anderson ; Icon ; Jennifer Cruté ; Kyle Baker ; Larry Fuller ; Martin Luther King Jr ; Nat Turner ; Ollie Harrington ; R Crumb ; Richard Grass Green ; Thomas Nast ; U.S. comics ; Violence ; World War II. ; citizenship ; editorial cartoons ; equal opportunity humor ; infantile citizenship ; offensive humor ; racial melancholia ; slavery ; stereotype ; underground comix ; visual culture ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; African Americans Caricatures and cartoons ; Belonging (Social psychology) in art ; Belonging (Social psychology) ; Racism in cartoons ; Zugehörigkeit ; Comic ; Subkultur ; Karikatur ; Schwarze ; USA ; USA ; Schwarze ; Karikatur ; Zugehörigkeit ; Geschichte ; USA ; Schwarze ; Comic ; Subkultur
    Kurzfassung: Traces the history of racial caricature and the ways that Black cartoonists have turned this visual grammar on its headRevealing the long aesthetic tradition of African American cartoonists who have made use of racist caricature as a black diasporic art practice, Rebecca Wanzo demonstrates how these artists have resisted histories of visual imperialism and their legacies. Moving beyond binaries of positive and negative representation, many black cartoonists have used caricatures to criticize constructions of ideal citizenship in the United States, as well as the alienation of African Americans from such imaginaries. The Content of Our Caricature urges readers to recognize how the wide circulation of comic and cartoon art contributes to a common language of both national belonging and exclusion in the United States.Historically, white artists have rendered white caricatures as virtuous representations of American identity, while their caricatures of African Americans are excluded from these kinds of idealized discourses. Employing a rich illustration program of color and black-and-white reproductions, Wanzo explores the works of artists such as Sam Milai, Larry Fuller, Richard "Grass" Green, Brumsic Brandon Jr., Jennifer Cruté, Aaron McGruder, Kyle Baker, Ollie Harrington, and George Herriman, all of whom negotiate and navigate this troublesome history of caricature. The Content of Our Caricature arrives at a gateway to understanding how a visual grammar of citizenship, and hence American identity itself, has been constructed
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 35
    Buch
    Buch
    Minneapolis, Minnesota : Graywolf Press
    ISBN: 9781644450215
    Sprache: Englisch
    Seiten: 342 Seiten , Illustrationen, Diagramme, Karten, Portraits (zum Teil farbig) , 24 cm
    DDC: 305.896073
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    Schlagwort(e): Whites / Race identity / United States ; African Americans / Social conditions / 21st century ; African Americans / Social conditions ; Race relations ; Social conditions ; Whites / Race identity ; Ethnische Beziehungen ; United States / Race relations / 21st century ; United States / Social conditions / 21st century ; United States ; USA ; Essays ; Essays ; USA ; Ethnische Beziehungen
    Kurzfassung: "At home and in government, contemporary America finds itself riven by a culture war in which aggression and defensiveness alike are on the rise. It is not alone. In such partisan conditions, how can humans best approach one another across our differences? Taking the study of whiteness and white supremacy as a guiding light, Claudia Rankine explores a series of real encounters with friends and strangers - each disrupting the false comfort of spaces where our public and private lives intersect, like the airport, the theatre, the dinner party and the voting booth - and urges us to enter into the conversations which could offer the only humane pathways through this moment of division. Just Us is an invitation to discover what it takes to stay in the room together, and to breach the silence, guilt and violence that surround whiteness. Brilliantly arranging essays, images and poems along with the voices and rebuttals of others, it counterpoints Rankine's own text with facing-page notes and commentary, and closes with a bravura study of women confronting the political and cultural implications of dyeing their hair blonde."--Publisher's description
    Beschreibung / Inhaltsverzeichnis: What if -- Liminal spaces I -- Evolution -- Lemonade -- Outstretched -- Daughter -- Notes on the state of whiteness -- Tiki torches -- Study on white male privilege -- Tall -- Social contract -- Violent -- Sound and fury -- Big little lies -- Ethical loneliness -- Liminal spaces II -- José Martí -- Boys will be boys -- Complicit freedoms -- Whitening -- Liminal spaces III.
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  • 36
    ISBN: 978-1-4798-0417-7 , 9781479856770
    Sprache: Englisch
    Seiten: xvii, 273 Seiten : , Portrait ; , 23 cm.
    Paralleltitel: Erscheint auch als
    DDC: 323.092
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    Schlagwort(e): Du Bois, W. E. B. / (William Edward Burghardt) / 1868-1963 ; Du Bois, William E. B. ; United States ; Geschichte ; Sociology / United States / History ; African Americans / Social conditions ; Race relations / History ; Race relations ; Sociology ; Schwarze. ; Ethnische Beziehungen. ; Soziologie. ; USA. ; History ; 1868-1963 Du Bois, William E. B. ; Schwarze ; Ethnische Beziehungen ; Soziologie ; Geschichte
    Kurzfassung: "The Sociology of W.E.B. Du Bois" explores racism and colonialism at the center of the understanding of modernity"--
    Beschreibung / Inhaltsverzeichnis: Double consciousness: the phenomenology of racialized subjectivity -- Racial and colonial capitalism -- DuBois's urban and community research program -- Public sociology and DuBois's evolving program for freedom -- A manifesto for a contemporary DuBoisian sociology
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  • 37
    ISBN: 9780385544009
    Sprache: Englisch
    Seiten: 445 Seiten, 16 ungezählte Seiten , Illustrationen, Karten
    Ausgabe: First edition
    Paralleltitel: Erscheint auch als Brands, H. W Zealot and the emancipator
    DDC: 326/.80922
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    Schlagwort(e): Brown, John ; Lincoln, Abraham ; Abolitionists Biography ; Presidents Biography ; Antislavery movements History 19th century ; United States History Civil War, 1861-1865 ; Causes ; Harpers Ferry (W. Va.) History John Brown's Raid, 1859 ; United States History Civil War, 1861-1865 ; Causes ; United States History 19th century ; Brown, John 1800-1859 ; Lincoln, Abraham 1809-1865 ; USA ; Abolitionismus ; Geschichte
    Kurzfassung: Pottawatomie -- Springfield -- Harpers Ferry -- The telegraph office.
    Kurzfassung: "What do moral people do when democracy countenances evil? The question, implicit in the idea that people can govern themselves, came to a head in America at the middle of the nineteenth century, in the struggle over slavery. John Brown's answer was violence--violence of a sort some in later generations would call terrorism. Brown was a deeply religious man who heard the God of the Old Testament speaking to him, telling him to do whatever was necessary to destroy slavery. When Congress opened Kansas territory to slavery, the eerily charismatic Brown raised a band of followers to wage war against the evil institution. One dark night his men tore several proslavery settlers from their homes and hacked them to death with broadswords, as a bloody warning to others. Three years later Brown and his men assaulted the federal arsenal at Harpers Ferry, Virginia, with the goal of furnishing slaves with weapons to murder their masters in a race war that would cleanse the nation of slavery once and for all. Abraham Lincoln's answer was politics. Lincoln was an ambitious lawyer and former office-holder who read the Bible not for moral guidance but as a writer's primer. He disliked slavery yet didn't consider it worth shedding blood over. He distanced himself from John Brown and joined the moderate wing of the new, antislavery Republican party. He spoke cautiously and dreamed big, plotting his path to Washington and perhaps the White House. Yet Lincoln's caution couldn't preserve him from the vortex of violence Brown set in motion. Arrested and sentenced to death, Brown comported himself with such conviction and dignity on the way to the gallows that he was canonized in the North as a martyr to liberty. Southerners responded in anger and horror that a terrorist was made into a saint. Lincoln shrewdly threaded the needle of the fracturing country and won election as president, still preaching moderation. But the time for moderation had passed. Slaveholders lumped Lincoln with Brown as an enemy of the Southern way of life; seven Southern states left the Union. Lincoln resisted secession, and the Civil War followed. At first a war for the Union, it became the war against slavery Brown had attempted to start. Before it was over, slavery had been destroyed, but so had Lincoln's faith that democracy can resolve its moral crises peacefully"--
    Anmerkung: Includes bibliographical references and index
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  • 38
    ISBN: 9780393357622 , 0393357627
    Sprache: Englisch
    Seiten: xxi, 441 Seiten , Illustrationen , 21 cm
    Ausgabe: First published as a Norton paperback
    DDC: 305.48/896073
    RVK:
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    Schlagwort(e): African American young women Social conditions 19th century ; African American young women Social conditions 20th century ; African American young women Sexual behavior ; History ; Single women Social conditions 19th century ; Single women Social conditions 20th century ; Urban women Social conditions 19th century ; Urban women Social conditions 20th century ; Sex customs History ; Prostitution History ; Man-woman relationships ; Man-woman relationships ; Prostitution ; Sex customs ; Single women ; Social conditions ; Urban women ; Social conditions ; History ; United States ; USA ; Schwarze Frau ; Sexualverhalten ; Soziale Situation ; Geschichte
    Kurzfassung: "A breathtaking exploration of the lives of young black women in the early twentieth century. In Wayward Lives, Beautiful Experiments, Saidiya Hartman examines the revolution of black intimate life that unfolded in Philadelphia and New York at the beginning of the twentieth century. Free love, common-law and transient marriages, serial partners, cohabitation outside of wedlock, queer relations, and single motherhood were among the sweeping changes that altered the character of everyday life and challenged traditional Victorian beliefs about courtship, love, and marriage. Hartman narrates the story of this radical social transformation against the grain of the prevailing century-old argument about the crisis of the black family. In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship that were indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading conditions of work. Beautifully written and deeply researched, Wayward Lives recreates the experience of young urban black women who desired an existence qualitatively different than the one that had been scripted for them--domestic service, second-class citizenship, and respectable poverty--and whose intimate revolution was apprehended as crime and pathology. For the first time, young black women are credited with shaping a cultural movement that transformed the urban landscape. Through a melding of history and literary imagination, Wayward Lives recovers their radical aspirations and insurgent desires."--Publisher's description
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  • 39
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478009009
    Sprache: Englisch
    Seiten: 1 Online-Ressource (325 Seiten)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.896/073
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    Schlagwort(e): Geschichte 2000-2019 ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; African American arts ; African Americans in popular culture ; Politics and culture ; Popular culture ; Racism in popular culture ; Massenkultur ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Massenkultur ; Geschichte 2000-2019
    Kurzfassung: The advent of the internet and the availability of social media and digital downloads have expanded the creation, distribution, and consumption of Black cultural production as never before. At the same time, a new generation of Black public intellectuals who speak to the relationship between race, politics, and popular culture has come into national prominence. The contributors to Are You Entertained? address these trends to consider what culture and blackness mean in the twenty-first century's digital consumer economy. In this collection of essays, interviews, visual art, and an artist statement the contributors examine a range of topics and issues, from music, white consumerism, cartoons, and the rise of Black Twitter to the NBA's dress code, dance, and Moonlight. Analyzing the myriad ways in which people perform, avow, politicize, own, and love blackness, this volume charts the shifting debates in Black popular culture scholarship over the past quarter century while offering new avenues for future scholarship.Contributors. Takiyah Nur Amin, Patricia Hill Collins, Kelly Jo Fulkerson-Dikuua, Simone C. Drake, Dwan K. Henderson, Imani Kai Johnson, Ralina L. Joseph, David J. Leonard, Emily J. Lordi, Nina Angela Mercer, Mark Anthony Neal, H. Ike Okafor-Newsum, Kinohi Nishikawa, Eric Darnell Pritchard, Richard Schur, Tracy Sharpley-Whiting, Vincent Stephens, Lisa B. Thompson, Sheneese Thompson
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Cover
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  • 40
    Online-Ressource
    Online-Ressource
    Oxford : Oxford University Press
    ISBN: 9780191890406
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xviii, 242 Seiten) , Illustrationen
    Ausgabe: First edition
    Paralleltitel: Erscheint auch als
    DDC: 306.4613
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    Schlagwort(e): Geschichte ; Prosthesis Social aspects ; Prosthesis Psychological aspects ; Body image ; Amputees Psychology ; Amputees History 20th century ; Prothese ; Schwerstbehinderung ; Krieg ; Literatur ; Weltkrieg ; Behinderung ; USA ; USA ; Literatur ; Behinderung ; Prothese ; Krieg ; Schwerstbehinderung ; Weltkrieg ; Geschichte
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  • 41
    ISBN: 9781351672634
    Sprache: Englisch
    Seiten: 1 online resource (401 pages)
    Serie: Routledge Literature Companions Ser.
    Paralleltitel: Erscheint auch als The Routledge companion to transnational American studies
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    Schlagwort(e): Electronic books ; Aufsatzsammlung ; USA ; Kultur ; Politik ; Transnationalisierung
    Kurzfassung: Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Table of Contents -- List of figures -- List of contributors -- Preface -- Introduction: Recognizing Transnational American Studies -- Note -- Bibliography -- 1. Collaboration in Transnational American Studies -- Introduction -- Coda -- Notes -- Bibliography -- PART I: Theorizing Transnational American Studies -- 2. Reorienting the transnational: Transatlantic, transpacific, and antipodean -- Introduction -- Notes -- Bibliography -- 3. Worlding America and Transnational American Studies -- Introduction -- Transnational American Studies as relational studies -- Transnational connectivity and the early Americas -- Conclusion -- Notes -- Bibliography -- 4. Archipelagic American Studies: An open and comparative insularity -- Introduction -- Notes -- Bibliography -- 5. The transnational poetics of Edward Said: Dangerous affiliations and impossible comparisons -- Introduction -- Notes -- Bibliography -- 6. The Pacific turn: Transnational Asian American Studies -- Boundaries, history, and debates -- The transnational turn, the immigrant, and US imperialism -- US-centric approaches and Japanese imperialism -- The polycentric transpacific -- Notes -- Bibliography -- PART II: Culture and performance: Histories and reciprocities -- 7. Cultural performance and Transnational American Studies -- Concepts and crossroads -- Antebellum African American performances of August 1 -- German-American encounters and epistemologies of embodied performance -- Conclusion -- Notes -- Bibliography -- 8. The Barbary frontier and transnational allegories of freedom -- Introduction -- Refashioning Barbary -- The Barbary frontier in American drama -- Conclusion -- Notes -- Bibliography -- 9. Stages of crossing: Transnational Indigenous futures -- Acts of mapping: Cambodia/Kassel.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 42
    ISBN: 9783825379230
    Sprache: Englisch
    Seiten: 1 Online-Ressource (viii, 301 Seiten)
    Serie: American studies volume 305
    Serie: American studies
    Paralleltitel: Erscheint auch als Schubert, Stefan Narrative instability
    Dissertationsvermerk: Dissertation Universität Leipzig 2018
    DDC: 306.0973
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    Schlagwort(e): Electronic books. ; Hochschulschrift ; USA ; Pop-Kultur ; Identität ; Instabilität ; Wirklichkeit ; Narrativität ; Geschichte 2000-2019 ; USA ; Pop-Kultur ; Identität ; Instabilität ; Wirklichkeit ; Narrativität ; Geschichte 2000-2019
    Anmerkung: Literaturverzeichnis: Seite 275-301
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  • 43
    Buch
    Buch
    New York : Columbia University Press
    ISBN: 9780231187411 , 9780231187404
    Sprache: Englisch
    Seiten: 182 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Zamalin, Alex, 1986 - Black utopia
    DDC: 973/.0496073
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    Schlagwort(e): African Americans Politics and government ; African Americans Intellectual life ; Utopias ; USA ; Schwarze ; Geistesleben ; Utopie ; Ethnische Identität ; Nationalismus
    Kurzfassung: "Within the history of African American struggle against racist oppression that often verges on dystopia, a hidden tradition has depicted a transfigured world. Daring to speculate on a future beyond white supremacy, black utopian artists and thinkers offer powerful visions of ways of being that are built on radical concepts of justice and freedom. They imagine a new black citizen who would inhabit a world that soars above all existing notions of the possible. In Black Utopia, Alex Zamalin offers a groundbreaking examination of African American visions of social transformation and their counterutopian counterparts. Considering figures associated with racial separatism, postracialism, anticolonialism, Pan-Africanism, and Afrofuturism, he argues that the black utopian tradition continues to challenge American political thought and culture. Black Utopia spans black nationalist visions of an ideal Africa, the fiction of W.E.B. Du Bois, and Sun Ra's cosmic mythology of alien abduction. Zamalin casts Samuel R. Delany and Octavia E. Butler as political theorists and reflects on the antiutopian challenges of George S. Schuyler and Richard Wright. Their thought proves that utopianism, rather than being politically immature or dangerous, can invigorate political imagination. Both an inspiring intellectual history and a critique of present power relations, this book suggests that, with democracy under siege across the globe, the black utopian tradition may be our best hope for combating injustice"--
    Anmerkung: Bibliographie: Seite [171]-178
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  • 44
    Buch
    Buch
    New York : New York University Press
    ISBN: 9781479832712 , 9781479829590 , 1479829595 , 9781479832712 , 1479832715
    Sprache: Englisch
    Seiten: vii, 263 Seiten
    Paralleltitel: Erscheint auch als
    DDC: 306.3/6209
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    Schlagwort(e): Sklaverei ; Menschenrechtsverletzung ; Literatur ; Englisch ; Slavery / History ; African diaspora ; Globalization / Social aspects / Africa / History ; African diaspora ; Globalization / Social aspects ; Slavery ; Africa ; History ; Englisch ; Literatur ; Sklaverei ; Menschenrechtsverletzung
    Kurzfassung: Argues that the slave narrative is a new world literary genre. In Runaway Genres, Yogita Goyal tracks the emergence of slavery as the defining template through which current forms of human rights abuses are understood. The post-black satire of Paul Beatty and Mat Johnson, modern slave narratives from Sudan to Sierra Leone, and the new Afropolitan diaspora of writers like Teju Cole and Chimamanda Ngozi Adichie all are woven into Goyal's argument for the slave narrative as a new world literary genre, exploring the full complexity of this new ethical globalism. From the humanitarian spectacles of Kony 2012 and #BringBackOurGirls through gothic literature, Runaway Genres unravels, for instance, how and why the African child soldier has now appeared as the afterlife of the Atlantic slave.Goyal argues that in order to fathom forms of freedom and bondage today-from unlawful detention to sex trafficking to the refugee crisis to genocide we must turn to contemporary literature, which reveals how the literary forms used to tell these stories derive from the antebellum genre of the slave narrative. Exploring the ethics and aesthetics of globalism, the book presents alternative conceptions of human rights, showing that the revival and proliferation of slave narratives offers not just an occasion to revisit the Atlantic past, but also for re-narrating the global present. In reassessing these legacies and their ongoing relation to race and the human, Runaway Genres creates a new map with which to navigate contemporary black diaspora literature.
    Beschreibung / Inhaltsverzeichnis: Introduction: the genres of slavery -- Sentimental globalism -- The gothic child -- Post-black satire -- Talking books (talking back) -- We need new diasporas -- Epilogue: what we talk about when we talk about slavery -- Acknowledgments -- Notes -- Index -- About the author
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  • 45
    Buch
    Buch
    Lanham : Rowman & Littlefield
    ISBN: 9781783481095 , 9781783481101
    Sprache: Englisch
    Seiten: xiv, 167 Seiten , Illustrationen
    DDC: 398.2089/96073
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    Schlagwort(e): Brer Rabbit ; African Americans in literature ; Tricksters in literature ; American literature History and criticism ; Brer Rabbit Fiktive Gestalt ; Gauner ; Schwarze ; Trickster ; Literatur ; USA ; Geschichte
    Kurzfassung: "Examines the cultural significance of the North American trickster figure Brer Rabbit"--
    Anmerkung: Includes bibliographical references and index
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  • 46
    Buch
    Buch
    New York, N.Y. : W.W. Norton & Company
    ISBN: 0393357554 , 9780393357554
    Sprache: Englisch
    Seiten: XIV, 215 Seiten , 21 cm
    Ausgabe: First published as a Norton paperback
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    Schlagwort(e): USA ; Einwanderer ; American dream ; USA ; Asiaten ; Einwanderer ; American dream
    Kurzfassung: "One of the most acclaimed essayists of his generation, Wesley Yang writes about race and sex without the jargon, formulas, and polite lies that bore us all. His powerful debut, The Souls of Yellow Folk, does more than collect a decade's worth of cult-reputation essays -- it corrals new American herds of pickup artists, school shooters, mandarin zombies, and immigrant strivers, and exposes them to scrutiny, empathy, and polemical force.In his celebrated and prescient essay "The Face of Seung-Hui Cho," Yang explores the deranged logic of the Virginia Tech shooter. In his National Magazine Award-winning "Paper Tigers," he explores the intersection of Asian values and the American dream, and the inner torment of the child exposed to "tiger mother" parenting. And in his close reading of New York Magazine's popular Sex Diaries, he was among the first critics to take seriously today's Internet-mediated dating lives.Yang catches these ugly trends early because he has felt at various times implicated in them, and he does not exempt himself from his radical honesty. His essays retain the thrill of discovery, the wary eye of the first explorer, and the rueful admission of the first exposed."
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  • 47
    ISBN: 9780691181547
    Sprache: Englisch
    Seiten: xii, 482 S. , Ill. , 20,5 cm
    DDC: 305.800973
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    Schlagwort(e): Baldwin, James Political and social views ; Buckley, William F ; African Americans Social conditions 20th century ; United States Race relations 20th century ; Baldwin, James 1924-1987 ; Buckley, William F. 1925-2008 ; USA ; Schwarze ; Rassismus ; Geschichte
    Kurzfassung: "In February 1965, novelist and 'poet of the Black Freedom Struggle' James Baldwin and political commentator and father of the modern American conservative movement William F. Buckley met in Cambridge Union to face-off in a televised debate. The topic was 'The American Dream is at the expense of the American Negro.' Buccola uses this momentous encounter as a lens through which to deepen our understanding of two of the most important public intellectuals in twentieth century American thought. The book begins by providing intellectual biographies of each debater. As Buckley reflected on the civil rights movement, he did so from the perspective of someone who thought the dominant norms and institutions in the United States were working quite well for most people and that they would eventually work well for African-Americans. From such a perspective, any ideology, personality, or movement that seems to threaten those dominant norms and institutions must be deemed a threat. Baldwin could not bring himself to adopt such a bird's eye point of view. Instead, he focused on the 'inner lives' of those involved on all sides of the struggle. Imagine what it must be like, he told the audience at Cambridge, to have the sense that your country has not 'pledged its allegiance to you?' Buccola weaves the intellectual biographies of these two larger-than-life personalities and their fabled debate with the dramatic history of the civil rights movement that includes a supporting cast of such figures as Robert Kennedy, Martin Luther King Jr., Malcolm X, Lorraine Hansberry, and George Wallace. Buccola shows that the subject of their debate continues to have resonance in our own time as the social mobility of blacks remains limited and racial inequality persists"--
    Anmerkung: Bibliogr. S. [459] - 476 , Hier auch später erschienene, unveränderte Nachdrucke
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  • 48
    ISBN: 3847109529 , 9783847109525
    Sprache: Englisch
    Seiten: 287 Seiten , Illustrationen , 23.2 cm x 15.5 cm
    Paralleltitel: Erscheint auch als American/Medieval Goes North
    DDC: 306.4
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    Schlagwort(e): Aufsatzsammlung ; Nordeuropa ; Nordamerika ; Mythologie ; Natur ; Geschichte ; Nordeuropa ; Nordamerika ; Film ; Fernsehserie ; Computerspiel ; Mittelalterbild ; Geschichtsdarstellung ; USA ; Massenkultur ; Massenmedien ; Mittelalterbild ; Geschichtsdarstellung
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  • 49
    Bild
    Bild
    Philadelphia : Penn, University of Pennsylvania Press
    ISBN: 9780812225013
    Sprache: Englisch
    Seiten: xiii, 312 Seiten , Illustrationen , 24 cm
    Serie: American business, politics, and society
    DDC: 302.2308996073
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    Schlagwort(e): Kendrix, Moss Hyles ; Parks, Gordon ; Johnson, John H ; African Americans and mass media History 20th century ; African Americans in the mass media industry History 20th century ; African Americans in advertising History 20th century ; African Americans Civil rights 20th century ; History ; Civil rights movements History 20th century
    Anmerkung: Includes bibliographical references and index
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  • 50
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780190840617
    Sprache: Englisch
    Seiten: xx, 1010 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als The Oxford handbook of American folklore and folklife studies
    DDC: 398.20973
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    Schlagwort(e): Folklore Handbooks, manuals, etc ; Folklore Research ; Folklore Study and teaching ; Aufsatzsammlung ; USA ; Volkskunde ; Volkskultur
    Kurzfassung: Introduction: definition, concepts, and theories of a diverse, mobile nation / Simon J. Bronner -- Historiography and intellectual history / Jill Terry Rudy -- Folk ideas, themes, and worldview of Americanness / Jay Mechling -- Methods and tools of American folklore & folklife studies / Anthony Buccitelli -- Applications, presentations, and uses of folklore and folklife research / Gregory Hansen -- Speech, names, and gestures / Charles Clay Doyle -- Proverbs and related sayings / Wolfgang Mieder -- Poetics of rhymes, inscriptions, and recitations / Elizabeth Tucker -- Tales, myths, and storytelling / Frank deCaro -- Jokes, pranks, and humor / Moira Marsh -- Legends, anecdotes, and personal narratives / Elizabeth Tucker -- Beliefs, rituals, and customs / Jack Santino -- Drama, performance, and festival / Lisa Gabbert -- Music, ballad, & song / Stephen D. Winick -- Dance and movement / Eric Cesar Morales -- Play, games, toys, and sports / Fernando Orejuela -- Buildings, constructions, and landscapes / Simon Bronner -- Art, aesthetics graphics, and crafts / Kurt Dewhurst & Marsha MacDowell -- Markers, shrines, and icons / Holly Everett -- Dress and bodylore / Amy Milligan -- Foodways and dining / Lucy Long -- Medicine and health practices / Andrea Kitta -- Regions, environments, and reservations / Brant Ellsworth -- Town, farm, & country / Troy Boyer -- Cities, streets, and suburbs / David Puglia -- Waters, islands, and shores / Shelly Drummond -- Borderlands, territories, and frontiers / Anthony Buccitelli -- Internet and media / Robert Glenn Howard -- Home and vehicle / Cory Hutcheson -- Schools and colleges / Simon J. Bronner -- Total institutions: military bases, prisons, hospitals, and camps / Jay Mechling -- Native and indigenous America / Tom Mould -- Race and ethnicity / Anand Prahlad -- Immigrant, refugee, and transnational groups / Fariha Khan -- Religious, communal, and belief communities / William Clements -- Occupational groups / Nancy Groce -- Age, life passage, and generational groups / Spencer Green -- Family and friends / Caren S. Neile -- Organizations and social networks / Simon Bronner -- Men, women, and other gendered identities / Lisa Gilman -- Sexual orientation and practice communities / James Tyler Chadwell -- Body, neurodiverse, and ability-centered identities / Sheila Bock.
    Kurzfassung: "This handbook surveys the materials, approaches, contexts, and applications of American folklore and folklife studies to guide students and scholars of American folklore, culture, history, and society in the future. In addition to longstanding areas in the 350-year legacy of the subject's study and applications such as folktales and speech, the handbook includes exciting fields that have emerged in the twenty-first century such as the Internet, bodylore, folklore of organizations and networks, sexual orientation, neurodiverse identities, and disability groups. These studies encompass cultural traditions in the United States ranging from bits of slang in private conversations to massive public demonstrations, ancient beliefs to contemporary viral memes, and a simple handshake greeting to festivals encompassing multiple genres and groups. Folklore and folklife studies include material traditions such as buildings and crafts as well as oral and social genres of dance, ritual, drama, and play. Whereas the use of lore often emphasizes speech, song, and story that all people express, the rhetoric of life draws attention to tradition-centered communities such as the Amish and Hasidim, occupational groups and their workaday worlds, and children and other age groups. Significant to the American context has been the cultural diversity and changing national boundaries of the United States, relative youth of the nation and its legacy of mass immigration, mobility of residents and their relation to an indigenous and racialized population, and a varied landscape and settlement pattern. The handbook is a reference, therefore, to American studies as well as the global study of tradition, folk arts, and cultural practice"--
    Anmerkung: Includes bibliographical references and index
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  • 51
    Buch
    Buch
    Lanham : Rowman & Littlefield
    ISBN: 9781538101452
    Sprache: Englisch
    Seiten: xxvii, 382 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Mitchell, Verner D., 1957- author Encyclopedia of the Black Arts Movement
    DDC: 700.89/96073
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    Schlagwort(e): Black Arts movement Encyclopedias ; Wörterbuch ; Enzyklopädie ; Wörterbuch ; Black arts movement ; USA ; Schwarze ; Künste ; Black power
    Kurzfassung: "The Black Arts Movement (BAM) was the name given to a group of black poets, artists, dramatists, musicians, and writers who emerged in the wake of the Black Power Movement. The entries in this volume include key contributors to the Black Arts Movement, their major works produced during the period, significant publications, and influential groups and organizations"--
    Anmerkung: Includes bibliographical references and index
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  • 52
    Buch
    Buch
    New York : Columbia University Press
    ISBN: 9780231190541
    Sprache: Englisch
    Seiten: 222 Seiten , Illustrationen
    Serie: Gender and culture
    Paralleltitel: Erscheint auch als Miller, Nancy K., 1941- author My brilliant friends
    DDC: 305.420973
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    Schlagwort(e): Miller, Nancy K. ; Miller, Nancy K. ; Schor, Naomi ; Middlebrook, Diane Wood ; Cross, Amanda ; Geschichte ; Feminism ; Female friendship ; Feminismus ; USA ; Biografie ; Biografie ; Biografie ; Miller, Nancy K. 1941- ; Cross, Amanda 1926-2003 ; Schor, Naomi 1943-2001 ; Middlebrook, Diane Wood 1939-2007 ; USA ; Feminismus ; Geschichte
    Beschreibung / Inhaltsverzeichnis: Includes bibliographical references
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  • 53
    ISBN: 9780385494229 , 038549422X
    Sprache: Englisch
    Seiten: xvii, 424 pages, 8 unnumbered pages of plates , illustrations , 21 cm
    Ausgabe: 20th anniversary edition
    DDC: 305.235
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    Schlagwort(e): Teenagers Diaries ; Toleration ; Teenagers ; Toleration ; Diaries ; Diaries ; United States
    Kurzfassung: Foreword / Zlata Filipovic -- Freshman Year-Fall 1994 -- Ms. Gruwell's diary entry -- First day of school -- Racial segregation at school -- Getting "jumped" -- Race riot on campus -- Buying a gun -- Death of a friend -- Gang initiation -- Rushing a sorority -- Tagging -- Proposition 187: discrimination -- Dyslexia -- Juvenile hall -- Projects -- Russian roulette -- Freshman Year- Spring 1995 -- Ms Gruwell's diary entry -- Romeo and Juliet: gang rivalry -- Teenage love and running away -- Coping with weight -- Learning about diversity -- Oklahoma bombing -- Farewell to Manzanar: Japanese internment camps -- Overcoming adversity panel -- John Tu: father figure vs absent father -- Freshman turnaround -- Sophomore Year-Fall 1995 -- Ms Gruwell's diary entry -- Homelessness -- Cystic fibrosis -- Shyness -- Twelve angry men -- Honors English -- Medieval Times -- Lesson on tolerance -- Toast for change -- Change for the better -- Testifying in murder case -- Teenage alcoholism -- Shoplifting -- Anne Frank's diary -- Teen diarists -- Zlata's diary, Bosnia vs. LA riots -- Peter Maass: article on Bosnia -- Zlata -- Sophomore Year-Spring 1996 -- Letter to Zlata -- Ms Gruwell's diary entry -- Meeting a Holocaust survivor -- Woman who sheltered Anne Frank's family -- Moment -- Zlata accepts our invitation -- Dinner with Zlata -- Diverse friendships -- I am a human being -- Terrorism -- Day of tolerance: a field trip -- Doing speed -- Basketball for Bosnia: weight -- Zlata's letter -- Divorce -- Friends join class -- Letter from Miep -- Junior Year, Fall 1996 -- Ms Gruwell's diary entry -- Racist teacher -- Grandmother's death -- Race riot -- Grade accountability -- Suicide -- Running away -- Getting a job -- Misogyny -- Molestation -- Boyfriend abuse -- Domestic violence -- Child abuse -- Death of brother -- Junior Year-Spring 1997 -- Ms Gruwell's diary entry -- Anne Frank's friends visit -- Masking fears -- Living in the projects -- Dyslexia -- Letter from Miep -- Student editing -- Abortion -- Catalysts for change -- Freedom Riders -- American diary-voices from an undeclared war -- Fund-raiser concert -- Freedom writer poem -- Freedom writers unite -- Strict father -- Arlington Cemetery -- Lincoln Memorial: Freedom Writers have a dream -- Covering up the swastika -- Hate crimes -- Holocaust Museum -- Dr. Mengele's experiment with twins -- Dinner with Secretary Riley -- Stand -- Secretary Riley receives Freedom Writers' diary -- Candlelight vigil -- Departing DC -- Returning a family hero -- Jeremy Strohmeyer: murder -- David Cash -- Peace march for Sherrice Iverson -- Senior Class President -- Separation anxiety -- Staying together -- Senior Year- Fall 1997 -- Ms. Gruwell's diary entry -- Cheryl Best: inspiration -- Eviction notice -- Financial problems -- Illegal immigrant -- First Latina Secretary of Education -- Pursuing filmmaking -- Road not taken: contemplating college -- Finding a mentor -- Being a mentor -- Los Angeles Times article -- Letter from prison -- Deadbeat dad -- Sorority hazing -- Fear of losing a father -- Death of a mother -- Senior Year- Spring 1998 -- Ms Gruwell's diary entry -- GUESS? Sponsorship -- Spirit of Anne Frank Award -- New York City roommates -- Celebrating Anne Frank -- Abuse of power -- Peter Maass: the role of a journalist -- Book agent -- Getting published -- Basketball playoffs: teamwork -- Lesson from Animal farm -- Attitude adjustment -- Introducing Senator Barbara Boxer -- Attention deficit disorder -- Homosexuality -- Prom queen -- Whoever saves one life saves the world entire -- Breaking the cycle -- Football all-American -- Baseball dilemma -- College acceptance -- Fear of abandonment -- Teenage pregnancy -- Southwest Airlines -- Computers for college! -- Giving tree: crackhead parents -- Graduation class speaker -- From drugs to honors -- Overcoming the odds -- Graduation! -- Epilogue -- Tenth-anniversary journal entries -- Twentieth-anniversary journal entries -- Acknowledgments.
    Kurzfassung: "In 1994, an idealistic first-year teacher in Long Beach, California, named Erin Gruwell confronted a room of 'unteachable, at risk' students. She had intercepted a note with an ugly racial caricature and angrily declared that this was precisely the sort of thing that led to the Holocaust. She was met by uncomprehending looks - none of her students had heard of one of the defining moments of the twentieth century. So she rebooted her entire curriculum, using treasured books such as Anne Frank's diary as her guide to combat intolerance and misunderstanding. Her students began recording their thoughts and feelings in their own diaries, eventually dubbing themselves "the Freedom Writers."--Back cover
    Anmerkung: Previous editions of this book were published in 1999 and 2009 by Broadway Books , "With new journal entries and an introduction by Erin Gruwell"--Cover
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  • 54
    Buch
    Buch
    New York ; London : The New Press
    ISBN: 9781620975879 , 9781620974360
    Sprache: Englisch
    Seiten: 248 Seiten
    Paralleltitel: Erscheint auch als
    DDC: 301.092
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    Schlagwort(e): BIOGRAPHY & AUTOBIOGRAPHY / Social Scientists & Psychologists ; SOCIAL SCIENCE / Feminism & Feminist Theory ; SOCIAL SCIENCE / Popular Culture ; SOCIAL SCIENCE / Discrimination & Race Relations ; Women sociologists / United States ; Women, Black / United States ; Soziologin ; Feminismus ; Schwarze Frau ; Ethnische Beziehungen ; Diskriminierung ; USA ; Autobiografie ; Biografie ; Schwarze Frau ; Soziologin ; Diskriminierung ; Feminismus ; Ethnische Beziehungen ; USA
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  • 55
    ISBN: 9780813177304
    Sprache: Englisch
    Seiten: x, 207 Seiten
    Paralleltitel: Erscheint auch als Cantor, Paul A., 1945 - Pop Culture and the Dark Side of the American Dream
    DDC: 306.097309/04
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    Schlagwort(e): Popular culture History 20th century ; Popular culture History 21st century ; National characteristics, American ; American Dream ; United States Civilization 1945- ; USA ; Pop-Kultur ; American dream
    Kurzfassung: Aristocracy in America: Huckleberry Finn and the democratic art of imposture -- The talented Mr. Dukenfield: W. C. Fields and the American dream -- "I believe in America": the Godfather films and the immigrant's tragedy -- The Macbeth of meth: Breaking bad and the tragedy of Walter White -- The apocalyptic strain in popular culture: the American nightmare becomes the American dream.
    Anmerkung: Includes bibliographical references and index
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  • 56
    Buch
    Buch
    Lincoln : Co-published by the University of Nebraska Press and the American Philosophical Society
    ISBN: 9781496211903
    Sprache: Englisch
    Seiten: x, 463 Seiten
    Serie: New visions in Native American and indigenous studies
    DDC: 810.8/0897
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    Schlagwort(e): Deloria, Vine ; Indian authors Biography ; Indian activists Biography ; Biografie ; Biografie ; Deloria, Vine 1933-2005 ; USA ; Red Power
    Kurzfassung: "In Life of the Indigenous Mind: Vine Deloria Jr. and the Birth of the Red Power Movement, David Martínez examines the activism, life, and writings of Vine Deloria Jr., the most influential indigenous activist and writer of the 20th century and one of the intellectual architects of the Red Power Movement"--
    Anmerkung: Includes bibliographical references and index
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  • 57
    Online-Ressource
    Online-Ressource
    New York : Columbia University Press
    ISBN: 9780231547253
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrationen
    Paralleltitel: Erscheint auch als Zamalin, Alex, 1986 - Black utopia
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    Schlagwort(e): Utopias ; African Americans Intellectual life ; African Americans Politics and government ; HISTORY / African American ; PHILOSOPHY / Political ; USA ; Schwarze ; Geistesleben ; Utopie ; Ethnische Identität ; Nationalismus
    Kurzfassung: Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction: Utopia and Black American Thought -- 1. Martin Delany’s Experiment in Escape -- 2. Turn- of- the- Century Black Literary Utopianism -- 3. W. E. B. Du Bois’s World of Utopian Intimacy -- 4. George S. Schuyler, Irony, and Utopia -- 5. Richard Wright’s Black Power and Anticolonial Antiutopianism -- 6. Sun Ra and Cosmic Blackness -- 7. Samuel Delany and the Ambiguity of Utopia -- 8. Octavia Butler and the Politics of Utopian Transcendence -- Conclusion: Black Utopia and the Contemporary Political Imagination -- Notes -- Bibliography -- Index
    Kurzfassung: Within the history of African American struggle against racist oppression that often verges on dystopia, a hidden tradition has depicted a transfigured world. Daring to speculate on a future beyond white supremacy, black utopian artists and thinkers offer powerful visions of ways of being that are built on radical concepts of justice and freedom. They imagine a new black citizen who would inhabit a world that soars above all existing notions of the possible.In Black Utopia, Alex Zamalin offers a groundbreaking examination of African American visions of social transformation and their counterutopian counterparts. Considering figures associated with racial separatism, postracialism, anticolonialism, Pan-Africanism, and Afrofuturism, he argues that the black utopian tradition continues to challenge American political thought and culture. Black Utopia spans black nationalist visions of an ideal Africa, the fiction of W. E. B. Du Bois, and Sun Ra’s cosmic mythology of alien abduction. Zamalin casts Samuel R. Delany and Octavia E. Butler as political theorists and reflects on the antiutopian challenges of George S. Schuyler and Richard Wright. Their thought proves that utopianism, rather than being politically immature or dangerous, can invigorate political imagination. Both an inspiring intellectual history and a critique of present power relations, this book suggests that, with democracy under siege across the globe, the black utopian tradition may be our best hope for combating injustice
    Anmerkung: Mode of access: Internet via World Wide Web. , In English
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
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  • 58
    ISBN: 9781138058903 , 1138058904
    Sprache: Englisch
    Seiten: xix, 380 Seiten , Illustrationen, Karte
    Serie: Routledge literature companions
    Serie: Routledge companions
    Paralleltitel: Erscheint auch als The Routledge companion to transnational American studies
    Paralleltitel: Erscheint auch als Morgan, Nina The Routledge Companion to Transnational American Studies.
    Paralleltitel: Erscheint auch als The Routledge companion to transnational American studies
    DDC: 973.0071
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    Schlagwort(e): Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kultur ; Politik ; Transnationalisierung
    Anmerkung: Literaturangaben
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  • 59
    ISBN: 9781138605923
    Sprache: Englisch
    Seiten: XX, 211 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Morgan, Jo-Ann The Black Arts Movement and the Black Panther Party in American Visual Culture
    Paralleltitel: Erscheint auch als Morgan, Jo-Ann The Black Arts Movement and the Black Panther Party in American Visual Culture
    DDC: 700.8996073
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    Schlagwort(e): USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
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  • 60
    Online-Ressource
    Online-Ressource
    Boca Raton, FL : Routledge,
    ISBN: 9780429467851 , 9780429885877 , 9780429885884 , 9780429885860 , 9780429467851
    Sprache: Englisch
    Seiten: 1 online resource (232 pages) , 86 illustrations, text file, PDF.
    Ausgabe: First edition.
    Serie: Routledge Research in Art and Race
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als Morgan, Jo-Ann The Black Arts movement and the Black Panther Party in American visual culture
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    Schlagwort(e): Black Panther Party History ; Arts and society History 20th century ; Black Arts movement ; Black Arts movement Case studies ; Arts Political aspects ; African Americans Race identity ; African Americans Intellectual life 20th century ; African American arts 20th century ; Black Arts movement ; African American arts ; 20th century ; African Americans ; Race identity ; African Americans ; Intellectual life ; 20th century ; Arts ; Political aspects ; United States ; History ; 20th century ; Electronic books ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; ART / Art & Politics ; AfriCOBRA ; African American art ; African American history ; African American studies ; American art ; Angela Davis ; art history ; Berkeley ; Black Panthers ; black power ; California ; civil rights ; desegregation ; Eldridge Cleaver ; Emory Douglas ; Huey P. Newton ; identity ; Kathleen Cleaver ; Malcolm X ; newspaper ; Oakland ; Oakland Museum ; paintings ; photography ; politics ; posters ; prints ; visual culture ; Electronic books ; Electronic books ; USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
    Kurzfassung: Part I. Black arts we make : aesthetics, collaboration, and social identity in the visual art of Black Power -- Introduction to Part I -- Pedigree of the Black arts movement : the march on Washington, death of Malcolm X, and free jazz -- Organization of Black American culture : a show of respect -- African commune of bad relevant artists : forging a Black aesthetic -- New perspectives in Black art : an Oakland class of '68 Says Black Lives Matter. -- Part II. The Black Panther Party in photography and print ephemera. Introduction to Part II -- Huey P. Newton enthroned : iconic image of Black Power -- Eldridge Cleaver's visual acumen and the coalition of Black Power with White resistance -- Emory Douglas : revolutionary artist and visual theorist -- Picturing the female revolutionary.
    Anmerkung: Includes bibliographical references and index
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  • 61
    Online-Ressource
    Online-Ressource
    New York : New York University Press
    ISBN: 9781479819676
    Sprache: Englisch
    Seiten: 1 Online-Ressource (viii, 263 Seiten)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.36209
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    Schlagwort(e): Menschenrechtsverletzung ; Literatur ; Sklaverei ; Englisch ; Slavery / History ; African diaspora ; Globalization / Social aspects / Africa / History ; African diaspora ; Globalization / Social aspects ; Slavery ; Africa ; History ; Englisch ; Literatur ; Sklaverei ; Menschenrechtsverletzung
    Kurzfassung: Argues that the slave narrative is a new world literary genre. In Runaway Genres, Yogita Goyal tracks the emergence of slavery as the defining template through which current forms of human rights abuses are understood. The post-black satire of Paul Beatty and Mat Johnson, modern slave narratives from Sudan to Sierra Leone, and the new Afropolitan diaspora of writers like Teju Cole and Chimamanda Ngozi Adichie all are woven into Goyal's argument for the slave narrative as a new world literary genre, exploring the full complexity of this new ethical globalism. From the humanitarian spectacles of Kony 2012 and #BringBackOurGirls through gothic literature, Runaway Genres unravels, for instance, how and why the African child soldier has now appeared as the afterlife of the Atlantic slave.Goyal argues that in order to fathom forms of freedom and bondage today-from unlawful detention to sex trafficking to the refugee crisis to genocide we must turn to contemporary literature, which reveals how the literary forms used to tell these stories derive from the antebellum genre of the slave narrative. Exploring the ethics and aesthetics of globalism, the book presents alternative conceptions of human rights, showing that the revival and proliferation of slave narratives offers not just an occasion to revisit the Atlantic past, but also for re-narrating the global present. In reassessing these legacies and their ongoing relation to race and the human, Runaway Genres creates a new map with which to navigate contemporary black diaspora literature.
    Beschreibung / Inhaltsverzeichnis: Introduction: the genres of slavery -- Sentimental globalism -- The gothic child -- Post-black satire -- Talking books (talking back) -- We need new diasporas -- Epilogue: what we talk about when we talk about slavery -- Acknowledgments -- Notes -- Index -- About the author
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 62
    ISBN: 9783825346843 , 3825346846
    Sprache: Englisch
    Seiten: viii, 301 Seiten , 22 cm
    Serie: American Studies volume 305
    Serie: American studies
    Paralleltitel: Erscheint auch als Schubert, Stefan Narrative instability
    Dissertationsvermerk: Dissertation Universität Leipzig 2018
    DDC: 306.0973
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    Schlagwort(e): Hochschulschrift ; Hochschulschrift ; USA ; Pop-Kultur ; Identität ; Instabilität ; Wirklichkeit ; Narrativität ; Geschichte 2000-2019 ; USA ; Pop-Kultur ; Identität ; Instabilität ; Wirklichkeit ; Narrativität ; Geschichte 2000-2019
    Anmerkung: Literaturverzeichnis: Seite 275-301
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  • 63
    ISBN: 9780451493026
    Sprache: Englisch
    Seiten: xiii, 217 Seiten , 20 cm
    Ausgabe: First edition
    Serie: Borzoi Book
    DDC: 305.48896073
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    Schlagwort(e): Schwarze Frau ; Ethnische Beziehungen ; Soziale Situation ; USA ; Autobiografie ; Autobiografie
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  • 64
    Buch
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    Stanford, California : Stanford University Press
    ISBN: 9781503607293 , 9781503607774
    Sprache: Englisch
    Seiten: xi, 208 Seiten , Illustrationen
    Serie: Stanford studies in comparative race and ethnicity
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    Schlagwort(e): Literatur ; Ethnische Identität ; Rasse ; Grenze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 65
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478002253
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xi, 170 Seiten)
    Serie: Next wave: new directions in women's studies
    Paralleltitel: Erscheint auch als Nash, Jennifer Christine, 1980 - Black feminism reimagined
    DDC: 305.420973
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    Schlagwort(e): Womanism ; Feminism ; Intersectionality (Sociology) ; Feminist theory ; Women's studies ; Universities and colleges Sociological aspects ; Electronic books ; Schwarze Frau ; Frauenbewegung ; Frauenemanzipation ; Intersektionalität ; USA ; Frau ; Person of Color ; Diskriminierung
    Kurzfassung: Jennifer C. Nash reframes black feminism's engagement with intersectionality, contending that black feminists should let go of their possession and policing of the concept in order to better unleash black feminist theory's visionary and world-making possibilities
    Kurzfassung: Cover -- Contents -- Acknowledgments -- Introduction. Feeling Black Feminism -- 1. A Love Letter from a Critic, or Notes on the Intersectionality Wars -- 2. The Politics of Reading -- 3. Surrender -- 4. Love in the Time of Death -- Coda. Some of Us are Tired -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W
    URL: Volltext  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
    URL: Cover
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  • 66
    Online-Ressource
    Online-Ressource
    Berlin/Boston : De Gruyter
    ISBN: 9783110903768 , 3110903768
    Sprache: Englisch
    Seiten: Online-Ressource, 277 Seiten
    Ausgabe: 2nd printing. Reprint 2019
    Serie: Studies in folklore 2
    Serie: Studies in folklore
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 390
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    Schlagwort(e): (Produktform)Electronic book text ; (Zielgruppe)Fachpublikum/ Wissenschaft ; (Zielgruppe)Fachpublikum/ Wissenschaft ; (BISAC Subject Heading)LIT000000 ; (BIC subject category)DSB: Literary studies: general ; USA ; Volkskunde ; (VLB-WN)9562
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
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  • 67
    ISBN: 0813326672 , 9780813326672 , 0367315440 , 9780367315443
    Sprache: Englisch
    Seiten: xii, 322 Seiten , Illustrationen , 23 cm
    DDC: 305.897
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    Schlagwort(e): Indians in popular culture ; Indians in popular culture ; United States ; Aufsatzsammlung ; Aufsatzsammlung
    Kurzfassung: List of figures --Acknowledgments --Introduction: constructing the Indian, 1830s-1990s /S. Elizabeth Bird --The First but not the last of the "vanishing Indians": Edwin Forrest and mythic re-creations of the native population /Sally L. Jones --The Narratives of Sitting Bull's surrender: Bailey, Dix & Mead's photographic western /Frank Goodyear --Reduced to images: American Indians in nineteenth-century advertising /Jeffrey Steele --"Hudson's Bay Company Indians": images of native pople and the Red River pageant, 1920 /Peter Geller --Science and spectacle: Native American representation in early cinema /Alison Griffiths --"There is madness in the air": the 1926 Haskell homecoming and popular representations of sports in federal Indian boarding schools /John Bloom --Indigenous versus colonial discourse: alcohol and American Indian identity /Bonnie Duran --"My grandmother was a Cherokee princess": representations of Indians in Southern history /Joel W. Martin --Florida Seminoles and the marketing of the last frontier /Jay Mechling --Segregated stories: the colonial contours of the Little Bighorn Battlefield National Monument /C. Richard King --A War of words: how news frames define legitimacy in a native conflict /Cynthia-Lou Coleman --Going Indian: discovery, adoption, and renaming toward a "true American" from Deerslayer to Dances with wolves /Robert Baird --"Her beautiful savage": the current sexual image of the Native American male /Peter van Lent --Cultural heritage in Northern exposure /Annette M. Taylor.
    Kurzfassung: Not my fantasy: the persistence of Indian imagery in Dr. Quinn, medicine woman /S. Elizabeth Bird --Moo Mesa: some thoughts on stereotypes and image appropriation /Theodore S. Jojola --What does one look like? /Debra L. Merskin --Bibliography --About the book --About the contributors --Index.
    Kurzfassung: "One hundred members of NatChat, an electronic mail discussion group concerned with Native American issues, responded to the recent Disney release Pocahontas by calling on parents to boycott the movie, citing its historical inaccuracies and saying that "Disney has let us down in a cruel, irresponsible manner." Their anger was rooted in the fact that, although Disney claimed that the film's portrayal of American Indians would be "authentic," the Pocahontas story their movie told was really white cultural myth. The actual histories of the characters were replaced by mythic narratives depicting the crucial moments when aid was given to the white settlers. As reconstructed, the story serves to reassert for whites their right to be here, easing any lingering guilt about the displacement of the native inhabitants." "To understand current imagery, it is essential to understand the history of its making, and these essays mesh to create a powerful, interconnected account of image creation over the past 150 years. The contributors, who represent a range of disciplines and specialties, reveal the distortions and fabrications white culture has imposed on significant historical and current events as represented by treasured artifacts such as photographic images taken of Sitting Bull following his surrender, the national monument at the battlefield of Little Bighorn, nineteenth-century advertising, the television phenomenon Northern Exposure, and the film Dances with Wolves."--Jacket
    Anmerkung: Includes bibliographical references and index
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  • 68
    Buch
    Buch
    New York : Fordham University Press
    ISBN: 9780823278459
    Sprache: Englisch
    Seiten: 232 Seiten , illustrations, figures, tables
    Ausgabe: First edition
    DDC: 305.800973/09034
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    Schlagwort(e): Racism History 19th century ; Humanism History 19th century ; Antislavery movements ; Humanism ; Humanity ; Materialism ; Racism ; Social justice ; United States Race relations 19th century ; History
    Kurzfassung: "Antebellum Posthuman exposes the volatility of "the human"--torn between liberalism and empiricism--in the 1850s and traces the emergence of an antislavery materialism in antebellum literature. Placing race at the root of posthumanism's intellectual history, this study also examines the conflict between liberalism and materialism in critical theory today"--
    Kurzfassung: Introduction. Beyond recognition : the problem of antebellum embodiment -- Douglass's animals : racial science and the problem of human equality -- Thoreau's seeds : evolution and the problem of human agency -- Whitman's cosmic body : bioelectricity and the problem of human meaning -- Posthumanism and the problem of social justice : race and materiality in the twenty-first century -- Coda. After romantic posthumanism
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  • 69
    Online-Ressource
    Online-Ressource
    Bielefeld : Transcipt Verlag
    ISBN: 9783839444498
    Sprache: Englisch
    Seiten: 1 Online-Ressource (265 pages)
    Ausgabe: 1st ed
    Serie: Lettre
    Paralleltitel: Print version Odabas, Janna The Ghosts Within : Literary Imaginations of Asian America
    DDC: 305.895073
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    Schlagwort(e): Asian Americans in literature ; Electronic books ; USA ; Literatur ; Asiaten ; Geist
    Kurzfassung: Cover -- Table of Contents -- Acknowledgements -- Introduction -- 1. "risk the violence of reading the ghost" - Theoretical Reflections on Ghost Figures -- 2. Postcolonial Melodramatic Ghost Figures: Signs of Dis-ease in Lois-Ann Yamanaka's Behold the Many -- 3. Traditions of Haunting: The Narration of a Ghostly Self and a Family's Ghosts in Heinz Insu Fenkl's Memories of My Ghost Brother -- 4. Renegotiating a Global Asian America: The Ghost in Global Genre Fiction by Amitav Ghosh, Amy Tan, and Ed Lin -- Conclusion -- Works Cited
    URL: Volltext  (lizenzpflichtig)
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  • 70
    Buch
    Buch
    Lexington, Kentucky : University Press of Kentucky
    ISBN: 9780813175799
    Sprache: Englisch
    Seiten: viii, 390 Seiten , Illustrationen
    Ausgabe: Paperback edition
    DDC: 791.43652997
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    Schlagwort(e): Indianer ; Film ; Indianer ; Filmregisseur ; USA ; Aufsatzsammlung ; USA ; Film ; Indianer ; USA ; Indianer ; Filmregisseur
    Kurzfassung: Introduction: talking back, moving forward -- Theoretical conversations. Dimensions of difference in indigenous film / Houston Wood -- Reading Nanook's smile: visual sovereignty, indigenous revisions of ethnography, and Atanarjuat: The fast runner / Michelle H. Raheja -- Dismantling the master's house: the feminist fourth cinema documentaries of Alanis Obomsawin and Loretta Todd / Jennifer L. Gauthier -- Indigenous (re)memory and resistance: video works by Dana Claxton / Carla Taunton -- Pedagogical conversations. Native resistance to Hollywood's persistence of vision: teaching films about contemporary American Indians / Carole Gerster -- Geographies of identity and belonging in Sherman Alexie's The business of fancydancing / Amy Corbin -- Teaching Native American filmmakers: Osawa, Eyre, and Redroad / Angelica Lawson -- "The native's point of view" as seen through the native's (and non-native's) points of view / Sam Pack -- The dirt roads of consciousness: teaching and producing videos with an indigenous purpose / Beverly Singer -- Conversations with filmmakers. "Pockets full of stories": an interview with Sterlin Harjo and Blackhorse Lowe / Joanna Hearne and Zack Shlachter -- Wrestling the greased pig: an interview with Randy Redroad / M. Elise Marubbio -- An upstream journey: an interview with Sandra Osawa / Saza Osawa -- Video as community ally and Dakota sense of place: an interview with Mona Smith / Jennifer A. Machoirlatti -- The journey's discovery: an interview with Shelley Niro / Elizabeth Weatherford
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  • 71
    ISBN: 9783825369392
    Sprache: Englisch
    Seiten: 245 Seiten , Illustrationen
    Serie: American studies volume 297
    Serie: American studies
    Dissertationsvermerk: Dissertation Universität Wien 2015
    DDC: 303.48243073
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    Schlagwort(e): Transnationalisierung ; Kapitalismus ; Kulturübertragung ; Neoliberalismus ; Kultur ; USA ; Österreich ; Deutschland ; Transnationalismus ; U.S.A. ; Performance ; Kapitalismus ; Neoliberalismus ; Stonewall Riots ; Ureinwohner Nordamerikas ; Indianer ; kulturelle Identität ; Miller, Arthur ; Loman, Willy ; Flicker, Florian ; 21. Jahrhundert ; 20. Jahrhundert ; Gegenwartsliteratur ; Deutschland ; Österreich ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Kultur ; Transnationalisierung ; Neoliberalismus ; USA ; Transnationalisierung ; Kulturübertragung ; Neoliberalismus ; Kapitalismus ; Österreich ; Deutschland
    Anmerkung: Literaturverzeichnis: Seite 223-241
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  • 72
    Buch
    Buch
    New York : W.W. Norton & Company
    ISBN: 9780393241747 , 0393241742
    Sprache: Englisch
    Seiten: XIV, 215 Seiten , 22 cm
    Ausgabe: First edition
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    Schlagwort(e): USA ; Einwanderer ; American dream
    Kurzfassung: "One of the most acclaimed essayists of his generation, Wesley Yang writes about race and sex without the jargon, formulas, and polite lies that bore us all. His powerful debut, The Souls of Yellow Folk, does more than collect a decade's worth of cult-reputation essays -- it corrals new American herds of pickup artists, school shooters, mandarin zombies, and immigrant strivers, and exposes them to scrutiny, empathy, and polemical force.In his celebrated and prescient essay "The Face of Seung-Hui Cho," Yang explores the deranged logic of the Virginia Tech shooter. In his National Magazine Award-winning "Paper Tigers," he explores the intersection of Asian values and the American dream, and the inner torment of the child exposed to "tiger mother" parenting. And in his close reading of New York Magazine's popular Sex Diaries, he was among the first critics to take seriously today's Internet-mediated dating lives.Yang catches these ugly trends early because he has felt at various times implicated in them, and he does not exempt himself from his radical honesty. His essays retain the thrill of discovery, the wary eye of the first explorer, and the rueful admission of the first exposed."--Dust jacket
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  • 73
    Buch
    Buch
    Lewisburg : Bucknell University Press
    ISBN: 9781611488487
    Sprache: Englisch
    Seiten: xxviii, 147 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 302
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    Schlagwort(e): Geschichte 2001-2017 ; Social interaction ; Hospitality ; September 11 Terrorist Attacks, 2001 Influence ; September 11 Terrorist Attacks, 2001, in mass media ; September 11 Terrorist Attacks, 2001, in literature ; Psychic trauma and mass media ; Verständigung ; Kunstwerk ; Elfter September ; Gastfreundschaft ; USA ; Aufsatzsammlung ; USA ; Elfter September ; Kunstwerk ; Gastfreundschaft ; Verständigung ; Geschichte 2001-2017
    Anmerkung: Includes bibliographical references and index
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  • 74
    Buch
    Buch
    Gainesville : University Press of Florida
    ISBN: 9780813064895
    Sprache: Englisch
    Seiten: xviii, 191 Seiten , Illustrationen
    Ausgabe: First paperback printing
    Paralleltitel: Äquivalent
    DDC: 305.48/896073
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    Schlagwort(e): Geschichte 1800-1900 ; African American women History ; African American women Political activity ; History ; African American women civil rights workers History ; African Americans Civil rights ; History ; African American women political activists History ; African Americans Social life and customs ; Schwarze ; Schriftstellerin ; Frauenliteratur ; Politische Publizistik ; USA ; USA ; Schwarze ; Frauenliteratur ; Politische Publizistik ; USA ; Schwarze ; Schriftstellerin ; Geschichte 1800-1900
    Kurzfassung: The book analyzes black women's engagement with the liberal problematic...the gap between democratic promise and dispossession...as a form of resistance
    Anmerkung: Includes bibliographical references and index
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  • 75
    Online-Ressource
    Online-Ressource
    Heidelberg : Universitätsverlag Winter
    ISBN: 9783825377830
    Sprache: Englisch
    Serie: American Studies – A Monograph Series v.286
    Paralleltitel: Erscheint auch als Kunow, Rüdiger Material bodies
    DDC: 570
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    Schlagwort(e): Human body Social aspects ; Human body (Philosophy) ; Human body in popular culture ; National characteristics, American ; Human Body ; Social Conditions ; Popular Culture ; Biology-Miscellanea ; Electronic books ; Human body in popular culture ; Human body (Philosophy) ; Human body ; Social aspects ; National characteristics, American ; Social conditions ; United States Social conditions ; United States ; United States
    Kurzfassung: Cover -- Titel -- Imprint -- Acknowledgements -- Table of Contents -- Preface -- Introduction: Biologizing Culture / Culturing Biology -- Familiar Strangers, or, When Biology Meets Culture -- Disciplining Biology -- Biocultures: An Interdisciplinary Synthesis? -- Biology and the Research Imagination of American Cultural Studies -- Subjects in Biological Difference (Race and Gender) -- I. The Materialism of Biological Encounters -- 1. Embodied Encounters: Emergence and Emergency -- On the Materialism of Biological Encounters -- Biology and Human Mobility -- A Culpable Biography -- The "Yellow Peril" Medicalized: Chinese Immigrants and the Bubonic Plague of 1899/1900 -- Biological Transit across the American Hemisphere -- Yellow Fever and the Biopolitics of Location -- The White Man's "Biological Burden": Empire and Disease -- Cuba and the Reed Yellow Fever Commission -- The Philippines and the Specter of "Colonial Burnout'' -- 2. The Public Life of Public Diseases: Epidemics and the Mass Media -- Public Opinion and Public Diseases -- Disease Imaginaries and Narrative Form -- Dark Invaders": The Military Response Narrative -- Biomedical Jeremiads, or, How Have the Revelers Fallen -- From Scratch: Medical Sherlocks -- Imagined Immunities for Imagined Communities -- Conclusion: Biological Encounters and the Culture of Blame -- II. Not Normatively Human: Cultural Grammars and the Human Body -- 1. Corporeal Norms and the Experience of Inequality -- Norms as Imaginary Grammar of Cultural Oughtness -- The Normal and the Pathological: Canguilhem -- Normalizing Society: Foucault -- Communicative Normalization: Habermas -- When Life Goes Public: Biological Normophilia(s) -- Norms and the Institutionalization of Judgment -- At the Far End of the Normative Body: Late Life and Disability -- 2. "Age" as Cultural Norm and Form
    Kurzfassung: The Age Chill Factor: Late Life as Bio-Cultural Pathology -- Normal Not to Be Normal: Gerontology and Age Studies -- New Age"? Late Life and the Promises of Molecular Biology -- Apocalyptic Embodiment: The Civic Identity of Late Life -- Where "Age" Is: Cultural Topographies of Late Life -- Age": Embodied Selfhood or Cultural Brand Name? -- 3. Exception Incorporated: Disability as Inscription of Cultural Otherness -- Oppositional Bodies, or, Disability's Challenge to Able-Bodied Normativity -- The Hero's Two Bodies: Disabled Veterans -- Left Behind: Disability in Veteran (Auto)Biographies -- A Culture of Hope"? Disability as Media Format -- Zones of Vulnerability: Disability and Environmental Exposure -- Spectral Disabilities, or, What You See Is What you (Don't) Get -- Markers of (Un)Certainty: "Age," "Disability" and Communicative Interaction -- III. Corporeal Semiotics: The Body of the Text / the Text of the Body -- 1. Textualizing Lifeâan Incomplete Project -- Bodies in Emergence and Emergency -- National Intimacies: The "Politics of Life" and the Religious Right -- Re-Writing the Book of Life: Genomics -- Finding a Text for the Book of Life -- Biological Futures -- Parables of the Possible: Contours of an Enhanced Life -- We the People, in Order to Have More Perfect Bodies: Biotechnology and Neoliberal Governance -- 2. Representations and the Traces of Suffering -- Putting It in Words, or, Another Distrust in the Signifier -- Emphatic Embodiment -- Private Practice: Pain as Inner Experience -- The We of Pain -- Pain as Relationship and Relation -- 3. The Silent Killer: Cancer(s) -- Stories We Die By: Cancers as Story Generators -- Somatics, Semantics and the Allegory of Unregulated Growth -- When the Flesh Becomes Word, or, The SemioticModel of Human Embodiment -- InConclusive: Human Biology and the Work of Cultural Critique
    Kurzfassung: Biology, American Studies and Cultural Critique -- Figures of the Collective: Human Biology as Cultural Idiom and Issue -- References -- Backcover
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  • 76
    Buch
    Buch
    Oakland, California : University of California Press
    ISBN: 9780520294455 , 9780520294448
    Sprache: Englisch
    Seiten: x, 157 Seiten
    Serie: American studies now 5
    Serie: American studies now
    Paralleltitel: Erscheint auch als Streeby, Shelley, 1963- author Imagining the future of climate change
    DDC: 304.2/80897
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    Schlagwort(e): Climatic changes ; Global warming ; Indigenous peoples Ecology ; Climatic changes ; Climatic changes ; Global warming ; Global warming ; Indigenous peoples ; Indigenous peoples ; United States ; USA ; Science-Fiction ; Klimaänderung ; Soziale Bewegung ; Aktivismus
    Kurzfassung: "From the 1960s to the present, activists, artists, and science fiction writers have imagined the consequences of climate change and its impacts on our future. Authors such as Octavia Butler and Leslie Marmon Silko, movie directors such as Bong Joon-Ho, and creators of digital media such as the makers of the Maori web series Anamata Future News have all envisioned future worlds in the wake of imminent environmental collapse, engaging audiences to think about the earth's sustainability. As public awareness of climate change has grown, so has the popularity of imaginative works of climate fiction that connect science with activism. Today real-world social movements helmed by Indigenous people and people of color are leading the way against the greatest threat to our environment: the fossil fuel industry. It is through these stories and movements by Natives and people of color--both in the real world and imagined through science fiction--that we understand the relationship between culture and activism and how both can be a valuable tool in creating our future. Imagining the Future of Climate Change introduces readers to the history and most significant flashpoints in climate justice through speculative fictions and social movements to explore post-disaster possibilities and the art of world-making."--Provided by publisher
    Kurzfassung: #NoDAPL : native American and indigenous science, fiction, and futurisms -- Climate refugees in the greenhouse world : archiving global warming with Octavia E. Butler -- Climate change as a world problem : shaping change in the wake of disaster
    Anmerkung: Literaturangaben
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  • 77
    Buch
    Buch
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783319910888
    Sprache: Englisch
    Seiten: xiii, 266 Seiten , 21 cm
    Serie: The new Middle Ages
    Paralleltitel: Erscheint auch als Vernon, Matthew X. The Black Middle Ages
    DDC: 809.02
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    Schlagwort(e): Literature, Medieval History and criticism ; Literature, Medieval Influence ; Civilization, Medieval Study and teaching ; African Americans Study and teaching ; African Americans Ethnic identity ; USA ; Literatur ; Mittelalter ; Schwarze ; Ethnische Identität ; Rasse ; Dryden, John 1631-1700 ; Django unchained
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  • 78
    Buch
    Buch
    New York : Tim Duggan Books
    ISBN: 9780525574828
    Sprache: Englisch
    Seiten: 208 pages , 20 cm
    Ausgabe: First edition
    Paralleltitel: Erscheint auch als Kakutani, Michiko, author Death of truth
    DDC: 306.20973
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    Schlagwort(e): Political culture ; Truth Political aspects ; United States Politics and government 2017- ; Trump, Donald 1946- ; USA ; Unwahrheit ; Subjektivität ; Lüge ; Politische Kultur
    Kurzfassung: The decline and fall of reason -- The new culture wars -- "Moi" and the rise of subjectivity -- The vanishing of reality -- The co-opting of language -- Filters, silos, and tribes -- Technology -- "The firehose of falsehood" : propaganda and fake news -- The Schadenfreude of the trolls
    Anmerkung: Includes bibliographical references and index
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  • 79
    ISBN: 9781501154287
    Sprache: Englisch
    Seiten: xxiv, 244 Seiten
    Ausgabe: First 37 Ink/Atria Books hardcover edition
    DDC: 305.896/073
    RVK:
    Schlagwort(e): African Americans Intellectual life ; African Americans Books and reading ; History ; Literacy History ; African Americans Race identity ; African Americans Social conditions ; African Americans Social life and customs ; African Americans ; African Americans in literature ; American essays ; American literature ; LANGUAGE ARTS & DISCIPLINES ; LITERARY COLLECTIONS ; LITERARY CRITICISM ; Criticism, interpretation, etc ; Essays ; Essays ; Essays ; History ; Aufsatzsammlung ; Bibliografie ; Aufsatzsammlung ; Bibliografie ; USA ; Schwarze ; Literatur ; Geschichte 1800-2018
    Kurzfassung: "Spanning 250 years, this carefully-curated collection of 25 essays features the earliest Black authors who wrote as means of resistance in a time when their literacy was illegal and the brilliant writers who have continued their legacy--utilizing the power of the written word to create change, insert a diversity of experience into the "mainstream," and make a profound impact on our communities and the world"--
    Kurzfassung: Spanning over 250 years of history, Black Ink traces black literature in America from Frederick Douglass to Ta-Nehisi Coates in this masterful collection of twenty-five illustrious and moving essays on the power of the written word. Throughout American history black people are the only group of people to have been forbidden by law to learn to read. This unique collection seeks to shed light on that injustice and subjugation, as well as the hard-won literary progress made, putting some of America's most cherished voices in a conversation in one magnificent volume that presents reading as an act of resistance. Organized into three sections, the Peril, the Power, and Pleasure, and with an array of contributors both classic and contemporary, Black Ink presents the brilliant diversity of black thought in America while solidifying the importance of these writers within the greater context of the American literary tradition. At times haunting and other times profoundly humorous, this unprecedented anthology guides you through the remarkable experiences of some of America's greatest writers and their lifelong pursuits of literacy and literature. The foreword was written by Nikki Giovanni. Contributors include: Frederick Douglass, Solomon Northup, Booker T. Washington, W.E.B. Du Bois, Zora Neale Hurston, Langston Hughes, James Baldwin, Malcolm X, Maya Angelou, Martin Luther King, Jr., Toni Morrison, Walter Dean Myers, Stokely Carmichael [Kwame Ture], Alice Walker, Jamaica Kincaid, Henry Louis Gates, Jr., Terry McMillan, Junot Diaz, Edwidge Danticat, Colson Whitehead, Marlon James, Roxane Gay, Ta-Nehisi Coates, Chimamanda Ngozi Adichie, and Colson Whitehead. The anthology features a bonus in-depth interview with President Barack Obama
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  • 80
    Online-Ressource
    Online-Ressource
    Oxford : Oxford University Press
    ISBN: 9780190840624
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: [Oxford handbooks online
    Serie: Literature]
    Paralleltitel: Erscheint auch als The Oxford handbook of American folklore and folklife studies
    DDC: 398.209473
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    Schlagwort(e): Folklore ; Volkskultur ; Volksliteratur ; USA ; Folklore ; United States ; United States ; Social life and customs ; United States Social life and customs ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Volkskunde ; Volkskultur
    Kurzfassung: Surveying the materials, approaches, and contexts of American folklore and folklife studies, this handbook guides folklorists and students/scholars of American culture, history, and society through more than 350 years of work in the subject.
    Anmerkung: Titel ist noch nicht vollständig erschienen, Beiträge werden nach und nach online hinzugefügt
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  • 81
    Buch
    Buch
    Chicago ; London : University of Chicago Press
    ISBN: 9780226599069
    Sprache: Englisch
    Seiten: 541 Seiten , Illustrationen , 24 cm
    Ausgabe: Paperback edition
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.09730904
    RVK:
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    Schlagwort(e): Geschichte 1900-2000 ; Geschichte 1945-1965 ; Alltag, Brauchtum ; Geschichte ; Soziale Distanz ; Verweigerung ; Lebensstil ; USA ; USA ; Popular culture / United States / History / 20th century ; United States / Social life and customs / 1945-1970 ; Cool (The English word) ; Cool (The English word) ; Manners and customs ; Popular culture ; United States ; 1900-1999 ; History ; USA ; Lebensstil ; Soziale Distanz ; Verweigerung ; Geschichte 1945-1965
    Kurzfassung: Cool'. It was a new word and a new way to be, and in a single generation, it became the supreme compliment of American culture. 'The Origins of Cool in Postwar America' uncovers the hidden history of this concept and its new set of codes that came to define a global attitude and style. As Joel Dinerstein reveals in this dynamic book, cool began as a stylish defiance of racism, a challenge to suppressed sexuality, a philosophy of individual rebellion, and a youthful search for social change. Through eye-opening portraits of iconic figures, Dinerstein illuminates the cultural connections and artistic innovations among Lester Young, Humphrey Bogart, Robert Mitchum, Billie Holiday, Frank Sinatra, Jack Kerouac, Albert Camus, Marlon Brando, and James Dean, among others. We eavesdrop on conversations among John-Paul Sartre, Simone De Beauvoir, and Miles Davis, and on a forgotten debate between Lorraine Hansberry and Norman Mailer over the "white negro" and Black cool. We come to understand how the cool worlds of Beat writers and Method actors emerged from the intersections of film noir, jazz, and existentialism. Out of this mix, Dinerstein sketches nuanced definitions of cool that unite concepts from African-American and Euro-American culture: the stylish stoicism of the ethical rebel loner; the relaxed intensity of the improvising jazz musician; the effortless, physical grace of the Method actor. To be cool is not to be hip and to be hot is definitely not to be cool
    Beschreibung / Inhaltsverzeichnis: Prelude: Paris, 1949 -- Introduction: the origins of cool -- Lester Young and the birth of cool -- Humphrey Bogart and the birth of noir cool from the Great Depression -- Albert Camus and the birth of existential cool from the idea of rebellion (and the blues) -- Billie Holiday and Simone de Beauvoir: toward a postwar cool for women -- Cool convergences, 1950: jazz, noir, existentialism -- A generational interlude: postwar II (1953-1963) and the shift in cool -- Kerouac and the cool mind: jazz and zen -- From noir cool to Vegas cool: swinging into prosperity with Frank Sinatra -- American rebel cool: Brando, Dean, Elvis -- Sonny Rollins and Miles Davis sound out cool individuality -- Hip versus cool in the Fugitive kind (1960) and Paris blues -- Lorraine Hansberry and the end of postwar cool -- Epilogue: the many lives of postwar cool
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  • 82
    Buch
    Buch
    Columbus : The Ohio State University Press
    ISBN: 0814254675 , 0814213626 , 9780814254677 , 9780814213629
    Sprache: Englisch
    Seiten: ix, 177 pages , 24 cm
    DDC: 325.7309/041
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    Schlagwort(e): Eugenics Social aspects ; Eugenics Social aspects ; Rhetoric Social aspects ; Rhetoric Social aspects ; People with disabilities Social aspects ; Canada Emigration and immigration ; Social aspects ; United States Emigration and immigration ; Social aspects ; USA ; Kanada ; Einwanderung ; Behinderter Mensch ; Feindlichkeit ; Eugenik ; Rassismus ; Geschichte 1900-1930
    Kurzfassung: "A rhetorical examination of the spaces, technologies, and discourses of immigration restriction during the peak period of North American immigration in the early twentieth century. Links anti-immigration rhetoric to eugenics--and argues racist and ableist ideas about bodily values have never really gone away"--
    Kurzfassung: Introduction: Immigration has never been about immigration -- ISLAND: Ellis Island and the inventions of race and disability -- PIER: Canada's Pier 21 and the memorialization of immigration -- EXPLOSION: Technologies of immigration restriction -- ARCHIVE: Affective spaces of eugenics -- Conclusion: Responsibility for tomorrow
    Anmerkung: Includes bibliographical references and index
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  • 83
    Buch
    Buch
    Waco, Tex. : Baylor University Press
    ISBN: 9781481308823 , 9781602583146
    Sprache: Englisch
    Seiten: xxiv, 311 Seiten , Illustrationen
    Ausgabe: Second edition
    DDC: 398.24/54
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    Schlagwort(e): Ghosts ; Ghouls and ogres ; Animals, Mythical ; Supernatural ; Popular culture History ; Monsters ; Monsters ; Ghosts ; Ghouls and ogres ; Animals, Mythical ; Supernatural ; Popular culture ; United States ; History
    Beschreibung / Inhaltsverzeichnis: Preface : with a warning to the unsuspecting reader -- Introduction : the bloody chords of memory -- Monstrous beginnings -- Goth Americana -- Weird science -- Alien invasions -- Deviant bodies -- Haunted houses -- Undead Americans -- Epilogue : worse things waiting -- Filmography -- Note on sources.
    Anmerkung: Includes bibliographical references and index. - Includes filmography (p. 229-230). - Preface : with a warning to the unsuspecting reader -- Introduction : the bloody chords of memory -- Monstrous beginnings -- Goth Americana -- Weird science -- Alien invasions -- Deviant bodies -- Haunted houses -- Undead Americans -- Epilogue : worse things waiting -- Filmography -- Note on sources
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  • 84
    ISBN: 9780008297664 , 9780062748201
    Sprache: Englisch
    Seiten: xxviii, 171 Seiten , Illustration , 22 cm
    Ausgabe: Paperback edition
    DDC: 306.3620973
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    Schlagwort(e): Lewis, Cudjo Interviews ; Lewis, Cudjo Interviews ; Slaves History ; 19th century ; United States ; Slave trade History ; 19th century ; United States ; Slave trade History ; 19th century ; United States ; Slaves History ; 19th century ; United States ; Slave trade ; Slaves ; Lewis, Cudjo ; Erlebnisbericht ; Interview ; Erlebnisbericht ; Interview ; USA ; Sklaverei
    Kurzfassung: Abducted from Africa, sold in America. A major literary event: a newly published work from the author of the American classic Their Eyes Were Watching God, with a foreword from Pulitzer Prize-winning author Alice Walker. This account illuminates the horror and injustices of slavery as it tells the true story of one of the last-known survivors of the Atlantic slave trade. In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis, who was abducted from Africa on the last "Black Cargo" ship to arrive in the United States. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation’s history. Hurston was there to record Cudjo’s firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States.
    Anmerkung: Umschlag: Foreword by Alice Walker , Literaturverzeichnis: Seite 169-171 , Hier auch später erschienene, unveränderte Nachdrucke
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  • 85
    Buch
    Buch
    Lanham ; Boulder ; New York ; London : Rowman & Littlefield International
    ISBN: 9781786602541 , 9781786602558
    Sprache: Englisch
    Seiten: xv, 207 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 305.800973
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    Schlagwort(e): Blacks Race identity ; Whites Race identity ; Race awareness ; Racism ; Ethnische Identität ; Kultur ; Schwarze ; Weiße ; USA ; USA ; Kultur ; Schwarze ; Weiße ; Ethnische Identität
    Anmerkung: Includes bibliographical references and index
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  • 86
    Buch
    Buch
    Oakland, California : University of California Press
    ISBN: 9780520292833 , 9780520292826
    Sprache: Englisch
    Seiten: xiii, 291 Seiten , Karten
    Paralleltitel: Erscheint auch als Hunter, Marcus Anthony, author Chocolate cities
    DDC: 973.0496073
    RVK:
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    Schlagwort(e): Geschichte ; African Americans History ; Stadt ; Kulturleben ; Schwarze ; USA ; USA ; Schwarze ; Stadt ; Kulturleben ; Geschichte
    Kurzfassung: "When you think of a map of the United States, what do you see? Now think of the Seattle that begot Jimi Hendrix. The Dallas that shaped Erykah Badu. The Holly Springs, Mississippi, that compelled Ida B. Wells to activism against lynching. The Birmingham where Martin Luther King, Jr., penned his most famous missive. Now how do you see the United States? Chocolate Cities offers a new cartography of the United States...a "Black Map" that more accurately reflects the lived experiences and the future of Black life in America. Drawing on cultural sources such as film, music, fiction, and plays, and on traditional resources like Census data, oral histories, ethnographies, and health and wealth data, the book offers a new perspective for analyzing, mapping, and understanding the ebbs and flows of the Black American experience...all in the cities, towns, neighborhoods, and communities that Black Americans have created and defended. Black maps are consequentially different from our current geographical understanding of race and place in America. And as the United States moves toward a majority minority society, Chocolate Cities provides a broad and necessary assessment of how racial and ethnic minorities make and change America's social, economic, and political landscape"...Provided by publisher
    Anmerkung: Includes bibliographical references and index
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  • 87
    Buch
    Buch
    Minneapolis ; London : University of Minnesota Press
    ISBN: 9781517900236 , 9781517900229
    Sprache: Englisch
    Seiten: xvi, 370 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 325.73
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    Schlagwort(e): SOCIAL SCIENCE / Ethnic Studies / Hispanic American Studies / bisacsh ; SOCIAL SCIENCE / Emigration & Immigration / bisacsh ; SOCIAL SCIENCE / Poverty & Homelessness / bisacsh ; Illegal aliens Political activity ; Mexican Americans Political activity ; Central America Americans Political activity ; SOCIAL SCIENCE / Ethnic Studies / Hispanic American Studies ; SOCIAL SCIENCE / Emigration & Immigration ; SOCIAL SCIENCE / Poverty & Homelessness ; Dokumentation ; Flüchtlingspolitik ; Einwanderung ; Medien ; Mexikaner ; United States Emigration and immigration ; Government policy ; Zentralamerika ; USA ; USA ; Mexikaner ; Zentralamerika ; Einwanderung ; Medien ; Dokumentation ; Flüchtlingspolitik
    Kurzfassung: "Examining how undocumented migrants are using film, video, and other documentary media to challenge surveillance, detention, and deportation As debates over immigration increasingly become flashpoints of political contention in the United States, a variety of advocacy groups, social service organizations, filmmakers, and artists have provided undocumented migrants with the tools and training to document their experiences. In The Undocumented Everyday, Rebecca M. Schreiber examines the significance of self-representation by undocumented Mexican and Central American migrants, arguing that by centering their own subjectivity and presence through their use of documentary media, these migrants are effectively challenging intensified regimes of state surveillance and liberal strategies that emphasize visibility as a form of empowerment and inclusion. Schreiber explores documentation as both an aesthetic practice based on the visual conventions of social realism and a state-administered means of identification and control. As Schreiber shows, by visualizing new ways of belonging not necessarily defined by citizenship, these migrants are remaking documentary media, combining formal visual strategies with those of amateur photography and performative elements to create a mixed-genre aesthetic. In doing so, they make political claims and create new forms of protection for migrant communities experiencing increased surveillance, detention, and deportation"...
    Anmerkung: Includes bibliographical references and index
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  • 88
    Buch
    Buch
    New York ; Oxford : Oxford University Press
    ISBN: 9780190612535
    Sprache: Englisch
    Seiten: x, 384 Seiten , Illustrationen
    Ausgabe: Fourth edition
    Paralleltitel: Erscheint auch als
    DDC: 305.310973
    RVK:
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    Schlagwort(e): Geschichte ; Men Psychology ; Masculinity ; Geschichte ; Männlichkeit ; Männerbild ; Kultur ; Psychologie ; Mann ; Männlichkeit ; USA ; USA ; Mann ; Psychologie ; Männerbild ; Männlichkeit ; Geschichte ; USA ; Männlichkeit ; Kultur ; Geschichte
    Anmerkung: Includes bibliographical references and index
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  • 89
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9780822363798 , 0822363798 , 9780822363644
    Sprache: Englisch
    Seiten: xvi, 226 Seiten , Illustrationen
    Serie: Asian American cultural studies
    Paralleltitel: Erscheint auch als
    DDC: 809.3/876
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    Schlagwort(e): Literatur ; Spekulation ; Fiktion ; Zukunft ; Asien ; USA
    Anmerkung: Literaturverzeichnis Seite 201-216
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  • 90
    Buch
    Buch
    New York : New York University Press
    ISBN: 9781479823420 , 9781479850600
    Sprache: Englisch
    Seiten: vii, 275 Seiten , Illustrationen , 23 cm
    DDC: 305.48/697
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    Schlagwort(e): Schwarze Frau ; Muslimin ; USA
    Anmerkung: Literaturverzeichnis: Seite 249-260
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  • 91
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780190279646
    Sprache: Englisch
    Seiten: 1 Online-Ressource (288 Seiten) , illustrations (black and white, and colour), maps (black and white)
    Suppl.: Rezensiert in Lewis, Bonnie Sue [Rezension von: Graber, Jennifer, The Gods of Indian Country: Religion and the Struggle for the American West] 2020
    Paralleltitel: Erscheint auch als Graber, Jennifer, 1973 - The gods of Indian country
    DDC: 978.00497492
    RVK:
    Schlagwort(e): Kiowa Indians History 19th century ; Kiowa Indians Government relations 19th century ; History ; Kiowa Indians Missions 19th century ; History ; Kiowa Indians ; History ; 19th century ; Kiowa Indians ; Government relations ; History ; 19th century ; Kiowa Indians ; Missions ; History ; 19th century ; USA ; Kiowa ; Ethnische Religion ; Kulturelle Identität ; Siedler ; Mission ; Rassendiskriminierung ; Geschichte 1803-1903
    Kurzfassung: During the nineteenth century, Americans sought the cultural transformation and the physical displacement of American Indian nations. Native people resisted these efforts. Though this process is often understood as a clash of rival economic systems or racial ideologies, it was also a profound spiritual struggle. The conflict over Indian Country sparked crises for both Natives and Americans. In the end, the experience of intercultural encounter and conflict over land produced religious transformations on both sides. This work focuses on Kiowa Indians during Americans' hundred-year effort to acquire, explore, and seize their homeland between 1803 and 1903.
    Anmerkung: Previously issued in print: 2018. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on March 5, 2018)
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  • 92
    ISBN: 9783631665473
    Sprache: Englisch
    Seiten: 206 Seiten , Illustrationen
    Serie: New Americanists in Poland Band 9
    Serie: New Americanists in Poland
    DDC: 306.0973/0905
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    Schlagwort(e): National characteristics, American ; Popular culture History 21st century ; Aufsatzsammlung ; USA ; Literatur ; Film ; Fernsehsendung ; Geschlechterrolle ; Nationalbewusstsein
    Kurzfassung: "The essays in this book offer an overview of literary works, films, TV series, and computer games, which reflect current social and political developments since the beginning of this century. The authors probe the many ways in which repression and expression are the primary keywords for understanding contemporary American life and culture"--
    Anmerkung: Negative mobilities , #effyourbeautystandards: Body positivity movements as an expression of feminist identity , Eye(s) in the sky: Icons of war and techno-gaze in contemporary audiovisual culture , Portraits painterly and poetic: John Ashbery and Gerhard Richter , The dynamic space of divinity and ontology in Mark Z. Danielewski's 'House of leaves' , Self-expression and secual repression in Joyce Carol Oates's "The white cat" and 'Beasts' , A space in-between genders: Rethinking the American bildungsroman from an intersex perspective , Expressing the uncertainty, reflecting memory: The role of memorabilia in Alison Bechdel's 'Fun home' , Representaion of asexuality in 'The big bang theory' , Intergenerational transmission of trauma in Tracy Letts's 'August: Osage County' , Affect and memory in Toni Morrison's 'God help the child' , A sense of otherness: Auditory-gustatory synesthesia and cultural identity in Monique Truong's 'Bitter in the mouth' , Text, image and sound: Artistic tiers in Chitra Banerjee Divakaruni's 'Queen of dreams' , A new take on "The mournful and never ending remembrance": Personal loss and the trauma of history in E. L. Doctorow's 'Andrew's brain' , Repression and control in a post-panoptic anti-utopian state: The Radch empire in Ann Leckie's Imperial Radch triology , Emotion management and damage control: Navigating global reality in William Gibson's Bigend trilogy , Player as a victim of repression and a tool of oppression in the totalitarian world of 'Papers, please'
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  • 93
    ISBN: 9780393264241
    Sprache: Englisch
    Seiten: xx, 410 Seiten , Illustrationen , 22 cm
    Ausgabe: First edition
    Serie: Norton critical editions American realism & reform
    DDC: 306.3/62092
    RVK:
    Schlagwort(e): Northup, Solomon ; Northup, Solomon Film and video adaptations ; Northup, Solomon 1808-1863? Film adaptions ; Twelve years a slave (Motion picture) ; 12 years a slave (Motion picture) ; African Americans Biography ; Plantation life History 19th century ; Slavery History 19th century ; Slaves' writings, American ; Slaves Biography ; Slaves' writings, American History and criticism ; Slaves Biography ; United States ; Slaves' writings, American ; African Americans Biography ; Plantation life History ; 19th century ; Louisiana ; Slavery History ; 19th century ; Louisiana ; Slaves' writings, American History and criticism ; Northup, Solomon 1808-1863
    Kurzfassung: "Twelve Years a Slave follows the life of Solomon Northup, a free blackman who was kidnapped and sold into slavery before the Civil War. Northup's memoir, published in 1853, riveted contemporary audiences but fell out of print for several generations at the start of the twentieth century. Although it was kept alive in the writings of literary scholars, historians, and bibliographers, it wouldn't return to print until 1968, and soon found a place in the canon of the literary genre known as "the slave narratives." Northup's memoir was adapted for film in 2013 by black British auteur Steve McQueen, and the film received the Oscar for "Best Motion Picture" in 2014. Readers of this critical edition will find the Editor's Preface from 1853, the 1853 edition of the text and its appendices, as well as a number of illustrations from the original publication. "Contemporary Sources (1853-1865)" offers a range of contemporary reviews and responses, an excerpt from Harriet Beecher Stowe, and coverage of the court case brought against Northup's kidnappers. "A Genealogy of Secondary Sources (1880-2014)" provides readers with a comprehensive overview of early and modern commentary on Twelve Years a Slave. "Film Criticism & Reviews: 12 Years a Slave (2013)" includes responses to the film adaptation and an interview with the director Steve McQueen. A Chronology and Selected Bibliography are also included, along with an introduction by the volume's co-authors."--Provided by publisher
    Anmerkung: Enthält "the text of the 1853 first edition" sowie "contemporary sources (1853-62)", "a genealogy of secondary sources (1881-2015) und "the 2013 film adaption ... with criticism" - Hinterer Buchumschlag , Auswahlbibliografie: Seite 405-410 , Includes bibliographical references
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  • 94
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9780822370161 , 9780822370062
    Sprache: Englisch
    Seiten: xvii, 339 Seiten
    Serie: Consent not to be a single being [1]
    DDC: 305.896
    RVK:
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    Schlagwort(e): Schwarze ; Kunst ; USA
    Anmerkung: Literaturverzeichnis: Seite 317-328
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  • 95
    Buch
    Buch
    New York : Fordham University Press
    ISBN: 0823275310 , 0823275302 , 9780823275304 , 9780823275311
    Sprache: Englisch
    Seiten: 270 Seiten , 24 cm
    Paralleltitel: Erscheint auch als Lim, Jeehyun Bilingual Brokers
    DDC: 306.44/60973
    RVK:
    RVK:
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    Schlagwort(e): Bilingualism and literature ; Bilingualism Social aspects ; Language and culture Social aspects ; Linguistic minorities Social aspects ; Bilingualism and literature ; American literature Asian American authors ; History and criticism ; American literature Hispanic American authors ; History and criticism ; Bilingualism in literature ; Bilingualism and literature ; Bilingualism Social aspects ; United States
    Kurzfassung: Cultural brokers in interwar Orientalism -- Bilingual personhood and the American dream -- Schooling bilinguals in and against multiculturalism -- Dormant bilingualism in neoliberal America -- Global English and the predicament of monolingual multiculturalism -- Epilogue: The future of bilingual brokering
    Anmerkung: Formerly CIP. - Includes bibliographical references and index
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  • 96
    Buch
    Buch
    Urbana : University of Illinois Press
    ISBN: 0252040880 , 0252082354 , 9780252040887 , 9780252082351
    Sprache: Englisch
    Seiten: x, 156 Seiten , Illustrationen , 23 cm
    Serie: The Asian American experience
    DDC: 305.895/073
    RVK:
    Schlagwort(e): Asian Americans Race identity ; Asian Americans Ethnic identity ; Asians Ethnic identity ; Asians Race identity ; Model minority stereotype ; Asian Americans ; Asian Americans ; Asians ; Asians ; Model minority stereotype ; USA ; Literatur ; Asiaten ; Ethnische Identität
    Kurzfassung: Precarity and the pursuit of unhappiness -- Que(e)rying the American dream in films of the early twenty-first century -- Haunted memories, spaces, and trauma: the unsuccessful immigrant -- Representations of aging in Asian Canadian performance -- Work, depression, failure -- Gender, post-9/11, and ugly feelings
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  • 97
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 0190260459 , 9780190260453
    Sprache: Englisch
    Seiten: 248 Seiten , Illustrationen , 22 cm
    DDC: 398.21
    RVK:
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    Schlagwort(e): Zombies ; Zombies in literature ; Apocalyptic literature ; Apocalyptic literature ; Zombies ; Zombies in literature ; USA ; Zombie ; Lebenshilfe
    Kurzfassung: The zombie apocalypse, Greg Garrett shows us, has become an archetypal narrative for the contemporary world, in part because zombies can stand in for any of a variety of global threats, from terrorism to Ebola, from economic uncertainty to ecological destruction. But this zombie narrative also brings us emotional and spiritual comfort. These apocalyptic stories, in which the world has been turned upside down and protagonists face the prospect of an imminent and grisly death, can also offer us wisdom about living in a community, present us with real-world ethical solutions, and invite us into conversation about the value and costs of survival. We may indeed be living with the living dead these days, but through the stories we consume and the games we play, we are paradoxically learning what it means to be fully alive.--
    Kurzfassung: The zombie apocalypse, Greg Garrett shows us, has become an archetypal narrative for the contemporary world, in part because zombies can stand in for any of a variety of global threats, from terrorism to Ebola, from economic uncertainty to ecological destruction. But this zombie narrative also brings us emotional and spiritual comfort. These apocalyptic stories, in which the world has been turned upside down and protagonists face the prospect of an imminent and grisly death, can also offer us wisdom about living in a community, present us with real-world ethical solutions, and invite us into conversation about the value and costs of survival. We may indeed be living with the living dead these days, but through the stories we consume and the games we play, we are paradoxically learning what it means to be fully alive
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  • 98
    Buch
    Buch
    Chicago : The University of Chicago Press
    ISBN: 9780226152653 , 9780226599069
    Sprache: Englisch
    Seiten: 541 Seiten , Illustrationen , 24 cm
    Paralleltitel: Erscheint auch als Dinerstein, Joel The Origins of Cool in Postwar America.
    DDC: 306.0973/0904
    RVK:
    Schlagwort(e): Popular culture History 20th century ; Cool (The English word) ; Cool (The English word) ; Cool (The English word) ; Manners and customs ; Popular culture ; Popular culture ; United States ; United States ; History ; 1900-1999 ; United States Social life and customs 1945-1970 ; USA ; Lebensstil ; Soziale Distanz ; Verweigerung ; Geschichte 1945-1965
    Kurzfassung: Prelude: Paris, 1949 -- Introduction: the origins of cool -- Lester Young and the birth of cool -- Humphrey Bogart and the birth of noir cool from the Great Depression -- Albert Camus and the birth of existential cool from the idea of rebellion (and the blues) -- Billie Holiday and Simone de Beauvoir: toward a postwar cool for women -- Cool convergences, 1950: jazz, noir, existentialism -- A generational interlude: postwar II (1953-1963) and the shift in cool -- Kerouac and the cool mind: jazz and zen -- From noir cool to Vegas cool: swinging into prosperity with Frank Sinatra -- American rebel cool: Brando, Dean, Elvis -- Sonny Rollins and Miles Davis sound out cool individuality -- Hip versus cool in the Fugitive kind (1960) and Paris blues -- Lorraine Hansberry and the end of postwar cool -- Epilogue: the many lives of postwar cool
    Anmerkung: Includes bibliographical references and index
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  • 99
    Buch
    Buch
    Detroit, Michigan : Wayne State University Press
    ISBN: 9780814343036
    Sprache: Englisch
    Seiten: xiv, 328 Seiten , Illustrationen, Karten
    Serie: A painted turtle book
    Paralleltitel: Erscheint auch als
    DDC: 303.6230977434
    RVK:
    Schlagwort(e): Geschichte 1900-2000 ; Geschichte 1967 ; Geschichte ; Schwarze. USA ; Rassismus ; Aufstand ; Detroit, Mich. ; Race riots / Michigan / Detroit / History / 20th century ; Racism / Michigan / Detroit / History ; African Americans / Michigan / Detroit / Social conditions / History ; Detroit (Mich.) / Race relations / History ; African Americans / Social conditions ; Race relations ; Race riots ; Racism ; Michigan / Detroit ; 1900-1999 ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Detroit, Mich. ; Aufstand ; Rassismus ; Geschichte 1967
    Kurzfassung: "In the summer of 1967, Detroit experienced one of the worst racially charged civil disturbances in United States history. Years of frustration generated by entrenched and institutionalized racism boiled over late on a hot July night. In an event that has been called a 'riot,' 'rebellion,' 'uprising,' and 'insurrection,' thousands of people took to the streets for several days of vandalism, arson, and gunfire. Law enforcement was overwhelmed, and it wasn't until battle-tested federal troops arrived that the city returned to some semblance of normalcy. Fifty years later, native Detroiters cite this event as pivotal in the city's history, yet few completely understand what happened, why it happened, or how it continues to affect the city today. Discussions of the events are often rife with misinformation and myths, and seldom take place across racial lines. It is editor Joel Stone's intention with 'Detroit 1967: origins, impacts, legacies' to draw memories, facts, and analysis together to create a broader context for these conversations"--Jacket
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  • 100
    Buch
    Buch
    Cambridge, Massachusetts ; London, England : Harvard University Press
    ISBN: 9780674980075
    Sprache: Englisch
    Seiten: 164 Seiten
    DDC: 306.4209730904
    RVK:
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    Schlagwort(e): Geschichte 1900-2000 ; Geschichte 1920-1950 ; Geschichte ; Authors and patrons History ; Critics History ; Modernism (Literature) ; Litterateurs History ; Schriftsteller ; Kulturverwaltung ; USA ; United States Intellectual life 20th century ; USA ; USA ; Schriftsteller ; Kulturverwaltung ; Geschichte 1920-1950
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