ISBN:
0226136116
,
0226136124
,
9780226136127
Sprache:
Englisch
Seiten:
XIII, 273 S.
,
Ill., Kt., Notenbeisp.
,
24 cm
Serie:
Chicago studies in ethnomusicology
DDC:
782.42163/092
Schlagwort(e):
Umm Kulthūm / 1898-1975
;
Umm Kulthūm / 1898?-1975
;
Umm Kulthūm 〈1898-1975〉
;
Umm Kulthūm 〈1898?-1975〉
;
Umm Kulthūm 〈1898-1975〉
;
Umm-Kulṯūm
;
Geschichte 1900-1975
;
Singers / Egypt / Biography
;
Songs, Arabic / Egypt / History and criticism
;
Popular music / Egypt / History and criticism
;
Music / Social aspects / Egypt
;
Arabisch
;
Chansons arabes (arabe égyptien) - Histoire et critique
;
Chanteuses - Égypte - Biographies
;
Liederen
;
Musique - Aspect social - Égypte
;
Musique populaire - Égypte - Histoire et critique
;
Zangers
;
Gesellschaft
;
Musik
;
Music Social aspects
;
Popular music History and criticism
;
Singers Biography
;
Songs, Arabic History and criticism
;
Gesellschaft
;
Unterhaltungsmusik
;
Musikleben
;
Egypte
;
Ägypten
;
Biografie
;
Biografie
;
Biografie
;
Bibliografie
;
Umm-Kulṯūm 1898-1975
;
Ägypten
;
Gesellschaft
;
Musikleben
;
Unterhaltungsmusik
;
Geschichte 1900-1975
Anmerkung:
Includes bibliographical references (p. 251-261) and index
,
"The voice and face of Egypt" Some questions ; Speech about music ; Listening ; Performing ; "Popular" music ; The individual ; Social issues -- Childhood in the Egyptian delta. "Min al-Mashāyikh" ; Performing experience ; The audiences -- Beginning in Cairo. Music in Cairo ; The "Bedouin" singer ; An education in music and performance ; A turning point ; 1926 and beyond -- Media, style, and idiom. Taking a direction in style ; Producing concerts ; Negotiating the public ; Recordings and radio ; Making films ; Developing an idiom -- "The golden age of Umm Kulthūm" and two cultural formations. The 1940s ; Musical populism ; New films ; Neoclassicism ; The impact of the new Qaṣāʾid and the populist songs -- "The voice of Egypt": the artists' work and shared aesthetics. Building the model of the song ; The concerts ; "her voice...!" ; "But can you understand the words?" ; "She was good because she could read the Qurʼān" ; "She gave us back the Qaṣīda" ; "She never sang a line the same way twice" -- Umm Kulthūm and a new generation. The national songs and "Rābiʿa 'l-ʿAdawiyya" ; "A new stage" ; Collaboration with ʿAbd al-Wahhāb ; The resilience of al-Sunbāṭī's songs ; The Ughniyya ; The widening market ; The concerts for Egypt ; "The Fallaḥiin are my self" ; The repertory not sung -- Legacies of a performer
URL:
http://www.loc.gov/catdir/description/uchi051/96045394.html
URL:
http://www.loc.gov/catdir/toc/uchi051/96045394.html
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