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  • 1
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031459368
    Language: English
    Pages: 1 Online-Ressource(XI, 229 p. 4 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Comparative literature. ; European literature. ; America ; Literature.
    Abstract: 1. WAYS OF BELONGING -- 2. NAOMI FONTAINE’S INDIGENOUS WRTING: SELF, COMMUNITY, SOCIETY -- 3. ABLA FARHOUD: MONTREAL MIGRATIONS AND THE GHOST OF LEBANON -- 4. ANITA ALOISIO AND AKOS VERBOCZY: CHILDREN OF LA LOI 101 -- 5 CONCLUSION: INSCRIBING HOME IN QUÉBEC.
    Abstract: This book focuses on modes of cultural belonging in Québec. It looks at recent literary memoir, autobiographical fiction, and documentary testimony. Through four in-depth case studies of cultural creators, one Indigenous and three non-Indigenous, Dervila Cooke discusses multicultural and ethnically diverse society in Québec, examining current tensions, challenges, and opportunities. Works studied range from Abla Farhoud’s first novel in 1998 to Anita Aloisio’s 2022 documentary film Calliari QC. Topics include the desire for freedom to self-ascribe and enact cultural identity, self-reinvention through fiction, expressions of Indigeneity in Naomi Fontaine, the term “Québécois”, especially after Bill 21, and the thorny question of integration of immigrants, discussed in relation to Akos Verboczy’s Rhapsodie québécoise. As with the companion volume on France, societal factors are discussed, here relating to the cultural renaissance of Indigenous writing, Farhoud’s Libano-Québécois context, and language laws in Québec, including the foundational Bill 101 and the more recent Bill 96. Dervila Cooke teaches in the School of Applied Language and Intercultural Studies at Dublin City University, Ireland. She is the author of Present Pasts: Patrick Modiano's (Auto) Biographical Fictions (2005) and editor of New Work on Immigration and Identity in Contemporary France, Québec and Ireland (2016), and of Modiano et l’image (2012).
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  • 2
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031404948
    Language: English
    Pages: 1 Online-Ressource(XXV, 802 p. 6 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Women ; Sex. ; Latin American literature. ; European literature.
    Abstract: 1. Transnational Flows: Women Writing in the Long Nineteenth Century Clorinda Donato and Claire Emilie Martin -- 2. Women across Boundaries: Transnational Exchanges in Nineteenth-Century Europe; Rewriting Women’s History from a Transnational Perspective -- 3. Transatlantic Networks against Cultural Periphery: The Baroness of Wilson’s Canon and the Spanish and Latin American Women of Letters in the Nineteenth Century -- 4. Transnational Identities and Translated Agencies: From Madame de Staël’s Corinne, oul’Italie (1807) to Kim Ragusa’s The Skin between Us: A Memoir of Race, Beauty, and Belonging (2006) -- 5. The Confessions of the Countess Merlin and Jean-Jacques Rousseau: Writing as the Essential Adventure of Their Lives -- 6. “Tutto il sesso femminino per mia bocca v’intima Guerra” (Through My Mouth, the Entire Female Sex Declares War on You), Signed: A European Woman -- 7. Angelica Palli and Alessio: Love and Patriotism in the Early Italian Historical Novel -- 8. The Transatlantic Experience in the Construction of Flora Tristan’s Authorial Posture: From Pariah to Female Messiah -- 9. El baúl de Miss Florence: (Re)imagining the Past; Women’s Travel Literature and the Sweet Tyranny of the Sugar Haciendas in Puerto Rico -- 10. Romantic Cartographies: La Condesa de Merlin’s Colonial Havana and the View from the Harbor -- 11. Matilde Serao, Flânerie and Women in Urban Spaces -- 12. The Fourth Estate in Petticoats -- 13. The Twenty-Year Journey: Flavia Steno’s La Chiosa and the French Daily Newspaper La Fronde -- 14. Women Readers in Nineteenth-Century Mexico: A Study of the Periodicals Las Hijas del Anáhuac, El Álbum de la Mujer, and Violetas del Anáhuac -- 15. Clorinda Matto de Turner’s Tradiciones cuzqueñas: A Writer’s Perspective -- 16. Luck of the Draw: Gambling, Marriage, and the Labor Economy in Clorinda Matto de Turner’s Herencia -- 17. Clorinda’s Cosmopolis: Crisis, Reinvention, and the Birth of Búcaro Americano -- 18. Adapting Economic Strategies to a Changing World in María del Pilar Sinués’s La dama elegante (1880) -- 19. Hiding in Plain Sight: Feminism and Geopolitical Commentary in Fernán Caballero’s La corruptora y la buena maestra (1868) -- 20. Epistolary and Commodity Exchanges in Nineteenth-Century Argentina, or Mariquita Sánchez de Mendeville’s Agency -- 21. Solitary Confinement in Rachilde’s La Tour d’amour: Dehumanization and Madness of the Buried Alive -- 22. Towards New Models of Femininity in the Works of Virginia Elena Ortea -- 23. In Defense of Women’s Progress and Freethinking: Amalia Domingo Soler, Eugenia Estopa and Dolores Navas -- 24. Writing about the Unspeakable: Gendered Violence in the Nineteenth Century -- 25. Women Worthies? Ascriptions of Masculinity to Exceptional Women Writers in Early Nineteenth-Century Italy -- 26. “Doña María Dolores López, Vecina of Tehuacán” or the Case of a Too-Soon Forgotten Nineteenth-Century Mexican Woman Writer -- 27. Annie Vivanti’s Multicultural Identity and the Shaping of the Artist’s Body -- 28. The “Alpine Sybil”: Her Verses and Prose Between Arcadia and Romanticism (the Italian Way) -- 29. Gender Fluidity, the Crisis of Care, and Ecocriticism in George Sand’s François le champi -- 30. What Have You Done Philately? Stamps and the Death of the Liberal Dream in Carmen de Burgos’ Don Manolito (1916) -- 31. Transnational Emancipationism: Fanny Salazar Zampini's Commitment to Women's Liberation -- 32. Adaptation to or of the Environment? Examining the Works of French Women Writers of the First Republic and First Empire through an Ecocritical Lens -- 33. The Archive as Legitimizing Artifact in Ccora Campillana: Romance histórico del tiempo de la conquista (1873) by Carolina Freyre de Jaimes -- 34. “One of the First, If Not the Very First Woman of Her Age”: Germaine de Staël and Her Literary Posterity -- 35. The Making of Il Giorno: Matilde Serao’s Letters to Luigi Luzzatti -- 36. Celebrity by Way of Autobiography: The Case of Angela Veronese -- 37. Alliance and Sorellanza in Matilde Serao’s Romanzo della fanciulla -- 38. Superstition and Orientalism in Il ventre di Napoli by Matilde Serao -- 39. Concepción Gimeno de Flaquer and Her Transatlantic Journey (1873–1890): Victorina o el heroísmo del corazón -- 40. Liturgization and the Satire of Politics in Emilia Pardo Bazán’s La tribuna (1883) -- 41. Between Conformity and Transgression: Approaches to Writing in the Albums of Emilia Pardo Bazán -- 42. Victoria Ocampo’s Transnational Networks: A Sociocultural and Data-Driven Approach.
    Abstract: This handbook explores the rich and as yet understudied field of women’s writing during the nation-building years that characterized the global politics of the long nineteenth century. In the wake of the American and French Revolutions, the waning of the Spanish Empire, subsequent Latin American uprisings, and the Italian Risorgimento, nineteenth-century women writers cracked wide open the myths of gender, race, and class that had sustained the ancien régime. This volume shows that the transnational networks of women writing about politics, sexuality, economics, and the forging of the modern nation were much broader and more inclusive at a global level than has previously been understood. The handbook uniquely foregrounds French, Italian, Latin American, and Spanish women writers, focusing on the transnational nature of their relationships and cultural production within a growing body of research that casts an ever-wider net in the effort to document women’s voices. Claire Emilie Martin is Professor Emerita of Spanish at California State University, Long Beach, USA. She holds a doctorate from Yale University in Spanish American Literature. Her research focuses on nineteenth-century cultural and literary studies with a special emphasis on gender issues, domesticity, education, politics, and travel. She has published numerous articles and edited and co-edited several volumes on nineteenth-century Latin American women writers. Clorinda Donato is Professor of French and Italian at California State University, Long Beach, USA, and director of the Clorinda Donato Center for Global Romance Languages and Translation Studies. She is an eighteenth- and nineteenth-century scholar of French and Italian literature. Her most recent publication is Translation and Transfer of Knowledge in Encyclopedic Compilations, 1680–1830 co-edited with Hans-Jürgen Lüsebrink (2021). .
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  • 3
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031472954
    Language: English
    Pages: 1 Online-Ressource(XI, 218 p. 1 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Literature, Modern ; Children's literature. ; Fiction. ; Youth
    Abstract: Chapter 1. Neo-Victorian Young Adult Narratives -- Chapter 2. Re/Articulated Monstrosity: Mary and her Creature -- Chapter 3. Mash(ed) Up: Maidens, Monsters, and Mad Scientists -- Chapter 4. Illustrative Genii: The Brontës’ Genius -- Chapter 5. The Odd(est) Brontë: Portrait(s) of Emily as a Young Author -- Chapter 6. Irregulars: Sherlockian Youth as Outsiders -- Chapter 7. The Mis(s) Education of Young Women -- Chapter 8. Deviant Young Womanhood: Liminal Queerness, Mad Femininity, and Spectral Subjectivity -- Chapter 9. Things Yet Undone: Encountering the Past through the Present.
    Abstract: Neo-Victorian Young Adult Narratives examines the neo-Victorian themes and motifs currently appearing in young adult fiction—specifically addressing the themes of authorship, sexuality, and criminality in the context of the Victorian age in British and American cultures. This book explicates the complicated relationship between the Victorian past and the turn to Victorian modes of thought on literature, history, and morality. Additionally, Sarah E. Maier aims to determine if the appeal of neo-Victorian young adult fiction rests in or resists nostalgia, parody, and revision. Given the overwhelming prevalence of the Victorian in the young adult genres of biofiction, juvenile writings, gothic, sensation, mystery, and crime fiction, there is much to investigate in terms of the friction between the past and the present. Sarah E. Maier is Professor of English & Comparative Literature at the University of New Brunswick. Her recent publications include work on Ann Lister, the Brontës, neo-Victorian vampires, neo-Victorian Alienists, Maleficent, neo-Gothicism, and Queer Mash-ups. Maier has written A Vindication of the Redhead (2021 Palgrave) with Brenda Ayres, and they have co-edited The Palgrave Handbook of Neo-Victorianism (2023 Palgrave), Neo-Victorian Things (2022 Palgrave), Neo-Disneyism (2022 Lang), The Routledge Handbook of Victorian Scandals in Literature and Culture (2022 Routledge), The Theological Dickens (2022 Routledge), Neo-Victorian Madness (2020 Palgrave), Neo-Gothic Narratives: (2020 Anthem), Animals and Their Children in Victorian Culture (2019 Routledge), and Reinventing Marie Corelli (2019 Anthem). .
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  • 4
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031495403
    Language: English
    Pages: 1 Online-Ressource(XII, 195 p. 1 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Poetry. ; Literature. ; Culture
    Abstract: Chapter 1: ‘While Yet a Boy I Sought for Ghosts’: Contexts -- Chapter 2: ‘Rending the Veil of Mortal Frailty’: Queen Mab (1813) -- Chapter 3: ‘Who Lifteth the Veil of What is to Come?’: Alastor (1816) -- Chapter 4: ‘And is This Death?’: ‘Seeing’ the Unseen, and Visionary Experimentation (1816-20) -- Chapter 5: ‘Where the Eternal Are’: Adonais (1821) -- Chapter 6: Shadows and Dreams: Conclusions.
    Abstract: “Andrew Lacey’s original approach to Shelley’s poetic practice and thought offers a timely reconsideration of the poet’s conceptualisation and treatment of death. This focus on death in Shelley’s artistic vision reveals fresh connections between those familiar and lesser-known poetic works. Lacey’s persuasive readings remain alert throughout to telling philosophical, scientific, textual, and biographical details.” — Professor Mark Sandy, Durham University, UK This book provides the first modern, in-depth analysis of Percy Bysshe Shelley’s engagement with the phenomenon of death. It argues that, for Shelley, this most nebulous of realities represents, first and foremost, possibility: Shelley’s poetic writings on death are both numerous and varied, presenting his reader, with differing degrees of confidence over the course of his brief but brilliant career, with several key visions of what death might be or actually is. Shelley’s Visions of Death stresses the seldom-appreciated fact that death was one of Shelley’s most enduring preoccupations, and also demonstrates the poet’s power to imagine, with startling variety, that which lies beyond the boundaries of experience. Andrew Lacey is a scholar of the literature and culture of the Romantic period. In the last decade, he has worked as Senior Research Associate, on the Davy Notebooks Project and the Davy Letters Project, in the Department of English Literature and Creative Writing at Lancaster University, UK. He assisted in the preparation of The Collected Letters of Sir Humphry Davy (4 volumes, 2020) and Volume Four of The Poems of Shelley in the Longman Annotated English Poets series (2014). He is Co-Editor of Nineteenth-Century Contexts: An Interdisciplinary Journal, and a former winner of the Keats-Shelley Memorial Association Keats-Shelley Prize.
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  • 5
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031522840
    Language: English
    Pages: 1 Online-Ressource(XII, 188 p. 1 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Bernard Shaw and His Contemporaries
    Parallel Title: Erscheint auch als
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    Keywords: Theater ; Literature, Modern ; Drama.
    Abstract: Chapter 1: Introduction -- Chapter 2: Love and Marriage -- Chapter 3: Morals and Manners -- Chapter 4: Comedies of Realism and Romance -- Chapter 5: The Theatre of War -- Chapter 6: Deeper Waters -- Chapter 7: Drama and Contemporary Society -- Chapter 8: Post-War Drama and Fiction -- Chapter 9: Last Plays -- Chapter 10: The Entertainer.
    Abstract: Discussions of Coward’s achievement in the theatre between 1920 and 1966 have tended to stay with the colourful biography. The more analytical literary approach adopted here places Coward’s success in its wider theatrical context, making the connections with the work of other dramatists. He developed his technique according to what worked with theatre audiences. Taking up the well-made play, he brought in a more colloquial dialogue, explored, for instance, the morality and psychology of marriage and free love, and frequently exploited the dramatic possibilities of characters grouped into two camps. The book considers both the ‘pleasant’ and ‘unpleasant’ plays (to use the Shavian terms), and the episodic patriotic plays. It Includes Coward’s ambivalent approach to the ‘theatre of war’ in the 20th century. (123) Roger Kojecky: After an Oxford University English Faculty D. Phil. he held teaching positions in Tokyo and London University (lecturing on drama). He has been Secretary of the Christian Literary Studies Group, Oxford, and edits The Glass, covering a range of academic literature with articles and reviews. .
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  • 6
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031531002
    Language: English
    Pages: 1 Online-Ressource(VIII, 243 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Literature, Science and Medicine
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    Keywords: Literature, Modern ; Literature, Modern ; Ecocriticism. ; Science ; Communication in medicine.
    Abstract: 1. Introduction: Books of Life in the Long Century of the Gene -- 2. Simon Mawer’s Book of Life: Mendel’s Dwarf as Fictional Genetic Life Writing -- 3. There is grandeur in this view of life...or is there? Ian McEwan’s Poetics of Chance and the Unreliable Structures of Genetic Determinism -- 4. Genetics’ Perilous Analogies: Metaphors of Life in A. S. Byatt’s Quartet -- 5. Ecologies of Life: Genetics in Margaret Atwood’s MaddAddam Trilogy -- 6. Conclusion: Levels of Life.
    Abstract: Genetics and the Novel: Reimagining Life Through Fiction argues that literary fiction has reimagined life in the age of genetics. The new genetic paradigm has proposed to rewrite core assumptions about such fundamental aspects of life as the nature of kinship and biological connection, human-environmental relations, or the link between biology and art. Investigating major texts of genetic fiction by A. S. Byatt, Ian McEwan, Simon Mawer and Margaret Atwood, this monograph offers the first systematic study of how these assumptions about life itself have been renegotiated through the contemporary novel’s engagement with genetic science. This book identifies a significant new phase in the novel’s aesthetic exploration of life and demonstrates that the novel emerges as the cultural form uniquely positioned to engage both the imaginative and concrete challenges raised by genetic science for the lifeworlds of the new millennium. Paul Hamann-Rose is Assistant Professor of English Literature and Culture at the University of Passau, Germany.
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  • 7
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031420306
    Language: English
    Pages: 1 Online-Ressource(IX, 193 p. 1 illus.)
    Edition: 1st ed. 2024.
    Series Statement: New Interpretations of Beckett in the Twenty-First Century
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Critical theory. ; Literature ; Continental Philosophy.
    Abstract: Chapter 1: “Beckett. On.” David Lloyd (University of California, Riverside) -- Chapter 2: “‘Where you are worth nothing’: Beckett, Geulincx, and an Ethics of the Miracle,” Gabriel Quigley (New York University) -- Chapter 3: “Philosophy in the Flesh: Feeling, Folly, and Animals in Beckett’s Molloy,” William Broadway (University of Wisconsin-Madison) -- Chapter 4: “GGREY! (Beckett/dialectic),” Rebecca Comay (University of Toronto) -- Chapter 5: “Reading Beckett’s Bilingualism with Jean-François Lyotard and Jacques Rancière,” Nadia Louar (University of Wisconsin-Oshkosh) -- Chapter 6: “Rêve de transfert collective: Beckett’s Resurgent Unanimism,” Jean-Michel Rabaté (University of Pennsylvania) -- Chapter 7: “‘The Golden Moment’: Violence, Escape, and Broken Immanence” Michael Krimper (New York University) -- Chapter 8: “Respirer sans cesse: Proust and Beckett’s Intermissions,” Stefanie Heine (University of Toronto) -- Chapter 9: “The Grammar of Absurdity and Affective Crisis: Reading Anna Burns’ Milkman through Beckett’s Philosophic Comedy,” John Waters (New York University).
    Abstract: “You must go on. I can’t go on. I’ll go on.” These are some of the most quoted lines written by Samuel Beckett, which speak to the impulse of persevering in times of crisis and impossibility. Yet few readers of Beckett agree about what this paradoxical formula could mean, let alone what mode of engagement it would seem to indicate, be it committed, autonomous, or something else entirely. This volume of essays explores what that mode of engagement could be, all the while elucidating the ethical and political stakes of the “ongoing” in both Beckett’s life and work. Across multiple disciplines in the humanities, the authors delve into questions of political subjectivity and representation, the ethics of powerlessness and refusal, the aesthetics of syncopation and destitution, multimedia experiments between genre, as well as Beckett’s wider impact on transnational itineraries of modernism and philosophy up to the contemporary. Michael Krimper teaches in the French and English departments at New York University, USA, where he received his PhD in Comparative Literature. His forthcoming book, Out of Work: The Refusal of Literature from Melville to Blanchot, examines the crystallization of an antiwork aesthetics and politics in late modernist writing and theory. He is also the editor of a recent special issue for the Journal of Beckett Studies that published Beckett’s lost translations on the Marquis de Sade. His articles, reviews, and translations have appeared in New Literary History, diacritics, SubStance, parallax, October, the Journal of Italian Philosophy, and the Los Angeles Review of Books, among other venues. Gabriel Quigley is a doctoral candidate in the Department of Comparative Literature at New York University, USA. Combining comparative modernisms, continental philosophy, and postcolonial theory, his work focuses on retrieving concealed paradigms of possibility and freedom. His articles and translations have been published or are forthcoming in Samuel Beckett Today/Aujourd'hui, French Studies Bulletin, Derrida Today, Critical Inquiry, Journal of Modern Literature, and Interventions: International Journal of Postcolonial Studies.
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  • 8
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031383519
    Language: English
    Pages: 1 Online-Ressource(XV, 253 p. 2 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Literary Cultures and Childhoods
    Parallel Title: Erscheint auch als
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    Keywords: Children's literature. ; Comparative literature. ; Literature, Modern ; Social history.
    Abstract: Literary Cultures and Nineteenth-Century Childhoods explores the construction of the child and the development of texts for children in the nineteenth century through the application of fresh theoretical approaches and attention to aspects of literary childhoods that have only recently begun to be illuminated. This scope enables examination of the child in canonical nineteenth-century novels by Charles Dickens, Elizabeth Gaskell, Charlotte Brontë, and Thomas Hardy alongside well-known fiction intended for young readers by George MacDonald, Christabel Coleridge, and Kate Greenaway. The century was also distinctive for the rise of the children’s magazine, and this book broadens the definition of literary cultures to include magazines produced both by, and for, young people. The volume examines how the child and family are conceptualised, how children are positioned as readers in genres including the domestic novel, school story, Robinsonade, and fantasy fiction, how literary childhoods are written and politicised, and how childhood intersects with perceptions of animals and the natural environment. The range of chapters in this collection and the texts they consider demonstrate the variability and fluidity of literary cultures and nineteenth-century childhoods. Kristine Moruzi is an Associate Professor in the School of Communication and Creative Arts at Deakin University, Australia. She has written two monographs, Constructing Girlhood through the Periodical Press, 1850-1915 (2012) and From Colonial to Modern: Transnational Girlhood in Canadian, Australian, and New Zealand Children’s Literature, 1840-1940 (with Michelle J. Smith and Clare Bradford, 2018). She is co-editor (with Nell Musgrove and Carla Pascoe Leahy) of Children’s Voices from the Past: New Historical and Interdisciplinary Perspectives (2019). Michelle J. Smith is an Associate Professor in Literary Studies at Monash University, Australia. Her most recent monograph is Consuming Female Beauty: British Literature and Periodicals, 1840-1914 (2022). Her other authored books are From Colonial to Modern: Transnational Girlhood in Canadian, Australian, and New Zealand Children’s Literature, 1840-1940 (2018, with Clare Bradford and Kristine Moruzi) and Empire in British Girls’ Literature and Culture: Imperial Girls, 1880–1915 (2011). .
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  • 9
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031349027
    Language: English
    Pages: 1 Online-Ressource(XIII, 282 p. 15 illus.)
    Edition: 1st ed. 2024.
    Series Statement: The New Antiquity
    Parallel Title: Erscheint auch als
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    Keywords: Poetry. ; Classical literature. ; Literature, Ancient. ; Literature, Modern ; European literature. ; History, Ancient.
    Abstract: 1 Introduction -- Part I: Cavafy Reads a Coin -- 2 A golden coin? -- 3 How to read a coin portrait in the early 1900s -- 4 What is a ‘poet-historian’? -- Part II: Cavafy Reads Inscriptions -- 5 ‘Caesarion’ as palimpsest -- 6 ‘In the month of Athyr’: Leucius and his friends -- Part III: Looking at Antiquity from Inside the Empire -- 7 Imperial desires -- 8 A Hellenistic Empire -- 9 How to read Cavafy inside the British Empire.
    Abstract: "Cavafy’s Hellenistic Antiquities is a fascinating and meticulous study of how the Greek poet breathes life into artefacts and textual fragments from the classical past. Kayalis delves deeply into the poems in order to lay bare the extraordinary complexity that hides beneath the surface. His book shows that modern poetry, modern homosexuality and even British imperialism were shaped by encounters with Hellenistic culture." – Stefano Evangelista, Professor of English, University of Oxford "Cavafy’s Hellenistic Antiquities offers an original critique of the poet as a belated antiquarian by redefining his archaeological poetics and aligning them with his Anglophilia and colonial positionality. Kayalis’s revisionist appraisal of Cavafy’s historicism presents compelling new readings of signature poems and forges new connections to overlooked homoerotic and popular sources. A brilliant contribution to Cavafy studies." – Peter Jeffreys, Associate Professor of English, Suffolk University This book reinterprets C. P. Cavafy’s historical and archaeological poetics by correlating his work to major cultural, political and sexualized receptions of antiquity that marked the turn of the 20th century. Focusing on selected poems which stage readings of Hellenistic and late ancient texts and material objects, this study probes the poet's personal library and archive to trace his scholarly sources and scrutinize their contribution to his creative practice. A new understanding of Cavafy's historicism emerges by comparing his poetics to a broad array of discourses and intellectual pursuits of his time; these range from antiquarianism, physiognomy and Egyptomania to cultural appropriations of the classics which sought to legitimate British colonial rule as well as homoerotic desire. As this volume demonstrates, Cavafy embraced antiquarianism as an empathetic and passionate way of relating to the past and shaped it into a method that allowed his poetry to render modern meanings to Hellenistic antiquities. Takis Kayalis is Professor of Modern Greek Literature at the Hellenic Open University, Greece. He has published extensively on nineteenth-century prose and modernist poetry and co-edited Teaching Literature at a Distance: Open, Online and Blended Learning (2010) and Cavafy as World Literature (forthcoming). In 2019 he co-curated the Cavafy Archive’s Digital Collection (Onassis Foundation).
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  • 10
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031406546
    Language: English
    Pages: 1 Online-Ressource(XII, 329 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Literature, Culture and Economics
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Motion pictures ; Economic history.
    Abstract: 1. Introduction -- 2. The Financial Gaze -- 3. Film and Financial Ethics -- 4. Film and Financial Time -- 5. Film and 6. Financial Space -- 7. Film and Financial Performance -- 8. Conclusion.
    Abstract: The Financial Image: Finance, Philosophy, and Contemporary Film draws on a broad range of narrative feature films, documentaries, and moving image installations in the US, Europe, and Asia. Using frameworks from contemporary philosophy and critical finance studies, the book explores how contemporary cinema has registered recent financial and economic issues. The book focuses on how filmmakers have found formal means to explore, celebrate, and critique the increasingly important role that the financial sector plays in shaping global economic, political, ethical, and social life. Alasdair King is Reader in Film in the School of Languages, Linguistics, and Film at Queen Mary University of London, UK. He is the author of Hans Magnus Enzensberger: Writing, Media, Democracy (2007).
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  • 11
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031463457
    Language: English
    Pages: 1 Online-Ressource(XIII, 203 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Life Writing
    Parallel Title: Erscheint auch als
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    Keywords: Literature. ; Prose literature. ; Literature, Modern ; Literature, Modern ; Comparative literature.
    Abstract: 1 Introduction: Mourning as a Resistance Trope: Trauma, History and Memory in Indian Ocean Life Writing - Esther Pujolràs-Noguer & Felicity Hand -- Part I: Mourning Memoirs -- 2 The Ectopic Insider: Exploring the Interstices of Travel Writing, Memory and History in M.G. Vassanji’s And Home Was Kariakoo - Esther Pujolràs-Noguer -- 3 Of Father and Son: The Configuration of the Trauma of Return in Michael Ondaatje’s Running in the Family - Esther Pujolràs-Noguer -- Part II: Female Resilience -- 4 Rhizomatic Perennials: Resilience and Survival in Kenyan Asian Memoirs - Felicity Hand -- 5 ‘Learning to wear a sari is a rite of passage’: Shailja Patel’s Inventory of the Migrant Body in Migritude - Esther Pujolràs-Noguer -- Part III: Indian Ocean Crossing -- 6 Transoceanic Connections, Past and Present. Lindsey Collen’s The Indian Ocean as a Unifying Force: A Memoir - Felicity Hand -- 7 Banyans Behind Bars: Three South African Indian Memoirs - Felicity Hand.
    Abstract: This volume examines a selection of life writing in English by authors from the South West Indian Ocean, namely South Africa, East Africa, Mauritius and Sri Lanka. The two motifs that run through the chapters – mourning and resilience – are theoretical frameworks that have so far not been brought into conversation in this way. The combination of trauma studies and autobiographical analysis sharpens the focus of the discussions on Indian Ocean life writing, privileging an Indian Ocean imaginary that is transnational and cross-oceanic in its orientation and pointing to networks of connections that transcend the nation state, which is often the origin of trauma in the first place. Filling a gap in Indian Ocean studies in its close readings of trauma and resilience, the book also broadens perspectives on postcolonial life writing since little attention has been paid so far to Indian Ocean autobiographical literary products. By the same token, the volume also enriches the field of Indian Ocean literary studies by incorporating life writing as an aesthetic strategy which helps to configure Indian Ocean subjectivities. Esther Pujolràs-Noguer is a Serra-Húnter Fellow in the Department of Foreign Languages and Literatures of the University of Lleida, Spain. She teaches postcolonial literature and culture, gender studies and poetry in English. She is a poet and uses creative writing as a therapeutic tool to help people overcome traumas related to gender violence and forced displacements. She is the co-director with Felicity Hand of the research group Ratnakara, which explores the literatures and cultures of the South West Indian Ocean. Felicity Hand is Honorary Professor in the English Department of the Autonomous University of Barcelona, Spain.
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  • 12
    ISBN: 9783031187247
    Language: English
    Pages: 1 Online-Ressource(XII, 408 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; European literature. ; Russia ; Europe, Eastern ; Soviet Union
    Abstract: Chapter 1. Introduction -- Part I Literary Historiography in Russia After 1990: From a Liberal Search for New Openings Back to the Idea of Russia -- Chapter 2. Historical Introduction -- Chapter 3. Academy of Sciences: Definitive Literary History -- Chapter 4. Post-Soviet University Literary Histories: Defining Russianness -- Chapter 5. Literary History and the Literary Canon in School Education: An Orthodox Upbringing -- Part II Latvian Literature as an Ideologically and Politically Contested Terrain: Literary Historiography Between Foreign Rule, Nationalism, and Comparative Perspectives -- Chapter 6. Introduction: An Outline of the Political and Cultural Development of Latvia -- Chapter 7. Latvian Literary Histories from 1812 to 1940: Popular Enlightenment, Romantic Nationalism, and Political Independence -- Chapter 8. Soviet Latvia and Exile: Political Changes in the Aftermath of WWII and Their Impact on Latvian Literary Histories -- Chapter 9. Literary Histories in the Period of Independence: The 1990s and Early Twenty-First Century -- Part III Politics of Literary History in the Czech Lands -- Chapter 10. 10 Introduction: History, Politics, Culture and the Origins of Literary Historiography in the Czech Lands till 1918 -- Chapter 11. The First Czechoslovak Republic: Literary Historiography 1918–1939 -- Chapter 12. Literary Historiography in the 1950s and Early 1960s -- Chapter 13. Politics and Policies in Literary Historiography During the Periods of “Disobedience” (1963–1969) and “Normalization” (1969–1989) -- Chapter 14. Literary History Since 1989: Directions, Attempts at Synthesis, Challenges -- Chapter 15. Textbooks in Literary History -- Part IV Finland: From Nation-building in Two Languages Towards a European Identity -- Chapter 16. Literary Histories from Mid-Nineteenth to Mid-Twentieth Century: The Viewpoint of Nationalism -- Chapter 17. The Literary History of a Welfare State: Kuusi’s Literary History -- Chapter 18. Celebrating Finland: Laitinen’s Literary History -- Chapter 19. Opening Windows Toward Europe: The Varpio Literary History -- Chapter 20. In Defense of Poesy: Hallila’s Survey of Contemporary Finnish Literature -- Chapter 21. Swedish-Language Literature in Finland: From a National to a Minority Literature -- Chapter 22. Literary History in the Schools: From Nationalism to Cultural Varieties./.
    Abstract: This book looks at literary historiography in Russia, Latvia, the Czech Republic and Finland, focusing on how seismic shifts in state politics and ideology after 1990 changed the writing of national literary histories in these countries. While Russia saw a return to a more nationalist way of thinking about literature and a new emphasis on Orthodox religion after the fall of the Soviet Union, the opposite is true for Latvia, the Czech Republic and Finland. In these countries, literary historiography fosters connections between Western scholarship and literatures written in the national language and engages with questions such as transnationalism, minorities, culture and power, and the cultural construction of identities. This book scrutinizes the different ways in which the construction of national, cultural and European identities has occurred in and through the literary historiography of North-Eastern Europe in the last few decades. Liisa Steinby is Professor Emerita of Comparative Literature at the University of Turku, Finland. Her publications include Myth in the Modern Novel: Imagining the Absolute (2023), co-edited volumes Narrative Concepts in the Study of Eighteenth-Century Literature (2017), and Herder and the Nineteenth Century (2020). Benedikts Kalnačs is Senior Researcher at the Institute of Literature, Folklore and Art, University of Latvia, and Professor of Comparative Literature at the University of Liepāja, Latvia. His publications include A New History of Latvian Literature: The Long Nineteenth Century (ed., with Pauls Daija, 2022). Mikhail Oshukov is Assistant Professor at Petrozavodsk State University, Russia. His publications include the articles "Ezra Pound’s Dramatic Works: Vorticist Noh Theater" (2019), "E.E. Cummings: geometry and grammar of revolution" (2017), and "Familiar Otherness: Peculiarities of dialogue in Ezra Pound’s poetics of inclusion" (2013). Viola Parente-Čapková is Professor of Finnish Literature at the University of Turku, Finland. Her publications include co-edited volumes Women Writing Intimate Spaces: The Long 19th Century at the Fringes of Europe (2023), and Nordic literature of Decadence (2020). .
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  • 13
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031404238
    Language: English
    Pages: 1 Online-Ressource(VIII, 112 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Fiction. ; Poetry. ; Literature, Modern ; Narration (Rhetoric). ; European literature.
    Abstract: Chapter 1- Sacrifice, Consciousness, and Narrative Pronoun Shifts -- Chapter 2- May Sinclair and Two Sides of Sacrifice -- Chapter 3 - From Ritual to Narrative in Mary Butts -- Chapter 4 - Mending a Broken Duality in H. D. (Hilda Doolittle).
    Abstract: This book explores sacrifice as a narrative theme and a stylistic strategy in works by May Sinclair, Mary Butts and H. D. It argues that the modernist experiment with pronoun use informs the treatment of acts of sacrifice in the texts, understood both as acts of self-renunciation and as ritual performance. It also suggests that sacrifice, if the conditions are right, can serve as the structure upon which a cohesive community might be built. The book offers in-depth analyses of the three authors and their works, deftly dissecting the modernist narrative experiment to show that it was by no means limited — it was a means by which to approach a wide range of stories and materials. Sanna Melin Schyllert is Visiting Lecturer at Université Sorbonne Nouvelle - Paris 3, France, having previously held posts at Lund University, the University of Westminster, and University College London. Her publications include ‘Sacrifice, Pronoun Shifts and the Creation of Self in H. D.’s Prose Works’ in The Space Between Journal (2019) and ‘Sacrifice, Community and Narrative Power in Mary Butts’s Taverner Novels’ in The Journal of Religious History, Literature and Culture (2016).
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  • 14
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031389023
    Language: English
    Pages: 1 Online-Ressource(XI, 256 p. 6 illus.)
    Edition: 1st ed. 2024.
    Series Statement: New Directions in Book History
    Parallel Title: Erscheint auch als
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    Keywords: Economics and literature. ; Printing. ; Publishers and publishing. ; Books ; Literature, Modern
    Abstract: Chapter 1 Introduction -- Chapter 2 Coffee-table Books: Seriously? -- Chapter 3 What’s in a Name? -- Chapter 4 A New Book-buying Market -- Chapter 5 More Than Meets the Eye -- Chapter 6 David Brower: An American Environmental Publisher -- Chapter 7 Paul Hamlyn: Britain’s Publishing Mould Breaker -- Chapter 8 Lloyd O’Neil: Australia in Colour -- Chapter 9 Conclusion.
    Abstract: The Coffee-Table Book in the Post-War Anglophone World argues that coffee-table books appeared and became popular in the post-war era at the convergence of three important developments: advances in full colour printing technology, social change, and publishing entrepreneurism and innovation. Examining the coffee-table book through a book history lens acknowledges their significant contribution to post-war visual culture and illustrated publishing. Focussing on post-war America, Great Britain, and Australia during the “golden age” era of the 1950s, 1960s, and 1970s, this history of the coffee-table book takes an interdisciplinary approach to put the coffee-table book in context in regards to materiality, format, printing, status, and genre.
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  • 15
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    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031398964
    Language: English
    Pages: 1 Online-Ressource(XI, 214 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Literature, Science and Medicine
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    Keywords: Literature, Modern ; Literature ; Feminism and literature. ; Medicine and the humanities.
    Abstract: Introduction -- 1. The Problem of the Self-Governed Subject in Jane Austen’s Sense and Sensibility -- 2. Embodied Knowing and the Hysteric in Dickens’s Bleak House -- 3. George Eliot’s Middlemarch and the Question of Marriage as Catalyst or Cure -- 4. Hysterical Degeneration and The New Woman in Thomas Hardy’s The Woodlanders -- Epilogue.
    Abstract: Narratives of Women’s Health and Hysteria in the Nineteenth-Century Novel looks extensively at hysteria discourse through medical and sociological texts and examines how this body of work intersects with important cultural debates to define women’s social, physical, and mental health. The book sketches out prominent shifts in cultural reactions to the idea of diffused agency and the prized model of the interiorized, individual person capable of self will and governance. Melissa Rampelli takes up the work of Jane Austen, Charles Dickens, George Eliot, and Thomas Hardy, showing how the authors play with and manipulate stock literary figures to contribute to this dialogue about the causes and cures of women’s hysterical distress.
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  • 16
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031396465
    Language: English
    Pages: 1 Online-Ressource(XIX, 402 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Creative nonfiction. ; Literature, Modern
    Abstract: 1 Introduction -- 2 Early years, the 1920s; and William Blake -- 3 The 1930s; and John Bunyan -- 4 The 1940s; and Charles Dickens -- 5 The 1950s; and George Meredith -- 6 The 1960s – mid 1970s; and William Morris -- 7 The late 1970s – 1990; and William Blake, revisited -- 8 Conclusion.
    Abstract: “In what is undoubtedly a landmark work, Cranny-Francis has found a cogent and immensely satisfying line through Lindsay’s life and writing. It provides welcome access to Lindsay-fications of five great writers, which will provoke and inspire readers to reassess those writers’ works. I can think of no one better placed to tell Lindsay's story, and Lindsay's story is an important one to tell.” — Henry Stead, University of St Andrews, UK This book offers an in-depth analysis of the work of prolific writer, activist and publisher, Jack Lindsay (1900-1990). It maps the development of his ideas across the twentieth century by reference to the five British writers about whom he published major studies: William Blake, John Bunyan, Charles Dickens, George Meredith and William Morris. At the same time it maps the formation through the twentieth-century of Left cultural politics, which Lindsay repeatedly anticipated in areas such as the fundamental interconnectedness of human beings and the natural world, the formative role of culture in both social and individual being, the crucial role of the senses in embodied being and the rejection of mind/body dualism. Through his analysis Lindsay foretold both the social alienation and the environmental degradation that characterise the beginning of the twenty-first century, while his interdisciplinary research and transdisciplinary analysis provide models for how we might address these critical concerns. Anne Cranny-Francis is Adjunct Professor in the Faculty of Arts and Social Sciences, University of Technology Sydney, Australia. She is known for her work in feminist and gender studies, cultural literacy, popular culture studies, and studies of embodiment, the senses (particularly touch) and human-technology engagement.
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  • 17
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    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031443008
    Language: English
    Pages: 1 Online-Ressource(XV, 173 p.)
    Edition: 1st ed. 2024.
    Series Statement: American Literature Readings in the 21st Century
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    Keywords: America ; Literature, Modern ; Cities and towns
    Abstract: Introduction -- 1 Post-Civil War Stories -- 2 Art, Music, and Language -- 3 Postbellum Transitions -- 4 The “Protomodern” City -- 5 New Orleans and Chopin’s Novels -- Conclusion.
    Abstract: This book examines selected short stories and novels by Kate Chopin through the lens of the city of New Orleans. Chopin’s depictions of and references to New Orleans celebrate the vibrancy of this unique American city, but also illustrate the complex, interdependent relationships defined within its coded system of racial, gendered, and class designations. These stories feature canny depictions of the complexity of human struggles for freedom as well as love within this nineteenth-century southern city. While Chopin has been highly regarded as a local color writer and especially as a feminist literary icon, this book shows how the author’s “city” stories also point to her sophistication as an author who perceived the shifting literary landscape, and it identifies the ways many of these stories’ protomodernist elements anticipate the advent of the Modern era.
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  • 18
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031409349
    Language: English
    Pages: 1 Online-Ressource(XVIII, 281 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Fiction. ; Poetry. ; Literature, Modern ; Literature, Modern ; Literature. ; Art, Modern
    Abstract: I. Introduction. Rewriting the Soul: the Persistence of a Concept 2 -- II. Writing the Soul 23 -- 1. Egyptian Souls in Victorian Minds: The Transmigration of the “Ka” in Egyptianising Fiction -- 2. E. S. Dallas’s Literary Theory: The “Hidden Soul” and the Workings of the Imagination -- 3. “You haven’t let me call my soul my own”: Soul, psyche and the thrill of nothingness in May Sinclair’s fiction -- 4. Spectrality and Narrative Form in George Saunders’s Lincoln in the Bardo -- 5. Forging in the smithy of David Foster Wallace’s postmodern soul -- III. The Aesthetics of the Soul -- 6. Transmutations of the Soul: Anima and her Heart in Christopher Harvey’s School of the Heart (1647) -- 7. Let us go Forward: The Soul, Spiritualism and the Funerary Commemoration of Richard Cosway, Dante Gabriel Rossetti, and Evelyn de Morgan -- 8. “Dancing the American Soul: Secular and Sacred Motifs in the Choreographic American Renaissance.”- 9. Casting the Soul: Antony Gormley’s sculptures -- Sweet Soul Music -- IV. The Ethics and Politics of the Soul -- 11. Colliding Circles: Ralph Waldo Emerson’s Concept of the Soul Between Spiritual Self-Realization and Materialistic Expansion -- 12. “Souls on Board”: A Counter-History of Modern Mobility -- 13. African American Women’s Literary Renaissance: A Template for Spiritual Fiction in the 21st Century?- 14. “Persisting souls in a persisting myth: appropriation and transmigration in Ahmed Saadawi’s Frankenstein in Baghdad (2013).”.
    Abstract: This book analyses the evolution of literary and artistic representations of the soul, exploring its development through different time periods. The volume combines literary, aesthetic, ethical, and political considerations of the soul in texts and works of art from the seventeenth to the twenty-first centuries, spanning cultures and schools of thought. Drawing on philosophical, religious and psychological theories of the soul, it emphasizes the far-reaching and enduring epistemological function of the concept in literature, art and politics. The authors argue that the concept of the soul has shaped the understanding of human life and persistently irrigated cultural productions. They show how the concept of soul was explored and redefined by writers and artists, remaining relevant even as it became removed from its ancient or Christian origins. Estelle Murail is a Senior Lecturer in English Literature and Culture at the Catholic University of Paris and Associate Researcher and Lecturer at the University of Paris, France. She has published several articles on the flâneur and cities, and co-edited Dickens and the Virtual City (Palgrave, 2017). Her current research focuses on urban spaces, the environment, crossings and networks, and the notion of persistence. Delphine Louis-Dimitrov is a Senior Lecturer in American Literature and Vice-Dean of the Faculty of Humanities at the Catholic University of Paris, France. Her research mostly focuses on the interplay of individuality with history and politics in fiction and autobiographical writings. Spirituality is central to her reflection on literary representations of individual and collective identities. .
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  • 19
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031355462
    Language: English
    Pages: 1 Online-Ressource(XXI, 200 p. 3 illus., 2 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature. ; Literature, Modern ; Comparative literature.
    Abstract: Introduction -- Part 1. Modernism and Peripherality: Theoretical Considerations.-1.1.Benita Parry – ‘Stylistic Irrealism in Peripheral Literatures as Symptom, Mediation and Critique of Modernity’.-1.2.Irene Ramalho Santos – ‘What is Peripheral about Peripheral Modernisms?’ -- Part 2. Liminality in the ‘Semi-peripheries’ -- 2.1. Katia Pizzi – ‘Trieste and the Untranslatable Modernism’ -- 2.2. Roberta Gefter – ‘“From the Periphery of the Metropolis”: on Joyce’s Modern Irish Peripherealities’ -- 2.3. Marilena Parlati – ‘Australian Modernisms Strike Back, or still Harping on “Margins”’ -- Part 3. Metropolis, Technology, Cultural Transfer -- 3.1. Andreas Kramer – ‘Geographies of Peripheral Modernism: The Case of the Russian Avant-Garde (Khlebnikov, Eisenstein, Tret’iakov)’ -- 3.2. Patricia Silva – ‘Transcultural Reception in the Postcolonial Periphery: Brazilian Modernism and the European Avant-Garde’ -- 3.3. Ali Mozaffari & Nigel Westbrook – ‘In Search of the Authentic Modern: The Rhetoric of Architecture in Late 20th Century Iran’.
    Abstract: This collection of essays reappraises the contributions made by modernist movements from regions generally regarded as peripheral or semi-peripheral to a global aesthetic of Modernism. It particularly focuses on European semi-peripheries, combining theoretical chapters and individual case studies to examine the cultural and aesthetic complexities of so-called peripheral modernisms. Contributing to research on the ‘transnational turn’ in New Modernist Studies, the volume takes recent scholarship on postcolonial modernisms one step further by exploring a broader geopolitical expanse than the (formerly) colonised regions under global capitalism. It highlights the local and translocal specificities of modernist movements from regions such as Eastern and Central Europe and the Mediterranean to offer new insights into the concept of global modernism.
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  • 20
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031407918
    Language: English
    Pages: 1 Online-Ressource(IX, 245 p. 4 illus.)
    Edition: 1st ed. 2024.
    Series Statement: New Directions in Irish and Irish American Literature
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    Keywords: Literature, Modern ; European literature. ; America ; Emigration and immigration. ; Women ; Literature
    Abstract: Section I: Irish American Women’s Activism (1880-1920) -- 1. Fanny Parnell: The Songstress of the Land League -- 2. Mother Jones, Elizabeth Gurley Flynn, and Famine Memory -- 3. Kate Kennedy, Irish Famine Refugee, American Feminist -- Section II: Famine Memory and Irish American Women’s Writing -- 4. From Regional Remembrance to Transatlantic Heritage: the Transportability of Famine memory in Fiction by Mary Anne Sadlier, Anna Dorsey and Alice Nolan -- 5. Margaret Dixon McDougall’s The Days of a Life (1883); an Irish-Canadian Perspective of the Repetitive Nature of Irish History -- Section III: The Global Famine Diaspora: Mary Anne Sadlier and Her Contemporary Female Authors -- 6. Irish Catholic and Irish Protestant Women Writers’ Perceptions of the Famine Migration and Resettlement in British North America -- 7. Sentimentally Irish, Racially White: The Balancing Act of Irish-American Identity in the Novels of Sadlier and Meany.
    Abstract: The Famine Diaspora and Irish-American Women’s Writing considers the works of eleven North-American female authors who wrote for or descended from the Irish Famine generation: Anna Dorsey, Christine Faber, Elizabeth Gurley Flynn, Mother Jones, Kate Kennedy, Margaret Dixon McDougall, Mary Meaney, Alice Nolan, Fanny Parnell, Mary Anne Sadlier, and Elizabeth Hely Walshe. This collection examines the ways the writings of these women contributed significantly to the construction of Irish North-American identities, and played a crucial role in the dissemination of Famine memories transgenerationally as well as transnationally. The included annotated excerpts from these women writers’ works and the accompanying essays by prominent international scholars offer insights on the sociopolitical position of the Irish in North America, their connections with the homeland, women’s activities in transnational (often Catholic) publishing networks and women writers’ mediation of Ireland’s cultural heritage. Furthermore, the volume illustrates the generic variety of Irish-American women’s writing of the Famine generation, which comprises political treatises, novels, short stories and poetry, and bears witness to these female authors’ profound engagement with political and social issues, such as the conditions of the poor and woman’s vote. Marguérite Corporaal is Full Professor of Irish Literature in Transnational Contexts at Radboud University, the Netherlands. She was PI of Relocated Remembrance: The Great Famine in Irish (Diaspora) Fiction, 1847–1921), is a NWO-VICI grant recipient for her project Redefining the Region (2019-24), and PI of Heritages of Hunger, a Dutch research council-funded NWO-NWA project (2019-24). She is the author of Relocated Memories of the Great Famine in Irish and Diaspora Fiction, 1847–70 (2017). Dr. Jason King is Academic Coordinator of the Irish Heritage Trust and National Famine Museum, Strokestown Park, and a member of the Government of Ireland National Famine Commemoration Committee. His recent publications with Christine Kinealy and Gerard Moran include More Heroes of Ireland’s Great Hunger Heroes of Ireland’s Great Hunger (2022, 2021) and Irish Famine Migration Narratives: Eyewitness Testimonies, vol II, The History of the Irish Famine (2019). Peter D. O’Neill is Associate Professor in Comparative Literature and Intercultural Studies at the University of Georgia, USA. With David Lloyd, he co-edited an essay collection, The Black and Green Atlantic: Crosscurrents of the African and Irish Diasporas, (Palgrave Macmillan; 2009). His award-winning book, Famine Irish and the American Racial State, was published in paperback in 2019. .
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  • 21
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031498886
    Language: English
    Pages: 1 Online-Ressource(XV, 200 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Literature, Science and Medicine
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    Keywords: Poetry. ; Literature, Modern ; Literature, Modern ; Medicine and the humanities. ; Medical Ethics. ; Science
    Abstract: 1. “Poems are Bodies that Remind Us We Have Bodies”—Poetry, Medical Posthumanism, and Ethical Practice -- 2. Entangled Species / Entangled Health: The Inclusive Poetics of Juliana Spahr -- 3. Health Inequity, Structural Racism, and The Trans-Corporeal Ethics of Claudia Rankine’s Investigative Poetics -- 4. Shared Suffering and Chronic Vulnerability in the Poetry of Brian Teare -- 5. Global Health Equity, Community Building, and the Innovative Poetics of Hong and Perez -- 6. Conclusion: Affirmative Medicine: Queer Figurations and Porous Boundaries.
    Abstract: Advancing Medical Posthumanism Through Twenty-First Century American Poetry places contemporary poetics in dialogue with posthumanism and biomedicine in order to create a framework for advancing a posthuman-affirmative ethics within the culture of medical practice. This book makes a case for a posthumanist understanding of the body—one that sees health and illness not as properties possessed by individual bodies, but as processes that connect bodies to their social and natural environment, shaping their capacity to act, think, and feel. Tana Jean Welch demonstrates how contemporary American poetry is specifically poised to develop a pathway toward a posthuman intervention in biomedicine, the field of medical humanities, medical discourse, and the value systems that guide U.S. healthcare in general. Tana Jean Welch is a poet and scholar of medical humanities and contemporary American poetry. She is Associate Professor of Medical Humanities at the Florida State University College of Medicine where she teaches courses in literature, writing, and humanities and serves as Director of the Chapman Humanities and Arts in Medicine Program. Her critical work has been published in MELUS, The Journal of Ecocriticism, Literature and Medicine, and Academic Medicine. She is also the author of the poetry collections In Parachutes Descending (2024) and Latest Volcano (2016). .
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  • 22
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031526732
    Language: English
    Pages: 1 Online-Ressource(XV, 208 p. 1 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature ; Feminism and literature. ; Fiction. ; Women
    Abstract: 1. Introduction: Walking into the Future -- 2 From Campaigner to Novelist: The Lives of Constance Antonina Boyle -- 3 Out of the Frying Pan -- 4 What Became of Mr Desmond -- 5 Nor All Thy Tears -- 6 Anna's -- 7 The Stranger Within the Gates -- 8 Conclusion: Deeds and Words.
    Abstract: This book offers the first comprehensive treatment of the fiction of Constance Antonina (Nina) Boyle: a suffragette described in one obituary as 'second only to Mrs Pankhurst'. Boyle was a well-known campaigner and was the first woman to stand for selection as a candidate in an election in the UK. However, her novels have been all but forgotten. This study explores Boyle's early fiction and focuses on her first five novels - each of which represents a retelling of established narratives. It explores how Boyle used her fiction to voice her radical gender politics within a culture that was becoming increasingly hostile to even discussing women's rights outside of the extension of the franchise. This book will be of interest to scholars of women's suffrage as well as anyone interested in popular fiction of the 1920s. Nicola Allen is Senior Lecturer in English Literature and Co-Course Leader for MA English at the University of Wolverhampton, UK. She is author of Marginality in the Contemporary British Novel (2008).
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  • 23
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031449956
    Language: English
    Pages: 1 Online-Ressource(IX, 235 p. 1 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Fiction. ; Economics. ; Culture.
    Abstract: 1. Introduction: Cosmopolitanism’s New Orientations -- 2. New Intersections in Fiction: Cosmopolitanism, Culture and Economics -- 3. Narrative Glocality and The Cosmoflâneur in Ian McEwan’s Saturday.-4. Vernacular Cosmopolitanism, Cosmopolitan Culture and Economics in Zadie Smith’s NW.-5. Cosmopolitan Identity and Narration in Salman Rushdie’s The Golden House: The Move Towards Vernacular Cosmopolitanism.-6. Posthuman Cosmopolitanism and Post-Covid-19 Sensitivities In Kazuo Ishiguro’s Klara And The Sun.-7. Conclusion: The Genre of The Contemporary -- References.-Index.
    Abstract: “A nuanced, carefully articulated and insightful piece of scholarship. Paying attention to urgent political and social developments, including Brexit and Covid-19, Elif Toprak Sakız deepens our understanding of the dynamic interplay between culture and economics in the twenty-first century.” - Kristian Shaw, Associate Professor of English Literature, University of Lincoln, U.K “Through an engaging assessment of exemplary works of contemporary British fiction, Toprak-Sakiz provides a rich, thoughtful and critical reflection on the multiple meanings and dimensions of cosmopolitanism. This is an extremely timely and vital discussion on a key topic for our turbulent times.” - Steven Vertovec, Director of the Department of Socio-Cultural Diversity, Max Planck Institute for the Study of Religious and Ethnic Diversity, Germany This book investigates how culture and economics define novel forms of cosmopolitanism and cosmopolitan fiction. Tracing cosmopolitanism’s transition from universalism to vernacularism, the book opens up new avenues for reading cosmopolitan fiction by offering a precise and convenient set of terminology. The figure of the cosmoflâneur identifies a contemporary cosmopolitan character’s urban mobility and wandering consciousness in interaction with the global and the local. Posthuman cosmopolitanism also extends the meaning of cosmopolitan which comes to embrace the nonhuman alongside the human element. Defining narrative glocality, political hyper-awareness, and narrative immediacy, the book thoroughly explores how cosmopolitan narration forges direct responses to the contemporary world in postmillennial cosmopolitan novels. All of these concepts are elaborated in Ian McEwan’s Saturday (2005), Zadie Smith’s NW (2012), Salman Rushdie’s The Golden House (2017), and Kazuo Ishiguro’s Klara and the Sun (2021), to which world-engagement is central. Elif Toprak Sakız holds a PhD in English Literature from Middle East Technical University, Ankara, Türkiye. Her areas of interest include cultural studies, twenty-first-century fiction, narrative theory and posthumanism. She is a lecturer of Foreign Languages and Comparative Literature at Dokuz Eylul University, where she has been teaching since 2010. She has published several articles in the fields of contemporary fiction, postcolonialism, gender studies and comparative literature.
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    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031307843
    Language: English
    Pages: 1 Online-Ressource(XXX, 656 p. 28 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Literature, Modern ; Literature. ; Emigration and immigration. ; World history.
    Abstract: Chapter 1: Introduction -- Chapter 2: Narrating Migration in the Settler Colonies: Recent Climate Fiction in Australia and New Zealand -- Chapter 3: Invasion and Replacement Fantasies: Jean Raspail’s The Camp of the Saints and the French Far Right -- Chapter 4: Between History and the Discord of Time: The Figure of the Migrant in A Seventh Man and Transit -- Chapter 5: A Border Poetics of Migration: Five Mappings of Migration Literature in Norwegian and Swedish -- Chapter 6: "A Strangely Familiar Place”: Cinematic (Re)framings of the EU’s Easternmost Border. Chapter 7: Migration, Romani Writers, and the Question of National Literatures. Chapter 8: Introduction -- Chapter 9: Setting the Stage of Contemporary Migration in the Italian Hostile Environment. Chapter 10: The Dystopian Imaginary, Climate Migration, and “Lifeboat-Nationalism”. Chapter 11: Black Parisians in Merry Colors: Queerness and Creolisation in the Popular Comedies of Lucien Jean-Baptiste -- Chapter 12: Classification and the Secrets of Kinship: Migration, Scientific Naturalism, and the Racialization of Blood in the Eighteenth Century -- Chapter 13: “There’s ways to survive these times… and I think one way is the shape the telling takes”: Hostile Environments and Hospitable Connections in Ali Smith’s Seasonal Quartet -- Chapter 14: Introduction -- Chapter 15: Migration, Forced Displacement, and Aesthetic Agency: Sharon Dodua Otoo’s Adas Raum. Chapter 16: Comparing Migrations? Russian German Jewish Writers on the “Refugee Crisis”. Chapter 17: Literary Archives and Alternative Futures. Memories of Labor Migration in Contemporary Turkish German Fiction. Chapter 18: On the Afterlife of Lucrecia Pérez: Literature and Migrant Memory against Nationalist Myth-Making in Democratic Spain. Chapter 19: On the Afterlife of Lucrecia Pérez: Literature and Migrant Memory against Nationalist Myth-Making in Democratic Spain. Chapter 20: Muslim Interpellation: Hijabs, Beards, and the Post-9/11 Border Regime. Chapter 21: Another Home. Chapter 22: Introduction -- Chapter 23: “Struggles with Identity Don’t Care about Latitude”: Saša Stanišić’s Herkunft (Where You Come From) as “Born Translated” Text -- Chapter 24: Verstummung”: Carmine Abate’s Dislocative Voices -- Chapter 25: Going for Nothing: Migration and Translation in Christina Rivera Garza -- Chapter 26: “Life Goes on, Defying Common Sense”: On Translating Russian Émigré Poetry -- Chapter 27: "It is hard to choose": An Italian Author on Migration, Diaspora, African Literature, and the Limits of Labels -- Chapter 28: Poetry as Love and Resistance -- Chapter 29: Introduction -- Chapter 30: Sound in Place: Italian Migrant Street Music in the Nineteenth-Century English Novel -- Chapter 31: Restorying the Greco-Turkish Population Exchange and the Partition of India and Palestine through Graphic Narrative: Hand-drawn Lines, Embroidered Histories, Portable Homelands -- Chapter 32: “Resonance is Contact Ripple”: Media and Contemporary Poems of Mediterranean Migration. Chapter 33: Ways of Seeing: Ethics of Looking in Refugee Films after 2015 -- Chapter 34: Curating Hospitality: Towards a More Sensitive Perception of Vulnerability -- Chapter 35: Introduction -- Chapter 36: Reading the Politics of Exile: Matei Vișniec’s Mr. K Released -- Chapter 37: Hassan Blasim’s God 99: Staying with Fragments, Designing Other Worlds -- Chapter 38: Melancholia of Migration in the Transnational Italian Imaginary -- Chapter 39: “not safe any where anymore”: Biopolitical Poetics and Irish Migration Poetry -- Chapter 40: “a historian of the soft tissue”: An Interview with Bhanu Kapil. .
    Abstract: The Palgrave Handbook of European Migration in Literature and Culture engages with migration to, within, and from Europe, foregrounding migration through the lenses of historical migratory movement and flows associated with colonialism and postcolonialism. With essays on literature, film, drama, graphic novels, and more, the book addresses migration and media, hostile environments, migration and language, migration and literary experiment, migration as palimpsest, and figurations of the migrant. Each section is introduced by one of the handbook’s contributing editors and interviews with writers and film directors are integrated throughout the volume. The essays collected in the volume move beyond the discourse of the “refugee crisis” to trace the historical roots of the current migration situation through colonialism and decolonization. .
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  • 25
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031249983
    Language: English
    Pages: 1 Online-Ressource(XIII, 317 p. 2 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Literature ; Comparative literature. ; Collective memory.
    Abstract: Introduction (Takayuki Shonaka, Takahiro Mimura and Shinya Morikawa) -- Part I Early Japanese Influences -- 1 Blithe Spirit: Young Ishiguro’s Contact with Japanese Children’s Culture through Shogakukan’s Graded Educational Magazines (Motoko Sugano) -- 2 Osamu Tezuka’s Astro Boy and Kazuo Ishiguro’s Klara and the Sun (Ria Taketomi) -- Part II Ghosts and Stereotypes -- 3 Constructing Japan with Stereotypes: An Analysis of Kazuo Ishiguro’s ‘A Family Supper’ (Yoshiki Tajiri) -- 4 Envisioned ‘Ghosts Project’: Kazuo Ishiguro’s Imaginary Nagasaki (Megumi Kato) -- 5 The Hidden Ghost Story: Ishiguro, Ugetsu, and Troubled English Belief (Anni Shen) -- Part III War and Responsibilities -- 6 ‘The Shame of Being on the Wrong Side of History’: Defeat and the Failures of Masculinities in An Artist of the Floating World and The Remains of the Day (Kunio Shin) -- 7 Between the A-bombing and Responsibilities for World War II: Changes in the Themes of Ishiguro’s Early Novels (Masako Matsuda) -- 8 The Representation of the Sino-Japanese War and Cosmopolitanism in Empire of the Sun, When We Were Orphans, and My Shanghai, 1942-1946 (Erica Aso) -- Part IV Creative Development -- 9 Tracing the Origin of Kazuo Ishiguro through His Early Song Lyrics (Takayuki Shonaka) -- 10 ‘The Remains’ of Charlotte Brontë in the Early Novels of Kazuo Ishiguro (Hiromi Nagara) -- 11 The Evolution of Stevens towards The Remains of the Day (Shinya Morikawa) -- Part V Past and Future -- 12 Monumental Moments: Narrative Complicity in the Novels of Kazuo Ishiguro (Takahiro Mimura) -- 13 Nonhuman/Posthuman Aspects in Kazuo Ishiguro’s New Millennium Novels (Hiroshi Ikezono). .
    Abstract: This collection of essays offers new perspectives from Japan on Nobel Prize–winning author Kazuo Ishiguro. It analyses the Japanese-born British author from the vantage point of his birthplace, showing how Ishiguro remains greatly indebted to Japanese culture and sensibilities. The influence of Japanese literature and film is evident in Ishiguro’s early novels as he deals with the problem of the atomic bomb and Japan’s war responsibility, yet his later works also engage with folk tales and the modern popular culture of Japan. The chapters consider a range of Japanese influences on Ishiguro and adaptations of Ishiguro’s work, including literary, cinematic and animated representations. The book makes use of newly archived drafts of Ishiguro’s manuscripts at the Harry Ransom Center at the University of Texas to explore the origins of his oeuvre. It also offers sharp, new examinations of Ishiguro’s work in relation to memory studies, especially in relation to Japan. Takayuki Shonaka is Professor in English Literature at Kyoto Women’s University, Japan. His research and teaching expertise are in British and American Culture, Language, and Literature. He is the author of Kazuo Ishiguro: ‘Nihon’ to ‘Igirisu’ no Hazama kara [Kazuo Ishiguro: From Between ‘Japan’ and ‘England’] (2011). Takahiro Mimura is Professor in English at Chiba Institute of Technology, Japan. He studies contemporary English novels especially from the perspective of memory. He is the author of Kazuo Ishiguro Wo Yomu [Reading Kazuo Ishiguro] (2022) and Kioku To Zinbungaku [Memory and the Humanities] (2021). Shinya Morikawa is Professor in English Literature at Hokkai-Gakuen University, Japan. His research interests include contemporary British fiction, international migration novels, and literary stylistics. He is a co-editor of Kazuo Ishiguro No Shisen: Kioku, Souzou, Kyoushu [Kazuo Ishiguro’s Gaze: Memory, Imagination, Nostalgia] (2018). .
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031492860
    Language: English
    Pages: 1 Online-Ressource(XIII, 123 p. 2 illus., 1 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Gothic
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Fiction. ; Goth culture (Subculture). ; Audiences. ; Literature, Modern ; Literature, Modern ; America
    Abstract: 1. Introduction: Reading Austen-Vampire Mashups -- 2. To Kiss or Kill? Austen’s Vampire-Slaying Heroines -- 3. Trouble in Paradise: Pride and Prejudice as Vampire Romance -- 4. Eternally Yours: Jane Austen as Vampire -- 5. Conclusion: An Unlikely Confluence.
    Abstract: Jane Austen and Vampires is the first book to investigate the literary convergence of Jane Austen and vampires in Austen fanfic after the success of Stephenie Meyer’s Twilight (2005) and Seth Grahame-Smith’s Pride and Prejudice and Zombies (2009). It asks how the shifting cultural values of Austen and the vampire have aligned, and what their connection might mean for their respective contemporary legacies. It also makes a case for reading “low brow” Austen fanfic attentively, as a way to gain meaningful insight directly from Austen fans into the tensions and anxieties surrounding contemporary notions of love, sex, femininity, and Austen’s modern currency. Offering close readings of Austen’s vampire-slaying heroines, vampiric retellings of Pride and Prejudice, and the transformation of Austen herself into a vampire, this book reveals Austen-vampire mashups as messy, complex entanglements that creatively and self-reflexively interrogate modern fantasies of vampire romance. By its unique intersection of Jane Austen with the vampire, the Gothic, fan culture and popular romance, Jane Austen and Vampires adds a new chapter to the history of Austen’s reception, for fans, students and scholars alike.
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    Online Resource
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031499111
    Language: English
    Pages: 1 Online-Ressource(XIII, 228 p. 10 illus.)
    Edition: 1st ed. 2024.
    Series Statement: American Literature Readings in the 21st Century
    Parallel Title: Erscheint auch als
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    Keywords: America ; Fiction. ; Literature, Modern ; Literature, Modern ; Education, Higher.
    Abstract: Chapter 1: Introductions to the American Campus Novel -- Chapter 2: Campus Characters: Exemption and Utopia on Campus -- Chapter 3: Anti-intellectualism, “Theory,” and the Reactionary Impulses of the Campus Novel -- Chapter 4: Unauthorized Sex?: Sex, Power, and Privilege in the Campus Novel -- Chapter 5: Subordinations of Academic Freedom: “Speech” as Campus Keyword and Codeword -- Chapter 6: Identity and Culture War on Campus -- Chapter 7: Hardly Workin; or, the Valences of Productivism in Campus Novels -- Chapter 8: On Teaching the University -- Chapter 9: Appendix I: Further Data -- Chapter 10: Appendix II: the Directory of the American Campus Novel.
    Abstract: Campus Fictions argues that the academic novel balances utopian and regressive tendencies, reinforcing the crises we face in higher learning while simultaneously signposting hope for a worn institution. Whether a bestseller such as Erich Segal ’s romance Love Story (1970) or wonkier fare such as Don DeLillo’s White Noise (1985), the academic novel mystifies the academy not only to a wide public but also—worse—to readers who might describe themselves as sympathetic to higher learning. The book takes an eclectic approach to the academic novel with chapters discussing, for example, the genre’s rampant anti-intellectualism and its work refusals, studying novels such as Ishmael Reed’s Japanese by Spring (1993) and Julie Schumacher’s Dear Committee Members (2014). The book is also accompanied by the “Directory of the American Campus Novel ” file, which tracks the genre by year, by setting, and by other datapoints that readers might make use of. Responding directly to Jeffrey Williams, the renowned scholar of critical university studies who implores faculty to “teach the university,” the book ’s conclusion describes strategies for putting these novels into circulation in the classroom. Through this breadth, Campus Fictions establishes the importance of maintaining hope in the field of critical university studies, which tends toward apocalypticism and perhaps therefore toward disengagement. Wesley Beal serves as W.C. Brown, Jr. Professor of English at Lyon College in the United States. He published his first monograph, Networks of Modernism, in 2015.
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  • 28
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031401107
    Language: English
    Pages: 1 Online-Ressource(XII, 154 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Fiction. ; Literature, Modern ; European literature. ; Poetry.
    Abstract: 1. ‘The Bride-Night Fire’: Hardy & the Voice of the Folk -- 2. A Pair of Blue Eyes: The Cliff-Scene and the Literary Sublime -- 3. Moments of (Technological) Vision -- 4. ‘The Withered Arm’ and History -- 5. (Un)Binding the Sheaves: Selfhood and Labour in Tess of the d’Urbervilles -- 6. ‘The Open’: Hardy and Jefferies -- 7. The d’Urberville Family Portraits: Faciality and Identity -- 8. Tess of the d’Urbervilles and the Fin de Siècle -- 9. Wayfaring -- 10. Hardy’s Lyric Voice: ‘Beeny Cliff’ -- 11. ‘The Face at the Casement’: Window Patterns in Hardy’s Poetry.
    Abstract: This book examines Thomas Hardy’s writing in both prose and poetry, focusing on issues of perception, ‘being’, class and environment. It illustrates the ways in which Hardy represents a social world which serves as a ‘horizon’ for the individual and explores the dialectic between the perceptible world and human consciousness. Ebbatson demonstrates how, in Hardy’s oeuvre, modern life becomes alienated from its roots in rural life – individual freedom is achieved in works like Tess of the d'Urbervilles, Jude the Obscure or The Woodlanders at the cost of personal insecurity and a deepening sense of homelessness. However, this development occurs against the marginalisation of dialect forms of speech. This book also explores how Hardy’s impressionist vision serves to undermine the prevailing conventions of plot structure. Roger Ebbatson is Visiting Professor at Lancaster University and Emeritus Professor at University of Worcester, UK. He is the author of numerous books, including Literature and Landscape (2013) and Landscapes of Eternal Return (2016).
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031402166
    Language: English
    Pages: 1 Online-Ressource(XI, 228 p. 4 illus.)
    Edition: 1st ed. 2024.
    Series Statement: American Literature Readings in the 21st Century
    Parallel Title: Erscheint auch als
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    Keywords: Fiction. ; Creative nonfiction. ; Literature, Modern ; America ; Literature ; Ethics.
    Abstract: Chapter 1 Introduction: Contesting Equilibria: Nussbaum versus Rawls -- Chapter 2 Kantian Dignity -- Chapter 3 Philosophical Literature -- Chapter 4 Trolley Problems -- Chapter 5 Lifeboats -- Chapter 6 Richard Wright’s Travails of Mann -- Chapter 7 Conclusion: Be Reasonable.
    Abstract: This book examines the literature of African-American author Richard Wright and the philosophy of Immanuel Kant, arguing that Wright was not only the foremost proponent of minoritarian protest literature, but also a groundbreaking minoritarian exponent of philosophical literature. In presenting this argument, the volume defends trolley problems from the criticism that some philosophers level against them by promoting their use as an interpretive tool for literary scholars. Starting with Martha C. Nussbaum’s interventions in literary theory concerning Henry James and perceptive equilibrium, this book draws on the philosophical thoughts of her contemporaries—Philippa Foot, John Rawls, Judith Jarvis Thomson, and Derek Parfit—to analyze Uncle Tom’s Children, especially “Down by the Riverside,” alongside other works by Wright. This approach emphasizes Wright’s recognition of the importance and integrity of Kant’s concept of dignity. Michael Wainwright is Honorary Research Associate at the University of London, UK. He is the author of numerous books, including most recently Faulkner’s Ethics: An Intense Struggle (2021), The Rational Shakespeare: Peter Ramus, Edward de Vere, and the Question of Authorship (2018), and Game Theory and Postwar American Literature (2016), all published by Palgrave.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031403453
    Language: English
    Pages: 1 Online-Ressource(XIX, 227 p. 3 illus.)
    Edition: 1st ed. 2024.
    Series Statement: New Directions in Irish and Irish American Literature
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Literature, Modern ; Medicine and the humanities. ; Great Britain
    Abstract: 1 The Story of Tuberculosis in Ireland: An Overview.-2 The Nameless Scourge: Tuberculosis in Ireland, 1800–the Present.-3 The Unspoken Menace -- 4 Dracula, Ireland’s Vampiric Vector -- 5 The Lingering and “The Dead”: Illusion and Irony in Early Twentieth-Century Irish Fiction -- 6 Contagion and Community in Irish Fiction 1900–1942 -- 7 Naming the Scourge and the “Sanatorium of the Imagination”.
    Abstract: This book focuses on Ireland’s lived experience of tuberculosis as represented in the nation’s fiction; not surprisingly, the disease both manifests and conceals itself with devastating frequency in literature as it did in life. It seeks to place the history of tuberculosis in Ireland, from 1800 until after its virtual eradication in the mid-Twentieth Century, in conversation with fictional representations or repressions of a condition so fearsome that until very recently it was usually referred to by code words and euphemisms rather than by its name. Rachael Sealy Lynch, Associate Professor Emerita of English at the University of Connecticut, USA, works primarily in the field of recent and contemporary Irish women writers, and, more recently, in the medical humanities. She has published widely, with a focus on sex, stigma, and shame, on writers including Anne Enright, Jennifer Johnston, Molly Keane, Edna O’Brien, Emma Donoghue, Mary Lavin, and Liam O’Flaherty.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031395703
    Language: English
    Pages: 1 Online-Ressource(XIV, 230 p. 3 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Animals and Literature
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Ecocriticism. ; Literature ; Animal welfare ; Science
    Abstract: Chapter 1. Introduction: honey, wax, pollination Alexis Harley, La Trobe University, Christopher Harrington, La Trobe University -- Chapter 2. “Science and the Sacred Honeybee in the Nineteenth Century” Diane M. Rodgers, Northern Illinois University -- Chapter 3. “Housewives and Old Wives: sex and superstition in English Beekeeping” Adam Ebert, Mount Mercy University -- Chapter 4. “Unsettling Homes”: Honeybees, Georgiana Molloy and Colonial Beekeeping in Australia Jessica White, University of Adelaide -- Chapter 5. “The Social Insect and the Fashionable Newspaper”: Bee Poetry in the Oracle and World Claire Knowles, La Trobe University -- Chapter 6. “A Nineteenth-Century Beeography: Lucy Peacock’s The Life of a Bee Related by Herself (1800)” Samantha George, University of Hertfordshire -- Chapter 7. “Keats’s Honeybees: Sound, Passion, and Natural Prophecy” Hermione de Almeida, University of Tulsa.-Chapter 8. “Bumblebees and Emily Dickinson” Camilla Chen, Oxford University -- Chapter 9. A Hive Turned Upside Down: Drone Bees and the Chartist Imaginary Christopher Harrington, La Trobe University -- Chapter 10. “Through the Agency of Bees”: Charles Darwin, John Lubbock, and the Secret Lives of Plants and People” Jonathan Smith, University of Michigan -- Chapter 11. “Queens and Drones in Thomas Hardy’s Wessex” Alexis Harley, La Trobe University -- Chapter 12. “The Experimental Eminence of Darwin’s Bees” John Clark, St Andrews University.
    Abstract: "For centuries, humans have invested enormous weight in the symbol of the honey bee. The authors of the meticulously-researched Bees, Science, Sex and Literature in the Long Nineteenth Century show how the symbol changes radically in the literature and culture of the nineteenth-century, as emerging technologies and new biological discoveries clash with long-held agrarian and poetic traditions." —Tammy Horn Potter, author of Bees and America: How the Honey Bee Shaped a Nation The long nineteenth century (1789-1914) has been described as an axial age in the history of both bees and literature. It was the period in which the ecological and agronomic values that are still attributed to bees by modern industrial society were first established, and it was the period in which one bee species (the European honeybee) completed its dispersal to every habitable continent on Earth. At the same time, literature – which would enable, represent and in some cases repress or disavow this radical transformation of bees’ fortunes ­– was undergoing its own set of transformations. Bees, Science, and Sex in the Literature of the Long Nineteenth Century navigates the various developments that occurred in the scientific study of bees and in beekeeping during this period of remarkable change, focusing on the bees themselves, those with whom they lived, and how old and new ideas about bees found expression in an ever-diversifying range of literary media. Ranging across literary forms and genres, the studies in this volume show the ubiquity of bees in nineteenth-century culture, demonstrate the queer specificity of writing about and with bees, and foreground new avenues for research into an animal profoundly implicated in the political, economic, ecological, emotional and aesthetic conditions of the modern world. Alexis Harley lectures in literary studies at La Trobe University, Australia. She is the author of Autobiologies: Charles Darwin and the Natural History of the Self. She has kept honeybees since 2012. Christopher Harrington teaches literary studies at Victoria University in Melbourne. He has published numerous articles on the representation of bees and insects in literature.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031444821
    Language: English
    Pages: 1 Online-Ressource(XIII, 189 p.)
    Edition: 1st ed. 2024.
    Series Statement: Literary Disability Studies
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Performing arts. ; Theater. ; Games. ; People with disabilities
    Abstract: 1. Introduction Other Worlds, Other Selves: Moving Beyond Escapism -- 2. ‘Everyone’s a Composite’: Rethinking Three of Cyberpunk’s Overlooked Women Writers as Posthumanists -- 3. The Performing Wiggin Siblings: Reading Ender’s Game through Disability Theory -- 4. The Threat of Silence in Mark Alpert’s Dystopian Simulation -- From Memes to Comics: Virtual Embodiment in Visual Rhetoric -- 5. The Player and the Avatar: Performing as Other -- 6. Learning Through Play: An Inclusive Pedagogy for the 21st Century -- 7. Conclusion The Augmented Self: Rethinking Virtual Simulation and Disability.
    Abstract: Disability Identity in Simulation Narratives considers the relationship between disability identity and simulation activities (ranging from traditional gameplay to more revolutionary technology) in contemporary science fiction. Anelise Haukaas applies posthumanist theory to an examination of disability identity in a variety of science fiction texts: adult novels, young adult literature and comics, as well as ethnographic research with gamers. Haukaas argues that instead of being a means of escapism, simulated experiences are a valuable tool for cultivating self-acceptance and promoting empathy. Through increasingly accessible technology and innovative gameplay, traditional hierarchies are dismantled, and different ways of being are both explored and validated. Ultimately, the book aims to expand our understandings of disability, performance, and self-creation in significant ways by exploring the boundless selves that the simulated environments in these texts allow. Anelise Haukaas is an Assistant Professor of English at the College of Coastal Georgia, USA, as well as the faculty advisor of Seaswells, the art and literary magazine. Her research interests include genre fiction, disability studies, folklore and mythology, popular culture, and new media.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031427985
    Language: English
    Pages: 1 Online-Ressource(XIV, 330 p. 18 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Literary Urban Studies
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Space. ; Culture. ; Art, Modern ; Performing arts. ; Theater. ; Cities and towns
    Abstract: “(Im)mobility, Peripherality, and the City: Theoretical Orientations and Concepts”, Patricia García; Anna-Leena Toivanen (University of Alcalá; University of Eastern Finland) -- “Cihuateteo Wandering: navigating the Mexican Urban Space as a Woman”, Orly Cortés (UAM-Xochimilco) -- “Urban Ambivalence: Work and Home at Delhi’s margins”, Anubhav Pradhan (Indian Institute of Technology Bhilai) -- “The Nomadic Subject in Teju Cole’s Open City”, Aristi Trendel (Le Mans University) -- “Space, Mobility, and Belonging: Finding One’s Way through Pre-Apartheid Johannesburg”, Sophie U. Kriegel (Leipzig University) -- “Moving Upward in the City: Modes of Transport and Social Mobility in New York, My Village: A Novel and Behold the Dreamers", Lena Englund (University of Eastern Finland) -- “Delhi on the Move: a Literary Account on Urban Mobility”, Valentina Barnabei (Ca’ Foscari University of Venice and Heidelberg University) -- “Abject Urban-Rural Mobilities by Public Transport in Ousmane Sembène's "Niiwam" and Yvonne Vera's Without a Name”, Anna-Leena Toivanen (University of Eastern Finland) -- “'We take boundaries very seriously here at Positron!’: Transitions and Liminal Space in Margaret Atwood’s The Heart Goes Last”, Olga Springer (Dublin City University) -- “Space, Borders and Cognition in Urban Diasporic Fiction”, Johan Schimanski (University of Oslo) -- “What Lurks in the Peripheries: The Unusual in Liminal Suburban Territories in Recent Short Story Collections”, Rosa-María Cobo (Universidad de Burgos) -- “Moving on the Fringes of Literary Barcelona: Contemporary Novels from the Catalan Peripheries”, Patricia García (Universidad de Alcalá) -- “Once upon a Queer: Sexual Monstrosity, Sexual Misery and the Metropolis”, Jean-Philippe Imbert (Dublin City University) -- “From the Cartographic Fringes: Map Mobilizations and the Urban”, Tania Rossetto (University of Padova) -- “Narratives of Border Crossing in Kati Horna’s Photographic Tales”, Karla Segura Pantoja (CY Cergy Paris Université) -- “Urban//Rural: An Art Perspective”, Federica Mirra (Birmingham City University) -- “The (Political) Power of Not Moving”, Inga Iwasiów and Maciej Kowalewski (University of Szczecin).
    Abstract: Urban Mobilities in Literature and Art Activism explores the entwinement of mobility and immobility in urban spaces by focusing on their representation in literary narratives but also in visual and performing arts. Across a range of geographical contexts, this volume builds on the new mobilities paradigm developed by literary scholars, sociologists and human geographers. The different chapters employ a cohesive framework that is sensitive to the intersecting dimensions of power and discrimination that shape urban kinetic features. The contributions are divided into three sections, each of which places the focus on a different aspect of urban mobility: Itinerant Subjects, Modes of Transport and Places of Transit, and Urban Liminalities. Patricia García is a senior researcher in Literary Theory and Comparative Literature at the Universidad de Alcalá (Spain), where she currently leads a Ramón y Cajal project on urban peripheries in contemporary literature (2020-2025, Ministerio de Universidades, ES and European Social Fund) . Her research focuses on literary urban spaces, which she analyzes at their intersections with peripherality, gender and with representations of the supernatural. She is the author of The Urban Fantastic in Nineteenth-Century European Literature (Palgrave, 2021) and Space and the Postmodern Fantastic in Contemporary Literature (Routledge, 2015). She has held fellowships and research grants from the Netherlands Institute for Advanced Study, the Helsinki Collegium for Advanced Studies and the British Academy. She directs the network Fringe Urban Narratives (urbanfringes.com). She is the Vice-President of ALUS: Association for Literary Urban Studies, a member of the Executive Committees of the European Society of Comparative Literature and part of the editorial board of BRUMAL: Research Journal on the Fantastic. She is co-editor of the Palgrave series Literary Urban Studies. Anna-Leena Toivanen is Academy Research Fellow at the School of Humanities at the University of Eastern Finland. Her current research project, funded by the Academy of Finland (2021-2025), focuses on the poetics of mobility in Francophone African literatures. She has held a Marie Skłodowska-Curie Individual Fellowship at the University of Liège (2017-2019). Her monograph Mobilities and Cosmopolitanisms in African and Afrodiasporic Literatures was published by Brill in 2021, and she is currently working on her second book entitled Afroeuropean Mobilities in Francophone African Literatures (Palgrave Macmillan) She acts as the literary studies subject editor of the Nordic Journal of African Studies and has previously acted as the editor-in-chief of the Finnish literary studies journal Avain (2018-2019). She is in the editorial board of Mobility Humanities. She has co-edited a special issue entitled “European Peripheries” for the Journal of Postcolonial Writing (2021) and is currently guest-editing a special issue on public transport in African literatures for English Studies in Africa (forthcoming in 2024).
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031449109
    Language: English
    Pages: 1 Online-Ressource(XIV, 113 p.)
    Edition: 1st ed. 2024
    Parallel Title: Erscheint auch als
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    Keywords: European literature. ; Literature, Modern ; Literature
    Abstract: This book considers the relationship between sound and silence in the works of Joseph Conrad, along with their ties to Western and non-Western space. Throughout Conrad’s works, a pattern emerges where Western space is associated with sound and non-Western space is associated with silence; similarly, Western space is portrayed as full of objects and activity, whereas non-Western space is portrayed as empty. As these tales progress, though, Conrad’s characters embark on transformational journeys that cause them to reassess the world they live in and sometimes even the nature of the universe. These journeys invariably occur through encountering non-Western space, and during the course of these journeys, the dichotomy between Western space, perceived as replete with sound and activity, and non-Western space, empty of such, blurs such that the fullness of the West is revealed to be simply a surface hiding the emptiness beneath. In the end, both Western and non-Western space are revealed to be absences, as the absence of sound becomes a correlative for the emptiness of space and the emptiness of space becomes a metonym for the cosmological emptiness of nothingness. John G. Peters is University Distinguished Research Professor at the University of North Texas, USA. His books include Joseph Conrad's Critical Reception, The Cambridge Introduction to Joseph Conrad, Conrad and Impressionism, Historical Guide to Joseph Conrad, Conrad's Drama, Joseph Conrad: Contemporary Reviews (volume 2), and the Norton critical edition of Conrad's The Secret Sharer and Other Stories.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031498343
    Language: English
    Pages: 1 Online-Ressource(X, 231 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; European literature.
    Abstract: 1: Introduction -- 2: ‘Straight through those clear blue eyes into his soul’: dreams of transparency in mary elizabeth braddon’s the trail of the serpent (1860) -- 3: ‘The curse that has always followed us’: (dis)inheriting the past in joseph sheridan le fanu’s wylder’s hand (1864) -- 4: ‘Short-spanned living creatures’: evolutionary perspectives and the fate of progress in rhoda broughton’s not wisely, but too well (1867) -- 5: ‘Can I say I believe in it too?’: hesitation and the difficulties of decision in wilkie collins’s armadale (1866) -- 6: Conclusion.
    Abstract: This book re-reads the relationship between the Victorian sensation novel and modernity. Whereas critics have long recognized its appearance in the form of nervous subjects and technologically-enabled mobility, Green contends that sensation fiction also depicts modernity in the form of intellectual and moral discontinuity. Through closely historicist readings of novels by Wilkie Collins and Mary Elizabeth Braddon, as well as by Joseph Sheridan Le Fanu and Rhoda Broughton, this book traces how discontinuity is manifested in the suspenseful plotting of these fictions, through which readers are challenged to revise conventional assumptions about the world and adopt more contingent perspectives. The study demonstrates that reading for this sense of modernity does not merely uncover the genre's engagements with various mid-century contexts. More fundamentally, it broaches a new sense of the function and significance of sensation fiction: the acclimatization of its readers to the discontinuities of modern existence.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031413827
    Language: English
    Pages: 1 Online-Ressource(X, 279 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Nineteenth-Century Writing and Culture
    Parallel Title: Erscheint auch als
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    Keywords: Children's literature. ; Literature, Modern ; European literature.
    Abstract: Chapter 1-Nineteenth-Century Models of Development: Precocity Before and After Darwin -- Chapter 2-The Child: Non-Precocity in Autobiography -- Chapter 3- Lies and Imagination: Precocity in Children’s Literature -- Chapter 4- The Precocious Child in Victorian Culture: Precocity in Fantasy and in Reality -- Chapter 5- Twentieth-Century Models of Development: Precocity from Darwin to Freud.
    Abstract: This book examines representations of precocity in Victorian textual culture – canonical literature, children’s fiction, scientific texts, and writing by children – to argue that precocity challenges the idea of progress. It considers how practitioners of literature and science from Wordsworth to Freud represented human development, and the way in which Darwin’s “non-progressive model of evolution” troubled the existing model of progression by stages (from childhood inexperience to adult maturity and understanding). Roisín Laing argues that the precocious child undermines the equation of growth with progress, and thereby facilitates other ways of imagining both individual and species development. The idea represented by the precocious child in Victorian culture – that the adult is not necessarily an improvement on the child, the human not necessarily an improvement on the ape – still troubles us today. Roisín Laing is a Leverhulme Early Career Fellow in the English Studies Department and the Centre for Nineteenth-Century Studies at Durham University, UK. She has published on childhood and nineteenth-century culture in several essay collections and leading journals including The Journal of Victorian Culture and The Henry James Review.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031511790
    Language: English
    Pages: 1 Online-Ressource(XXI, 294 p. 23 illus., 11 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Studies in Mobilities, Literature, and Culture
    Parallel Title: Erscheint auch als
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    Keywords: America ; Literature, Modern ; Literature, Modern ; Prose literature.
    Abstract: 1. Pologue: The Cultural Terrain of America's Modern Road Landscape -- 2. Storied Road: Ambivalence in the Land of American Automobility -- 3. Control and Consent: Contested Sovereignty on America’s Country Roads -- 4. Cynicism and Progress: Gullible Devotion to the Prospect of National Automobility -- 5. Trailblazing Modernity: Mapping the Compromises of Mass Mobility -- 6. Into the Great Escapism: Vacationing Vagabonds Getting Nowhere Fast -- 7. The Freedom of Conscription: Tramps Outcast on the Road -- 8. Epilogue: The Same Old Story of the American Road.
    Abstract: “Stories about roads have always been stories about who we are and where we may go. . . Vogel reveals the ambivalence with which powerful actors viewed the installation of automobility on the US landscape. Vogel’s recovery of this ambivalence aids us in the crucial work before us as a nation: composing new stories in which the car is no longer the main character.” —Cotten Seiler, Dickinson College, USA, author of Republic of Drivers: A Cultural History of American Automobility. “Andrew Vogel’s meticulously researched study of the early development of the US highway system sheds new light on how the American road creates and represents specific kinds of material, cultural, and literary spaces.” —Gary Totten, University of Nevada, Las Vegas, USA, Editor-in-Chief of MELUS: Multi-Ethnic Literature of the US, author of Travel Narratives from Abroad: Mobility and Cultural Work in the Age of Jim Crow. This book examines travel narratives as a medium used by the American public to imagine and negotiate new ways to live in, move through, and share national space. Setting an array of archival material, including congressional deliberations, into analytical conversation with road stories by Walt Whitman, Paul Laurence Dunbar, Upton Sinclair, Emily Post, Zitkala-Ša, Henry Ford and many others, this book reframes our understanding of the origins of American automobility. The evidence gathered here sheds light on the processes by which the defining social infrastructure of the twentieth century came to be enacted, and also exposes the fraught debates and abiding misgivings that continue to roil infrastructure planning today. The insights captured in this study purposefully deepen our attention to questions of land use and collective responsibility at a moment when the ecological and social-justice consequences of American automobility must be thoroughly re-evaluated so that more conscientious mobility futures may be developed. Andrew Vogel is the Honors Program Director and a Professor of English at Kutztown State University of Pennsylvania, where he listens, teaches, and walks the hills in the original homelands of the Lenape peoples.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031532542
    Language: English
    Pages: 1 Online-Ressource(XV, 262 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Literature, Science and Medicine
    Parallel Title: Erscheint auch als
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    Keywords: European literature. ; Literature, Modern ; Medicine and the humanities.
    Abstract: Introduction -- CHAPTER ONE: The Physiology of Blake’s Hallucinations -- CHAPTER TWO: Perceiving More Than Perception -- CHAPTER THREE: Klüver Form-Constant Visual Hallucinations -- CHAPTER FOUR: Agents Inducing Klüver Visual Hallucinations- CHAPTER FIVE: Blake’s Synaesthesia -- CHAPTER SIX: Blake’s Synaesthesia II: The Visionary Heads -- CHAPTER SEVEN: Blake’s Synaesthesia III: the Testimony of Crabb Robinson -- CHAPTER EIGHT: Discussion and Conclusion. .
    Abstract: This book is an inquiry into whether what Blake called his ‘visions’ can be attributed to recognizable perceptual phenomena. The conditions identified include visual hallucinations (some derived from migraine aura), and auditory and visual hallucinations derived from several types of synaesthesia. Over a long period of time, Blake has been celebrated as a ‘visionary,’ yet his ‘visions’ have not been discussed. Worrall draws on an understanding of neuroscience to examine both Blake’s visual art and writings, and discusses the lack of evidence pointing towards psychosis or pathological ill-health, thus questioning the rumours pertaining to Blake’s insanity. David Worrall is Emeritus Professor of English at Nottingham Trent University. He has published widely on both William Blake and Eighteenth-Century Theatre.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031486715
    Language: English
    Pages: 1 Online-Ressource(IX, 308 p. 11 illus., 1 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Literature, Science and Medicine
    Parallel Title: Erscheint auch als
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    Keywords: America ; Literature, Modern ; Literature, Modern ; Electronic publishing. ; Literature
    Abstract: Introduction -- 1. Topological Structures and Allusion in Ratner’s Star -- 2. Algebraic Structures and Metaphor in Gravity’s Rainbow -- 3. Ordered Structures and Cognition in Infinite Jest -- 4. Conclusion: Literary Legacy of Mathematical Structures.
    Abstract: This book delivers an innovative critical approach to better understand U.S. fiction of the information age, and argues that in the last eighty years, fiction has become increasingly concerned with its representations of mathematical ideas, images, and practices. In so doing, this book provides a fuller, transnational account of the place of mathematics in understanding mathematically informed novels. Literature and science studies have acknowledged and situated historical points of cultural crossover; by emphasising mathematics within this larger intellectual context – and not as an unlikely and alien adjunct to post-war culture – this monograph clarifies how mathematically informed postmodern fictions work in a cognate fashion to other fields undergoing structuralist revolutions. This is especially evident in fiction by the key, mathematically-literate Postmodern authors upon whom this study focuses, namely, Thomas Pynchon, Don DeLillo, and David Foster Wallace, through which recent the technological revolutions, facilitated by mathematics, manifest in cultural discourse. Stuart J. Taylor is a Lecturer at Edinburgh Napier University, Scotland, UK.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031496042
    Language: English
    Pages: 1 Online-Ressource(XIX, 242 p. 3 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Bernard Shaw and His Contemporaries
    Parallel Title: Erscheint auch als
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    Keywords: Playwriting. ; Dramatists. ; Literature, Modern ; Social history.
    Abstract: Chapter 1 : Introduction -- Chapter 2: The Novels of Bernard Shaw -- Chapter 3: The Plays of Bernard Shaw -- Chapter 4: Transition to Virginia Woolf -- Chapter 5: The Novels of Virginia Woolf -- Chapter 6: Conclusion.
    Abstract: Virginia Woolf and Bernard Shaw may be the odd couple of Twentieth Century modernism. Despite their difference in age (Shaw was twenty-six years older than Woolf), and public demeanor - Shaw sought public attention while Woolf shunned the spotlight - they actively held similar convictions on most of the pressing and controversial issues of the day. This book demonstrates that both engaged in social reform through the Fabian Society; both took public anti-war positions and paid dearly for it; both fought British censorship throughout most of their careers as writers; both sought to strengthen women’s rights; and both endeavored to revolutionize their respective art forms, believing that art could bring about positive social change. The main focus of the book, however, concerns how both also created interior authors - characters who write and who either self-censor their own works or highly publicized messages or are censored by their fellow characters. These fictional authors may be considered reflections of their creators and their respective milieus and serve to illuminate the satisfactions and torments of each famous author during the writing process. Lagretta Tallent Lenker, Ph.D., retired from the University of South Florida, University College, USA, where she served as founding director of the Graduate Certificate Program, the Bachelor of General Studies, and other adult and professional programs. She has taught in the USF English Department where she specialized in early modern, modern, late Victorian, and American drama. She has written or edited eight books and numerous articles, primarily on the works of Christopher Marlowe, William Shakespeare and Bernard Shaw, including Fathers and Daughters in Shakespeare and Shaw (2001). She was guest editor of SHAW 28: Shaw and War. Five of Lenker’s books were co-edited with Dr. Sara M. Deats and focus on literature and social issues, including Aging and Identity: A Humanities Perspective (1999). .
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031531842
    Language: English
    Pages: 1 Online-Ressource(X, 214 p.)
    Edition: 1st ed. 2024.
    Series Statement: Crime Files
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Literature, Modern ; Ethnology ; Culture. ; Mass media and crime.
    Abstract: Chapter 1. Sherlock Holmes versus Jack the Ripper -- Chapter 2. Enter Holmes and Jack -- Chapter 3. Parallel Culture-Texts -- Chapter 4. The Versus Storyworld -- Chapter 5. Palimpsestuous Holmes -- Chapter 6. Polymorphous Jack -- Chapter 7. (Mis)Remembering Secondary Characters -- Chapter 8. Neo-Casting or Decentring the Great Detective -- Chapter 9. Detective Doyle.
    Abstract: "Lucyna Krawczyk-Żywko’s ambitious study pursues the endlessly intriguing parallel textual lives of Sherlock Holmes and Jack the Ripper. The strange case that she sets out to solve is the extensive but neglected corpus of versus narratives: texts in which the great detective sets out to defeat the Whitechapel murderer. Krawczyk-Żywko convincingly reads these works as part of a rich textual constellation influenced by the overlapping Sherlockian and Ripperological culture texts. Her book’s focus will inevitably intrigue aficionados of Holmes and its insights into aspects of adaptation, neo-Victorianism and biofiction mean it will also appeal strongly to scholars in these areas." —Dr Chris Louttit, Radboud University, The Netherlands In versus narratives Sherlock Holmes is fighting or otherwise engaging Jack the Ripper. These texts pit the archetypal detective against the archetypal serial killer using established formulas as well as new narrative and generic features, a combination that results in their mass appeal among authors and audiences alike. The list of primary sources includes 120 titles – novels, short stories, plays, fanfiction, ‘Grand Game’ studies, movies, TV shows, video and board games – which are treated as a dialogic network of transfictional and transmedial texts. This study unpacks the versus corpus in its media dispersal by analysing Sherlock Holmes and Jack the Ripper as serial figures and culture-texts emphasising the increasing palimpsestousness of the former and the multidirectional polymorphousness of the latter, and tracing the overlapping Doylean culture-text. It also addresses the way character constellations are represented, negotiated, and fed back into the versus network, contextualising them within the coalescence of fact and fiction, Gothic and crime fiction frames, cultural memory, neo-Victorianism, and biofiction. Lucyna Krawczyk-Żywko is Assistant Professor at the Institute of English Studies, University of Warsaw, Poland. She coordinates the research group 'From Queen Anne to Queen Victoria' and initiated the Changing Narratives conference series. Her research combines neo-Victorian, crime fiction, and adaptation studies and focuses on the rewritings of Victorian villains and detectives.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031533495
    Language: English
    Pages: 1 Online-Ressource(VII, 217 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; America ; Sex.
    Abstract: 1 Introduction -- 2 Studies of masculinities: an introduction -- 3 Poststructuralism and the «dissolution» of masculine identity -- 4 Masculinity as representation -- 5 Boys don’t cry? Masculinity and the politics of emotion -- 6 Dangerous liaisons? Friendships between men in Western history and culture -- 7 Masculinity as violence? Cultural and literary re-visions -- 8 Conclusions.
    Abstract: This book focuses on the construction of hegemonic masculinity as well as its representations in literature, culture, and film. Although white heterosexual masculinity continues to be the dominant model, it remains, paradoxically, largely invisible in gender terms. While the first three chapters thus offer introductory theoretical perspectives on the latest research on white masculinities, the following chapters concentrate on applying masculinity theory to the analysis of both social constructions and cultural (i.e. literary and film) representations of men’s emotions (with a special focus on new fatherhood models), friendships between men, as well as gender-based violence. Josep M. Armengol is Professor of English and Gender Studies at the University of Castilla-La Mancha, Spain. His recent (co-)edited collections include Alternative Masculinities for a Changing World (Palgrave Macmillan, 2014), Masculinities and Literary Studies: Intersections and New Directions (2017) and Aging Masculinities in Contemporary U.S. Fiction (Palgrave Macmillan, 2021).
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031416958
    Language: English
    Pages: 1 Online-Ressource(XXI, 373 p. 6 illus., 2 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Animals and Literature
    Parallel Title: Erscheint auch als
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    Keywords: Fiction. ; Literature, Modern ; Literature, Modern ; Literature ; Popular Culture. ; Human ecology ; Philosophy. ; Postcolonialism.
    Abstract: Chapter 1. “Introduction: Reading the Speculative Animal” -- Chapter 2. From Animal Alterity to Animal Studies and SF Today: A Conversation with Sherryl Vint -- Chapter 3. “Safe in each other’s scaly arms”: Solace, Oddkinship, and the Third Position in African Speculative Texts -- Chapter 4. Playing the Animal: Imagining the Nonhuman Animal in 2-Dimensional Action and Adventure Games -- Chapter 5. Philip K. Dick’s Dr. Bloodmoney and the Species Politics of Risk -- Chapter 6. Listening to Nonhuman Animals in Science Fiction Film: Establishing Empathy through Dinosaur Voices in Jurassic World: Fallen Kingdom -- Chapter 7. “Muzzle for the Queen”: Settler-Nonhuman Entanglements in Australian Speculative Ecofiction -- Chapter 8. Reading the Speaking Animal: Biotechnology and Animal “Uplift” in Adam Roberts’s Bête -- Chapter 9. Spacefaring Animals and Their Humans: A Study in Extraction, Exploitation, and Co-Evolution -- Chapter 10. To “Jump” into an Animal’s Body: Empathy, Care, and ResExtendas in Emma Geen’s The Many Selves of Katherine North -- Chapter 11. “alien guest, courting the goodwill of a demonic microbe”: Living Poetry, NHAs and “Aliens Among Us” in Christian Bök’s The Xenotext: Book 1 -- Chapter 12. Disemboweling the Hyperreal in Bong Joon-ho’s Okja -- Chapter 13. A Change of Heart: Animality, Power, and Black Posthuman Enhancement in Malorie Blackman’s Pig-Heart Boy -- Chapter 14. Africanfuturist Assemblages of the Undersea in Nnedi Okorafor’s Lagoon -- Chapter 15. To Build a World: The Return of Biota in Thomas King’s The Back of the Turtle -- Chapter 16. A Multispecies Right to the City? Reimagining the Speculative Narratives of Urban Sustainability -- Chapter 17. Divination with Digital Animals: Sci-fi Realism in Jia Zhangke’s Tian Zhuding (A Touch of Sin) -- Chapter 18. “The Face of Extinction”: On Haunted Futures with Machine Animals -- Chapter 19. Mesozoic Miscegenation: Erotic Fiction’s Resurrection of Dinosaurs -- Chapter 20. A “speculation built on fact”: On Dougal Dixon’s Zoology of the Future.
    Abstract: “This is a strong contribution to the field(s) of animal studies and science fiction. Indeed, I would recommend it in both fields separately as well as in the combined field where I work. I am especially impressed by the generous range of texts, from bacteria to games to film to novels, and with some recognition of work beyond the British/American hegemony.” —Joan Gordon, Professor Emerita, Nassau Community College; Co-editor, Science Fiction Studies Animals and Science Fiction is the first edited collection to be published focusing on the intersection of animal studies and science fiction studies. It offers a broad range of theoretical approaches and primary source texts—including novels, short stories, poetry, film and TV, photography, erotica, video games, and urban planning documents—that explore the ways works of science fiction can transform how we see and interact with nonhuman others. With an eye toward more just multispecies futures, it argues that speculative imaginaries can be pivotal in changing attitudes toward and understandings of nonhuman animals in our world today. Chapters appeal to those interested in biopolitics, posthumanism, new materialism, ecocriticism and the environmental humanities, ocean humanities, postcolonial studies, critical race studies, Indigenous studies, global sf studies, film studies, and food studies. Taken together, the collection works to showcase a diverse and growing field of scholarly inquiry into animals and science fiction. Nora Castle is an IAS Early Career Fellow at the University of Warwick. She recently completed her PhD, entitled, “Food Futures: Food, Foodways, and Environmental Crisis in Contemporary Science Fiction,” which explored the future of food in/as science fiction through meat, plants, kitchens, and farms as thematic streams. Giulia Champion is a Research Fellow (Anniversary Fellowship) at the University of Southampton. Her project investigates different communities’ engagement with and representations of the seabed through culture, science communication and international policy. .
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031412196
    Language: English
    Pages: 1 Online-Ressource(XIV, 166 p.)
    Edition: 1st ed. 2024.
    Series Statement: Literary Disability Studies
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Creative nonfiction. ; Space. ; Culture. ; Ecocriticism.
    Abstract: 1. Preface; Susannah B. Mintz and Gregory Fraser -- 2. Disability and Memoir; G. Thomas Couser -- 3. Disability and Space; Rob Imrie -- Part 1: Into the Wide Open -- 4. Learning the Camino Real—Disability and the Desert; Sheila Black -- 5. Headlamps and Fireside Light; Rachel Kolb -- 6. A Sense of Place and Cyberspace: The Hybrid Way I Live, Work, and Play; Gyasi Burks-Abbott -- 7. Ad Astra Per Aspera (To the Stars Through Difficulties); Brenda Jo Brueggemann -- Part 2: Metro-Geographies -- 8. Peaks and Valleys: A Collaborative Essay about Disability in the Bronx; Annette Serrano, Cindy Hernandez, Andrew Whyte, Sonia Gonzalez, Jovan Campbell, and Mary Morfe (with an introduction by Julia Miele Rodas) -- 9. Blindness and Dyslexia in the Movements of Everyday Life in Toronto; Rod Michalko and Tanya Titchkosky -- 10. Disability in New York City Schools and Preparing Teachers to Work in Them; Laurie Rabinowitz -- 11. Drenched Lands, Blood Compost: Disability, Land, and the Asylum Project; Petra Kuppers -- Part 3: Liminal (Dis)locations -- 12. A Tide in the River: Auditory Ecologies of Dyarubbin; Nicole Matthews -- 13. Hydra, New Hampshire; Stephen Kuusisto -- 14. Between Places; Leigh A. Neithardt -- 15. The Lie of the Land; Annmaree Watharow -- 16. Body Workers; Ellen Samuels -- 17. Never in one Place: On Waking in a Different Body; Anand Prahlad.
    Abstract: Placing Disability presents an international collection of personal essays that address the experience of disability in particular geographical locations. Each chapter engages the question of what it means to be disabled in a specific place, exploring issues of movement, work and play, community and activism, artistic production, love and marriage, access and social services, family and friendship, memory and aging—all informed by the places that people inhabit. The book is organized in terms of topographies and vistas, rather than being bound by the map, to emphasize the defining, constitutive effects of place. The authors included in Placing Disability hail from different countries, neighborhoods, climates, and landscapes; from various backgrounds and professions; from a range of disciplinary perspectives and strategies. They are trained as academics, literary critics, poets, students, public speakers, memoirists, educators, philosophers, administrators, and activists. Their essays refine our understanding of the complex dynamic between self and circumstance as they survey the impact of geographical region on their life experiences. This book is intended to be useful in creative-writing workshops, Disability Studies seminars, and classes on environmental literature, and to appeal to general readers of memoir as well as to scholars of contemporary body theory or the Anthropocene. Susannah B. Mintz is Professor of English at Skidmore College. Her books include the memoir Love Affair in the Garden of Milton (2021) and four scholarly volumes on disability and literature. She is also the co-editor of four collections of work on disability issues, including Disability Experiences (2019, with G. Thomas Couser). Gregory Fraser is Professor of English at the University of West Georgia. He is the author of four poetry collections, most recently Little Armageddon (2021), and co-author of two writing textbooks. Fraser’s poetry has appeared in journals including The New Yorker, The Paris Review, The Southern Review, and Ploughshares. He is the recipient of several awards, including grants from the National Endowment for the Arts and the Guggenheim Foundation.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031534256
    Language: English
    Pages: 1 Online-Ressource(XI, 131 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Science Fiction and Fantasy: A New Canon
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; America ; Literary form.
    Abstract: Chapter 1: Beagle’s Early Career and a New Chapter in American Fantasy -- Chapter 2: Death and the Desire for Deathlessness: Beagle and J. R. R. Tolkien on Fantasy and Mortality -- Chapter 3: Unicorn Lore: The Multiple Mythologies Behind The Last Unicorn -- Chapter 4: Metafiction and Metafantasy: Comic Fantasy as Mirror for the Genre -- Chapter 5: Unicorn Variations: Continuity and Change in the Many Versions of The Last Unicorn -- Chapter 6: Conclusion: Peter S. Beagle’s Immortal Unicorn.
    Abstract: This book assesses the work of one of the foundational figures of American fantasy, Peter S. Beagle. Through its focused analysis of The Last Unicorn, this study contextualises Beagle’s work in relation to the popularity of the fantasy genre, following its growing success in the aftermath of Tolkien’s The Lord of the Rings. In addition, through reference to the film adaptation of The Last Unicorn and also Beagle’s other works, this study highlights the author’s longevity and the influence that his metafictional and comedic work has had on contemporary fantasy. Timothy S. Miller is an Assistant Professor of English at Florida Atlantic University, USA, where he contributes to the department’s MA degree concentration in Science Fiction and Fantasy. He has previously written a critical companion on Ursula K. Le Guin’s novel A Wizard of Earthsea for the series ‘Palgrave Science Fiction and Fantasy: A New Canon’, and now serves as series co-editor with Dr. Anna McFarlane.
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  • 46
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031557750
    Language: English
    Pages: 1 Online-Ressource(IX, 187 p. 1 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Fiction. ; Literature
    Abstract: 1: Introduction -- 2: Initiation in Limbo -- 3: Toxic Masculinity, Pseudo-Intellectualism, and “Sexo-Religious Psychology” in Mortal Coils -- 4: Irony, Popular Art, and Progressive Education in Little Mexican -- 5: Nonsense, the Other, and Applied Science in Two or Three Graces -- 6: Religion, Seduction and Spiritual Education in Brief Candles -- 7: Uncollected Stories -- 8: Conclusion. .
    Abstract: Aldous Huxley’s Short Fiction analyzes Huxley’s short stories within a modernist context, highlighting that he shared more characteristics with distinguished modernists than is usually believed. The book also explores other features of Huxley’s short stories, focusing on themes such as consumerism, mainstream education, shallow intellectualism, women’s emancipation, toxic masculinity, and sensational journalism, themes that correspond with both Huxley’s time and our world, and position him among the most prophetic authors of the twentieth century. This study demonstrates that Huxley’s short fiction can provide answers to questions that remain confusing or partially explained in the research on Huxley’s work. It illustrates the constants and changes in Huxley’s opinions on organized religion, mysticism, and the relation between sexuality and spirituality, while also clarifying Huxley’s political opinion, which is often misunderstood due to his advocacy of pacifism. Finally, the in-depth interpretations of Huxley’s short stories reveal the dynamics of his literary style, especially his complex humor and irony, areas he developed more than any other modernist author of short fiction. Andrija Matić is an adjunct assistant professor at Baruch College, The City University of New York, USA. He is the author of five novels, a collection of short stories, and a study on T. S. Eliot’s complete works. He has also published many articles on Anglo-American literature, especially on modernist poetry and short fiction. Andrija Matić has taught at universities in Serbia, Kuwait, Thailand, Turkey, and the USA. He lives in Brooklyn, New York.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031474361
    Language: English
    Pages: 1 Online-Ressource(XXIII, 378 p. 27 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Poetry. ; Books
    Abstract: Introduction: “What is Liberty without Universal Toleration”: the Recovery, Reconstruction, and Remediation of Blake’s Manuscripts -- 1: “Hang Philosophy”: Blake’s Metaphysical Forays in An Island in the Moon -- 2: From Reynolds to Wright of Derby: Visual References in Blake’s An Island in the Moon -- 3: “Blake and ‘the wondrous art of writing”: Letter Faces, Letter Formation, Capitalization -- 4: “On Every one of these Books I wrote my Opinions”: Re-assessing Blake’s Marginalia to Sir Joshua Reynolds’s Discourses -- 5: The Page Embodied: Laying Out The Four Zoas -- 6: Blake’s Vala, or, The Four Zoas, and the Antiquarians -- 7: Blake’s labyrinth of discordant paths: verbal/visual complexity in the two seventh Nights of The Four Zoas -- 8: Illuminating VALA: A Prolegomenon to a Digital Exhibition of Blake’s Manuscript -- 9: “All that we See is Vision”: William Blake’s Four Zoas Manuscript and Multispectral Imaging -- 10: "Go on Conquering”: A Re-threshing of Blake’s Letters -- 11: From Silken Fetters to Arrows of Desire: Behn, Blake, and the License of Pastoral -- 12: Illuminating Incompleteness: from Tiriel to Blake’s Final Imprint -- 13: The Book of Oothoon: Transtextuality, Transexuality, Palimpsests and Skin in Blake’s Manuscripts -- 14: "By the Voice of the Servant of the Lord": Blake's New Jerusalem and Swedenborgianism in the work of Sheila Kaye-Smith.
    Abstract: This collection of essays examines how close analysis of William Blake’s manuscripts can yield new discoveries about his techniques, his working habits, and his influences. With the introduction of facsimile editions and more particularly, the William Blake Archive, the largest digital repository of Blake materials online, scholars have been able to access Blake’s work in as close its original medium, leading to important insights into Blake’s creative process and mythopoetic system. Recent advancements in digital editing and reproduction has further increased interest in Blake’s manuscripts. This volume brings together both established Blake scholars, including G.E. Bentley Jnr’s final essay on Blake, and upcoming scholars whose research is at the intersection of digital humanities, critical theory, textual scholarship, queer theory, transgender studies, reception history, and bibliographical studies. The chapters seek to cover the breadth of Blake’s manuscripts: poetry, letters, notebook entries, and annotations. Together, these chapters offer an overview of the current state of research in Blake studies on manuscripts at a point when his manuscripts have become increasingly available in digital environments, and gesture to a possible future of Blake scholarship in general.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031499593
    Language: English
    Pages: 1 Online-Ressource(XV, 292 p. 12 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print
    Parallel Title: Erscheint auch als
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    Keywords: Comparative literature. ; Literature, Modern ; Philosophy of mind. ; Self. ; Digital humanities. ; Literary form.
    Abstract: 1 Introduction: Strange Multiplicities -- 2 Philosophy: Eighteenth-Century Theories of Contingent Selfhood -- 3 Fiction: Growing Down in the Novels of Maria Edgeworth and Amelia Opie -- 4 Poetry: Absence of Self in the Sonnets of Charlotte Smith and John Clare -- 5 Drama: Inward Seas in the Tragedies of Joanna Baillie and Charles Harpur -- 6 Life: The ‘Multiform’ Self in Tom Moore’s Letters and Journals of Lord Byron (1830-31) -- 7 Conclusion: Rising to the Challenge of Representation.
    Abstract: This book offers a new critique of selfhood in Romantic literature. In the past, Romanticism has been seen as an individualistic movement, with writers believing in the ‘centrality’ of the self. Challenging this prevailing view of Romanticism and the modern self, this study unveils an alternative tradition of Romantic writing in which the self is fragile, degenerate, non-existent – or in a word, contingent. It combines philosophy, intellectual history, literary studies and digital humanities and takes a transnational approach both in its coverage of philosophical thought and literature, including case studies from England, Ireland, Scotland and colonial Australia, with examples from American and European works as well. The book also uses innovative digital techniques such as text analysis, sentiment mining and network analysis to enrich the exploration of text and context. It covers all major genres of Romantic writing: fiction (realist novels), poetry (the sonnet), non-fiction prose (biography) and drama (gothic tragedy). Providing a new framework for understanding the contingent self, this book is of interest to scholars and students of Romantic literature, philosophy of the self and digital humanities. Michael Falk is Senior Lecturer in Digital Studies in the Faculty of Arts at the University of Melbourne, Australia. He is a literary scholar and programmer, whose work considers how computing can expand the study of literature, and how literature can expand the study of computing. His work appears in the Oxford Encyclopedia of Literary Theory, Interdisciplinary Science Reviews, Frontiers in AI and Robotics, the John Clare Society Journal, and elsewhere. Romanticism and the Contingent Self is his first book.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031083723
    Language: English
    Pages: 1 Online-Ressource(XXI, 257 p. 6 illus.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern—19th century. ; Literature—History and criticism. ; Intermediality. ; Literature ; Literature, Modern
    Abstract: Chapter 1: Introduction -- Chapter 2: 'Gentle humour’ to ‘savage satire’: Austen Obituaries on Her Death, Its Centenary and Bicentenary -- Chapter 3: Jane Austen and Professional Fanfiction -- Chapter 4: Austen Among the Amateurs -- Chapter 5: Virtual Sociability and the Online Austen Classroom -- Chapter 6: Wearing Austen -- Chapter 7: Mr Darcy, Jane Austen’s Imperial Man of Feeling -- Chapter 8: Emma, Empire, and the Classics -- Chapter 9: Casting Mr Collins; Or How a Zombie Film Returned Us to the Novel -- Chapter 10: Lady Susan and Love & Friendship: Laughter, Satire and the Impact of Form -- Chapter 11: Blog Softly and Carry a Big Cluebat -- Chapter 12: Virtual Jane Con: An Interview with Bianca Hernandez-Knight.
    Abstract: “An engaging collection of voices commemorate the first two centuries of Austen’s reception in this volume. These essays share a commitment to level academic and public discourse on Austen and to embrace Austen’s multimedia legacy.” – Inger S. B. Brody, Associate Professor of English and Comparative Literature, University of North Carolina at Chapel Hill, USA Austen After 200 explores our contemporary relationship with Jane Austen in the wake of the bicentenaries of her death and the first publication of her novels. The volume begins by looking at Austen’s popular appeal and at how she is consumed today in diverse cultural venues such the digisphere, blogosphere, festivals and book clubs. It then offers new approaches to the novels within various critical contexts, including adaptation studies, fan fiction, intertextuality, and more. Collecting these new essays in one volume enables a unique view of the crossovers and divergences in engagements with Austen in different settings, and will help a comparative approach between the popular and the academic to emerge more fully in Austen studies. The book gathers insights from a range of contributors invested in new reading spaces in order to show the creative ways in which we are all adapting as we continue to read Austen’s works. Kerry Sinanan is Assistant Professor of Transatlantic Eighteenth and Nineteenth-Century Literature at the University of Texas at San Antonio, USA. She has published on Jane Austen and Barbara Pym, and many articles on Black Atlantic texts, including The Woman of Colour (1808). Annika Bautz is Professor of Nineteenth-Century Literature at the University of Plymouth, UK. Her publications include books and essays on Jane Austen, Walter Scott and Edward Bulwer-Lytton, and on the history of the book in the Romantic and Victorian periods. Daniel Cook is Reader in English at the University of Dundee, UK. He is the author of Thomas Chatterton and Neglected Genius, 1760-1830 (2013), Reading Swift's Poetry (2020), and Walter Scott and Short Fiction (2021).
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031148286
    Language: English
    Pages: 1 Online-Ressource(IX, 255 p. 1 illus.)
    Edition: 1st ed. 2023.
    Series Statement: The New Antiquity
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    Keywords: Literature, Modern—20th century. ; Poetry. ; Literature. ; Classical literature. ; Literature, Ancient. ; Literature, Modern
    Abstract: Chapter 1. Introduction (Victoria Moul and John Talbot) -- Chapter 2. Sisson, Aeneid 6, and Roman Poems9 ( Charlie Louth) -- Chapter 3. ‘Young men would disconcertingly spring from perambulators’: Sisson’s English atoms (N. J. Lowe) -- Chapter 4. C. H. Sisson in Exile; Versions and Perversions of Ovid’s Tristia (Christopher Trinacty) .-Chapter 5. ‘Magnificent Anachronism’: Sisson in the Seventeenth-Century (Hannah Crawforth) -- Chapter 6. Thoughts on the Churchyard and the Fortunes of the Baroque from Balde and Gryphius to C. H. Sisson (Kenneth Haynes) -- Chapter 7. Marvell and Sisson at the Intersection of Times (John Talbot) .-Chapter 8. ‘Poet of church and state’: C. H. Sisson and the Church of England (Peter Webster) -- Chapter 9. One Eye on the Archive: C. H. Sisson’s Indian Writings (Henry King) -- Chapter 10. ‘Here lies a civil servant’: C. H. Sisson and the Possibility of Honesty (Alex Wylie) -- Chapter 11. Identity and incarnation in the poetry of C. H. Sisson (Victoria Moul) -- Afterword: Tutelary Spirit (Michael Schmidt).
    Abstract: This book is the first collection of essays dedicated to the work of C. H. Sisson (1915-2003), a major English poet, critic and translator. The collection aims to offer an overall guide to his work for new readers, while also encouraging established readers of one aspect (such as his well-known classical translations) to explore others. It champions in particular the quality of his original poetry. The book brings together contributions from scholars and critics working in a wide range of fields, including classical reception, translation studies and early modern literature as well as modern English poetry, and concludes with a more personal essay on Sisson’s work by Michael Schmidt, his publisher. Victoria Moul is Reader in Early Modern Latin and English at University College London, UK. John Talbot is Associate Professor of English Literature at Brigham Young University, USA. .
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031114809
    Language: English
    Pages: 1 Online-Ressource(XXIV, 269 p.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: America—Literatures. ; Literature, Modern—20th century. ; Literature—Philosophy. ; Creative nonfiction. ; Feminism and literature. ; Prose literature. ; Literature ; Literature, Modern ; America
    Abstract: Foreword – Anne Giardini -- Carol Shields’s Essays and Fiction: Crossing Borders -- Prologue: (Es)saying It Her Way: Carol Shields as Essayist – Christl Verduyn -- Part I: Essays on Carol Shields’s Short Stories -- The Short of It: Carol Shields’s Stories – Neil Besner -- Space for Strangeness: Carol Shields’s Short Stories – Coral Ann Howells -- “Be a Little Crazy: Astonish Me”: Carol Shields’s Improvisational Flair in Dressing Up for the Carnival – Nora Foster Stovel -- “Controlled Chaos” and Carol Shields’s “A View from the Edge of the Edge” – Marta Dvořák -- Part II: Essays on Carol Shields’s Novels -- “The Alchemy of Re-Imagined Reality”: Biographical Gothicism in Carol Shields’s Swann: A Mystery – Cynthia Sugars -- Transforming Love: Critical and Religious Discourses in Carol Shields’s The Republic of Love – Brenda Beckman-Long -- Shields’s Theory of Fiction Writing: Grief and Memorial in The Stone Diaries – Christian Riegel -- Larry’s Party: Man in the Maze and “Where Curiosity Leads” – Warren Cariou -- Advice to Writers in Carol Shields’s Unless – Wendy Roy -- In/visibility, Race-Baiting, and the Author Function in Carol Shields’s Unless – Smaro Kamboureli -- Afterword: “Little Shocks of Recognition”: Carol Shields’s Book Reviews – Alex Ramon -- Epilogue: “Etching on Glass”: Carol Shields’s Re-Vision – Aritha van Herk.
    Abstract: “This essay collection, written by a stellar group of Canadian literature specialists, is a love letter to the late Canadian writer Carol Shields, who died about twenty years ago. The essays revisit Shields’s prolific career—short story writer, novelist, book reviewer, teacher and biographer—through the lens of her posthumous collection, Startle and Illuminate: Carol Shields on Writing (2016), edited by her daughter Anne Giardini and grandson Nicholas Giardini. The chapters are eclectic, both intimate and academic in tone, as they reflect different relationships with this beloved writer within our Can Lit circle—and beyond.” —Laurie Kruk, Professor in English Studies, Nipissing University, Canada This collection of essays explores celebrated Canadian author Carol Shields's experimentation with the essay genre in relation to her novels and short stories. Shields’s essays clarify her iconoclastic approach to rules of narrative and illuminate her revisionist policies, elucidating the development of her fiction, both novels and short stories, as her writing gradually becomes more explicitly feminist, as well as more daringly postmodernist. The dozen essays by the eminent Canadianists included in this edition throw fresh light on Shields’s writing, inviting us to read it with new eyes, by revealing how her essays reflect and refract the brilliance of her fiction, both novels and stories, helping readers to comprehend her art. These essays read Shields’s fiction through the lens of her essays, including those contained in the recent Giardini edition, wherein the author explains the creative methodologies involved in her fiction and also offers specific advice to writers of fiction. Nora Foster Stovel is a Professor Emerita of the Department of English and Film Studies at the University of Alberta, Canada. She has published books and essays on Jane Austen, D.H. Lawrence, Margaret Drabble, Carol Shields, Margaret Atwood, and Margaret Laurence, including Divining Margaret Laurence: A Study of Her Complete Writings. She currently holds a SSHRC Insight Grant for her program of research on Carol Shields. .
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031090271
    Language: English
    Pages: 1 Online-Ressource(XV, 165 p.)
    Edition: 1st ed. 2023.
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    Parallel Title: Erscheint auch als Mulready, Cyrus, 1976 - Object studies
    Keywords: Literature, Modern—20th century. ; Literature, Modern—21st century. ; Literature—Philosophy. ; Digital humanities. ; Literature and technology. ; Mass media and literature. ; Literature, Modern ; Literature, Modern ; Literature ; LANGUAGE ARTS & DISCIPLINES / Library & Information Science ; LIT024000 ; LITERARY CRITICISM / General ; LITERARY CRITICISM / Semiotics & Theory ; Literary studies: from c 1900 - ; Literary theory ; Literaturtheorie ; Literaturwissenschaft: 1900 bis 2000 ; Material culture ; Materielle Kultur ; Einführung ; Sachkultur ; Kulturanthropologie ; Sozialanthropologie
    Abstract: Chapter 1: Personal Objects -- Chapter 2: Objects and Local History -- Chapter 3: A History of the World in Coffee Cups -- Chapter 4: Collecting Things: The Psychology of Accumulation, from Museums to Hoarders -- Chapter 5: The Things We Read -- Chapter 6: Consuming Objects -- Chapter 7: Thinking with Things.
    Abstract: Object Studies: Introductions to Material Culture is a textbook that introduces students to an interdisciplinary approach to material cultural study. It reveals how everyday objects from pens and coffee cups to our most cherished keepsakes help define our collective histories and personal narratives. Object Studies is organized around accessible and engaging chapters on objects with “model essays” that present original projects designed to engage students with a series of concepts and research activities. Each chapter demonstrates a key methodology tied to specific learning outcomes, but all are intertwined in their attention to developing the core skills of “object studies”: careful viewing, writing detailed descriptions, setting out and testing research hypotheses, and telling stories through material artifacts. Aimed towards undergraduate students taking courses in material culture as well as postgraduate students embarking on independent research projects, these chapter “studies” are practically oriented and demonstrate research projects that can be undertaken either in a course or through personal study. Object Studies includes research questions, suggestions on methodology, and discursive bibliographies designed to help students pursue their own projects “This is a remarkable book, thoughtful, engaging, attentive, surprising, and fun. It is brilliantly designed as a textbook, for students and for teachers interested in a new field of study that this book will help bring into being—Object Studies. But it might usefully and enjoyably be read by anyone who wants to think about the objects we make, buy, live with, desire, ignore, discard, break, and lose; that is, it is a book at least as much about who we are as it is about what they are, linking objects to their histories and thus to our own." --David Scott Kastan, George M. Bodman Professor of English, Yale University.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031256394
    Language: English
    Pages: 1 Online-Ressource(XIII, 180 p. 5 illus.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern—20th century. ; Literature, Modern—21st century. ; America—Literatures. ; Narration (Rhetoric). ; Ecocriticism. ; America ; Literature, Modern ; Literature, Modern
    Abstract: Chapter 1. Introduction: Hyperobject Reading -- Chapter 2. A Dialectical Nexus of Objects: Disability as Hyperobject in Joshua Ferris’s The Unnamed -- Chapter 3. Living in an Object-Oriented Universe: The Digital as Hyperobject in Tao Lin’s Taipei -- Chapter 4. Fighting One Hyperobject with Another: Narrative as Hyperobject in Ben Lerner’s 10:04 -- Chapter 5. Conclusion: Anthropocene Lessons from a Distant Fictional Hyperobject .
    Abstract: This book proposes a model of reading called hyperobject reading that bridges the Anthropocene scale variance between humans and humanity by focusing on the large-scale problems and phenomena themselves. Hyperobject reading draws on narratology and reader-response theory, as well as newer developments such as the postcritical turn and object-oriented ontology. The theoretical introduction sets out the building blocks of hyperobject reading. Chapter 2 intervenes in critical disability studies and debates about the ecosomatic paradigm; Chapter 3 intervenes in debates about technological evolution, analogue vs. digital subjectivity, and affect theory; and Chapter 4 intervenes in debates about autofiction, contemporary metafiction, and the position and role of the narrator in first-person narratives where the narrator and protagonist can be distinguished. The analytical conclusion sketches the conceptual anatomy of the hyperobject and three possible responses. No part of the Earth today is free from human influence, but literary success suggests effective real-world strategies. Chingshun J. Sheu is Assistant Professor of Applied English at Ming Chuan University. His research focuses on contemporary American fiction, literary theory, narratology, and Alain Badiou. Having published essays on William Gaddis, Orson Scott Card, and Taiwanese author Chang Hsiu-ya, he is also the premier English-language film critic in Taiwan.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031143205
    Language: English
    Pages: 1 Online-Ressource(XIV, 342 p. 30 illus., 27 illus. in color.)
    Edition: 1st ed. 2023.
    Series Statement: Literatures, Cultures, and the Environment
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern—19th century. ; Russia—History. ; Europe, Eastern—History. ; Soviet Union—History. ; Science—History. ; Ethnology—Europe. ; European literature. ; Ecocriticism. ; Culture. ; Russia ; Europe, Eastern ; Soviet Union ; Science ; Ethnology ; Literature, Modern
    Abstract: 1 Introduction: Energy Culture in Russia and the Soviet Union -- 2 The Energy of Chernyshevsky’s Vera Pavlovna in the Modern Cultural Economy -- 3 The Energy Trap: Anna Karenina as a Parable for the Twenty-First Century -- 4 Picturing Coal in the Donbas: Nikolai Kasatkin and the Energy of Late Realism -- 5 Polar Fantasies: Valery Bryusov and the Russian Symbolist Electric Aesthetic -- 6 Energetic Liquids in Pre-Revolutionary Russian Utopianism -- 7 Revolutionary Burnout and the Rise of the Soviet Rest Regime -- 8 The Mechanics and Energetics of Soviet Communism: The Poetics of Peat -- 9 Leonid Brezhnev and the Elixir of Life -- 10 Russian Oil: Tragic Past, Radiant Future, and the Resurrection of the Dead -- 11 Of Mice and Degenerators: Post-progress Energy and Posthuman Bodies in Tatyana Tolstaya’s The Slynx -- 12 Hydrocarbons on Hold: Energy Aesthetics of Teriberka in the Russian Arctic -- 13 Afterword on Chernobyl (2019): A Soviet Propaganda Win Delivered 33 Years Late.
    Abstract: This volume investigates energy as a shaping force in Russian and Soviet literature, visual culture, and social practice. Chronologically arranged chapters explain how nineteenth-century ideas about energy informed realist novels and paintings; how the poetics of energy defined pre-Revolutionary and Stalinist utopianism; and how fossil fuels, electricity, and nuclear fission generated distinct aesthetic features in Imperial Russian, Soviet, and post-Soviet literature, cinema, and landscape. The volume’s concentration on Russia responds to a clear need to understand the role the country plays in social, political, and economic processes endangering life on Earth today. The cultural dimension of Russia’s efforts at energy dominance deserves increased scholarly attention not only in its own right, but also because it directly affects global energy policy. As the contributors to this volume argue, the nationally inflected cultural myths that underlie human engagements with energy have been highly consequential in the Anthropocene. Jillian Porter is Associate Professor in the Department of Germanic and Slavic Languages and Literatures at the University of Colorado Boulder, USA. She is the author of Economies of Feeling: Russian Literature under Nicholas I (2017) and has published essays on money, commodities, and the queue in Russian and Soviet literature and cinema. Maya Vinokour is Assistant Professor in the Department of Russian and Slavic Studies at New York University, USA. She studies Stalinist labor culture, late-Soviet science fiction, and post-Soviet media.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031177972
    Language: English
    Pages: 1 Online-Ressource(XXXIII, 285 p. 20 illus.)
    Edition: 1st ed. 2023.
    Series Statement: New Directions in Book History
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    Keywords: Literature, Modern—18th century. ; Books—History. ; Economics and literature. ; Printing. ; Publishers and publishing. ; Literature, Modern ; Books
    Abstract: Chapter 1: Beginnings: Published Wide and Often -- Chapter 2: Books for All Tastes and Wallets -- Chapter 3: Entering the Literary Canon -- Chapter 4: Evelina: The Life in Print -- Chapter 5: Conclusion -- Coda: Digital Afterlife.
    Abstract: Evelina, the first novel by Frances Burney, published in 1778, enjoys lasting popularity among the reading public. Tracing its publication history through 174 editions, adaptations, and reprints, many of them newly discovered and identified, this book demonstrates how the novel’s material embodiment in the form of the printed book has been reshaped by its publishers, recasting its content for new generations of readers. Four main chapters vividly describe how during 240 years, Evelina, a popular novel of manners, metamorphosed without any significant alterations to its text into a Regency “rambling” text, a romantic novel for “lecteurs délicats,” a cheap imprint for circulating libraries, a yellow-back, a book with a certain aesthetic cachet, a Christmas gift-book, finally becoming an integral part of the established literary canon in annotated scholarly editions. This book also focuses on the remodelling and transformation of the paratext in this novel, written by a woman author, by the heavily male-dominated publishing industry. Shorter Entr’acte sections discuss and describe alterations in the forms of Burney’s name and the title of her work, the omission and renaming of her authorial prefaces, and the redeployment of the publisher’s prefatorial apparatus to support particular editions throughout almost two-and-a-half centuries of the novel’s existence. Illustrated with reproductions of covers, frontispieces, and title pages, the book also provides an illuminating insight into the role of Evelina’s visual representation in its history as a marketable commodity, highlighting the existence of editions targeting various segments of the book market: from the upper-middle-class to mass-readership. The first comprehensive and fully updated bibliography of English and translated editions, adaptations, and reprints of Evelina published in 13 languages and scripts appears in an appendix.
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    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783030721350
    Language: English
    Pages: 1 Online-Ressource(XIV, 329 p. 18 illus., 10 illus. in color.)
    Edition: 1st ed. 2023.
    Series Statement: New Caribbean Studies
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    Keywords: Literature—History and criticism. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Ethnology—Latin America. ; Latin American literature. ; Culture. ; Literature, Modern ; Literature, Modern ; Ethnology ; Literature
    Abstract: 1.Introduction: Counter-narratives of History -- 2. A Caribbean Poetics: Fragmentation and Call-and-Response -- 3. Polyphonic Counter-archives Christopher Cozier’s Tropical Night and M. NourbeSe Philip’s Zong! -- 4. A fragmented poetics of location in The Farming of Bones and The Brief Wondrous Life of Oscar Wao -- 5. Counter-narratives in Black British and Caribbean art in Britain -- 6. A Genealogy of Resistance´ Writings by Inés María Martiatu-Terry, Mayra Santos-Febres and Yolanda Arroyo Pizarro -- 7. CODA.
    Abstract: This book discusses an archival turn in the work of contemporary Caribbean writers and visual artists across linguistic locations and whose work engages critically with various historical narratives and colonial and postcolonial records. This refiguration opens a critical space and retells stories and histories previously occluded in/by those records, and in spaces of the public sphere. Through poetics and aesthetics of fragmentation largely influenced by music and popular culture, their work encourages contrapuntal ways of (re)thinking histories; ways that interrogate the influence of colonial narratives in processes of silencing but also centre the knowledge found in oral histories and other forms of artistic archives outside official repositories. Discussing literature and selected artwork by artists from Britain, Cuba, the Dominican Republic, Haiti, Puerto Rico, and Trinidad and Tobago, Memory and the Archival Turn in Caribbean Literature and Culture demonstrates the historiographical significance of artistic and cultural production. Marta Fernández Campa is an associate lecturer at Goldsmiths University, and a former Fulbright scholar and Leverhulme fellow. She has researched and taught at the University of East Anglia, UK, the University of Saint Louis, Spain, and the University of Miami, USA. Her work has appeared in Caribbean Literature in Transition, 1970-2020, Vol. 3, and in journals such as Anthurium, Callaloo, Journal of West Indian Literature and Small Axe.
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  • 57
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    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783030821029
    Language: English
    Pages: 1 Online-Ressource(VIII, 307 p.)
    Edition: 1st ed. 2023.
    Series Statement: Literatures, Cultures, and the Environment
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    Keywords: America—Literatures. ; Literature, Modern—19th century. ; Human ecology—History. ; Ecocriticism. ; African Americans. ; Culture. ; Race. ; America ; Human ecology ; Literature, Modern
    Abstract: 1. Introduction: African American Environmental Knowledge at Niagara -- Part I Foundations: Antebellum African American Environmental Knowledge -- 2. Claiming (through) Space: Topographies of Enslavement, the Literary Heterotopia of the Underground Railroad, and the Co-Agency of the Non-human -- 3. Resisting (through) the Eye: Antebellum Visual Regimes, the Slave Narrative’s Rhetoric of Visibility, and African American Strategic Pastoral -- 4. Negotiating (through) the Skin: The Black Body, Pamphleteering, and African American Writing against Biological Exclusion -- Part II Transformations: African American Environmental Knowledge from Reconstruction to Modernity -- 5. Transforming Space: Nature, Education, and Home in Charlotte Forten and William Wells Brown -- 6. Transforming Vision: The Pastoral, the Georgic, and Evolutionary Thought in Booker T. Washington -- 7. Transforming the Politics of the Black Body: Trans-corporeality, Epistemological Resistance, and Spencerism in Charles W. Chesnutt -- 8. Conclusion: African American Environmental Knowledge at Yellowstone.
    Abstract: This open access book suggests new ways of reading nineteenth-century African American literature environmentally. Combining insights from ecocriticism, African American studies, and Foucauldian theory, Matthias Klestil examines forms of environmental knowledge in African American writing ranging from antebellum slave narratives and pamphlets to Charlotte Forten’s journals, Booker T. Washington’s autobiographies, and Charles W. Chesnutt’s short fiction. The volume highlights how literary forms of environmental knowledge in the African American tradition were shaped by the histories of slavery and race, mainstream environmental writing traditions, and African American forms of expression and intertextuality. Turning to the Underground Railroad, debates over education and home-building, and the aesthetics of the pastoral and the georgic, Environmental Knowledge, Race, and African American Literature provides an original perspective on the African American ecoliterary tradition that uncovers new facets of canonical and understudied texts and offers new directions for ecocriticism and African American studies.
    Note: Open Access
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    ISBN: 9783031303128
    Language: English
    Pages: 1 Online-Ressource(XIV, 212 p. 7 illus., 5 illus. in color.)
    Edition: 1st ed. 2023.
    Series Statement: Geocriticism and Spatial Literary Studies
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    Keywords: Literature, Modern—20th century. ; Literature, Modern—21st century. ; Culture—Study and teaching. ; Comparative literature. ; European literature. ; Space. ; Culture. ; Literature, Modern ; Literature, Modern ; Culture
    Abstract: Introduction: Centers-Peripheries; Literary, Cinematic, and Artistic Spaces -- Artistic Practices at the Border: Waiting and Crossing in the Context of Escape and Exile -- Revolutionary Peripheries: Pier Paolo Pasolini’s “Cinema of Borgata” -- Inner Periphery? The Rhine from Borderland to Interzone -- Enrico Pea and the Awareness of Never-Ending Detachment (Alexandria, Egypt 1896–1914) -- From Mexico to Madrid: Thirdspace in Concha Méndez’s Poemas: Sombras y sueños -- Toward the Periphery of Europe: Erich Maria Remarque’s Novel The Night in Lisbon -- Najat El Hachmi: Away from Patriarchy, Hijab, and Cultural Relativism -- Doctor Möbius, or: How I Learned to Stop Worrying and Love the Line.
    Abstract: Spatiality at the Periphery in European Literatures and Visual Arts analyzes the impact migrations, both internal and external, have on Europe’s literary and visual representations in the nineteenth to twenty-first centuries. The volume aims to subvert a centripetal reading of European cultural production by including peripheral thinkers, writers, and visual artists operating in transcultural contexts. The essays highlight and investigate the fertile artistic discourses generated in the spatial peripheries outside of Europe or its inner peripheries. The volume addresses the need for geocritical readings that overcome the engrained dichotomy of centers-peripheries. By doing so, the book brings a more nuanced approach to national literatures and proposes the idea of “contact zones of imaginative interaction”. Kathryn Everly is Professor of Spanish, Syracuse University, USA. Stefano Giannini is Associate Professor of Italian, Syracuse University, USA. Karina von Tippelskirch is Associate Professor of German, Syracuse University, USA.
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    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031221200
    Language: English
    Pages: 1 Online-Ressource(XXVII, 238 p. 6 illus., 3 illus. in color.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: America—Literatures. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Comparative literature. ; Culture. ; Comparative government. ; Literature, Modern ; America ; Literature, Modern
    Abstract: Introduction: Laying the Groundwork: Canada’s (In)visibility -- 1.The Missionary Position: The American Roots of Northrop Frye’s Peaceable Kingdom -- 2. Evangeline’s Revisioning: Reading Ben Farmer’s Post-9/11 Evangeline: A Novel -- 3. German Internment Camps in the Maritimes: Another Untold Story in P.S. Duffy’s The Cartographer of No Man’s Land -- 4. Becoming Bird(ie): Exposing Canadian Government Complicity with Forced Adoptions in Christina Sunley’s The Tricking of Freya -- 5. Playing The Odds: Fleeing to Canada in Stewart O’Nan’s Novel -- 6. Turning Away, Going South and West: The Receding Promise of Canada in Future Home of the Living God and The Underground Railroad -- 7. The Limits of Canadian Exceptionalism: Bowling for Columbine, Come From Away, and Nîpawistamâsowin: We Will Stand Up.
    Abstract: This book explores how Canada is imagined primarily by US writers, and what readers and scholars on both sides of the Canada-US border can learn from these recent depictions by examining a selection of US-authored fiction from 9/11 to the present. The novels — and occasionally paintings, films, and musicals — that are the subject of the book provide a deliberately varied set of case studies to probe how US texts, along with works of art produced on both sides of the Canada-US border, uncover moments in Canadian historical and literary studies that have been buried or occluded to protect Canada's self-representation as an exceptional nation. Jennifer Andrews is the dean, Faculty of Arts and Social sciences, and a professor in the Department of English at Dalhousie University. .
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    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031304552
    Language: English
    Pages: 1 Online-Ressource(XIX, 246 p. 2 illus., 1 illus. in color.)
    Edition: 1st ed. 2023.
    Series Statement: New Directions in Irish and Irish American Literature
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    Keywords: Literature, Modern—20th century. ; Literature, Modern—21st century. ; Great Britain—History. ; Fiction. ; Literature, Modern ; Literature, Modern ; Great Britain
    Abstract: Chapter 1: Introduction: Silences that Speak -- Chapter 2: Conspicuously Silent: The excesses of Religion and Medicine in Emma Donoghue’s historical novels The Wonder and The Pull of the Stars -- Chapter 3: “To Pick up the unsaid, and perhaps unknown, wishes”: Reimagining the “True Stories” of the Past in Evelyn Conlon’s Not the Same Sky -- Chapter 4: “He’s been wanting to say that for a long time”: Varieties of Silence in Colm Tóibín’s Fiction -- Chapter 5: The Irish Short Story and the Aesthetics of Silence -- Chapter 6: Infinite Spaces: Kevin Barry’s Lives of Quiet Desperation -- Chapter 7: The Silencing of Speranza -- Chapter 8: “A self-interested silence”: Silences Identified and Broken in Peter Lennon’s Rocky Road to Dublin (1967) -- Chapter 9: Silence in Donal Ryan’s Fiction -- Chapter 10: “Sure, aren’t the church doing their best?” Breaking Consensual Silence in Emer Martin’s The Cruelty Men -- Chapter 11: Unspeakable Injuries and Neoliberal Subjectivities in Sally Rooney’s Conversations with Friends and Normal People.
    Abstract: This Open access book is a collection of essays and offers an in-depth analysis of silence as an aesthetic practice and a textual strategy which paradoxically speaks of the unspoken nature of many inconvenient hidden truths of Irish society in the work of contemporary fiction writers. The study acknowledges Ireland’s history of damaging silences and considers its legacies, but it also underscores how silence can serve as a valuable, even productive, means of expression. From a wide range of critical perspectives, the individual essays address, among other issues, the conspiracies of silence in Catholic Ireland, the silenced structural oppression of Celtic Tiger Ireland, the recovery of silenced stories/voices of the past and their examination in the present, as well as millennial disaffection and the silencing of vulnerability in today’s neoliberal Ireland. The book ’s attention to silence provides a rich vocabulary for understanding what unfolds in the quiet interstices of Irish writing from recent decades. This study also invokes the past to understand the present and, thus, demonstrates the continuities and discontinuities that define how silence operates in Irish culture. M. Teresa Caneda-Cabrera is Senior Lecturer in English at the University of Vigo, Spain. She is the author of a monograph on A Portrait of the Artist as a Young Man and sits on the Editorial Board of European Joyce Studies. Her research on silence and vulnerability in contemporary Irish fiction has been funded by the Spanish MCIN, AEI and ERDF. She is the co-editor of Atlantic Communities: Translation, Mobility, Hospitality (2023) and the editor of Telling Truths: Evelyn Conlon and the Task of Writing (2023). José Carregal-Romero lectures at the University of Huelva, Spain. His research focuses on the intersections between gender and sexuality in contemporary Irish literature, with a keen interest in silence and vulnerability. He is the co-editor of Revolutionary Ireland, 1916–2016: Historical Facts & Social Transformations Re-Assessed (2020) and the author of Queer Whispers: Gay and Lesbian Voices of Irish Fiction (2021).
    Note: Open Access
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    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031280931
    Language: English
    Pages: 1 Online-Ressource(X, 218 p.)
    Edition: 1st ed. 2023.
    Series Statement: Palgrave Studies in Contemporary Women’s Writing
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    Keywords: Literature, Modern—20th century. ; Literature, Modern—21st century. ; Literature—Philosophy. ; Comparative literature. ; Feminism and literature. ; Fiction. ; Literature ; Literature, Modern ; Literature, Modern
    Abstract: Introduction: Writing Back and Looking Forward - Gina Wisker, Heidi Yeandle, Leanne Bibby -- Haunting relationships, dark visions, personal dangers and encounters with strangers in Gothic short stories by Katherine Mansfield (1920), Shirley Jackson (1946), Daphne du Maurier (1952), and Alice Munro (2012) - Gina Wisker -- (Dis)continuing the mother-daughter dyad in Alison Bechdel’s Are You My Mother? Working Back Through Our Mothers - Caleb Sivyer -- 'You'll be told lies about me, or perhaps even nothing at all.' Suzannah Dunn's Tudor Queens and the Problem of Historical Romance - Leanne Bibby -- Poet in a lab coat: the creativity in Rachel Carson’s scientific texts - Lisa Matthews -- Decentering Genealogies: L’Écriture Féminine, The Youngest Doll, and Contemporary Puerto Rican Women Writers - Melissa R. Sande -- The Smallest Room of One’s Own: Virginia Woolf and Jeanette Winterson in Close Quarters - Shareena Z. Hamzah -- “Born of a great fire”: Infanticide and Transgenerational Trauma in Toni Morrison’s Beloved and Yaa Gyasi’s Homegoing - Laura Dawkins -- (Re)Writing the Future/ Disavowing the Past: Reading Feminism in The Power and The Handmaid’s Tale - Adele Jones -- Caring and Ageing in Contemporary Women’s Writing - Katsura Sako.
    Abstract: This book examines the connections and conversations between women writers from the twentieth century and the twenty-first century. The essays consider the ways in which twenty-first-century women writers look back and respond to their predecessors within the field of contemporary women’s writing. The book looks back to the foundations of contemporary women’s writing and also considers how this category may be defined in future decades. We ask how writers and readers have interpreted ‘the contemporary’, a moving target and an often-contentious term, especially in light of feminist theory and criticism of the late twentieth century. Writing about the relationships between women’s writings is an always-vital, ongoing political project with a rich history. These essays argue that establishing and defining the contemporary is, for women writers, another ongoing political project to which this collection of essays aims, in part, to contribute.
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    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031258558
    Language: English
    Pages: 1 Online-Ressource(XVII, 345 p. 9 illus., 4 illus. in color.)
    Edition: 1st ed. 2023.
    Series Statement: Literary Urban Studies
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    Keywords: Literature, Modern—20th century. ; Literature, Modern—21st century. ; Cities and towns—History. ; Literature. ; Fiction. ; Space. ; Culture. ; Cities and towns ; Literature, Modern ; Literature, Modern
    Abstract: 1 Fair and Unfair Cities: Equity, Ideology, Utopia -- Part I Histories of the Future -- 2 The Dialectics of Revery: Daydreaming and the (Un)Fair City, 1794–1922 -- 3 Utopia as Urban Testing Ground: Spatial and Social Forms in the Works of Ebenezer Howard and H.G. Wells -- 4 Utopia and Agoraphobia in 1920s Marseilles: Empty Space in the Work of László Moholy-Nagy and Siegfried Kracauer -- 5 Ideological Troubles in the Proletarian Paradise: The Four Cities of Werner Illing’s Utopolis (1930) -- 6 Prince Charles’ A Vision of Britain as Populist Retrotopia -- Part II Reclaiming and Remaking -- 7 ‘Another World is Plantable’: Community Gardening and Urban Planning -- 8 Imaginaries of the Future City: Envisioning Climate Change and Technological Cityscapes through Dutch Contemporary Speculative Fiction -- 9 Both Kinds of Occupation: Reclaiming and Remaking the City in Contemporary Poetry -- 10 Navigating Beyond Gender: The City in Feminist Science Fiction -- 11 Pathways Towards Utterance in Contemporary French Poetic Practice: Framing the Urban Real -- Part III Fictional Fieldwork -- 12 Aztecs and Angels in Mexico City: Urban Palimpsests and Social Critique in Fictions by Homero Aridjis and Edgar Clement -- 13 Utopianism and the Writing of Lisbon in José Saramago’s Historical Fiction -- 14 Unruly Utopia: Divergent Spatialities in Italo Calvino’s Invisible Cities -- 15 Confronting Otherness: The Built Environments in Adrian Tchaikovsky’s Shadows of the Apt -- 16 ‘City Which Holds All Times and Places’: On Urban Landscape in Maggie Gee’s The Flood.
    Abstract: “This collection maps the terrain of an ‘inter-discipline’ that cuts across and draws together literary studies, philosophy, architecture and visual culture, to name just some of the domains with which its contributors engage. Ranging in time from the nineteenth century into imagined futures, and across our world and others, the volume helps us reimagine and rethink questions of urban existence, coexistence and community, and shows how now more than ever, thinking through forms of urban utopia inevitably involves thinking in planetary terms.” —Edward Welch, Carnegie Professor of French University of Aberdeen, UK Utopia, Equity and Ideology in Urban Texts: Fair and Unfair Cities explores the complex interrelations of three key critical topics across a diverse range of urban writing. Interrogating the links and tensions between aesthetic and political priorities in the representation and imagining of urban life, the volume engages with work from a wide variety of linguistic and cultural origins and across a range of textual practices having the urban phenomenon as a common framing concern. Individual contributions discussing genre and literary fiction, poetic writing, documentary and essayistic texts, planning manifestos and municipal communications materials serve to demonstrate that the nuanced treatments of urban experience and potential which may be gleaned from across this textual spectrum act as a pragmatic corrective to purely conceptual approaches. As such, the volume consolidates the emerging dialogue between the fields of utopian studies and literary urban studies, understanding these as complementary approaches to the reading of the city and its textual prolongations. Michael G. Kelly is Senior Lecturer in French and Director of the Ralahine Centre for Utopian Studies at the University of Limerick. Mariano Paz is Lecturer in Spanish and Associate Director of the Ralahine Centre for Utopian Studies at the University of Limerick.
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    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031411410
    Language: English
    Pages: 1 Online-Ressource(X, 237 p.)
    Edition: 1st ed. 2023.
    Series Statement: Palgrave Studies in Literature, Science and Medicine
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    Keywords: Literature, Modern ; Fiction. ; Medicine and the humanities. ; Science ; Celebrities. ; Great Britain
    Abstract: Introduction -- Chapter 1: Fashionable Diseases: Consumerism, Class, and Health in the Silver Fork Novels -- Chapter 2: “Unblessed by Offspring”: Fertility and the Aristocratic Male in Reynolds’s The Mysteries of the Court of London -- Chapter 3: Aristocratic Inbreeding: Exogamy and Endogamy in Sensation Fiction -- Chapter 4: Aristocratic Origins, Heredity, and Evolution in the Fin de Siècle Medieval Revival -- Conclusion.
    Abstract: Science, Medicine, and Lineage in Popular Fiction of the Long Nineteenth Century explores the dialogue between popular literature and medical and scientific discourse in terms of how they represent the highly visible an pathologized British aristocratic body. This books explores and complicates the two major portrayals of aristocrats in nineteenth-century literature: that of the medicalised, frail, debauched, and diseased aristocrat, and that of the heroic, active, beautiful ‘noble’, both of which are frequent and resonant in popular fiction of the long nineteenth century. Abigail Boucher argues that the concept of class in the long nineteenth century implicitly includes notions of blood, lineage, and bodily ‘correctness’, and that ‘class’ was therefore frequently portrayed as an empirical, scientific, and medical certainty. Due to their elevated and highly visual social positions, both historical and fictional aristocrats were frequently pathologized in the public mind and watched for signs of physical excellence or deviance. Using popular fiction, Boucher establishes patterns across decades, genres, and demographics and considers how these patterns react to, normalise, or feed into the advent of new scientific and medical understandings.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031377235
    Language: English
    Pages: 1 Online-Ressource(XIII, 231 p. 12 illus.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Law ; Poetry. ; European literature.
    Abstract: 1 – Introduction -- 2 – Laws Ancient and Modern: Nation, Custom and Legislative Renewal -- 3 – One Law for the Lion and the Ox is Oppression: the Emergence of Universal Law -- 4 – One King, One God, One Law: Building Constitutions in the Lambeth Books -- 5 – The Heavens Squared by a Line: Legal Architecture and Mystery -- 6 – Such are the Laws of Eternity: Recovery, Redemption, and Prophecy -- 7 – Creating Nature from this Fiery Law: Towards Visionary Legislation? -- 8 – Conclusion.
    Abstract: This book examines the difficult relationship between individual intellectual freedom and the legal structures which govern human societies in William Blake’s works, showing that this tension carries a political urgency that has not yet been recognised by scholars in the field. In doing so, it offers a new approach to Blake’s corpus that builds on the literary and cultural historical work of recent decades. Blake’s pronouncements about law may often sound biblical in tone; but this book argues that they directly address (and are informed by) eighteenth-century legal debates concerning the origin of the English common law, the autonomy of the judicature, the increasing legislative role of Parliament, and the emergence of the notions of constitutionalism and natural rights. Through a study of his illuminated books, manuscript works, notebook drafts and annotations, this study considers Blake’s understanding that law is both integral to humanity itself and a core component of its potential fulfilment of the ‘Human Form Divine’. Matthew Mauger is Senior Lecturer in English at Queen Mary University of London, UK. His research focuses on the intellectual, literary and commercial life of London in the eighteenth century, with a particular interest in how the administrative frameworks associated with the city – civil, legal, political, financial – provide contexts for literary expression. He is co-author of Stealing Books in Eighteenth-Century London (2016) and of Empire of Tea: The Asian Leaf that Conquered the World (2015).
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031352010
    Language: English
    Pages: 1 Online-Ressource(IX, 224 p.)
    Edition: 1st ed. 2023.
    Series Statement: New Comparisons in World Literature
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    Keywords: Literature, Modern ; European literature. ; Middle Eastern literature. ; Literature. ; Comparative literature.
    Abstract: Chapter 1 -- Introduction -- Part I: Philosophy of Time -- Chapter 2- Bergson, The Politics of Time and Modernity -- Part II: Chronometrics in the Modern Capital: the City, the Past and Collective Memory -- Chapter 3 - Ahmet Hamdi Tanpınar’s Istanbul -- Chapter 4- Chronometrics in the Modern Capital: Walter Benjamin’s Fairytale -- Part III: The Literary Clock and Chronophobia -- Chapter 5 - Chronostasis: Temporal Disorders and the Critique of Managed Existence in The Time Regulation Institute -- Chapter 6- The Clockwork Language: Temporal and Linguistic Modernity in Robert Walser’s The Assistant -- Chapter 7- Conclusion.
    Abstract: This book explores the conceptualization of time in early twentieth-century literature and thought, based on a transnational and translational model of literary history, focusing on Turkish, French and German literary traditions. Each from different cultural backgrounds, these modernists provide a radical critique of modern time regimes, which calibrate time in singular temporal narratives. The book traces the philosophical strand of this critical chronometry from Henri Bergson’s theory of time, through Walter Benjamin’s ambivalence towards decay of tradition, and finally to A.H. Tanpınar and Robert Walser’s modernist fiction. Negotiating regionally marked concepts and topoi of temporality, it discusses networks of cultural circulations and maps a revised intersection of Turkish and Western European literary histories. It is an essential read for scholars and students of comparative and world literature, modernist studies, and cultural history. Özen Nergis Seçkin Dolcerocca is Associate Professor in the Department of Modern Languages, Literatures and Cultures at the University of Bologna, Italy. She holds a PhD in Comparative Literature from NYU and is the principal investigator of the ERC Starting Grant project ‘Modernizing Empires: Enlightenment, Nationalist Vanguards and Non-Western Literary Modernities’. Her research focuses on literary theory, comparative literature, modernism, nineteenth-century cultural history, narratology, and digital humanities. .
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031403910
    Language: English
    Pages: 1 Online-Ressource(IX, 201 p.)
    Edition: 1st ed. 2023.
    Series Statement: New Directions in Irish and Irish American Literature
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Goth culture (Subculture). ; Imperialism. ; Literary form.
    Abstract: Chapter 1:Introduction -- Chapter 2: The Spaces in which I/Eye Gaze: J.C. Mangan’s Satirical Appropriation of Colonial Views -- Chapter 3: J.S. Le Fanu’s Rhetoric of Nostalgia and the No-Home -- Chapter 4: The Anti-Colonial Heart of Rural Ireland: Possession and Dispossession in Bram Stoker’s Short Fiction -- Chapter 5: Roaming the World Around: Exile in J.C. Mangan’s Narratives -- Chapter 6: Haunted Manor Houses and Bumping Monsters: The Paradigm of the No Home in J.S. Le Fanu’s narratives -- Chapter 7: Adverse Landscapes, Unwelcoming Homes: (Un)Heroic Colonial Journeys in Bram Stoker’s Short Fictions -- Chapter 8: Conclusions.
    Abstract: This book explores how three Anglo-Irish writers, J.C. Mangan, J.S. Le Fanu and Bram Stoker, use settings in their short fictions to recreate, depict and confront Ireland’s colonial situation in the nineteenth century. This study provides an innovative approach by targeting a genre (the short story) which has not been explored in its entirety— certainly not within nineteenth century Ireland - much less using a postcolonial approach to the short story. Added to this is the fact that it analyses how these writers used settings as an anticolonial tool. To do so, the book is divided into two major sections, an analysis of Irish settings and non-Irish ones. It works on the premise that all three writers used the idea of displacement to target colonialism and its effects on Irish society. In short, this book addresses a gap in scholarship, as the Irish Gothic short story as a decolonizing tool has not been sufficiently and globally studied. Richard Jorge completed his PhD at the University of Santiago de Compostela, Spain, where he researched the relationship between the short story and the Irish Gothic tradition in the writings of James Clarence Mangan, Joseph Sheridan Le Fanu and Bram Stoker. He has worked at various universities and has also taught literature at an IB International school. Currently, Richard is teaching at the Department of English, German and Translation and Interpretation Studies in the University of the Basque Country (UPV/EHU), Spain, while continuing with his research on the Irish short story in the nineteenth century. Recent publications include Anglo-Irish Representations and Postcolonial Discourse in J. S. Le Fanu's "The Familiar" (Nineteenth Century Contexts, 2021), Untranslatable Characters: James Clarence Mangan and the English Language (English Studies, 2021), Debunking Protestant Celticism: Joseph Sheridan Le Fanu's Language Appropriation in "The Quare Gander" and An Account of Some Strange Disturbances in Aungier Street (Journal of Language, Literature and Culture, 2020).
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031396670
    Language: English
    Pages: 1 Online-Ressource(XVI, 237 p.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; European literature. ; Fiction.
    Abstract: Chapter 1: Introduction -- Chapter 2: Less Than Angels: Discontents, Detachment, and Discontinuities -- Chapter 3: A Glass of Blessings: Crossing the Boundaries Between Elegance and Excellence -- Chapter 4: No Fond Return of Love: Unlikely Continuities -- Chapter 5: Struggle for Continuity During the “Wilderness Years” (1963-1977) -- Chapter 6: An Unsuitable Attachment: A Redefinition -- Chapter 7: The Sweet Dove Died: Discontinued Friendships and the Arrested Life -- Chapter 8: Life Goes On: Continued Sustenance -- Chapter 9: Strands of Change and Quartet in Autumn: The Limits of Continuity -- Chapter 10: Continuity Regained: Village Life and “Rediscovery” -- Chapter 11: A Few Green Leaves: Looking to the Future -- Chapter 12: Epilogue: Last Respects.
    Abstract: The Testing of Barbara Pym, a companion volume to The Making of Barbara Pym (Palgrave Macmillan, 2021), completes a comprehensive analysis of Pym’s novels and her life, focusing on her complex view of the necessity of change at both the individual and cultural levels. Newly published archival material supports this treatment of Pym’s vision of a changing world – a vision premised upon the principle of continuity, a linking together of past, present, and future. In her novels published from 1955-1980, beginning with Britain’s emergence from post-war austerity, Pym portrays, in an optimistic fashion, several changing aspects of British culture: expansion of the suburbs, acceptance of homosexual men, erosion of the class system, inclusivity in the Anglican Church. But with these changes, new strains emerge as well; the principle of continuity undergoes radical testing and is then emphatically reasserted. Likewise, despite upheavals to established patterns in her life, chiefly the inability to publish her work, Pym persisted in cultivating such elements of continuity as she could, an effort rewarded, while she was in rural retirement, by a return to the publishing world. Thus, in both Pym’s novels and her life, continuity survives the duress of testing circumstances. Emily Stockard is Professor of English, Florida Atlantic University, USA, and author of The Making of Barbara Pym: Oxford, the War Years, and Post-war Austerity (2021).
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  • 68
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031405563
    Language: English
    Pages: 1 Online-Ressource(XI, 268 p.)
    Edition: 1st ed. 2023.
    Series Statement: Palgrave Studies in Animals and Literature
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Ecocriticism. ; Literature, Modern ; Literature, Modern ; America ; Science in popular culture. ; Communication in science. ; Animal welfare
    Abstract: Introduction -- Part I: Emergence -- Chapter 2: 1860s-1900s Contexts -- Chapter 3: 1860s-1900s Texts -- Part II: Adaptation -- Chapter 4: 1900s-1950s Contexts -- Chapter 5: 1900s-1950s Texts -- Part III: Divergence.-Chapter 6: 1950s-1980s Contexts -- Chapter 7: 1950s-1980s Texts -- Part IV: Survival -- Chapter 8: 1980s-2000s Contexts -- Chapter 9: 1980s-2000s Texts.-Chapter 10: Conclusion.
    Abstract: Literature, Science, and Animal Advocacy in Canada: Practical Zoocriticism is the first book-length study of animals in Canadian literature. Using a historical approach, it offers a much-needed alternative to existing models of animals as symbols of Canadian victimhood. Spanning more than a century, the scope of this book includes classic writers, Ernest Thompson Seton and Charles G. D. Roberts, as well as popular contemporary authors, such as Barbara Gowdy, Yann Martel, Margaret Atwood, and many others. By recontextualizing these works with closer attention to contemporary scientific and animal advocacy debates, this book offers a fresh new perspective on a wide range of texts. Author Bio: Candice Allmark-Kent is an independent scholar. She has taught at the University of Exeter, UK. She previously has been a committee member for the British Association for Canadian Studies. .
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031393419
    Language: English
    Pages: 1 Online-Ressource(XIII, 143 p. 5 illus.)
    Edition: 1st ed. 2023.
    Series Statement: Palgrave Studies in Literature, Culture and Economics
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: America ; Literature, Modern ; Literature, Modern ; Poetry. ; Economic history. ; North America ; Cultural property.
    Abstract: Introduction : Economies of Scale: Financialization and Contemporary North American Poetry -- Chapter One: “[A] fictive person / around whom the air is blurred with money”: Precarious Labor and the Work of Poetry -- Chapter Two: “Miss Thing”: Prosopopeia, Aliveness, and the Female Consumer -- Chapter Three: “[A]n arrangement of figures on an open field”: Death, Displacement, and Unrepayable Debts -- Chapter Four: “Were you afraid // your book would vanish”: Gambling on the Print Book in the Electronic Age -- Chapter 5 : Coda: “[T]hese gestures of redress sailed to me!”: U.S. Poetry after 2016.
    Abstract: .
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  • 70
    ISBN: 9783031130601
    Language: English
    Pages: 1 Online-Ressource(XV, 267 p. 3 illus., 1 illus. in color.)
    Edition: 1st ed. 2023.
    Series Statement: Literary Urban Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern—19th century. ; Cities and towns—History. ; European literature. ; Latin American literature. ; African literature. ; Sociology, Urban. ; Cities and towns ; Literature, Modern
    Abstract: Introduction: Literary Capitals in the Long Nineteenth Century Arunima Bhattacharya (University of Edinburgh), Richard Hibbitt (University of Leeds), Laura Scuriatti (Bard College Berlin) -- Part I: Beyond Europe -- 1. Our Alexandria: Our City of Loss May Hawas (The American University in Cairo) -- 2. Buenos Aires, Capital of the Spanish-American Nineteenth Century Alejandra Uslenghi (Northwestern University) -- 3. Calcutta: The ‘Second City’ of the British Empire Hemlata Giri Loussier (Université d’Aix-Marseille) -- 4. Producing the Colonial Capital: Calcutta in Handbooks Arunima Bhattacharya (University of Edinburgh) -- Part II: Defining Peripheries -- 5. War and Feminism: Dublin’s Days of Rabblement Catherine Toal (Bard College Berlin) -- 6. Paris and Stockholm in the novels Illusions Perdues by Balzac and The Red Room by August Strindberg Annika Mörte Alling (Lund University) -- 7. The Provincial Cosmopolis: Helsinki as Centre and Periphery Philip Bullock (University of Oxford) -- 8. Bilingual Poets and Multilingual Printing Presses: Pest-Buda in the Early Nineteenth Century Zsuzsanna Varga (University of Glasgow) -- 9. Geneva’s Cosmopolitan Vistas: Art and Re-Imagining Nation in fin-de-siècle Franco-Swiss Artistic Exchange Juliet Simpson (Coventry University) -- Part III: Polycentric Italy -- 10. Spatial, Cultural and National Anxieties in Nineteenth-Century Trieste Elena Coda (Purdue University) -- 11. How to Become Modern in Florence: Another Capital at the Turn of the Century Laura Scuriatti (Bard College Berlin) -- 12. The Literary Geopolitics of fin-de-siècle Rome: Foreign Literatures in the Periodical Press Stefano Evangelista (University of Oxford).
    Abstract: "It was a pleasure for me to read this volume, as it composed a multifaceted city in front of my eyes. It reads like an urban kaleidoscope, but its beauty is also that it can be broken into pieces and used in classes. I will use it in my classes on urbanity and representation, for sure, and am sure it will find a ready public amongst scholars of urban studies, and students of the field, graduate and undergraduate." —Patrice Nganang, Department of Africana Studies, Chair Stony Brook University, USA This book develops our understanding of the global literary field in the long nineteenth century by discussing nine different places outside the established metropoles. It shows how different economic, geographical and political factors combined to give each place its own distinctive literary culture and symbolic capital. Taking a geocritical approach, the book shows how its different case studies can be seen as ‘literary capitals’ in terms of their role within the wider nation, region or empire. Drawing on a wide range of literary texts and different genres, the book reads the nineteenth-century literary field as a constellation where different connections can be plotted across various points on the map at different times. Arunima Bhattacharya is a postdoctoral research assistant on an AHRC-funded project, The Other from Within: Indian Anthropologists and the Birth of a Nation (University of Leeds, UK). Her publications include ‘Everyday Objects and Conversations Experiencing “Self” in the Transnational Space’ in Asian Women, Identity and Migration (2020). Richard Hibbitt is Senior Lecturer in French and Comparative Literature at the University of Leeds, UK. His publications include the edited volume Other Capitals of the Nineteenth Century: An Alternative Mapping of Literary and Cultural Space (Palgrave, 2017). Laura Scuriatti is Associate Professor of English and Comparative Literature at Bard College, Berlin. She is the author of Mina Loy’s Critical Modernism (2019) and the editor of Groups, Coteries, Circles and Guilds: Modernist Aesthetics and the Utopian Lure of Community (2019). .
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031083686
    Language: English
    Pages: 1 Online-Ressource(XI, 221 p. 1 illus.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern—20th century. ; Performing arts. ; Theater. ; Ecocriticism. ; Playwriting. ; Dramatists. ; Literature, Modern
    Abstract: 1. Introduction -- Part I: Catastrophe and Aesthetic Creation -- 2. Tickling your catastrophe, or Beckett’s Laughing Antistrophe -- 3. The Not-all Catastrophe in Ill Seen Ill Said / Mal vu mal dit and ‘Comment dire’ / ‘what is the word’ by Samuel Beckett -- 4. Beckett’s Grey and the Temporality of Afterness -- 5. Samuel Beckett’s Catastrophic Synthesis between Leibniz and Schopenhauer -- Part II: Catastrophes in History -- 6. Beckett’s Sense of History in the Age of Catastrophe -- 7. Imagination’s Dead: Beckett’s Catastrophic Realism -- 8. Catastrophe and Everyday Life in Samuel Beckett -- Part III: Ecological Catastrophe and the Role of Art -- 9. Slow Violence and Slow Going: Encountering Beckett in the Time of Climate Catastrophe -- 10. A Feminist Counter-apocalyptic Interpretation of Precarity: Reading Samuel Beckett’s Catastrophe in the Post-catastrophe Age -- 11. Gestures of Helpless Compassion: Beckett’s Eco-poetics of Extinction.
    Abstract: Samuel Beckett and Catastrophe is a groundbreaking collection of original essays that explore the relation between Samuel Beckett and catastrophe in terms of war, the Holocaust, nuclear disasters and ecological crisis. Responding to the post-catastrophic situations in the twentieth century, Beckett created characters who often seem to have been through an unknown catastrophe. Although the importance of catastrophe in Beckett has been noted sporadically, there has been no substantial attempt to discuss his aesthetics and work in relation to it. This collection will therefore serve as the first sustained study to explore the theme of catastrophe in Beckett and will be a highly significant contribution to Beckett studies. Michiko Tsushima is Professor at University of Tsukuba, Japan. She has published articles and books on Beckett and Arendt. Her publications include The Space of Vacillation: The Experience of Language in Beckett, Blanchot, and Heidegger (2003). With Mariko Hori Tanaka and Yoshiki Tajiri, she co-edited Samuel Beckett and Pain (2012) and Samuel Beckett and trauma (2018). Yoshiki Tajiri is Professor at the University of Tokyo. He has published widely on Samuel Beckett, J. M. Coetzee, Kazuo Ishiguro and other authors. His publications include Samuel Beckett and the Prosthetic Body (Palgrave, 2007). Mariko Hori Tanaka is Professor at Aoyama Gakuin University in Tokyo, Japan. She co-edited four collections of essays on Beckett in English and authored two books on Beckett in Japanese including Revised Versions of Waiting for Godot: Beckett as Director (2017). .
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031167348
    Language: English
    Pages: 1 Online-Ressource(XII, 244 p.)
    Edition: 1st ed. 2023.
    Series Statement: Literary Urban Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern—20th century. ; Literature—Aesthetics. ; Science—Social aspects. ; Cities and towns—History. ; Space. ; Culture. ; Science ; Cities and towns ; Literature, Modern ; Literature
    Abstract: Introduction -- Mediated Sound -- Tunement: Listening to Listening -- Urban Sonar -- Teeming with Traffic -- Crowded Voices -- Aquacities -- Conclusion: Rewind – Fast Forward. .
    Abstract: Navigating Urban Soundscapes: Dublin and Los Angeles in Fiction offers an innovative analytical framework to explore sound in different media and across two distinct urban soundscapes. Studying a wide range of novels, films, and radio dramas, using Dublin and Los Angeles as case studies, Annika Eisenberg asks how sounds are aestheticised to signify urban space in fiction, and how sounds allow such fictional urban spaces to be navigated, both by auscultators, the characters listening within a work of fiction, and by auditeurs, the implied audience of a fictional work. Eisenberg argues that the concept of “urban sound” is a cultural and aesthetic construct, and in doing so, she shows why aesthetics needs to be front and center in sound studies.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031099861
    Language: English
    Pages: 1 Online-Ressource(XXXII, 323 p. 12 illus.)
    Edition: 1st ed. 2023.
    Series Statement: American Literature Readings in the 21st Century
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: America—Literatures. ; Literature, Modern—19th century. ; Literature—History and criticism. ; Adaptation (Literary, artistic, etc.). ; Literature, Modern ; Literature ; America
    Abstract: 1 Introduction: Re-assessing Poe’s ‘Adolescent’ Art - JOSÉ R. IBÁÑEZ IBÁÑEZ & SANTIAGO RODRÍGUEZ GUERRERO-STRACHAN -- Poe Classical and (Post)modern readings -- 2 Distance Makes the Heart Grow Fonder: Nostalgia and Poe’s Readership - JEFFREY SAVOYE -- 3 Fear, Unbelief, and the Ascendancy of Edgar Poe - J. GERALD KENNEDY -- 4 “The Glory that was Greece and the Grandeur that was Rome”: Edgar Allan Poe and the Classical World - HARRY LEE POE -- 5 Poe’s Arrival in Europe: The Case of Greece - DIMITRIOS TSOKANOS -- 6 The Achievement of Edgar Allan Poe: Poe among the Modernists - VIORICA PATEA -- 7 Poeta Ludens: Poe’s Twisted Modern Times - STEPHANIE SOMMERFELD -- Poe’s Young Adult Readership -- 8 Reading, Understanding, and Praising Poe’s Illustrated Oeuvre: From Childhood to Old Age - FERNANDO GONZÁLEZ MORENO & MARGARITA RIGAL-ARAGÓN -- 9 Poe’s ‘The Gold-Bug.’ Reading, and Race - JOHN GRUESSER -- 10 Poe’s “Berenice” in Popular Culture: Contemporary (Audio)visual representations in Spain - Mª ISABEL JIMÉNEZ-GONZÁLEZ & ANA GONZÁLEZ-RIVAS FERNÁNDEZ -- 11 “The Masque of the Red Death” in literature and cinema: Poe’s original story and Corman’s film adaptation - EUSEBIO V. LLÀCER LLORCA -- Poe’s Adult Readership and his Legacy -- 12 Beyond Baudelaire’s Views of Poe: Carlos Fernández Cuenca and Josep Farrán i Mayoral. Literary Criticism and Aesthetic Reception in 1930s and 1940s Spain - JOSÉ MANUEL CORREOSO-RÓDENAS & ALEJANDRO JAQUERO-ESPARCIA -- 13 “Darkness there and nothing more:” Edgar A. Poe and the Popular Culture of Necrolatry and Tanatography - EULALIA PIÑERO GIL -- 14 Echoes of Poe in the Jazz Age: The Haunting of F. Scott Fitzgerald - BONNIE MCMULLEN -- 15 Growing up in Poe’s Shadow: Intertextuality, Jungian Projections, and Creativity in Edgar Allan Poe’s “The Murders in the Rue Morgue” and Stephen King’s “The Monkey” - MARTA MIQUEL-BALDELLOU -- 16 Poe’s Poetics and Eliot’s Poetry. A Denial of Influence? - SŁAWOMIR STUDNIARZ -- 17 “The Man of the Crowd” and His Followers: Poe, Rampo and Sakate - TAKAYUKI TATSUMI. .
    Abstract: This book analyzes a range of Edgar Allan Poe’s writing, focusing on new readings that engage with classical and (post)modern studies of his work and the troubling literary relationship that he had with T.S. Eliot. Whilst the book examines Poe’s influence in Spain, and how his figure has been marketed to young and adult Spanish reading audiences, it also explores the profound impact that Poe had on other audiences, such as in America, Greece, and Japan, from the nineteenth to the twenty-first century. The essays attest to Poe’s well-deserved reputation, his worldwide legacy, and his continued presence in global literature. This book will appeal particularly to university teachers, Poe scholars, graduate students, and general readers interested in Poe’s oeuvre. José R. Ibáñez is Assistant Professor at the University of Almeria, Spain. He has published articles and book chapters on Comparative literature and American literature, with an emphasis on Edgar Allan Poe and the short fiction of Southern United States authors and hyphenated American authors, such as Jhumpa Lahiri and Ha Jin. Santiago Rodríguez Guerrero-Strachan is Senior Lecturer at the University of Valladolid, Spain. He has published extensively on the relations between Spanish and American literatures and on the short story. His research interests include American literature of the Romantic and Modernist periods.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031190285
    Language: English
    Pages: 1 Online-Ressource(XI, 236 p. 1 illus.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als Smale, Irene Euphemia Women, theology and evangelical children's literature, 1780-1900
    Keywords: 1800-1899 ; Great Britain—History. ; Religion—History. ; Literature, Modern—19th century. ; Children's literature. ; Social history. ; Great Britain ; Literature, Modern ; Religion ; Children's literature, English ; Christian literature for children ; Evangelicalism in literature ; Criticism, interpretation, etc ; Christliche Kinderliteratur ; Frau ; Lesekultur ; Geistesgeschichte 1780-1900
    Abstract: 1. An Introduction to Evangelical Children’s Literature 1780-1900 -- 2. Defining Distinguishing and Disseminating Evangelical Children's Literature 1780-1900 -- 3. Revolution and Counterrevolutions: Evangelical Children's Literature Within the Socio-Political and Theological Climate of 1780 – 1900 -- 4. Soteriological Themes in Nineteenth-Century Evangelical Children’s Literature 1780-1900 -- 5. Biblical Authority in Evangelical Children’s Literature 1780-1900 -- 6. Eschatological Themes in Evangelical Children’s Literature 1780-1900 -- 7. Epilogue: Contextualising Theology and Childhood Today: A Developing Field of Theological Scholarship.
    Abstract: This book provides a wealth of fascinating information about many significant and lesser-known nineteenth-century Christian authors, mostly women, who were motivated to write material specifically for children’s spiritual edification because of their personal faith. It explores three prevalent theological and controversial doctrines of the period, namely Soteriology, Biblical Authority and Eschatology, in relation to children’s specifically engendered Christian literature. It traces the ecclesiastical networks and affiliations across the theological spectrum of Evangelical authors, publishers, theologians, clergy and scholars of the period. An unprecedented deluge of Evangelical literature was produced for millions of Sunday School children in the nineteenth century, resulting in one of its most prolific and profitable forms of publishing. It expanded into a vast industry whose magnitude, scope and scale is discussed throughout this book. Rather than dismissing Evangelical children’s literature as simplistic, formulaic, moral didacticism, this book argues that, in attempting to convert the mass reading public, nineteenth-century authors and publishers developed a complex, highly competitive genre of children’s literature to promote their particular theologies, faith and churchmanships, and to ultimately save the nation. Irene Euphemia Smale is an Adviser on Children’s and Family Work for the Church of England and a leading expert in historical research for the Archbishops’ Commission on Families and Households. She is Chaplain to the Prebendal School in Chichester and Cathedral Deacon for the Cathedral Church of the Holy Trinity in Chichester. She is an alumna of the University of Chichester, UK, and was an Associate Lecturer in Practical Theology there for several years. Smale has previously published on children and religion in society from the ancient world to Jesus Christ.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031197659
    Language: English
    Pages: 1 Online-Ressource(VII, 277 p.)
    Edition: 1st ed. 2023.
    Series Statement: Palgrave Studies in Nineteenth-Century Writing and Culture
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Literature, Modern—19th century. ; Literature—Philosophy. ; Poetry. ; Feminism and literature. ; Literature ; Literature, Modern
    Abstract: Chapter 1: Introduction: Many Voices, Many Issues -- Chapter 2: The Vagaries of Marriage -- Chapter 3: The Workings of Desire -- Chapter 4: Social Responsibility for the Destitute -- Chapter 5: Grim Stories of the “Fallen Woman” -- Chapter 6: Poets on Poetry -- Chapter 7: The Promise of London -- Chapter 8: Conclusion: Speculating on the Future. .
    Abstract: The New Woman sought vast improvements in Victorian culture that would enlarge educational, professional, and domestic opportunities. Although New Women resist ready classification or appraisal as a monolithic body, they tended to share many of the same beliefs and objectives aimed at improving female conditions. While novels about the iconoclastic New Woman have garnered much interest in recent decades, poetry from the cultural and literary figure has received considerably less attention. Yet the very issues that propelled New Woman fiction are integral to the poetry of the fin de siècle. This book – the first in-depth account on the subject – enriches our knowledge of exceptionally gifted writers, including Mathilde Blind, M. E. Coleridge, Olive Custance, and Edith Nesbit. It focuses on their long-neglected British verse, analyzing its treatment of crucial matters on both the personal and public level to provide the attention the poetry so richly deserves. Patricia Murphy is Professor Emerita in English at Missouri Southern State University, USA.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031186905
    Language: English
    Pages: 1 Online-Ressource(XI, 231 p. 1 illus.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Language and languages—Style. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Pragmatics. ; Fiction. ; Language and languages ; Literature, Modern ; Literature, Modern
    Abstract: Chapter 1: Why Ian McEwan and Literary Pragma-Stylistics? -- Chapter 2: Pragmatics and the Analysis of Fiction -- Chapter 3: Narrative Tradition in Fiction: A Pragma-Stylistic Approach -- Chapter 4: Intradiegetic (Im)politeness or How the (Im)politeness Theory is used for Internal Characterisation -- Chapter 5: Extradiegetic (Im)politeness or How the Implied Author Communicates with the Reader -- Chapter 6: Conclusion.
    Abstract: This book is a pragma-stylistic study of Ian McEwan’s fiction, providing a qualitative analysis of his selected novels using (im)politeness theory. (Im)politeness is investigated on two levels of analysis: the level of the plot and the story world (intradiegetic level) and the level of the communication between the implied author and implied reader in fiction (extradiegetic level). The pragmatic theory of (im)politeness serves the aim of internal characterisation and helps readers to better understand and explain the characters’ motivations and actions, based on the stylistic analysis of their speech and thoughts and point of view. More importantly, the book introduces the notion of “the impoliteness of the literary fiction” – a state of affairs where the implied author (or narrator) expresses their impolite beliefs to the reader through the text, which has face-threatening consequences for the audience, e.g. moral shock or disgust, dissociation from the protagonist, feeling hurt or ‘put out’. Extradiegetic impoliteness, one of the key characteristics of McEwan’s fiction, offers an alternative to the literary concept of “a secret communion of the author and reader” (Booth 1961), describing an ideal connection, or good rapport, between these two participants of fictional communication. This book aims to unite literary scholars and linguists in the debate on the benefits of combining pragmatics and stylistics in literary analysis, and it will be of interest to a wide audience in both fields. Urszula Kizelbach is an Assistant Professor in the Department of Studies in Culture at the Faculty of English, Adam Mickiewicz University in Poznań, Poland. She specialises in literary pragmatics, in particular the pragmatic analysis of Shakespearean drama and contemporary fiction. She published a book on (im)politeness and power in politics in Shakespeare’s histories titled The Pragmatics of Early Modern Politics (2014). She is a Polish Ambassador of the Poetics and Linguistics Association. She teaches stylistics, Shakespeare, the history of British literature and translation.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031312861
    Language: English
    Pages: 1 Online-Ressource(VII, 79 p.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Literature, Modern—18th century. ; Literature—History and criticism. ; Great Britain—History. ; Medicine and the humanities. ; Social history. ; Social policy. ; Literature ; Great Britain ; Literature, Modern
    Abstract: Introduction: Societies in Crisis -- A Journal of the Plague Year in the Twenty-First Century -- Narrating the Pandemic: A Journal of the Plague Year -- Narrating the Pandemic: Covid-19 -- Pandemics in Perspective.
    Abstract: “A useful, original, and timely book, written with rigour, passion, and emotion. It deserves a wide readership among those who believe classic literature can tell us about our own circumstances and help us to work towards solutions to problems of the present.” ─Prof. Nicholas Seager Head of the School of Humanities, Keele University, Staffordshire, UK Daniel Defoe's A Journal of the Plague Year has taken on a new relevance with the advent of the Covid-19 pandemic. Through an exploration of two chronologically distant societies in crisis, this study compares the attitudes, beliefs, and conduct of the public portrayed in the book and those in our own embattled Covid era. There are interesting similarities to note, with equivalents to the Covid-deniers and the anti-vaxxers to be found in Defoe's bleak vision of London in the 1660s as it descends into a state of chaos. JPY offers us some uncomfortable truths about human nature that resonate strongly in our own times, revealing how responding to a pandemic can bring out both the best and the worst in our character as we face up to a world where the old certainties no longer seem to apply. Pandemics expose the fault-lines in ideology, putting the social contract at risk - the question they pose is whether we can continue to rely on our current socio-political set-up or whether it requires a radical rethink. There is a pressing need for more debate on this issue, and this project is designed to make a case for that. Stuart Sim is a retired Professor of Critical Theory at Northumbria University, UK, having previously worked for the Open University and the University of Sunderland. He is widely published in the fields of critical theory, literary studies and philosophy, and is a Fellow of the English Association.
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  • 78
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031154744
    Language: English
    Pages: 1 Online-Ressource(XV, 293 p. 9 illus. in color.)
    Edition: 1st ed. 2023.
    Series Statement: Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern—18th century. ; Literature, Modern—19th century. ; Drama. ; Sex. ; Literature, Modern ; Literature, Modern
    Abstract: 1. Introduction: The Armed Woman Enters -- 2. Unbrutifying Man’: Armed Women and Male Reform in Elizabeth Inchbald’s Dramas -- 3. ‘The Ruthless Queen’: Lady Macbeth and Margaret of Anjou on the Post-Reign of Terror London Stage -- 4. ‘The Merit of her Patriotism’: Charlotte Corday in British Drama, 1794-1804 -- 5. ‘I Drew my Knife and in his Bosom Stuck it’: Armed Heroines and Anglo-German Drama -- 6. ‘Yet are Spain’s Maids No Race of Amazons’: Spain’s Female Warriors in Anglo-European Drama -- 7. Epilogue: The Armed Woman Exits.
    Abstract: This book explores shifting representations and receptions of the arms-bearing woman on the British stage during a period in which she comes to stand in Britain as a striking symbol of revolutionary chaos. The book makes a case for viewing the British Romantic theatre as an arena in which the significance of the armed woman is constantly remodelled and reappropriated to fulfil diverse ideological functions. Used to challenge as well as to enforce established notions of sex and gender difference, she is fashioned also as an allegorical tool, serving both to condemn and to champion political and social rebellion at home and abroad. Magnifying heroines who appear on stage wielding pistols, brandishing daggers, thrusting swords, and even firing explosives, the study spotlights the intricate and often surprising ways in which the stage amazon interacts with Anglo-French, Anglo-Irish, Anglo-German, and Anglo-Spanish debates at varying moments across the French revolutionary and Napoleonic campaigns. At the same time, it foregrounds the extent to which new dramatic genres imported from Europe –notably, the German Sturm und Drang and the French-derived melodrama– facilitate possibilities at the turn of the nineteenth century for a refashioned female warrior, whose degree of agency, destructiveness, and heroism surpasses that of her tragic and sentimental predecessors. Dr Sarah Burdett is Lecturer in English Literature at University College London, UK. She received her BA in English from the University of East Anglia and completed her MA and PhD at the Centre for Eighteenth Century Studies, University of York. Sarah has published work on female violence, practice-led theatre research, eighteenth-century Irish drama, and the Georgian actress, and has been awarded Research Fellowships from the Bodleian Library, Oxford; and the Folger Shakespeare Library, Washington DC.
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  • 79
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031298493
    Language: English
    Pages: 1 Online-Ressource(X, 193 p.)
    Edition: 1st ed. 2023.
    Series Statement: Crime Files
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    Keywords: Literature, Modern—20th century. ; Fiction. ; Popular Culture. ; Mass media and crime. ; Literature, Modern
    Abstract: Part I: Through a Glass Darkly -- Chapter 1: Introduction: What the Spectacled Detective Sees -- Chapter 2: Out of Focus: Ariadne Oliver -- Part II: Seeing the Unseen -- Chapter 3: Scouting Skills: Max Carrados, Sherlock Holmes’ Blind Rival -- Chapter 4: An Unseen Hook and an Invisible Line: Father Brown -- Part III: Seeing Through Glass -- Chapter 5: The Man with the Monocle: Lord Peter Wimsey -- Chapter 6: An Ass in Horn-Rims: Albert Campion -- Part IV: Binocular Vision -- Chapter 7: Seeing Double: Inspector Alleyn -- Chapter 8: The Double Vision of Dornford Yates -- Chapter 9: Conclusion.
    Abstract: From Sherlock Holmes onwards, fictional detectives use lenses: Ocular Proof and the Spectacled Detective in British Crime Fiction argues that these visual aids are metaphors for ways of seeing, and that they help us to understand not only individual detectives’ methods but also the kinds of cultural work detective fiction may do. It is sometimes regarded as a socially conservative form, and certainly the enduring popularity of ‘Golden Age’ writers such as Christie, Sayers, Allingham and Marsh implies a strong element of nostalgia in the appeal of the genre. The emphasis on visual aids, however, suggests that solving crime is not a simple matter of uncovering truth but a complex, sophisticated and inherently subjective process, and thus challenges any sense of comforting certainties. Moreover, the value of eye-witness testimony is often troubled in detective fiction by use of the phrase ‘the ocular proof’, whose origin in Shakespeare’s Othello reminds us that Othello is manipulated by Iago into misinterpreting what he sees. The act of seeing thus comes to seem ideological and provisional, and Lisa Hopkins argues that the kind of visual aid selected by each detective is an index of his particular propensities and biases. Lisa Hopkins is Professor Emerita of English at Sheffield Hallam University, UK. She has published widely on Renaissance drama (particularly Shakespeare, Marlowe and Ford), adaptation studies, and more recently crime fiction. She is co-editor of Shakespeare, the journal of the British Shakespeare Association, and of the Arden Guides to Early Modern Drama. Her previous books include Shakespearean Allusion in Crime Fiction: DCI Shakespeare (Palgrave, 2016) and Burial Plots in British Detective Fiction (Palgrave, 2021).
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  • 80
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031215544
    Language: English
    Pages: 1 Online-Ressource(XXIV, 315 p. 64 illus., 54 illus. in color.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Art—History. ; Literature, Modern—19th century. ; Theology. ; Aesthetics. ; Art ; Literature, Modern
    Abstract: 1. Introduction -- 2. Earth and Heaven: Ruskin on Dirt, Work, and Beauty -- 3. Ruskin’s Venice: Embracing Sacred Fragments of Imperfect Beauty -- 4. ‘Those are Leaves’: Ruskin’s Analogical Imagination and the Pre-Raphaelite Theology of Nature -- 5. Sounds and Visions at The Chapel of St Michael and All Angels. 6. Ruskin, Rossetti, and the Sacra Conversazione of Colour -- 7. ‘The Loveliest Traditions of the Christian Legend’: Ruskin, Burne-Jones, and the Imaging of the Cross -- 8. Crystal Balls: Visions of Creation in the Art of Burne-Jones -- 9. A World Without Ceiling: Mary Watts’s ‘Language of Symbols’ at Limnerslease -- 10. Victorian Exodus: Visualising the Old Testament in Dalziels’ Bible Gallery (1881) -- 11. Heaven on Earth: Evelyn De Morgan’s Rejection of Materialism -- 12. Art on Sundays: Henrietta Barnett and the Whitechapel Fine Art Loan Exhibitions -- 13. Envoi.
    Abstract: This volume presents a collection of essays by leading experts which examine nineteenth century ideas about Christian theology, art, architecture, restoration, and curatorial practice. The volume unveils the importance of John Ruskin’s writing for today’s audience, and allies it with the dynamism of the Pre-Raphaelite religious imagination. Ruskin’s drawings and daguerreotypes, as well as Pre-Raphaelite paintings, stained glass, and engravings, are shown to be alive with visual theology: artists such as Dante Gabriel Rossetti, John Everett Millais, Edward Burne-Jones, and Evelyn de Morgan illuminate aspects of faith and aesthetics. The interdisciplinary nature of this volume encourages reflection upon praise, truth, and beauty. The aesthetic conversations between Ruskin and the Pre-Raphaelites themselves become a form of ‘sacra conversazione’. Sheona Beaumont is an artist and writer working with photography. She was Bishop Otter Scholar (2017-2020) with the Diocese of Chichester and King’s College London and has held artist residencies in various ecumenical settings. She is a co-founder of Visual Theology, whose first edited publication was Transforming Christian Thought in the Visual Arts (2021). Madeleine Emerald Thiele is an art historian and public lecturer. Her research examines John Ruskin, Venice, Tractarian aesthetics and the angelic form within British art c.1840s–1900s. She is a co-founder of Visual Theology, whose first edited publication was Transforming Christian Thought in the Visual Arts (2021).
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  • 81
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031332272
    Language: English
    Pages: 1 Online-Ressource(XI, 206 p. 5 illus., 4 illus. in color.)
    Edition: 1st ed. 2023.
    Series Statement: Crime Files
    Parallel Title: Erscheint auch als
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    RVK:
    Keywords: Literature, Modern—20th century. ; Literature, Modern—21st century. ; Narration (Rhetoric). ; Knowledge, Theory of. ; Literature, Modern ; Literature, Modern ; Englisch ; Kriminalliteratur ; Liste
    Abstract: 1. Introduction: Reading Lists, Listing Clues -- 2. Defining Detective Fiction -- 3. Dossier Novels: The Reader as Detective -- 4. Manipulating Readers: The Novels of Agatha Christie -- 5. Excursus: The Thorndyke Novels and the Language of Science -- 6. Lists and Knowledge -- 7. Conclusion: Models of Knowledge in Detective Fiction.
    Abstract: This open access book examines how the form of the list features as a tool for meaning-making in the genre of detective fiction from the nineteenth to the twenty-first century. The book analyzes how both readers and detectives rely on listing as an ordering and structuring tool, and highlights the crucial role that lists assume in the reading process. It extends the boundaries of an emerging field dedicated to the study of lists in literature and caters to a newly revived interest in form and New Formalist approaches in narratological research. The central aim of this book is to show how detective fiction makes use of lists in order to frame various conceptions of knowledge. The frames created by these lists are crucial to decoding the texts, and they can be used to demonstrate how readers can be engaged in the act of detection or manipulated into accepting certain propositions in the text. Sarah J. Link is Postdoctoral Researcher at the University of Wuppertal, Germany.
    Note: Open Access
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  • 82
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031248726
    Language: English
    Pages: 1 Online-Ressource(XII, 431 p.)
    Edition: 1st ed. 2023.
    Series Statement: Palgrave Studies in Animals and Literature
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    Keywords: Literary form. ; Literature ; Literature, Modern ; Literature, Modern ; Language and languages ; Rhetoric. ; Animal welfare
    Abstract: A Satire by Way of a Preface -- 1 The Hall of the Sovereigns -- Introduction -- 2 Animal Satire: An Introduction -- Part I Drama and Poetry: Animal Satire in Classics, Medieval, and Renaissance Studies -- 3 Dogs in Court and Sheep in the Assembly: Animal Satire in Aristophanes -- 4 The “Battle of the Frogs and Mice” (Batrachomyomachia) and Satire in the Ancient Greco-Roman Tradition -- 5 Making an Ass of Yourself? The Pointed Comedy of the Mirror for Fools -- 6 What Can Beast Fables Do in Literary Animal Studies? Ben Jonson’s Volpone and the Prehumanist Human -- 7 “That was a rare experiment of transfusing the blood of a sheep into a mad-man”: Animal Experiments and Satirical Knowledge in Thomas Shadwell’s The Virtuoso -- Satirical Interruption -- 8 A Slaves’ Revolt -- Part II Satirical Editorials and Fiction: Early Through High Modernist Studies -- 9 “A green Parrot for a good Speaker”: Writing with a Birds-Eye View in Eliza Haywood’s The Parrot -- 10 The Lacking Satirical Animals of Mary Shelley’s The Last Man -- 11 Learning About Race and Religion with Bob and Felissa: Satire in Nineteenth-Century Children’s It-Narratives -- 12 Nineteenth-Century American Anti-extinction Humour: “A Polar Whale’s Appeal” as Environmentalist Animal Satire -- 13 Vivisections, Vaccinations, Revelations: Ecofeminist Satire and Biopolitical Dystopia in Frances Power Cobbe’s The Age of Science -- 14 “Wolf within the Fold”: Satire and Animality in The Brutalitarian and The Beagler Boy -- 15 Animals and Animality in Saki’s Satirical Short Stories -- 16 Satire and Significant Otherness in Virginia Woolf’s Flush: A Biography -- Satirical Interruption -- 17 How to Slaughter a Human -- Part III Animal Satire in Contemporary Literature, Film and Media Studies -- 18 “Thanks a lot, big brain”: Satirical Misanthropy in Kurt Vonnegut’s Galápagos -- 19 “Dogs are supposed to be able to instinctively live with purpose”: Brian, Family Guy, and the Inevitable Anthropocentrism of Satire -- 20 The Paradox of the Charismatic Pig in The Simpsons Movie and Okja -- 21 [Sic] Beasts -- 22 The Satirical Rhetorics of [Re]Tweeting Birds -- A Satire by Way of Conclusion -- 23 The Need for Giant Ape Protection: A Petition to the UNESCO World Heritage Committee -- A Grab-bag of Animal Satires -- 24 A Grab-bag of Animal Satires.
    Abstract: Animal Satire presents a cultural history of animal satire, a critically neglected but persistent presence in the history of cultural production, in which animals expose human folly while the strategies of satire expose the folly of human-animal relations. Highlighting the teeming animal presences across the history of satirical expression from Aristophanes to Twitter, with chapters on key works of literature, drama, film, and a plethora of satirical media, Animal Satire reveals the rich rhetorical significance of animality in powering the politics of satire from ancient and medieval through modern and contemporary times. More pressingly, the book makes the case for the significance of satire for understanding the real-world implications of rhetoric about animals in ongoing struggles for justice. By gathering both critical and creative examples from representative media forms, historical periods, and continents, this volume aims to enrich scholarship on the history of satire as well as empower creative practitioners with ideas about its practical applications today. Robert McKay is Professor of Contemporary Literature, School of English, University of Sheffield, UK. He has co-edited Animal Remains (2022), Against Value in the Arts and Education (2016), and Werewolves, Wolves and the Gothic (2017). He is the co-author (with the Animal Studies Group) of Killing Animals (2006). Susan McHugh is Professor of English, School of Arts and Humanities, University of New England, USA. She is the author of Love in a Time of Slaughters: Human-animal Stories against Extinction and Genocide (2019), Animal Stories: Narrating across Species Lines (2011), and Dog (2004). She is co-editor of several volumes, including Posthumanism in Art and Science (2021) and Indigenous Creatures, Native Knowledges, and the Arts: Animal Studies in Modern Worlds (Palgrave 2017). Robert McKay and Susan McHugh are co-editors (with John Miller) of the Palgrave Studies in Animals and Literature book series, as well as the volume The Palgrave Handbook of Animals and Literature (Palgrave 2021).
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  • 83
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031340512
    Language: English
    Pages: 1 Online-Ressource(IX, 235 p. 3 illus.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literary form. ; Ethnology ; Culture. ; Drama.
    Abstract: 1. Introduction: ‘[A]s in most war fiction, humour predominates’ -- 2. Humour and Britishness During the Great War: ‘If a man brings us a joke, we require to be satisfied of its durability’ -- 3. The Domestication of Death: ‘There are lots of jokes’ -- 4. Class and Social Structure: ‘It is not taken seriously’ -- 5. War and the Depiction of Gender: ‘Let us hope for the best and assume that he is dead’ -- 6. The War and the Domestic Sphere: ‘That perpetual sense of the ridiculous’ -- 7. Parody and Pop Culture in Trench Newspapers: ‘Let’s whistle ragtime ditties while we’re bashing out Hun brains’ -- 8. Short Fiction and Service-Author Heroes: ‘You can’t expect glory and accuracy for a half-penny’ -- 9. Conclusion.
    Abstract: This book explores how humorous depictions of the Great War helped to familiarise, domesticate and tame the conflict. In contrast to the well-known First World War literature that focuses on extraordinary emotional disruption and the extremes of war, this study shows other writers used humour to create a gentle, mild amusement, drawing on familiar, popular genres and forms used before 1914. Emily Anderson argues that this humorous literature helped to transform the war into quotidian experience. Based on little-known primary material uncovered through detailed archival research, the book focuses on works that, while written by celebrated authors, tend not to be placed in the canon of Great War literature. Each chapter examines key examples of literary texts, ranging from short stories and poetry, to theatre and periodicals. In doing so, the book investigates the complex political and social significance of this tame style of humour. Emily Anderson is Associate Lecturer in the School of English Literature, Language and Linguistics at Newcastle University, UK. Her research interests are in humour and whimsy in British literature, focusing on the late nineteenth and early twentieth centuries.
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  • 84
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031399244
    Language: English
    Pages: 1 Online-Ressource(IX, 206 p.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Literature, Modern ; Literature, Modern ; Culture ; Literary form.
    Abstract: Chapter 1: Introduction: Anamorphic Estrangement -- Chapter 2: Marxism as Narrative World-Building Method: New Weird Fiction and Capitalist Crisis in China Miéville’s Bas-Lag Trilogy -- Chapter 3: The Afterlives of Slavery: Spectres of the Antebellum in Colson Whitehead’s The Underground Railroad and Rivers Solomon’s Sorrowland -- Chapter 4: Challenging Cultural Studies Through Dystopia: Catatonic Cultural Dominant in Noon’s Falling Out of Cars and McCormack’s Notes from a Coma -- Chapter 5: Extrapolation and Social Reproduction: Anne Charnock’s Dreams Before the Start of Time and Bina Shah’s Before She Sleep -- Chapter 6: Conclusion: New Horizons for a Marxist Theory of Speculative Fiction.
    Abstract: "As the storm called progress piles wreckage at our feet, speculative fiction is now key to articulating catastrophe. Through paranoid ontologies, anamorphic estrangements, counterfactual energies, crisis historicity, forestalled extrapolations and catatonic thrum, writers like China Miéville and Rivers Solomon, Bina Shah and Colson Whitehead estrange the death throes of a terminal capitalism that refuses to die until it has asset-stripped the world of all possibilities. This is heady stuff and Vergara a critic to be heeded". —Mark Bould, Professor of Film and Literature, UWE Bristol Speculative fiction has been traditionally studied in Marxist literary criticism, following Darko Suvin’s paradigmatic model of science fiction, according to a hierarchical division of its multiple subgenres in terms of their assumed inherent political value. By drawing on an alternative genealogy of Marxist criticism, this book presents a non-hierarchical understanding of the estrangement connecting all varieties of speculative fiction, outlining the political potential shared across the spectrum of speculative fiction, along with the specific narrative strategies by which it critically engages with its historical context of production. This study’s main point of contention is that speculative fiction performs an estrangement effect on historical reality that can potentially render visible the role of fantasies in the organisation of capitalist social practice. This narrative effect enables an estranged perspective by which the novel interprets and conceptualises historical reality in a totalising manner. Tomás Vergara completed his Ph.D. in English Literature at the University of Edinburgh, UK. He is a lecturer in English at Pontificia Universidad Católica de Valparaíso, Chile. His research interests are focused on speculative fiction, Marxist literary criticism and the environmental humanities. This interest ranges from early forms of science fiction and the Gothic in Victorian literature to the dystopian imaginaries of cyberpunk in Bruce Sterling and William Gibson, and the radical alterity of China Miéville’s New Weird fiction attempting to weaponize the fantastic to revitalise the imaginary of revolution. The particular focus on speculative fiction is a consequence of this broader interest in the fantastic. Tomás has published an article on Jeff Noon’s Falling out of Cars in the C21 Literature journal.
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  • 85
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031080036
    Language: English
    Pages: 1 Online-Ressource(XV, 327 p. 3 illus.)
    Edition: 1st ed. 2023.
    Series Statement: American Literature Readings in the 21st Century
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    Keywords: America—Literatures. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Sex. ; Fiction. ; America ; Literature, Modern ; Literature, Modern
    Abstract: 1. Introduction - Kristi Branham and Kelly L. Reames -- I. Adolescent Friendships and Identity Formation -- 2. Fleur’s Kinship, Pauline’s Whiteness: How Colonization Shapes Friendship in Louise Erdrich’s Tracks - Rachel Griffis -- 3. ‘What obligation do I have toward her?’: College Girl Friendships and Self-Actualization in Hangsaman and The Bell Jar - Julie Ooms -- 4. Entangled Roots: ‘Old Friends’ Reconnected in Ruth Ozeki’s All Over Creation - Marie Drews -- 5. The Gothic’s Creation of Women’s Friendship in Shirley Jackson’s The Haunting of Hill House - Megan Peabody and Mikkaila Poulin -- 6. Lovers and Friends of the Spirit: Celie and Shug’s Quare Friendship in The Color Purple - Tangela Serls -- II. Alliances and the Promise of Women’s Friendships -- 7. ‘Dorothy and I had quite a little quarrel’: Clever Banter and the ‘Language’ of Female Friendship in Anita Loos’ Gentlemen Prefer Blondes - Krista Aldrich and Emily Wiktor -- 8. ‘We Will Work Together’: Interclass Women’s Collabships in Progressive Era Novels - Alicia Beeson -- 9. Political Progress and Social Stall: Failed Friendships, Feminist Fissures, and Mary McCarthy’s Modern Reform Novel - Cassandra Fetters -- 10. ‘The Tenderness of One Woman for Another’: Female Friendship and Revolt in the 20th-century Works of Mary E. Wilkins Freeman - Susan Stone -- III The Transformative Power of Authors’ Friendships -- 11. ‘These Sweet Trees’: June Jordan, Alice Walker, and Womanist Friendship - Cheryl Hopson -- 12. Chicana Visions: Ana Castillo and Cherríe Moraga’s Friendship, Falling Out, and Forgiveness - Leigh Johnson -- 13. Beat-Associated Women and Female Relationships in Carolyn Cassady’s Off the Road - Josette Lorig -- 14. Reframing Black Women’s Relationships: Exploring the Bond between Alice Dunbar-Nelson and Edwina Kruse through an Unpublished Manuscript - Monet Lewis-Timmons.
    Abstract: This volume presents a collection of critical essays that center women’s friendship in women’s literary and artistic production. Analyzing cultural portrayals of women’s friendships in fiction, letters, and film, these essays collectively suggest new models of literary interpretation that do not prioritize heterosexual romance. Instead, this book represents friendships as mature and meaningful relationships that contribute to identity formation and political coalition. Both the supportive and competitive aspects of friendships are shown to be crucial to women’s identities as individuals, political citizens, and artists. Addressing the complexities of how 20th- and 21st-century cultural texts construe women’s friendships as they navigate patriarchal institutions, this collection advances scholarship on friendship beyond men and masculine models. Kristi Branham is Associate Professor of Gender and Women’s Studies at Western Kentucky University, USA. She has published articles in the Journal of Higher Education Theory and Practice, Journal of American Studies, Literature and Film Quarterly, and contributed to the edited collection Home Sweat Home: Perspectives on House Work and Modern Relationships. Kelly L. Reames is Associate Professor of English at Western Kentucky University, USA. She is the author of Women and Race in Contemporary U.S. Writing: From Faulkner to Morrison and Toni Morrison's Paradise: A Reader's Guide.
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  • 86
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031100437
    Language: English
    Pages: 1 Online-Ressource(XII, 271 p.)
    Edition: 1st ed. 2023.
    Series Statement: Italian and Italian American Studies
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern—20th century. ; Literature, Modern—21st century. ; Italy—History. ; European literature. ; Philosophy. ; Postcolonialism. ; Emigration and immigration. ; Literature, Modern ; Literature, Modern ; Italy
    Abstract: Introduction -- 1 Italian Postcolonial Literature: A Survey -- 2 Gender and its Intersections -- 3 Outside of the Chromatic Norm: Questions of Race, Blackness, Visibility, Italianness and Citizenship -- 4 Politics of (Re)Location: Geographies of Diaspora and New Urban Mappings.
    Abstract: “Interrupted Narratives and Intersectional Representations in Italian Postcolonial Literature is a tour-de-force from one of the leading scholars in the field. Romeo argues that rethinking the concepts of Italian identity and culture is necessary in order to highlight the transnational nature of cultural formations, and that adopting a postcolonial and decolonial approach to those concepts is an equally urgent task. Her deft, comprehensive overview of Italian postcolonial literature and accomplished thematic analysis of an astonishing number of texts make this book essential reading for students and scholars of Italian worldwide. It constitutes a significant contribution to the ongoing reconceptualization of Italian Studies and to the reshaping of cultural understandings of italianità.” -Emma Bond, author of Writing Migration through the Body Interrupted Narratives and Intersectional Representations in Italian Postcolonial Literature is a tribute to one of the most historically significant, culturally incisive, and artistically revitalizing literary and cultural phenomena that have developed in Italy in recent decades. With a new introduction, this expanded English translation of Riscrivere la nazione: La letteratura italiana postcoloniale (2018) exposes the colonial imaginaries that still permeate contemporary Italian culture and examines multiple counternarratives authored by postcolonial writers, artists, and intellectuals. Connecting diverse histories of migration that implicate Italy, including incoming migrations from many parts of the world, colonialism, and periodic waves of emigration, this volume also looks outward to a more diffuse postcolonial condition characterizing Europe at present. Adopting an intersectional perspective, this study analyzes literary and cinematic representations of gender, race, color, and space, thus arguing for a reconceptualization of Italian identity and contributing to a redefinition of national literature as well as to the decolonization of Italian society and culture. Caterina Romeo is Associate Professor at Sapienza Università di Roma, Italy, where she teaches Literary Theory, Gender Studies, and Migration Studies. She is the author of Riscrivere la nazione. La letteratura italiana postcoloniale (2018) and Narrative tra due sponde: Memoir di italiane d'America (2005). She has coedited Postcolonial Italy: Challenging National Homogeneity (2012), Postcolonial Europe (special issue of the journal Postcolonial Studies, 2015), and Intersectional Italy (special issue of the Journal of Postcolonial Writing, 2022).
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  • 87
    ISBN: 9783031154935
    Language: English
    Pages: 1 Online-Ressource(XV, 235 p.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern—20th century. ; Literature, Modern—21st century. ; Europe—History—476-1492. ; Television broadcasting. ; Archaeology. ; Literature, Modern ; Europe ; Literature, Modern
    Abstract: 1 Heroes, Villains, War and Violence in Game of Thrones -- Part I “The Things I do for Love”: Heroes, Villains and None of the Above -- 2 Scheming in the Shadow of Tyrants: The ‘Littlefinger’ Type in Roman Historiography -- 3 Parallel Lives: Connections Between the Lannisters and Historical Dynasties -- 4 The Tragedy of Eddard Stark: Greek Tragedy in A Song of Ice and Fire -- 5 “Was it a God, a Demon, a Sorcerous Trick?”. Magic, Performative Rituals, and Moral Standards in A Song of Ice and Fire and Game of Thrones -- Part II “Some Allies are More Dangerous than Enemies”: Warfare and Violence -- 6 Juggling “a Hundred Balls in the Air”: Reflections of the Year of the Four Emperors in the War of the Five Kings -- 7 The Punic Wars in the World of A Song of Ice and Fire -- 8 The “Battle of the Bastards”: A Tactical Iconic Narrative -- 9 Some Heads Are Gonna Roll: Punishments and Executions in G. R. R. Martin’s A Song of Ice and Fire and in HBO’s TV Series -- 10 From Greek Tragic Drama to Fantastic Terror: Tragic Echoes in A Storm of Swords’ Red Wedding.
    Abstract: “This is, to our knowledge, the most extraordinary collection of varied and fascinating academic consideration on Game of Thrones ever put to press. By bringing together an international gathering of scholars who come from a wide array of disciplines, Game of Thrones: A View from the Humanities has made a real contribution to the study of popular culture and shown the value of humane inquiry into modern works of fiction.” —Elio M. García Jr. and Linda Antonsson, co-authors with G.R.R. Martin of The World of Ice & Fire “A humanistic approach to GOT. Finding bare and reasonable resemblances between Westeros, Essos and the civilizations of the ancient world.” —Aurora López Güeto, University Pablo de Olavide, Seville, Spain This volume focuses on the characters that populate the Game of Thrones universe and on one of the most salient features of their interaction: violence and warfare. It analyses these questions from a multidisciplinary perspective that is chiefly based on Classical Studies. The book is divided into two sections. The first section explores Martin’s characters, the mainstay of both the novels and the TV series, since the author has peopled his universe with three-dimensional intriguing characters that resonate with the reader/audience. The second section is devoted to violence and warfare, both pervasive in the Game of Thrones universe. Alfonso Álvarez-Ossorio is Professor of Ancient History at the University of Seville, Spain. He has co-edited The Present of Antiquity: Reception, Recovery, Reinvention of the Ancient World in Current Popular Culture (2019). Fernando Lozano is Professor of Ancient History at the University of Seville, Spain. His research focuses on the study of Roman religion during the Empire and, specifically, on the imperial cult, as well as Reception studies. Rosario Moreno Soldevila is Professor of Latin at Pablo de Olavide University, Seville, Spain. She has authored or co-authored ten monographs on Latin literature, including A Prosopography to Martial’s Epigrams (2019). Cristina Rosillo-López is Professor of Ancient History at Pablo de Olavide University, Seville, Spain. She has authored and edited several monographs, including Political Conversations in Late Republican Rome (2022).
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  • 88
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031246401
    Language: English
    Pages: 1 Online-Ressource(XIII, 98 p.)
    Edition: 1st ed. 2023.
    Series Statement: Palgrave Science Fiction and Fantasy: A New Canon
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern—20th century. ; Literature, Modern—21st century. ; Literature—History and criticism. ; Literature—Philosophy. ; Children's literature. ; Feminism and literature. ; Sex. ; Literature ; Literature ; Literature, Modern ; Literature, Modern
    Abstract: 1 The Boy Wizard and the Young Grand Master -- References -- 2 Between Children’s Literature and “Adult Fantasy”: The Antecedents and Audiences of A Wizard of Earthsea -- Tolkien, C. S. Lewis, and Old King Arthur: Earthsea and Its Predecessors -- Earthsea Pedagogies: Learning to Live in an Enchanted World -- References -- 3 Fantasy and the Weight of Whiteness: Racial Dynamics in Earthsea -- A Wizard of Earthsea in Black and White: Uncoupling Whiteness and Goodness -- Illustration, Adaptation, and the Racial Politics of the Visual Imagination -- References -- 4 Light and Shadow, Good and Evil: Ethical, Psychological, and Other Critical Approaches to the Fantastic -- A Brief Taxonomy of Critical Approaches to Le Guin -- The “Way” to Read Le Guin?: Earthsea and Daoism -- Fantasy and the Unconscious: Jung and the Nature of the Shadow -- References -- 5 Bringing Women to Roke Knoll: Gender and the Lifelong Evolution of Earthsea -- Introduction: Reimagining Earthsea -- “You need not fear a woman”: The Witch and the Sorceress -- Ennobling Hearth and Home -- References -- 6 Conclusion: Le Guin’s Legacies in Fiction and in Scholarship -- The Schools for Wizards: Magical Pedagogy Today -- The Future(s) of Le Guin Studies -- References.
    Abstract: Written not so long after "Tolkien mania" first gripped the United States in the 1960s, Ursula K. Le Guin's novel A Wizard of Earthsea (1968) has long been recognized as a classic of the fantasy genre, and the series of Earthsea books that followed on it over the next several decades earned its author both considerable sales and critical accolades. This new introduction to the text will closely contextualize the original novel in relation to its heady decade of composition and publication — a momentous time for genre publishing — and also survey the half century and more of scholarship on Earthsea, which has shifted in direction and emphasis many times over the decades, just as surely as Le Guin frequently adjusted her own sails when composing later works set in the fantasy world. Above all, this book positions A Wizard of Earthsea as perhaps an "old text" that nevertheless belongs in a "new canon," a key novel in the author's career and the genre in which it participates, and one that at once looks back to Tolkien and his own antecedents in masculinist early fantasy; looks forward to Le Guin's own continuing feminist and progressive education; and anticipates and indeed helped to shape young adult literature in its contemporary form. Timothy S. Miller is Assistant Professor of English at Florida Atlantic University, USA.
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  • 89
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031179457
    Language: English
    Pages: 1 Online-Ressource(XXVII, 391 p. 55 illus., 35 illus. in color.)
    Edition: 1st ed. 2023.
    Series Statement: Iris Murdoch Today
    Parallel Title: Erscheint auch als
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    Keywords: Literature—Philosophy. ; Art—History. ; Literature, Modern—20th century. ; Aesthetics. ; Comparative literature. ; Art ; Literature ; Literature, Modern
    Abstract: 1. Writer Meets Painter -- 2. Murdoch and Visual Art -- 3. Murdoch and Visual Artists -- 4. Kindred Spirits -- 5. ‘All Your Colours Are So Triumphant’: The Rhetoric of Colour -- 6. ‘Shadow-Bound Consciousness’: The Mask as Icon -- 7. ‘More than a Likeness’: The Ethics of Portraiture -- 8. ‘Something in a Dark Picture’: Reconceptualising Angels.
    Abstract: The novelist and philosopher Iris Murdoch and the painter Harry Weinberger engaged in over twenty years of close friendship and intellectual discourse, centred on sustained discussion of the practice, teaching and morality of art. This book presents a reappraisal of Murdoch’s novels – chiefly, three mature novels, The Sea, The Sea (1978), Nuns and Soldiers (1980) and The Good Apprentice (1985), and two enigmatic late novels, The Green Knight (1993) and Jackson’s Dilemma (1995) – perceived through the prism of her discourse with Weinberger. It draws upon a run of almost 400 letters from Murdoch to Weinberger, and upon Murdoch’s philosophical writings, Weinberger’s private writings, the remarks of both artists in interviews, and other material relating to their views on art and art history, much of which is unpublished and has received no previous critical attention. Scrutiny of their shared values, methods and the imagistic dialogue that takes place in their art provides original perspectives on Murdoch’s creativity, and new ways of understanding her experimentation with the visual arts. This book offers a new line of enquiry into Murdoch's novels, and into the relationship between literature and the visual arts.
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  • 90
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031170201
    Language: English
    Pages: 1 Online-Ressource(XV, 296 p. 4 illus.)
    Edition: 1st ed. 2023.
    Series Statement: Studies in Mobilities, Literature, and Culture
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern—19th century. ; Science—History. ; European literature. ; Medicine and the humanities. ; Space. ; Culture. ; Literature, Modern ; Science
    Abstract: INTRODUCTION 1 Intersections of Medicine and Mobility in 19th-Century Britain Sandra Dinter and Sarah Schäfer-Althaus -- SECTION I: 19TH-CENTURY THERAPEUTIC TRAVEL AND MEDICAL TOURISM -- 2 Doctors’ Ships: Voyages for Health in the Late 19th-Century -- Sally Shuttleworth 3 Modes of Seasickness: London-Margate 1815–1846 Matthew Ingleby -- SECTION II: BETWEEN CONTAGION AND CURE: WATER AS AMBIGUOUS MATTER -- 4 The Mobility of Water: Aquatic Transformation and Disease in Victorian Literature Ursula Kluwick -- 5 Watering Holes: Healthy Waters and Moral Dangers in the 19th-Century Novel Pamela K. Gilbert -- SECTION III: MOBILITY AND THE GENDERED MEDICAL GAZE -- 6 Exposure, Friction, and ‘Peculiar Feelings’: Victorian Travelling Skin Ariane de Waal -- 7 Gendered Mobility in George Eliot’s The Mill on the Floss (1860) Monika Class -- 8 Embodied Interdependencies of Health and Travel in The Portrait of a Lady and Tess of the d’Urbervilles Natasha Audrey Anderson -- SECTION IV: RESTLESS AND RESTRICTED: THE PATHOLOGIES OF MOVEMENT -- 9 (Mental) Health and Travel: Mary Shelley and George Gissing Crossing Borders Heidi Liedke -- 10 A “Feverish Restlessness”: Decadent Mobility in Late Victorian Poetry Stefanie John -- 11 The Wandering Irish: Prisons, Asylums and the Mobility of Lunacy in Late 19th-Century Lancashire Hilary Marland and Catherine Cox -- SECTION V: MEDICAL PRECAUTIONS FOR BRITISH COLONIZERS -- 12 From Heroic Exploration to Careful Control: Mobility, Health and Medicine in the British African Empire Markku Hokkanen -- 13 Travelling Objects: Commodity Culture and Victorian Geographies of Health Monika Pietrzak-Franger.
    Abstract: “Medicine and Mobility in Nineteenth-Century British Literature, History, and Culture is a welcome and timely addition to the debates touching on the theme of mobility as it was developed through literature, medicine, and history of the nineteenth century. Truly interdisciplinary in their approaches, these dynamic essays encourage us to think afresh about mobility as a central feature of the modern condition.” —Professor Andrew Mangham, Department of English Literature, University of Reading “This volume gathers major international names in nineteenth-century scholarship to address full-frontally the relation of transport and medical cultures in a period when both were evolving symbiotically. In a series of engaging historicising chapters, the book amply demonstrates the necessity of its interdisciplinary logic, opening up possibilities for further Victorian, medical humanities and mobilities research bridges.” —Dr Matthew Ingleby, Department of English, Queen Mary University of London Medicine and Mobility in Nineteenth-Century British Literature, History, and Culture analyses the cultural and literary histories of medicine and mobility as entangled processes whose discourses and practices constituted, influenced, and transformed each other. Presenting case studies of novels, poetry, travel narratives, diaries, ship magazines, skin care manuals, asylum records, press reports, and various other sources, its chapters identify and discuss diverse literary, historical, and cultural texts, contexts, and modes in which medicine and mobility intersected in nineteenth-century Britain, its empire, and beyond, whereby they illustrate how the paradigms of mobility studies and the medical humanities can complement each other. Sandra Dinter is Junior Professor of British Literature and Culture at the University of Hamburg, Germany. Her research focuses on representations of mobility, gender, and space in the long nineteenth century. Sarah Schäfer-Althaus is Lecturer of Anglophone Literature and Culture at the University of Koblenz, Germany. Her research focuses on women, gender, and sexuality studies, body theory, and the history of medicine.
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  • 91
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031266409
    Language: English
    Pages: 1 Online-Ressource(IX, 100 p.)
    Edition: 1st ed. 2023.
    Series Statement: Palgrave Studies in Literature, Science and Medicine
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern—19th century. ; Science—History. ; Ecocriticism. ; Medicine and the humanities. ; Literature, Modern ; Science
    Abstract: Introduction: Human Tissue -- Chapter 1 Becoming-evolutionary?: Animal Transformations in Alton Locke -- Chapter 2 Allegorical Realism and the Figure of the Human in The Mill on the Floss and Middlemarch -- Chapter 3 Zola, Moore, Lee and the Vivisectional Novel -- Conclusion: The Primitive Tissue of Realism.
    Abstract: This Pivot engages with current debates about anthropocentrism and the Anthropocene to propose a reappraisal of the realist novel in the second half of the nineteenth century. Through three case studies, it argues for ‘human tissue’ as a conceptual tool for reading that brings together biology, literature and questions of layering. This new approach is shown to be especially salient to the Victorian period, when the application of ‘tissue’ to biology first emerges. The book is distinctive in bringing together theoretical concerns around realism and the Anthropocene – two major topics in literary criticism – and presenting a new methodology to approach this conjunction, demonstrated through original readings of Charles Kingsley, George Eliot, and Emile Zola and two English-language writers he influenced (George Moore and Vernon Lee).
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  • 92
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031251719
    Language: English
    Pages: 1 Online-Ressource(VII, 181 p.)
    Edition: 2nd ed. 2023.
    Series Statement: Palgrave Studies in Literature, Science and Medicine
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern—20th century. ; Fiction. ; Adaptation (Literary, artistic, etc.). ; Literature, Modern
    Abstract: 1. Introduction: The Nearly Silent Listener -- 2. Herland: Charlotte Perkins Gilman and the Literature of the Beehive -- 3. Swastika Night: Katharine Burdekin and the Psychology of Scapegoating -- 4. ‘No Woman Born’: C. L. Moore’s Dancing Cyborg -- 5. The Left Hand of Darkness: Ursula Le Guin and the Haploid Heart -- 6. The Handmaid’s Tale: Margaret Atwood and the Politics of Choice -- 7. The Power: Naomi Alderman and Archaeologies of Gender -- 8. The City We Became: N. K. Jemisin and Posthuman Urbanism.
    Abstract: Women, Science and Fiction Revisited is an analysis of selected science fiction novels and short stories written by women over the past hundred years from the point of view of their engagement with how science writes the world. Beginning with Charlotte Perkins Gilman's Herland (1918) and ending with N K Jemisin's The City We Became (2020), Debra Benita Shaw explores the re-imagination of gender and race that characterises women's literary crafting of new worlds. Along the way, she introduces new readings of classics like Ursula Le Guin's The Left Hand of Darkness and Margaret Atwood's The Handmaid's Tale, examining the original novels in the context of their adaptation to new media formats in the twenty-first century. What this reveals is a consistent preoccupation with how scientific ideas can be employed to challenge existing social structures and argue for change.
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  • 93
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031099243
    Language: English
    Pages: 1 Online-Ressource(XI, 218 p.)
    Edition: 1st ed. 2023.
    Series Statement: Palgrave Studies in Modern European Literature
    Parallel Title: Erscheint auch als
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    Parallel Title: Erscheint auch als Bouju, Emmanuel Epimodernism
    Keywords: Literature—Philosophy. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Postmodernism. ; Literature ; Literature, Modern ; Literature, Modern
    Abstract: 1 Introduction -- 2 Superficiality -- 3 Secret -- 4 Energy -- 5 Acceleration -- 6 Credit -- 7 Follow Through (Epilogues).
    Abstract: “After postmodernism’s literature of exhaustion, Emmanuel Bouju asks what new life the novel can breathe into the present. Building on Kafka and Calvino, Walter Benjamin and Gilles Deleuze, Bouju ranges freely among a host of contemporary writers, probing their complex revitalization of modernist themes and tropes in ‘a new consistency of literary and artistic discontinuity.’ At once intense and playful, Epimodernism breathes new life into narrative studies today.” —David Damrosch, Ernest Bernbaum Professor of Comparative Literature, Harvard University “‘Epi’” – a prefix denoting surface, as well as ‘with’ and ‘among’ – is mobilized here in bold and interesting ways for a vocabulary of literary criticism that skirts the tired ‘isms’ and ‘posts’ of late capitalism’s unraveling. A true comparatist, Bouju offers six ‘memos,’ each describing a literary epiphenomenon in its travels across multiple languages, traditions and cultural sites. From the sound-values of Kafka’s ‘K,’ which rewrite ‘Amerika’ the world over, to phantom pains and mirror-boxes conserving distant wartime memories, to genetic crossings of biofiction and autofiction, to the crypto-currencies and autopilots of contemporary metanarratives, Epimodernism investigates the byways of aesthetic microworlds hitherto unknown and unauthorized.” —Emily Apter, Silver Professor of French and Comparative Literature, New York University' Postmodernism has had its day. Are we now in the era of epimodernism? Reinterpreting the six “memos” that Italo Calvino suggested more than thirty years ago for “the new Millennium”, in this acclaimed book Emmanuel Bouju identifies six new values for literature in the twenty-first century: Superficiality, Secrecy, Energy, Acceleration, Credit, and Follow Through. Based on the principal meanings of the Ancient Greek prefix epi – surface, contact, origin, extension, duration, authority, and finality – these values represent six different ways of relating to the legacy of modernist utopias, reorienting postmodern critique and rebooting, with all due irony, its various forms of engagement and empowerment. Equal parts cultural criticism and literary creation, this highly original essay both enacts and explores the epimodern turn in contemporary European literature. Rigorous and humorous, provocative and playful, Epimodernism helps us to understand what literature can describe, imagine, and invent in our challenging times. Emmanuel Bouju is Professor of Comparative Literature at Paris 3 La Sorbonne Nouvelle, and a Senior Member of the Institut Universitaire de France.
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  • 94
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031187087
    Language: English
    Pages: 1 Online-Ressource(X, 368 p.)
    Edition: 1st ed. 2023.
    Series Statement: Palgrave Studies in Nineteenth-Century Writing and Culture
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern—19th century. ; Civilization—History. ; Cities and towns—History. ; Popular Culture. ; Civilization ; Cities and towns ; Literature, Modern
    Abstract: Chapter 1: Introduction: Snails on the Omnibus -- Chapter 2: Between Innovation and Regression -- Chapter 3: Comic Commonplaces -- Chapter 4: The Social Experience of the Omnibus -- Chapter 5: The Omnibus as Political Metaphor -- Chapter 6: Streetcars of Desire -- Chapter 7: An Observatory of Poverty -- Chapter 8: Winged Coursers of the Mind -- Chapter 9: Epilogue.
    Abstract: The introduction of omnibus services in the late 1820s revolutionised urban life in Paris, London and many other cities. As the first form of mass transportation—in principle, they were ‘for everyone’—they offered large swaths of the population new ways of seeing both the urban space and one another. This study examines how the omnibus gave rise to a vast body of cultural representations that probed the unique social experience of urban transit. These representations took many forms—from stories, plays and poems to songs, caricatures and paintings—and include works by many well-known artists and authors such as Picasso and Pissarro and Charles Dickens, Wilkie Collins and Guy de Maupassant. Analysing this corpus, the book explores how the omnibus and horse-drawn tram functioned in the cultural imagination of the nineteenth century and looks at the types of stories and values that were projected upon them. The study is comparative in approach and considers issues of gender, class and politics, as well as genre and narrative technique. Elizabeth Amann is Professor in the Department of Literary Studies at Ghent University. She is the author of two books, Importing Madame Bovary: The Politics of Adultery (Palgrave Macmillan, 2006) and Dandyism in the Age of Revolution: The Art of the Cut (2015), and the co-editor of three edited volumes, the most recent of which is Reverberations of Revolution: Transnational Perspectives, 1770-1850 (2021). She has written numerous articles on nineteenth-century literature and culture.
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  • 95
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031288319
    Language: English
    Pages: 1 Online-Ressource(XVIII, 269 p. 11 illus., 10 illus. in color.)
    Edition: 1st ed. 2023.
    Series Statement: Literatures, Cultures, and the Environment
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern—20th century. ; Literature, Modern—21st century. ; Culture—Study and teaching. ; Ethnology—Latin America. ; Cities and towns—History. ; Ecocriticism. ; Latin American literature. ; Culture. ; Literature, Modern ; Literature, Modern ; Ethnology ; Culture. ; Cities and towns
    Abstract: 1: Introduction -- 2: Destruction: The Garbage Dump as Global Biopolitical Trope -- 3: Sustainability: Waste and its Social, Cultural, and Aesthetic Re-significations -- 4: Preservation: Nature and Urbanism -- 5: Conclusion.
    Abstract: Visualizing Loss in Latin America engages with a varied corpus of textual, visual, and cultural material with specific intersections with the natural world, arguing that Latin American literary and cultural production goes beyond ecocriticism as a theoretical framework of analysis. Gisela Heffes poses the following crucial question: How do we construct a conceptual theoretical apparatus to address issues of value, meaning, tradition, perspective, and language, that contributes substantially to environmental thinking, and that is part and parcel of Latin America? The book draws attention to ecological inequality and establishes a biopolitical, ethics-based reading of Latin American art, film, and literature that operates at the intersection of the built environment and urban settings. Heffes suggest that the aesthetic praxis that emerges in/from Latin America is permeated with a rhetoric of waste—a significant trait that overwhelmingly defines it.
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  • 96
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031255274
    Language: English
    Pages: 1 Online-Ressource(XII, 227 p.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Literature—Philosophy. ; Literature—Aesthetics. ; Literature, Modern—19th century. ; Poetry. ; Literature ; Literature ; Literature, Modern
    Abstract: 1. Introduction -- 2. Touchstones for Sublimity: Coleridge’s Lay Sermons (1816–17) and the 1818 Lectures on Literature -- 3. Sublime Boundaries of Belief and Unbelief: Coleridge’s Confessions of an Inquiring Spirit (wr. 1824) and Julia Kristeva’s This Incredible Need to Believe (2006) -- 4. Sublime Disintegration: Coleridge’s Aids to Reflection (1825) and Theodor Adorno’s Aesthetic Theory (1970) .-5. Sublime Politics: Coleridge’s On the Constitution of the Church and State (1829) and Jacques Rancière’s Aisthesis (2011) -- 6. Conclusion: The Sublime in Coleridge, Kristeva, Adorno, and Rancière.
    Abstract: “Murray Evans's new book provides probing readings of the role of the sublime in Coleridge's later work, including Aids to Reflection and On the Constitution of the Church and State. Evans shows how sublime instability, boundary-crossing, and excess can be found even in works that appear to defend religious and literary orthodoxies. Still further, he illuminates, and expands the relevance of, these readings by adventurous forays into major theoretical writing from the past few decades. This is a bold and stimulating contribution to scholarship on Romanticism.” —Mark Canuel, Professor of English and Director of the Institute for the Humanities at the University of Illinois at Chicago This book explores the sublime in Samuel Taylor Coleridge’s later major prose in relation to more recent theories of the sublime. Building on the author’s previous monograph Sublime Coleridge: The Opus Maximum, this study focuses on sublime theory and discourse in Coleridge’s other major prose texts of the 1820s: Confessions of an Inquiring Spirit (wr. 1824), Aids to Reflection (1825), and On the Constitution of the Church and State (1829). This book thus ponders the constellations of aesthetics, literature, religion, and politics in the sublime theory and practice of this central Romantic author and three of his important successors: Julia Kristeva, Theodor Adorno, and Jacques Rancière. Murray J. Evans is Professor Emeritus of English at the University of Winnipeg and Retired Fellow at St John’s College, University of Manitoba, Canada. He has taught medieval literature and medievalism, Coleridge, children’s literature, “Inklings” C.S. Lewis et al., literary history, and literary theory. He is the author of Rereading Middle English Romance (1995) and Sublime Coleridge: The Opus Maximum (Palgrave, 2012) and has also published essays on Malory and the Malory manuscript, Chaucer, Piers Plowman, Coleridge, and C.S. Lewis.
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  • 97
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031276057
    Language: English
    Pages: 1 Online-Ressource(IX, 167 p.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern—19th century. ; African literature. ; Oriental literature. ; Literature, Modern
    Abstract: 1 -- Introduction -- 2 Negotiating Difference: Positioning the Self in Sake Dean Mahomet’s The Travels of Dean Mahomet, a Native of Patna in Bengal, Through Several Parts of India, While in the Service of the Honourable the East India Company (1794) and Olaudah Equiano’s The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, The African (1789) -- 3 Importing Knowledge and Theory: The Authorial Self and the Expert Position in Henry Callaway’s Nursery Tales, Traditions, and Histories of the Zulu (1868) and R. C. Temple’s Legends of the Punjab (1884-1900). - 4 The Divisible Self — Global-Local Journeys in G.V. Desani’s All About H. Hatterr (1948) and Amos Tutuola’s The Palm-Wine Drinkard (1952) -- 5 Talking Back — The Uncertain Self and Counter-Narratives in Aravind Adiga’s The White Tiger (2008) and Tsitsi Dangarembga’s The Book of Not (2006) -- 6 Conclusion -- 8 Bibliography.
    Abstract: This book examines the idea of the self in Anglophone literatures from British colonies in Africa and the subcontinent, and in the context of intercultural encounter, literary hybridity and globalization. The project examines texts by eight authors across the colonial, postwar and post-9/11 eras – Olaudah Equiano, Sake Dean Mahomet, Henry Callaway, R.C. Temple, Amos Tutuola, G.V. Desani, Tsitsi Dangarembga and Aravind Adiga – in order to map different strategies of selfhood across four fields of literature: autobiographical life writing, folk anthology, postwar fabulism, and contemporary realism. Drawing on historical analysis, psychological inquiry, comparative linguistics, postcolonial criticism and social theory, this book responds to a renewed emphasis on the narrative strategies and creative choices involved in a literary construction of the self. Threaded through this investigation is an analysis of the effects of globalization, or the intensification of intercultural and dialogic complexity over time. Inder Sidhu holds a PhD in English literature from King's College London, UK. He works with graduate students at the Ontario College of Art & Design University’s Writing and Learning Centre and teaches at the University of Guelph-Humber and Humber College in Toronto, Canada.
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  • 98
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031291609
    Language: English
    Pages: 1 Online-Ressource(IX, 237 p.)
    Edition: 1st ed. 2023.
    Series Statement: Crime Files
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern—20th century. ; Literature, Modern—21st century. ; America—Literatures. ; Crime—Sociological aspects. ; Fiction. ; Popular Culture. ; Sex. ; Literature, Modern ; Literature, Modern ; Crime ; America
    Abstract: 1 Introduction: Consumption, Control, and Cannibalism -- 2 Criminal Consumption in Dashiell Hammett’s The Maltese Falcon (1929) -- 3 Control and Cannibalism in Raymond Chandler’s The Big Sleep (1939) -- 4 Mature Consumption in Leigh Brackett’s No Good from a Corpse (1944) -- 5 Pathologies of Prophylactic Masculinity in Dorothy B. Hughes’s In a Lonely Place (1947) -- 6 Dangers of Postwar Satiety in Jim Thompson’s The Killer Inside Me (1952) -- 7 Homosocial Consumption in Rex Stout’s Champagne for One (1958) -- 8 Conclusions.
    Abstract: Food, Consumption, and Masculinity in American Hardboiled Fiction draws on three related bodies of knowledge: crime fiction criticism, masculinity studies, and the cultural analysis of food and consumption practices from a critical eating studies perspective. In particular, this book focuses on food as an analytical category in the study of tough masculinity as represented in American hardboiled fiction. Through an examination of six American novels: Dashiell Hammett's The Maltese Falcon, Raymond Chandler's The Big Sleep, Leigh Brackett's No Good from a Corpse, Dorothy B. Hughes's In a Lonely Place, Jim Thompson's The Killer Inside Me, and Rex Stout's Champagne for One, this book shows how these novels reflect the gradual process of redefining consumption and consumerism in America, which traditionally has been coded as feminine. Marta Usiekniewicz shows that food and eating also reflect power relations and larger social and economic structures connected to class, gender, geography, sexuality, and ability, to name just a few. Marta Usiekniewicz is an Assistant Professor at the University of Warsaw’s American Studies Center. A specialist in American literature and cultural studies, she has published on crime fiction, disability studies, and intersections of fatness, race, and consumption. She teaches courses on embodiment in popular culture, food studies, and sexualities. She is on the editorial board of Gender Forum – An Internet Journal of Gender Studies.
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  • 99
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031321887
    Language: English
    Pages: 1 Online-Ressource(XVI, 269 p.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Russia—History. ; Europe, Eastern—History. ; Soviet Union—History. ; Literature, Modern—18th century. ; Literature, Modern—19th century. ; Literature, Modern—20th century. ; European literature. ; Russia ; Europe, Eastern ; Soviet Union ; Literature, Modern ; Literature, Modern ; Literature, Modern
    Abstract: This edited volume explores the historical, cultural and literary legacies of Polish Britain, and their significance for both the British and Polish nations. The focus of the book is twofold. First, it investigates the history of Polish immigration and the ways in which Polish immigrants have conceptualised their own experiences and encounters with Britain and the British. Second, it examines how Poles and Poland have been represented by Anglophone writers in both fictional and non-fictional forms of discourse. Inevitably, these issues are intertwined. Polish experiences of Britain have been shaped, in part, by British ideas about Poland, just as British notions of Poland have been transformed by the emergence of large and culturally active Polish communities in the UK. By studying these issues together, this volume develops a wide-ranging and original analysis of Polish Britain. Maggie Ann Bowers is Senior Lecturer in English Literature at the University of Portsmouth, UK. She is the editor of two special issues focusing on contemporary writing and culture: Journal of Postcolonial Writing’s ‘Imaginary Europes’ and Wasafiri’s ‘North American Native Literature and Literary Activism’. She is also the author of Magic(al) Realism (2004), and the editor of the multilingual volume Convergences and Interferences: Newness in Intercultural Practices (2001). Ben Dew is Associate Professor in Cultural History at the Centre for Arts, Memory and Communities, Coventry University, UK. He is the author of Commerce, Finance and Statecraft: Histories of England, 1600-1780 (2018) and the editor of Tea and Commerce (2010) and Historical Writing in Britain (2014). .
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  • 100
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031368998
    Language: English
    Pages: 1 Online-Ressource(XVI, 256 p. 16 illus., 9 illus. in color.)
    Edition: 1st ed. 2023.
    Series Statement: Palgrave Studies in Life Writing
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: European literature. ; Literature, Modern ; Photography.
    Abstract: Chapter 1: Commitment to Face -- Chapter 2: Stanisław Ignacy Witkiewicz: The Increase and Excess of Facial Expression -- Chapter 3: Virginia Woolf and Debora Vogel: A Season of Fragments -- Chapter 4: False Faces of Władysław Teodor Benda and Edward Gordon Craig. -- Chapter 5: Sir Cecil Beaton and the Art of Modern Façade -- Chapter 6: Massification of Faces in Lilliput and Picture Post -- Chapter 7 Conclusions.
    Abstract: This book is an interdisciplinary study of the engagement with and representation of the face across literature, photography, and theatre. It looks at how the face is an active agent, closely connected with the history of the media and the social interactions reflected in media images. Focusing on the dynamic period of the interwar years, it explores a range of case studies in Poland, UK, and the US, and examines artists like Stanisław Ignacy Witkiewicz (Witkacy), Virginia Woolf, Debora Vogel, Sir Cecil Beaton, Theodore Władysław Benda, and Edward Gordon Craig. Teresa Bruś argues that these writers and photographers defended the face against threats from modern life – not least, the media. She focuses on transformations of the face in life writing across a range of media and draws attention to the artists’ autobiographical narratives. Teresa Bruś is Associate Professor in the Institute of English Studies at Wrocław University, Poland. She has published on various aspects of life writing and photography in journals, including Biography, European Journal of Life Writing, Prose Studies, and Connotations. She is the author of Life Writing as Self-Collecting in the 1930s: Cecil Day Lewis and Louis MacNeice (2012).
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