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  • BSZ  (146)
  • Würzburg UB  (6)
  • FID-SKA-Lizenzen
  • Online Resource  (151)
  • 2010-2014  (150)
  • 1975-1979  (1)
  • 1930-1934
  • Musicology  (151)
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  • 1
    Language: German
    Pages: Online-Ressource
    Dates of Publication: Nummer 22 (Wintersemester 2006/07)-
    Parallel Title: Erscheint auch als Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig MT-Journal
    DDC: 780
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    Keywords: Zeitschrift ; Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig
    Note: Ungezählte Beilage: Beilage , Ausgaben erscheinen jeweils zum Wintersemester und Sommersemester
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  • 2
    ISBN: 9789004261778 , 900426177X
    Language: English
    Pages: 1 Online-Ressource (xi, 375 Seiten) , Illustrations
    Series Statement: Verhandelingen van het Koninklijk Instituut voor Taal- volume 290
    Series Statement: Southeast Asia mediated ; volume 5
    DDC: 781.6309595/1
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    Keywords: Popular music History and criticism ; Popular music History and criticism ; Music Social aspects 20th century ; History ; Music Social aspects 20th century ; History ; MUSIC Instruction & Study ; Theory ; Music Social aspects ; Popular music ; MUSIC / Genres & Styles / General ; Musiksoziologie ; Popmusik ; Criticism, interpretation, etc ; History
    Abstract: "Sonic Modernities situates Southeast Asian popular music in specific socio-historical settings, hoping that a focus on popular culture and history may shed light on how some people in a particular part of the world have been witnessing the emergence of all things modern. In its focus on pioneering artists, their creative use of new genres and border crossing technologies it aims at a rewriting of Southeast Asia's twentieth century from the perspective of popular music makers, the entertainment industry and its ever changing audiences"--...
    Note: Includes bibliographical references (pages 369-370) and index
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  • 3
    Online Resource
    Online Resource
    Dresden : Jazztage Dresden Gemeinnützige UG | Dresden : Sächsische Landesbibliothek – Staats- und Universitätsbibliothek Dresden
    Language: German
    Pages: 1 Online-Ressource
    DDC: 780
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    Keywords: Geschichte 2014 ; Jazz ; Festival ; Dresden ; Programmheft
    URL: Volltext  (kostenfrei)
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  • 4
    Online Resource
    Online Resource
    Leipzig : Hochschule für Musik und Theater Leipzig
    Language: German
    Edition: Online-Ausg. Dresden Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden Online-Ressource
    Series Statement: Schriften online: Musikwissenschaft 3
    DDC: 780
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    URL: Volltext  (kostenfrei)
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  • 5
    Online Resource
    Online Resource
    Lüneburg : Kulturelles Jugendbildungswerk e.V.
    Language: German
    Edition: Online-Ausg. Dresden Saechsische Landesbibliothek - Staats- und Universitaetsbibliothek Dresden Online-Ressource
    DDC: 780
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    Note: Aus: Musiker-Magazin 1/2014, S. 48-52 (ISSN 1618-386X). - Elektron. Sonderdr.: Dresden : SLUB, 2014
    URL: Volltext  (kostenfrei)
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  • 6
    ISBN: 9780521881197 , 9781139021357
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    DDC: 781.65092
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    Keywords: Ellington, Duke, Criticism and interpretation ; Ellington, Duke ; MUSIC / General ; Jazz musicians Biography ; MUSIC / General ; USA ; Biografie ; Ellington, Duke 1899-1974
    Abstract: "Duke Ellington is widely held to be the greatest jazz composer and one of the most significant cultural icons of the twentieth century. This comprehensive and accessible Companion is the first collection of essays to survey, in-depth, Ellington's career, music, and place in popular culture. An international cast of authors includes renowned scholars, critics, composers, and jazz musicians. Organized in three parts, the Companion first sets Ellington's life and work in context, providing new information about his formative years, method of composing, interactions with other musicians, and activities abroad; its second part gives a complete artistic biography of Ellington; and the final section is a series of specific musical studies, including chapters on Ellington and song-writing, the jazz piano, descriptive music, and the blues. Featuring a chronology of the composer's life and major recordings, this book is essential reading for anyone with an interest in Ellington's enduring artistic legacy"..
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  • 7
    ISBN: 9781315850573
    Language: English
    Pages: Online-Ressource (xiii, 223 p.) , ill.
    Series Statement: Routledge contemporary Russia and Eastern Europe series 55
    Parallel Title: Erscheint auch als Gololobov, Ivan Valerʹevič, 1975 - Punk in Russia
    DDC: 305.2350947
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    Keywords: Youth Russia (Federation) ; Subculture Russia (Federation) ; Punk culture Russia (Federation) ; Electronic books ; Youth ; Subculture ; Punk culture ; Aufsatzsammlung ; Aufsatzsammlung ; Russland ; Punk
    Abstract: 1. Punk, but not as we know it : rethinking punk from a post-socialist perspective / Hilary Pilkington -- 2. The evolution of punk in Russia / Ivan Gololobov and Yngvar B. Steinholt -- 3. St Petersburg : big city : small scenes / Yngvar B. Steinholt, Ivan Gololobov and Hilary Pilkington -- 4. Krasnodar : perpendicular culture in the biggest village on Earth / Ivan Gololobov -- 5. Vorkuta : a live scene in a 'rotting city' / Hilary Pilkington -- 6. Conclusion / Hilary Pilkington, Ivan Gololobov and Yngvar B. Steinholt
    Abstract: "Punk culture is currently having a revival worldwide, and is poised to grow even more as youth unemployment and youth alienation increase in many countries of the world. In Russia, its power to have an impact and to shock is well illustrated by the girl punk band Pussy Riot. This book, based on extensive original research, examines the nature of punk culture in contemporary Russia. It considers the music and lyrics of classic and new punk bands, explores social media underpinning punk scenes, and reports on interviews and extensive observation in three key Russian cities. It relates punk to wider contemporary culture, and uses the Russian example to discuss generally what constitutes punk subculture"--
    Abstract: "Punk culture is currently having a revival worldwide, and is poised to grow even more as youth unemployment and youth alienation increase in many countries. In Russia, its power to have an impact and to shock is well illustrated by the girl punk band Pussy Riot. This book, based on extensive original research, examines the nature of punk culture in contemporary Russia, considering the music and lyrics of classic and new punk bands, exploring social media, and reporting on interviews and extensive observation in three key Russian cities. It relates punk to wider contemporary culture, and uses the Russian example to discuss generally what constitutes punk subculture"--
    Note: Includes bibliographical references and index
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  • 8
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 0199794588 , 0199397546 , 9780199794584 , 9780199397549
    Language: English
    Pages: 1 Online-Ressource (xvi, 151 Seiten)
    Series Statement: Very short introductions
    Parallel Title: Erscheint auch als Rice, Timothy, 1945 - Ethnomusicology
    DDC: 780.89
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    Keywords: Ethnomusicology ; MUSIC ; Genres & Styles ; Classical ; MUSIC ; Reference ; Ethnomusicology ; Electronic books ; Einführung ; Musikethnologie
    Abstract: Defining ethnomusicology -- A bit of history -- Conducting research -- The nature of music -- Music and culture -- Individual musicians -- Writing music history -- Ethnomusicology in the modern world -- Ethnomusicologists at work
    Note: Includes bibliographical references and index
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  • 9
    ISBN: 3867368252 , 9783867368254
    Language: German
    Pages: Online Ressource (3108 KB, 207 S.)
    Edition: 1. Aufl.
    Parallel Title: Druckausg. Ausgrenzung hat viele Gesichter
    DDC: 370
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    Keywords: Psychologie / Pädagogik # Sozialarbeit ; Konferenzschrift 2013 ; Jugend ; Jugend ; Ausgrenzung ; Überwindung ; Kulturarbeit ; Kulturpädagogik
    Abstract: Einzelne Menschen und ganze Personengruppen sind temporär oder dauerhaft von einer umfassenden kulturellen und gesellschaftlichen Teilhabe ausgeschlossen. Gleichzeitig sind Inklusion - im Sinne von Vielfalt als Normalfall - und kulturelle bzw. gesellschaftliche Teilhabe zentrale Ziele und konstitutive Grundlagen kultureller Bildungsarbeit. Vor diesem Hintergrund kann es für engagierte Akteure der Kulturellen Bildung verstörend sein, zu erleben, dass manchmal das eigene, wohlgemeinte Angebot nicht Teil der Lösung, sondern des Problems ist. Denn auch Kulturelle Bildung kann zum Ausgrenzungsmittel und Distinktionsmerkmal werden. Deshalb sind das eigene Methodenrepertoire und das eigene künstlerische Ausdrucksmedium fortwährend zu hinterfragen, ob sie dazu beitragen können, Ausgrenzung nicht etwa zu befördern, sondern überwindbar zu machen. Diesen professionellen Reflexions- und Entwicklungsprozess soll dieser Band unterstützen, indem er fragt, welche Ausgrenzungsphänomene es in den Angeboten, Projekten und Programmen der Kulturellen Bildung gibt und welche spezifischen Möglichkeiten künstlerische und kulturpädagogische Praxis bietet, um Ausgrenzung zu erkennen und zu ihrer Überwindung beizutragen. Enthalten sind Praxisimpulse aus den Bereichen Spiel, Theater, Tanz, Musik, Rhythmik und Performance.
    URL: Volltext  (lizenzpflichtig)
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  • 10
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press
    ISBN: 022613895X , 9780226138954
    Language: English
    Pages: 1 Online-Ressource (291 pages) , illustrations
    Parallel Title: Erscheint auch als Fry, Andy Paris Blues : African American Music and French Popular Culture, 1920-1960
    DDC: 781.65089/96073044
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    Keywords: Jazz History and criticism 20th century ; Musical theater History 20th century ; Musical films History 20th century ; African American jazz musicians ; African Americans in the performing arts History 20th century ; PERFORMING ARTS ; Theater ; General ; African American jazz musicians ; African Americans in the performing arts ; Jazz ; Musical films ; Musical theater ; Jazz ; Afroamerikanische Musik ; Rezeption ; Afroamerikansk musik ; historia ; Jazz ; historia ; Jazzmusiker ; Music ; Music, Dance, Drama & Film ; Music History & Criticism, Popular - Jazz, Rock, etc ; Criticism, interpretation, etc ; History ; Frankrike ; Frankreich ; France ; Electronic books
    Abstract: Introduction -- Rethinking the Revue nègre : black musical theatre after Josephine Baker -- Jack à l'opéra : jazz bands in black and white -- "Du jazz hot à la créole" : Josephine Baker sings Offenbach -- "That gypsy in France" : Django Reinhardt's occupation blouze -- Remembrance of jazz past : Sidney Bechet in France.
    Abstract: The Jazz Age. The phrase conjures images of Louis Armstrong holding court at the Sunset Cafe in Chicago, Duke Ellington dazzling crowds at the Cotton Club in Harlem, and star singers like Bessie Smith and Ma Rainey. But the Jazz Age was every bit as much of a Paris phenomenon as it was a Chicago and New York scene. In Paris Blues, Andy Fry provides an alternative history of African American music and musicians in France, one that looks beyond familiar personalities and well-rehearsed stories. He pinpoints key issues of race and nation in France's complicated jazz history from the 1920s through the 1950s. While he deals with many of the traditional icons such as Josephine Baker, Django Reinhardt, and Sidney Bechet, among others what he asks is how they came to be so iconic, and what their stories hide as well as what they preserve. Fry focuses throughout on early jazz and swing but includes its re-creation reinvention in the 1950s. Along the way, he pays tribute to forgotten traditions such as black musical theater, white show bands, and French wartime swing. Paris Blues provides a nuanced account of the French reception of African Americans and their music and contributes greatly to a growing literature on jazz, race, and nation in France.--
    Note: Includes bibliographical references and index , English
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 11
    Online Resource
    Online Resource
    Wiesbaden : Springer Fachmedien Wiesbaden
    ISBN: 9783658053888
    Language: German
    Pages: XVII, 161 S. 18 Abb
    Parallel Title: Erscheint auch als
    DDC: 306
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    Keywords: Social sciences ; Industrial management ; Kulturmanagement ; Orchester ; Orchester ; Kulturmanagement
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 12
    ISBN: 9780375424908 , 9780307908681 , 9781306465700
    Language: English
    Pages: 1 Online-Ressource (xxx, 398 pages)
    Series Statement: Myilibrary
    Parallel Title: Erscheint auch als Aidi, Hishaam D. Rebel music
    DDC: 305.235/088297
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    Keywords: Islam ; Jugend ; Subkultur ; Musik
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  • 13
    Online Resource
    Online Resource
    Dordrecht : Springer Netherlands
    ISBN: 9789400774353
    Language: English
    Pages: Online-Ressource (XVII, 202 p. 11 illus., 7 illus. in color, online resource)
    Series Statement: Landscapes: the Arts, Aesthetics, and Education 11
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. Research and research education in music performance and pedagogy
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    Keywords: Music ; Education ; Education ; Music ; Musikerziehung
    Abstract: This volume is an innovative collection that transcends national boundaries and provides new knowledge about approaches to research and research education in music. The collection brings together leading thinkers and practitioners in music research from Europe, Asia, North America and Australia. The book is designed to serve as a resource for university music departments and conservatoires, and offers insights into the development of research programs in this context.
    Abstract: This volume is an innovative collection that transcends national boundaries and provides new knowledge about approaches to research and research education in music. The collection brings together leading thinkers and practitioners in music research from Europe, Asia, North America and Australia. The book is designed to serve as a resource for university music departments and conservatoires, and offers insights into the development of research programs in this context
    Description / Table of Contents: 1. Practitioners at the centre: Concepts, strategies, processes and products in contemporary music research2. Evolving an artistic research culture in music: An Analysis of an Australian study in an international context -- 3. (Re-) searching artists in artistic research: Creating fertile ground for experimentation at the Orpheus Institute, Ghent -- Encouraging and training conservatoire students at undergraduate and taught-postgraduate level towards fluency in the thought-processes and methods of artistic research -- 5. Research degrees in the Conservatoire context: Reconciling practice and theory -- 6. Research skills in practice: Learning and teaching practice-based research at RNCM -- 7 -- 8. The 'little r' in Artistic Research Training -- 9. Some challenges of practice based/centred enquiry -- 10. Addressing the politics of practice-based research and its potential contribution to higher music education -- 11. Creative arts research assessment and training in Hong Kong -- 12. Complicated conversations: Creating opportunities for transformative practice in higher education music performance research and pedagogy -- 13. No two are the same: A narrative account of supervising two students through a Doctor of Musical Arts program -- 14. Weaving together disparate threads: Future perspectives for research and research education.  .
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 14
    ISBN: 9780739166932
    Language: English
    Pages: Online-Ressource (320 p)
    Parallel Title: Erscheint auch als Youth and rock in the Soviet bloc
    DDC: 306.484260947
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    Keywords: Youth - Europe, Eastern - History - 20th century ; Youth - Europe, Eastern - History - 20th century ; Electronic books ; Electronic books ; Aufsatzsammlung ; Osteuropa ; Jugend ; Popmusik ; Rockmusik ; Kulturpolitik ; Jugendkultur ; Musiksoziologie ; Geschichte 1945-1989
    Abstract: 〈span〉〈span style=""font-style:italic;""〉Youth and Rock in the Soviet Bloc 〈/span〉〈span〉explores the impact of Western popular culture on young people in Russia and Eastern Europe during the Cold War. 〈/span〉〈/span〉
    Description / Table of Contents: Contents; Introduction; 1 Swinging between East and West; 2 Against "Pop-Song" Poison from the West; 3 Coercion and Consumption; 4 Only Rock 'n' Roll?; 5 The Making of the Gang; 6 Détente and Western Cultural Products in Soviet Ukraine during the 1970s; 7 Punk and the State of Youth in the GDR; 8 "A Room-Sized Ocean"; 9 Shostakovich versus Boney M.; 10 Facing the Music; 11 Rockin' Down the Mainline; 12 East of (Teenaged) Eden, or, Is Eastern Youth Culture So Different from the West?; Select Bibliography; Index; About the Contributors
    Note: Description based upon print version of record
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  • 15
    ISBN: 9783830972617
    Language: German
    Pages: 1 Online-Ressource (216 Seiten) , Illustrationen, Diagramme, Notenbeispiel
    Edition: [1. Auflage]
    Series Statement: Populäre Kultur und Musik Band 13
    Parallel Title: Erscheint auch als Populäre Musik in der urbanen Klanglandschaft
    DDC: 781.640934
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    Keywords: Geschichte ; Urbanität ; Unterhaltungsmusik ; Klang ; Volkstümliche Musik ; Stadtleben ; Musikpflege ; Aufsatzsammlung ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: In einer 1908 erschienenen "Kampfschrift gegen die Geräusche unseres Lebens" ereiferte sich der Kulturphilosoph Theodor Lessing über das "Getobe unermesslich anschwellender Riesenstädte, in denen "einer auf des anderen Nervenklaviatur" spiele. Als große Lärmbelästigung empfand er vor allem die Musik: So mokierte Lessing sich über die "grauenhafte Unsitte" der Biermusiken und Promenadenkonzerte oder die "Tyrannei" des Klavierspiels bei geöffnetem Fenster. Derlei Beschwerden sind indes nur die Gegenseite einer sich seit dem frühen 19. Jahrhundert umfassend ausbreitenden urbanen populären Musikkultur, die dieser Band aus unterschiedlichen Perspektiven in den Blick nimmt.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 16
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Waxmann Verlag GmbH | Stuttgart : UTB GmbH
    ISBN: 9783830980643
    Language: German
    Pages: 1 Online-Ressource (200 p.)
    Edition: 1st, New ed.
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    Keywords: Methodologie ; Heavy Metal ; Forschung ; Aufsatzsammlung ; Einführung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Dieses Buch gleist die Breite möglicher Methoden für wissenschaftliche Untersuchungen zum schnell wachsenden Forschungsfeld "Heavy Metal" auf und reflektiert das Thema aus interdisziplinären Perspektiven. Versammelt sind unter anderem Beiträge aus Kunstwissenschaft, Literaturwissenschaft, Medienwissenschaft, Musikwissenschaft, Philosophie, Religionswissenschaft und Soziologie.
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 17
    Online Resource
    Online Resource
    New York : Palgrave Macmillan
    ISBN: 9781306837965 , 9781137375230 , 9781137375223
    Language: English
    Pages: 1 Online-Ressource (VIII, 296 Seiten)
    DDC: 306.400904
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    Keywords: Geschichte 1960-1970 ; Counterculture History 20th century ; Art and society History 20th century ; Mass media Social aspects 20th century ; Gegenkultur ; Massenmedien ; Rebellion ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Massenmedien ; Gegenkultur ; Rebellion ; Geschichte 1960-1970
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 18
    ISBN: 9783839425466
    Language: German
    Pages: 1 Online-Ressource (211 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Edition Kulturwissenschaft Band 30
    Series Statement: Edition Kulturwissenschaft
    Parallel Title: Erscheint auch als Rhythmus - Balance - Metrum
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    Keywords: Music ; music ; Balance ; Kunsttheorie ; Bild ; Kunst ; Bildwissenschaft ; Musikwissenschaft ; Kunstwissenschaft ; Rhythmus ; Metrum ; Image ; Arts ; Visual Studies ; Theory of Art ; Musicology ; Fine Arts ; Musik; Bild; Kunst; Rhythmus; Balance; Metrum; Musikwissenschaft; Kunsttheorie; Bildwissenschaft; Kunstwissenschaft; Music; Image; Arts; Musicology; Theory of Art; Visual Studies; Fine Arts; ; Konferenzschrift ; Konferenzschrift 2012 ; Konferenzschrift ; Konferenzschrift 2012 ; Künste ; Kulturwissenschaften ; Rhythmus ; Rhythmus ; Künste ; Rhythmus ; Kultur ; Rhythmus ; Künste ; Rhythmus ; Kultur
    Abstract: Dieser Band zeigt, dass sich gerade im Zusammenwirken unterschiedlicher Disziplinen ein gehaltvoller Begriff raumzeitlicher Organisation in den Künsten und über sie hinaus konturieren lässt.Im Zentrum steht dabei der Begriff des Rhythmus, der in den verschiedenen künstlerischen Disziplinen, aber auch in der Geschichte und der Kulturwissenschaft von Bedeutung ist. Die Beiträge gehen dem im Zusammenhang mit den damit verbundenen Begriffen der Balance und des Metrums nach, wobei sie weitergehende theoretische Perspektiven formulieren, die selbst in der Musikwissenschaft ein Desiderat sind.
    Abstract: This volume demonstrates that a richer notion of spatiotemporal organization in the arts and beyond can allow contouring, especially in the interaction of different disciplines. Central to this is the concept of rhythm, which is meaningful for various artistic disciplines as well as history and cultural studies. The contributions follow up on the related concepts of balance and of meter, whereupon they formulate further theoretical perspectives which are a desideratum even in musicology.
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  • 19
    Online Resource
    Online Resource
    Münster : Waxmann | Stuttgart : UTB GmbH
    ISBN: 9783830979630
    Language: German
    Pages: 1 Online-Ressource (384 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Populäre Kultur und Musik Band 10
    Parallel Title: Erscheint auch als The sound of a city?
    Dissertation note: Dissertation Hochschule für Musik Hannover, Theater und Medien 2012
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    Keywords: Geschichte 1941-1949 ; Bebop ; New York, NY ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: Das Buch widmet sich den Zusammenhängen von Musik und Stadt. Konkret wird untersucht, welche Rolle New York bei der Entstehung und Entwicklung von Bebop gespielt hat. Ökonomische, politische und stadtgeographische Faktoren werden mit musikalischer Analyse verbunden - die ortsgebundene Betrachtung der Stilentwicklung versucht letztlich auch eine Antwort auf die Frage: Ist Bebop der Sound New Yorks in den 1940ern?
    Note: Literatur Seite 349-374
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  • 20
    ISBN: 9783839419656
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Urban studies
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    Keywords: Musikleben ; Stadtmarketing ; Kulturwirtschaft ; Konferenzschrift 2010 ; Konferenzschrift 2010 ; Konferenzschrift 2010
    Abstract: Die zunehmende Instrumentalisierung von Musik als Marketinginstrument und die Inszenierung urbaner Konglomerate als »Music Cities« dienen vor allem dem neoliberalen »City Branding«. Die komplexen Zusammenhänge zwischen Musik und Stadt wurden bislang nur punktuell untersucht. Dieser transdisziplinäre Band mit Beiträgen international renommierter Autoren und Autorinnen verbindet theoretische Grundlagen mit empirischen Ergebnissen, ausgewählten Fallstudien und historischen Abhandlungen. Mit der Fokussierung auf die Musik erweitert das Buch nicht nur den gängigen Diskurs um »Creative Cities«, sondern bringt auch wichtige Impulse für die kulturpolitische Praxis. Der Band enthält folgende Beiträge: Volker Kirchberg, Alenka Barber-Kersovan, Robin Kuchar, Music City - Musikalische Annäherung an die kreative Stadt (Vorwort) Adam Krims, What Is a Musically Creative City? Simon Frith, Musical Creativity as a Social Fact Alenka-Barber-Kersovan, Topos Musikstadt als Politikum - Eine historische Perspektive Bastian Lange, Konfigurationen von Wertschöpfung - Musikproduktion zwischen Orten und Szenen Andy Bennett, Popular Music, the Peripheral City and Cultural Memory - A Case Study of Perth, Australia Martin Cloonan, Making Glasgow a City of Music - Some Ruminations on an UNESCO Award Richard Lloyd, Differentiating Music City - Legacy Industry and Scene in Nashville Volker Kirchberg, Governing Baltimore by Music - Insights from Governance and Governmentality Studies Andreas Gebesmair, Immigrant Music City Vienna? Zur Relevanz ethnischer Kulturökonomien in kreativen Städten Robin Kuchar, Musikproduktion in Hamburg - Musikalische Akteure im Spannungsfeld von Künstlerexistenz und neoliberaler Stadtentwicklung Alexander Grimm, Die Hamburger Schule - Vom Entstehen und Vergehen eines Hamburger Musikclusters Malte Friedrich, Wie klingt die Stadt wenn sie vermarktet wird? Zum Zusammenhang von Musik und Stadtmarketing Sylvia Stiller, Jan Wedemeier, Die Musikwirtschaft in Hamburg - Status Quo und Entwicklungstrends Friedrich Geiger, Gebaute Bürgerlichkeit - Zur Problemgeschichte der Elbphilharmonie
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  • 21
    Online Resource
    Online Resource
    Stuttgart : J.B. Metzler
    ISBN: 9783476005106
    Language: German
    Pages: 1 Online-Ressource (XXXIII, 583 Seiten)
    Edition: Online-Ausg.
    Parallel Title: Print version Werbeck, Walter Richard Strauss-Handbuch
    DDC: 301
    RVK:
    Keywords: Electronic books ; Aufsatzsammlung
    Note: Description based upon print version of record
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  • 22
    ISBN: 9781315569482 , 9781409469148 , 9781409469155
    Language: English
    Pages: 1 Online-Ressource (XVI, 240 Seiten)
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als Black popular music in Britain since 1945
    DDC: 781.6408996041
    RVK:
    Keywords: Popular music History and criticism ; Great Britain ; Blacks Music ; History and criticism ; Great Britain ; Blacks Music ; History and criticism ; Great Britain ; Popular music History and criticism ; Great Britain ; MUSIC Instruction & Study ; Theory ; Blacks ; Popular music Great Britain ; Electronic books ; Electronic books Criticism, interpretation, etc ; Music ; Aufsatzsammlung ; Großbritannien ; Afroamerikanische Musik ; Geschichte 1948-2013
    Note: Includes bibliographical references, discography, and index. - Print version record
    URL: Volltext  (lizenzpflichtig)
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  • 23
    Online Resource
    Online Resource
    New York, NY [u.a.] : Palgrave Macmillan
    ISBN: 9781137395825 , 9781137395832
    Language: English
    Pages: 292 S.
    Edition: 1. ed.
    Parallel Title: Print version The Cultural Impact of Kanye West
    DDC: 306
    RVK:
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    Keywords: Communication ; Electronic books ; Electronic books ; Aufsatzsammlung
    Abstract: Through rap and hip hop, entertainers have provided a voice questioning and challenging the sanctioned view of society. Examining the moral and social implications of Kanye West's art in the context of Western civilization's preconceived ideas, the contributors consider how West both challenges religious and moral norms and propagates them
    Description / Table of Contents: Cover; Title; Copyright; Dedication; Contents; Foreword; Preface: The Cultural Impact of Kanye West ; Acknowledgments; Part I Revisiting the Pharmakon: Artistic Gifts / Human Complexities; Chapter 1 Now I Ain't Saying He's a Crate Digger: Kanye West, "Community Theaters" and the Soul Archive; Chapter 2 Kanye West: Asterisk Genius?; Chapter 3 Afrofuturism: The Digital Turn and the Visual Art of Kanye West; Chapter 4 You Got Kanyed: Seen but Not Heard; Chapter 5 An Examination of Kanye West's Higher Education Trilogy; Part II Unpacking Hetero-normativity and Complicating Race and Gender
    Description / Table of Contents: Chapter 6 "By Any Means Necessary": Kanye West and the Hypermasculine ConstructChapter 7 Kanye West's Sonic [Hip-hop] Cosmopolitanism; Chapter 8 "Hard to Get Straight"; Chapter 9 You Can't Stand the Nigger I See!: Kanye West's Analysis of Anti-Black Death; Part III Theorizing the Aesthetic, the Political, and the Existential; Chapter 10 When Apollo and Dionysus Clash: A Nietzschean Perspective on the Work of Kanye West; Chapter 11 God of the New Slaves or Slave to the Ideas of Religion and God?*; Chapter 12 Trimalchio from Chicago*: Flashing Lights and The Great Kanye in West Egg
    Description / Table of Contents: Chapter 13 Confidently (Non)cognizant of Neoliberalism: Kanye West and the Interruption of Taylor SwiftChapter 14 Kanye Omari West: Visions of Modernity; References; Notes on Contributors; Index
    Note: Description based upon print version of record
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  • 24
    ISBN: 9783839427231
    Language: German
    Pages: 1 online resource
    Edition: 1. Aufl
    Series Statement: Studien zur Popularmusik
    DDC: 780
    RVK:
    Keywords: Analyse ; Analysis ; Brain ; EEG. ; Erfolgsfaktoren ; Gehirn ; Hits ; Music ; Musicology ; Musik ; Musikwissenschaft ; Popkultur ; Popular Culture ; Erfolgsfaktor ; Popmusik ; MUSIC / History & Criticism
    Abstract: An investigation of successful songs and exemplary own productions. Hits can be planned: For the first time, Volkmar Kramarz' study provides detailed insights into the success factors of pop music
    Abstract: Es gibt bestimmte Konstruktionsmerkmale, die sich bei erfolgreichen Popmusik-Stücken mithilfe unterschiedlicher Analysekriterien feststellen lassen. Diesen variablen und invariablen Vorgaben geht Volkmar Kramarz detailliert nach. Darüber hinaus zeigt er durch Befragungen von Pop-Hörern und beispielsweise über die Messung ihrer Gehirnaktivitäten Erkenntnisse in Bezug auf die begleitenden Harmonie-Abfolgen auf, die sich als maßgeblich für den Erfolg eines Stückes erweisen.Damit rückt bei dieser Betrachtung von weltweit erfolgreichen Hits die Musik mit ihrer direkten emotionalen Wirkung auf den Rezipienten in den Mittelpunkt
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  • 25
    ISBN: 9783839425466
    Language: German
    Pages: Online-Ressource (240 S.)
    Series Statement: Edition Kulturwissenschaft Bd. 30
    Series Statement: De Gruyter eBook-Paket Sozialwissenschaften
    Series Statement: Edition Kulturwissenschaft
    Parallel Title: Druckausg. Rhythmus - Balance - Metrum
    RVK:
    Keywords: Musical meter and rhythm ; Art Philosophy and aesthetics ; Music Philosophy and aesthetics ; Musik. ; Musical meter and rhythm. ; Music ; Art ; Music, Image, Arts, Musicology, Theory of Art, Visual Studies, Fine Arts ; MUSIC / History & Criticism ; Konferenzschrift 2012 ; Aufsatzsammlung ; Konferenzschrift 2012 ; Aufsatzsammlung ; Künste ; Kulturwissenschaften ; Rhythmus ; Rhythmus ; Künste ; Rhythmus ; Kultur ; Rhythmus ; Harmonie ; Bewusstsein ; Kulturwissenschaften ; Musikwissenschaft
    Abstract: This volume demonstrates that a richer notion of spatiotemporal organization in the arts and beyond can allow contouring, especially in the interaction of different disciplines. Central to this is the concept of rhythm, which is meaningful for various artistic disciplines as well as history and cultural studies. The contributions follow up on the related concepts of balance and of meter, whereupon they formulate further theoretical perspectives which are a desideratum even in musicology.
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  • 26
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag
    ISBN: 9783839425916
    Language: German
    Pages: Online-Ressource
    Series Statement: Locating Media/Situierte Medien 6
    Series Statement: Locating Media/Situierte Medien
    Parallel Title: Druckausg.
    Parallel Title: Erscheint auch als Grätz, Tilo Technologische Dramen
    DDC: 302.2344096683
    RVK:
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    Keywords: Medien ; Wandel ; Hörfunk ; Alltag ; Medienkonsum ; Hörfunksendung ; Kommunikation ; Öffentlichkeit ; Benin ; (Produktform)Electronic book text ; Westafrika ; Benin ; Medienwandel ; Technologie ; Medien ; Ethnologie ; Analoge Medien ; Medienwissenschaft ; Afrika ; Media ; Ethnology ; Analogue Media ; Media Studies ; Africa ; (BISAC Subject Heading)SOC052000 ; (BIC subject category)JFD ; (VLB-WN)9752 ; Radio ; (DDC 22 ger)300 ; (BISAC Subject Heading)SOC002010 ; (BIC subject category)JHMC ; Electronic books ; Benin ; Medien ; Wandel ; Hörfunk ; Alltag ; Medienkonsum ; Hörfunksendung ; Kommunikation ; Öffentlichkeit
    Note: Lizenzpflichtig
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    URL: Cover
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  • 27
    ISBN: 9783839425299
    Language: German
    Pages: Online-Ressource (378 S.)
    Edition: 2014
    Series Statement: Histoire Band 49
    Series Statement: De Gruyter eBook-Paket Geschichte
    Series Statement: Histoire
    Parallel Title: Druckausg. Popgeschichte ; Bd. 2: Zeithistorische Fallstudien 1958 - 1988
    Angaben zur Quelle: Band 2
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    Keywords: Popular music Case studies ; Popular culture Social aspects ; Popular culture History 20th century ; Popular music Social aspects ; Popular music History and criticism 20th century ; HISTORY / Social History
    Abstract: Dieser Band bündelt erstmals aktuelle Arbeiten zur Popgeschichte und macht das Thema Pop als relevanten Forschungsgegenstand der Zeitgeschichte sichtbar. Mit Fallstudien aus vier Jahrzehnten, die von politischer Mobilisierung über technische Innovation und Vermarktung bis zur Körperbildung reichen, zeigt er ein breites Spektrum möglicher Zugänge anhand exemplarischer Beispiele auf. Zudem bildet die Textsammlung ein Korrektiv zu Ansätzen der Literatur-, Kultur- und Medienwissenschaften, die sich Popkultur in erster Linie über Theoriebildung nähern und nur selten auf breiter empirischer Quellengrundlage arbeiten
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  • 28
    ISBN: 9783839425282
    Language: German
    Pages: Online-Ressource (274 S.)
    Edition: [1. Aufl.]
    Edition: 2014
    Series Statement: Histoire Band 48
    Series Statement: De Gruyter eBook-Paket Geschichte
    Series Statement: Histoire
    Parallel Title: Erscheint auch als Popgeschichte ; Bd. 1: Konzepte und Methoden
    Angaben zur Quelle: Band 1
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    Keywords: Popular music History and criticism ; Jugendkultur ; Pop-Kultur ; HISTORY / Social History ; Popmusik ; Geschichte
    Abstract: Dieser Band will eine akademische Debatte über das bisher stark vernachlässigte Thema Popgeschichte anregen. Er fächert erstmalig verschiedene Ansätze und Methoden auf, mit denen sich Historiker/-innen dem Thema Pop nähern können. Von den Cultural Studies über Körper-, Gender- und Konsumgeschichte bis zur Sound History stellt er verschiedene Zugänge vor und diskutiert ihre Relevanz für die zeitgeschichtliche Forschung. Zugleich führt das Buch Studierende der Geschichtwissenschaften an einen historisch informierten Umgang mit Popkultur heran und bietet benachbarten Wissenschaften eine historische Kontextualisierung ihres Theorieinventars
    URL: Cover
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  • 29
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822376262
    Language: English
    Pages: Online-Ressource (281 p)
    Edition: Online-Ausg.
    Series Statement: Sign, Storage, Transmission
    Series Statement: Sign, Storage, Transmission Ser.
    Parallel Title: Print version Aurality : Listening and Knowledge in Nineteenth-Century Colombia
    DDC: 302.2/24209861
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    Keywords: Oral communication History 19th century ; Listening Social aspects 19th century ; History ; Voice Social aspects 19th century ; History ; Sound Social aspects 19th century ; History ; Sound - Social aspects - Colombia - History - 19th century ; Sound - Social aspects - Colombia - History - 19th century ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: 〈div〉Ochoa Gautier's groundbreaking book draws primarily from nineteenth-century Colombian sources to explore how listening has been central to the production of notions of language, music, voice, and sound.〈/div〉
    Description / Table of Contents: Contents; Preface and Acknowledgments; Introduction. The Ear and the Voice in the Lettered City's Geophysical History; Chapter 1. On Howls and Pitches; Chapter 2. On Popular Song; Chapter 3. On the Ethnographic Ear; Chapter 4. On Vocal Immunity; Epilogue. The Oral in the Aural; Notes; References; Index
    Note: Description based upon print version of record
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  • 30
    Online Resource
    Online Resource
    Thousand Oaks : SAGE Publications | Ann Arbor, Michigan : ProQuest
    ISBN: 9781452283029
    Language: English
    Pages: 1 Online-Ressource (1350 pages)
    Edition: 1st ed.
    DDC: 306.4/842
    RVK:
    Keywords: Electronic books
    Abstract: This first definitive reference resource to take a broad interdisciplinary approach to the nexus between music and the social and behavioral sciences examines how music affects human beings and their interactions in and with the world. The interdisciplinary nature of the work provides a starting place for students to situate the status of music within the social sciences in fields such as anthropology, communications, psychology, linguistics, sociology, sports, political science and economics, as well as biology and the health sciences. Features: Approximately 450 articles, arranged in A-to-Z fashion and richly illustrated with photographs, provide the social and behavioral context for examining the importance of music in society. Entries are authored and signed by experts in the field and conclude with references and further readings, as well as cross references to related entries. A Reader's Guide groups related entries by broad topic areas and themes, making it easy for readers to quickly identify related entries. A Chronology of Music places material into historical context; a Glossary defines key terms from the field; and a Resource Guide provides lists of books, academic journals, websites and cross-references. The multimedia digital edition is enhanced with video and audio clips and features strong search-and-browse capabilities through the electronic Reader's Guide, detailed index, and cross references. Music in the Social and Behavioral Sciences, available in both multimedia digital and print formats, is a must-have reference for music and social science library collections.
    Note: Description based on publisher supplied metadata and other sources
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  • 31
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199367504
    Language: English
    Pages: 1 Online-Ressource (XVII, 302 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 780.89/924043
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    Keywords: Geschichte 1900-2000 ; Geschichte 1945-2014 ; Juden ; Musik ; Jews Music History and criticism ; Music History and criticism 20th century ; National socialism and music ; Judentum ; Kollektives Gedächtnis ; Musik ; Deutschland ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Judentum ; Musik ; Kollektives Gedächtnis ; Geschichte 1945-2014
    Abstract: This title draws together three significant areas of inquiry: Jewish music, German culture, and the legacy of the Holocaust. Jewish music - a highly debated topic - encompasses a multiplicity of musics and cultures, reflecting an inherent and evolving hybridity and transnationalism. German culture refers to an equally diverse concept that, in this volume, includes the various cultures of prewar Germany, occupied Germany, the divided and reunified Germany, and even 'German (Jewish) memory,' which is not necessarily physically bound to Germany.
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  • 32
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199379064
    Language: English
    Pages: 1 online resource , illustrations (black and white).
    Series Statement: American musicspheres
    Parallel Title: Erscheint auch als
    DDC: 780.8992407471
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    Keywords: Jews, Bukharan Music ; History and criticism ; Jews Music ; History and criticism ; Jewish musicians ; Music History and criticism ; New York, NY ; Buchara ; Juden ; Musikleben ; Religiöse Identität
    Abstract: 'Greeted with Smiles' explores the circumstances facing new American immigrants, using the music of the Bukharian Jews to gain entrance into their community and their culture. Author Evan Rapport investigates the transformation of Bukharian identity through an examination of corresponding changes in its music, focusing on three of these distinct but overlapping repertoires - maquom, Jewish religious music and popular music.
    Note: Includes bibliographical references, discography, and index. - Description based on online resource; title from home page (viewed on November 4, 2014)
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  • 33
    ISBN: 9780199354580
    Language: English
    Pages: 1 Online-Ressource (XXII, 351 Seien) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.5
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    Keywords: Gesellschaft ; Natural voice singing ; Singing Social aspects ; Weltmusik ; Chorgesang ; Gemeinschaftsgefühl ; Kulturvergleich ; Chorgesang ; Gemeinschaftsgefühl ; Weltmusik ; Kulturvergleich
    Abstract: Caroline Bithell explores the history and significance of the natural voice movement and its culture of open-access community choirs, weekend workshops, and summer camps. Founded on the premise that 'everyone can sing', the movement is distinguished from other choral movements by its emphasis on oral transmission and its eclectic repertoire of songs from across the globe.
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    URL: Volltext  (kostenfrei)
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  • 34
    ISBN: 9780199369874
    Language: English
    Pages: 1 online resource , illustrations (black and white), music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Danzón
    DDC: 781.64
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    Keywords: Danzones (Music) History and criticism ; Danzón ; Musik ; Tanz ; Kuba ; Mexiko ; Gesellschaftstanz
    Abstract: Initially branching out of the European contradance tradition the danzón first emerged as a distinct form of music and dance among black performers in 19th-century Cuba. By the early 20th-century, it had exploded in popularity throughout the Gulf of Mexico and Caribbean basin. This book studies the emergence hemisphere-wide influence, and historical and contemporary significance of this phenomenon of music and dance.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on November 11, 2013)
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  • 35
    ISBN: 9780199369751
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als More than Bollywood
    DDC: 781.630954
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    Keywords: Popular music History and criticism ; Motion picture music History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; Indien ; Unterhaltungsmusik
    Abstract: This text tackles the diverse styles and multiple histories of popular musics in India. Fourteen of the world's leading scholars on Indian popular music have contributed chapters on a range of topics from the classic songs of Bollywood to Indian rock music, summarized by a reflective afterword by popular music scholar Timothy Taylor.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 10, 2014)
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  • 36
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199345908
    Language: English
    Pages: 1 online resource , illustrations (black and white), map (black and white), music
    Parallel Title: Erscheint auch als
    DDC: 780.9598
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    Keywords: Music History and criticism ; Music Social aspects
    Abstract: In this work, author Andrew Clay McGraw shows how Balinese contemporary music, music kontemporer, embodies the tensions between culture as represented and lived. Through a highly interdisciplinary approach, this book presents an all-encompassing social and musical history of musik kontemporer.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 6, 2014)
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  • 37
    Online Resource
    Online Resource
    Cambridge : Cambridge Univ. Press | New York : Cambridge Companions Online
    ISBN: 9780521881197 , 9780521707534 , 9781139021357
    Language: English
    Pages: 1 online resource (xx, 294 pages)
    Edition: Cambridge companions online
    Edition: Cambridge companions to music
    Series Statement: Cambridge companions to music
    Parallel Title: Druckausg. The Cambridge companion to Duke Ellington
    DDC: 781.65092
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    Keywords: Ellington, Duke 1899-1974 Criticism and interpretation ; Ellington, Duke Criticism and interpretation ; Jazz History and criticism ; United States ; Jazz musicians Biography ; Ellington, Duke ; 1899-1974 ; Criticism and interpretation ; Jazz musicians ; United States ; Biography ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Ellington, Duke 1899-1974 ; Ellington, Duke 1899-1974
    Abstract: "Duke Ellington is widely held to be the greatest jazz composer and one of the most significant cultural icons of the twentieth century. This comprehensive and accessible Companion is the first collection of essays to survey, in-depth, Ellington's career, music, and place in popular culture. An international cast of authors includes renowned scholars, critics, composers, and jazz musicians. Organized in three parts, the Companion first sets Ellington's life and work in context, providing new information about his formative years, method of composing, interactions with other musicians, and activities abroad; its second part gives a complete artistic biography of Ellington; and the final section is a series of specific musical studies, including chapters on Ellington and song-writing, the jazz piano, descriptive music, and the blues. Featuring a chronology of the composer's life and major recordings, this book is essential reading for anyone with an interest in Ellington's enduring artistic legacy"..
    Note: Title from publisher's bibliographic system (viewed on 09 Nov 2015)
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  • 38
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199354962 , 9780199354955
    Language: English
    Pages: 1 Online-Ressource (XV, 280 Seiten) , Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 780.89924
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    Keywords: Geschichte ; Juden ; Musik ; Music / Israel / History and criticism ; Music by Jewish composers / History and criticism ; Jews / Music / History and criticism ; Musik ; Religiöse Identität ; Juden ; Komponist ; Israel ; Israel ; Juden ; Komponist ; Musik ; Religiöse Identität ; Geschichte
    Abstract: Shelleg revolutionizes the study of modern Israeli art music by tracking the surprising itineraries of Jewish art music in the move from Europe to Mandatory Palestine and Israel. Leaving behind clich es about East and West, Arab and Jew, this book provocatively exposes the legacies of European antisemitism and religious Judaism in the making of Israeli art music
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  • 39
    ISBN: 9780199345328
    Language: English
    Pages: 1 online resource , illustrations (black and white).
    Series Statement: American musicspheres
    Parallel Title: Erscheint auch als
    DDC: 782.421629560969
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    Keywords: Sugar workers Songs and music ; Immigrants Songs and music ; Japanese Americans History ; Folk songs, English History and criticism ; Hawaii ; Japanischer Einwanderer ; Arbeiter ; Zuckerrohrplantage ; Volkslied ; Arbeitslied
    Abstract: Holehole bushi, folk songs of Japanese workers in Hawaii's plantations, describe the experiences of this particular group caught in the global movements of capital, empire, and labour during the late 19th and early 20th centuries. In this book author Franklin Odo situates over two hundred of these songs, in translation, in a hitherto largely unexplored historical context.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 6, 2014)
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  • 40
    ISBN: 9780199380909
    Language: English
    Pages: 1 Online-Ressource (xiii, 262 Seiten)
    Parallel Title: Erscheint auch als Butler, Mark J. Playing with something that runs
    DDC: 306.09
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    Keywords: Underground dance music History and criticism ; Underground dance music Production and direction ; Underground dance music ; History and criticism ; Underground dance music ; Production and direction ; Underground dance music History and criticism ; Underground dance music Production and direction ; Elektronische Musik ; Subkultur ; Discjockey ; Improvisation ; Komposition ; Tanzmusik ; Subkultur ; Discjockey ; Improvisation ; Komposition
    Abstract: The DJs and laptop performers of electronic dance music use preexistent elements such as records and digital samples to create extended improvisations. Analysis of these technologically mediated performances reveals a complex dynamic in which a modular approach to musical structure enables flexible adaptation and transformation of seemingly 'fixed' products in live contexts. This book covers the following topics: ontology; interface design and liveness in performance; the interaction of the preexistent and the novel within improvisation; and musical design as performative technology.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on July 9, 2014)
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    URL: Volltext  (lizenzpflichtig)
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  • 41
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199372959
    Language: English
    Pages: 1 online resource , illustrations (black and white), music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Ghuman, Nalini Resonances of the Raj
    DDC: 780.9410954
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    Keywords: Music History and criticism 20th century ; Music History and criticism 20th century ; Music Indic influences ; Großbritannien ; Kolonialismus ; Musical ; Indienbild
    Abstract: This text examines the ramifications of the intertwined and overlapping histories of Britain and India on English music in the last fifty years of the colonial encounter, and traces the effects of the British Raj on the English musical imagination. Through a series of case studies, author Nalini Ghuman integrates music directly into the cultural history of the British Raj, revealing unexpected minglings of peoples, musics, and ideas that raise questions about 'Englishness', about the nature of Empire, and about the fixedness of identity.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on July 8, 2014)
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  • 42
    ISBN: 9781137311641 , 9781137311658
    Language: English
    Pages: 1 Online-Ressource(xii, 219 Seiten) , Illustrationen, Notenbeispiele
    Edition: Online-Ausgabe
    Series Statement: Palgrave studies in cultural and intellectual history
    Parallel Title: Erscheint auch als Linden, Bob van der Music and empire in Britain and India
    DDC: 780.9171/241
    RVK:
    RVK:
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    Keywords: Music Social aspects 20th century ; History ; Music History and criticism 19th century ; Music History and criticism 20th century ; Music History and criticism 19th century ; Music History and criticism 20th century ; Music Indic influences ; Music Western influences ; Music Social aspects 19th century ; History ; Music Social aspects 19th century ; History ; Music Social aspects 20th century ; History ; Great Britain-History ; Electronic books ; Electronic books ; Indien ; England ; Geschichte 1649-1660 ; Musik ; Kulturkontakt ; Geschichte
    Abstract: Partly because of academic disciplinary boundaries, music remains a neglected subject in British Imperial history and, indeed, intellectual history at large. Nonetheless, the imperial encounter was, as this richly detailed new study demonstrates, a sound exercise, and music was a key dimension of identity formation as well as transnational networks and transcultural communication between colonizer and colonized. Specifically, it explores the ways in which rational, moral, and aesthetic motives underlying the institutionalization and modernization of 'classical' music converged and diverged in
    Note: Includes bibliographical references and index
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  • 43
    Online Resource
    Online Resource
    Dresden : Jazztage Dresden Gemeinnützige UG | Dresden : Sächsische Landesbibliothek – Staats- und Universitätsbibliothek Dresden
    Language: German
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als Jazztage Dresden (13 : 2013 : Dresden) Jazztage Dresden '13
    DDC: 780
    RVK:
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    Keywords: Geschichte 2013 ; Jazz ; Festival ; Dresden ; Programmheft
    URL: Volltext  (kostenfrei)
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  • 44
    ISBN: 9783926196668
    Language: German , English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als Ukrainische Musik
    DDC: 780.9477
    RVK:
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    Keywords: Konferenzschrift 2006 ; Ukraine ; Musik ; Geschichte ; Ukraine ; Musikbeziehungen ; Mitteleuropa ; Geschichte ; Ukraine ; Musik ; Geschichte ; Ukraine ; Komponist ; Komposition ; Ukraine ; Musikbeziehungen ; Mitteleuropa
    URL: Volltext  (kostenfrei)
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  • 45
    Online Resource
    Online Resource
    New York, NY : Palgrave Macmillan
    ISBN: 9781137337559
    Language: English
    Pages: Online-Ressource (209 S.) , Ill.
    Edition: Online-Ausg.
    Series Statement: Studies in European culture and history
    Parallel Title: Druckausg. Shahan, Cyrus Punk rock and German crisis
    DDC: 781.660943
    RVK:
    Keywords: Geschichte 1977-1989 ; Punk rock music Social aspects ; Germany (West) ; Punk culture Germany (West) ; Deutschland 〈Bundesrepublik〉 ; Punk Rock ; Germany (West) Social life and customs ; Electronic books ; Deutschland ; Punk Rock ; Geschichte 1977-1989
    Abstract: Introduction--representing "no future" -- Punk poetics -- Psycho punk and the legacies of state emergency -- Post-punk poaching, subversive consumerism and reading for anti-racism -- After punk
    Note: Includes bibliographical references. - Description based on print version record
    URL: Cover
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  • 46
    Online Resource
    Online Resource
    Durham [N.C.] : Duke University Press
    ISBN: 0822394170 , 9780822394174
    Language: English
    Pages: Online-Ressource (XVI, 335 S.) , Ill.
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Eddy, Chuck Rock and roll always forgets
    DDC: 781.64
    RVK:
    Keywords: Rock music History and criticism ; 1981-1990 ; Rock music History and criticism ; 1991-2000 ; Rock music History and criticism ; 2001-2010 ; Popular music History and criticism ; 1981-1990 ; Popular music History and criticism ; 1991-2000 ; Popular music History and criticism ; 2001-2010 ; Electronic books
    Abstract: Over and out -- Rhymed funk hits area -- Skin yard, skin yard -- Drug crazed teens: flaming lips -- Music that passes the acid test -- New kids in the '90s: a decade in the life -- Radiohead, the bends -- Walking into spiderwebs : the ultimate band list -- Talking world war iii blues -- Bombast in the blood: bad religion -- Conscience of some conservatives: the ramones -- Punk's first family grow old together : the Ramones -- Howls from the heartland : the untamed Midwest -- An indie rises above: SST records -- Slime is money (bastard) -- Big black give you a headache -- Nirvana, "all apologies" -- Wrong is right : Marilyn Manson -- Live : Tower Theatre, Philadelphia, 18 february 1997 -- City of dreams : rock in Mexico -- Chumbawamba at the piss factory -- Mr. and Mrs. used to be : the White Stripes find a little place to fight 'em off -- Great beats-per-minute -- Seduce, seduce -- Agnostic front, beyond possession, Dr. Know, Helstar, Raw Power -- Top 40 that radio won't touch : Metallica -- Welcome home (sanitarium): Metallica seek psychiatric help -- Mentors, up the dose -- Robert Plant, technobilly -- Def Leppard?s magic and loss -- AC/DC's aged currencies -- White Wizzard escape each other -- Mantronix : strange loops -- Spoonie Gee : unreformed -- Just-Ice : rap with teeth -- Pazz & jop ballot excerpt 1989 : N.W.A -- Pazz & jop ballot excerpt 1992 : Arrested Development -- Sir Mix-a-Lot : Chief Boot Knocka -- From Taco Bell to Pachelbel : Coolio -- Pazz & jop ballot excerpt 1997 : Erykah Badu and B-Rock & the Bizz -- Timbaland, Magoo, and ma
    Note: Includes index. - Description based on print version record. - Includes bibliographical references and index. - Electronic reproduction; Palo Alto, Calif; ebrary; 2013; Available via World Wide Web; Access may be limited to ebrary affiliated libraries
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  • 47
    Online Resource
    Online Resource
    Burlington, Vt : Ashgate
    ISBN: 9781409445180
    Language: English
    Pages: Online-Ressource (XVIII, 237 S.) , Ill.
    Edition: Online-Ausg.
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Druckausg. Bodies of sound
    DDC: 781.6409
    RVK:
    Keywords: Popular music History and criticism ; Dance History ; Electronic books ; Popmusik ; Tanz
    Abstract: Constructing the popular. The problem of popularity : the cancan between the French and digital revolutions / Clare Parfitt-Brown ; Bellowhead : re-entering folk through a pop movement aesthetic / Sherril Dodds ; Sound understandings : embodied musical knowledge and "connection" in a ballroom dance community / Joanna Bosse -- Authenticity, revival, and reinvention. Dancing out of time : the forgotten Boston of Edwardian England / Theresa Jill Buckland ; The English folk voice : singing and cultural identity in the English folk revival, 1955-65 / Simon Featherstone ; Halling as a tool for nationalistic strategies / Anne Margrete Fiskvik -- (Re)framing value. Rocking the rhythm : dancing identities in drum 'n' bass club culture / Joanna Hall ; Authenticity, uplift, and cultural value in Bahian samba junino / Danielle Robinson and Jeff Packman ; Hierarchical reversals : the interplay of dance and music in West Side story / Rachel Duerden & Bonnie Rowell ; Talking machines, dancing bodies : marketing recorded dance music before World War 1 / Susan C. Cook -- Politics of the popular. Superficial profundity : performative translation of the dancing body in contemporary Taiwanese popular culture / Chih-Chieh Liu ; Keeping the faith : issues of identity, spectacle, and embodiment in Northern soul / Laura Robinson ; Jazz, dance, and black British identities / Catherine Tackley
    Note: Includes bibliographical references and index. - Electronic reproduction; Palo Alto, Calif; ebrary; 2013; Available via World Wide Web; Access may be limited to ebrary affiliated libraries
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  • 48
    ISBN: 9783866883345
    Language: German
    Pages: Online-Ressource (517 S.)
    Series Statement: Bulgarische Bibliothek - Neue Folge. Begründet Von Gustav Weigand. Digitale Ausgabe 18
    Parallel Title: Buchausg. u.d.T. Popova, Deniza, 1969 - Authentizität, Medialität und Identität
    DDC: 491.8
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    Keywords: Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Bulgarien ; Volksmusik
    Abstract: Deniza Popova gibt einen umfassenden Einblick in die bulgarische Volksmusik und die Vielfalt ihrer Existenzformen. Durch ihren kulturanthropologischen und soziologischen Ansatz geht diese Studie weit über die musikethnologische Beobachtung und Beschreibung von traditioneller Musik hinaus. Sie hinterfragt die Anbindung und Funktion von Musik sowohl im gesellschaftspolitischen und wissenschaftsgeschichtlichen Kontext als auch im Identitätskonzept des Einzelnen. So werden die im Titel aufgeführten Begriffe "Authentizität", "Medialität" und "Identität" mit zahlreichen möglichen Definitionen und Verständnissen konfrontiert. Eine aus der etischen Perspektive geschriebene Wissenschaftsgeschichte der bulgarischen Musikethnologie, eine Monographie des rhodopischen Dorfes Dobral#k und zahlreiche Beispiele für die Transformationsbewegungen von "authentischer Musik" in andere musikalische Genres und Funktionsbereiche (z.B. Klassische Musik, professionelle nationale Volksmusik, Musikpädagogik, Laienmusizieren, Festivals und Massenmedien, als Transportmittel für Aussteiger oder zur Reanimation von Ritualen) sind die Ergebnisse dieser Arbeit.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 49
    ISBN: 9780203078921
    Language: English
    Pages: 1 Online-Ressource (xiii, 309 Seiten)
    Series Statement: Routledge research in music 4
    Series Statement: Routledge research in music
    Parallel Title: Erscheint auch als Musical performance and the changing city
    DDC: 306.4/8424
    RVK:
    Keywords: Popular music Social aspects ; Popular music History and criticism ; Popular music Social aspects ; Electronic books ; Popmusik ; Musiksoziologie ; USA ; Europa ; Popmusik ; Nachindustrielle Gesellschaft ; Urbanität
    Note: Includes bibliographical references at the end of each chapters and index
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  • 50
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822354680 , 9780822354796 , 0822378280 , 1306077109 , 0822354683 , 0822354799 , 9780822378280 , 9781306077101
    Language: English
    Pages: Online-Ressource
    Edition: Knowledge unlatched pilot collection
    Series Statement: Knowledge Unlatched
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    Keywords: Music ; Politics ; History ; Palestine ; Music Political aspects ; Music Political aspects ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Palästinensische Autonomiegebiete ; Israel ; Israel ; Gazastreifen ; Westjordanland ; Nahostkonflikt ; Politisches Lied ; Politische Lyrik ; Musikwissenschaft ; Arabische Musik
    Abstract: David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. The first of its kind, this book offers an in-depth ethnomusicological analysis of the Israeli-Palestinian conflict, contributing a performative perspective to the larger scholarly conversation about one of the world's most contested humanitarian issues. This title was made Open Access by libraries from around the world through Knowledge Unlatched.--Provided by publisher
    Abstract: Nationalism, belonging, and the performativity of resistance -- Poets, singers, and songs : voices in the resistance movement (1917-1967) -- Al-Naksa and the emergence of political song (1967-1987) -- The Intifada and the generation of the Stones (1987-2000) -- Revivals and new arrivals: the al-Aqsa Intifada (2000-2010) -- "My songs can reach the whole nation" : Baladna and protest song in Jordan -- Imprisonment and exile : negotiating power and resistance in Palestinian protest song -- New directions and new modalities : Palestinian hip-hop in Israel -- "Carrying words like weapons" : DAM brings hip-hop to the West Bank
    Note: Im Rahmen von "Knowledge Unlatched" Open-Access-Publikation auf OAPEN. - Gesehen am 29.04.2014
    URL: Cover  (Thumbnail cover image)
    URL: Cover  (Thumbnail cover image)
    URL: Cover  (Thumbnail cover image)
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  • 51
    Online Resource
    Online Resource
    Burlington, VT : Ashgate
    ISBN: 9781409422440 , 9781283804998
    Language: English
    Pages: Online-Ressource (1 online resource.)
    Edition: Online-Ausg.
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Druckausg. King, Martin, 1958 - Men, masculinity and the Beatles
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    Keywords: Beatles ; Popular music Social aspects ; Masculinity in music ; Masculinity in motion pictures ; Popular music History and criticism ; 1961-1970 ; Beatles ; Film ; Geschlechterrolle ; Männlichkeitskult ; Mann ; Männlichkeit ; Popmusik ; The Beatles ; Popmusik ; Film ; Männlichkeitskult ; Geschlechterrolle
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
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  • 52
    Online Resource
    Online Resource
    Wiesbaden : Springer VS
    ISBN: 9783531189130 , 1283625156 , 9781283625159
    Language: English
    Pages: Online-Ressource (IX, 223 p. 2 illus, digital)
    Series Statement: Musik und Medien
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Buchausg. u.d.T. Music and game
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    Keywords: Social sciences ; Social Sciences ; Social sciences ; Aufsatzsammlung ; Computerspiel ; Musik
    Abstract: This anthology examines the various facets of video game music. Contributors from the fields of science and practice document its historical development, discuss the musics composition techniques, interactivity and function as well as attending to its performative aspects.
    Abstract: Though battling virtual worlds in high fidelity started to spread from youth into mainstream culture decades ago the study of music in games is still a research desideratum of media studies and musicology. Particularly in German-speaking countries this issue has only been paid very little attention. This limited recognition is contradictory to a global game market worth 30 billion dollars, and as important for the production and distribution of music as other media sectors. Numbers of computer users have multiplied in recent years. Especially in the formative teenage years, games are just as i
    Description / Table of Contents: Contents; Foreword; History of Video Game Music; 1 Introduction; 2 …and a "bip" disrupted the silence; 3 The second crash and the golden age of 8-bit; 3.1 Personal computers; 3.2 Consoles; 3.3 Handhelds; 4 16-bit; 4.1 Personal computers; 4.2 Consoles; 5 Bit wars in the 1990s; 5.1 Personal computers; 5.2 Consoles; 6 Handhelds and mobile phones; 7 The first decade of the new millennium; 7.1 Consoles and PCs; 7.2 Handhelds and other platforms (smartphones); 8 Game music outside games (live concerts, radio stations, movies, TV series, education); 9 Bibliography
    Description / Table of Contents: Interactivity and Music in Computer Games1 Selection of paradigmatic music games; 2 Forms of music in computer games; 3 Non-gameplay related music and sound manipulators; 4 Interactivity in computer games; 5 Structure of music games; 6 Computer performance; 7 Player performance; 8 The role of the interface; 9 Bibliography; Droppin' Science: Video Game Audio Breakdown; 1 Introduction; 2 Branching and Layering; 3 Stingers and Overlays; 4 Transition Speed Quantization; 5 Transition Types; 6 Generative Scores; 7 Creative Composition and Editing; 8 Space Invaders: Interactive Beginnings
    Description / Table of Contents: 9 Koji Kondo and Super Mario Bros.10 Koji Kondo after Super Mario Bros.; 11 Def Jam: Icon; 12 Rez; 13 Vib-Ribbon; 14 EA's NBA Jam; 15 Bibliography; The Legacy of iMuse: Interactive Video Game Music in the 1990s; 1 Introduction; 2 MIDI syncopations: iMuse in Monkey Island 2: LeChuck's Revenge (1991); 3 Beyond MIDI - The Dig (1995); 4 Semiotic and semantic signals in interactive video game music; 5 Semantic clichés derived from film music; 6 Outlook: the problem of interactivity; 7 Bibliography; Scoring Play - Soundtracks and Video Game Genres; 1 Rhythm is it; 2 Adaptive Mickey Mousing
    Description / Table of Contents: 3 Dynamic Symphonies4 Performance and Parody; 5 Coda; 6 Bibliography; Resourceful Frames and Sensory Functions - Musical Transformations from Game to Film in Silent Hill; 1 Introduction; 2 Silent Hill; 3 Musical Style and Instrumentation; 4 The Function of Music within the Media Context; 5 Conclusion; 6 Bibliography; Mundane Sounds in Miraculous Realms: An Auditory Analysis of Fantastical Games; 1 Am I fantastic, or what?; 2 Prerequisites and central questions; 2.1 Music; 2.2 Sound effects; 2.3 Voice and dialogue; 2.4 Overall soundscape; 3 Listening to games: participant feedback
    Description / Table of Contents: 3.1 Dragon Age: Origins, played on a laptop PC for approx. 70 minutes3.2 Spore, played on a laptop PC for approx. 80 minutes11; 3.3 Dead Space, played on an Xbox 360 for approx. 75 minutes; 4 Of contemporary futures and scary sounds: a conclusion in progress; 5 Bibliography; 6 Acknowledgements; Atmospheres at Play: Aesthetical Considerations of Game Music; 1 Introduction: Homo Ludens; 2 Games and atmosphere; 3 Musical atmosphere in games; 4 Some examples; 5 Bibliography; Playing with Music - Featuring Sound in Games; 1 Rededications; 2 Acting, Performing and Composing
    Description / Table of Contents: Geeks on Stage? Investigations in the World of (Live) Chipmusic
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 53
    Online Resource
    Online Resource
    Hoboken : Taylor and Francis
    ISBN: 9780415879774
    Language: English
    Pages: Online-Ressource (468 p)
    Edition: 2nd ed
    Series Statement: Routledge Music Bibliographies
    Series Statement: Routledge Music Bibliographies Ser
    Parallel Title: Print version Ethnomusicology : A Research and Information Guide
    Parallel Title: Druckausg. Post, Jennifer C. Ethnomusicology
    Parallel Title: Druckausg. Post, Jennifer C. Ethnomusicology
    DDC: 016.78089
    RVK:
    Keywords: Ethnomusicology Bibliography ; Ethnomusicology ; Electronic books ; Ethnomusicology ; Bibliography ; Electronic books ; Bibliografie ; Musikethnologie
    Abstract: Ethnomusicology: A Research and Information Guide is an annotated bibliography to books, recordings, videos, and websites in the field of ethnomusicology. The book is divided into two parts. Part One is organized by resource type in categories of greatest concern to students and scholars. It includes handbooks and guides; encyclopedias and dictionaries; indexes and bibliographies; journals; media sources; and archives. It also offers annotated entries on the basic literature of ethnomusicological history and research. Part Two provides a list of current publications in the field that are widel
    Description / Table of Contents: Front Cover; Ethnomusicology; Copyright Page; Contents; Introduction; Part I: Reference and Information Sources; I. Research Guides and Links to Online Information; Topical Research Guides in Music and Dance; General Studies in Music and Dance; Jazz and Popular Music; Music Education and Music Therapy; Topical Research Guides in Other Subject Areas; Anthropology and Ethnography; Media and Cultural Studies; Research Guides: Regional Resources; Africa; Europe; Latin America and the Caribbean; North America; Online Information Guides; II: Encyclopedias, Dictionaries, and Handbooks
    Description / Table of Contents: Topical Encyclopedias and Dictionaries in Music and DanceGeneral Music and Dance Sources; Blues, Country, and Folk Music; Jazz; Musical Instruments; Popular Music; Regional Encyclopedias and Dictionaries in Music; African Music; Asian Music; European Music; Latin American and Caribbean Music; North American Music; Pacific Island and Australian Music; Encyclopedias and Dictionaries in Related Disciplines; General; Anthropology and Sociology; Cultural Studies; Folklore; Gender Studies; Geography; Philosophy; Popular Culture; Race and Ethnicity; Religion; Theater
    Description / Table of Contents: Regional Encyclopedias and DictionariesAfrica and the African Diaspora; Asia; Europe; Latin America and the Caribbean; North America; Pacific Islands and Australia; Handbooks: Topics in Music; Medical Ethnomusicology; Music Education; Music Psychology; Musical Instruments; Handbooks: Other Topics; Cultural Studies; Fieldwork; Filmmaking; III: Bibliographies, Discographies, and Videographies; Topical Bibliographies in Music and Dance; Dance; Gender and Music; Jazz and Blues; Jewish Music; Popular Music; Religion and Music; Sound Engineering; Regional Music Bibliographies; General
    Description / Table of Contents: African MusicAsian Music; European Music; Latin American and Caribbean Music; North American Music; Pacific Island and Australian Music; Topical Discographies; Regional Discographies; European Music; Latin American Music; North American Music; Pacific Island and Australian Music; Filmographies and Videographies; IV: Indexing and Abstracting Tools; Indexes: Arts and Humanities; General; Dance and Music; History; Religion; Indexes: Social Sciences; General; Anthropology and Sociology; Gender Studies; Regional Indexes; Africa; Asia; Europe; Latin America and the Caribbean; North America
    Description / Table of Contents: DissertationsPart II: Sources for Research and Study; V: Journals and Other Serial Publications; Journals in Music; Ethnomusicology; Folk Music; Gender and Music; Jazz and Blues; Music Education; Musicology, Organology, and Music Theory; Popular Music; Regional Music; Journals in Other Disciplines; Anthropology; Cultural Studies; Dance; Folklore; Popular Culture; Theater; Regional; VI: Audio Recordings; Record Companies; Audio Recordings: General; Regional Audio Recordings; Africa; Asia; Europe; Latin America and the Caribbean; North America; Pacific Islands and Australia
    Description / Table of Contents: VII: Film and Video Recordings
    Description / Table of Contents: Front Cover; Ethnomusicology; Copyright Page; Contents; Introduction; Part I: Reference and Information Sources; I. Research Guides and Links to Online Information; Topical Research Guides in Music and Dance; General Studies in Music and Dance; Jazz and Popular Music; Music Education and Music Therapy; Topical Research Guides in Other Subject Areas; Anthropology and Ethnography; Media and Cultural Studies; Research Guides: Regional Resources; Africa; Europe; Latin America and the Caribbean; North America; Online Information Guides; II: Encyclopedias, Dictionaries, and Handbooks
    Description / Table of Contents: Topical Encyclopedias and Dictionaries in Music and DanceGeneral Music and Dance Sources; Blues, Country, and Folk Music; Jazz; Musical Instruments; Popular Music; Regional Encyclopedias and Dictionaries in Music; African Music; Asian Music; European Music; Latin American and Caribbean Music; North American Music; Pacific Island and Australian Music; Encyclopedias and Dictionaries in Related Disciplines; General; Anthropology and Sociology; Cultural Studies; Folklore; Gender Studies; Geography; Philosophy; Popular Culture; Race and Ethnicity; Religion; Theater
    Description / Table of Contents: Regional Encyclopedias and DictionariesAfrica and the African Diaspora; Asia; Europe; Latin America and the Caribbean; North America; Pacific Islands and Australia; Handbooks: Topics in Music; Medical Ethnomusicology; Music Education; Music Psychology; Musical Instruments; Handbooks: Other Topics; Cultural Studies; Fieldwork; Filmmaking; III: Bibliographies, Discographies, and Videographies; Topical Bibliographies in Music and Dance; Dance; Gender and Music; Jazz and Blues; Jewish Music; Popular Music; Religion and Music; Sound Engineering; Regional Music Bibliographies; General
    Description / Table of Contents: African MusicAsian Music; European Music; Latin American and Caribbean Music; North American Music; Pacific Island and Australian Music; Topical Discographies; Regional Discographies; European Music; Latin American Music; North American Music; Pacific Island and Australian Music; Filmographies and Videographies; IV: Indexing and Abstracting Tools; Indexes: Arts and Humanities; General; Dance and Music; History; Religion; Indexes: Social Sciences; General; Anthropology and Sociology; Gender Studies; Regional Indexes; Africa; Asia; Europe; Latin America and the Caribbean; North America
    Description / Table of Contents: DissertationsPart II: Sources for Research and Study; V: Journals and Other Serial Publications; Journals in Music; Ethnomusicology; Folk Music; Gender and Music; Jazz and Blues; Music Education; Musicology, Organology, and Music Theory; Popular Music; Regional Music; Journals in Other Disciplines; Anthropology; Cultural Studies; Dance; Folklore; Popular Culture; Theater; Regional; VI: Audio Recordings; Record Companies; Audio Recordings: General; Regional Audio Recordings; Africa; Asia; Europe; Latin America and the Caribbean; North America; Pacific Islands and Australia
    Description / Table of Contents: VII: Film and Video Recordings
    Note: Description based upon print version of record
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  • 54
    ISBN: 9783839419991
    Language: German
    Pages: 1 Online Ressource (313 Seiten)
    Series Statement: Lettre
    Parallel Title: Erscheint auch als Tillmann, Markus Populäre Musik und Pop-Literatur
    Dissertation note: Dissertation Universität Bochum 2011
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    Keywords: Literature ; literature ; literary studies ; music ; Literaturwissenschaft ; Musik ; Popkultur ; Populärkultur ; Intermedialität ; Popmusik ; Germanistik ; Populäre Musik ; DJ Culture ; Beat Generation ; Jack Kerouac ; William S. Burroughs ; Rolf Dieter Brinkmann ; Rainald Goetz ; German Literature ; Literary Studies ; Music ; Popular Culture ; Pop Music ; Literature ; Populärkultur ; Popkultur ; Beat Generation ; Musik ; Jack Kerouac ; Germanistik ; DJ Culture ; Populäre Musik ; Popmusik ; William S. Burroughs ; Rolf Dieter Brinkmann ; Intermedialität ; Literaturwissenschaft ; German Literature ; Rainald Goetz ; Literatur; Populäre Musik; DJ Culture; Beat Generation; Populärkultur; Intermedialität; Jack Kerouac; William S. Burroughs; Rolf Dieter Brinkmann; Rainald Goetz; Musik; Literaturwissenschaft; Germanistik; Popmusik; Popkultur; Literature; Music; Literary Studies; German Literature; Pop Music; Popular Culture; ; Hochschulschrift ; Hochschulschrift ; Popmusik ; Rockmusik ; Produktionsästhetik ; Rezeption ; Popliteratur ; Deutsch ; Popmusik ; Rockmusik ; Intermedialität ; Popliteratur ; Deutsch
    Abstract: Populäre Musik ist direkt und stetig präsent. Es verwundert daher nicht, dass sie seit den 1960er Jahren nicht nur den Habitus des zeitgenössischen Menschen bestimmt, sondern auch den Schreibstil einer Reihe von Gegenwartsautoren beeinflusst hat. In den literarischen Texten von Jack Kerouac, Rolf Dieter Brinkmann, Rainald Goetz und Thomas Meinecke fungiert populäre Musik beispielsweise ganz explizit als Medium der Textkonstitution. Markus Tillmann verfolgt die dabei aufscheinenden intermedialen Zusammenhänge zwischen musikalischer und literarischer Produktionsästhetik von den Beat Poets über die Punk- und Industrial-Szene bis hin zur DJ Culture.
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 55
    ISBN: 9780822378280 , 9780822354680 , 9780822354796
    Language: Undetermined
    Pages: 1 Online-Ressource (1 electronic resource (360 p.))
    DDC: 780.89/9274
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    Keywords: Music ; Music ; Music ; Palästinensische Autonomiegebiete ; Israel ; Israel ; Gazastreifen ; Westjordanland ; Nahostkonflikt ; Politisches Lied ; Politische Lyrik ; Musikwissenschaft ; Arabische Musik
    Abstract: David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. The first of its kind, this book offers an in-depth ethnomusicological analysis of the Israeli-Palestinian conflict, contributing a performative perspective to the larger scholarly conversation about one of the world's most contested humanitarian issues. This title was made Open Access by libraries from around the world through Knowledge Unlatched
    URL: Volltext  (kostenfrei)
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  • 56
    Online Resource
    Online Resource
    Princeton, NJ : Princeton University Press
    ISBN: 1299640230 , 9780691150888 , 9781400846481
    Language: English
    Pages: Online-Ressource (xi, 217 pages) , illustrations, charts
    DDC: 781.6509
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    Keywords: Sozialgeschichte ; Jazz
    Note: Includes bibliographical references (pages 187-202) and index
    URL: Cover
    URL: Cover
    URL: Cover
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  • 57
    Language: German
    Pages: 350 S.
    Edition: 2014 Online-Ressource
    Series Statement: Studien zur Popularmusik
    Parallel Title: Druckausg. Heinen, Christina "Tief in Neukölln"
    Dissertation note: Zugl.: Köln, Univ., Diss. 2012
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    Keywords: Media, Popular Culture, Urbanity, Music, Pop Music, Urban Studies, Cultural Studies, Sound ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Berlin-Neukölln ; Musikleben ; Musikästhetik ; Musiksoziologie
    Abstract: Biographical note: Christina M. Heinen (Dr. phil.) ist Musikethnologin sowie Künstlerin.
    Abstract: Review text: »Wer lernen möchte, wie sehr konkrete Örtlichkeit als gelebte Erfahrung innerhalb der globalisierten, enträumlichten Welt notwendig ist, um kulturellen Fortschritt im Allgemeinen und musikalische Avantgarde im Konkreten zu ermöglichen, findet hier den Schlüssel.« Ulrich Grunert, Melodie & Rhythmus, 9/10 (2013)
    Abstract: Main description: Stadträume werden für und durch Musik erobert und transformiert. Dieser Band bietet Erkenntnisse über die symbolischen Konstruktionen von sowohl sozialen als auch geographischen Grenzen im Berliner Stadtteil Neukölln. In mehr als 60 Interviews mit Musikern, Soundkünstlern und Akteuren städtischer Institutionen wird nach der lokalen Verortung ästhetisch-klanglicher Phänomene gefragt. Medial vermittelte Vorstellungen über Neukölln und institutionelle Rahmenbedingungen erweisen sich dabei als konstitutiv für die Lebenswelten der kreativen Newcomer und deren ästhetische Ideen. Daneben veranschaulichen imaginierte, virtuelle Musikräume eine globale Mobilität von elektronischen Soundkulturen im Kiez. Die Studie greift zudem stadtsoziologische Fragen nach dem Zusammenhang von improvisierter Musik und städtischen Verdrängungsprozessen auf.
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  • 58
    Language: German
    Pages: 1 Online-Ressource (229 pages) , illustrations
    Series Statement: Beiträge zur Popularmusikforschung 39
    Parallel Title: Erscheint auch als Ware Inszenierungen : performance, Vermarktung und Authentizität in der populären Musik
    DDC: 781.64
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    Keywords: Popular music History and criticism ; Rock music History and criticism ; Music Performance ; Concerts ; Music Economic aspects ; Concerts ; Music ; Economic aspects ; Music ; Performance ; Popular music ; Rock music ; Popmusik ; Rockmusik ; Konzert ; Performance ; Authentizität ; Criticism, interpretation, etc ; Kongress ; Paderborn ; 2011 ; Online-Ressource ; Konferenzschrift 2011 ; Konferenzschrift 2011 ; Konferenzschrift 2011 ; Konferenzschrift 2011
    Abstract: Cover Ware Inszenierungen; INHALT; EDITORIAL; EDITORIAL; THE VALUE OF LIVE MUSIC; THE VALUE OF LIVE MUSIC; SOUND UND BILD: DIE AUDIO/VISUELLE ÖKONOMIE MUSIKALISCHER PERFORMANCE; SOUND UND BILD: DIE AUDIO/VISUELLE ÖKONOMIE MUSIKALISCHER PERFORMANCE; SCHEIN ODER NICHT-SCHEIN? ZUR INSZENIERUNG VON AUTHENTIZITÄT AUF DER BÜHNE; SCHEIN ODER NICHT-SCHEIN? ZUR INSZENIERUNG VON AUTHENTIZITÄT AUF DER BÜHNE; INSZENIERTE AUTHENTIZITÄT VERSUS AUTHENTISCHE INSZENIERUNG: EIN ORDNUNGSVERSUCH ZUM KONZEPT AUTHENTIZITÄT IN MEDIENKULTUR UND POPMUSIK.
    Abstract: Inszenierte authentizität versus authentische inszenierung: ein ordnungsversuch zum konzept authentizität in medienkultur und popmusikabhängige inszenierungen der unabhängigkeit. der independent-diskurs in musikzeitschriften; abhängige inszenierungen der unabhängigkeit. der independent-diskurs in musikzeitschriften; : ute frage!9 populäre inszenierungen von frage-antwort-strategien auf pressekonferenzen im bereich der popmusik; : ute frage!9 populäre inszenierungen von frage-antwort-strategien auf pressekonferenzen im bereich der popmusik.
    Abstract: Pink riefenstahl. (un- )authentische inszenierungen von homophilie und homophobie im musikvideo "mann gegen mann" von rammsteinübersetzen und rahmen. aufführungen in globalisierten pop(ulär)kulturen; übersetzen und rahmen. aufführungen in globalisierten pop(ulär)kulturen; zu den autoren; zu den autoren.
    Abstract: Populäre Musik ist 'performte' Musik, sie ist eine Musik des Machens - im Gegensatz zu einer Musik des Erdenkens und Notierens des schriftlich fixierten Werkes. Ihre Medien sind Medien, die Performance ermöglichen, vervielfältigen und transportieren: die Schallplatte, das Video, die MP3-Datei - und zuerst das Konzert, das als Urform in alle Verbreitungsmedien eingeschrieben ist. Die Beiträge dieses Bandes zeigen: Die Art und Weise, wie (mit stimmlichen, instrumentalen oder körperlichen Gesten), wo (im Studio, im Club, auf Festivals) und von wem (welcher Persönlichkeit, welchen Geschlechts, wel
    Note: Includes bibliographical references at the end of each chapters, discography, filmography , In German
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  • 59
    Language: German
    Pages: Online-Ressource (312 S.)
    Series Statement: Cultural Studies 44
    Series Statement: Cultural studies
    Parallel Title: Druckausg. Punk in Deutschland
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    Keywords: Cultural Studies, Popular Culture, Society, Youth, Sociology of Culture ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Punk ; Subkultur
    Abstract: Main description: Über Punk wurde in den letzten 35 Jahren eine Menge geschrieben. Das inhaltliche Spektrum dieses Diskurses reicht von bürgerlich-kulturpessimistischer Bestürzung über zahlreiche Kondolenzbekundungen bis hin zu harschen Sellout-Kritiken. Vor diesem Hintergrund versammelt der Band eine Reihe von 'Beobachtungen zweiter Ordnung', die neben der substanzialistischen Beschreibung von Punk in Deutschland auch eine Kontextualisierung des Phänomens Punk in der bundesdeutschen Gesellschaft vornehmen.
    Abstract: Biographical note: Philipp Meinert (Dipl.-Sozialwissenschaftler) ist wissenschaftlicher Mitarbeiter einer Bundestagsabgeordneten. Martin Seeliger ist Promotionsstipendiat am Max-Planck-Institut für Gesellschaftsforschung in Köln.
    Abstract: Über Punk wurde in den letzten 35 Jahren eine Menge geschrieben. Das inhaltliche Spektrum dieses Diskurses reicht von bürgerlich-kulturpessimistischer Bestürzung über zahlreiche Kondolenzbekundungen bis hin zu harschen Sellout-Kritiken. Vor diesem Hintergrund versammelt der Band eine Reihe von 'Beobachtungen zweiter Ordnung', die neben der substanzialistischen Beschreibung von Punk in Deutschland auch eine Kontextualisierung des Phänomens Punk in der bundesdeutschen Gesellschaft vornehmen. Philipp Meinert (Dipl.-Sozialwissenschaftler) ist wissenschaftlicher Mitarbeiter einer Bundestagsabgeordneten. Martin Seeliger ist Promotionsstipendiat am Max-Planck-Institut für Gesellschaftsforschung in Köln.
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  • 60
    Language: German
    Pages: Online-Ressource (310 S.)
    Series Statement: Kultur und soziale Praxis
    Parallel Title: Druckausg. Güler Saied, Ayla Rap in Deutschland
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    Keywords: Racism, Migration, Popular Culture, Music, Urbanity, Pop Music, Cultural Studies, Urban Studies ; Deutschland ; Rap
    Abstract: Biographical note: Ayla Güler Saied (Dr.) ist Lehrbeauftragte an der Universität zu Köln sowie an der Fachhochschule Bielefeld. Ihre Forschungsschwerpunkte sind kritische Migrationsforschung, Cultural Studies und Rassismus.
    Abstract: Review text: »Ayla Güler Saieds Studie leistet einen wichtigen Beitrag zu einem Paradigmenwechsel innerhalb der deutschsprachigen HipHop-Forschung. Gestützt auf die Ergebnisse ihrer empirischen Untersuchung gelingt es der Autorin, die Hintergründe und Motivationen einer aktuellen künstlerischen Praxis neu zu beleuchten.« Stefan Drees, www.socialnet.de, 04.06.2013 »Eine wichtige Veröffentlichung.« Melodie & Rhythmus, 5/6 (2013) Besprochen in: GMK-Newsletter, 2 (2013) http://blog.goethe.de, 05.04.2013, Holger Moos
    Abstract: Main description: Rap - für die einen der Inbegriff des subversiven Widerstands einer marginalisierten Unterschicht, für die anderen klanglicher Ausdruck von Homophobie, Misogynie und Gewaltverherrlichung. Vergessen wird dabei oft, dass Rap in erster Linie Partymusik ist. Seit der Entstehung des Stils in den 1970er Jahren ist die HipHop-Kultur ein stark umkämpftes Terrain. Ayla Güler Saieds Studie legt den empirischen Fokus auf die Biographien von Rapperinnen und Rappern verschiedener Genres und bettet diese in die theoretische Analyse der Entstehungsgeschichten des HipHop in Deutschland und den USA ein. Auf diese Weise wird eine neue Perspektive auf das Phänomen Rap enthüllt, welche die Grenzen der hegemonialen Diskurse verschiebt.
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  • 61
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | The Hague : OAPEN Foundation
    ISBN: 9783839421796
    Language: English
    Pages: 1 Online-Ressource (229 Seiten) , Illustrationen
    Series Statement: Sound studies series volume 5
    DDC: 307.760940904
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    Keywords: Geschichte 1920-2010 ; Urbanität ; Darstellung ; Geräusch ; Museum ; Audiovisuelle Medien ; Berlin ; London ; Amsterdam ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturangaben
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    URL: Volltext  (Description of rights in Directory of Open Access Books (DOAB): Attribution Non-commercial No Derivatives (CC by-nc-nd))
    URL: Cover
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  • 62
    Online Resource
    Online Resource
    Oxford [England] : Oxford University Press
    ISBN: 9780199322176
    Language: English
    Pages: 1 online resource (365 pages) , illustrations
    Parallel Title: Erscheint auch als Vernallis, Carol Unruly media : YouTube, music video, and the new digital cinema
    DDC: 302.23/1
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    Keywords: Music videos History and criticism ; Digital media Technological innovations ; Neue Medien ; Media-Mix ; Musikvideo ; YouTube ; Electronic books ; Neue Medien ; YouTube ; Musikvideo ; Media-Mix
    Description / Table of Contents: New digital cinema. The new cut-up cinema ; The audiovisual turn and post-classical cinema ; Music video into post-classical cinema ; Moulin Rouge : delirious cinema ; Music video, songs, sound : Eternal sunshine of the spotless mind ; Reciprocity, Bollywood and music video : Mani Ratnam's Dil se and Yuva -- YouTube. YouTube aesthetics ; Audiovisual change : viral web media and the Obama campaign ; Refiguring music video : Beyonce's 'video phone' -- Music video. Music video's second aesthetic? ; Digital style : Francis Lawrence and Dave Meyers ; A music video canon?
    Note: Description based on print version record
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  • 63
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190268305
    Language: English
    Pages: 1 Online-Ressource (XIV, 361 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64809
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    Keywords: Geschichte ; Industrial music History and criticism ; Industrial Rock ; Electronic books ; Electronic books ; Industrial Rock ; Geschichte
    Abstract: Noisy, confrontational, and controversial, industrial music first emerged in the mid-1970s around bands and performance groups who combined avant-garde electronic music with the provocative attitude and style of punk rock. In its early days, bands such as Throbbing Gristle and Cabaret Voltaire produced a genuinely radical form of music bent on recontextualizing the signs and methods of cultural authority in an attempt to liberate listeners from the trappings of modernity. But, as industrial music took on more and more elements of popular music over the course of the 1980s it slowly abandoned its mission. By the mid-1990s, it was seen as simply another style of pop music, and had ironically fallen into the trappings it sought by its very existence to destroy. In "Assimilate", S. Alexander Reed provides the first ever critical history of this fascinating and enigmatic genre tracing industrial music's trajectory from Throbbing Gristle's founding of the record label Industrial Music in 1976, to its peak in popularity on the back of the band Nine Inch Nails in the mid-1990s, and through its decline to the present day. Through a series of revealing explorations of works spanning the entirety of industrial music's past, and drawing on extensive interviews with musicians, record label owners, DJs, and concert promoters, Reed paints a thorough historical picture that includes not only the bands, but the structures that supported them, and the scenes they created. In so doing, he reveals an engaging story of an ideological disintegration and its aftermath. The definitive text on the genre, "Assimilate" is essential reading for fans of industrial music, and scholars and students of popular music alike.
    Note: Published to Oxford Scholarship Online: May 2015
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  • 64
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199354467
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 306.1
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    Keywords: Geschichte 1940-1970 ; Gesellschaft ; Counterculture / United States ; Popular music / Social aspects / United States ; Hippie ; Musik ; Soziale Bewegung ; USA ; USA ; USA ; Hippie ; Soziale Bewegung ; Musik ; Geschichte 1940-1970
    Abstract: 'Dig' argues that in hip culture it is sound itself, and the faculty of hearing, that is the privileged part of the sensory experience. Through a string of lucid and illuminating examples author Phil Ford shows why and how music became a central facet of hipness and the counterculture
    Note: Includes bibliographical references and index
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  • 65
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190268244
    Language: English
    Pages: 1 Online-Ressource (X, 171 Seiten) , Notenbeispiele
    Series Statement: Oxford studies in recorded jazz
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 786.2165092
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    Keywords: Jarrett, Keith ; Deutschland ; Jarrett, Keith / Performances / Germany / Cologne ; Jazz / History and criticism ; Jarrett, Keith 1945- The Köln Concert
    Abstract: Keith Jarrett ranks among the most accomplished and influential pianists in jazz history. His K{uml}oln Concert stands among the most important jazz recordings of the past four decades, not only because of the music on the record, but also because of the remarkable reception it has received from musicians and lay-listeners alike. Since the album's 1975 release, it has sold over three million copies: an unprecedented feat for a 2 disc set of solo piano performances featuring no well-known songs. This book seeks to uncover what it is about this recording and performance that elicits such success.
    Note: Published to Oxford Scholarship Online: May 2015
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  • 66
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199346202
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    DDC: 306.484209492352
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    Keywords: Avant-garde (Music) ; Social change ; Netherlands History 1945- ; Niederlande ; Amsterdam ; Musik ; Avantgarde
    Abstract: The 1960s saw the emergence in the Netherlands of a generation of avant-garde musicians with a pronounced commitment to social and political engagement. This book presents the Dutch experience as an exemplary case study in the complex and conflictual encounter of the musical avant-garde with the decade's currents of social change.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on June 26, 2013)
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  • 67
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199980390
    Language: English
    Pages: 1 Online-Ressource (XXXV, 175 S.)
    Parallel Title: Erscheint auch als
    DDC: 792.80951
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    Keywords: Alltag, Brauchtum ; Gesellschaft ; Verstädterung ; Dance ; Movement, Aesthetics of ; Dance Social aspects ; Public spaces ; Urbanization ; Chinesen ; Tanz ; Kulturelle Identität ; Stadt ; China Social life and customs ; China ; USA ; China ; USA ; Chinesen ; Stadt ; Kulturelle Identität ; Tanz
    Abstract: 'Kinesthetic City' uses choreography as subject and method to explore how movement through particular spaces at precise moments can illuminate the communities in those places and times. It examines the simultaneous persistence and mobility of the idea of Chineseness as it travels across a transnational network of Chinese cities
    Note: Includes bibliographical references and index
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  • 68
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780190268121
    Language: English
    Pages: 1 Online-Ressource (XII, 160 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 788.7165092
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    Keywords: Coltrane, John ; Coltrane, John Criticism and interpretation ; Coltrane, John ; Jazz History and criticism ; Rezeption ; Coltrane, John 1926-1967 A love supreme ; Rezeption
    Abstract: Recorded by his quartet in a single session in 1964, John Coltrane's 'A Love Supreme' is widely considered one of the greatest jazz albums of all time. A significant record of Coltrane's transition from the bebop and hard bop of his earlier recordings to the free jazz style perfected throughout the rest of his career, the album is also an embodiment of the deep spirituality that characterised the final years of his life. This book explores both the musical aspects of 'A Love Supreme', and the album's seminal importance in jazz history.
    Note: Published to Oxford Scholarship Online: May 2015
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  • 69
    Online Resource
    Online Resource
    Bielefeld : Transcript-Verl.
    Language: German , English
    Pages: Online-Ressource
    Series Statement: Beiträge zur Popularmusikforschung 38
    Series Statement: Beiträge zur Popularmusikforschung
    Parallel Title: Druckausg. Black Box Pop
    DDC: 781.64
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    Keywords: Konferenzschrift 2010 ; Popmusik ; Rockmusik ; Jazz ; Musikalische Analyse
    Note: Literaturangaben , Beitr. teilw. dt., teilw. engl.
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  • 70
    Online Resource
    Online Resource
    New York : Bloomsbury Publishing
    ISBN: 9781441118905 , 144111890X
    Language: English
    Pages: Online Ressource (223 pages)
    Parallel Title: Print version Senses of Vibration : A History of the Pleasure and Pain of Sound
    DDC: 306.09
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    Keywords: Sound Psychological aspects ; Sound Physiological effect ; Vibration Physiological effect ; Sound in literature ; Sensory stimulation ; Vibration ; Sound Psychological aspects ; Sound Physiological effect ; Vibration ; Sound in literature ; Sensory stimulation ; Vibration ; Vibration Physiological effect ; Sound Psychological aspects ; Sound Physiological effect ; Sound ; Vibration ; Literature ; Noise ; Psychological Phenomena and Processes ; Sensory stimulation ; Sound Physiological effect ; Sound Psychological aspects ; Sound in literature ; Vibration Physiological effect ; Vibration ; SOCIAL SCIENCE ; Popular Culture ; Kultur ; Schallwelle ; Schwingung ; Wahrnehmung ; POLITICAL SCIENCE ; Public Policy ; Cultural Policy ; SOCIAL SCIENCE ; Anthropology ; Cultural ; Electronic books ; Electronic books
    Abstract: The study of the senses has become a rich topic in recent years. Senses of Vibration explores a wide range of sensory experience and makes a decisive new contribution to this growing field by focussing not simply on the senses as such, but on the material experience - vibration - that underpins them. This is the first book to take the theme of vibration as central, offering an interdisciplinary history of the phenomenon and its reverberations in the cultural imaginary. It tracks vibration through the work of a wide range of writers, including physiologists (who thought vibrations in the nerve
    Description / Table of Contents: Acknowledgements; Introduction: Hearing Vibrations; 1 Nervous Motions; 2 Psychophysical Sensations and Spiritual Vibrations; 3 Wires, Rays and Radio Waves; 4 Pathological Motions: Railway Shock, Street Noises, Earthquakes; 5 Sexual Health: Sewing Machines, Bicycle Spine, the Vibrator; Afterword; Notes; Bibliography; Index
    Note: Includes bibliographical references (pages 193-209) and index. - Print version record , Includes bibliographical references (pages 193-209) and index
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  • 71
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 1283848422 , 9781283848428 , 9780199772995
    Language: English
    Pages: 1 Online-Ressource (XV, 527 Seiten)
    Parallel Title: Erscheint auch als Gioia, Ted, 1957 - The jazz standards
    DDC: 016.78165
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    Keywords: Jazz Discography ; Jazz Analysis, appreciation ; Jazz Bibliography ; Jazz ; Bibliography ; Jazz ; Discography ; Jazz ; Analysis, appreciation ; Wörterbuch ; Jazz ; Komposition
    Abstract: Written by award-winning jazz historian Ted Gioia, this comprehensive guide offers an illuminating look at more than 250 seminal jazz compositions. In this comprehensive and unique survey, here are the songs that sit at the heart of the jazz repertoire, ranging from ""Ain't Misbehavin'"" and ""Autumn in New York"" to ""God Bless the Child,"" ""How High the Moon,"" and ""I Can't Give You Anything But Love."" Gioia includes Broadway show tunes written by such greats as George Gershwin and Irving Berlin, and classics by such famed jazz musicians as Miles Davis, Thelonious Monk, Duke Ellington, an
    Note: Includes bibliographical references, discographical references, and index. - IMD-Felder maschinell generiert
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  • 72
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    Online Resource
    Sheffield [u.a.] : Equinox Pub
    ISBN: 190804991X , 1845536630 , 9781908049919 , 9781845536633
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Icons of pop music
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    Keywords: Wilson, Brian Criticism and interpretation ; Wilson, Brian 1942-
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  • 73
    Online Resource
    Online Resource
    Lanham, Md. [u.a.] : Scarecrow Press
    ISBN: 9780810867574
    Language: English
    Pages: XXXV, 433 S.
    Edition: Online-Ausg. Online-Ressource
    Series Statement: Historical dictionaries of literature and the arts
    Parallel Title: Druckausg. Davis, John S., 1960 - Historical dictionary of jazz
    DDC: 781.6503
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    Keywords: Wörterbuch ; Jazz ; Jazzmusiker
    Note: Includes bibliographical references
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  • 74
    Online Resource
    Online Resource
    Surrey, England ;Burlington, VT : Ashgate
    ISBN: 9781283429337
    Language: English
    Pages: Online-Ressource (1 online resource (xix, 174 p.)) , ill., music
    Edition: Online-Ausg.
    Series Statement: SOAS musicology series
    Parallel Title: Druckausg. Szczepanski, Beth The instrumental music of Wutaishan's Buddhist monasteries
    DDC: 781.7430951152
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    Keywords: Buddhist music History and criticism ; China ; Wutai Mountains ; Shengguan History and criticism ; China ; Wutai Mountains ; Electronic books ; Buddhismus ; Kloster ; Instrumentalmusik ; Wutai Shan ; Hochschulschrift ; Wutai Shan ; Buddhismus ; Kloster ; Instrumentalmusik
    Note: Based on the author's thesis (doctoral--Ohio State University, 2008) presented under title: Sheng Guan in the past and present. - Includes bibliographical references (p. [157]-163) and index. - Description based on print version record
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  • 75
    Online Resource
    Online Resource
    Farnham, Surrey, England : Ashgate
    ISBN: 9781283479875 , 9781409428657 , 9781315609898
    Language: English
    Pages: 1 Online-Ressource (XVI, 395 Seiten)
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als Moore, Allan F. Song means
    DDC: 782.42164117
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    Keywords: Popular music Analysis, appreciation ; Popular music History and criticism ; Songs Analysis, appreciation ; Popular music Philosophy and aesthetics ; Sound recordings in musicology ; Electronic books Criticism, interpretation, etc ; Popmusik ; Musikalische Analyse
    Abstract: Allan F. Moore presents a study of recorded popular song, from the recordings of the 1920s through to the present day. Analysis and interpretation are treated as separable but inter-dependent approaches to song. Analytical theory is revisited, covering conventional domains such as harmony, melody and rhythm, but does not privilege these at the expense of domains such as texture, the soundbox, vocal tone, lyrics. Moore continues by developing a range of hermeneutic strategies largely drawn from outside the field (in the most part, within psychology and philosophy) but still deeply relevant to the experience of song
    Note: Includes bibliographical references (pages 337-350), discography (p. 351-383) , and indexes. - Print version record
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  • 76
    Online Resource
    Online Resource
    [s.l.] : KITLV Press
    ISBN: 9789067183901
    Language: English
    Pages: 1 Online-Ressource (xii + 222 S.)
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    Keywords: Geschichte 1998-2005 ; Indonesia ; music ; Yogyakarta ; urban life ; performing arts ; sociology ; Social sciences (General) ; Musikleben ; Indonesien ; Yogyakarta ; Hochschulschrift ; Hochschulschrift ; Indonesien ; Yogyakarta ; Musikleben ; Geschichte 1998-2005
    Note: English
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 77
    Online Resource
    Online Resource
    Baden-Baden : Nomos | Baden-Baden : Nomos Verlagsgesellschaft mbH & Co. KG
    ISBN: 9783845236704
    Language: German
    Pages: 1 Online-Ressource (330 Seiten)
    Edition: 1. Auflage
    Series Statement: Schriftenreihe „Short Cuts | Cross Media“ Band 5
    Dissertation note: Habilitationsschrift Universität Basel 2011
    DDC: 781.63015
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    Keywords: Unterhaltungsmusik ; Musikalische Analyse ; Transdisziplinarität ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    URL: Volltext  (lizenzpflichtig)
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  • 78
    Online Resource
    Online Resource
    Durham, N.C. : Duke University Press
    ISBN: 9780822395898 , 0822395894
    Language: English
    Pages: 1 online resource (xli, 300 p. , ill., map, music)
    Edition: 3rd ed.; thirtieth anniversary ed. with a new introduction.
    Parallel Title: Erscheint auch als
    DDC: 305.89/912
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    Keywords: Kaluli (Papua New Guinean people) Social life and customs ; Kaluli (Papua New Guinean people) Rites and ceremonies ; Kaluli (Papua New Guinean people) Music ; History and criticism ; Folk music History and criticism ; Folk songs, Kaluli History and criticism ; Birds Mythology ; Birds ; Electronic books ; Forschungsbericht
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 79
    ISBN: 9783839418789
    Language: German , English
    Pages: 1 Online-Ressource (282 Seiten) , Illustrationen, Diagramme, Notenbeispiele
    Series Statement: Beiträge zur Popularmusikforschung 38
    Series Statement: Beiträge zur Popularmusikforschung
    Parallel Title: Erscheint auch als Black Box Pop
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    Keywords: Music ; music ; Musik ; Popkultur ; Klang ; Musikwissenschaft ; Rockmusik ; Popmusik ; Populäre Musik ; Jazz ; Popular Culture ; Sound ; Musicology ; Pop Music ; Analyse; Populäre Musik; Rockmusik; Jazz; Musik; Popkultur; Popmusik; Musikwissenschaft; Klang; Music; Popular Culture; Pop Music; Musicology; Sound; ; Konferenzschrift 2010 ; Konferenzschrift 2010 ; Konferenzschrift 2010 ; Konferenzschrift 2010 ; Popmusik ; Rockmusik ; Jazz ; Musikalische Analyse
    Abstract: Wie analysiert man eigentlich populäre Musik? Nach zwei Jahrzehnten eines überwiegend kulturwissenschaftlichen Blicks auf den Gegenstand besinnt sich die Popularmusikforschung wieder auf ihre Kernkompetenz: auf die Beschreibung von Musik als akustisches Phänomen. Die etablierten Techniken der Untersuchung von Kunstmusik erweisen sich hier jedoch als nur bedingt transferierbar. Die Beiträge dieses Bandes diskutieren daher alternative Methoden zur Analyse populärer Musik und erproben sie am Beispiel von Songs aus Pop, Rock und Jazz
    Note: Beitr. teilw. dt., teilw. engl. - Zsfassungen in engl. Sprache
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  • 80
    ISBN: 9783840924989
    Language: German
    Pages: 1 Online-Ressource (233 Seiten)
    Series Statement: Musikpsychologie Band 22
    Series Statement: Hogrefe eLibrary
    Series Statement: Musikpsychologie
    Parallel Title: Erscheint auch als Populäre Musik
    DDC: 781.63111
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    Keywords: Musik, Musikpsychologie, Populäre Musik, Auhagen ; Aufsatzsammlung ; Unterhaltungsmusik ; Musikpsychologie ; Unterhaltungsmusik
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  • 81
    ISBN: 3839422515 , 9783839422519
    Language: German
    Pages: Online-Ressource (311 pages)
    Edition: Online-Ausg.
    Series Statement: Kultur und soziale Praxis
    Parallel Title: Print version Rap in Deutschland : Musik als Interaktionsmedium zwischen Partykultur und urbanen Anerkennungskämpfen
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    Keywords: Rap (Music) History and criticism ; Rap (Music) Social aspects ; MUSIC ; Instruction & Study ; Voice ; MUSIC ; Lyrics ; MUSIC ; Printed Music ; Vocal ; Rap (Music) ; Rap (Music) ; Social aspects ; Criticism, interpretation, etc ; Germany ; Deutschland ; Rap ; Musiksoziologie
    Abstract: 3.5 "Fremd im eigenen Land" als nationales Statement3.6 Rap im politischen Diskurs; 3.7 Das urbane Quartier im Rap; 3.8 Köln-Porz Deadline; 4 Einwanderungsland BRD; 4.1 Migrations-Diskurse in der multikulturellen Stadt; 4.2 Imaginierte Ghettos und Parallelgesellschaften; 4.3 Ethnische Kategorisierung im Kontext des Pluralismus; 4.4 Ethnisierung und rassistische Praxen; 4.5 Verweigerung von Zugehörigkeit und Anerkennung; 4.6 Zwischenbilanz; 5 Forschungsdesign der empirischen Untersuchung; 5.1 Die "Entdeckung" der Grounded Theory; 5.2 Die Methoden der Grounded Theory.
    Abstract: 5.3 Das dreifache Kodierparadigma nach Strauss und Corbin5.3.1 Offenes Kodieren; 5.3.2 Axiales Kodieren; 5.3.3 Selektives Kodieren; 5.4 Biographischer Ansatz; 5.5 Das narrative Interview; 5.6 Feldzugang und Forschungsprotokoll; 5.6.1 Interviewdurchführung; 5.6.2 Transkription; 5.6.3 Auswertung des empirischen Datenmaterials; 6 Kurzbiographien; 6.1 Die erste Generation von Rappern in Deutschland; 6.1.1 Asia; 6.1.2 Signore Rossi; 6.1.3 Hannes Loh; 6.1.4 Killa Hakan; 6.1.5 Scope; 6.2 Female MCs; 6.2.1 Duygu DAI; 6.2.2 MC Sinaya; 6.2.3 MISS PM; 6.2.4 Aziza A.; 6.2.5 Akua Naru; 6.2.6 MC Soom T.
    Abstract: 6.3 Rapper Generation 20006.3.1 OJ Kingpin; 6.3.2 Ja2NI; 6.3.3 Patrik; 6.3.4 Dihad; 6.3.5 Ashraf; 6.3.6 David; 6.3.7 MC Hasso; 6.3.8 Mighty Maho; 6.3.9 Chaoze One; 6.4 Expertinnen-Interviews; 7 Bildungswege: "Ganz locker eingeschult worden!"; 7.1 Familiärer Kontext und die Konstruktion von sozialen Schichten; 7.2 "Ich sag nicht Rap, weil ich mit Rappen überhaupt nichts am Hut hatte!"; 7.3 "Wir kannten nicht den Türken, den Italiener. Wir waren einfach Wir!"; 7.4 "Ich mags nicht, wenn man Deutsch-Türkin sagt!"; 7.5 "Für ein Mädchen ist die aber echt gut!"
    Abstract: 7.6 "Frauen sollen in Deutschland einfach nur als MCs akzeptiert werden!"7.7 "Die wichtigen Sachen, die vielleicht dazu beitragen, dass man das besser versteht, die haben die ausgelassen. So wie es halt im Journalismus ist."; 7.8 "Oh Gott, wo tun wir denn diese Scheibe hin in den Läden?"; 8 Resümee; Ausblick; Diskografie; Literaturverzeichnis.
    Abstract: Cover Rap in Deutschland; Inhalt; 1 Einleitung; 2 HipHop: Vier Elemente für eine Kultur; 2.1 DJing und Graffiti; 2.2 Dancing to the Beat: B-Boys and B-Girls; 2.3 Rap als letztes Element; 2.4 Das Urbane als das Zentrale; 2.5 Gangster-Rap; 2.6 HipHop-Kritik; 2.7 HipHop und die Rezeption als Widerstandskultur; 2.8 Female MCs -- Ladies First; 3 HipHop in der BRD; 3.1 One, two, three -- from New York to Germany; 3.2 Multikulturalität und Mehrsprachigkeit im HipHop: Ein aufgezwungenes Konzept; 3.3 HipHop im neuen Jahrtausend; 3.4 Ethnisierende Diskurse im HipHop.
    Abstract: Rap - für die einen der Inbegriff des subversiven Widerstands einer marginalisierten Unterschicht, für die anderen klanglicher Ausdruck von Homophobie, Misogynie und Gewaltverherrlichung. Vergessen wird dabei oft, dass Rap in erster Linie Partymusik ist. Seit der Entstehung des Stils in den 1970er Jahren ist die HipHop-Kultur ein stark umkämpftes Terrain. Ayla Güler Saieds Studie legt den empirischen Fokus auf die Biographien von Rapperinnen und Rappern verschiedener Genres und bettet diese in die theoretische Analyse der Entstehungsgeschichten des HipHop in Deutschland und den USA ein. Auf di
    Note: Includes bibliographical references and discography
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  • 82
    ISBN: 9783839419908
    Language: German
    Pages: 1 Online-Ressource (396 Seiten) , Illustrationen
    Series Statement: Cultural studies Band 43
    Series Statement: Cultural studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Soziale Ungleichheit ; Gender Studies ; literary studies ; music ; gender studies ; Music ; Literary Studies ; soziale Ungleichheit ; Kulturwissenschaft ; Kultursoziologie ; Literaturwissenschaft ; Musik ; Popkultur ; Populärkultur ; Cultural Studies ; Popmusik ; Rap ; Sociology of Culture ; Social Inequality ; Popular Culture ; Pop Music ; Pop Music ; Soziale Ungleichheit ; Kultursoziologie ; Sociology of Culture ; Social Inequality ; Gender Studies ; Popular Culture ; Populärkultur ; Popkultur ; Kulturwissenschaft ; Musik ; Rap ; Popmusik ; Music ; Literaturwissenschaft ; Cultural Studies ; Literary Studies ; HipHop; Rap; Cultural Studies; Literaturwissenschaft; Gender Studies; Soziale Ungleichheit; Populärkultur; Popkultur; Musik; Popmusik; Kultursoziologie; Kulturwissenschaft; Literary Studies; Social Inequality; Popular Culture; Music; Pop Music; Sociology of Culture; ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Gangsta-Rap ; Popkultur
    Abstract: Der Medienhype um Aggro Berlin, Sidos Beteiligung an der Casting-Show »Popstars« oder der Kinofilm »Zeiten ändern dich« des Bambi-Preisträgers Bushido zeigen: Gangsta-Rap ist auch in Deutschland zu einem zentralen Genre der Popkultur avanciert.Die Bildwelten der Gangsta-Rap-Kultur sind dabei nicht nur das Resultat von medienbasierten Glokalisierungsprozessen, sondern auch Bezugspunkte in einem Krisendiskurs um ethnisierte Jugendkriminalität oder deviante Männlichkeitsentwürfe.An der Schnittstelle von Soziologie und Kulturwissenschaft bieten die Beiträge in diesem Band einen Überblick über Bedeutung und Funktionsweise der Gangsta-Rap-Kultur.
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  • 83
    ISBN: 9783839420508
    Language: German
    Pages: 1 Online-Ressource (270 Seiten)
    Series Statement: Amerika: Kultur - Geschichte - Politik Band 2
    Uniform Title: Reborn to be wild : Christian Pop in der amerikanischen Geschichte und Kultur
    Parallel Title: Erscheint auch als Harju, Bärbel Rock & Religion
    Dissertation note: Dissertation Ludwig-Maximilians-Universität München 2011
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    Keywords: USA ; history ; cultural history ; music ; History ; Music ; Cultural History ; Usa ; Geschichte ; Kulturgeschichte ; Geschichtswissenschaft ; Religionswissenschaft ; Amerika ; Popkultur ; Kultur ; Amerikanische Geschichte ; Christian Pop ; Rockmusik ; Popmusik ; Religion ; Culture ; Religious Studies ; America ; American History ; Popular Culture ; Pop Music ; Musik; Religion; USA; Kultur; Geschichte; Christian Pop; Rockmusik; Popmusik; Popkultur; Amerika; Amerikanische Geschichte; Kulturgeschichte; Religionswissenschaft; Geschichtswissenschaft; Music; Culture; Pop Music; Popular Culture; America; American History; Cultural History; Religious Studies; History; ; Hochschulschrift ; Hochschulschrift ; USA ; Popmusik ; Christentum ; Geschichte ; USA ; Neues geistliches Lied ; Geschichte
    Abstract: »Reborn to be wild!« - seit Ende der 1960er Jahre verkünden wiedergeborene Christen diesen Schlachtruf zu den Klängen von Rock- und Popmusik. Heute existiert in den USA nicht nur eine vielfältige und millionenschwere christliche Musikindustrie; auch im musikalischen Mainstream gelingt es christlichen Künstlern zunehmend, sich erfolgreich zu etablieren.Mit dem genuin amerikanischen Phänomen Christian Pop untersucht Bärbel Harju ein facettenreiches Spannungsfeld an der Schnittstelle von Religiosität und Kommerz. Auf der Basis einer Fülle an Interviews und Primärquellen wird Christian Pop so erstmals umfassend in der amerikanischen Kulturgeschichte verankert.
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  • 84
    Online Resource
    Online Resource
    Köln : Böhlau Verlag
    ISBN: 9783412215781
    Language: German
    Pages: 1 Online-Ressource (316 Seiten)
    Series Statement: Musik - Kultur - Gender. Studien zur europäischen Kultur v.10
    Parallel Title: Erscheint auch als Musik und Gender
    Parallel Title: Erscheint auch als Musik und Gender
    DDC: 306.4842
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    Keywords: Electronic books ; Aufsatzsammlung ; Musik ; Geschlechterforschung ; Frau ; Weiblichkeit ; Musik ; Geschichte ; Komponistin ; Geschlechterforschung
    Note: Description based upon print version of record
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  • 85
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822394884 , 082239488X
    Language: English
    Pages: 1 Online-Ressource (xxv, 289 Seiten) , Illustrationen, Karten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Parallel Title: Erscheint auch als
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    Keywords: Suzano, Marcos ; Geschichte 1980-2000 ; Popular music Brazil ; History and criticism ; Sound Recording and reproducing ; Digital techniques ; Lokalkolorit ; Popmusiker ; Internationalität ; Popmusik ; Rio de Janeiro ; Electronic books ; Rio de Janeiro ; Popmusiker ; Popmusik ; Lokalkolorit ; Internationalität ; Geschichte 1980-2000
    Note: Includes bibliographical references and index , Marcos Suzano : a Carioca blade runner -- Lenine : pernambuco speaking to the world -- Pedro Luís and the wall : Tupy Astronauts -- Fernanda Abreu : garota carioca -- Paulinho Moska : difference and repetition -- On cannibals and chameleons -- Appendix 1: a note about interviews, with a list of interviews cited -- Appendix 2: introductory aspects of Marcos Suzano's pandeiro method
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 86
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 0822352117 , 0822395207 , 9780822352112 , 0822352001 , 9780822395201 , 9780822352006 , 9781280487163
    Language: English
    Pages: 1 online resource (xvi, 214 p.
    Edition: Online-Ausg. 2013 Electronic reproduction; Available via World Wide Web
    Series Statement: e-Duke books scholarly collection
    Parallel Title: Print version Go-Go Live
    DDC: 306.4/84240975309045
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    Keywords: African Americans Social life and customs 20th century ; Go-go (Music) History and criticism ; African Americans Music 20th century ; Go-go (Music) Social aspects ; Go-go (Music) -- Washington (D.C.) -- History and criticism ; Go-go (Music) -- Social aspects -- Washington (D.C.) ; African Americans -- Washington (D.C.) -- Music -- 20th century ; African Americans -- Washington (D.C.) -- Social life and customs -- 20th century ; Electronic books ; Electronic books
    Abstract: Includes bibliographical references and index
    Abstract: Black body politic -- Club U -- What's happening -- Call and response -- The archive -- The boondocks -- Redemption song -- Roll call, 1986
    Abstract: Go-go is an upbeat, funky Black popular music from Washington, D.C. with a history as long as that of house or hip-hop. Natalie Hopkinson is the Media and Culture Critic for The Root, with access to clubs, producers, and artists, and is therefore well-placed to tell the story of the music from the 70s to the present. With the regentrification of the District, more of the Black population and the go-go industry have moved to the Maryland suburbs. In Go-Go Live, Hopkinson gives a critical, inside account of the scene and how it survives in a changing city
    Description / Table of Contents: Black body politic -- Club U -- What's happening -- Call and response -- The archive -- The boondocks -- Redemption song -- Roll call, 1986.
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
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    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 87
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780199227341 , 9780191804274 (Sekundärausgabe)
    Language: English
    Pages: xii, 345 p. , Ill.
    Edition: Online-Ausg. Online-Ressource ISBN 9780191804274
    Edition: [Online-Ausg.]
    DDC: 306.4842
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    Abstract: Examining the potential role of musicality in human evolution and its consequences for human culture, this book draws on archaeology, anthropology, psychology and musicology in order to illustrate the interdisciplinary necessity of accounting for the phenomenon of human music-making.
    Note: Includes bibliographical references and index , Online-Ausg.:
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  • 88
    Online Resource
    Online Resource
    New York, New York : Oxford University Press
    ISBN: 9780199940547
    Language: English
    Pages: 1 Online-Ressource (xviii, 586 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Oxford handbooks
    Parallel Title: Erscheint auch als The Oxford handbook of the new cultural history of music
    Parallel Title: Erscheint auch als The Oxford handbook of the new cultural history of music
    DDC: 306.4842
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    Keywords: Musicology ; Music Philosophy and aesthetics ; Musicology ; Music ; Philosophy and aesthetics ; Geschichte ; Musik ; Kulturgeschichtsschreibung ; Enzyklopädie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musik ; Kulturgeschichtsschreibung ; Geschichte
    Abstract: This volume demonstrates a new approach to cultural history, as it now being practiced by both historians and musicologists, in their quest to grasp the realms of human experience understanding, communication and meaning through the study of music and of musical practices.
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  • 89
    Online Resource
    Online Resource
    New York, New York : Oxford University Press
    ISBN: 9780199940691
    Language: English
    Pages: 1 Online-Ressource (xiv, 593 Seiten) , Illustrationen
    Series Statement: Oxford handbooks
    Parallel Title: Erscheint auch als
    DDC: 534
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    Keywords: Sound ; Sounds ; Noise ; Sound ; Sounds ; Noise ; Sonifikation ; Schall ; Geräusch ; Lärm
    Abstract: Written by the world's leading scholars and researchers in sound studies, this handbook offers new and engaging perspectives on the significance of sound in its material and cultural forms.
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  • 90
    ISBN: 0199932301 , 9780199932306
    Language: English
    Pages: 1 Online-Ressource (XV, 191 S.)
    Parallel Title: Erscheint auch als
    DDC: 782.42082/09519
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    Keywords: Geschichte ; Gesellschaft ; Musik ; Songs, Korean History and criticism ; Women singers ; Music Social aspects ; Comfort women History ; Comfort women History ; Identität ; Lied ; Zwangsprostituierte ; Koreanerin ; Koreanerin ; Zwangsprostituierte ; Lied ; Identität
    Abstract: In the wake of the wartime experience of sexual slavery for the Japanese military during the Asia-Pacific War (1930-45), Korean survivors lived under great pressure not to speak about what had happened to them. These sexual slaves were known as 'comfort women,' and this book brings us into the lives of three of them
    Note: Includes bibliographical references and index
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  • 91
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199347353
    Language: English
    Pages: 1 online resource (xxxviii, 202 p.) , ill.
    Series Statement: Oxford studies in dance theory
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als McCarren, Felicia French moves
    DDC: 793.3
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    Keywords: Hip-hop dance ; Hip- hop Social aspects ; Hip-hop Political aspects ; France Social life and customs ; Frankreich ; Tanz ; Hip-Hop ; Sozialgeschichte
    Abstract: This study - the first in English to introduce readers to the French mouv' - analyzes the choreographic development of hip hop into la danse urbaine, touring on national and international stages, as hip hoppeurs move beyond the banlieue, figuring new forms within the mobility brought by new media and global migration.
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 92
    ISBN: 9783839419908
    Language: German
    Pages: Online-Ressource (400 S.)
    Series Statement: Cultural Studies Band 42
    Series Statement: Cultural studies
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    Keywords: Gangsta rap (Music) Social aspects ; Rap (Music) History and criticism ; Gangsta rap (Music). ; Rap (Music). ; Gangsta rap (Music). ; Music industry. ; Rap (Music). ; Öffentliche Darbietungen, Film, Rundfunk. ; SOCIAL SCIENCE / Popular Culture ; Cultural Studies, Literary Studies, Gender Studies, Social Inequality, Popular Culture, Music, Pop Music, Sociology of Culture ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Gangsta-Rap ; Popkultur
    Abstract: Biographical note: Marc Dietrich, Stipendiat der Andrea von Braun Stiftung, ist Promotionsstudent und wissenschaftlicher Mitarbeiter an der Universität Mannheim am Seminar für Medien- und Kommunikationswissenschaft. Martin Seeliger ist Promotionsstipendiat am Max-Planck-Institut für Gesellschaftsforschung in Köln.
    Abstract: Der Medienhype um Aggro Berlin, Sidos Beteiligung an der Casting-Show »Popstars« oder der Kinofilm »Zeiten ändern dich« des Bambi-Preisträgers Bushido zeigen: Gangsta-Rap ist auch in Deutschland zu einem zentralen Genre der Popkultur avanciert. Die Bildwelten der Gangsta-Rap-Kultur sind dabei nicht nur das Resultat von medienbasierten Glokalisierungsprozessen, sondern auch Bezugspunkte in einem Krisendiskurs um ethnisierte Jugendkriminalität oder deviante Männlichkeitsentwürfe. An der Schnittstelle von Soziologie und Kulturwissenschaft bieten die Beiträge in diesem Band einen Überblick über Bedeutung und Funktionsweise der Gangsta-Rap-Kultur.
    Abstract: Review text: »[Man] wünscht sich, das Buch wäre einige Jahre früher erschienen, als Gangsta-Rap noch zu den heißen Themen des Feuilletons zählte; noch bevor sich die Talkshowdauergäste Sido und Bushido zur kleinbürgerlichen Existenz bekannten. Andererseits erlaubt die zeitliche Distanz den Autoren, eben jene stereotypisierten Bilder äußerst kritisch unter die Lupe zu nehmen. Und das ist eine große Bereicherung, nicht nur für die HipHop-Kultur, sondern gerade für den öffentlichen Diskurs.« Fatma Aydemir, taz, 27.08.2012 Besprochen in: Spex, 1/2 (2012)
    URL: Cover
    URL: Cover
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  • 93
    Online Resource
    Online Resource
    Osnabrück : Electronic Publ.
    Language: German
    Pages: Online-Ressource
    Series Statement: Osnabrücker Beiträge zur Musik und Musikerziehung 9
    Series Statement: epOs Music
    Series Statement: Osnabrücker Beiträge zur Musik und Musikerziehung
    Parallel Title: Druckausg. Kleinen, Günter, 1941 - Chinesische Musik und der kulturelle Transfer auf der Seidenstraße
    DDC: 780
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    Keywords: China ; Musikbeziehungen ; Seidenstraße ; Westliche Welt ; Geschichte
    URL: Volltext  (kostenfrei)
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  • 94
    Online Resource
    Online Resource
    Farnham, Surrey, England ;Burlington, VT : Ashgate Pub
    ISBN: 9781283318891 , 1409427854 , 128331889X , 9781409427858
    Language: English
    Pages: Online-Ressource (1 online resource (xix, 211 p.)) , ill.
    Edition: Online-Ausg.
    Edition: 2013 Electronic reproduction; Available via World Wide Web
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Druckausg. The politics of post-9/11 music
    Parallel Title: Print version The Politics of Post-9/11 Music : Sound, Trauma, and the Music Industry in the Time of Terror
    DDC: 781.64097309051
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    Keywords: Popular music Political aspects ; United States ; September 11 Terrorist Attacks, 2001 Songs and music ; History and criticism ; War on Terrorism, 2001-2009 Songs and music ; History and criticism ; Electronic books ; September 11 Terrorist Attacks, 2001 Songs and music ; History and criticism ; War on Terrorism, 2001-2009 Songs and music ; History and criticism ; Popular music History and criticism 2001-2010 ; September 11 Terrorist Attacks, 2001 Influence ; Popular music Social aspects ; Popular music Political aspects ; USA ; Attentat ; Elfter September ; Rezeption ; Musikwissenschaften ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Attentat ; Elfter September ; Rezeption ; Popmusik ; Musikwirtschaft
    Abstract: Seeking to extend discussions of 9/11 music beyond the acts typically associated with the September 11th attacks - U2, Toby Keith, The Dixie Chicks, Bruce Springsteen - this collection interrogates the politics of a variety of post-9/11 music scenes. Contributors articulate the role that lesser-known contemporary musicians have played - or have refused to play - in constructing a politics of protest in direct response to the trauma inflicted that day. The Politics of Post- 9/11 Music encourages new conceptualizations of what constitutes "political music&quot
    Description / Table of Contents: Cover; Contents; General Editor's Preface; Notes on Contributors; Foreword; Acknowledgments; Introduction; Part I Electric Dreams: The Medium and the Message; 1 Rock, Enroll: Music and Militarization since 9/11; 2 Music, Terrorism, Response: The Conditioning Logic of Code and Networks; 3 Technostalgia and the Resurgence of Cassette Culture; Part II Hail to the Thief: Post-9/11 Experimental Music; 4 Why Protest Albums Can't Teach Dissent: The Emergent Complexity of Post-9/11 Protest; 7 Nine Inch Nails' Year Zero and the Biopolitics of Media Convergence
    Description / Table of Contents: 8 Casualties of War: Hip-Hop and the Old Racial Politics of the Post-9/11 Era9 That Was Now, This Is Then: Recycling Sixties Style in Post-9/11 Music; 10 A New Morning in Amerika: Conservative Politics and Punk Rock in the 2000s; 11 "Agony & Irony": Indie Culture's Sardonic Response to America's Post-9/11 Devolution; Part IV Idle American, American Idol: Mainstream Media and Ideology; 12 Post-Dixie Chicks Country: Carrie Underwood and the Negotiation of Feminist Country Identity; 13 Walking the Great Line: Underoath and Christian Fundamentalism in Punk Rock after 9/11
    Description / Table of Contents: 14 War Is Heavy Metal: Soundtracking the US War in IraqIndex;
    Note: Series information from general editor's preface. - Includes bibliographical references and index. - Description based on print version record , Series from dust jacket , Electronic reproduction; Available via World Wide Web
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  • 95
    Online Resource
    Online Resource
    Leipzig : Hochschule für Musik und Theater Leipzig
    Language: German
    Pages: Online-Ressource
    DDC: 780
    RVK:
    RVK:
    Keywords: Yun, Isang
    URL: Volltext  (kostenfrei)
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  • 96
    Language: German
    Edition: Online-Ausg. 2012 Online-Ressource
    Parallel Title: Druckausg. Lehmann, Matthias, 1986 - "Für wen spielt die Musik?"
    Dissertation note: Dresden, Techn. Univ., Philosoph. Fak., Inst. für Soziologie, Dipl.-Arbeit, 2011
    DDC: 306.4
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    Keywords: Hochschulschrift ; Publikum ; Strukturanalyse
    URL: Volltext  (kostenfrei)
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  • 97
    Online Resource
    Online Resource
    Basingstoke [u.a.] : Palgrave Macmillan
    ISBN: 9780230245655 , 9780230300422 , 9780230312036
    Language: English
    Pages: XII, 232 S. , Ill.
    Edition: 1. publ.
    Edition: Online-Ausg. 2011 Electronic reproduction; Available via World Wide Web
    Series Statement: Studies in International Performance
    Series Statement: Studies in International Performance Ser.
    Parallel Title: Print version Alternative Chinese Opera in the Age of Globalization
    DDC: 792.5089/951
    RVK:
    Keywords: Chinese Ethnic identity ; Operas, Chinese History and criticism ; Operas, Chinese Performances ; Theater ; Electronic books
    Abstract: "Bringing the study of Chinese theatre into the 21st-century, Lei discusses ways in which traditional art can survive and thrive in the age of modernization and globalization. Building on her previous work, this new book focuses on various forms of Chinese "opera" in locations around the Pacific Rim, including Hong Kong, Taiwan and California"--
    Description / Table of Contents: Cover; Contents; List of Figures; Acknowledgements; Series Editors' Preface; Introduction: Performing Zero; 1 Femininity Comes to the Rescue: Innovative Jingju in Taiwan; 2 Pacification and Silent Resistance: Performing Hong Kong in The Flower Princess; 3 The Blossoming of the Transnational Peony: Performing Alternative China in California; 4 Waiting for Meaning: The Joint Venture of Robert Wilson, Jingju, and Taiwan; Conclusion; Notes; Bibliography; Index
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
    URL: Volltext  (lizenzpflichtig)
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  • 98
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822394174
    Language: English
    Pages: 1 online resource (352 p.) , 32 illustrations
    DDC: 781.64
    RVK:
    RVK:
    Keywords: Popular music / History and criticism / 1981-1990 ; Popular music / History and criticism / 1991-2000 ; Popular music / History and criticism / 2001-2010 ; Rock music / History and criticism / 1981-1990 ; Rock music / History and criticism / 1991-2000 ; Rock music / History and criticism / 2001-2010 ; MUSIC / Genres & Styles / Rock ; Aufsatzsammlung
    Abstract: Chuck Eddy is one of the most entertaining, idiosyncratic, influential, and prolific music critics of the past three decades. His byline has appeared everywhere from the Village Voice and Rolling Stone to Creem, Spin, and Vibe. Eddy is a consistently incisive journalist, unafraid to explore and defend genres that other critics look down on or ignore. His interviews with subjects ranging from the Beastie Boys, the Pet Shop Boys, Robert Plant, and Teena Marie to the Flaming Lips, AC/DC, and Eminem’s grandmother are unforgettable. His review of a 1985 Aerosmith album reportedly inspired the producer Rick Rubin to pair the rockers with Run DMC. In the eighties, Eddy was one of the first critics to widely cover indie rock, and he has since brought his signature hyper-caffeinated, hyper-hyphenated style to bear on heavy metal, hip-hop, country—you name it. Rock and Roll Always Forgets features the best, most provocative reviews, interviews, columns, and essays written by this singular critic. Essential reading for music scholars and fans, it may well be the definitive time-capsule comment on pop music at the turn of the twenty-first century
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 99
    ISBN: 9781283297479 , 9781315602134
    Language: English
    Pages: 1 Online-Ressource (xii, 195 Seiten)
    Parallel Title: Erscheint auch als Hawkins, Stan Prince
    DDC: 781.66092
    RVK:
    Keywords: Prince ; Criticism and interpretation ; Rock music ; United States ; History and criticism ; Verzeichnis ; Prince Musiker 1958-2016
    Note: Description based on print version record
    URL: Volltext  (lizenzpflichtig)
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  • 100
    Language: German , English
    Pages: Online-Ressource
    Series Statement: Beiträge zur Popularmusikforschung 37
    Series Statement: Beiträge zur Popularmusikforschung
    Parallel Title: Druckausg. Thema Nr. 1
    DDC: 306.48424
    RVK:
    Keywords: Konferenzschrift 2009 ; Unterhaltungsmusik ; Popmusik ; Sexualität ; Unterhaltungsmusik ; Sexualität
    Note: Literaturangaben , Beitr. überw. dt., teilw. engl.
    URL: Volltext  (kostenfrei)
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