Anmerkung: Bis Bd. 5 hrsg. von Hermann Aubin , Anfangs im Verl. Hobbing, Berlin, erschienen

Anmerkung: Literaturangaben

Anmerkung: Im Impressum: "1914-1918. Esslingen und der Erste Weltkrieg, Heimatfront und Zeitenwende. Ausstellung, Stadtmuseum im Gelben Haus, 9. November 2018 bis 10. März 2019 ... Der Erste Weltkrieg - Erinnerungen und Bilder im Wandel der Zeit, Symposium, Hochschule Esslingen, 25. September 2014"

Anmerkung: Includes bibliographical references (pages 319-333) and index

Anmerkung: Abweichender Titel auf Umschlag

Anmerkung: "Indépendance entre guillemets : un film de recherche de Hanna Prenzel (Documentaire, Dakar 2014, 55 min.)" (1 DVD-Video) beigelegt in einer Tasche

Anmerkung: "Anlässlich der Ausstellung 'Archivo F.X. / Pedro G. Romero. Wirtschaft, Ökonomie, Konjunktur', Württembergischer Kunstverein Stuttgart, 11. Februar - 29. April 2012" - Impressum , Text deutsch und englisch

Anmerkung: Literaturverz. S. 94 - 95

Anmerkung: Text dt. und span.

Anmerkung: Literaturangaben , 1.Writing African Modernism into Art History , 16.Modernism and Modernity in African Art , pt. II"Africa Has Always Been Modern"2.Local Transformations, Global Inspirations: The Visual Histories and Cultures of Mami Wata Arts in Africa , pt. IIIArt in Cosmopolitan Africa: The Nineteenth Century3.Loango Coast Ivories and the Legacies of Afro-Portuguese Arts , 4.Roots and Routes of African Photographic Practices: From Modern to Vernacular Photography in West and Central Africa (1850-1980) , 5.At Home in the World: Portrait Photography and Swahili Mercantile Aesthetics , 6.African Reimaginations: Presence, Absence, and New Way Architecture , pt. IVModernities and Cross-Cultural Encounters in Arts of the Early Twentieth Century7."One of the Best Tools for Learning": Rethinking the Role of 'Abduh's Fatwa in Egyptian Art History , 8.Congolese and Belgian Appropriations of the Colonial Era: The Commissioned Work of Tshelantende (Djilatendo) and Its Reception , 9.Warriors in Top Hats: Images of Modernity and Military Power on West African Coasts , pt. VColonialism, Modernism, and Art in Independent Nations10.Algerian Painters as Pioneers of Modernism , 11.Kofi Antubam, 1922-1964: A Modern Ghanaian Artist, Educator, and Writer , 12.Patron and Artist in the Shaping of Zimbabwean Art , 13."Being Modern": Identity Debates and Makerere's Art School in the 1960s , 14.The École des Arts and Exhibitionary Platforms in Postindependence Senegal , 15.From Iconoclasm to Heritage: The Osogbo Art Movement and the Dynamics of Modernism in Nigeria , 17.A Century of Painting in the Congo: Image, Memory, Experience, and Knowledge , pt. VIPerspectives on Arts of the African Diaspora18.Visual Expressivity in the Art of the Black Diaspora: Conjunctures and Disjunctures , pt. VIISyntheses in Art of the Late Twentieth Century19.Art and Social Dynamics in Côte d'lvoire: The Position of Vohou-Vohou , 20.Contemporary Contradictions: Bronzecasting in the Edo Kingdom of Benin , 21.Puppets as Witnesses and Perpetrators in Ubu and the Truth Commission , 22.Moroccan Art Museums and Memories of Modernity , pt. VIIIPrimitivism as Erasure23.The Enduring Power of Primitivism: Showcasing "the Other" in Twenty-First-Century France , pt. IXLocal Expression and Global Modernity: African Art of the Twenty-First Century24.Zwelethu Mthethwa's "Postdocumentary" Portraiture: Views from South Africa and Abroad , 25.Creative Diffusion: African Intersections in the Biennale Network , 26.Lacuna: Uganda in a Globalizing Cultural Field , 27.Painted Visions under Rebel Domination: A Cultural Center and Political Imagination in Northern Côte d'lvoire , 28.Postindependence Architecture through North Korean Modes: Namibian Commissions of the Mansudae Overseas Project , 29.Concrete Aspirations: Modern Art at the Roundabout in Ugep

Anmerkung: Text dt., engl. und franz

Anmerkung: Festschrift Wolfgang Seitz

Anmerkung: Literaturangaben

Anmerkung: Literaturangaben

Anmerkung: CD-ROM-Beil. u.d.T.: Salzburger Glockenspiel - Bericht zur Restaurierung / Elisabeth Krebs

Anmerkung: Preface / Maria-Katharina LangI. The collector and the collections / Maria-Katharina Lang , II. Mongolian Buddhism : identity, practice, and politics / Lhagvademchig Jadamba , III. Tsakli, thangkas, prints, amulets and manuscripts / Olaf Czaja , IV. Types of votive plaque (tshatsha) in the Leder collections / Béla Kelényi , V. A Maitreya (tshatsha) in the Leder collections / Béla Kelényi , VI. The Tsam figurines in Leder's collections : a reunion / Maria-Katharina Lang , VII. The Khüree-Tsam and its relations with the Tsam figures of the Leder collections / Krisztina Teleki , VIII. Cagān Öwgön : the White Old Man in the Leder collections : the textual and iconographic tradition of the cult of the White Old Man among the Mongols / Ágnes Birtalan , IX. The depictions of the Five Personal Protective Deities in the Leder collections / Béla Kelényi , X. Equestrian warrior deities in the Leder collections : some aspects of the Mongolian war god / Ágnes Birtalan , XI. Various depictions of Zanabazar / Maria-Katharina Lang , XII. Different types of prayer flag in the Leder collections / Béla Kelényi , XIII. The stronghold of good luck : a unique representation connecting to the cult of prayer flag / Béla Kelényi.

Anmerkung: Introduction: the work of interviews , Talking to people about art , Ghostly stories: interviews with artists in Dakar and the productive space around absence , Can the artist speak?: Hamid Kachmar's subversive redemptive art of resistance , Photography, narrative inventions, and (cross) cultural representations , Narrating the artist: Seyni Camara and the multiple constructions of the artistic persona , Interview: Akinbode Akinbiyi , Interweaving narratives of art and activism: Sandra Kriel's heroic women , Politics of narrative at the African burial ground in New York City: the final monument , Who owns the past?: constructing an art history of a Malian masquerade , Framing practices: artists' voices and the power of self-representation , Undisciplined knowledge

Anmerkung: Literaturangaben

Anmerkung: Literaturangaben

Anmerkung: Literaturangaben

Anmerkung: Literaturangaben , Literaturangaben

Anmerkung: Filmogr. und Literaturverz. S. 169 - 174

Anmerkung: Literaturverz. S. 62

Anmerkung: Literaturverz. S. 163 - 170

Anmerkung: Includes bibliographical references and index , Fred Wilson : musings on the mining of museums , Power and spirit , Lost and found : artist Fred Wilson pulls apart Maryland's hidden history , An improbable marriage of artist and museum , Mining the museum : artists look at museums, museums look at themselves , Mining the museum and the rethinking of Maryland's history , Serving institutions , Inside the studio , Subtle and subversive : Fred Wilson's museum interventions , Fred Wilson in discussion with Dr. Gaye Sculthorpe and Tom Mosby , Viewing the invisible : Fred Wilson's allegories of absence and loss , Against the grain : the artist as conceptual materialist , Collaboration, museums and the politics of display : a conversation with Fred Wilson , Fred Wilson's Black venezia : fictitious histories and the notion of "truth" , Interview : Kathleen Goncharov and Fred Wilson ; Local color : the black African presence in Venetian art and history , Respeaking Othello in Fred Wilson's Speak of me as I am , Brave new world , Making So much trouble in the world , Of bodies and embodiment : Fred Wilson's So much trouble in the world-believe it or not! , Psst! A conversation with Fred Wilson , Out of the well , Fragments of a conversation , After the voyage : an interview with Fred Wilson , An interview with the artist Fred Wilson , Fred Wilson : material museology , Museums in the colonial horizon of modernity : Fred Wilson's Mining the museum (1992)

Anmerkung: Literaturverz. S. 78

Anmerkung: Text französisch und deutsch

Anmerkung: Text spanisch und englisch

Anmerkung: Text dt., Zusammenfass. in engl. Sprache

Anmerkung: Bibliogr. R. B. Fuller und Literaturverz. S. 307 - 315

Anmerkung: Literaturverz. S. 191 - 194

Anmerkung: Expansion and revision of the author's thesis (doctoral)--Columbia University, 2001. -- Portions previously published in various sources. , Includes bibliographical references and index

Anmerkung: Betr. auch. Sachsen

Anmerkung: Formerly CIP Uk. - Includes bibliographical references and index. - Foreword / by Rachel Weiss -- Pt. I. On and against translation. Introduction. Contemporary colonial art (1969) -- The sixties (1998) -- Exile (1983) -- Political pop (1998) -- Access to the mainstream (1987) -- Wonder bread and Spanglish art (1989) -- Cultural identities before and after the exit of Bureau-Communism (1991) -- Art and politics : the aesthetics of resistance (1994) -- The artist's role and image in Latin America (2004) -- Out of geography and into the Moiré pattern (1996) -- The reconstruction of Salami (2003) -- Printmaking : a colony of the arts (1999) -- My museums (1995) -- The forgotten individual (1996) -- Free-trade diaspora (2003) -- Pt. II. Other histories. Introduction. Pedro Figari (1991) -- Resoftenings and softenings in Uruguayan art (1991) -- An ode to aquatint (2003) -- Revisiting tautology (2006) -- The Museo Latinoamericano and MICLA (1992) -- Flying in weightlessness (2004) -- Brazil in New York (2001) -- The keeper of the lens (2005) -- The two versions of Santa Anna's leg and the ethics of public art (1995) -- The Biennial of Utopias (1999) -- Introduction to the symposium "Art as education/Education as art" (2007) -- Index , Foreword , Pt. I. On and against translation. Introduction. Contemporary colonial art (1969) ; The sixties (1998) ; Exile (1983) ; Political pop (1998) ; Access to the mainstream (1987) ; Wonder bread and Spanglish art (1989) ; Cultural identities before and after the exit of Bureau-Communism (1991) ; Art and politics : the aesthetics of resistance (1994) ; The artist's role and image in Latin America (2004) ; Out of geography and into the Moiré pattern (1996) ; The reconstruction of Salami (2003) ; Printmaking : a colony of the arts (1999) ; My museums (1995) ; The forgotten individual (1996) ; Free-trade diaspora (2003) ; Pt. II. Other histories. Introduction. Pedro Figari (1991) ; Resoftenings and softenings in Uruguayan art (1991) ; An ode to aquatint (2003) ; Revisiting tautology (2006) ; The Museo Latinoamericano and MICLA (1992) ; Flying in weightlessness (2004) ; Brazil in New York (2001) ; The keeper of the lens (2005) ; The two versions of Santa Anna's leg and the ethics of public art (1995) ; The Biennial of Utopias (1999) ; Introduction to the symposium "Art as education/Education as art" (2007) ; Index.

Anmerkung: Dokumentation der Planungen für das Projekt Humboldt-Forum. - Begleitpublikation [aber kein Katalog] zur Ausstellung "Das Humboldt-Forum im Schloss. Anders zur Welt kommen" (Berlin, Altes Museum, 8. Juli 2009 bis 17. Januar 2010) , Text dt. und engl.

Anmerkung: Literaturangaben

Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke

Anmerkung: Includes bibliographical references (p. 219-225) and index

Anmerkung: Text dt. und engl

Anmerkung: Literaturangaben

Anmerkung: Text dt. und engl