ISBN:
9780300197457
,
0300197454
Language:
English
Pages:
184 S
,
zahlr. Ill
,
29 cm
Edition:
1. ed.
Series Statement:
The Henry Roe Cloud series on American Indians and modernity
DDC:
978.004/97
Keywords:
Poolaw, Horace Exhibitions
;
Poolaw, Horace 1906-1984 Exhibitions
;
Kiowa Indians Pictorial works History 20th century
;
Exhibitions
;
Documentary photography Exhibitions
;
Indians of North America Pictorial works History 20th century
;
Exhibitions
;
Indian photographers Biography
;
Kiowa Indians Biography
;
Indians of North America Pictorial works
;
Exhibitions
;
History
;
20th century
;
Great Plains
;
Kiowa Indians Pictorial works
;
Exhibitions
;
History
;
20th century
;
Documentary photography Exhibitions
;
United States
;
Indian photographers Biography
;
Kiowa Indians Biography
;
Photography / Individual Photographers / Monographs
;
History / Native American
;
Photography / Photoessays & Documentaries
;
Great Plains Pictorial works Social life and customs 20th century
;
Exhibitions
;
Great Plains Pictorial works
;
Exhibitions
;
Social life and customs
;
20th century
;
Bildband
;
Ausstellungskatalog 2014
;
Bildband
;
Ausstellungskatalog 2014
;
Bildband
;
Ausstellungskatalog 2014
;
Poolaw, Horace 1906-1984
;
Fotografie
;
Oklahoma
;
Kiowa
;
Alltag
;
Geschichte 1925-1960
Abstract:
"Horace Poolaw (Kiowa, 1906-84) was born during a time of great change for his American Indian people as they balanced age-old traditions with the influences of mainstream America. A rare American Indian photographer who documented Indian subjects, Poolaw began making a visual history in the mid-1920s and continued for the next fifty years. When he sold his photos, he often stamped the reverse: 'A Poolaw Photo, Pictures by an Indian, Horace M. Poolaw, Anadarko, Okla.' Not simply by 'an Indian,' but a Kiowa man strongly rooted in his multi-tribal community, Poolaw's work celebrates his subjects' place in American life and preserves an insider's perspective on a world few outsiders are familiar with--the Native America of the southern plains during the mid-twentieth century. [This book] is based on the Poolaw Photography Project, a research initiative established by Poolaw's daughter Linda in 1989 at Stanford University and carried on by Native scholars Nancy Marie Mithlo (Chiricahua Apache) and Tom Jones (Ho-Chunk) of the University of Wisconsin-Madison"--
Abstract:
"Horace Poolaw (Kiowa, 1906-84) was born during a time of great change for his American Indian people as they balanced age-old traditions with the influences of mainstream America. A rare American Indian photographer who documented Indian subjects, Poolaw began making a visual history in the mid-1920s and continued for the next fifty years. When he sold his photos, he often stamped the reverse: 'A Poolaw Photo, Pictures by an Indian, Horace M. Poolaw, Anadarko, Okla.' Not simply by 'an Indian,' but a Kiowa man strongly rooted in his multi-tribal community, Poolaw's work celebrates his subjects' place in American life and preserves an insider's perspective on a world few outsiders are familiar with--the Native America of the southern plains during the mid-twentieth century. [This book] is based on the Poolaw Photography Project, a research initiative established by Poolaw's daughter Linda in 1989 at Stanford University and carried on by Native scholars Nancy Marie Mithlo (Chiricahua Apache) and Tom Jones (Ho-Chunk) of the University of Wisconsin-Madison"--
Note:
"This volume [is] a companion piece to the National Museum of the American Indian (NMAI) exhibition ... ; [it] represents the only major publication of Horace Poolaw's work and celebrates the first retrospective exhibition of his photographs in almost twenty-five years"--Foreword. - Published in conjunction with the exhibition For a Love of His People: the Photography of Horace Poolaw, opening at the National Museum of the American Indian, New York, on August 9, 2014. - Includes bibliographical references (pages 169-174) and index
,
Foreword
,
Introduction: The Transcendence of the Everyday
,
Insider Knowledge
,
"An Age of Pictures More than Words" : Theorizing Early American Indian Photography
,
Breaking the Bounds of Documentation
,
For a Love of His People
,
Reflections
,
Why Horace Poolaw's Indians Won't Vanish
,
Horace Poolaw : "Pictures by an Indian"
,
Fancy
,
Planes, Flags, and Automobiles : Horace Poolaw's American Legacy
,
Beaded Buckskins and Bad-Girl Bobs : Kiowa Female Identity, Industry, and Activism in Horace Poolaw's Portraits
,
Justin Poolaw Comes to Visit [+ untitled reflections]
,
Afterword ; This is My Family
,
Appendix A: Horace Poolaw Biography
,
Appendix B: Kiowa names and their phonetic spellings ; Checklist ; Contributors.
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