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Anonymity performance in electronic pop music : a performance ethnography of a critical practice (2019)

Menrath, Stefanie [VerfasserIn] 1972- ; Binas-Preisendörfer, Susanne [AkademischeR BetreuerIn] ; Hutnyk, John [AkademischeR BetreuerIn] ; [et al.]

Bielefeld : transcript

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ISBN: 9783839442562

Language: English

Pages: 1 Online-Ressource (233 Seiten) , Illustrationen

Series Statement: Popular music

Series Statement: Studien zur Popularmusik

Parallel Title: Erscheint auch als Menrath, Stefanie, 1972 - Anonymity performance in electronic pop music

Parallel Title: Erscheint auch als

Dissertation note: Dissertation Carl von Ossietzky Universität Oldenburg 2016

RVK:

LS 48655

Keywords: Anonymität ; Feldforschung ; Performance ; Performativität ; Popmusik ; Elektronische Musik ; music ; Music ; Performance ; Cultural Studies ; Popular Culture ; Musicology ; Pop Music ; Ethnography ; Anonymity ; Culture; Pop Music; Performance; Ethnography; Anonymity; Musicology; Popular Culture; Music; Cultural Studies; ; Hochschulschrift ; Hochschulschrift ; Elektronische Musik ; Performativität ; Anonymität

Abstract: 〈p〉Anonymity practices in electronic music culture have long been the object of journalistic and academic discourse. Yet anonymity itself is ephemeral and ontologically precarious. How can scholars research anonymous entities without impairing their anonymity, and what can they learn from their precarity?〈br /〉This study describes two projects of anonymity performance as forms of critical practice (Judith Butler/Michel Foucault) involving performative play with anonymity through the use of fake identities or collaborative persona imaginations. Adopting a reflexive and performative writing style, this performance ethnography calls for a radical performative turn and an ontological reflexivity in the cultural studies of music.〈/p〉

URL: lizenzpflichtig

URL: Inhaltsverzeichnis

URL: lizenzpflichtig

URL: Inhaltsverzeichnis

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Anonymity performance in electronic pop music : a performance ethnography of a critical practice (2018)

Menrath, Stefanie [VerfasserIn] 1972- ; Binas-Preisendörfer, Susanne [AkademischeR BetreuerIn] ; Hutnyk, John [AkademischeR BetreuerIn] ; [et al.]

Bielefeld : transcript

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ISBN: 3837642569 , 9783837642568

Language: English

Pages: 232 Seiten , Illustrationen , 22.5 cm x 14.8 cm, 393 g

Series Statement: Popular music

Parallel Title: Erscheint auch als

Parallel Title: Erscheint auch als Menrath, Stefanie, 1972 - Anonymity performance in electronic pop music

Dissertation note: Dissertation Carl von Ossietzky Universität Oldenburg 2016

DDC: 306.484248

RVK:

LS 48655

Keywords: Anonymität ; Feldforschung ; Performance ; Performativität ; Popmusik ; Elektronische Musik ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Elektronische Musik ; Performativität ; Anonymität

URL: http://www.transcript-verlag.de/978-3-8376-4256-8

URL: Inhaltsverzeichnis

URL: Unbekannt

URL: http://www.transcript-verlag.de/978-3-8376-4256-8

URL: Inhaltsverzeichnis

URL: Unbekannt

URL: http://www.transcript-verlag.de/978-3-8376-4256-8

URL: Inhaltsverzeichnis

URL: http://www.transcript-verlag.de/978-3-8376-4256-8

URL: Inhaltsverzeichnis

URL: http://www.transcript-verlag.de/978-3-8376-4256-8

URL: Inhaltsverzeichnis

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Anonymity performance in electronic pop music : a performance ethnography of critical practices (2018)

Menrath, Stefanie [VerfasserIn] 1972-

Bielefeld : transcript

add to mindlist on the mindlist

Details

ISBN: 9783839442562

Language: English

Pages: 1 Online-Ressource (232 Seiten) , Illustrationen

Series Statement: Popular music

Series Statement: Studien zur Popularmusik

Parallel Title: Erscheint auch als Menrath, Stefanie, 1972 - Anonymity performance in electronic pop music

Dissertation note: Dissertation University of London

RVK:

LS 48655

Keywords: Anonymität ; Feldforschung ; Performance ; Performativität ; Popmusik ; Elektronische Musik ; Anonymity. ; Cultural Studies. ; Ethnography. ; Music. ; Musicology. ; Performance. ; Pop Music. ; Popular Culture. ; MUSIC / History & Criticism ; Hochschulschrift ; Hochschulschrift ; Elektronische Musik ; Performativität ; Anonymität

Abstract: In electronic music culture, anonymity practices have long been established as a method of critique of pop star cult and identification regimes. How can scholars research an anti-representational music culture and what can they learn from it? Recently, electronic pop music has resorted to a performative play with identity involving fake or parafictive identities or collaborative persona imaginations.This study sketches two musico-artistic projects of anonymity performance as forms of immanent and particulate `critical practice' in the sense of Judith Butler and Michel Foucault. Adopting performance in a reflexive and performative writing style, this `performance ethnography' calls for a radical performative turn in the cultural studies of music.

DOI: 10.14361/9783839442562

URL: lizenzpflichtig

URL: Volltext

URL: Cover

URL: lizenzpflichtig

URL: Volltext

URL: Cover

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