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  • 1
    Buch
    Buch
    Berkeley [u.a.] : Univ. of California Press
    Sprache: Englisch
    DDC: 305.8/96073
    Schlagwort(e): Garvey, Marcus ; 1887-1940 ; Universal Negro Improvement Association ; Black power ; United States ; History ; African Americans ; Race identity ; History ; African Americans ; Civil rights ; History ; Manuscripts, American ; African Americans ; Biografie ; Quelle ; Garvey, Marcus 1887-1940 ; Geschichte ; Universal Negro Improvement Association ; Schwarze ; Identität
    Anmerkung: 11 im Verl. Duke Univ. Press, Durham, NC [u.a.], erschienen
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  • 2
    Buch
    Buch
    Santa Barbara, Calif. [u.a.] : ABC-CLIO
    ISBN: 9781851097692
    Sprache: Englisch
    Serie: American ethnic experience
    DDC: 973/.0496073
    RVK:
    Schlagwort(e): African Americans Encyclopedias History ; African Americans Biography ; Encyclopedias ; Wörterbuch ; USA ; Schwarze ; Geschichte
    Anmerkung: Erschienen: 1 - 3
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  • 3
    Buch
    Buch
    London [u.a.] : Routledge
    ISBN: 0415337801
    Sprache: Englisch
    Serie: The making of sociology
    DDC: 305.8
    RVK:
    Schlagwort(e): Race relations Philosophy ; Ethnicity Philosophy ; Sociology Methodology ; United States ; Ethnicity United States ; African Americans History ; Assimilation (Sociology) United States ; United States Ethnic relations ; United States Race relations ; USA ; Soziologie ; Methodologie ; Ethnische Beziehungen ; Minderheit ; Schwarze ; Geschichte
    Anmerkung: Includes bibliographical references and index
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  • 4
    Buch
    Buch
    New York, NY : Oxford Univ. Press
    ISBN: 0195160193 , 9780195160192
    Sprache: Englisch
    DDC: 920.009296073
    RVK:
    Schlagwort(e): African Americans Biography ; Encyclopedias ; African Americans Encyclopedias History ; African Americans Biography ; Encyclopedias ; African Americans Encyclopedias History ; Biografie ; USA ; Schwarze
    Anmerkung: v. 1. Aaron-Brown, Ruth -- v. 2. Brown, S.-Diggs -- v. 3. Dihigo-Gwynn -- v. 4 Hacker-Jones, Sarah -- v. 5. Jones, Scipio-Moore, Kevin -- v. 6. Moore, Lenny-Romain -- v. 7. Roman-Tzomes -- v. 8. Uggams-Zuber , Includes bibliographical references and index , Erschienen: 1 - 8
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  • 5
    ISBN: 9780195167795
    Sprache: Englisch
    DDC: 973.0496073
    RVK:
    Schlagwort(e): African Americans Encyclopedias History ; African Americans Encyclopedias History 1877-1964 ; African Americans Encyclopedias History 1964- ; African Americans Biography ; Encyclopedias ; Wörterbuch ; USA ; Schwarze ; Geschichte 1896-2008
    Anmerkung: Erschienen: Vol. 1 - 5
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  • 6
    Buch
    Buch
    Thousand Oaks, Calif. [u.a.] : Sage Publ.
    ISBN: 0761927646
    Sprache: Englisch
    Serie: A Sage reference publication
    DDC: 305.896072003
    Schlagwort(e): African Americans Encyclopedias ; Social life and customs ; African Americans Encyclopedias ; Social conditions ; African Americans Encyclopedias ; Intellectual life ; United States Encyclopedias ; Civilization ; African American influences ; United States Encyclopedias ; Race relations ; Wörterbuch ; USA ; Schwarze ; Soziale Situation
    Anmerkung: Erschienen: 1 - 2
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  • 7
    Buch
    Buch
    Westport, Conn [u.a.] : Greenwood Press
    ISBN: 9780313341816
    Sprache: Englisch
    Serie: Greenwood milestones in African American history
    DDC: 305.89607307503
    Schlagwort(e): African Americans Encyclopedias Segregation ; History ; African Americans Encyclopedias Segregation ; History ; African Americans Encyclopedias Civil rights ; History ; African Americans Encyclopedias Civil rights ; History ; United States Encyclopedias Race relations 19th century ; History ; United States Encyclopedias Race relations 20th century ; History ; Southern States Encyclopedias Race relations 19th century ; History ; Southern States Encyclopedias Race relations 20th century ; History ; Wörterbuch ; USA ; Schwarze ; Bürgerrecht ; Ethnische Beziehungen ; Rassentrennung ; Geschichte 1885-1965
    Anmerkung: Includes bibliographical references and index , Erschienen: 1 - 2
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  • 8
    Buch
    Buch
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 0195156773 , 9780195156775
    Sprache: Englisch
    Seiten: 29 cm
    DDC: 305.48896073
    Schlagwort(e): African American women Encyclopedias ; Enzyklopädie ; USA ; Schwarze
    Anmerkung: Includes bibliographical references and index , Erschienen: 1 - 3
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  • 9
    Buch
    Buch
    New York, NY : Facts On File
    ISBN: 9780816072125
    Sprache: Englisch
    Seiten: 29 cm
    Serie: Facts on file library of American history
    DDC: 305.896/07303
    Schlagwort(e): Free blacks Encyclopedias History ; Free African Americans Encyclopedias History ; Blacks Encyclopedias History ; America Encyclopedias Race relations ; Wörterbuch ; Amerika ; Schwarze
    Anmerkung: Erschienen: 1 - 2
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  • 10
    Buch
    Buch
    Westport, Conn. [u.a.] : Praeger
    ISBN: 9780275989224
    Sprache: Englisch
    Schlagwort(e): Aufsatzsammlung ; USA ; Massenkultur ; Schwarze ; Geschichte
    Anmerkung: Erschienen: Vol. 1 (2008) - 3 (2008)
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  • 11
    Buch
    Buch
    Santa Barbara, Calif [u.a.] : ABC-CLIO
    ISBN: 9781851094417 , 9781851094462 , 9781851094417
    Sprache: Englisch
    Serie: Translatlantic relations series
    DDC: 303.482706
    Schlagwort(e): America Encyclopedias Relations ; Africa Encyclopedias Relations ; America Encyclopedias Relations ; Africa Encyclopedias Relations ; Wörterbuch ; Afrika ; Amerika ; Schwarze ; Volkskunde ; Geschichte
    Anmerkung: Includes bibliographical references and index , Erschienen: 1 - 3
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  • 12
    Buch
    Buch
    Santa Barbara, California : Greenwood, An Imprint of ABC-CLIO, LLC
    ISBN: 9781440800757
    Sprache: Englisch
    Seiten: 26 cm
    DDC: 305.896/073
    Schlagwort(e): African Americans Social conditions 21st century ; African Americans Education 21st century ; African Americans Health and hygiene 21st century ; USA ; Schwarze ; Soziale Situation ; Bildung ; Gesundheit ; Sozialpolitik
    Anmerkung: Includes bibliographical references and index , Erschienen: 1 - 2
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  • 13
    Buch
    Buch
    Westport, Conn. [u.a.] : Greenwood Press
    ISBN: 0313330352
    Sprache: Englisch
    Seiten: 26 cm
    DDC: 398.08996073
    Schlagwort(e): African Americans Encyclopedias ; Folklore ; African Americans Encyclopedias ; Social life and customs ; Folklore Encyclopedias ; United States ; Wörterbuch ; Amerika ; Schwarze ; Volkskunde
    Anmerkung: Erschienen: 1 - 3
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  • 14
    Buch
    Buch
    New York : Literary Classics of the United States
    Sprache: Englisch
    Serie: The Library of America ...
    DDC: 323.11960730904
    Schlagwort(e): African Americans Sources ; Civil rights ; History ; 20th century ; African Americans Civil rights ; Press coverage ; Civil rights movements Sources ; History ; 20th century ; United States ; Civil rights movements Press coverage ; United States ; Journalism History ; 20th century ; United States ; United States Sources ; Race relations ; United States Race relations ; Press coverage ; Quelle ; USA ; Schwarze ; Gleichstellung ; Geschichte 1941-1973
    Anmerkung: Includes index , Erschienen: 1 - 2
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  • 15
    Buch
    Buch
    Upper Saddle River, NJ : Pearson Prentice Hall
    Sprache: Englisch
    DDC: 973.0496073
    Schlagwort(e): African Americans Sources ; History ; Quelle ; USA ; Schwarze ; Geschichte
    Anmerkung: Includes bibliographical references and index , Erschienen: 1 - 2
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  • 16
    ISBN: 9781913620752 , 1913620751
    Sprache: Englisch
    Seiten: 444 Seiten , 26 cm
    Ausgabe: First edition
    DDC: 770.92396042
    RVK:
    RVK:
    Schlagwort(e): 1900-1999 ; Women photographers ; Photographers, Black ; Photography, Artistic ; Photographie artistique ; Femmes photographes - Grande-Bretagne ; Photographes noirs - Grande-Bretagne ; art photography ; Photography, Artistic ; Social conditions ; Pictorial works ; Great Britain Pictorial works Social conditions 20th century ; Grande-Bretagne - Conditions sociales - 20e siècle - Ouvrages illustrés ; Great Britain ; Bildband ; Bildband ; Bildband ; Großbritannien ; Fotografin ; Weibliche Person of Color ; Fotografie ; Geschichte 1980-2000 ; Großbritannien ; Schwarze ; Fotografin ; Geschichte 1980-2000
    Anmerkung: Includes bibliographical references and index
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  • 17
    Buch
    Buch
    New York : Thesis
    ISBN: 9780593332450
    Sprache: Englisch
    Seiten: xvii, 235 Seiten , Diagramme , 22 cm
    Paralleltitel: Erscheint auch als
    DDC: 305.800973
    Schlagwort(e): Rassismus ; Schwarze ; USA ; Race ; United States / Race relations ; Post-racialism / United States ; United States / Social policy / History / 21st century ; États-Unis / Relations raciales ; Société postraciale / États-Unis ; États-Unis / Politique sociale / Histoire / 21e siècle ; Race ; race (group of people) ; HISTORY / Social History ; USA ; Schwarze ; Rassismus
    Kurzfassung: "An exciting new voice makes the case for a colorblind approach to politics and culture, warning that the so-called 'anti-racist' movement is driving us--ironically--toward a new kind of racism. As one of the few black students in his philosophy program at Columbia University years ago, Coleman Hughes wondered why his peers seemed more pessimistic about the state of American race relations than his own grandparents--who lived through segregation. The End of Race Politics is the culmination of his years-long search for an answer. Contemplative yet audacious, The End of Race Politics is necessary reading for anyone who questions the race orthodoxies of our time. Hughes argues for a return to the ideals that inspired the American Civil Rights movement, showing how our departure from the colorblind ideal has ushered in a new era of fear, paranoia, and resentment marked by draconian interpersonal etiquette, failed corporate diversity and inclusion efforts, and poisonous race-based policies that hurt the very people they intend to help. Hughes exposes the harmful side effects of Kendi-DiAngelo style antiracism, from programs that distribute emergency aid on the basis of race to revisionist versions of American history that hide the truth from the public. Through careful argument, Hughes dismantles harmful beliefs about race, proving that reverse racism will not atone for past wrongs and showing why race-based policies will lead only to the illusion of racial equity. By fixating on race, we lose sight of what it really means to be anti-racist. A racially just, colorblind society is possible. Hughes gives us the intellectual tools to make it happen"--
    Beschreibung / Inhaltsverzeichnis: Introduction: Why write about race? -- Race, anti-racism, and neoracism -- The real history of colorblindness -- Elite neoracist institutions -- Why neoracism is spreading -- The neoracist narrative -- Solving the problem of racism in America -- Acknowledgments -- Appendix A -- Appendix b -- Appendix C -- Appendix D -- Notes -- Index
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  • 18
    ISBN: 9781478030027 , 9781478024842
    Sprache: Englisch
    Seiten: 209 Seiten , Illustrationen
    Serie: Sign, storage, transmission
    Paralleltitel: Erscheint auch als
    DDC: 940.54/7243
    RVK:
    Schlagwort(e): HISTORY / Africa / General ; Africans History 20th century ; Archival resources ; Prisoners of war History 20th century ; Archival resources ; Prisoners' songs ; Sound recordings in ethnology ; World War, 1914-1918 Prisoners and prisons, German ; Quelle ; Sprache ; Erster Weltkrieg ; Schallaufzeichnung ; Kriegsgefangenenlager ; Schwarze ; Deutschland ; Deutschland ; Erster Weltkrieg ; Kriegsgefangenenlager ; Schwarze ; Sprache ; Schallaufzeichnung ; Quelle
    Kurzfassung: During World War I, thousands of young African men conscripted to fight for France and Britain were captured and held as prisoners of war in Germany, where their stories and songs were recorded and archived by German linguists. In Knowing by Ear, Anette Hoffmann demonstrates that listening to these acoustic recordings as historical sources, rather than linguistic samples, opens up possibilities for new historical perspectives and the formation of alternate archival practices and knowledge production. She foregrounds the archival presence of individual speakers and positions their recorded voices as responses to their experiences of colonialism, war, and the journey from Africa to Europe. By engaging with the recordings alongside written sources, photographs, and artworks depicting the speakers, Hoffmann personalizes speakers from present-day Senegal, Somalia, Togo, and Congo. Knowing by Ear includes transcriptions of numerous recordings of spoken and sung texts, revealing acoustic archives as significant yet under-researched sources for recovering the historical speaking positions of colonized subjects and listen to the acoustic echo of colonial knowledge production
    Anmerkung: Literaturverzeichnis Seite [183]-200
    URL: Cover  (lizenzpflichtig)
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  • 19
    ISBN: 9781541619791
    Sprache: Englisch
    Seiten: viii, 532 Seiten , Illustrationen, Karten
    Ausgabe: First edition
    DDC: 974.4/6100496073
    Schlagwort(e): African Americans Employment ; History ; Free black people Social conditions 19th century ; Fugitive slaves Social conditions 19th century ; Working class African Americans Social conditions 19th century ; Labor History 19th century ; Boston (Mass.) History Civil War, 1861-1865 ; Social aspects ; Boston, Mass. ; Schwarze ; Arbeiter ; Arbeitsbedingungen ; Soziale Situation ; Ungerechtigkeit ; Geschichte 1850-1875
    Kurzfassung: Introduction: "Words are easy" -- Prelude: The Edloe sixty-six -- 1850-1860 -- The fugitive economy -- Underground commons -- The world of the streets -- Boston in the shadow of slavery -- Women in service -- Making a living in unsettled times -- 1861-1865 -- The politics of wartime work and charitable assistance -- Boston diaspora I -- "A higher standard of courage" -- Hardship on the homefront -- "False and exaggerated ideas of freedom" -- 1865-1875 -- Their suffering housekeepers -- Boston diaspora II -- White men demanding their own rights, but refusing to concede to others theirs -- Persistent industry -- "Safely doing injustice" to black Bostonians.
    Kurzfassung: "Before, during, and after the US Civil War, Boston's Black workers were barred from the skilled trades, factory work, and public-works projects. In Boston, as in cities across the North, white abolitionists focused virtually all their energies on the plight of enslaved Black Southerners, while refusing to address the challenges faced by their Black neighbors. The author presents inspiring and heart-wrenching stories of people-from day laborers and domestics to physicians and lawyers-who ingeniously forged careers in the face of monumental obstacles"--
    Anmerkung: Includes bibliographical references and index
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  • 20
    Buch
    Buch
    Newcastle upon Tyne, UK : Cambridge Scholars Publishing
    ISBN: 9781527592711 , 1527592715
    Sprache: Englisch
    Seiten: x, 294 pages , Illustrationen , 22 cm
    DDC: 320.52092
    Schlagwort(e): Taylor, C. H. J ; 1800-1899 ; African American conservatives Biography ; African American diplomats Biography ; African American journalists Biography ; African American conservatives ; African American diplomats ; African American journalists ; Race relations ; History ; United States Race relations 19th century ; History ; United States ; Taylor, C. H. J. 1856-1899 ; USA ; Schwarze ; Konservativismus ; Geschichte
    Anmerkung: Includes bibliographical references and index
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  • 21
    ISBN: 9780807175071 , 9780807180402
    Sprache: Englisch
    Seiten: xi, 235 Seiten , Diagramme , 24 cm
    Ausgabe: Louisiana Paperback Edition
    Serie: Making the modern South
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.8009750904
    Schlagwort(e): Geschichte 1920-1945 ; Ethnische Beziehungen ; Polizei ; Schwarze ; USA Südstaaten ; African Americans / Southern States / Government relations / History / 20th century ; Police-community relations / Southern States / History / 20th century ; Discrimination in law enforcement / Southern States / History / 20th century ; Law enforcement / Southern States / History / 20th century ; African Americans / Segregation ; Southern States / Race relations / History / 20th century ; African Americans / Segregation ; Discrimination in law enforcement ; Law enforcement ; Police-community relations ; Race relations ; Southern States ; 1900-1999 ; History ; USA Südstaaten ; Schwarze ; Polizei ; Ethnische Beziehungen ; Geschichte 1920-1945
    Kurzfassung: "Race, Crime, and Policing in the Jim Crow South traces the growth of the police in the New South, the role of law enforcement in maintaining control over urban African-American populations, the ways black southerners responded to these developments, and most importantly, how African Americans manipulated the police into serving the interests of the black community. In so doing, it adds much to our understanding of race relations in the urban South during the Jim Crow era and contributes to current debates around the relationship between the police and minorities in the United States"--
    Anmerkung: Includes bibliographical references and index
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  • 22
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496843487 , 9781496843494 , 1496843495
    Sprache: Englisch
    Seiten: XIII, 241 pages , Illustrationen , 24 cm
    Serie: Atlantic migrations and the African diaspora
    Paralleltitel: Erscheint auch als Falola, Toyin Memories of africa
    DDC: 304.8096
    Schlagwort(e): African diaspora ; Globalization ; Africans ; African Americans Intellectual life ; Pan-Africanism ; Transnationalism ; Autobiography Black authors ; African Americans - Intellectual life ; African diaspora ; Africans ; Emigration and immigration ; Globalization ; Pan-Africanism ; Transnationalism ; Africa Emigration and immigration ; Africa ; United States ; USA ; Schwarze ; Panafrikanismus
    Kurzfassung: "Memories of Africa: Home and Abroad in the United States suggests a "new lens" for viewing African diaspora studies, in this case, through the experiences of African memoirists who live in the United States. The book shows how African diaspora memoirs beautifully and grippingly depict the experiences of African migrants over time through political, social, and cultural spheres. In reading African diaspora memoirs from the transatlantic slave trade period to the present, a reader can understand the complexity of the African migrant legacy and evolution. Author Toyin Falola argues that memoirs are significant not only in their interpretation of events conveyed by the memoirists but also in demonstrating how interpersonal and human the stories told can be. Memoirs are powerful because they are emotionally captivating and because important themes and events circulate around a particular person (in this case, the memoirist). Undoubtedly, a memoir is significant because it can teach anyone about a part of the human experience, even if the "facts" are not described without bias. Through this sort of narrative, the reader cannot help but enter into the memoirist's mind and, therefore, feel more empathy for them. In doing so, the reader can "feel" what the memoirist feels and "see" what the memoirist sees as clearly as is humanly possible. In this way, the historical events and life lessons become tangible and poignantly real to the reader"--
    Anmerkung: Includes bibliographical references (pages 207-233) and index , Hier auch später erschienene, unveränderte Nachdrucke
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  • 23
    ISBN: 9781324051084 , 1324051086
    Sprache: Englisch
    Seiten: xvii, 240 Seiten , 22 cm
    DDC: 323.1196/073/00904
    Schlagwort(e): Johnson, Lyndon B Political and social views ; Johnson, Lyndon B - 1908-1973 ; 1900-1999 ; African Americans Civil rights 20th century ; History ; Affirmative action programs History 20th century ; African Americans Legal status, laws, etc 20th century ; History ; African Americans Economic conditions 20th century ; Race discrimination History 20th century ; White people Civil rights 20th century ; History ; Affirmative action programs ; African Americans - Civil rights ; African Americans - Economic conditions ; African Americans - Legal status, laws, etc ; Political and social views ; Politics and government ; Race discrimination ; Race relations ; History ; United States Race relations ; United States Politics and government 1945-1989 ; United States ; USA ; Schwarze ; Rassenpolitik ; Rassendiskriminierung ; Geschichte 1932-1965
    Kurzfassung: "A work that exposes the twisted origins of affirmative action" --
    Anmerkung: Originally published in 2005 , Includes bibliographical references (pages 182-225) and index , Preface: Du Bois's paradox , Doctor of laws , Welfare in black and white , Rules for work , Divisions in war , White veterans only , Johnson's ambitions, Powell's principles : thoughts on renewing affirmative action , Appendix: "To fulfill these rights."
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  • 24
    Buch
    Buch
    Gainesville : University of Florida Press
    ISBN: 9781683402732 , 9781683403203
    Sprache: Englisch
    Seiten: xiii, 280 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Capoeira ; Autoethnografie ; Globalisierung ; Schwarze ; Atlantischer Raum ; Capoeira ; Atlantischer Raum ; Schwarze ; Globalisierung ; Autoethnografie
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  • 25
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496842657 , 9781496842640
    Sprache: Englisch
    Seiten: xxxv, 152 Seiten
    Paralleltitel: Erscheint auch als Malcolm, Nigel I Rethinking racial uplift
    DDC: 305.896/073
    Schlagwort(e): African Americans Race identity ; Black people Race identity ; USA ; Schwarze ; Intellektueller ; Ethnische Identität ; Solidarität ; Geschichte 2009-2017
    Kurzfassung: "In 1903, W. E. B. Du Bois wrote about the Talented Tenth in an influential essay of the same name. The concept exalted college-educated Blacks who Du Bois believed could provide the race with the guidance it needed to surmount slavery, segregation, and oppression in America. Although Du Bois eventually reassessed this idea, the rhetoric of the Talented Tenth resonated, still holding sway over a hundred years later. In Rethinking Racial Uplift: Rhetorics of Black Unity and Disunity in the Obama Era, author Nigel I. Malcolm asserts that in the post-civil rights era, racial uplift has been redefined not as Black public intellectuals lifting the masses but as individuals securing advantage for themselves and their children. Malcolm examines six best-selling books published during Obama's presidency-including Randall Kennedy's Sellout, Bill Cosby's and Alvin Poussaint's Come on People, and Ta-Nehisi Coates's Between the World and Me-and critically analyzes their rhetorics on Black unity, disunity, and the so-called "postracial" era. Based on these writings and the work of political and social scientists, Malcolm shows that a large, often-ignored, percentage of Blacks no longer see their fate as connected with that of other African Americans. While many Black intellectuals and activists seek to provide a justification for Black solidarity, not all agree. In Rethinking Racial Uplift, Malcolm takes contemporary Black public intellectual discourse seriously and shows that disunity among Blacks, a previously ignored topic, is worth exploring"--
    Beschreibung / Inhaltsverzeichnis: Introduction -- Race, class, and fear in twenty-first-century America -- Slaves to the community: Blacks and the rhetoric of selling out -- Black man's burden: the rhetoric of racial uplift -- Identification, division, and the rhetoric of Black disunity -- Divided loyalty: race, class, and place in the affirmative action debate -- Blacks and the rhetoric of individualism -- Conclusion.
    Anmerkung: Includes bibliographical references and index
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  • 26
    Buch
    Buch
    Baton Rouge : Louisiana State University Press
    ISBN: 9780807178379
    Sprache: Englisch
    Seiten: ix, 285 Seiten , Karten , 24 cm
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.8960730761781
    Schlagwort(e): Geschichte 1871-1901 ; Rassentrennung ; Schwarze ; Birmingham, Ala. ; African Americans / Segregation / Alabama / Birmingham / History / 19th century ; African Americans / Alabama / Birmingham / Social conditions / 19th century ; Birmingham (Ala.) / Race relations / History / 19th century ; African Americans / Segregation ; African Americans / Social conditions ; Race relations ; Alabama / Birmingham ; 1800-1899 ; History ; Birmingham, Ala. ; Schwarze ; Rassentrennung ; Geschichte 1871-1901
    Kurzfassung: "Carl V. Harris's Segregation in the New South explores the rise of racial exclusion in late nineteenth-century Birmingham, Alabama, a critical southern industrial city. In the 1870s, African Americans in Birmingham were eager to exploit the disarray of slavery's old racial lines, assert their new autonomy, and advance toward full equality. However, most southern whites-elite and non-elite alike-worked to restore the restrictive racial lines of the slave South or invent new ones that would guarantee the subordination of Black residents. From Birmingham's founding in 1871, color lines divided the city, and as its people strove to erase the lines or fortify them, they shaped their futures in fateful ways. Social segregation is at the center of Harris's history.
    Kurzfassung: From the beginning of Reconstruction, southern whites engaged in a comprehensive program of assigning social dishonor to African Americans-the same kind of dishonor that whites of the Old South had imposed on Black people while enslaving them. Harris's interpretation emphasizes the importance, even in early Reconstruction, of the white doctrine that Black freedpeople were inherently inferior, had inherited the abysmally low social status of slaves, and had to be rigorously excluded from social fellowship and social institutions. In the process, he reveals, southern whites engaged in constructing the meaning of race in the post-Civil War South. Harris's study draws on an extensive body of research in social psychology rarely utilized by historians, including the creation of group boundaries that illuminate the social construction of races. This model is dynamic, revealing how groups develop and evolve through encounters with other groups.
    Kurzfassung: Using this methodology, Harris explores segregation within the social core of southern society, probing the motivations of whites who devised Jim Crow, identifying and assessing the relative importance of transactional versus socio-emotional factors in the origins of discrimination, and discussing the reasons for the prolonged survival of Jim Crow"--
    Beschreibung / Inhaltsverzeichnis: The social history of Jim Crow -- City of opportunities and boundaries -- Transition to the New South: reconstructing boundaries -- Protocols, sanctions, and mob terror -- School segregation -- Urban residential segregation -- The economic realm: work and property -- The economic realm: social space -- The political realm, 1871-1888: organizing and voting -- The political realm, 1888-1901: excluding Black voters -- Coda: historians and the interplay of class, race, and caste
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  • 27
    ISBN: 9780300272963
    Sprache: Englisch
    Seiten: 263 Seiten
    DDC: 702.81/20973
    RVK:
    Schlagwort(e): African American collage Exhibitions 21st century ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; USA ; Collage ; Person of Color ; Geschichte 1960- ; USA ; Schwarze ; Collage ; Geschichte 1980-2023
    Kurzfassung: "The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"--
    Beschreibung / Inhaltsverzeichnis: Hurston's Law, or a Philosophy of Display / Richard J. Powell, PhD -- Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists / Patricia Hills -- Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories / Rebecca VanDiver, PhD -- Pon tu mano con la mía: Rhizomatic Pathways and Collage / María Elena Ortiz -- Meditations on the Multivalence of Black Womanhood / Valerie Cassel Oliver -- Minor Figures, Continuous Tension / Tiffany E. Barber, PhD -- also also also and and and: Digital Stitches and the Collage as Glitch / Anita N. Bateman, PhD.
    Anmerkung: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references
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  • 28
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    Memphis, Tennessee : Dixon Gallery and Gardens | New Haven : Yale University Press
    ISBN: 9780300273465
    Sprache: Englisch
    Seiten: 143 Seiten , Illustrationen , 29 cm
    RVK:
    Schlagwort(e): Porter, James A Exhibitions ; Simpson, Merton D Exhibitions ; African American art Exhibitions 20th century ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Kunst ; Schwarze ; Geschichte 1950-1980
    Kurzfassung: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Beschreibung / Inhaltsverzeichnis: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone.
    Anmerkung: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index
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  • 29
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    Durham : Duke University Press
    ISBN: 9781478025382 , 9781478020615
    Sprache: Englisch
    Seiten: xii, 267 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen
    Paralleltitel: Erscheint auch als Omelsky, Matthew Fugitive time
    Paralleltitel: Erscheint auch als Omelsky, Matthew Fugitive Time
    Paralleltitel: Erscheint auch als Omelsky, Matthew Fugitive Time
    RVK:
    RVK:
    Schlagwort(e): Aesthetics, Black ; Time in literature ; Time and art ; Aesthetics in literature ; Literature Black authors ; Artists, Black ; Authors, Black ; Utopias in literature ; SOCIAL SCIENCE / Black Studies (Global) ; LITERARY CRITICISM / Semiotics & Theory ; Schwarze ; Person of Color ; Kunst ; Zeit
    Kurzfassung: "In Fugitive Time, Matthew Omelsky theorizes the embodied experience of time in twentieth- and twenty-first-century black artforms from across the world. Through the lens of time, he charts the sensations and coursing thoughts that accompany desires for freedom as they appear in the work of artists as varied as Toni Morrison, Yvonne Vera, Aimé Césaire, and Issa Samb. "Fugitive time" names a distinct utopian desire directed at the anticipated moment when the body and mind have been unburdened of the violence that has consumed black life globally for centuries, bringing with it a new form of being. Omelsky shows how fugitive time is not about attaining this transcendent release, but instead sustaining the idea of it as an ecstatic social gathering. From the desire for ethereal queer worlds in the Black Audio Film Collective's Twilight City to Sun Ra's transformation of nineteenth-century scientific racism into an insurgent fugitive aesthetic, Omelsky shows how fugitive time evolves and how it remains a dominant form of imagining freedom in global black cultural expression"--
    Beschreibung / Inhaltsverzeichnis: Black Beyondness -- Toni Morrison's Anachronic Ease -- Aimé Césaire, Wifredo Lam, and the Aesthetics of Surging Life -- Black Audio's Archival Flight -- Sun Ra, Issa Samb, and the Drapetomaniacal Avant-Garde -- Yvonne Vera, NoViolet Bulawayo, and the Imminence of Dreaming Air -- Fugitive Ether.
    Anmerkung: Includes bibliographical references and index
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  • 30
    ISBN: 9780262048668
    Sprache: Englisch
    Seiten: xvii, 243 Seiten , Illustrationen , 23 cm
    Paralleltitel: Erscheint auch als Anthology of Blackness
    Paralleltitel: Erscheint auch als An anthology of Blackness
    DDC: 744.089/96073
    RVK:
    RVK:
    Schlagwort(e): Graphic arts Social aspects ; Commercial art Social aspects ; African American graphic artists ; White privilege (Social structure) ; USA ; Schwarze ; Gebrauchsgrafik ; Intersektionalität
    Kurzfassung: "Shows why the design field has consistently failed to attract Black professionals, how Eurocentric hegemony impacts Black designers & how to create an antiracist, pro-Black design industry instead"--
    Beschreibung / Inhaltsverzeichnis: An Introduction to Black Design Industry + Organizations / Terresa Moses and Omari Souza -- Design's Ledger of White Supremacy: Constructing a Critical Race Pedagogy to Shape Design Futures / Pierce Otlhogile-Gordon -- Amplifying Accessibility & Abolishing Ableism: Designing to Embolden Black Disability Visual Culture / Jennifer White-Johnson.
    Anmerkung: Bibliographie (Seite 234 - 243)
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  • 31
    ISBN: 9781643363202 , 9781643363219
    Sprache: Englisch
    Seiten: xviii, 209 Seiten
    Paralleltitel: Erscheint auch als Koverman, Jill Beute The Words and Wares of David Drake
    DDC: 738.092
    Schlagwort(e): ART / American / African American ; ART / Collections, Catalogs, Exhibitions ; Ausstellungskataloge, Museumskataloge und Sammlungen ; Ceramic arts, pottery, glass ; Exhibition catalogues & specific collections ; HIS056000 ; HISTORY / United States / State & Local / South (AL, AR, FL, GA, KY, LA, MS, NC, SC, TN, VA, WV) ; History of art & design styles: from c 1900 - ; Individual artists, art monographs ; Keramik, Glas, Mosaikkunst ; Kunstgeschichte ; Sklaverei und Abschaffung der Sklaverei ; Slavery & abolition of slavery ; Social & cultural history ; Sozial- und Kulturgeschichte ; einzelne Künstler, Künstlermonografien ; South Carolina ; South Carolina ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Drake, David 1800-1870 ; Edgefield, SC ; Schwarze ; Keramik
    Kurzfassung: David Drake, also known as Dave the Potter, was born enslaved in Edgefield, South Carolina, at the turn of the nineteenth century. Despite laws prohibiting enslaved people from learning to read or write, Drake was literate and signed some of his pots. This volume collects multifaceted scholarship about Drake and his craft
    Anmerkung: Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 32
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    Princeton, New Jersey : Princeton University Press
    ISBN: 0691219060 , 9780691219066
    Sprache: Englisch
    Seiten: vii, 264 Seiten , Illustrationen , 25 cm
    Paralleltitel: Erscheint auch als Harris, Christopher Paul To build a black future
    DDC: 305.8
    RVK:
    RVK:
    Schlagwort(e): Ethnische Beziehungen ; Black Lives Matter ; Person of Color ; Politisches Handeln ; Schwarze ; USA ; Black people / Political activity ; Black lives matter movement ; United States / Race relations ; POLITICAL SCIENCE / Political Ideologies / Democracy ; Black lives matter movement ; Black people / Political activity ; Race relations ; United States ; Rita Cox Black and Caribbean Heritage Collection ; Person of Color ; Schwarze ; Politisches Handeln ; Black Lives Matter ; Ethnische Beziehungen ; USA
    Kurzfassung: "An incisive portrayal of the new Black politics."--Inside jacket
    Beschreibung / Inhaltsverzeichnis: Part I : Chapter 1. We're not going to stand for this -- Chapter 2. New forms/known rivers -- Part II : Chapter 3. Regarding Black pain -- Chapter 4. A joyful rebellion -- Chapter 5. The operation(s) of care -- Coda. Politics in (and of) the wake
    Anmerkung: Includes bibliographical references and index
    URL: Cover  (lizenzpflichtig)
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  • 33
    ISBN: 9780271094939
    Sprache: Englisch
    Seiten: xvi, 187 Seiten, 10 ungezählte Seiten Bildtafeln , Illustrationen
    Suppl.: Rezensiert in Wolfskill, Phoebe [Rezension von: Mary Ann Calo, African American artists and the new deal art programs] 2023
    DDC: 700.89/96073
    Schlagwort(e): 1930 bis 1939 n. Chr ; c 1918 to c 1939 (Inter-war period) ; African American artists History 20th century ; African American art 20th century ; New Deal art ; Federal aid to the arts History 20th century ; Art and race ; 20th century history: c 1900 to c 2000 ; ART / American / African American ; ART / History / Modern (late 19th Century to 1945) ; Amerikanische Geschichte ; HIS056000 ; HISTORY / Social History ; HISTORY / United States / 20th Century ; History of art & design styles: from c 1900 - ; History of the Americas ; Kunstgeschichte ; Social & cultural history ; Sozial- und Kulturgeschichte ; USA ; Vereinigte Staaten von Amerika, USA ; Federal Art Project ; New Deal ; Schwarze ; Kunst ; Kunstförderung ; Geschichte 1935-1943
    Kurzfassung: "Examines the involvement of African Americans in the New Deal art programs, shifting emphasis from individual artists toward broader issues informed by the uniqueness of Black experience"--
    Kurzfassung: This book examines the involvement of African American artists in the New Deal art programs of the 1930s. Emphasizing broader issues informed by the uniqueness of Black experience rather than individual artists' works, Mary Ann Calo makes the case that the revolutionary vision of these federal art projects is best understood in the context of access to opportunity, mediated by the reality of racial segregation.Focusing primarily on the Federal Art Project (FAP) of the Works Progress Administration (WPA), Calo documents African American artists' participation in community art centers in Harlem, in St. Louis, and throughout the South. She examines the internal workings of the Harlem Artists' Guild, the Guild's activities during the 1930s, and its alliances with other groups, such as the Artists' Union and the National Negro Congress. Calo also explores African American artists' representation in the exhibitions sponsored by WPA administrators and the critical reception of their work. In doing so, she elucidates the evolving meanings of the terms race, culture, and community in the interwar era. The book concludes with an essay by Jacqueline Francis on Black artists in the early 1940s, after the end of the FAP program.Presenting essential new archival information and important insights into the experiences of Black New Deal artists, this study expands the factual record and positions the cumulative evidence within the landscape of critical race studies. It will be welcomed by art historians and American studies scholars specializing in early twentieth-century race relations
    Beschreibung / Inhaltsverzeichnis: Historiography -- Participation -- Advocacy -- Visibility -- Aftermath.
    Anmerkung: Includes bibliographical references and index , Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern
    URL: Cover  (lizenzpflichtig)
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  • 34
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    Washington : National Gallery of Art | New Haven : Yale University Press
    ISBN: 9780300267105
    Sprache: Englisch
    Seiten: 356 Seiten , Illustrationen , 29 cm
    Serie: Studies in the history of art 83
    Serie: Symposium papers 60
    Serie: Studies in the history of art
    RVK:
    Schlagwort(e): Snowden, Sylvia - 1942- ; Stovall, Lou - 1937- ; Thomas, Alma - 1891-1978 ; Donaldson, Jeff - 1932-2004 ; Porter, James A. (James Amos) - 1905-1970 ; Burwell, Lilian Thomas - 1927- ; Coleman, Floyd W - 1939- ; Driskell, David C - 1931-2020 ; Gilliam, Sam - 1933-2022 ; Morrison, Keith - 1942- ; Puryear, Martin - 1941- ; Howard University - United States ; The Phillips Collection - United States ; African American Art - United States ; Konferenzschrift National Gallery of Art, Washington, DC ; Konferenzschrift National Gallery of Art, Washington, DC ; Washington, DC ; Schwarze ; Kunst ; Ästhetik ; Geschichte 1920-
    Kurzfassung: In a twentieth century during which modern art largely abandoned beauty as its imperative, a group of Black artists from Washington, DC, made beauty the center of their art making. This book highlights these influential artists, including David C. Driskell, Sam Gilliam, Lois Mailou Jones, and Alma Thomas, in the context of what Jeffrey C. Stewart describes as the Washington Black Renaissance. Vibrant histories of key District institutions and the city's communities of educators, critics, and collectors animate a nuanced consideration of the evolution of an aesthetic dialectic from the 1920s up to the present day. The fifteen essays in the volume are grounded by voices from a live artist panel at the National Gallery of Art in 2017, which included Lilian Thomas Burwell, Floyd Coleman, David C. Driskell, Sam Gilliam, Keith Morrison, Martin Puryear, Sylvia Snowden, and Lou Stovall
    Anmerkung: Titelblattrückseite: This volume includes proceedings of the symposium "The African American Art World in Twentieth-Century Washington, DC", organized by the Center for Advanced Study in the Visual Arts, National gallery of Art, and sponsored by the Wyeth Foundation for American Art and the Arthur Vining Davis Foundations. The symposium was held March 16-17, 2017, in Washington , Includes bibliography and index , English
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  • 35
    ISBN: 9780300267389 , 030026738X , 9780300267389
    Sprache: Englisch
    Seiten: 226 Seiten
    DDC: 770
    RVK:
    RVK:
    Schlagwort(e): Bildband ; Ausstellungskatalog New Orleans Museum of Art 15.09.2022-08.01.2023 ; Bildband ; Ausstellungskatalog New Orleans Museum of Art 15.09.2022-08.01.2023 ; USA ; Porträtfotografie ; Fotostudio ; Person of Color ; Geschichte 1860- ; USA ; Schwarze ; Fotostudio ; Fotografie ; Geschichte
    Anmerkung: Gegenüber Titelseite: "Called to the Camera: Black American Studio Photographers" ... exhibition dates: New Orleans Museum of Art, September 15, 2022-January 8, 2023
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  • 36
    ISBN: 9781606067857
    Sprache: Englisch
    Seiten: xiii, 137 Seiten , Illustrationen , 27 cm
    Paralleltitel: Erscheint auch als Balthazar
    DDC: 704.9/484
    Schlagwort(e): Balthazar Art ; Art, Medieval Themes, motives ; Art, Renaissance Themes, motives ; Black people in art ; Africans in art ; Magi Art ; Ausstellungskatalog Getty Center 19.11.2019-16.02.2020 ; Aufsatzsammlung ; Ausstellungskatalog Getty Center 19.11.2019-16.02.2020 ; Aufsatzsammlung ; Ausstellungskatalog Getty Center 19.11.2019-16.02.2020 ; Aufsatzsammlung ; Drei Könige ; Balthasar Heiliger ; Afrikaner ; Schwarze ; Kunst ; Geschichte 1000-1600
    Kurzfassung: "In this book, experts explore the representation of Balthazar as a Black African king. They examine medieval and Renaissance artworks that portray the European fantasy of the Black magus, offer clues about the Africans who may have inspired these images, and chronicle the Black presence in premodern Europe"--
    Anmerkung: Seite [138]: "This publication was inspired by the exhibition "Balthazar: A Black African King in Medieval and Renaissance Art", on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from November 19, 2019-February 16, 2020."--Colophon , Includes bibliographical references and index
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  • 37
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    Athens : The University of Georgia Press
    ISBN: 9780820360478
    Sprache: Englisch
    Seiten: xii, 233 Seiten , Illustrationen
    DDC: 700.89/96073
    RVK:
    Schlagwort(e): African American art 20th century ; African American art 21st century ; Art and society History 20th century ; Art and society History 21st century ; USA ; Kunstsoziologie ; Kunst ; Schwarze ; Geschichte 1985-2015
    Kurzfassung: "Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1990 to the present. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come. Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams"--
    Anmerkung: Includes bibliographical references and index
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  • 38
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    Fort Worth : Amon Carter Museum of Art | Williamstown : Williams College Museum of Art | Oakland : University of California Press
    ISBN: 9780520393301
    Sprache: Englisch
    Seiten: 139 Seiten
    DDC: 730.973
    Schlagwort(e): ART / History / Contemporary (1945-) ; ART / History / Modern (late 19th Century to 1945) ; Art & design styles: from c 1960 ; Black & Asian studies ; Ethnic Studies ; Ethnische Gruppen und multikulturelle Studien ; HIS056000 ; History of art & design styles: from c 1900 - ; History of the Americas ; Kunstgeschichte ; Modernismus ; SOC056000 ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; Sozial- und Kulturgeschichte ; USA ; Ausstellungskatalog Amon Carter Museum of American Art 12.03.2023-09.07.2023 ; Ausstellungskatalog Newcomb Art Museum 05.08.2023-11.11.2023 ; Ausstellungskatalog Museum of Art 16.02.2024-16.06.2024 ; Aufsatzsammlung ; Ausstellungskatalog Amon Carter Museum of American Art 12.03.2023-09.07.2023 ; Ausstellungskatalog Newcomb Art Museum 05.08.2023-11.11.2023 ; Ausstellungskatalog Museum of Art 16.02.2024-16.06.2024 ; Aufsatzsammlung ; USA ; Schwarze ; Künste ; Geschichte 1800-2020 ; USA ; Schwarze ; Künste ; Kultur ; Bürgerrechtsbewegung ; Geschichte 1800-2020
    Kurzfassung: This stunning exhibition catalog visualizes what freedom looks like for Black Americans today and the legacy of the Civil War in 2023 and beyond. Emancipation: The Unfinished Project of Liberation sits at the intersection of history and contemporary life. Building upon in-depth conversations about representations of enslavement and emancipation at the close of the Civil War, this project originates from an analysis of sculptor John Quincy Adams Ward's The Freedman (1863), one of the first bronze representations of a Black person in the United States, and expands into an investigation of how living artists envision emancipation, freedom, and liberation today. Featuring interviews with artists Sadie Barnette, Alfred Conteh, Maya Freelon, Hugh Hayden, Letitia Huckaby, Jeffrey Meris, and Sable Elyse Smith, the exhibition catalog explores their practices along with cutting-edge scholarship by Kirsten Pai Buick and Kelvin Parnell, among others, as well as a haunting story of embodiment and exploitation by celebrated science-fiction author N. K. Jemisin. Burdened by failed promises but buoyed by hope, this project is mournful and melancholy yet also reflective and celebratory in its aspirations for a brighter future. Published in association with the Amon Carter Museum of American Art Exhibition dates: Amon Carter Museum of American Art: March 12-July 9, 2023 Newcomb Art Museum at Tulane University: August 5-November 11, 2023 Williams College Museum of Art: February 16-June 16, 2024
    Anmerkung: Seite [140]: Published on the occasion of the exhibition "Emancipation: The Unfinished Project of Liberation", organized by the Amon Carter Musum of American Art, Fort Worth, Texas and the Williams College Museum of Art, Williamstown, Massachusetts. Exposition dates: Amon Carter Center of American Art, Fort Worth, Texas, March 12 through July 9, 2023. - New Comb Museum at Tulane University, New Orleans, Louisiana, August 5 through November 11, 2023. - Williams College Museum of Art, Williamstown, Massachusetts, February 16 through June 16, 2024 , Zielgruppe: 5PB, Bezug zu Personen: ethnische Gruppen, indogene Völker, Kulturen, Stämme und andere Gruppierungen von Menschen , Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 39
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    Washington : National Gallery of Art | New Haven : Yale University Press
    ISBN: 9780300269772 , 0300269773
    Sprache: Englisch
    Seiten: vii, 255 Seiten , Illustrationen , 26 cm
    Serie: Seminar papers / Center for Advanced Study in the Visual Arts 4
    RVK:
    Schlagwort(e): Artists, Black Congresses ; Artists, Black Congresses Themes, motives ; African American artists Congresses ; Black people in art Congresses ; Art, Modern Congresses Themes, motives ; Aufsatzsammlung ; Aufsatzsammlung ; Kunstsoziologie ; Schwarze ; Künstler ; Künstlerin
    Kurzfassung: Illustrated essays that broaden our understanding of modernism by centering Black artists and experiences, with a contribution featuring the work of Venice Biennale Golden Lion winner Simone Leigh. In this volume, ten leading scholars examine the contradictions of modernity and Black agency that continue to define the Western art world. Illustrated essays explore the work of artists such as Roy DeCarava, Ben Enwonwu, James Hampton, Norman Lewis, Nancy Elizabeth Prophet, Augusta Savage, and Carrie Mae Weems, always with an eye toward reframing our understanding of Black artistic producers. The interdisciplinary avenues of inquiry remake the boundaries of modernist art - its notions time and again focused on the singular white male European or American artist - with another set of imperatives, ethics, and histories, broadening our understanding of the past and present of modernism. -- Yale UP website
    Beschreibung / Inhaltsverzeichnis: Introduction: a troubled conjuncture / Huey Copeland and Steven Nelson -- Simone Leigh: acts of transformation / Steven Nelson -- Leave no mark: Blackness and inscription in the inquisitorial archive / Matthew Francis Rarey -- Bare feet, or, the ambivalence of emancipation: Camille Pissarro and the Caribbean / C. C. Mckee -- On European modernism and Black being / Simon Gikandi -- Nancy Elizabeth Prophet and Augusta Savage: Sculptural habits of Black modernism / Kellie Jones -- Numinous affect in Black Atlantic modernisms / Sylvester Okwunodu Ogbechie -- Darkness and the unvisible: Norman Lewis, Roy Decarava, and postwar abstraction / Kobena Mercer -- At the threshold of withholding: Stanley Brouwn's modernist repetitions / Adrienne Edwards -- Spaces in the shadows: archives and architectures in the work of Carrie Mae Weems / Mabel O. Wilson.
    Anmerkung: Studies in the history of art Symposiums 2018 and 2019, Washington, D.C , Includes bibliographical references and index
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  • 40
    ISBN: 1912520958 , 9781912520954
    Sprache: Englisch
    Seiten: 141 Seiten
    DDC: 700.8996073
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    Schlagwort(e): 1900-1999 ; African American art Exhibitions ; Artists, Black Exhibitions ; ART / General ; African American art ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; USA ; Künstler ; Person of Color ; Geschichte 1960- ; Schwarze ; Kunst
    Kurzfassung: "For generations, Black artists from the American South have forged a unique art tradition. Working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, recycled and cast-off objects that articulate America's painful past -- the inhuman practice of enslavement, the cruel segregationist policies of the Jim Crow era, and institutionalised racism. Their works date from the early 20th century to today and respond to issues ranging from economic inequality, oppression and social marginalisation, to sexuality, the influence of place and ancestral memory. Among the sculptures, paintings, reliefs and drawings included here are works by Thornton Dial, Lonnie Holley, Ronald Lockett, Hawkins Bolden, Bessie Harvey, Charles Williams, Mary T. Smith, Purvis Young, Mose Tolliver, Nellie Mae Rowe, Mary Lee Bendolph, Marlene Bennett Jones, Martha Jane Pettway, Loretta Pettway, and Henry and Georgia Speller. Also featured are the celebrated quiltmakers of Gee's Bend, Alabama, and the neighbouring communities of Rehoboth and Alberta."--Page four of cover
    Anmerkung: Titelblattrückseite: ... published in occasion of the exhibition "Souls Grown Deep like the Rivers: Black Artists from the American South", Royal Academy of Arts, 17 March-18 June 2023 , Includes bibliographical references and index
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  • 41
    Buch
    Buch
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469675688 , 9781469675671
    Sprache: Englisch
    Seiten: xviii, 272 Seiten , Illustrationen, Karten , 24 cm
    Paralleltitel: Erscheint auch als
    DDC: 306.3620975
    Schlagwort(e): Geschichte ; Plantage ; Sklaverei ; Schwarze ; USA Südstaaten ; Home / Southern States ; Enslaved persons / Southern States / Social life and customs ; Plantation life / Southern States / History ; Foyer / États-Unis (Sud) ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; SOCIAL SCIENCE / Slavery ; Enslaved persons / Social life and customs ; Home ; Plantation life ; Southern States ; History ; USA Südstaaten ; Schwarze ; Plantage ; Sklaverei ; Geschichte
    Kurzfassung: "The cultural memory of plantations in the Old South has long been clouded by myth. A recent reckoning with the centrality of slavery to the US national story, however, has shifted the meaning of these sites. Plantations are no longer simply seen as places of beauty and grandiose hospitality; their reality as spaces of enslavement, exploitation, and violence is increasingly at the forefront of our scholarly and public narratives. Yet even this reckoning obscures what these sites meant to so many forced to live and labor on them: plantations were Black homes as much as white. Insightfully reading the built environment of plantations, considering artifact fragments found in excavations of slave dwellings, and drawing on legal records and plantation owners' papers, Whitney Nell Stewart illuminates how enslaved people struggled to make home amid innumerable constraints and obstacles imposed by white southerners. By exploring the material remnants of the past, Stewart demonstrates how homemaking was a crucial part of the battle over slavery and freedom, a fight that continues today in consequential confrontations over who has the right to call this nation home"
    Beschreibung / Inhaltsverzeichnis: Home in slavery -- Demarcating home and labor: Montpelier Plantation, Virginia -- Concealing for privacy and protection: Stagville Plantation, North Carolina -- Rooting one's people: Chatham Plantation, Alabama -- Projecting domestic authority: Patton Place, Texas -- Building stability and legacy: Redcliffe Plantation, South Carolina -- Home in freedom
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  • 42
    Buch
    Buch
    Cambridge, Massachusetts : The MIT Press
    ISBN: 9780262047678
    Sprache: Englisch
    Seiten: x, 339 Seiten , Illustrationen, Karten , 24 cm
    Paralleltitel: Erscheint auch als
    DDC: 305.8
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    Schlagwort(e): Weißsein ; Identität ; Nationalismus ; Sklaverei ; Schwarze ; Visuelle Kommunikation
    Anmerkung: Literaturverzeichnis Seite [291]-323
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  • 43
    Buch
    Buch
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469672137 , 9781469670515
    Sprache: Englisch
    Seiten: xvi, 225 Seiten , Illustrationen
    DDC: 306.3/620820976335
    Schlagwort(e): Women slaves Abuse of 19th century ; History ; Women slaves Sexual behavior 19th century ; History ; Women slaves Social conditions 19th century ; African American women Abuse of 19th century ; History ; African American women Sexual behavior 19th century ; History ; African American women Social conditions 19th century ; Sexual abuse victims History 19th century ; Rape History 19th century ; Sex workers History 19th century ; New Orleans, La. ; Schwarze ; Sklavin ; Sexualverhalten ; Sexueller Missbrauch ; Soziale Situation ; Geschichte 1820-1861
    Kurzfassung: "In histories of enslavement and in Black women's history, coercion looms large in any discussion of sex and sexuality. At a time when sexual violence against Black women was virtually unregulated--even normalized--a vast economy developed specifically to sell the sexual labor of Black women. In this vividly rendered book, Emily A. Owens wrestles with the question of why white men paid notoriously high prices to gain sexual access to the bodies of enslaved women to whom they already had legal and social access"--
    Beschreibung / Inhaltsverzeichnis: Preface: On Lies (Or, After Archival Failure) -- Introduction: Eliza's Last Child -- Ordinary Violence -- Any White Woman or Girl -- Contracts -- Of Mistresses and Concubines: Ann Maria Barclay's Critique of Marriage -- Seeing New Orleans Again -- Afterword: Believe Women.
    Anmerkung: Includes bibliographical references and index
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  • 44
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    Washington, DC : Smithsonian Books
    ISBN: 9781588347404 , 9781588347718
    Sprache: Englisch
    Seiten: 216 Seiten , 26 cm
    DDC: 305.896073
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    Schlagwort(e): Geschichte ; Popkultur ; Afrofuturismus ; Person of Color ; Schwarze ; USA ; Afrofuturism ; African American arts ; Black people in art ; Outer space / In art ; Black people in popular culture / United States ; National Museum of African American History and Culture (U.S.) / Catalogs ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; USA ; Schwarze ; Afrofuturismus ; Person of Color ; Popkultur ; Geschichte
    Kurzfassung: "This illustrated companion book to an upcoming Smithsonian exhibition explores the power of Afrofuturism to reclaim the past and reimagine Black futures"
    Beschreibung / Inhaltsverzeichnis: Foreword / Kevin Young -- Introduction / Kevin M. Strait -- Afrofuturism as Space and Being / Ytasha L. Womack -- Interstellar / Tiffany E. Barber -- Black women change the face of spaceflight / Matthew Shindell -- I came to Africa on a spaceship / Ytasha L. Womack -- Notes from the cosmic underground : a history of the Afrofuturist movement and the changing world order / Reynaldo Anderson -- We are the stars : Black speculative narratives and the history of the future / John Jennings -- W.E.B. Du Bois : documenting the present, reinterpreting the past, and imagining the future / William S. Pretzer -- There's a reason / N. K. Jemisin -- Dialogues in space : Octavia Butler and Samuel Delany / Herb Boyd -- Black Panther : an escape to Utopia / Herb Boyd -- Black joy as resistance / Ariana Curtis
    Anmerkung: Includes bibliographical references and index. - Hier auch später erschienene, unveränderte Nachdrucke
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  • 45
    ISBN: 9781984859433
    Sprache: Englisch
    Seiten: 283 Seiten , 27 cm
    Ausgabe: First graphic edition
    Paralleltitel: Erscheint auch als
    DDC: 741.5973
    Schlagwort(e): Rassismus ; Ethnische Beziehungen ; Soziale Gerechtigkeit ; Rassendiskriminierung ; Schwarze ; USA ; Racism / United States / History / Comic books, strips, etc ; United States / Race relations / Comic books, strips, etc ; Race discrimination / Political aspects / United States / Comic books, strips, etc ; Race discrimination / Economic aspects / United States / Comic books, strips, etc ; African Americans / Social conditions / History / Comic books, strips, etc ; African Americans / Social conditions / Comic books, strips, etc ; Racism against Black people / United States / Comic books, strips, etc ; Anti-racism / Comic books, strips, etc ; Social justice / Comic books, strips, etc ; Race Relations / history ; Black or African American ; Social Conditions / history ; Educational comics ; Graphic novel adaptations ; Comic ; Comic ; Comic ; USA ; Schwarze ; Rassismus ; Rassendiskriminierung ; Soziale Gerechtigkeit ; Ethnische Beziehungen
    Kurzfassung: "A comprehensive history of anti-black racism in graphic-novel format focuses on the lives of five major players in American history and highlights the debates that took place between assimilationists and segregationists and between racists and anti-racists."--
    Anmerkung: Includes index , Cotton Mather -- , Thomas Jefferson -- , William Lloyd Garrison -- , W.E.B. Du Bois -- , Angela Davis
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  • 46
    ISBN: 9780881468779 , 0881468770
    Sprache: Englisch
    Seiten: 248 Seiten , Illustrationen , 23 cm
    Serie: America's historically Black colleges and universities
    DDC: 323.1196/07307565
    RVK:
    Schlagwort(e): 1900-1999 ; African American college students Political activity 20th century ; History ; African American student movements History 20th century ; Civil rights demonstrations History 20th century ; Civil rights movements History 20th century ; Civil rights movements History 20th century ; African Americans History 20th century ; African Americans History 20th century ; Segregation History 20th century ; Segregation History 20th century ; Academic freedom History 20th century ; Academic freedom ; African American college students - Political activity ; African American student movements ; African Americans ; Civil rights demonstrations ; Civil rights movements ; Segregation ; History ; North Carolina ; North Carolina - Durham ; North Carolina - Raleigh ; Durham, NC ; Raleigh, NC ; Schwarze ; Bürgerrechtsbewegung ; Geschichte 1960-1963
    Kurzfassung: This book analyzes civil rights activism in North Carolina in the early 1960s, especially among students at Shaw University, Saint Augustine's College, and North Carolina College at Durham. Their significance in challenging segregation has been underrepresented in scholarly works. These students played a crucial role in bringing the end of legal segregation and in reducing hiring discrimination. While activists proceeded from campus to lunch counters for sit-ins, their actions also represented a counter to businesspersons and politicians seeking to preserve a segregationist view of Tar Heel hospitality. The book demonstrates how academic freedom ideas gave additional ideological force to the civil rights movement and garnered support from "Research Triangle" schools North Carolina State College, Duke University, and The University of North Carolina. Many students from the "Protest Triangle" (the author's term for activists at the three HBCUs) and the "Research Triangle" viewed efforts by politicians to thwart protest participation as restrictions of their academic freedom. Despite the rich historiography on the civil rights movement and scholarly works addressing academic freedom, their connections have gone mostly unexplored. Suttell utilized extensive archival research and conducted thirty-one interviews with activists and Raleigh and Durham community members, in addition to nationally recognized civil rights leaders like Andrew Young and Wyatt Tee Walker. --
    Beschreibung / Inhaltsverzeichnis: Machine generated contents note:
    Anmerkung: Includes bibliographical references (pages 227-236) and index
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  • 47
    ISBN: 9780774890649
    Sprache: Englisch
    Seiten: 255 Seiten , Illustrationen , 28 cm
    DDC: 704.03/96071
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    Schlagwort(e): Art, Black ; Artists, Black History ; Black people History ; Art museums Curatorship ; Social aspects ; Art noir - Canada ; Artistes noirs - Canada - Histoire ; Personnes noires - Canada - Histoire ; Musées d'art - Conservation - Aspect social - Canada ; Art, Black ; Artists, Black ; Black people ; History ; Canada ; Canada History ; Aufsatzsammlung ; Canada History ; Aufsatzsammlung ; Kanada ; Kunst ; Künstler ; Person of Color ; Geschichte 2000- ; Kanada ; Schwarze ; Kunst ; Schwarzenbild ; Museum ; Kulturelle Einrichtung ; Kunstgeschichtsschreibung ; Geschichte
    Kurzfassung: "Making History is an unprecedented reflection on the positioning of Black history and art within the Canadian cultural landscape. Featuring boundary-breaking artists and others from the art world, Making History brings together poems, artist statements, and art portfolios that showcase a careful and thoughtful understanding of Black aesthetics. This beautifully illustrated book also discusses the presence of Black contemporary art in Canadian institutions and offers artistic perspectives on contemporary and historical art practices. The many voices and points of view within this publication present ideas that corroborate the state of cultural emergency in which we are living, where museums are rethinking and rewriting the stories of their collections. The book explores alternate ways of approaching the relationship between institutions, artists, and audiences, emphasizing the significance of collaboration, resisting hierarchical and hegemonic curatorial practices, and making room for multiple perspectives to bring about transformative change. Through powerful essays and striking visual art, Making History highlights the dynamism and complexity of African and diasporic experiences seen through the lens of museological interventions and artistic practices at large."--
    Anmerkung: Includes bibliographical references , Of Africa: A Reflection on "Speaking Back" / , Opening Spaces: Of Africa, Hauntings, Hesitations, and Possible Futures / , The Into the Heart of Africa Exhibition and the Coalition for the Truth about Africa: A Personal Journey / , Lessons Learned from the Heart of Afro-Canada: Into the Heart of Africa 30 Years Later / , A Life in the Day of an Object / , Here We Are Here: Creating in the Black Atlantic / , Sweet Childhood, Art, and Memory / , From Souvenir to How She Read: The Poetry behind the Design / , Between Absence and Presence: The Politics and Poetics of (In)Visibility in the Work of Sandra Brewster / , On Sucking Teeth / , Hoodies and Regimentals: Black Attire and Access in the Canadian Art Museum / , What to Wear in Canada in Winter / , Longing and Belonging: A Personal Journey through Art and Identity / , Singularity and Strangeness: One-on-One with Eddy Firmin / , On Quiet Happiness, Charcoal, Wood, and Metal: Charmaine Lurch's Being, Belonging and Grace / , Esmaa Mohamoud: Playing the Game / , Twisted Together: The Sweet Ironies of Belonging in the Art of Bushra Junaid / , A Self-Portrait of Creation: Depi m sòti nan Ginen / , Digging Us: Making Visible Black Canadian Narratives / , Travelling Exhibition: Here We Are Here at the Montreal Museum of Fine Arts / , Why Are There No Famous Black Canadian Artists? Here We Are Here and How Diversity and Inclusion Trump Aesthetic Critique / , The Pervasive Persistence of Primitivism: Face-to-Face and Exhibition Practices in the 21st Century /
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  • 48
    ISBN: 9783955932626 , 3955932621
    Sprache: Englisch , Deutsch
    Seiten: 328 Seiten , Illustrationen , 23.8 cm x 15.8 cm, 400 g
    Ausgabe: Bilingual edition, 1. edition
    DDC: 780.92
    RVK:
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    Schlagwort(e): Geschichte 1960-2023 ; Diaspora ; Afroamerikanische Musik ; Neue Musik ; Komponist ; Schwarze ; Europa ; Afrodiaspora ; afrodiasporic musicians ; afrodiasporic composing ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afroamerikanische Musik ; Europa ; Schwarze ; Diaspora ; Komponist ; Neue Musik ; Geschichte 1960-2023
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  • 49
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    New Brunswick ; Camden ; Newark ; London ; Oxford : Rutgers University Press
    ISBN: 9781978824652 , 9781978824669
    Sprache: Englisch
    Seiten: xv, 161 Seiten
    Originaltitel: The souls of black folk
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.8960730207
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    Schlagwort(e): Soziale Situation ; Rassendiskriminierung ; Schwarze ; USA ; Comic ; Comic ; Comic ; Comic ; Comic ; USA ; Rassendiskriminierung ; Schwarze ; Soziale Situation
    Kurzfassung: With Souls of Black Folk (first published in 1903), W.E.B. Du Bois famously set forth his analysis of the folk culture, including religious folk culture, that would be the basis for future progress. In doing so, he pleaded for education and a new sensibility. But he made clear that the promise of these would not come from the outside
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  • 50
    ISBN: 9783791388472
    Sprache: Englisch
    Seiten: 239 Seiten , Illustrationen , 24 cm x 17 cm, 466 g
    DDC: 740
    Schlagwort(e): Architektur ; Mode ; Design ; Gebrauchsgrafik ; Schwarze ; Geschichte
    Kurzfassung: You’ve seen their work—but have you seen them? Black designers have been working in every major industry but, for the past decades, have not been given the spotlight anywhere near to the extent of their white counterparts. This vibrant and wide-ranging book, full of photographs and illustrations, aims to correct that oversight, bringing a century of Black designers and their work into focus. Organized into three sections focusing on Fashion, Architecture and Graphic Design, Prempeh uses the pioneering work of key figures from the twentieth and twenty-first century to explore important aspects of how Black design has been perceived within culture and society. From the necessity of the side-hustle, to interrogating the value placed on Black design, from reclaiming traditions, to exploring how design can be a form of protest, this book brings to the fore the stories of figures such as Ann Lowe, Dapper Dan, Norma Sklarek, Francis Kéré, Emory Douglas and Liz Montague to unpick what it means to be a Black
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  • 51
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    Oakland, California : University of California Press
    ISBN: 9780520392458 , 9780520359567
    Sprache: Englisch
    Seiten: x, 305 Seiten , Illustrationen
    DDC: 709.5
    RVK:
    Schlagwort(e): Art, Comparative ; Art and race ; Artists, Black ; Kunstsoziologie ; Asien ; Schwarze ; Kunst ; Geschichte 1960-2020
    Kurzfassung: "How do we embark on a history of art that proceeds from the assumption of a global majority? Taking as a rhetorical departure the construct of Afro Asia which doubles as both an ontological reference and an epistemological intervention, this book centers the worlds Black and Asian artists initiate through their work. Afro Asia breaks down delineated time into points, trajectories, angles, magnitudes and relative positions so that temporality and chronology figure primarily as questions of geometry: it asks if and how we can we be something other than what biology, politics, culture, and economics tells us we are or must become. Spanning North America, Europe, Asia, and Africa, this book challenges the institutionalization of contemporary art as a global enterprise increasingly governed by the judgments of a self-selecting minority"--
    Beschreibung / Inhaltsverzeichnis: Coincident intensities: friendship, comparison, and the Afro Asian body -- Angles of incidence: photographing interracial encounters in postwar Asia -- Integral tangents: Black arts of Asia -- Planes of collaboration: non-consensus spaces -- Circling Afro China: the new global majority.
    Anmerkung: Includes bibliographical references and index
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  • 52
    ISBN: 9781496845887 , 9781496845870
    Sprache: Englisch
    Seiten: vii, 99 Seiten , Illustrationen
    Serie: Margaret Walker Alexander Series in African American Studies
    Schlagwort(e): Hochschulschrift ; Lewis, Edmonia 1844-1909 ; Fuller, Meta Warrick 1877-1968 ; Plastik ; Schwarze ; Emanzipation
    Kurzfassung: A visual narrative of the Black emancipation experience, voiced through the sculptures of two nineteenth-century African American female artists.
    Kurzfassung: Cover -- Title Page -- Copyright -- Contents -- Dedication and Acknowledgments -- Introduction -- Chapter 1. Women Of Mark -- Chapter 2. ". . . Thenceforward, and Forever Free" -- Chapter 3. "Lifting as They Climb" -- Chapter 4. Never Forget -- Afterword -- Notes -- References -- Index -- About the Author.
    Anmerkung: Literaturverzeichnis: Seite 91-95
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  • 53
    Buch
    Buch
    Durham ; London : Duke University Press
    ISBN: 9781478025153 , 9781478020172
    Sprache: Englisch
    Seiten: 334 Seiten , Illustrationen, Karten
    Paralleltitel: Erscheint auch als
    DDC: 305.8960071
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    Schlagwort(e): Ethnologie ; Schwarze ; African diaspora ; Black people-Race identity ; Black people-Study and teaching ; Human geography ; Schwarze ; Ethnologie
    Kurzfassung: The contributors to The Black Geographic explore the theoretical innovations of Black Geographies scholarship and how it approaches Blackness as historically and spatially situated.
    Kurzfassung: Cover -- Contents -- Introduction. Black Geographies Material Praxis of Black Life and Study -- Part I. Praxis -- 1. Call Us Alive Someplace: Du Boisian Methods and Living Black Geographies -- 2. Shaking the Basemap -- 3. "My Bad Attitude toward the Pastoral": Race, Place, and Allusion in the Poetry of C. S. Giscombe -- Part II. Resistances -- 4. Blackness Out of Place and In Between in the Sahara -- 5. Words Re(en)visioned: Black and Indigenous Languages for Autonomy -- 6. Blackness in the (Post)Colonial African City -- 7. Marielle Franco and Black Spatial Imaginaries -- Part III. Futurity -- 8. Rendering Gentrification and Erasing Race: Sustainable Development and the (Re)Visioning of Oakland, California, as a Green City -- 9. "Need Black Joy?": Mapping an Afrotechtonics of Gathering in Los Angeles -- 10. The San Francisco Blues -- 11. Today Like Yesterday, Tomorrow Like Today: Black Geographies in the Breaks of the Fourth Dimension -- 12. A Black Geographic Reverie &amp -- Reckoning in Ink and Form -- Contributors -- Index--
    Anmerkung: Includes bibliographical references and index
    URL: Cover  (lizenzpflichtig)
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  • 54
    Buch
    Buch
    Lausanne ; Berlin ; Bruxelles : Peter Lang
    ISBN: 9783631889633 , 3631889631
    Sprache: Englisch
    Seiten: 154 Seiten , 22 cm, 280 g
    Serie: United States studies: culture, politics, media volume 5
    Serie: United States studies: culture, politics, media
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.896073
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    Schlagwort(e): Geschichte ; Rassismus ; Diskriminierung ; Schwarze ; USA ; USA ; Schwarze ; Diskriminierung ; Rassismus ; Geschichte
    URL: Inhaltstext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 55
    Buch
    Buch
    Oakland, California : University of California Press
    ISBN: 9780520355804 , 9780520355798
    Sprache: Englisch
    Seiten: 225 Seiten
    Serie: Environmental communication, power, and culture 2
    Serie: Environmental communication, power, and culture
    Paralleltitel: Erscheint auch als Towns, Armond R., 1980- On black media philosophy
    DDC: 302.23089/96
    Schlagwort(e): Blacks in mass media Philosophy ; Racism in mass media Philosophy ; USA ; Schwarze ; Rassismus ; Medientheorie ; Medienphilosophie
    Kurzfassung: Introduction: the medium is the message, revisited: media and Black epistemologies -- Technological darwinism -- Black escapism on the underground (Black) anthropocene -- Toward a theory of intercommunal media -- Black "matter" lives: Michael Brown and digital afterlives -- Conclusion: the reparations of the earth.
    Kurzfassung: "Armond R. Towns demonstrates that humanity in media philosophy has implicitly referred to a social Darwinian understanding of the human as a Western, white, male, and capitalist figure. Building on concepts from Black studies and cultural studies, Towns develops an insightful critique of this dominant conception of the human in media philosophy and introduces a foundation for Black media philosophy"--
    Anmerkung: Includes bibliographical references and index
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  • 56
    ISBN: 9781637583449 , 1637583443
    Sprache: Englisch
    Seiten: XXII, 441 Seiten , Diagramm , 21 cm
    DDC: 973.0496073
    Schlagwort(e): African Americans History ; Racism History ; Political culture History ; Racism ; Political culture ; African Americans ; Race relations ; History ; United States Race relations ; History ; États-Unis - Relations raciales - Histoire ; United States ; USA ; Schwarze ; Rassismus ; Liberalismus ; Politische Kultur ; Geschichte
    Kurzfassung: If we face America's racial history squarely, will it mean that the American project is a failure? Conversely, if we think the American project is a worthy endeavor, do we have to lie, downplay, or equivocate about our past? In this book, we use the classical liberal lens to ask Americans on the political right to seriously reckon with America's deep racial pain--much of which arises from violations of rights that conservatives say they deeply value, such as property rights, freedom of contract, and the protection of the rule of law. We ask those on the left to take a hard look at the failed paternalism, and in some cases, thoroughgoing racism of past progressive policy. All Americans are asked to apply their concern for individual rights and constitutional order fairly to our historical record. What readers will find are deep injustices against black Americans. But they will also find black entrepreneurs overcoming amazing obstacles and a black community that has created flourishing institutions and culture. Exhausted by extremism on both left and right, a majority of Americans--black and white--love this country and want to do right by all of its citizens. In Black Liberation Through the Marketplace , readers will come away with a better understanding of black history and creative ideas for how to make this nation truly one with liberty and justice for all
    Beschreibung / Inhaltsverzeichnis: Classical Liberalism, Social Justice, and Black America -- Liberation Through Abolition: the Black American Pro-Constitutional Tradition -- Liberation Through the Freedom to Move:the Struggle for Black Property -- No Liberation without the Equal Protection of the Law: Black Resistance in the Face of Atrocities -- Liberation Through Civil Society: the Black Church -- Liberation Through Business: Black Self-Help and Empowerment -- No Liberation without Freedom of Contract: Eugenics, the Minimum Wage, and Labor Unions -- No Liberation without Ownership: Housing and Highways -- Two Steps Forward, One Step Back: the Crowding Out of Black America -- Prisons, Drugs, and Gun Laws: American Problems.
    Anmerkung: Includes bibliographical references (pages 371-434)
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  • 57
    ISBN: 9781647790349
    Sprache: Englisch
    Seiten: X, 351 pages
    Serie: The Urban West series
    DDC: 363.509794/94
    Schlagwort(e): African Americans Housing 20th century ; History ; Discrimination in housing History 20th century ; Housing policy History 20th century ; Los Angeles, Calif. ; Schwarze ; Wohnungspolitik ; Diskriminierung ; Soziale Bewegung ; Geschichte 1930-1970
    Kurzfassung: "The Coveted Westside explores the middle-class African American-led movement to challenge housing discrimination, gain equal access to twentieth-century Los Angeles, and ward off resegregation. Black professionals, from actors to entrepreneurs to doctors, made the city's distinguished neighborhoods of West Adams Heights in the 1940s and the Crenshaw area, View Park, View Heights, and Windsor Hillsin the postwar era hubs in the fight for fair housing"--
    Anmerkung: Includes bibliographical references and index
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  • 58
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    Jackson : University Press of Mississippi
    ISBN: 9781496837011 , 9781496837004
    Sprache: Englisch
    Seiten: xxxix, 181 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Guadeloupe, Francio Black man in the netherlands
    DDC: 301.092
    Schlagwort(e): Guadeloupe, Francio ; Anthropologists Biography ; Racism ; Blacks ; Ethnology ; Ethnicity ; Multiculturalism ; Anthropology ; Netherlands Race relations ; Netherlands Ethnic relations ; Niederlande ; Sint Maarten ; Rassismus ; Ethnizität ; Schwarze ; Autoethnografie ; Niederlande ; Karibik ; Rassismus ; Ethnizität ; Autoethnografie
    Kurzfassung: "Francio Guadeloupe has lived in both the Dutch Antilles and the Netherlands. An anthropologist by vocation, he is a keen observer by honed habit. In his new book, he wields both personal and anthropological observations. Simultaneously memoir and astute exploration, Black Man in the Netherlands charts Guadeloupe's coming of age and adulthood in a Dutch world and movingly makes a global contribution to the understanding of anti-Black racism. Guadeloupe identifies the intersections among urban popular culture, racism, and multiculturalism in youth culture in the Netherlands and the wider Dutch Kingdom. He probes the degrees to which traditional ethnic division collapses before a rising Dutch polyethnicity. What comes to light, given the ethnic multiplicity which Afro-Antilleans live, is their extraordinarily successful work in forging an anti-racist Dutch identity via urban popular culture. This alternative way of being Dutch welcomes the Black experience as global and increasingly local Black artists find fame and even idolization. Black Man in the Netherlands is a vivid extension of renowned critical race studies by Marxist theorists such as Achille Mbembe, Paul Gilroy, Stuart Hall, and C. L. R. James, and it bears a palpable connection to Black Atlantic artists such as Peter Tosh, Juan Luis Guerra, and KRS-One. Guadeloupe explores the complexities of Black life in the Netherlands and shows that within their means, Afro-Antilleans often effectively contest Dutch racism in civic and work life"--
    Anmerkung: Includes bibliographical references and index
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  • 59
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    Ottawa : Published by the Canadian Historical Association with the support of the Department of Canadian Heritage, Government of Canada
    ISBN: 9780887983238 , 0887983235
    Sprache: Englisch
    Seiten: 47 Seiten , Illustrationen , 22 cm
    Serie: Immigration and ethnicity in Canada series booklet no. 39
    Serie: Immigration and ethnicity in Canada series
    Schlagwort(e): Slave trade History ; Transatlantic slave trade History ; Africans History ; Slavery History ; Enslaved persons History ; Black people History ; Personnes noires - Canada - Histoire ; Esclaves - Canada - Histoire ; Esclaves - Commerce - Canada - Histoire ; Africains - Canada - Histoire ; Africans ; Black people ; Emigration and immigration - Government policy ; Slave trade ; Slavery ; Slaves ; Transatlantic slave trade ; History ; Canada Emigration and immigration ; Government policy ; History ; Canada ; Kanada ; Afrikaner ; Schwarze ; Sklavenhandel ; Sklaverei ; Geschichte 1629-1834
    Beschreibung / Inhaltsverzeichnis: Trajectory of Slavery in Canada -- The Origins of Enslaved African Canadians -- Slave-Raiding on the Frontier -- The Image of Blacks in the Minds of Whites -- The Legal Foundation: New France and Lower and Upper Canada -- An Enslaved Woman and the Colonial Court -- Slavery and the Law in the Maritime Colonies -- The West India Trade: Canada's Role in Atlantic Slavery's Economy -- Labour and Families of the Enslaved -- Voices of the Enslaved: Flight and Court Challenges -- The Case of Sophia Pooley: Slavery and Freedom in Canada -- Conclusion: Slavery's Demise, Abolition, and Legacy
    Anmerkung: Ottawa, 2022 -- Title page , Includes bibliographical references (pages 41-47)
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  • 60
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    Columbia, South Carolina : The University of South Carolina Press
    ISBN: 9781643363387 , 1643363387
    Sprache: Englisch
    Seiten: xxii, 546 Seiten , Illustrationen, Karten , 23 cm
    Ausgabe: Second edition
    DDC: 305.89607307573
    Schlagwort(e): Geschichte 1780-1900 ; Soziale Situation ; Ethnische Beziehungen ; Schwarze ; South Carolina ; African Americans / South Carolina / History ; African Americans / South Carolina / Social conditions ; Slaves / South Carolina / History ; Slaves / South Carolina / Social conditions ; South Carolina / Race relations / History ; South Carolina / Social conditions ; Noirs américains / Caroline du Sud / Histoire ; Noirs américains / Caroline du Sud / Conditions sociales ; Esclaves / Caroline du Sud / Histoire ; Esclaves / Caroline du Sud / Conditions sociales ; Caroline du Sud / Relations raciales / Histoire ; Caroline du Sud / Conditions sociales ; African Americans ; African Americans / Social conditions ; Race relations ; Slaves ; Slaves / Social conditions ; Social conditions ; South Carolina ; South Carolina Nordwest ; Schwarze ; Ethnische Beziehungen ; Soziale Situation ; Geschichte 1780-1900
    Kurzfassung: "Encyclopedic in scope, yet intimate in detail, African American Life in South Carolina's Upper Piedmont, 1780-1900, delves into the richness of community life in a setting where the African American population was small, notably disadvantaged, but remarkably cohesive. W.J. Megginson shifts the conventional study of African Americans in South Carolina from the much-examined Lowcountry to a part of the state that offered a quite different existence for people of color. Drawing on little-used state and county denominational records, privately held research materials, and sources available only in local repositories, Megginson bring to life African American society before, during and after the Civil War. Megginson's work also highlights the effects of Reconstruction in the South Carolina Upcountry. Black Republicans and even some Black Democrats took up the rights and duties of leadership and made great strides in their pursuit of citizenship. Although white Democrats' return to power at the state level in 1877 greatly curtailed Black political rights, African Americans in the Upper Piedmont quietly continued to assert their place in the social, cultural, and political realm. Through detailed vignettes of individuals and families coupled with deft analysis of overarching social contexts, African American Life in South Carolina's Upper Piedmont, 1780-1900, adds new dimension to our understanding of the African American experience in South Carolina. A new foreword by Orville Vernon Burton, Judge Matthew J. Perry Distinguished Professor of History at Clemson University, highlights the extent to which Megginson's work remains an unparalleled examination of African American life in the South Carolina Upper Piedmont." --
    Beschreibung / Inhaltsverzeichnis: part 1. The setting, the peoples, and their work -- part 2. Interactions between black and white -- part 3. African American subculture and life on the plantation -- part 4. Transitions -- part 5. Community building: organizations, concepts, and opportunities -- part 6. Changing conditions, for better, for worse
    Anmerkung: "Foreword by Orville Vernon Burton."-- Cover page
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  • 61
    ISBN: 9781108845557 , 9781108970006
    Sprache: Englisch
    Seiten: XIV, 510 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Alberto, Paulina L. Black legend
    DDC: 982.06/2092
    Schlagwort(e): Grigera, Raúl ; Blacks Biography ; Blacks Ethnic identity ; Blacks Social conditions ; Africans History ; HISTORY / Latin America / General ; Argentina Race relations ; Biografie ; Biografie ; Grigera, Raúl 1886-1955 ; Argentinien ; Schwarze ; Geschichte
    Kurzfassung: A Note on Terminology -- Introduction: Racial stories -- Ancestors (1850-1880) -- Community (1880-1900) -- Youth (1900-1910) -- Celebrity (1910-1916) -- Defamation (1916-1930) -- Deaths (1930-1955) -- Epilogue: Afterlives (1955-present)
    Kurzfassung: "A few writers evoke Raúl's connection to the commonplaces of the city's African past: slavery, the neighborhood of Montserrat and its percussive candombe rhythms, the dance troupes of carnival. But they struggle to narrate the passage of time between these hazy, distant memories and Raúl's tangible twentieth-century presence. Some surmise (without accounting for the generations that separated Raúl from slavery) that he was the son of enslaved parents who "had adopted the surname of the family they had served."4 Others find it easier simply to have him materialize. "He appeared one day in one of the city's many holes," storytellers declared, "airs of a forgotten Congo ruffling his wooly hair, the winds from Montserrat carrying the sounds of their candombes."5 Or, "He appeared on the city's streets like a jet-black doll"-a lifeless object-"dropped by a carnival troupe."6 The main character of these stories has no verifiable history; he "appears" fully formed, sometime in the early 1900s, as "el negro Raúl.""--
    Anmerkung: Literaturverzeichnis: Seite 456-492
    URL: Cover
    URL: Cover
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  • 62
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    Cambridge, UK ; Medford, MA : polity
    ISBN: 9781509548330 , 9781509548323
    Sprache: Englisch
    Seiten: xxvii, 103 Seiten , 22 cm
    Serie: Critical South
    Originaltitel: Le triangle et l'hexagone
    Paralleltitel: Erscheint auch als
    DDC: 305.48
    RVK:
    Schlagwort(e): Schwarze ; Integration ; Ethnische Identität ; Frankreich ; Soumahoro, Maboula / 1976- ; Black people / France / Biography ; Women, Black / France / Biography ; Black people / Race identity / France ; Women, Black / Race identity / France ; Racism / France ; Blacks ; Blacks / Race identity ; Racism ; Women, Black ; France ; Biographies ; Frankreich ; Schwarze ; Ethnische Identität ; Integration
    Kurzfassung: "A powerful reflection on race and identity in the Black/African diaspora"--
    Beschreibung / Inhaltsverzeichnis: Foreword / Saidiya Hartman -- Introduction. Black speech/speaking blackness -- The triangle -- University trajectory -- The hexagon -- Conclusion: The orbs are black, or, what beauty owes to chaos
    Anmerkung: "Originally published in French as Le triangle et l'hexagone: Réflexions sur une identité noire © Éditions La Découverte, Paris, 2020.
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  • 63
    ISBN: 9780143135210
    Sprache: Englisch
    Seiten: lvi, 418 Seiten
    Originaltitel: Works Selections
    DDC: 305.896/073
    Schlagwort(e): African Americans Intellectual life 20th century ; African-American arts ; American literature African American authors ; History and criticism ; African Americans Race identity ; Essays ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Schriftsteller ; Künstler ; Identität ; Selbstverständnis ; Geschichte
    Kurzfassung: "Pulitzer Prize-winning biographer edits a collection of Alain Locke's influential essays on the importance of the Black artist and the Black imagination"--
    Anmerkung: Includes bibliographical references
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  • 64
    ISBN: 9780385544887
    Sprache: Englisch
    Seiten: 269 Seiten
    Ausgabe: First edition
    Paralleltitel: Erscheint auch als Villarosa, Linda Under the skin
    DDC: 362.1089/96073
    Schlagwort(e): African Americans Health and hygiene ; Discrimination in medical care ; Racism in medicine ; African Americans Social conditions ; USA ; Schwarze ; Gesundheitswesen ; Rassendiskriminierung
    Kurzfassung: "The first book to tell the full story of race and health in America today, showing the toll racism takes on individuals and the health of our nation, by a groundbreaking journalist at the New York Times Magazine"--
    Anmerkung: Includes index
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  • 65
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    New York :Farrar, Straus and Giroux,
    ISBN: 978-0-374-15902-3
    Sprache: Englisch
    Seiten: 276 Seiten.
    Ausgabe: First edition
    DDC: 305.896/073
    RVK:
    RVK:
    Schlagwort(e): Blacks / Race identity ; Race awareness ; Racism ; Anti-racism ; HISTORY / Social History ; Schwarze. ; Ethnische Identität. ; Rassismus. ; Schwarze ; Ethnische Identität ; Rassismus
    Kurzfassung: "In this original and penetrating work, Lewis R. Gordon, one of the leading scholars of Black existentialism and anti-Blackness, takes the reader on a journey through the historical development of racialized Blackness, the problems this kind of consciousness produces, and the many creative responses from Black and non-Black communities in contemporary struggles for dignity and freedom"--
    Beschreibung / Inhaltsverzeichnis: Prologue -- Introduction: Struggling to breathe -- Bound. Feared ; Blackened ; Erased; or, "I don't see race" -- Race-making and racism. Race-making ; Racism intersected ; Privilege, luxury, license ; Trans but not transcended -- Political realities. Five kinds of invisibility ; Black consciousness is political ; Black consciousness in Wakanda -- Even when black and blue. Blue ; Valued
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  • 66
    ISBN: 9781644450833 , 1644450836
    Sprache: Englisch
    Seiten: 329 Seiten , Illustrationen , 21 cm
    Originaltitel: Essays Selections
    DDC: 305.23089/96073
    Schlagwort(e): Jackson, Lawrence Patrick ; Jackson, Lawrence Patrick ; African Americans Biography ; African Americans ; Social conditions ; Essays ; essays ; Autobiographies ; Biographies ; Essays ; Autobiographies ; Biographies ; Autobiographies ; Essais ; Biographies ; Baltimore (Md.) Biography ; Homeland (Baltimore, Md.) Biography ; Baltimore (Md.) Social conditions 21st century ; Maryland ; Baltimore ; Maryland ; Baltimore ; Homeland ; Autobiography ; Essay ; Biography ; Autobiography ; Essay ; Biography ; Autobiografie ; Autobiography ; Essay ; Biography ; Autobiography ; Essay ; Biography ; Autobiografie ; Jackson, Lawrence Patrick 1968- ; Baltimore, Md. ; Schwarze ; Ethnische Beziehungen ; Soziale Situation
    Kurzfassung: Advent: color storms rising almost to a hurricane -- Christmas: long quarter at River Bend -- Epiphany: Sunday boys -- Lent: appraisement of negroes at the folly, or dinner -- Eostre in Lafayette Square -- White Sunday: "an invasion of African negroes -- Ordinary time: the gentle brushing fescue.
    Kurzfassung: Touching upon such topics as fatherhood, race, and faith, this collection of essays describes the author's struggles in 2016 to make a home in Baltimore, a place that eventually became the foundation for him to explore his personal and spiritual history, as well as the city's untold stories
    Kurzfassung: When Jackson accepted a new teaching job in Baltimore in 2016, he searched for schools for his son and bought a house. Here he describes his struggle to make a home in the city that had just been convulsed by the uprising that followed the murder of Freddie Gray. His neighborhood was largely white, and built on racial covenants. His essays examine a personal, spiritual, and civil history that captures the absurdity of American life. - adapted from back cover
    Anmerkung: Includes bibliographical references (pages 319-329)
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  • 67
    ISBN: 9781498567091
    Sprache: Englisch
    Seiten: 181 Seiten
    Serie: Race and education in the twenty-first century
    Paralleltitel: Erscheint auch als Showunmi, Victoria Understanding and managing sophisticated and everyday racism
    DDC: 305.800941
    Schlagwort(e): Racism ; Women, Black ; Blacks ; Discrimination in employment ; Discrimination in education ; Racism in the workplace ; Racism in education ; Frau ; Schwarze ; Rassismus ; Alltag
    Kurzfassung: Introduction -- Race and Racism(s) -- The Tangled Web of Blackness, Identity and Race -- Sophisticated and Everyday Racism: What does it look like? -- The Language Style of Black Women and its Implications for Education and Work -- Challenges Hindering the Success of Some Black Women: Education, Parenting and the Labour Market -- Suffering in silence: Black British Young Women and their Well-Being -- Black women reflecting on being Black in the academy -- Flip the Script and Change the Narrative -- Conclusion.
    Kurzfassung: "Sophisticated Racism: Understanding and Managing the Complexity of Everyday Racism explores the experience of Sophisticated Racism and its impact on Black women and their identities. The authors recommend strategies for successfully navigating the residual effects of racism"--
    Anmerkung: Includes bibliographical references
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  • 68
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    New York : Convergent
    ISBN: 9780593239889
    Sprache: Englisch
    Seiten: X, 269 Seiten
    Ausgabe: First edition
    Paralleltitel: Erscheint auch als Henry, Andre (Musician) All the white friends I couldn't keep
    DDC: 305.800973
    Schlagwort(e): Racism ; African Americans Social conditions ; Equality ; United States Race relations ; USA ; Schwarze ; Rassismus ; Soziale Ungleichheit
    Kurzfassung: Embracing Apocalypses -- The Whole World Is Stone Mountain -- The Right to Remain Angry -- The Political & The Personal -- We Do Not Debate with Racists -- We Can All Be white -- Breaking Up with white Jesus -- Revolution Now -- (White) Men Explain Things to Me -- How to Be Hopeful -- The Truth About Unity -- Building Our Own Tables -- How Black Love Became Important to Me -- To Fight or to Flee -- Born Again.
    Kurzfassung: "A leading voice for social justice reveals how he stopped arguing with white people who deny the ongoing legacy of racism-and offers a proven path forward for Black people and people of color based on the history of nonviolent struggle. When the rallying cry "Black Lives Matter" was heard across the world in 2013, Andre Henry was one of the millions for whom the movement caused a political awakening and a rupture in some of his closest relationships with white people. As he began using his artistic gifts to share his experiences and perspective, Henry was aggrieved to discover that many white Americans-people he called friends and family-were more interested in debating whether racism existed or whether Henry was being polite enough in the way he used his voice. In this personal and thought-provoking book, Henry explores how the historical divides between Black people and non-Black people are expressed through our most mundane interactions, and why this struggle won't be resolved through civil discourse, diversity hires, interracial relationships, or education. What we need is a revolution, one that moves beyond symbolic progress to disrupt systems of racial violence and inequality in tangible, creative ways. Sharing stories from his own path to activism-from studying at seminary to becoming a student of nonviolent social change, from working as a praise leader to singing about social justice-and connecting those experiences to lessons from successful nonviolent struggles in America and around the world, Andre Henry calls on Black people and people of color to divest from whiteness and its false promises, trust what their lived experiences tell them, and practice hope as a discipline as they work for lasting change"--
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  • 69
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    New York : New York University Press
    ISBN: 9781479831128 , 9781479805846
    Sprache: Englisch
    Seiten: xvi, 317 Seiten , Illustrationen
    Serie: Crip: new directions in disability studies
    Paralleltitel: Erscheint auch als Tyler, Dennis Disabilities of the color line
    DDC: 973/.0496073
    Schlagwort(e): African Americans History ; Racism History ; Slavery History ; Disabilities History ; Sociology of disability History ; USA ; Schwarze ; Rassismus ; Rassendiskriminierung ; Behinderung ; Geschichte
    Kurzfassung: "Rather than simply engaging in a triumphalist narrative of overcoming where both disability and disablement are shunned alike, Disabilities of the Color Line argues that Black authors and activists have consistently avowed disability as a part of Black social life in varied and complex ways. Sometimes their affirmation of disability serves to capture how their bodies, minds, and health have been and are made vulnerable to harm and impairment by the state and society. Sometimes their assertion of disability symbolizes a sense of commonality and community that comes not only from a recognition of the shared subjection of blackness and disability but also from a willingness to imagine and create a world distinct from the dominant social order. Through the work of David Walker, Henry Box Brown, William and Ellen Craft, Charles Chesnutt, James Weldon Johnson, and Mamie Till-Mobley, Disabilities of the Color Line examines how Black writer-activists have engaged in an aesthetics of redress: modes of resistance that show how Black communities have rigorously acknowledged disability as a response to forms of racial injury and in the pursuit of racial and disability justice"--
    Anmerkung: Includes bibliographical references
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  • 70
    Buch
    Buch
    New York : New York University Press
    ISBN: 9781479885084
    Sprache: Englisch
    Seiten: xii, 333 Seiten , Illustrationen
    Serie: Black power series
    DDC: 995
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Panafrikanismus ; Antikolonialismus ; Schwarze ; Pazifischer Raum ; Decolonization / Melanesia / History ; Black nationalism / Melanesia ; Black power / Melanesia ; Blacks / Melanesia / Social conditions ; African diaspora / History / 20th century ; Pan-Africanism ; Melanesia / Politics and government / 20th century ; Pazifischer Raum ; Schwarze ; Panafrikanismus ; Antikolonialismus ; Geschichte
    Kurzfassung: Garvey's Caveat : Pan-Africanism and the Pacific -- Negroids of the Pacific : West Papua, Senegal, and Negritude -- Oodgeroo Noonuccal : Black women's internationalism in Australia -- Black power in Papua New Guinea -- Melanesia's way : Papua New Guinea and the Black Pacific -- Black Pacific festivals : FESTAC, Nigeria, and Oceania -- POVAI : Fiji, Pacific women, and a nuclear free Pacific -- : Black liberation in Kanaky -- One single front against imperialism : Libya, New Caledonia, and Oceania -- Blacks must rule Vanua
    Kurzfassung: "Pasifika Black details how liberation struggles in Oceania engaged Black internationalism in their fights against French, British, Indonesia, and Australian colonialisms. It explores how these diverse and uneven efforts informed political movements across the Black Pacific, Indian, and Atlantic Ocean worlds, linking Black metropoles across Suva, Brisbane, Harlem (s), Paris, Lagos, Tripoli and Dakar. Its protagonists include playwrights, visual artists, environmental activists, martyrs, religious leaders, musicians, revolutionaries, students, and poets who globally carried the banners, books and bibles of Black Power, Negritude, the Nuclear Free and Independent Pacific, Black liberation theology, Pan-Africanism and the Pacific Women's Conference. Pasifika Black puts Aboriginal poet Oodgeroo Noonuccal's 1976 call for a Black Pacific into an extended conversation with Nigeria's Wole Soyinke, Samoa's Albert Wendt, Fiji's Amelia Rokotuivuna, the NAACP's Roy Wilkins, West Papua's, Negritude's Aimé Césaire, Kanak leader Dewe Gorodey and Polynesian Panther Will. Based on research conducted across Fiji, Australia, Vanuatu, New Caledonia, Papua New Guinea, Britain and the United States, the book's archival arsenal includes photographs, government surveillance, diaries, audio-visuals, revolutionary print media, artwork, novels, oral traditions, songs, and ephemera. It maps our conceptually gendered geographies of the women, men, and imaginations of Black internationalism into the universities, reservations, nakamals, plantations, villages, harbors, churches, concrete jungles and European imagined boundaries of Melanesia, Polynesia and Micronesia. In a world grappling with the global significance of Black Lives Matter and state sanctioned violence against Black and Brown bodies, Pasifika Black is a both triumphant history and tragic reminder of the ongoing quests for decolonization in Oceania, the African world and the Global South"--
    Anmerkung: Includes bibliographical references and index
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  • 71
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    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469671062 , 9781469671055
    Sprache: Englisch
    Seiten: xii, 248 Seiten , Illustrationen, Diagramme
    Paralleltitel: Erscheint auch als Müller, Viola Franziska, 1987 - Escape to the city
    DDC: 973.7/115
    Schlagwort(e): Fugitive slaves History 19th century ; Free Black people History 19th century ; Slavery History ; USA ; Stadt ; Schwarze ; Sklave ; Flüchtling ; Geschichte 1800-1860
    Kurzfassung: "Viola Franziska Müller examines runaways who camouflaged themselves among the free Black populations in Baltimore, Charleston, New Orleans, and Richmond. In the urban South, they found shelter, work, and other survival networks that enabled them to live in slaveholding territory, shielded and supported by their host communities in an act of collective resistance to slavery"--
    Anmerkung: Includes bibliographical references and index
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  • 72
    ISBN: 9781541600744
    Sprache: Englisch
    Seiten: v, 277 Seiten , Illustrationen
    Ausgabe: First edition
    DDC: 323.1196/073
    Schlagwort(e): Joseph, Peniel E ; African Americans Civil rights 21st century ; History ; United States Politics and government 2009-2017 ; United States Politics and government 2017-2021 ; Racism ; Racial justice History 21st century ; African Americans Social conditions 21st century ; United States Race relations ; USA ; Ethnische Beziehungen ; Black Lives Matter ; Schwarze ; Soziale Gerechtigkeit
    Kurzfassung: "Peniel Joseph offers a powerful new interpretation of recent American history. The summer of 2020, he argues, marked the climax of nothing less than a Third Reconstruction: a new period of intense struggle to secure citizenship and dignity for Black Americans, just as momentous as the movements that sought to transform America after the US Civil War and during the civil rights era. America's first and second Reconstructions failed to achieve their largest aims. But our Third Reconstruction, Joseph writes, offers an opportunity we must seize"--
    Anmerkung: Includes bibliographical references and index
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  • 73
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    London : Routledge, Taylor & Francis Group
    ISBN: 9781032068855 , 9781032068831
    Sprache: Englisch
    Seiten: xxvi, 189 Seiten , Illustrationen, Karten
    Paralleltitel: Erscheint auch als Rickford, John R., 1949 - Speaking my Soul
    Paralleltitel: Erscheint auch als Rickford, John R., 1949 - Speaking My Soul
    DDC: 305.896/07302
    Schlagwort(e): Rickford, John R ; African American linguists Biography ; African Americans Race identity 20th century ; African Americans Social conditions 20th century ; Biographies ; United States Race relations 20th century ; History ; Autobiografie ; Autobiografie ; Rickford, John R. 1949- ; Ethnische Identität ; USA ; Schwarze ; Rassendiskriminierung ; Soziolinguistik
    Kurzfassung: "Speaking My Soul is the honest story of linguist John R. Rickford's life from his early years as the youngest of ten children in Guyana to his status as Emeritus Professor of Linguistics at Stanford, of the transformation of his identity from colored or mixed race in Guyana to black in the USA, and of his work championing Black Talk and its speakers. This is an inspiring story of the personal and professional growth of a black scholar, from his life as an immigrant to the USA to world-renowned expert who has made a leading contribution to the study of African American life, history, language and culture. In this engaging memoir, Rickford recalls landmark events for his racial identity like being elected president of the Black Student Association at the U. of California, Santa Cruz; learning from black expeditions to the South Carolina Sea Islands, Jamaica, Belize and Ghana; and meeting or interviewing civil rights icons like Huey P. Newton, Rosa Parks, and South African Dennis Brutus. He worked with Rachel Jeantel, Trayvon Martin's good friend, and key witness in the trial of George Zimmerman for his murder. Zimmerman's exoneration sparked the Black Lives Matter movement. With a foreword by poet John Agard, this is the account of a former Director of African and African American Studies whose work has increased our understanding of the richness of African American language and our awareness of the education and criminal justice challenges facing African-Americans. It is key reading for students and faculty in linguistics, mixed-race studies, African American studies, and social justice"--
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  • 74
    Buch
    Buch
    Washington, DC : Georgetown University Press
    ISBN: 9781647121402
    Sprache: Englisch
    Seiten: viii, 209 Seiten
    Paralleltitel: Erscheint auch als Johnson, Terrence Blacks and Jews in America
    DDC: 305.800973
    Schlagwort(e): African Americans Relations with Jews ; United States Race relations ; USA ; Schwarze ; Juden ; Beziehung
    Kurzfassung: The House is On Fire -- Finding Our Affinities : An Overview of "Blacks and Jews" Dialogue / by Jacques Berlinerblau -- Liberalism : A Tragic Encounter Between Blacks and (White) Jews / by Terrence Johnson -- Teaching "Blacks and Jews" in 2020 -- Interview with Professor Heschel -- Interview with Professor Chireau -- Talking to American Jews About Whiteness -- The Loop and Minister Farrakhan -- Israel / Palestine -- Afro Jews -- Outro
    Kurzfassung: "In this uniquely structured conversational work, which is based on a highly successful undergraduate class, two professors at Georgetown University-- one a scholar of African-American politics and religion, and one a scholar of contemporary American Jewish culture-- endeavor to explain what seems to be a mystery: why aren't Blacks and Jews presently united in their efforts to combat White supremacy? The jarring chants in Charlottesville of "Jews/Blacks will not replace us!," as well as the eerily parallel massacres in houses of worship in Pittsburgh and Charleston, exposed the central targets of the radical Right's wrath. As so-called "Alt-Right" rhetoric increasingly normalizes itself in public life, the time would seem to be right for these one-time allies to rekindle the fires of the Civil Rights movement. The burden of this book is to explore why Blacks and Jews in this moment do not see each other as sharing a common enemy, let alone a political alliance. The book explores the relationship between Blacks and Jews in the US from a number of angles - the disintegration of the Civil Rights coalition of Blacks and Jews, Jews' changing perceptions of their whiteness, the perspective of Black and Jewish millennials, the debate over Louis Farrakhan and the Nation of Islam, and the Israel/Palestine debate. Ultimately, this book hopes to change the narrative of Blacks and Jews in America which has been dominated by the Civil Rights Alliance between the two groups and its subsequent fracturing. The book shows that the relationship between Blacks and Jews has much deeper roots than the mid-twentieth century, and the authors intend that the book model the kind of honest and searching conversation which is necessary for Blacks and Jews to forge a new understanding. To further this aim, the book consists of a number of conversations between the authors, as well as interviews with Professor Susanna Heschel of Dartmouth and Professor Yvonne Chireau of Swarthmore College"--
    Anmerkung: Includes bibliographical references and index
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  • 75
    Buch
    Buch
    New York, NY : Harper an imprint of HarperCollinsPublishers
    ISBN: 9780063011427 , 0063011425
    Sprache: Englisch
    Seiten: vi, 280 Seiten , 24 cm
    Ausgabe: First edition
    DDC: 323.1196/073
    Schlagwort(e): Dennis, David J ; Dennis, David J ; 1961 ; Civil rights movements Personal narratives History ; Civil rights movements History ; Civil rights movements ; Freedom Rides, 1961 Personal narratives ; African Americans Social conditions ; History ; African American men Social conditions ; African American men Social conditions ; History ; African Americans Social conditions ; African Americans Civil rights ; History ; African American civil rights workers Biography ; Fathers and sons ; Biography ; Mouvements des droits de l'homme - États-Unis - Histoire - Récits personnels ; Mouvements des droits de l'homme - États-Unis - Histoire ; Mouvements des droits de l'homme - États-Unis ; Noirs américains - États-Unis - Conditions sociales ; Hommes noirs américains - États-Unis - Conditions sociales ; Noirs américains - Droits - Histoire ; Défenseurs des droits de l'homme noirs américains - Biographies ; Pères et fils ; BIOGRAPHY & AUTOBIOGRAPHY / Cultural, Ethnic & Regional / African American & Black ; BIOGRAPHY & AUTOBIOGRAPHY / Personal Memoirs ; BIOGRAPHY & AUTOBIOGRAPHY / Social Activists ; African American civil rights workers ; African American men - Social conditions ; African Americans - Civil rights ; African Americans - Social conditions ; Civil rights movements ; Fathers and sons ; Race relations ; Autobiographies ; Biographies ; History ; Personal narratives ; Autobiographies ; Personal narratives ; Biographies ; Autobiographies ; Récits personnels ; Biographies ; United States Race relations ; États-Unis - Relations raciales ; United States ; Biography ; Autobiography ; Personal Narrative ; Biography ; Erlebnisbericht ; Biography ; Autobiography ; Personal Narrative ; Biography ; Erlebnisbericht ; USA ; Schwarze ; Bürgerrechtsbewegung ; Ethnische Beziehungen ; Geschichte
    Kurzfassung: "A dynamic family exchange that pivots between the voices of a father and son, The Movement Made Us is a unique work of oral history and memoir, chronicling the extraordinary story of the Civil Rights Movement of the 1960s and its living legacy embodied in Black Lives Matter. David Dennis Sr, a core architect of the movement, speaks out for the first time, swapping recollections both harrowing and joyful with David Jr, a journalist working on the front lines of change today. Taken together, their stories paint a critical portrait of America, casting one nation's image through the lens of two individual Black men and their unique relationship. Playful and searching, anxious and restorative, fearless and driving, this intimate memoir features scenes from across David Sr's life, as he becomes involved in the movement, tries to move beyond it, and ultimately returns to it to find final solace and new sense of self--revealing a survivor who travels eternally with a cabal of ghosts. A crucial addition to Civil Rights history, The Movement Made Us is the story of a nation reckoning with change and the hopes, struggles, setbacks, and triumphs of modern Black life. This is it: the extant chronicle of why we live, why we move, and for what we are made"--
    Beschreibung / Inhaltsverzeichnis: Prologue: Us -- Dillard -- Jail -- Dads and fathers -- Freedom rides -- God and fear -- Letter 1 -- Shreveport -- American terrorism -- Baton Rouge -- War in Mississippi -- Letter 2 -- Marvin, Mattie, and Medgar -- A weekend in Jackson -- Missing -- Vote -- James, Mickey, and Andrew -- Letter 3 -- Search -- Even in Harlem -- The eulogy -- Letter 4 -- Democracy -- Epilogue: Us redux.
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  • 76
    Buch
    Buch
    New York : Harper, an imprint of HarperCollins Publishers
    ISBN: 9780063135390 , 0063135396
    Sprache: Englisch
    Seiten: xiii, 343 Seiten , 24 cm
    Ausgabe: First edition
    DDC: 305.48/896073
    Schlagwort(e): Hunter-Gault, Charlayne Anecdotes ; Hunter-Gault, Charlayne ; 1900-2099 ; African American women journalists Biography ; African Americans History 20th century ; African Americans History 21st century ; African Americans Social conditions 20th century ; African Americans Social conditions 21st century ; Civil rights movements History 20th century ; African Americans Civil rights 20th century ; History ; African Americans Civil rights 21st century ; History ; SOCIAL SCIENCE / Essays ; SOC031000 ; SOCIAL SCIENCE / Discrimination ; African American women journalists ; African Americans ; African Americans - Civil rights ; Essays ; African Americans - Civil rights ; Women journalists ; Anecdotes ; Biographies ; Essays ; History ; Essays ; Anecdotes ; Autobiographies ; United States Race relations ; Essays ; Anecdotes ; Essays ; Anecdotes ; USA ; Schwarze ; Alltag ; Soziale Situation ; Geschichte 1961-2022
    Kurzfassung: "Charlayne Hunter-Gault is an eminent Dean of American journalism, a vital voice whose work chronicled the civil rights movement and so much of what has transpired since then. My People is the definitive collection of her reportage and commentary. Spanning datelines in the American South, South Africa and points scattered in between, her work constitutes a history of our time as rendered by the pen of a singular and indispensable black woman journalist. Over more than five decades, this dedicated reporter charted a course through some of the world's most respected journalistic institutions, including The New Yorker and the New York Times, where she was often the only Black woman in the newsroom. Throughout her storied career, Charlayne has chronicled the lives of Black people in America--shining a light on their experiences and giving a glimpse into their community as never before. Though she has covered numerous topics and events, observed as a whole, her work reveals the evolving issues at the forefront of Black Americans lives and how many of the same issues continue to persist today." --
    Anmerkung: Foreword / , Toward Justice and Equality, Then and Now. , Dispute Center Opens in Harlem , After-School School for Black Youngsters In Search of Heritage , Black Activist Sees New South: Lewis Seeks Funds to Help Enroll More Voters , Blacks Are Developing Programs to Fight Crime in Communities , Economist Finds Widening in Black-White Income Gap , Fighting Racism in Schools , More Negroes Vacation as Barriers Fall , Panthers Indoctrinate the Young , Police Seek "Bridges" to Harlem , Talking to Young People About Trump , Teaching the Civil Rights Movement , Today's Horrors Are Yesterday's Repeats , Urban League Director Accuses the Press of Ignoring Blacks , On the Case in Resurrection City , My Sisters. , 2 Black Women Combine Lives and Talent in Play , 200 Black Women "Have Dialogue" , Black Women Getting Job Help , Black Women MDs , Civil Rights Pioneer Ruby Bridges on Activism in the Modern Era , Many Blacks Wary of "Women's Liberation" Movement in U.S. , New NAACP Head: Margaret Bush Wilson , Poets Extol a Sister's Unfettered Soul , Shirley Chisholm: Willing to Speak Out , The Woman Who Will Judge Oscar Pistorius , Unlimited Visibility , Community and Culture. , 7,000 Books on Blacks Fill a Home , An Entrepreneur's Trucks Bring Southern Soul Food to Harlem , Church in Harlem Plays Vital Role in Community , How Black-ish Unpacks Hard Topics with Humor and Nuance , New Museum Traces Black Stage History , Street Academy Program Sends School "Walk-Outs" to Colleges , The Corner , The Professor , Woody Strode? He Wasn't the Star but He Stole the Movie , Roots Getting a Grip on People Everywhere , Harlem a Symphony for Orchestra , A Single Garment of Destiny. , A Rainy Day in Soweto , America and South Africa, Watching Each Other , Ethiopia: Journalists Live in Fear of "Terror" Law , New Party Urged for World Blacks , School a Beacon of Hope in Nigeria , The Dangerous Case of Eskinder Nega , The Third Man , Revolution in Tunisia and in the African Media , Violated Hopes , The Road Less Traveled. , A Walk Through a Georgia Corridor , A Hundred-Fifteenth-Between-Lenox-and-Fifth , A Trip to Leverton , After Nine Years: A Homecoming for the First Black Girl at the University of Georgia , How the AME Church Helped Build My Armor of Values , Lifting My Voice , Oak Bluffs, More than a Region in My Mind , Taunts, Tear Gas, and Other College Memories , I Desegregated the University of Georgia. History Is Still in the Making , Honoring the Ancestors. , A Love Affair That Lasted for Fifty-Six Years , Black Muslim Temple Renamed for Malcolm X , Columbia's Overdue Apology to Langston Hughes , Remembering John Lewis and the Significance of Freedom Rides , Mandela's Birthday and Trayvon Martin's Loss , Postscript: Julian Bond , The Death of a Friend Inspires Reflections on Mortality , When I Met Dr. King , Nelson Mandela, the Father , Reasons for Hope amid America's Racial Unrest.
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  • 77
    Buch
    Buch
    Newcastle upon Tyne : Cambridge Scholars Publishing
    ISBN: 9781527582002 , 1527582000
    Sprache: Englisch
    Seiten: xviii, 97 pages , illustrations , 21 cm
    Paralleltitel: Erscheint auch als
    DDC: 305.8
    Schlagwort(e): Sowell, Thomas Political and social views ; Sowell, Thomas - 1930- ; African American economists Political and social views ; Race Economic aspects ; Economics Sociological aspects ; Social integration ; Economics - Sociological aspects ; Political and social views ; Sowell, Thomas 1930- ; USA ; Schwarze ; Quotierung ; Soziale Integration ; Kontroverse
    Kurzfassung: "This book demonstrates how ideological dogmatism could be potentially dangerous in policy-making processes. Specifically, it considers Thomas Sowell's constant disparagement of African American culture on the one hand, and his call for an immediate termination of preferential policies on the other as an intent to penalize a community that is already trapped in a double bind where the egalitarian promises of civic republicanism conflict with denigration and denial. As the book shows, this is eventually represented as an impending threat to the very ideal of an ethnically integrated society."--Cover page 4
    Beschreibung / Inhaltsverzeichnis: Introduction -- Chapter one. Theorizing racial integration. 1. Race and ethnicity ; 2. Integrationism vs. separatism ; 3. Modes of integration ; 4. African American essentialism and the struggle to integrate -- Chapter Two. Thomas Sowell, a cultural theorist of integration. 1. Culture and integration ; 2. Scope and significance of Sowell's work on race and ethnicity ; 3. The theory of cultural deficit and economic performance -- Chapter three. Thomas Sowell's critique of group favoritism. 1. Group favoritism and the egalitarian doctrines of the civil rights legislation ; 2. Group favoritism in education ; 3. Group favoritism and economic performance -- Chapter four. The myth of postethnicity. 1. The persistence of racism in employment and education ; 2. Aversive racism -- Chapter five. Towards an integrative reform approach. 1. Community action and preferential programs ; 2. Integration through cultural negotiation -- Conclusion.
    Anmerkung: Includes bibliographical references
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  • 78
    ISBN: 9781583679708 , 9781583679715
    Sprache: Englisch
    Seiten: 315 pages
    Paralleltitel: Erscheint auch als Braden, Anne, 1924-2006 Anne Braden speaks
    DDC: 323.0973
    Schlagwort(e): Civil rights movements History 20th century ; United States Race relations 20th century ; History ; Quelle ; Quelle ; USA ; Ethnische Beziehungen ; Schwarze ; Bürgerrechtsbewegung ; Geschichte 1960-2006 ; Braden, Anne 1924-2006 ; Politisches Denken
    Kurzfassung: Letter to Rev. Dr. Martin Luther King, Jr. (1960) -- The Southern Freedom Movement in perspective (1965) -- The SNCC trends : challenge to white America (1966) -- Black power and white organizing (1966) -- Remembering Martin Luther King, Jr. (1968) -- Statement from a group of socialist women (1971) -- Communist Party elector speaks out (1972) -- A letter to white Southern women (1972) -- Salute to Cuba (1975) -- Capitalism and freedom (1976) -- Sermon in Nashville (1977) -- The struggle against racism in the 1980s (1980) -- Education for building a people's movement (1981) -- The witch-hunting committees : never again! (1982) -- Expanding the notion of peace (1983) -- Ella Baker Memorial speech (1986) -- Years of racism in U.S. Foreign policy (1992) -- Honoring Kwame Ture (1996) -- Finding the other America (2006).
    Kurzfassung: "Anne Braden was raised to be a southern belle. Instead she became a revolutionary who helped to shape the self-understanding of the entire civil rights movement. From her earliest days as a trade unionist in the radical wing of the Congress of Industrial Organizations, she had been one of a small handful of white Southerners willing to take a stand against Jim Crow in the 1950s. As a journalist throughout the 1960s, she offered a penetrating, historically-grounded analysis of events which was widely read by civil rights activists. She was an informal advisor to Rev. Dr. Martin Luther King, Jr.; a close associate of key leaders such as Ella Baker, Rev. Fred Shuttlesworth, and Myles Horton; and a mentor to countless young revolutionaries until her death in 2006. At a time when the North American ruling class went to great lengths to prevent any semblance of continuity between movements, Braden forged direct links between the radical left of the 1930s and 40s, and that of the 1960s. Beginning with her trial for sedition in 1954, she endured constant attacks at the hands of the U.S. government, largely due to her association with Communism. And yet, as deeply as she influenced the development of the early civil rights movement, the scale of Braden's contributions and insights have either been redacted to meet the needs of the official version of civil rights movement history, or been made palatable to the very same power structure she spent her entire life working to overturn. Anne Braden Speaks corrects this distorted narrative. Finally, and for the first time, we have full access to a representative collection of Braden's writings, speeches, and letters, and the full spectrum of their subject matter: from the relationship between race and capitalism, to the role of the South in American society, to the function of anti-communism"--
    Anmerkung: Includes index
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  • 79
    ISBN: 9780063072442 , 9780063072435
    Sprache: Englisch
    Seiten: 243 pages cm
    Ausgabe: First edition hardcover
    DDC: 305.800973
    Schlagwort(e): Racism History ; African Americans Social conditions ; History ; African Americans Crimes against ; History ; Minorities Social conditions ; History ; Race discrimination History ; National characteristics, American ; United States Race relations ; History ; United States Politics and government ; History ; USA ; Ethnische Beziehungen ; Rassismus ; Schwarze ; Diskriminierung ; Geschichte
    Kurzfassung: Choosing slavery -- A vanishing middle ground -- The South secedes -- A tate of freedom before re-enslavement -- A superpower burdened with apartheid -- Who deserves to be American? -- A New Deal for whom? -- War on two fronts -- Ending American apartheid -- Rage, resistance, and the politics of resentment -- Selling soap, falsehoods, and potential presidents -- Repeating the past, creating a future.
    Kurzfassung: "Bestselling author Ellis Cose's groundbreaking latest work interrogates pivotal decisions from enslavement to the New Deal to the handling of Covid that established the United States discriminatory practices for centuries to come. Numerous racialized decisions have solidified America's, and people of color's, fate at different points in history. The first were race-based slavery and the removal of Indigenous peoples from their land. More have proliferated over time as America became a superpower post World Wars while still discriminating against people of color who served overseas and at home through internment camps and the inability to vote. Presidents and state politicians have enacted and enforced legislation with the aims of bettering a nation, but bettering it for whom? From Reconstruction to the New Deal to the unceasing fight for the Civil Rights Bill and Voting Rights Act to the nation's unyielding sense of patriotism and belief in "the American Dream," each decision solidified the full rights of white people time and time again. In Race and Reckoning, journalist Ellis Cose dissects chapter-by-chapter how America's overall narrative breeds racial resentment rooted in conjecture over fact. Through rigorous research and astute details, Cose uncovers how countless points in history upheld a narrative of "what makes America great" thereby allowing one of the most disastrous presidencies in history to occur at a time when the world was at its most vulnerable"--
    Anmerkung: Includes index
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  • 80
    ISBN: 9781793640512
    Sprache: Englisch
    Seiten: xiv, 115 Seiten
    Serie: The Black Atlantic cultural series
    Serie: revisioning artistic, historical, literary, psychological, and sociological perspectives
    Paralleltitel: Erscheint auch als Neal, Anthony Sean Philosophy and the African American modern freedom struggle
    DDC: 191.089/96073
    RVK:
    RVK:
    RVK:
    Schlagwort(e): African American philosophy ; Philosopy, Modern ; Liberty Philosophy ; USA ; Schwarze ; Diskriminierung ; Philosophie ; Bürgerrechtsbewegung ; Geschichte 1896-1975
    Kurzfassung: "Philosophy and the African American Modern Freedom Struggle: A Freedom Gaze analyzes the ways oppression and marginalization produced the philosophical space necessary for the development of a unique form of Black consciousness within the African Diaspora"--
    Beschreibung / Inhaltsverzeichnis: Struggling for freedom between death and life -- The new negro's negritude -- From Harlem to Paris (and back) -- From Montgomery to West Africa -- From freedom to fragmentation through liberalism.
    Anmerkung: Includes bibliographical references and index
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  • 81
    Buch
    Buch
    Nashville, Tennessee : Vanderbilt University Press
    ISBN: 9780826502537
    Sprache: Englisch
    Seiten: xviii, 282 Seiten , Illustrationen , 23 cm
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.8960768
    Schlagwort(e): Geschichte 1865-1930 ; Soziales Netzwerk ; Freimaurerloge ; Friedhof ; Schwarze ; Tennessee ; African American fraternal organizations / Tennessee / History / 19th century ; African American fraternal organizations / Tennessee / History / 20th century ; African American cemeteries / Tennessee ; African Americans / Tennessee / Social life and customs ; African Americans / Segregation / Tennessee ; African American cemeteries ; African American fraternal organizations ; African Americans / Segregation ; African Americans / Social life and customs ; Tennessee ; 1800-1999 ; History ; Tennessee ; Schwarze ; Freimaurerloge ; Soziales Netzwerk ; Friedhof ; Geschichte 1865-1930
    Kurzfassung: "A history of Tennessee's African American lodges and their cemeteries"--
    Beschreibung / Inhaltsverzeichnis: A time of change: Tennessee between 1865 and 1930 -- The rise of fraternalism -- Lodge cemeteries in Tennessee -- Importance of fraternalism and benevolence in the African American community -- The importance of funerals and cemeteries in fraternalism -- Remembering the dead: commemoration in lodge cemeteries -- Segregated landscapes -- The silences of the lodge cemeteries: "unmarked" graves and hiding in plain sight -- The persistence of lodges and lodge cemeteries
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  • 82
    ISBN: 9780226817989
    Sprache: Englisch
    Seiten: xxvi, 286 Seiten , Illustrationen
    Ausgabe: Enlarged second edition, with a new foreword by Isabel Wilkerson
    Paralleltitel: Erscheint auch als
    DDC: 305.512208996073075
    RVK:
    Schlagwort(e): Soziale Klasse ; Soziale Situation ; Wirtschaftliche Lage ; Schwarze ; USA Südstaaten ; African Americans / Southern States ; Social classes / Southern States ; Southern States / Social conditions ; Southern States / Economic conditions ; African Americans ; Economic history ; Social classes ; Social conditions ; Southern States ; USA Südstaaten ; Soziale Klasse ; USA Südstaaten ; Schwarze ; USA Südstaaten ; Soziale Situation ; USA Südstaaten ; Wirtschaftliche Lage
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  • 83
    Buch
    Buch
    New York : New York University Press
    ISBN: 9781479806904 , 9781479806881
    Sprache: Englisch
    Seiten: 225 Seiten
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Digitalisierung ; Archivierung ; Musik ; Globalisierung ; Schwarze ; USA ; African Americans / Music / History and criticism ; Popular music / United States / History and criticism ; Sound recording industry / United States ; African Americans / Archival resources ; African Americans / Music ; Popular music ; Sound recording industry ; United States ; USA ; Schwarze ; Musik ; Globalisierung ; Archivierung ; Digitalisierung
    Kurzfassung: "Black Ephemera explores the crisis and the challenge of the Black Musical archive in a moment when Black American culture has become a global import, yet the cultural DNA of that culture is becoming obscured in the transformation from analog to digital"--
    Beschreibung / Inhaltsverzeichnis: Introduction : The crisis and the challenge of the archive -- Love in the Stax : Death, loss and resurrection in Post-King Memphis -- "I got the blues of a fallen teardrop" : Erasure, trauma and a sonic archive of Black women -- "Promise that you will [tweet] about me" : Black death in the digital era -- 'I'll be a bridge" : Black interiority, Black invention and the American Songbook -- Decamping Wakanda : The archive as maroon -- Coda : Writing and living with Black ephemera
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  • 84
    Bild
    Bild
    New York : The Metropolitan Museum of Art | New Haven : Yale University Press
    ISBN: 9781588397447
    Sprache: Englisch
    Seiten: 139 Seiten , Illustrationen , 23 cm
    Ausgabe: First printing
    Schlagwort(e): Ausstellungskatalog Metrotpolitan Museum of Art 10.03.2022-05.03.2023 ; Aufsatzsammlung ; Ausstellungskatalog Metrotpolitan Museum of Art 10.03.2022-05.03.2023 ; Aufsatzsammlung ; Carpeaux, Jean-Baptiste 1827-1875 Pourquoi naître esclave! ; Sklaverei ; Sklave ; Schwarze ; Kunst ; Geschichte 1700-2020
    Kurzfassung: "This groundbreaking publication on Jean-Baptiste Carpeaux’s (1827–1875) bust Why Born Enslaved! examines the work in the context of transatlantic abolitionist movements and France’s colonialist fascination with Africa in the nineteenth century. Thoughtful essays by noted art historians and literary scholars, including Adrienne L. Childs, James Smalls, and Wendy S. Walters, unpack European artists’ engagement with the Black figure, simultaneously evoked as a changeable political symbol and a representation of exoticized beauty and desire. The authors compare Carpeaux’s sculpture to works by his contemporaries, such as Charles-Henri-Joseph Cordier, Edmonia Lewis, and Louis Simon Boizot, as well as to objects by twenty-first-century artists Kara Walker and Kehinde Wiley. In so doing, the book critically examines the portrayal of Black emancipation and personhood; the commodification of Black images to assert social capital; the role of sculpture in generating the sympathies of its audiences; and the relevance of Carpeaux’s sculpture to legacies of empire in the postcolonial present. It will also feature a chronology of events central to the nineteenth-century antislavery movement." -- Publisher's description
    Kurzfassung: "Organized around a single object—the marble bust Why Born Enslaved! by French sculptor Jean-Baptiste Carpeaux—Fictions of Emancipation: Carpeaux Recast is the first exhibition at The Met to examine Western sculpture in relation to the histories of transatlantic slavery, colonialism, and empire. Created in the wake of American emancipation and some twenty years after the abolition of slavery in the French Atlantic, Why Born Enslaved! was shaped by the enduring popularity of antislavery imagery, the development of nineteenth-century ethnographic theories of racial difference, and France’s colonialist fascination with Africa. The exhibition will explore the sculpture’s place within these contexts. Featuring more than thirty-five works of art in sections unfolding around Carpeaux’s sculpture, Fictions of Emancipation will offer an in-depth look at portrayals of Black enslavement, emancipation, and personhood with an aim toward challenging the notion that representation in the wake of abolition constitutes a clear moral or political stance. Important works by Josiah Wedgwood, Frédéric Auguste Bartholdi, Charles Cordier, Edmonia Lewis, Louis-Simon Boizot, and others will show how Western artists of the nineteenth century engaged with the Black figure as a political symbol and site of exoticized beauty, while contemporary sculptures by Kara Walker and Kehinde Wiley will connect the dialogue around Carpeaux’s bust to current conversations about the legacies of slavery in the Western world. This exhibition was conceived in collaboration with guest curator Wendy S. Walters and enriched through conversations with numerous intellectual partners. It is one of many projects that the Museum is undertaking in an effort to reassess and broaden the narratives it presents about the past and present." -- Metropolitan Museum of Art website
    Anmerkung: "This catalogue is published in conjunction with Fictions of Emancipation: Carpeaux Recast, on view at The Metropolitan Museum of Art, New York, from March 10, 2022, through March 5, 2023." -- Title page verso
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  • 85
    Buch
    Buch
    New Haven : Yale University Press | Cambridge, Mass. : Hutchins Center for African & African American Research, Harvard University
    ISBN: 9780300247268
    Sprache: Englisch
    Seiten: ix, 227 Seiten , Illustrationen , 26 cm
    Serie: Richard D. Cohen lectures on African & African American art
    DDC: 709.2
    Schlagwort(e): Locke, Alain ; Harlem Renaissance ; Art, Modern History and criticism ; Locke, Alain LeRoy 1886-1954 ; Harlem renaissance ; Kunst ; Ästhetik ; USA ; Schwarze ; Kunst ; Schwarze
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  • 86
    Buch
    Buch
    Chicago : The University of Chicago Press
    ISBN: 9780226809823
    Sprache: Englisch
    Seiten: xix, 255 Seiten
    Paralleltitel: Erscheint auch als Sayre, Henry M., 1948 - Value in art
    Paralleltitel: Erscheint auch als Sayre, Henry M., 1948 - Value in art
    DDC: 759.4
    Schlagwort(e): Manet, Édouard ; Art and society History 19th century ; Blacks in art ; Slavery Foreign public opinion ; Art Political aspects ; Art and literature ; France Civilization ; American influences ; France Intellectual life 19th century ; Manet, Edouard 1832-1883 Olympia ; Frankreich ; Schwarze ; Sklaverei ; Künste ; Geschichte 1850-1900
    Kurzfassung: Olympia's value -- Prostitution and slavery -- Sand/Baudelaire, Couture/Manet -- "La femme" de Baudelaire -- Le sud de Manet -- Poe -- Two wars -- Zola's Olympia -- Value in art -- Coda.
    Kurzfassung: "How did art critics come to speak of light and dark as, respectively, "high in value" and "low in value." In this book, Henry Sayre traces the origins of this usage in one of art history's most famous and racially charged paintings, Manet's Olympia. Masterfully researched and argued, this bold study reveals the extraordinary weight of history and politics that Manet's painting bears, and the presence of slavery at modernism's roots. Sayre shows that it was Émile Zola who introduced a new "law of values" to art criticism in an 1867 essay on Manet. Unpacking the intricate contexts of Zola's essay and of several related paintings of Manet, Sayre argues that Zola's use of the economic metaphor of "value" was doubly coded. On the one hand, it was a feint that deflected attention away from Olympia's actual subject and toward the painting's formal qualities. On the other, Sayre argues, "value" for Zola was a trope for the political economy of slavery and the Second Empire's complicity in the ongoing slave trade in the Americas. Value in Art is a surprising and necessary intervention in our understanding of modern art's emergence in relation to issues of race"--
    Anmerkung: Includes bibliographical references and index
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  • 87
    Bild
    Bild
    London : Thames and Hudson
    ISBN: 9780500024621 , 0500024626
    Sprache: Englisch
    Seiten: 303 Seiten , 25 cm
    DDC: 700.8996041
    RVK:
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    Schlagwort(e): Arts, Black Exhibitions 21st century ; Arts, Black ; History ; Bildband ; Ausstellungskatalog Hayward Gallery 29.06.2022-18.09.2022 ; Bildband ; Ausstellungskatalog Hayward Gallery 29.06.2022-18.09.2022 ; Afrikaner ; Fotografie ; Malerei ; Videokunst ; Plastik ; Mixed media ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Anmerkung: Titelblattrückseite: This book was published on the occasion of the exhibition In the Black Fantastic" at the Hayward Gallery, London (29 June-18 September 2022) , Includes bibliographical references, filmography, discography and index
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  • 88
    ISBN: 9780520388062
    Sprache: Englisch
    Seiten: 274 Seiten
    Ausgabe: First edition
    DDC: 770.74/776579
    RVK:
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    Schlagwort(e): African American photographers Exhibitions ; Bildband ; Ausstellungskatalog University of Minnesota 13.09.2022-10.12.2022 ; Biografie ; Bildband ; Ausstellungskatalog University of Minnesota 13.09.2022-10.12.2022 ; Biografie ; USA ; Fotografie ; Fotograf ; Person of Color ; Person of Color ; USA ; Schwarze ; Fotografie ; Schwarze ; Geschichte 1840-2020
    Kurzfassung: Foreword / Deborah Willis -- Preface / Herman J. Milligan, Jr. -- Preface / Howard Oransky -- Mining the archive of black life and culture / Cheryl Finley -- A visual politics of black pleasure / crystal am nelson -- Why we wear a suit to do the work / Seph Rodney.
    Kurzfassung: "A Picture Gallery of the Soul presents the work of more than one hundred Black American artists whose practice incorporates the photographic medium. Organized by the Katherine E. Nash Gallery at the University of Minnesota, this group exhibition samples a range of photographic expressions produced over three centuries, from traditional photography to mixed media and conceptual art. From the daguerreotypes made by Jules Lion in New Orleans in 1840 to the Instagram post of the Baltimore Uprising made by Devin Allen in 2015, photography has chronicled Black American life, and Black Americans have defined the possibilities of photography. Frederick Douglass recognized the quick, easy, and inexpensive reproducibility of photography and developed a theoretical framework for understanding its impact on public discourse, which he delivered as a series of four lectures during the Civil War. The subject of 160 photographic portraits and the most photographed American of the nineteenth century, Douglass anticipated that the history of American photography and the history of Black American culture and politics would be deeply intertwined. A Picture Gallery of the Soul honors the diverse visions of Blackness made manifest through the lens of photography. Published in association with the Katherine E. Nash Gallery. Exhibition dates: Katherine E. Nash Gallery: September 13-December 10, 2022"--
    Anmerkung: Titelblattrückseite: "This catalogue is published in conjunction with the exhibition "A Picture Gallery of the Soul", organized by Herman J. Milligan Jr. and Howard Oransky for the Katherine E. Nash Gallery at the University of Minnesota, Minneapolis, September 13-December 10, 2022" , Includes bibliographical references and index
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  • 89
    Buch
    Buch
    Lanham : Lexington Books
    ISBN: 9781793648167 , 9781793648181
    Sprache: Englisch
    Seiten: vii, 147 Seiten
    Paralleltitel: Erscheint auch als Martin, Lori Latrice Racial realism and the history of black people in America
    DDC: 305.896/073
    RVK:
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    Schlagwort(e): African Americans Social conditions ; African Americans Historiography ; African Americans Economic conditions ; African Americans Civil rights ; Race discrimination Historiography ; Racism Historiography ; Realism ; United States Race relations ; Historiography ; USA ; Schwarze ; Soziale Situation ; Ethnische Beziehungen ; Minderheitenpolitik ; Geschichte
    Kurzfassung: Introduction -- The genius of Derrick Bell : racial realism -- Forty acres and a mule and other missed opportunities -- The myth of the Greatest Generation -- (Un)civil rights and black power -- Promises unfulfilled : Black Lives Matter chatter -- Conclusion : racism, COVID-19, and Election 2020.
    Kurzfassung: In this book, Lori Latrice Martin demonstrates how racial realism is a key concept for understanding why and how black people continue to live between a cycle of optimism and disappointment in the United States. Central to her argument is Derrick Bell’s work on racial realism, who argued that the subordination of black people in America is permanent. Racial Realism includes historical topics, such as Reconstruction, race in the 20th century, and recent events like #BlackLivesMatter, the COVID-19 pandemic, and the killing of George Floyd. As the author lays out, at various times in American history, black people felt a sense of hopefulness and optimism that America would finally extend treasured American values to them only to find themselves marginalized. History shows that black people have had their expectations raised so many times only to find themselves deeply disappointed.
    Anmerkung: Literaturverzeichnis: Seite 125-137 , Enthält ein Register
    URL: Cover
    URL: Cover
    URL: Cover
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  • 90
    Bild
    Bild
    London : Book Works | Southend-on-Sea : Focal Point Gallery
    ISBN: 9781912570140 , 1912570149
    Sprache: Englisch
    Seiten: 141 Seiten , Illustrationen , 20 cm
    Zusätzliches Material: 2 Beilagen (1 Leporello, 1 Blatt mit Stickern)
    Serie: Co-series no. 22
    Serie: Printet matter / Focal Point Gallery #107
    Serie: Co-Series
    Serie: Printed matter
    RVK:
    RVK:
    Schlagwort(e): 2000-2099 ; Art, Modern 21st century ; Feminism ; Women, Black ; Popular culture ; Women artists, Black ; Black people in art Exhibitions ; Performance art ; Art, Modern ; Feminism ; Popular culture ; Women, Black ; Great Britain ; Großbritannien ; Schwarze ; Frauenkunst ; Performance ; Geschichte 2000-
    Kurzfassung: "Comprising of new writing and works drawn from, and a part of, Uddoh's 2021 exhibition at Focal Point Gallery, Practice Makes Perfect focuses on themes of radical self-love, inspired by black feminist practice and writing. Through performance, film, installation and sound, Uddoh explores an infatuation with places, objects and celebrities in British popular culture, and the effects of these on self-formation. She is influenced by her architectural background, rooting stories in specific spaces and materials. Co-published by Book Works and Focal Point Gallery as part of our Co-Series, in association with the Bluecoat, and The Bower." -- publisher's description
    Anmerkung: Umschlagtitel
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  • 91
    ISBN: 9780231189187 , 9780231189194
    Sprache: Englisch
    Seiten: xiii, 275 Seiten , Illustrationen
    Serie: Leonard Hastings Schoff memorial lectures
    Paralleltitel: Erscheint auch als O'Meally, Robert G., 1948- Antagonistic cooperation
    DDC: 781.650973
    RVK:
    Schlagwort(e): Jazz History and criticism ; African American art ; American literature African American authors ; History and criticism ; African Americans Social life and customs ; Music and literature ; Art and music ; Collage ; Lectures ; USA ; Schwarze ; Musik ; Jazz ; Kunst ; Literatur ; Geschichte 1900-2000 ; Modern Jazz ; Collage ; Fiktion ; USA ; Kunst ; Schwarze
    Kurzfassung: This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare Bearden to Duke Ellington and Toni Morrison -- Hare and Bear : The Racial Profiles of Satchmo's Smile -- The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished.
    Kurzfassung: "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"--
    Anmerkung: Includes index
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  • 92
    Buch
    Buch
    New York, NY : Amistad, an imprint of HarperCollinsPublishers
    ISBN: 9780063038523 , 9780063038516
    Sprache: Englisch
    Seiten: 405 Seiten
    Ausgabe: First edition
    Paralleltitel: Erscheint auch als Ford, Clyde W. Of Blood and Sweat
    Paralleltitel: Erscheint auch als Ford, Clyde W Of blood and sweat
    DDC: 306.3/620973
    RVK:
    RVK:
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    Schlagwort(e): Schwarze Menschen ; Sklaverei ; Gerechtigkeit ; USA ; African Americans Economic conditions ; African Americans History ; African Americans History 1863-1877 ; Slavery Economic aspects ; History ; Income distribution ; Racism Economic aspects ; Equality Economic aspects ; Wealth ; USA ; Vermögensverteilung ; Macht ; Schwarze ; Sklaverei ; Diskriminierung ; Geschichte
    Kurzfassung: Antoney and Isabell -- Piracy and European Wealth -- Servants or Slaves? -- From Servitude to Slavery -- Legislating Faith, Love, and Lust -- Runaways and Rebels -- A House Built on Smoke -- Founding Debtors, Founding Documents -- A Great White Hope -- I Can't Breathe -- Before the Mast -- Over Coffee -- Hell on Wheels -- The Only Cowardly Blood -- A Second American Revolution -- Back Again Toward Slavery.
    Kurzfassung: "Of Blood and Sweat: Black Lives and the Genesis of White Power and Wealth tells the story of how Black lives and labor created White power and wealth in agriculture, politics, jurisprudence, law enforcement, culture, medicine, financial services, and other fields. Through the lives of individual Black men and women a deeper understanding unravels of the role Blacks played, directly and indirectly, in creating American institutions of power and wealth-while never allowed full participation. Today, activists have taken the struggle for racial equity and justice to the streets. Of Blood and Sweat depicts this struggle from pre-colonial Africa through post-Civil War America and a consistent theme emerges: Trace the history of almost any major American institution of power and wealth and you'll find it was created by Black Americans, or created to control them. Painstakingly researched, and comprehensively documented, Of Blood and Sweat is a compelling look at the past with broad implications for present-day calls for racial equity, racial justice, and the abolishment of systemic racism."
    Anmerkung: Includes bibliographical references
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  • 93
    ISBN: 9780226817989
    Sprache: Englisch
    Seiten: xxvi, 286 Seiten
    Ausgabe: Enlarged second edition with a new foreword by Isabel Wilkerson
    DDC: 305.5/12208996073075
    RVK:
    Schlagwort(e): African Americans ; Social classes ; Southern States Social conditions ; Southern States Economic conditions ; USA ; Wirtschaftliche Lage ; USA ; Soziale Klasse ; USA ; Schwarze ; USA ; Soziale Situation
    Kurzfassung: Foreword / Isabel Wilkerson -- Preface -- Part I. Deep south : a social anthropological study of caste and class / W. Lloyd Warner -- The system of color-castes -- The class system of the white caste -- The white upper-class family -- The white middle-class family -- The white lower-class family -- Social cliques in the white society -- Social mobility within the white caste -- The class system fo the colored caste -- Part II. Intimidation of labor -- The plantation in the social setting -- Relation between the caste system and the economic system -- Caste, class, and local government : white power -- Retrospect, 1965 : power and caste -- Afterword, 1986.
    Kurzfassung: "Deep South was originally published in 1941, documenting in startling detail the nuances, character, and lived realities of racism in a southern town. Allison Davis and his co-authors, Burleigh and Mary Gardner, all went undercover, not revealing their scholarly project or even their association with one another. Their analysis notably revealed the importance of caste and class to both Black and White worldviews, and it anatomized how those are constructed, reified, and reinforced. Deep South is freshly relevant today to those interested in the concept of caste and how it continues to inform the many flavors of American inequality"--
    Anmerkung: Includes bibliographical references and index
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  • 94
    Buch
    Buch
    Trier : Wissenschaftlicher Verlag Trier | New Orleans : University of New Orleans Press
    ISBN: 9783868219593 , 9781608012299
    Sprache: Englisch
    Seiten: 280 Seiten , Illustrationen
    Serie: Inter-American studies 25
    Serie: Inter-American studies
    DDC: 323.119607
    RVK:
    RVK:
    Schlagwort(e): Black power ; Black people Political activity ; Black people History 20th century ; African Americans Politics and government 20th century ; Black people Politics and government 20th century ; Konferenzschrift 2018 ; Konferenzschrift 2018 ; Amerika ; Black power ; Geschichte ; Lateinamerika ; USA ; Black power ; Schwarze ; Bürgerrechtsbewegung ; Geschichte
    Kurzfassung: "When SNCC leader Stokely Carmichael first called for "Black Power" on a Civil Rights march in 1966 he not only gave name to a movement that shaped one of the most significant periods of the African American freedom struggle in the USA. His background as son of migrants from Trinidad and Tobago also gives an indication on the international dimension of the Black Power movement. Black Power was informed by the ideas of Afro-diasporic intellectuals and Pan-Africanists such as W.E.B. DuBois, Marcus Garvey, Frantz Fanon, and Malcolm X. Deeply rooted in practices of Black transnationalism, Black Power heralded a new era of African American defiance, militancy, and cultural awareness, which transcended the U.S. and left its footprints throughout the Hemisphere, providing marginalized communities beyond national and cultural boundaries with meaningful symbols of resistance and self-affirmation in the face of racial oppression. Black Power's hemispheric impact encouraged the emergence of musical genres, antiracist movements, and border-crossing networks of solidarity among Afro-descendants in the Caribbean, Latin and North America, and continues to be a source of inspiration for the political and cultural expressions of the Black Americas in the 21st century as manifested by the Black Lives Matter movement. This compilation of essays by scholars and activists intends to fill an important gap by addressing Black Power within a historical, polyvocal and multi-locational approach shedding light on manifestations of Black Power from Brazil, Canada, Colombia, Cuba, Jamaica, Panama, Puerto Rico, Uruguay, the United States and their entanglements"--
    Anmerkung: Includes bibliographical references
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  • 95
    ISBN: 9783753302386 , 9781846382635 , 3753302384
    Sprache: Englisch
    Seiten: 267 Seiten , Illustrationen
    Serie: Exhibition histories
    DDC: 704.039604109045
    RVK:
    Schlagwort(e): Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Großbritannien ; Afrikaner ; Schwarze ; Künstler ; Kunstbetrieb ; Geschichte ; Künstler ; Person of Color ; Repräsentation ; Ausstellung ; Kunst ; Person of Color ; Kunstwissenschaft ; USA ; Großbritannien ; Schwarze ; Kunstausstellung ; Museum ; Kunstbetrieb ; Geschichte
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  • 96
    ISBN: 9780691209272 , 0691209278
    Sprache: Englisch
    Seiten: 133 Seiten , 29 cm
    DDC: 709.73
    RVK:
    Schlagwort(e): African Americans Exhibitions Violence against ; Black people Exhibitions Violence against ; African Americans in art Exhibitions ; Black people in art Exhibitions ; Violence in art Exhibitions ; African Americans Exhibitions Social conditions ; African American art Exhibitions 20th century ; African American art Exhibitions 21st century ; Racism Exhibitions History ; Art Exhibitions Political aspects ; Art, American Exhibitions 20th century ; Art, American Exhibitions 21st century ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; USA ; Schwarze ; Engagierte Kunst ; Rassismus ; Gewalt
    Kurzfassung: Preface / Huey Copeland -- A site of struggle / Janet Dees -- Making racial violence visible / Leslie M. Harris -- Functional abstractions : sensorial afterlives of the Black body / Sampada Aranke -- Black redaction, Black evidence : another testimony of Black life / LaCharles Ward -- Pausing at the threshold / Courtney R. Baker.
    Kurzfassung: Examines the vast array of art produced by African Americans in response to the continuing impact of anti-Black violence and how it is used to protest, process, mourn and memorialize those events
    Anmerkung: Impressum: This publication accompanies the exhibition "A Site of Struggle: American Art against Anti-Black Violence", organized by the Mary and Leigh Block Museum of Art, Northwestern University, on view at the Block January 26-July 10, 2022, and the Montgomery Museum of Fine Arts, August 13-November 6, 2022 , Includes bibliographical references (pages 127-131)
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  • 97
    Buch
    Buch
    Chapel Hill : University of North Carolina Press
    ISBN: 9781469668451
    Sprache: Englisch
    Seiten: 253 Seiten , Illustrationen
    DDC: 394.1/23
    RVK:
    Schlagwort(e): African Americans Food ; Blacks Food ; Food habits ; Food Social aspects ; Stigma (Social psychology) ; Racism against Blacks ; USA ; Schwarze ; Ernährungsgewohnheit ; Rassismus
    Kurzfassung: Worry about yourself: when food shaming Black folk is a thing -- It's a low-down, dirty shame: food and anti-Black racism -- In her mouth was an olive leaf pluck'd off: food choice in times of dislocation -- What's this in my salad? Food shaming, the real unhealthy ingredient -- Eating in the meantime: expanding African American food stories in a changing food world -- When racism rests on your plate, indeed, worry about yourself.
    Kurzfassung: "Psyche A. Williams-Forson is one of our leading thinkers about food in America. In Eating While Black, she offers her knowledge and experience to illuminate how anti-Black racism operates in the practice and culture of eating. She shows how mass media, nutrition science, economics, and public policy drive entrenched opinions among both Black and non-Black Americans about what is healthful and right to eat. Distorted views of how and what Black people eat are pervasive, bolstering the belief that they must be corrected and regulated. What is at stake is nothing less than whether Americans can learn to embrace nonracist understandings and practices in relation to food"--
    Anmerkung: Includes bibliographical references and index
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  • 98
    Buch
    Buch
    New York : Basic Books
    ISBN: 9781541672802
    Sprache: Englisch
    Seiten: 497 Seiten , Illustrationen
    Ausgabe: First edition
    DDC: 305.8
    RVK:
    RVK:
    Schlagwort(e): Barbour County, Ala. ; Weiße ; Vorherrschaft ; Freiheit ; Indianer ; Schwarze ; Unterdrückung ; Geschichte 1832-1968
    Kurzfassung: American freedom is typically associated with the fight of the oppressed for a better world. But for centuries, whenever the federal government intervened on behalf of nonwhite people, many white Americans fought back in the name of freedom—their freedom to dominate others. In Freedom’s Dominion, historian Jefferson Cowie traces this complex saga by focusing on a quintessentially American place: Barbour County, Alabama, the ancestral home of political firebrand George Wallace. In a land shaped by settler colonialism and chattel slavery, white people weaponized freedom to seize Native lands, champion secession, overthrow Reconstruction, question the New Deal, and fight against the civil rights movement. A riveting history of the long-running clash between white people and federal authority, this book radically shifts our understanding of what freedom means in America.
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  • 99
    ISBN: 9780520281844 , 9780520281837
    Sprache: Englisch
    Seiten: xvii, 287 Seiten
    Serie: Phono
    DDC: 780.8996073
    RVK:
    Schlagwort(e): Schwarze ; Afroamerikanische Musik ; Ethnische Identität ; USA
    Anmerkung: Includes bibliographical references and index
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  • 100
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478018872 , 9781478016236
    Sprache: Englisch
    Seiten: xiv, 218 Seiten
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; Rap (Music) / New York (State) / New York / History and criticism ; African American radio stations / New York (State) / New York ; Radio stations / New York (State) / New York / History ; Radio broadcasting / Deregulation / New York (State) / New York ; Radio in popular culture / New York (State) / New York ; MUSIC / Genres & Styles / Rap & Hip Hop ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; African American radio stations ; Radio broadcasting / Deregulation ; Radio in popular culture ; Radio stations ; Rap (Music) ; New York (State) / New York ; Criticism, interpretation, etc ; History ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Kurzfassung: "Breaks in the Air provides a social and cultural history of rap music on Black radio in New York City from the late 1970s to the late 1980s. Radio shows were crucial in the growth of hip hop in New York, and Klaess explores the intertwined histories of sounds, institutions, communities, and legal formations converging in that post-Civil Rights period. John Klaess offers a careful analysis of the city's three crucial commercial radio stations-WBLS-FM 107.5, WRKS-FM 98.7, and WHBI-FM 105.9-drawing on an archive of tape recordings of the stations' broadcasts. Klaess moves from a history of deregulation in the broadcasting industry to the ways that American racial politics inflected the broadcast of rap and looks at how these radio stations engaged with this unique historical situation, how technologies both aided and limited their broadcasts, how their broadcasts were received, and what the public broadcast of this music and culture meant to young people of color in New York"--
    Beschreibung / Inhaltsverzeichnis: Deregulating radio -- Sounding Black progress in the post-civil rights era -- Commercializing rap with Mr. Magic's rap attack -- Programming the street at WRKS -- Broadcasting the Zulu Nation -- Listening to the labor of the Awesome II Show
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