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  • GBV  (7)
  • München BSB
  • English  (7)
  • 2020-2024  (7)
  • Bielefeld : transcript  (7)
  • Computer Science  (5)
  • Art History  (2)
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  • 1
    ISBN: 9783839467107
    Language: English
    Pages: 1 Online-Ressource (318 Seiten)
    Series Statement: Edition Museum 74
    Series Statement: Edition Museum
    Parallel Title: Erscheint auch als AI in Museums
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    Keywords: ART / Museum Studies ; ART059000 ; Artificial intelligence ; COMPUTERS / Artificial Intelligence ; COMPUTERS / Computer Science ; Computer-Anwendungen in Kunst und Geisteswissenschaften ; Information technology: general issues ; Künstliche Intelligenz ; Museology & heritage studies ; Museums- und Denkmalkunde ; Artificial Intelligence ; Culture ; Digital Media ; Digitality ; Digitalization ; Museology ; Science ; Technology ; Aufsatzsammlung ; Digitalisierung ; Neue Medien ; Künstliche Intelligenz ; Museumskunde ; Maschinelles Lernen ; Deep learning
    Abstract: Artificial intelligence is becoming an increasingly important topic in the cultural sector. While museums have long focused on building digital object databases, the existing data can now become a field of application for machine learning, deep learning and foundation model approaches. This goes hand in hand with new artistic practices, curation tools, visitor analytics, chatbots, automatic translations and tailor-made text generation. With a decidedly interdisciplinary approach, the volume brings together a wide range of critical reflections, practical perspectives and concrete applications of artificial intelligence in museums and offers an overview of the current state of the debate.
    Abstract: Artificial intelligence is becoming an increasingly important topic in the cultural sector. While museums have long focused on building digital object databases, the existing data can now become a field of application for machine learning, deep learning and foundation model approaches. This goes hand in hand with new artistic practices, curation tools, visitor analytics, chatbots, automatic translations and tailor-made text generation. With a decidedly interdisciplinary approach, the volume brings together a wide range of critical reflections, practical perspectives and concrete applications of artificial intelligence in museums, and provides an overview of the current state of the debate.
    URL: Cover  (lizenzpflichtig)
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  • 2
    ISBN: 9783837666762 , 383766676X
    Language: English
    Pages: 210 Seiten , Illustrationen , 22.5 cm x 14.8 cm, 393 g
    Series Statement: Digital society volume 61
    Series Statement: Digital society
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Potsdam 2022
    DDC: 302.23101
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    Keywords: Leiblichkeit ; Virtuelle Realität ; Medienphilosophie ; Phenomenology ; Post-Phenomenology ; Virtual Reality ; Cognition ; Philosophy of Technology ; Neuro-Phenomenology ; Digitalization ; Aesthetics ; Media Philosophy ; Digital Media ; Media Aesthetics ; Media Studies ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Virtuelle Realität ; Leiblichkeit ; Medienphilosophie
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  • 3
    ISBN: 9783837657630 , 3837657639
    Language: English
    Pages: 377 Seiten , Illustrationen , 22.5 cm x 14.8 cm, 453 g
    Series Statement: Digital society volume 37
    Series Statement: Digitale Gesellschaft
    Parallel Title: Erscheint auch als (Dis)Obedience in digital societies
    DDC: 303.483
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    Keywords: Aufsatzsammlung ; Informationsgesellschaft ; Digitalisierung ; Informationstechnik ; Algorithmus ; Soziale Ungleichheit ; Diskriminierung ; Elektronische Überwachung ; Widerstand ; Gesellschaft ; Digitalisierung ; Kritik ; Gesellschaft ; Digitalisierung ; Einfluss ; Manipulation ; Algorithmus ; Einfluss ; Politik ; Gesellschaft
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  • 4
    ISBN: 9783839457634 , 9783732857630
    Language: English
    Pages: 1 Online-Ressource (377 Seiten) , Illustrationen
    Series Statement: Digital society volume 37
    Series Statement: Digitale Gesellschaft
    Parallel Title: Erscheint auch als (Dis)Obedience in digital societies
    DDC: 303.483
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    Keywords: Aufsatzsammlung ; Gesellschaft ; Digitalisierung ; Kritik ; Gesellschaft ; Digitalisierung ; Einfluss ; Manipulation ; Algorithmus ; Einfluss ; Politik ; Gesellschaft
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Cover  (lizenzpflichtig)
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  • 5
    Online Resource
    Online Resource
    Bielefeld : transcript
    ISBN: 9783839455609 , 383945560X
    Language: English
    Pages: 1 Online-Ressource (217 p)
    Series Statement: Science Studies
    Parallel Title: Erscheint auch als Voss, Laura More Than Machines? : The Attribution of (In)Animacy to Robot Technology
    DDC: 303.4834
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    Keywords: Robots Social aspects ; SOCIAL SCIENCE / Sociology / General ; Robots ; Social aspects ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Electronic books ; Hochschulschrift
    Abstract: 1. Robots Wanted – Dead And/Or Alive; 1.1. Making Love and Killing People: The Old and New Age of Robotics; 1.2. Hype, Hope, and Horror; 1.3. Robots and Science Fiction: Inseparably Linked; 1.4. Research Question and Approach; 1.5. Some Methodological Clarifications; 1.6. A Tour Along the Life Cycle of Robots -- 2. Disciplinary Context and Terminology; 2.1. Human-Robot-Interaction Research: “Controlling” In/Animacy Attributions; 2.2. Terminology: Anthropomorphism, Agency, Animacy, and More; 2.3. Disciplinary Perspectives: Animacy Attribution as an Object of Research vs. Methodological Malpractice -- 3. Making Robots: In/Animacy Attributions in Robotics Research and Development; 3.1. Complex Epistemic Practices in Long-Term HRI; 3.2. Approach; 3.3. The Robot Body in the Center of Attention; 3.4. The Robot as Tool and Team Member; 3.5. Testing in the Real World: The Unpredictable Robot; 3.6. Switching Perspectives: In/Animacy Attributions as Constructive Practice; 3.7. Summary -- 4. Showing Off Robots: In/Animacy Attributions in Robotics Demonstrations, Science Communication, and Marketing; 4.1. Demo or Die: Outreach, Engagement, and Accountability; 4.2. Approach; 4.3. Narratives of Agency: Proof of Functionality; 4.4. Narratives of Desired Futures: Proof of Applicability; 4.5. Narratives of Animacy: Making Robots Engaging; 4.6. Switching Perspectives: In/Animacy Attributions as Constructive Practice; 4.7. Critical Discourse: Simulation or Deception?; 4.8. Summary -- 5. Reporting on Robots: In/Animacy Attributions in Media Discourse; 5.1. Robotics and Medialization; 5.2. Approach; 5.3. Hope, Horror, and Science Fiction; 5.4. From Human-Shaped Software to the Robot Apocalypse: Practices of Animacy Attribution; 5.5. Switching Perspectives: In/Animacy Attributions as Constructive Practice; 5.6. Critical Discourse: Animacy Attributions as Traffic Bait?; 5.7. Summary -- 6. Conclusions … and Openings; 6.1. A Recapitulation; 6.2. The Constructive Quality of In/Animacy Attributions; 6.3. Critical Discourse: Individual and Systemic Issues; 6.4. In/Animacy: Beyond Robotics; 6.5. Speaking Clearly: A Take-Home Message
    Abstract: We know that robots are just machines. Why then do we often talk about them as if they were alive? Laura Voss explores this fascinating phenomenon, providing a rich insight into practices of animacy (and inanimacy) attribution to robot technology: from science-fiction to robotics R&D, from science communication to media discourse, and from the theoretical perspectives of STS to the cognitive sciences. Taking an interdisciplinary perspective, and backed by a wealth of empirical material, Voss shows how scientists, engineers, journalists - and everyone else - can face the challenge of robot technology appearing »a little bit alive« with a reflexive and yet pragmatic stance
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Full-text  ((OIS Credentials Required))
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  • 6
    ISBN: 9783837652949 , 3837652947
    Language: English
    Pages: 215 Seiten , Illustrationen , 22.5 cm x 14.8 cm, 618 g
    Series Statement: Image volume 180
    Series Statement: Image
    Parallel Title: Erscheint auch als Adusei-Poku, Nana Taking stakes in the unknown
    Parallel Title: Erscheint auch als Adusei-Poku, Nana Taking stakes in the unknown
    DDC: 701.03
    RVK:
    Keywords: Bradford, Mark 1961- ; Hewitt, Leslie 1977- ; Thomas, Mickalene 1971- ; Thomas, Hank Willis 1976- ; Metz, Philip 1971- ; Engagierte Kunst ; Schwarze ; Postkolonialismus ; Kunst ; Afroamerikanismus ; Bradford, Mark 1961- ; Kunst ; Rassismus ; Postkolonialismus ; Hewitt, Leslie 1977- ; Kunst ; Rassismus ; Geschlechterforschung ; Thomas, Mickalene 1971- ; Thomas, Hank Willis 1976-
    Note: Literaturverzeichnis: Seite 193-215
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  • 7
    Online Resource
    Online Resource
    Bielefeld : transcript
    ISBN: 9783839452943
    Language: English
    Pages: 1 Online-Ressource (215 Seiten) , Illustrationen
    Series Statement: Image volume 180
    Series Statement: Image
    Parallel Title: Erscheint auch als Adusei-Poku, Nana Taking stakes in the unknown
    DDC: 700.411
    RVK:
    Keywords: Art, Black ; Blacks in art ; Blacks--Race identity ; Electronic books ; Bradford, Mark 1961- ; Hewitt, Leslie 1977- ; Thomas, Mickalene 1971- ; Thomas, Hank Willis 1976- ; Metz, Philip 1971- ; Engagierte Kunst ; Schwarze ; Postkolonialismus ; Kunst ; Afroamerikanismus ; Bradford, Mark 1961- ; USA ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Abstract: Cover -- Contents -- Acknowledgement -- I. Introduction -- II. Destabilizing Meaning -- 1. The Textures of History -- 2. What is the script of your time? -- 2.1 I am everything and now what? -- 3. Economies of the Double-bind -- 3.1 ADS IMITATE ART, ART IMITATES LIFE, and LIFE IMITATES ADS. -- 3.2 The Economy of Blackness in Unbranded -- III. Historical Entanglements of Black Revolutionary Women -- 1. De-Interpellating Interpellation-Visual Disobediences -- 2. How do I look? (Very good, I must say I am amazed!) -- 3. O my Body, will always remain in question!- Reviewing the Fanonian Moment -- 3.1 The Colonial Gaze -- 3.2 Entanglements -- IV. Heterotemporality as a Way of Understanding the Contemporary -- 1. Reclaiming our time -- 2. Riffs on Real Time and the present that is fleeting though captured -- 2.1 Possible Presents -- 3. Rewind Selecta -- 4. Hetero-temporality -- V. Paradox Synchronicities -- 1. Contextualization -- 2. IWHISHIWAS or WISHIWASHI ? -- 2.1 Taking a Closer Look -- 2.2 Disposed Desires -- 2.3 Retrospective Introspectives -- 2.4 Visual and Temporal Polyphonies -- 3. From Leitkultur to Leightkultur -- VI. Abstract Facts -- 1. Enter and Exit the New Negro -- 1.1 Quare-"Built in History" -- 2. Enter and Exit the New Negro-From Invisible Visibilities -- 2.1 (Qu-)hair Politics and Material Connections -- 3. Enter the New Negro -- 3.1 Exit the New Negro -- 4. Ambiguity as Chance-Abstraction as Means of Identity -- 4.1 hidin' like thieves in the night from life, Illusions of osasis makin' you look twice -- 4.2 Norman Lewis-the not quite "invisible man" of abstract expressionism -- 4.3 Playing by the Rules-Turn off the light! -- VII. Post-Post-black -- VIII. Bibliography.
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