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  • BSZ  (69)
  • HU-Berlin Edoc
  • 2015-2019  (69)
  • Electronic books  (69)
  • Musicology  (43)
  • Computer Science  (26)
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  • 1
    ISBN: 9783839447192
    Language: English
    Pages: 1 Online-Ressource (331 Seiten) , Illustrationen
    Series Statement: AI critique volume 1
    Parallel Title: Erscheint auch als The democratization of artificial intelligence
    DDC: 303.483
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    Keywords: Social sciences ; Social Science / Media Studies ; Electronic books ; Konferenzschrift 2018 ; Electronic books ; Konferenzschrift 2018 ; Aufsatzsammlung ; Electronic books. ; Electronic books ; Konferenzschrift 2018 ; Konferenzschrift 2018 ; Electronic books. ; Künstliche Intelligenz ; Algorithmus ; Demokratisierung ; Künstliche Intelligenz ; Medienpolitik
    Abstract: After a long time of neglect, Artificial Intelligence is once again at the center of most of our political, economic, and socio-cultural debates. Recent advances in the field of Artifical Neural Networks have led to a renaissance of dystopian and utopian speculations on an AI-rendered future. Algorithmic technologies are deployed for identifying potential terrorists through vast surveillance networks, for producing sentencing guidelines and recidivism risk profiles in criminal justice systems, for demographic and psychographic targeting of bodies for advertising or propaganda, and more generally for automating the analysis of language, text, and images. Against this background, the aim of this book is to discuss the heterogenous conditions, implications, and effects of modern AI and Internet technologies in terms of their political dimension: What does it mean to critically investigate efforts of net politics in the age of machine learning algorithms?
    Note: Von der letzten BuchseiteIn "acknowledgments" : ... "is based in part on contributions from an international coference that took place in Bochum in 2018" , Literaturangaben
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  • 2
    ISBN: 9783839448496
    Language: German
    Pages: 1 Online-Ressource (353 Seiten)
    Series Statement: Kultur und soziale Praxis
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Stoffers, Nina, 1978 - Kulturelle Teilhabe durch Musik?
    Dissertation note: Dissertation Humboldt-Universität zu Berlin
    DDC: 306.4842
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    Keywords: Electronic books ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Musikerziehung ; Kulturpädagogik ; Teilhabe ; Außerschulische Jugendbildung ; Ethnosoziologie ; Multikulturelle Gesellschaft ; Gruppenarbeit ; Ausgrenzung
    Abstract: Die Idee kultureller Teilhabe wird in wissenschaftlichen und gesellschaftspolitischen Kontexten immer wichtiger - mit entsprechenden Hoffnungen verbunden ist dabei insbesondere die Förderung von benachteiligten Gruppen. Dem Diskurs inhärent ist jedoch, dass das Ziel kultureller Teilhabe in sein Gegenteil verkehrt werden und zu einer inkludierenden Exklusion führen kann. Nina Stoffers zeigt, wie dieses Spannungsverhältnis wechselseitig voneinander abhängiger Strategien des Empowerment und des Othering gerade in transkulturellen Musikprojekten mit Kindern und Jugendlichen austariert wird. Kulturelle Teilhabe wird dabei als diversitätssensible und rassismuskritische Praxis begreifbar
    Abstract: Frontmatter -- Inhalt -- Danksagung -- Teil I: Einleitung -- 1. Forschungshorizont -- 2. Forschungsperspektive -- 3. Aufbau -- Teil II: Theoretische Grundlagen -- 1. Kulturelle Bildung -- 2. Bedeutungsvarianten des Kulturbegriffs -- 3. Transkulturalität -- 4. Kulturelle Teilhabe -- Teil III: Methodik -- 1. Das Forschungsfeld und seine Erschließung -- 2. Standortgebundenheit, methodisch kontrolliertes Fremdverstehen und ethische Forschungshaltung -- 3. Erhebungsmethoden -- 4. Erhebung und Sampling -- 5. Auswertungsmethoden -- 6. Darstellung der Daten -- Teil IV: Transkulturelle Musikprojekte -- Einleitung -- A. Heimat re-invented (Köln) -- Steckbrief -- Übersicht der Szenen von Heimat re-invented -- 1. Selbst- und Fremdbild: (Re-)Präsentationen in Antrag, Homepage, Evaluation und Presse -- 2. Zur Relevanz der Dramaturgie: Wer hält die Fäden in der Hand? -- 3. Was wird aufgeführt und wer steht auf der Bühne? Zur Auswahl des Repertoires und der Teilnehmenden -- 4. Kostüme und Requisiten -- 5. Wer arbeitet wie? Die Arbeitsweisen der künstlerischen Dozentinnen -- 6. Für wen ist das Projekt? Erwartungen und Ziele aus künstlerischen und pädagogischen Perspektiven -- 7. Titel und Rahmen -- 8. Exkurs: Der Umgang mit Klischees und Stereotypen -- B. Philharmonischer Verein der Sinti und Roma (Frankfurt/Main) -- Steckbrief -- 1. Titel und Rahmen -- 2. Auswahl des Repertoires und der Teilnehmenden -- 3. Selbst- und Fremdbild -- C. Zukunftsmusik (Berlin) -- Steckbrief -- 1. Titel und Rahmen -- 2. Auswahl des Repertoires und der Teilnehmenden -- 3. Selbst- und Fremdbild -- Teil V: Im Spannungsfeld von Empowerment und Othering -- 1. Sichtbarkeit -- 2. Kompetenzorientierung -- 3. Zuschreibungen -- 4. Musik als Mittel zum Zweck? -- 5. Schlüsselkategorie: Das Spannungsfeld von Empowerment und Othering -- Teil VI: Fazit und Ausblick -- Einleitung -- Inkludierende Exklusion -- Ausblick -- Teil VII: Anhang -- Materialauflistung und Abkürzungsverzeichnis -- 1. Allgemein -- 2. Projekt A: Heimat re-invented (Köln) -- 3. Projekt B: Philharmonischer Verein der Sinti und Roma (Frankfurt/Main) -- 4. Projekt C: Zukunftsmusik (Berlin) -- Teil VIII: Bibliografie
    Note: Description based on publisher supplied metadata and other sources
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  • 3
    ISBN: 9781349958191
    Language: English
    Parallel Title: Erscheint auch als Alleyne, Brian Geek and hacker stories
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    Keywords: Geeks (Computer enthusiasts) Social aspects ; Hackers Social aspects ; Computers Social aspects ; Geeks (Computer enthusiasts)-Comic books, strips, etc ; Geeks (Computer enthusiasts)-Comic books, strips, etc ; Electronic books ; Computerfreak ; Hacker ; Kultur ; Erzählen
    Abstract: Geeks, hackers and gamers share a common ‘geek culture’, whose members are defined and define themselves mainly in terms of technology and rationality. The members of geek culture produce and circulate stories to express who they are and to explain and justify what they do. Geek storytelling draws on plots and themes from the wider social and cultural context in which geeks live. The author surveys many stories of heated exchanges and techno-tribal conflicts that date back to the earliest days of personal computing, which construct the “self” and the “enemy”, and express and debate a range of political positions. Geek and Hacker Stories will be of interest to students of digital social science and media studies. Both geeky and non-technical readers will find something of value in this account.--
    Abstract: Can We Be Ethical Consumer Geeks? I Want a Fairphone, September 2017Once We Were Psioneers; Being Linux; Being a Geek; References; Chapter 6: Afterword: Coda; Index
    Abstract: Intro; Preface; Acknowledgements; Contents; Chapter 1: Initialise (Key Ideas); Introducing Geeks, Culture, and Storytelling; What Is Geek Culture?; Methodology; Sources; Summary; References; Chapter 2: Representing Geeks; Clever People and Social Misfits; The Hippie Who Changed Everything; The Breakthrough; The Gender of the Geek; The Geek's Journey; Start-up: Founders' Stories; Summary; References; Chapter 3: Platform War Stories; Plotting the Switch; When You Go Mac, You Never Go Back; Embrace the Penguin; Switching (Back) to Windows; The Year of the Linux Desktop
    Abstract: Plotting Android as a Win for LinuxNarrating Self and Enemy; Plotting Market Share, Capturing Mind Share; The Microsoft Villain; Summary; References; Chapter 4: Geek Political Narrative; Politics and Geek Storytelling; Utopians, Communitarians, Anarchists, and Libertarians; Narrating the State and Democracy; Narrating Meritocracy and Its Discontents; Performing Politics in Geek Narrative; Summary; References; Chapter 5: Notes from a Geek Autobiography; Diary: December 17th, 2007; Becoming a Geek; Gadgets, Code, and Other Obsessions
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  • 4
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    New York : Bloomsbury Academic | London : Bloomsbury Publishing
    ISBN: 9781501330209 , 9781501330193
    Language: English
    Pages: 1 Online-Ressource (xv, 178 pages) , illustrations
    Series Statement: 33 1/3 Japan
    Parallel Title: Erscheint auch als Roberts, Martin Cornelius's Fantasma
    DDC: 781.63
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    Keywords: Cornelius ; Popular music History and criticism 1991-2000 ; Electronic books ; Biografie ; Biografie ; Electronic books ; Biografie ; Japan ; Popmusiker ; Musikalbum ; Geschichte 1997 ; Volkstümliche Musik ; Unterhaltungsmusik ; Geschichte 1997 ; Cornelius 1969-
    Abstract: "In Tokyo in the early 1990s, an indie band called Flipper's Guitar was at the forefront of a new wave in Japanese popular music known as Shibuya-kei. The band's founder, Keigo Oyamada, would go on to produce, under the name Cornelius, a series of albums that are among the most innovative in Japanese popular music of the past two decades. Oyamada's third album under his Cornelius alter-ego, Fantasma (1997), played a key role in putting J-pop on the world map for Western music fans, and Oyamada himself is today one of the most respected figures in the Japanese music industry. This book tells the story of Fantasma's emergence from the Shibuya-kei scene and considers the wider impact of Oyamada's work both internationally and on Japanese popular music today. 33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-based books and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more"--Bloomsbury Collections
    Abstract: Dedication -- Epigraph -- Note on Transliterations and Japanese Names -- Preface: White Rabbit -- Chapter 1. From Nakameguro to Everywhere -- Chapter 2. Magic Kingdom -- Chapter 3. Ape Shall Not Kill Ape -- Chapter 4. Mutations -- Chapter 5. Pet Sounds -- Chapter 6. Merrie Melodies -- Chapter 7. Three-Dimensional Music -- Chapter 8. Analog Afterlives -- Chapter 9. Double Fantasy -- Notes -- Bibliography -- Permissions -- Index.
    Note: Includes bibliographical references and index
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  • 5
    ISBN: 9780253040565
    Language: English
    Pages: 1 online resource (226 pages)
    Additional Information: Rezensiert in Uslin, Karen L. [Rezension von: Kita, Caroline A., Jewish Difference and the Arts in Vienna] 2021
    Series Statement: German Jewish Cultures Ser.
    Parallel Title: Erscheint auch als Kita, Caroline A. Jewish difference and the arts in Vienna
    DDC: 780.943613
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    Keywords: Music-Austria-Vienna-History and criticism ; Music-Austria-Vienna-History and criticism ; Electronic books ; Biblisches Drama ; Juden ; Mitgefühl ; Musik ; Literatur ; Bibel Altes Testament ; Juden ; Wien ; Geschichte 1876-1918
    Abstract: Jewish Difference and the Arts in Vienna explores how Jewish writers and composers sought, through their engagement with musical forms and styles, to capture Jewish voices and their dynamic expression of compassion and otherness.
    Abstract: Cover -- Title -- Copyright -- Dedication -- Contents -- Preface -- Acknowledgments -- Note on Translation -- Introduction -- 1. A Case for Compassion: Siegfried Lipiner's Adam -- 2. Voicing Compassion: Gustav Mahler's Second and Third Symphonies -- 3. Polyphony as a Poetics of Compassion: Arnold Schoenberg's Die Jakobsleiter -- 4. Dialogues of Compassion: Richard Beer-Hofmann's Jaákobs Traum -- 5. Compassion as Communal Song: Stefan Zweig's Jeremias -- Epilogue -- Bibliography -- Index -- About the Author.
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  • 6
    ISBN: 9781478003342
    Language: English
    Pages: 1 Online-Ressource (xii, 373 Seiten)
    Parallel Title: Erscheint auch als From Russia 〈with〉 code
    DDC: 303.48/330947
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    Keywords: Information technology Social aspects ; Computer software Development ; Social aspects ; Brain drain ; Hacking Social aspects ; Hacking Political aspects ; Russia (Federation) Emigration and immigration ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Russland ; Russen ; Informatiker ; Auswanderung ; Russland ; Informatiker ; Auswanderung
    Abstract: While Russian computer scientists are notorious for their interference in the 2016 US presidential election, they are ubiquitous on Wall Street and coveted by international IT firms and often perceive themselves as the present manifestation of the past glory of Soviet scientific prowess. Drawing on over three hundred in-depth interviews, the contributors to From Russia with Code trace the practices, education, careers, networks, migrations, and lives of Russian IT professionals at home and abroad, showing how they function as key figures in the tense political and ideological environment of technological innovation in post-Soviet Russia. Among other topics, they analyze coders' creation of both transnational communities and local networks of political activists; Moscow's use of IT funding to control peripheral regions; brain drain and the experiences of coders living abroad in the United Kingdom, United States, Israel, and Finland; and the possible meanings of Russian computing systems in a heterogeneous nation and industry. Highlighting the centrality of computer scientists to post-Soviet economic mobilization in Russia, the contributors offer new insights into the difficulties through which a new entrepreneurial culture emerges in a rapidly changing world.
    Abstract: Contributors: Irina Antoschyuk, Mario Biagioli, Ksenia Ermoshina, Marina Fedorova, Andrey Indukaev, Alina Kontareva, Diana Kurkovsky, Vincent Lépinay, Alexandra Masalskaya, Daria Savchenko, Liubava Shatokhina, Alexandra Simonova, Ksenia Tatarchenko, Zinaida Vasilyeva, Dimitrii Zhikharevich
    Abstract: Cover -- Contents -- List of Abbreviations -- Acknowledgments -- Introduction: Russian Economies of Codes -- I. Coding Collectives -- One. Before the Collapse: Programming Cultures in the Soviet Union -- Two. From Lurker to Ninja: Creating an it Community at Yandex -- Three. For Code and Country: Civic Hackers in Contemporary Russia -- II. Outward-Looking Enclaves -- Four. At the Periphery of the Empire: Recycling Japanese Cars into Vladivostok's it Community -- Five. Kazan Connected: "it-ing Up" a Province -- Six. Hackerspaces and Technoparks in Moscow -- Seven. Siberian Software Developers -- Eight. E-Estonia Reprogrammed: Nation Branding and Children Coding -- III. Interlude: Russian Maps -- Nine. Post-Soviet Ecosystems of it -- IV. Bridges and Mismatches -- Ten. Migrating Step by Step: Russian Computer Scientists in the UK -- Eleven. Brain Drain and Boston's "Upper-Middle Tech -- Twelve. Jews in Russia and Russians in Israel -- Thirteen. Russian Programmers in Finland: Self-Presentation in Migration Narratives -- Contributors -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y.
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  • 7
    ISBN: 9783836266208
    Language: German
    Pages: 1 online resource (837 pages)
    Edition: 2nd ed.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Steireif, Alexander Handbuch Online-Shop
    DDC: 302.30285
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    Keywords: Online-Handel ; Electronic books ; Online trade ; Online social networks.. ; Online-Shop ; Unternehmensgründung ; Online-Shop ; Unternehmensgründung ; Electronic Commerce ; Online-Marketing
    Abstract: Intro -- Geleitwort -- Vorwort -- 1 Bevor Sie starten - analysieren und vorbereiten -- 1.1 Bevor Sie mit dem Lesen dieses Buches starten -- 1.1.1 An wen richtet sich dieses Buch? -- 1.1.2 Wie arbeiten Sie am besten mit diesem Buch? -- 1.1.3 Was dieses Buch nicht leistet -- 1.2 Ist Ihr Unternehmen bereit für den Online-Handel? -- 1.2.1 Akzeptanz für das Thema E-Commerce -- 1.2.2 Kunden und potenzielle Kunden -- 1.2.3 Lieferanten bzw. Hersteller -- 1.2.4 Vorhandene Ressourcen -- 1.2.5 Vorhandenes Know-how -- 1.2.6 Investitionsbereitschaft -- 1.2.7 Das richtige Mindset -- 1.2.8 Eignen sich Ihre Produkte für den Online-Handel? -- 1.2.9 Sonstiges -- 1.3 Der Start in den Online-Handel -- 1.3.1 Vom stationären Handel ins Internet -- 1.3.2 Analyse von Herausforderungen -- 1.3.3 Vorteile identifizieren und entwickeln -- 1.3.4 Mögliche Werbe- und Vermarktungskanäle -- 1.3.5 Eigener Online-Shop oder Marktplätze? -- 1.3.6 Planen Sie lieber etwas länger und dafür genauer -- 1.4 Mit welchen Kosten und Zeitinvestitionen müssen Sie rechnen? -- 1.4.1 Entwicklung der E-Commerce-Strategie -- 1.4.2 Ausarbeitung der Anforderungen und Projektplanung -- 1.4.3 Designentwicklung -- 1.4.4 Technische Realisierung -- 1.4.5 Inhaltserstellung -- 1.4.6 Ausarbeitung und Durchführung der Werbemaßnahmen -- 1.4.7 Schulung der Mitarbeiter -- 1.4.8 Testphase und Going-live -- 1.5 Projekte mit einer Agentur oder inhouse durchführen -- 1.5.1 Vor- und Nachteile einer Inhouse-Entwicklung gegenüber einer Zusammenarbeit mit Agenturen -- 1.5.2 Welche Informationen müssen im Vorfeld erarbeitet werden? -- 1.5.3 Ihre Rolle innerhalb eines E-Commerce-Projekts -- 1.5.4 Projektmanagement und Qualitätssicherung -- 1.6 Den richtigen Implementierungspartner finden -- 1.7 Erstellung eines Anforderungskatalogs -- 1.7.1 Realisierungszeitraum (Start und Ende) -- 1.7.2 Projektbudget.
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  • 8
    Online Resource
    Online Resource
    Baden-Baden : Tectum Verlag
    ISBN: 9783828871823
    Language: German
    Pages: 1 Online-Ressource (vii, 161 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Bruhn, Jürgen, 1937 - KI
    DDC: 303.4834
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    Keywords: Artificial intelligence-Social aspects ; Electronic books ; Digitalisierung ; Künstliche Intelligenz ; Gesellschaft ; Zukunft ; Künstliche Intelligenz ; Wirtschaft ; Gesellschaft ; Künstliche Intelligenz ; Prognose ; Künstliche Intelligenz ; Zivilgesellschaft ; Regulierung
    Abstract: Intro -- Inhalt -- Kapitel 1. Silicon Valley und die digitale Revolution -- Kapitel 2. Künstliche Intelligenz -- Kapitel 3 Wissenschaft oder Science-Fiction? -- Kapitel 4 Die Geister, die wir riefen -- Anmerkungen.
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  • 9
    Online Resource
    Online Resource
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    DDC: 780
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    Keywords: Geschichte ; Unterhaltungsmusik ; Public Diplomacy ; Cultural History ; Diplomacy ; History of the 20th Century ; History ; International Relations ; Music ; Musicology ; Politics ; Pop Music ; Popular Culture ; Unterhaltungsmusik ; Public Diplomacy ; MUSIC / History & Criticism ; Electronic books
    Abstract: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Jun 2019)
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  • 10
    ISBN: 3839446678 , 9783839446676
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Musik und Klangkultur 35
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    Keywords: Music ; Musicology ; Ethnomusicology ; SOCIAL SCIENCE / General ; MUSIC / History & Criticism ; Music ; Musicology ; Ethnomusicology ; Electronic books ; Konferenzschrift ; Aufsatzsammlung
    Abstract: Frontmatter --Content --Introduction-Music practices across borders /Peres da Silva, Glaucia / Hondros, Konstantin --Valuation in a reversed economy /Fryberger, Annelies --Culture, creativity and practice /Wafula, Mukasa Situma --"Come and expose yourself to the fantastic music from around the world" /Lell, Peter --From desire for recognition to desire for independence /Le Coz, Sandrine --The invention of African art music /Riva, Nepomuk --Contemplating musical life in Tunisia under the French protectorate-the society and challenges /El Kahla, Alla --The construction of an Italian diasporic identity in the city of Buenos Aires at the turn of the 19th century /Anabel González, Daniela --Brazilian grooves and cultured clichés /Boy Bystron, Janco / Santana, Chico --About the authors
    Abstract: Reconnecting migration studies and the theory of valuation, this collection offers an interdisciplinary approach to the study of transnational music practices. Music is here approached as a practice not confined by audibility - rather, it is "seen" when the YouTube video is clicked, "felt" when the subwoofer vibrates, and "smelled" when the festival crowd dances: practices make music emerge in concrete situations constituted by people, objects, techniques, meanings, and emotions. Through these practices, values are created and shared which connect a way of music-making with objects and places of experiencing music unconfined by borders of any kind
    Note: In English
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  • 11
    Online Resource
    Online Resource
    Wien : Hollitzer Wissenschaftsverlag
    ISBN: 9783990125786
    Language: German
    Pages: 1 online resource (169 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 781.62
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    Keywords: Rhythm ; Electronic books ; Musikerziehung ; Lautmalerei ; Rhythmus ; Pattern
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  • 12
    Online Resource
    Online Resource
    New Brunswick : Rutgers University Press
    ISBN: 9781978808157
    Language: English
    Pages: 1 online resource (248 pages)
    Parallel Title: Erscheint auch als
    DDC: 306.48424
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    Keywords: Popular music-Political aspects-History ; Popular music-Social aspects-History ; Electronic books ; Electronic books
    Abstract: Cover Page -- Title Page -- Copyright Page -- Contents -- Introduction -- Chapter 1. Musical Workers of the World Unite: Joe Hill, Woody Guthrie, and Pete Seeger -- Chapter 2. There for More Than Fortune: Phil Ochs, Joan Baez, and Bob Dylan -- Chapter 3. Caged Artists: Lesley Gore, Janis Ian, and P. F. Sloan -- Chapter 4. Parody and Poetry: Tom Lehrer -- Peter, Paul and Mary -- and The Smothers Brothers -- Chapter 5. Psychedelicate Situations: Jimi Hendrix and Pink Floyd -- Chapter 6. Reason and Blues: Marvin Gaye and The Temptations -- Chapter 7. Say It Loud, We're Blocked but Proud: James Brown and Curtis Mayfield -- Chapter 8. Hard Rock Turns Metallic: The Who and Black Sabbath -- Chapter 9. More Than a Working-Class Hero: John Lennon and The Beatles -- Chapter 10. Out of Place and In Your Face: The Dead Kennedys and The Sex Pistols -- Chapter 11. Word: Gil Scott-Heron and Grandmaster Flash -- Chapter 12. Global Music Consciousness: Bob Marley and Peter Gabriel -- Chapter 13. Weird, Funny, Smart, Angry: Frank Zappa versus Everyone -- Chapter 14. Rap, Not Hip-Hop: NWA and Public Enemy -- Chapter 15. Weapons of Mass Deconstruction: Dixie Chicks and Green Day -- Epilogue: Music Is Power -- Acknowledgments -- Bibliography -- Index -- About the Author.
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  • 13
    ISBN: 1315408570 , 1315408554 , 1315408562 , 9781315408576 , 9781315408552 , 9781315408569
    Language: English
    Pages: 1 Online-Ressource (1 online resource)
    Edition: Second edition
    Parallel Title: Erscheint auch als Theory for ethnomusicology
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    Keywords: Ethnomusicology ; Ethnomusicology ; Music Philosophy and aesthetics ; MUSIC / Ethnomusicology ; bisacsh ; Ethnomusicology ; fast ; (OCoLC)fst00916186 ; Electronic books ; Musikethnologie ; Musiksoziologie ; Musikphilosophie
    Abstract: Theory for Ethnomusicology: Histories, Conversations, Insights, Second Edition, is a foundational work for courses in ethnomusicological theory. The book examines key intellectual movements and topic areas in social and cultural theory, and explores the way they have been taken up in ethnomusicological research. New co-author Harris M. Berger and Ruth M. Stone investigate the discipline's past, present, and future, reflecting on contemporary concerns while cataloging significant developments since the publication of the first edition in 2008. A dozen contributors approach a broad range of theoretical topics alive in ethnomusicology. Each chapter examines ethnographic and historical works from within ethnomusicology, showcasing the unique contributions scholars in the field have made to wider, transdisciplinary dialogs, while illuminating the field's relevance and pointing the way toward new horizons of research. New to this edition: Every chapter in the book is completely new, with richer and more comprehensive discussions. New chapters have been added on gender and sexuality, sound and voice studies, performance and critical improvisation studies, and theories of participation. New text boxes and notes make connections among the chapters, emphasizing points of contact and conflict among intellectual movements
    Note: Includes bibliographical references and index
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  • 14
    Online Resource
    Online Resource
    New York : Bloomsbury Academic & Professional
    ISBN: 9781501346606
    Language: English
    Pages: 1 online resource (201 pages)
    Parallel Title: Erscheint auch als
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    Keywords: Electronic books ; Europa ; Jazz ; Forschung ; Musikerziehung ; Musikförderung ; Netzwerk ; Kulturelle Identität
    Abstract: Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Preface -- Acknowledgements -- Abbreviations -- Introduction -- 1 Researching jazz in Europe today -- 2 Challenges for European jazz networking -- 3 Current strategies -- 4 Giving voice to ground players -- Conclusions -- References -- Index.
    Note: Description based on publisher supplied metadata and other sources
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  • 15
    Online Resource
    Online Resource
    Bielefeld : Transcipt Verlag
    ISBN: 9783839439838
    Language: German
    Pages: 1 Online-Ressource (357 pages)
    Series Statement: Histoire Band 118
    Parallel Title: Print version Schürmer, Anna Klingende Eklats : Skandal und Neue Musik
    DDC: 306
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    Keywords: Popular culture ; Electronic books ; Hochschulschrift ; Hochschulschrift
    Abstract: Cover -- Inhalt -- KLINGENDE HISTORIOGRAPHIE (Einleitung) -- REFERENZEN und CHIFFREN (Exposition) -- AGON und SKANDAL (Durchführung #1) -- ELEKTRONISCHE EKLATANZ (Durchführung #2) -- TRANSKULTURELLE TRANSFERS (Durchführung #3) -- QUERSTAND von KUNST und POLITIK (Durchführung #4) -- ANALYTISCHE KONTRAPUNKTE (Reprise) -- BIBLIOGRAPHIE
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    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 16
    Online Resource
    Online Resource
    Baltimore : Johns Hopkins University Press
    ISBN: 9781421423975
    Language: English
    Pages: 1 Online-Ressource (x, 203 Seiten) , Illustrationen
    Series Statement: Tech.edu
    Series Statement: Tech. edu: a Hopkins Series on Education and Technology Ser.
    Parallel Title: Print version Bell, Kevin Game On! : Gamification, Gameful Design, and the Rise of the Gamer Educator
    Parallel Title: Erscheint auch als Bell, Kevin, 1966 - Game on!
    DDC: 378.17344678
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    Keywords: Education, Higher Effect of technological innovations on ; Education, Higher Computer-assisted instruction ; Internet in higher education ; Gamification ; Computer games ; Educational games ; Electronic books
    Abstract: The changing student body in American higher education demands a new approach to teaching, one that moves toward inclusive, hyperpersonalized learning environments that have much in common with games and social media. Kevin Bell's Game On! presents dynamic case studies of gamer educators and game-derived techniques to help instructors creatively formulate their own teaching strategies. Breaking gamefully designed classes into their component parts, Bell analyzes what these classes are actually doing and explains why they work. He offers faculty a rubric to assess their own courses for their propensity to engage students, particularly those from low socioeconomic and high-risk populations. Bell explores how game design, pedagogy, and intrinsic motivators can level the playing field to produce rigorous learning environments that are as addictive to all participants as the latest apps and social media systems. He also discusses best practices, lays out the broader context of computer-mediated teaching and learning, and considers the challenges and opportunities that gamification presents. Instructors would do well to consider the key tenets of successful games if they are to engage and graduate the coming generations of learners. Bell's careful analysis of the theories behind gamification, cognitive science, and instructional design will help them to do just that.
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  • 17
    ISBN: 9783791039480 , 9783791039497
    Language: German
    Pages: 1 Online-Ressource (XX, 316 Seiten) , Illustrationen
    Edition: 2., aktualisierte und erweiterte Auflage
    Parallel Title: Erscheint auch als Gloger, Boris Das Scrum-Prinzip
    DDC: 658.3
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    Keywords: Arbeitsgruppe ; Selbstorganisation ; Organisatorischer Wandel ; Lernende Organisation ; Unternehmenserfolg ; Organizational change-Germany ; Organizational change-Germany ; Electronic books ; Fallstudie ; Fallstudie ; Management ; Scrum
    Abstract: Cover -- Titel -- Impressum -- myBook -- Inhaltsverzeichnis -- Vorwort zur 2. Auflage -- Vorwort -- Eine kurze Wegbeschreibung -- Prolog -- Teil I Auf der Suche nach der agilen Organisation - Boris Gloger -- 1 Es war einmal der Kunde -- 1.1 Wurzeln der Agilität -- 1.2 Im Konflikt – der Einzelne und das Unternehmen -- 1.3 Paten der agilen Organisation -- 1.3.1 Das Prinzip Manager: Nutzensti£er und Stratege -- 1.3.2 Das Prinzip Demokratisierung: Selbstverantwortung als Grundlage von Selbstorganisation -- 1.4 Baustein 1: Die Professional Service Firm (PSF) -- 1.4.1 Das Management in der Professional Service Firm -- 1.4.2 Management und Strukturen -- 1.4.3 Die Unzulänglichkeit der Professional Service Firm als agiles Organisationsmodell -- 1.5 Baustein 2: Der Marktplatz -- 1.6 Die Synthese: Die Professional Service Firm als Marktplatz mit einem klaren Auftrag -- 1.7 Interview mit Hélène Valadon: Die traditionelle Organisation am Scheideweg -- Teil II Scrum - Jürgen Margetich -- 2 Agilität – vom Erfolgsgeheimnis zur Notwendigkeit -- 2.1 Business is the winner – das Geschäft ist der Gewinner -- 2.2 Lernen, Lernen, Lernen -- 2.3 Der User im Zentrum von allen und allem -- 2.4 Echtes Teamwork -- 2.5 Stärkung der Liefer- und Leistungsfähigkeit -- 2.6 Produkte, die wirklich fertig sind -- 2.7 Verbesserte Time-to-Market -- 3 Der Scrum Flow – ein Prozessmodell -- 3.1 Prinzipien, Rollen, Meetings und Artefakte im Überblick -- 3.1.1 Die Organisationsprinzipien von Scrum -- 3.1.2 Die Rollen -- 3.1.3 Das Prozessmodell -- 4 Scrum unter der Lupe -- 4.1 Der Workflow in sechs Meetings -- 4.2 Sprint Planning 1 – das »Kunden(re)briefing« -- 4.3 Sprint Planning 2 – das technische Konzept -- 4.4 Daily Scrum – der Tag im Team geplant -- 4.5 Review – Erfolge feiern, von Anwendern lernen -- 4.6 Retrospektive – die lernende Organisation.
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  • 18
    Online Resource
    Online Resource
    Cambridge : Harvard University Press
    ISBN: 9780674919747
    Language: English
    Pages: 1 Online-Ressource (345 pages)
    Edition: Online-Ausg.
    Parallel Title: Print version Stephens, Randall J The Devil's Music : How Christians Inspired, Condemned, and Embraced Rock 'n' Roll
    DDC: 306.4/84260973
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    Keywords: Rock music Religious aspects ; Christianity ; Rock music History and criticism ; Rock music History and criticism ; Christian rock music History and criticism ; Fundamentalism History ; Electronic books
    Abstract: When rock and roll emerged in the 1950s, ministers denounced it from their pulpits and Sunday school teachers warned of the music's demonic origins. The big beat, said Billy Graham, was "ever working in the world for evil." Yet by the early 2000s Christian rock had become a billion-dollar industry. The Devil's Music tells the story of this transformation. Rock's origins lie in part with the energetic Southern Pentecostal churches where Elvis, Little Richard, James Brown, and other pioneers of the genre worshipped as children. Randall J. Stephens shows that the music, styles, and ideas of tongue-speaking churches powerfully influenced these early performers. As rock 'n' roll's popularity grew, white preachers tried to distance their flock from this "blasphemous jungle music," with little success. By the 1960s, Christian leaders feared the Beatles really were more popular than Jesus, as John Lennon claimed. Stephens argues that in the early days of rock 'n' roll, faith served as a vehicle for whites' racial fears. A decade later, evangelical Christians were at odds with the counterculture and the antiwar movement. By associating the music of blacks and hippies with godlessness, believers used their faith to justify racism and conservative politics. But in a reversal of strategy in the early 1970s, the same evangelicals embraced Christian rock as a way to express Jesus's message within their own religious community and project it into a secular world. In Stephens's compelling narrative, the result was a powerful fusion of conservatism and popular culture whose effects are still felt today.--
    Abstract: Cover -- Title Page -- Copyright -- Contents -- Introduction -- 1. Pentecostalism and Rock 'n' Roll in the 1950s -- 2. Race, Religion, and Rock 'n' Roll -- 3. The Beatles, Christianity, and the Conservative Backlash -- 4. The Advent of Jesus Rock -- 5. The Fundamentalist Reaction to Christian Rock -- Epilogue -- Notes -- Acknowledgments -- Index
    Note: Includes bibliographical references and index
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  • 19
    ISBN: 9783896845450
    Language: German
    Pages: 1 Online-Ressource (346 Seiten)
    Uniform Title: It's alive!
    Parallel Title: Erscheint auch als Walsh, Toby, 1964 - It's alive
    DDC: 006.3
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    Keywords: Computational intelligence ; Artificial intelligence Forecasting ; Artificial intelligence ; Artificial intelligence ; Electronic books ; Künstliche Intelligenz ; Technikbewertung ; Technischer Fortschritt ; Gesellschaft ; Zukunft ; Künstliche Intelligenz ; Gesellschaft ; Künstliche Intelligenz ; Zukunft ; Technischer Fortschritt ; Gesellschaft
    Abstract: Haben Sie sich auch schon einmal gefragt, ob Maschinen wirklich denken können und ob sie vielleicht sogar intelligenter sind als wir? Der australische Informatiker Toby Walsh nimmt uns mit auf eine unterhaltsame und inspirierende Reise durch die Welt der Könstlichen Intelligenz. Er erzählt, wie KI entstand, wie sie unsere Gesellschaft, Wirtschaft und sogar uns selbst bereits verändert hat und was sie für unsere Zukunft bedeutet. Denn denkende Maschinen sind längst keine Science-Fiction mehr: Ohne sie könnte keine Suchmaschine sekundenschnell Antworten liefern, ohne sie wären selbstfahrende Autos undenkbar und unsere Smartphones nur Telefone. Auch wenn KI unser Leben bequemer macht, fürchten sich viele nicht umsonst vor der Macht der Maschinen. Walsh nimmt diese Ängste ernst: Werden denkende Maschinen uns in Zukunft die Jobs wegnehmen? Und wenden sie sich womöglich letztlich gegen die Menschheit selbst? Walsh hilft auch den Nicht-Experten unter uns herauszufinden, was Künstliche Intelligenz kann, was sie wohl nie können wird und wie viel Kopfzerbrechen uns ihre Weiterentwicklung in Zukunft bereiten sollte. Eine Richtschnur sind dabei seine zehn erstaunlichen Vorhersagen über unser Leben mit Künstlicher Intelligenz im Jahr 2050: Denn die Zukunft hat längst begonnen!
    Note: Includes bibliographical references and index
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  • 20
    ISBN: 9781477312476 , 9781477312483
    Language: English
    Pages: 1 Online-Ressource (xix, 440 Seiten)
    Edition: First edition
    Parallel Title: Erscheint auch als Music, sound, and architecture in Islam
    DDC: 700.91767
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    Keywords: Music and architecture-Islamic countries ; Art and architecture-Islamic countries ; Music-Social aspects-Islamic countries ; Music-Islamic countries-History and criticism ; Architecture-Islamic countries-History and criticism ; Architecture-Islamic countries-History and criticism ; Art and architecture-Islamic countries ; Music and architecture-Islamic countries ; Music-Islamic countries-History and criticism ; Music-Social aspects-Islamic countries ; Electronic books ; Aufsatzsammlung ; Islam ; Architektur ; Musik ; Akustik ; Islam ; Architektur ; Musik ; Akustik
    Abstract: Intro -- List of Figures, Plates, Charts, and Tables -- Foreword by Ali S. Asani -- Acknowledgments -- Part One: Transregional -- 1. Listening to Islamic Gardens and Landscapes, by D. Fairchild Ruggles -- Part Two: The Ottoman Empire and Turkey -- 2. A Sound Status among the Ottoman Elite: Architectural Patrons of Sixteenth-Century Istanbul Mosques and Their Recitation Programs, by Nina Ergin -- 3. A Concert Platform: A Space for a Style in Turkish Music, by John Morgan OâConnell -- 4. Articulating Otherness in the Construction of Alevi-BektaÅi Rituals and Ritual Space in a Transnational Perspective, by Irene Markoff -- Part Three: The Arab World -- 5. Venerating Cairoâs Saints through Monument and Ritual: Islamic Reform and the Rise of the Architext, by Michael Frishkopf -- 6. Nightingales and Sweet Basil: The Cultural Geography of Aleppine Song, by Jonathan H. Shannon -- 7. Aural Geometry: Poetry, Music, and Architecture in the Arabic Tradition, by Samer Akkach -- Part Four: Andalusia and Europe -- 8. Tents of Silk and Trees of Light in the Lands of Najd: The Aural and the Visual at a Mawlid Celebration in the Alhambra, by Cynthia Robinson -- 9. Aristocratic Residences and the Majlis in Umayyad Córdoba, by Glaire D. Anderson -- 10. Sounds of Love and Hate: Sufi Rap, Ghetto Patrimony, and the Concrete Politics of the French Urban Periphery, by Paul A. Silverstein -- Part Five: Central and South Asia -- 11. Ideal Form and Meaning in Sufi Shrines of Pakistan: A Return to the Spirit, by Kamil Khan Mumtaz -- 12. The Social and Sacred Microcosm of the Kiiz Ãi: Space and Sound in Rituals for the Dead among the Kazakhs of Mongolia, by Saida Daukeyeva -- Part Six: Iran -- 13. Listening to Pictures in Iran, by Anthony Welch -- 14. Of Mirrors and Frames: Music, Sound, and Architecture at the Iranian ZÅ«rkhÄneh, by Federico Spinetti -- References
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  • 21
    Online Resource
    Online Resource
    Albany : State University of New York Press
    ISBN: 9781438469881
    Language: English
    Pages: 1 Online-Ressource (228 pages)
    Series Statement: SUNY Series, Philosophy and Race
    Series Statement: SUNY Series, Philosophy and Race Ser.
    Parallel Title: Erscheint auch als Thompson, Mark Christian, 1970 - Anti-music
    DDC: 781.6508996073043
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    Keywords: Philosophy, German-20th century ; Jazz-Germany-20th century-History and criticism ; Blacks-Race identity-Germany-History-20th century ; Electronic books ; Deutschland ; Afroamerikanische Musik ; Jazz ; Kulturpolitik ; Geschichte 1919-1939 ; Deutschland ; Schwarze ; Jazz ; Afroamerikanische Musik ; Ethnische Identität ; Nationalsozialismus ; Geschichte 1918-1939
    Abstract: Intro -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Chapter One The Jazz Paradox -- I. Bloch's Blacks -- II. Jonny's Jimmy -- III. Parodic Primitivism -- IV. Nazi Neger -- Chapter Two The Jazz Machine -- I. The Jazz Machine -- II. The Principle of Looking -- III. Jazz Vulgarity -- IV. The Astaire Automaton -- Chapter Three The Monkey's Trick -- I. The Monkey's Trick -- II. The Track of the Divine -- III. Jazzman Mozart -- Chapter Four The Music of Fascism -- I. Jazz at War -- II. That Ol' Wagnerian Rag -- III. Slave to Jazz -- IV. Sacrificial Jazz -- Chapter Five Jazz-Heinis -- I. The Inner Crisis -- II. The Nazi Princess -- III. Stop, Thief -- IV. The White-Face Minstrel -- Conclusion -- Notes -- Bibliography -- Index
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  • 22
    Online Resource
    Online Resource
    Berlin : Matthes & Seitz
    ISBN: 9783957576637
    Language: German
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als Metz, Markus, 1958 - Schnittstelle Körper
    DDC: 303.483
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    Keywords: Interfaces (Physical sciences) ; Electronic books ; Digitale Revolution ; Alltag ; Zukunft ; Digitale Revolution ; Alltag ; Mensch ; Zukunft ; Digitalisierung ; Gesellschaft ; Digitalisierung ; Körper
    Abstract: Annäherungen zwischen Mensch und Maschine: Cyborgs und Social Bots -- Der kultivierte Cyborg, der unsterbliche Popstar und die lebende Wand des Wallpaper-TV -- Das absehbare Ende der freien Marktwirtschaft: Transformationen von Macht, Kapital und Konsum -- Künstliche Intelligenz und wie sie uns zu Leibe rückt -- Der Subjektkapitalismus -- Ein vorläufiges Resümee -- Wie weiter? Der digitalisierte (Schein-)Körper, der virtuelle Raum und die möglicherweise rettende Kritik -- Anmerkungen -- Impressum
    Note: Description based on print version record
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  • 23
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: SOAS musicology series
    Parallel Title: Erscheint auch als Turkic soundscapes
    DDC: 780.9174943
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    Keywords: Music Europe, Western x History and criticism ; Music Middle East x History and criticism ; Turkic peoples Music ; History and criticism ; Music Turkish influences ; Electronic books
    Abstract: Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of figures -- List of tables -- List of musical examples -- Notes on contributors -- Acknowledgements -- Map of the Turkic-speaking world -- Foreword -- Foreword -- 1 Introduction: traditions and transformations in Turkic musical cultures -- Part I Cultural foundations in music of the twenty-first century -- 2 The concept of makam-based melody and its problematic in musical analysis -- 3 The pedagogical system of Azerbaijani master musician Bahram Mansurov (1911‒1985) -- 4 From popular tradition to pop diffusion: jahrī zikr among teenagers in present-day Kazakhstan -- Part II Turkic music in popular culture and mass media -- 5 Azerbaijani rap music and oral poetry between "the folk" and "the popular" -- 6 Mass music in Kazakhstan: the phenomenon and its interpretation -- 7 Musical images of Istanbul from Fatih Akin's films and stage performances -- Part III Cross-cultural encounters in the Turkic-speaking world and beyond -- 8 From the spiritual to the profane and back: religious melodies and folksongs of Turkic peoples -- 9 The Circumpontic Lezginka dance as a cultural phenomenon -- 10 The impact of Turkic musical culture on the music of Bulgaria -- Part IV Turkic music and national identities -- 11 Debating "national ownership" of musical instruments: the balalaika as a subject of ethnopolitical discourse -- 12 New music of the Crimean Tatars: history and current status -- 13 Ancient roots, modern nation-building: Kazakh spirituality and identity in the music of the Turan ensemble -- References -- Index.
    Note: Includes bibliographical references and index
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  • 24
    Online Resource
    Online Resource
    Cambridge : Goldsmiths Press
    ISBN: 9781906897536
    Language: English
    Pages: 1 Online-Ressource (191 Seiten)
    Series Statement: Goldsmiths Press sonics series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als LaBelle, Brandon, 1969 - Sonic agency
    DDC: 303.48/4
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    Keywords: Sound Psychological aspects ; Resistance (Philosophy) ; Resistance (Philosophy) ; Resistance (Philosophy) ; Sound Psychological aspects ; Sound Psychological aspects ; Sound-Psychological aspects ; Electronic books ; Sozialer Wandel ; Politischer Wandel ; Widerstand ; Klang ; Psychoakustik ; Sozialer Wandel ; Politischer Wandel ; Widerstand ; Klang ; Psychoakustik
    Abstract: A timely exploration of whether sound and listening can be the basis of political change.
    Abstract: Cover -- Half title -- Title page -- Copyright -- Contents -- Acknowledgments -- 1 Unlikely Publics: On the Edge of Appearance -- Tact / And Tenderness -- Four Sonic Figures -- Anti-political Politics -- Notes -- 2 The Invisible -- Acousmatic Voices / Listening in the Dark / Encounters beyond the Face -- The Black Arts / And Black Readings / From Histories of Secrets / (Im)possible -- The Hidden / Yet Heard / As New Consciousness / The Making of Faces -- Notes -- 3 The Overheard -- Urban Scenes / A Logic of Encounters / Stranger Relations -- Networks / The Cognitive Body / Leaks and Invisible Remainders -- Unsitely Commons / Pirate Cultures / New Moral Challenge -- Notes -- 4 The Itinerant -- Echo Worlds / And Diversal Subjects / Lyrics of Displacement -- Rasta Reasoning / "I and I" / Of Deep Echoes -- The Migrations / And Desperate Walks / For No Borders -- Border Subjects / Giving Way to Border Publics / Encroachments -- Notes -- 5 The Weak -- Ecstasy / Collective Vibrations / By Which to Weaken / And Raise -- Non-violence / Standing Still / Within Churches from Below -- Listening / Loving Relations / This Rage / And Other Weapons -- Notes -- 6 Poor Acoustics: Listening from Below -- Notes -- Bibliography -- Index.
    Note: Description based on publisher supplied metadata and other sources
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  • 25
    Online Resource
    Online Resource
    Bingley : Emerald Publishing Limited
    ISBN: 9781787146747
    Language: English
    Pages: 1 Online-Ressource (170 pages)
    Series Statement: Emerald Studies in Metal Music and Culture Ser
    Parallel Title: Print version Berkers, Pauwke Gender Inequality in Metal Music Production
    DDC: 305.4
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    Keywords: Music trade.. ; Sound recordings-Production and direction.. ; Sex discrimination against women.. ; Discrimination in employment ; Electronic books
    Abstract: In metal, it seems that women are nowhere but gender is everywhere. This title offers a sociological analysis of metal music's historical and global gender imbalance to investigate why this genre is such an impenetrable fortress for female musicians and how it could change
    Abstract: Intro -- Gender Inequality in Metal Music Production -- Contents -- Lists of Images, Figures and Tables -- Images -- Figures -- Tables -- About the Authors -- Preface and Acknowledgments -- Introduction: Gender Inequality in Metal Music Production -- Learning, Doing and Evaluating Gender in Society, Pop Music and Metal -- I. Gender in Society at Large -- II. Gender in Popular Music -- Representation of Women in Pop Music -- Explaining the Representation of Women in Pop Music -- III. Gender in Metal Music -- Representation of Women in Metal Music -- Explaining the Representation of Women in Metal Music -- Data and Methods -- Structure and Outline of the Book -- 1. Winds of Change? Longitudinal Trends and Cross-National Differences -- A History of Women in Metal Music Production -- Getting into Metal Music -- The Statistics of a Boy's Club: Three Per Cent -- Global Cultural Production of Metal Music -- The Masculine Glocalisation of Metal Music -- 2. 'Female-Fronted Metal': Gender Differences and (Sub)Genres -- Genre Rules: Expectations, Orientations and Conventions -- Gendered Genre Rules -- The Statistics of Gendered Subgenres -- Gender and Subgenres -- Gender and Subgenres in Six Countries -- Gendering of (Sub)Genre Through Social Marking -- 3. All Vocals, Few Chords: Gender Differences in Instrumentation -- Horizontal Sex Segregation: Gender, Instruments and Stereotypes -- Vertical Sex Segregation: Gender, Prestige and Instruments -- The Statistics of Instrumentation: All Vocals, Few Chords -- Gender and Instrumentation -- Gender and Instrumentation in Metal Subgenres -- 4. Wielding the Double-Edged Sword: Gender Differences in Artistic Careers -- Social Marking and Boundaries -- Tokenism -- Cultural/Structural Embeddedness and the Double-Edged Sword -- Positive Tension: The Benefits of Higher Visibility
    Abstract: Negative Tension: The Disadvantages of Higher Visibility -- The Statistics of the Double-Edged Sword: Institutional Recognition -- The Great Trade-Off: Standing Out or Fitting In? -- Conclusion: Women Are Nowhere, Gender Is Everywhere -- Main Findings and Contributions -- Discussion and Further Research -- Amplifying Gender Equality, Perhaps -- Appendix 1: Quantitative Data - The Metal Archives -- Variable Construction: Subgenre and Instruments -- Appendix 2: Qualitative Data - Interviews with Metal Musicians -- References -- Secondary Sources -- Index
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  • 26
    Online Resource
    Online Resource
    Newark : John Wiley & Sons, Incorporated
    ISBN: 9781119433736
    Language: English
    Pages: 1 Online-Ressource (322 pages)
    Edition: 2nd ed
    Parallel Title: Erscheint auch als Hadnagy, Christopher Social Engineering
    DDC: 301
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    Keywords: Social engineering ; Social engineering ; Electronic books ; Computer security ; Hackers ; Human-computer interaction ; Social engineering ; Hacking ; Sicherheit ; social-hacking ; Social Engineering ; Social Engineering
    Abstract: Cover -- Title Page -- Copyright -- About the Author -- About the Technical Editor -- Credits -- Acknowledgments -- Contents -- Foreword -- Preface -- 1 A Look into the New World of Professional Social Engineering -- What Has Changed? -- Why Should You Read This Book? -- An Overview of Social Engineering -- The SE Pyramid -- OSINT -- Pretext Development -- Attack Plan -- Attack Launch -- Reporting -- What's in This Book? -- Summary -- 2 Do You See What I See? -- A Real-World Example of Collecting OSINT -- Nontechnical OSINT -- Observational Skills -- Technical Open Source Intelligence -- Two Other Things -- Tools of the Trade -- SET -- IntelTechniques -- FOCA -- Maltego: The Granddaddy of Them All -- Summary -- 3 Profiling People Through Communication -- The Approach -- Enter the DISC -- What Is DISC? -- To Know Thyself Is the Beginning of Wisdom -- Summary -- 4 Becoming Anyone You Want to Be -- The Principles of Pretexting -- Principle One: Thinking Through Your Goals -- Principle Two: Understanding Reality vs. Fiction -- Principle Three: Knowing How Far to Go -- Principle Four: Avoiding Short-Term Memory Loss -- Principle Five: Getting Support for Pretexting -- Principle Six: Executing the Pretext -- Summary -- 5 I Know How to Make You Like Me -- The Tribe Mentality -- Building Rapport as a Social Engineer -- The Moral Molecule -- The 10 Principles of Building Rapport -- The Rapport Machine -- Use the Friends and Family Plan -- Read -- Take Special Note of Failures -- Summary -- 6 Under the Influence -- Principle One: Reciprocity -- Reciprocity in Action -- Using Reciprocity as a Social Engineer -- Principle Two: Obligation -- Obligation in Action -- Using Obligation as a Social Engineer -- Principle Three: Concession -- Concession in Action -- Using Concession as a Social Engineer -- Principle Four: Scarcity -- Scarcity in Action
    Abstract: Using Scarcity as a Social Engineer -- Principle Five: Authority -- Authority in Action -- Using Authority as a Social Engineer -- Principle Six: Consistency and Commitment -- Consistency and Commitment in Action -- Using Commitment and Consistency as a Social Engineer -- Principle Seven: Liking -- Using Liking as a Social Engineer -- Principle Eight: Social Proof -- Social Proof in Action -- Using Social Proof as a Social Engineer -- Influence vs. Manipulation -- Manipulation in Action -- Principles of Manipulation -- Summary -- 7 Building Your Artwork -- The Dynamic Rules of Framing -- Rule 1: Everything You Say Evokes the Frame -- Rule 2: Words T hat Are Defined with the Frame Evoke the Frame -- Rule 3: Negating the Frame -- Rule 4: Causing the Target to T hink About the Frame Reinforces the Frame -- Elicitation -- Ego Appeals -- Mutual Interest -- Deliberate False Statement -- Having Knowledge -- The Use of Questions -- Summary -- 8 I Can See What You Didn't Say -- Nonverbals Are Essential -- All Your Baselines Belong to Us -- Be Careful of Misconceptions -- Know the Basic Rules -- Understand the Basics of Nonverbals -- Comfort vs. Discomfort -- Anger -- Disgust -- Contempt -- Fear -- Surprise -- Sadness -- Happiness -- Summary -- 9 Hacking the Humans -- An Equal Opportunity Victimizer -- The Principles of the Pentest -- Document Everything -- Be Judicious with Pretexts -- Phishing -- Educational Phishing -- Pentest Phishing -- Spear Phishing -- Phishing Summary -- Vishing -- Credential Harvesting -- Vishing for OSINT -- Vishing for Full Compromise -- Vishing Summary -- SMiShing -- Impersonation -- Planning an Impersonation Pentest -- Considerations of Sanitization -- Equipment Procurement -- Impersonation Summary -- Reporting -- Professionalism -- Grammar and Spelling -- All the Details -- Mitigation -- Next Steps
    Abstract: Top Questions for the SE Pentester -- How Can I Get a Job Being a Social Engineer? -- How Do I Get My Clients to Do SE Stuff? -- How Much Should I Charge? -- Summary -- 10 Do You Have a M.A.P.P.? -- Step 1: Learn to Identify Social Engineering Attacks -- Step 2: Develop Actionable and Realistic Policies -- Take the Thinking out of the Policy -- Remove the Ability for Empathy Bypasses -- Make Policies Realistic and Actionable -- Step 3: Perform Regular Real-World Checkups -- Step 4: Implement Applicable Security-Awareness Programs -- Tie It All Together -- Gotta Keep 'Em Updated -- Let the Mistakes of Your Peers Be Your Teacher -- Create a Security Awareness Culture -- Summary -- 11 Now What? -- Soft Skills for Becoming an Social Engineer -- Humility -- Motivation -- Extroverted -- Willingness to Try -- It Really Works! -- Technical Skills -- Education -- Job Prospects -- Start Your Own Company -- Get Hired by a Pentest Company -- Get Hired by a Social Engineering Company -- The Future of Social Engineering -- Index -- EULA
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  • 27
    ISBN: 9781760461119 , 1760461121
    Language: English
    Pages: 1 Online-Ressource (Electronic text (xvi, 502 pages))
    DDC: 305.899/15
    RVK:
    Keywords: Wild, Stephen ; Essays ; Festschriften ; Dance ; Aboriginal Australians ; Music ; Festschrift ; Aufsatzsammlung ; Electronic books ; Electronic books ; Electronic books
    Abstract: Stephen A. Wild: A Distinctive Voice in the Antipodes / Kirsty Gillespie, Sally Treloyn, Kim Woo and Don Niles -- Festschrift Background and Contents / Kirsty Gillespie, Sally Treloyn and Don Niles -- Indigenous Australia. A Different Mode of Exchange: The Mamurrng Ceremony of Western Arnhem Land / Reuben Brown -- Warlpiri Ritual Contexts as Imaginative Spaces for Exploring Traditional Gender Roles / Georgia Curran -- Form and Performance: The Relations of Melody, Poetics, and Rhythm in Dhalwangu Manikay / Peter G. Toner -- Alyawarr Women's Rain Songs / Myfany Turpin, Richard Moyle and Eileen Kemarr Bonney -- Singing with a Distinctive Voice: Comparative Musical Analysis and the Central Australian Musical Style in the Kimberley / Sally Treloyn -- Turning the Colonial Tide: Working towards a Reconciled Ethnomusicology in Australia / Elizabeth Mackinlay and Katelyn Barney ---
    Abstract: Pacific Islands and Beyond. Chanting Diplomacy: Music, Conflict, and Social Cohesion in Micronesia / Brian Diettrich -- Songs for Distance, Dancing to Be Connected: Bonding Memories of the Ogasawara Islands / Masaya Shishikura -- The Politics of the Baining Fire Dance / Naomi Faik-Simet -- Touristic Encounters: Imag(in)ing Tahiti and Its Performing Arts / Jane Freeman Moulin -- Heritage and Place: Kate Fagan's Diamond Wheel and Nancy Kerr's Twice Reflected Sun / Jill Stubington -- Living in Hawai'i: The Pleasures and Rewards of Hawaiian Music for an 'Outsider' Ethnomusicologist / Ricardo D. Trimillos -- Archiving and Academia. Protecting Our Shadow: Repatriating Ancestral Recordings to the Lihir Islands, Papua New Guinea / Kirsty Gillespie -- The History of the 'Ukulele 'Is Today' / Gisa Jähnichen -- 'Never Seen It Before': The Earliest Reports and Resulting Confusion about the Hagen Courting Dance / Don Niles ---
    Abstract: Capturing Music and Dance in an Archive: A Meditation on Imprisonment / Adrienne L. Kaeppler -- Some Comments on the Gradual Inclusion of Musics beyond the Western Canon by Selected Universities and Societies / Barbara B. Smith -- Ethnomusicology in Australia and New Zealand: A Trans-Tasman Identity? / Dan Bendrups and Henry Johnson -- Publications by Stephen A. Wild
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  • 28
    Online Resource
    Online Resource
    Cambridge, Massachusetts ; : The MIT Press
    ISBN: 9780262341202
    Language: English
    Pages: 1 online resource (283 pages)
    Series Statement: The MIT Press Ser.
    Parallel Title: Lee, Edward A., 1957 - Plato and the nerd
    Parallel Title: Print version Lee, Edward Ashford Plato and the Nerd : The Creative Partnership of Humans and Technology
    DDC: 601
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    Keywords: Technology--Philosophy ; Computer science Popular works ; Creative ability ; Technology Philosophy ; Technology ; Philosophy ; Electronic books ; Philosophie ; Technologie ; Informatik ; Kreativität ; Philosophie ; Digitalisierung ; Philosophie ; Technologie ; Informatik ; Kreativität ; Philosophie ; Digitalisierung
    Abstract: How humans and technology evolve together in a creative partnership.
    Abstract: Intro -- Contents -- Preface -- I Yang -- 1 Shadows on the Wall -- 1.1 Nerds -- 1.2 Artificial and Natural -- 1.3 Design and Discovery -- 1.4 Engineering and Science -- 2 Inventing Laws of Nature -- 2.1 The Unknown Knowns -- 2.2 Models of Nature -- 2.3 Models Are Wrong -- 3 Models of Models of Models of Models of Things -- 3.1 Technological Tapestries -- 3.2 Complexity Simplified -- 3.3 Transitivity of Models -- 3.4 Reductionism -- 4 Hardware Is Ephemeral -- 4.1 Hard and Soft -- 4.2 Semiconductors -- 4.3 Digital Switches -- 4.4 Logic Gates -- 4.5 Logic Diagrams -- 4.6 Digital Machines -- 5 Software Endures -- 5.1 Self-Scaffolding -- 5.2 Instruction Set Architectures -- 5.3 Programming Languages -- 5.4 Operating Systems -- 5.5 Libraries, Languages, and Dialects -- 5.6 The Cloud -- 6 Evolution and Revolution -- 6.1 Normal Engineering -- 6.2 Crisis and Failure -- 6.3 Crisis and Opportunity -- 6.4 Models in Crisis -- II Yin -- 7 Information -- 7.1 Pessimism Becomes Optimism -- 7.2 Information-Processing Machines -- 7.3 Measuring Information -- 7.4 Continuous Information -- 8 The Limits of Software -- 8.1 Universal Machines? -- 8.2 Undecidability -- 8.3 Cardinality -- 8.4 Digital Physics? -- 9 Symbiosis -- 9.1 The Notion of a Continuum -- 9.2 The Impossible Becomes Possible -- 9.3 Digital Psyche? -- 9.4 Symbiotic Partnership -- 9.5 Incompleteness -- 10 Determinism -- 10.1 Laplace's Demon -- 10.2 The Butterfly Effect -- 10.3 Incompleteness of Determinism -- 10.4 The Hard and the Soft of Determinism -- 11 Probability and Possibility -- 11.1 The Bayesians and the Frequentists -- 11.2 Continuums, Again -- 11.3 Impossibility and Improbability -- 12 Final Thoughts -- 12.1 Dualism -- 12.2 Obstacles -- 12.3 Autonomy and Intelligence -- Bibliography -- Index.
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  • 29
    ISBN: 9781443892230
    Language: English
    Pages: 1 Online-Ressource (x, 271 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Historical sources of ethnomusicology in contemporary debate
    DDC: 780.89
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    Keywords: Ethnomusicology ; Congresses ; Electronic books ; Aufsatzsammlung ; Musikethnologie
    Abstract: This anthology concerns traditional music and archives, and discusses their relationship as seen from historical and epistemological perspectives. Music recordings on wax cylinders, 78 records or magnetic tape, made in the first half of the 20th century, are regarded today as valuable sources for understanding musical processes in their social dimension and as unique cultural heritage. Most of these historical sound recordings are preserved in sound archives, now increasingly accessible in digital formats. Written by renowned experts, the articles here focus on archives, individual and collective memory, and heritage as today's recreation of the past. Contributors discuss the role of historical sources of traditional music in contemporary research based on examples from music cultures in West Africa, Scandinavia, Turkey, and Portugal, among others. The book will appeal to musicologists and cultural anthropologists, as well as historians and sociologists, and will be of interest to anyone concerned with sound archives, libraries, universities and cultural institutions dedicated to traditional music.
    Abstract: Intro -- Table of Contents -- List of Figures -- Introduction -- Part One: Rethinking Archives and Collections -- Chapter One -- Chapter Two -- Chapter Three -- Chapter Four -- Chapter Five -- Chapter Six -- Chapter Seven -- Chapter Eight -- Chapter Nine -- Part Two: Written Documents and Musical Instruments as Sources -- Chapter Ten -- Chapter Eleven -- Chapter Twelve -- Chapter Thirteen -- Part Three: Individual Memory, Musical Practice and Heritage -- Chapter Fourteen -- Chapter Fifteen -- Chapter Sixteen -- Chapter Seventeen -- Chapter Eighteen -- Contributors.
    Note: Description based on publisher supplied metadata and other sources
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  • 30
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 9780226496351
    Language: English
    Pages: 1 Online-Ressource (295 Seiten)
    Series Statement: Chicago Studies in Ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Rollefson, J. Griffith Flip the script
    DDC: 782.421649094
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    Keywords: Hip-hop-Europe, Western ; Postcolonialism and music ; Music-Europe, Western-African American influences ; Electronic books ; Hip-hop ; Music ; Postcolonialism and music ; Europe, Western ; Westeuropa ; Hip-Hop ; Postkolonialismus ; Westeuropa ; Hip-Hop ; Postkolonialismus
    Abstract: Intro -- Contents -- Acknowledgments -- Introduction: Hip Hop as Postcolonial Art and Practice -- 1. "J'accuse": Hip Hop's Postcolonial Politics in Paris -- 2. Nostalgia "En noir et blanc": Black Music and Postcoloniality from Sefyu's Paris to Buddy Bolden's New Orleans -- 3. Musical (African) Americanization: Strategic Essentialism, Hybridity, and Commerce in Aggro Berlin -- 4. Heiße Waren: Hot Commodities, "Der Neger Bonus," and the Commercial Authentic -- 5. M.I.A.'s "Terrorist Chic": Black Atlantic Music and South Asian Postcolonial Politics in London -- 6. Marché Noir: The Hip Hop Hustle in the City of Light -- 7. "Wherever We Go": UK Hip Hop and the Deformation of Mastery -- 8. "Straight Outta B.C.": Différance, Defness, and Juice Aleem's Precolonial Afrofuturist Critique -- Conclusion: Hip Hop Studies and/as Postcolonial Studies -- Notes -- Bibliography -- Discography and Videography -- Index.
    Note: Description based on publisher supplied metadata and other sources
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  • 31
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 9780520966758
    Language: English
    Pages: 1 online resource (290 pages)
    Edition: 1st ed.
    Parallel Title: Print version Nava, Alejandro In Search of Soul : Hip-Hop, Literature, and Religion
    Parallel Title: Nava, Alejandro, 1956 - In search of soul
    DDC: 233/.5
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    Keywords: Hip-hop Religious aspects ; Christianity ; Soul in literature ; Music Philosophy and aesthetics 20th century ; Music Philosophy and aesthetics 21st century ; Soul Judaism ; Soul Christianity ; Soul Christianity ; Electronic books ; USA ; Schwarze ; Hispanos ; Literatur ; Hip-Hop ; Seele ; Christentum ; Judentum ; Geschichte
    Abstract: In Search of Soul explores the meaning of "soul" in sacred and profane incarnations, from its biblical origins to its central place in the rich traditions of black and Latin history. Surveying the work of writers, artists, poets, musicians, philosophers and theologians, Alejandro Nava shows how their understandings of the "soul" revolve around narratives of justice, liberation, and spiritual redemption. He contends that biblical traditions and hip-hop emerged out of experiences of dispossession and oppression. Whether born in the ghettos of America or of the Roman Empire, hip-hop and Christianity have endured by giving voice to the persecuted. This book offers a view of soul in living color, as a breathing, suffering, dreaming thing.
    Abstract: Cover -- Contents -- Acknowledgments -- Abbreviations -- Introduction -- PART ONE: SACRED HISTORIES OF THE SOUL -- 1 In Search of Soul -- 2 On Hebrew Soul: De Eloquentia Vulgaria -- 3 Christian Soul and the Revolt of the Slave -- PART TWO: PROFANE ACCENTS OF SOUL -- 4 In Search of Duende: Lorca on Spanish Soul -- 5 The Souls of Black Folk: Ralph Ellison's Tragicomic Portrait -- 6 From Soul to Hip-Hop: The Rise of the Apocalypse -- 7 Afro-Latin Soul and Hip-Hop -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z.
    Note: Includes bibliographical references and index
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  • 32
    ISBN: 9783662540336
    Language: English
    Pages: 1 Online-Ressource (xii, 261 Seiten)
    Series Statement: The Frontiers Collection
    Parallel Title: Erscheint auch als The technological singularity
    Parallel Title: Print version Callaghan, Victor The Technological Singularity : Managing the Journey
    DDC: 100
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    Keywords: Computer science ; Electronic books ; Einzigkeit ; Technischer Fortschritt ; Wissenschaftsethik ; Künstliche Intelligenz ; Risikomanagement
    Abstract: Foreword -- References -- Acknowledgements -- Contents -- 1 Introduction to the Technological Singularity -- 1.1 Why the "Singularity" Is Important -- 1.2 Superintelligence, Superpowers -- 1.3 Danger, Danger! -- 1.4 Uncertainties and Safety -- References -- Risks of, and Responses to, the Journey to the Singularity -- 2 Risks of the Journey to the Singularity -- 2.1 Introduction -- 2.2 Catastrophic AGI Risk -- 2.2.1 Most Tasks Will Be Automated -- 2.2.2 AGIs Might Harm Humans -- 2.2.3 AGIs May Become Powerful Quickly -- 2.2.3.1 Hardware Overhang -- 2.2.3.2 Speed Explosion -- 2.2.3.3 Intelligence Explosion -- References -- 3 Responses to the Journey to the Singularity -- 3.1 Introduction -- 3.2 Post-Superintelligence Responses -- 3.3 Societal Proposals -- 3.3.1 Do Nothing -- 3.3.1.1 AI Is Too Distant to Be Worth Our Attention -- 3.3.1.2 Little Risk, no Action Needed -- 3.3.1.3 Let Them Kill Us -- 3.3.1.4 "Do Nothing" Proposals-Our View -- 3.3.2 Integrate with Society -- 3.3.2.1 Legal and Economic Controls -- 3.3.2.2 Foster Positive Values -- 3.3.2.3 "Integrate with Society" Proposals-Our View -- 3.3.3 Regulate Research -- 3.3.3.1 Review Boards -- 3.3.3.2 Encourage Research into Safe AGI -- 3.3.3.3 Differential Technological Progress -- 3.3.3.4 International Mass Surveillance -- 3.3.3.5 "Regulate Research" Proposals-Our View -- 3.3.4 Enhance Human Capabilities -- 3.3.4.1 Would We Remain Human? -- 3.3.4.2 Would Evolutionary Pressures Change Us? -- 3.3.4.3 Would Uploading Help? -- 3.3.4.4 "Enhance Human Capabilities" Proposals-Our View -- 3.3.5 Relinquish Technology -- 3.3.5.1 Outlaw AGI -- 3.3.5.2 Restrict Hardware -- 3.3.5.3 "Relinquish Technology" Proposals-Our View -- 3.4 External AGI Constraints -- 3.4.1 AGI Confinement -- 3.4.1.1 Safe Questions -- 3.4.1.2 Virtual Worlds -- 3.4.1.3 Resetting the AGI -- 3.4.1.4 Checks and Balances
    Abstract: 3.4.1.5 "AI Confinement" Proposals-Our View -- 3.4.2 AGI Enforcement -- 3.4.2.1 "AGI Enforcement" Proposals-Our View -- 3.5 Internal Constraints -- 3.5.1 Oracle AI -- 3.5.1.1 Oracles Are Likely to Be Released -- 3.5.1.2 Oracles Will Become Authorities -- 3.5.1.3 "Oracle AI" Proposals-Our View -- 3.5.2 Top-Down Safe AGI -- 3.5.2.1 Three Laws -- 3.5.2.2 Categorical Imperative -- 3.5.2.3 Principle of Voluntary Joyous Growth -- 3.5.2.4 Utilitarianism -- 3.5.2.5 Value Learning -- 3.5.2.6 Approval-Directed Agents -- 3.5.2.7 "Top-Down Safe AGI" Proposals-Our View -- 3.5.3 Bottom-up and Hybrid Safe AGI -- 3.5.3.1 Evolutionary Invariants -- 3.5.3.2 Evolved Morality -- 3.5.3.3 Reinforcement Learning -- 3.5.3.4 Human-like AGI -- 3.5.3.5 "Bottom-up and Hybrid Safe AGI" Proposals-Our View -- 3.5.4 AGI Nanny -- 3.5.4.1 "AGI Nanny" Proposals-Our View -- 3.5.5 Motivational Scaffolding -- 3.5.6 Formal Verification -- 3.5.6.1 "Formal Verification" Proposals-Our View -- 3.5.7 Motivational Weaknesses -- 3.5.7.1 High Discount Rates -- 3.5.7.2 Easily Satiable Goals -- 3.5.7.3 Calculated Indifference -- 3.5.7.4 Programmed Restrictions -- 3.5.7.5 Legal Machine Language -- 3.5.7.6 "Motivational Weaknesses" Proposals-Our View -- 3.6 Conclusion -- Acknowledgementss -- References -- Managing the Singularity Journey -- 4 How Change Agencies Can Affect Our Path Towards a Singularity -- 4.1 Introduction -- 4.2 Pre-singularity: The Dynamic Process of Technological Change -- 4.2.1 Paradigm Shifts -- 4.2.2 Technological Change and Innovation Adoption -- 4.2.3 The Change Agency Perspective -- 4.2.3.1 Business Organisations as Agents of Change in Innovation Practice -- 4.2.3.2 Social Networks as Agents of Change -- 4.2.3.3 The Influence of Entrepreneurs as Agents of Change -- 4.2.3.4 Nation States as Agents of Change -- 4.3 Key Drivers of Technology Research and Their Impact
    Abstract: 4.4 The Anti-singularity Postulate -- 4.5 Conclusions -- References -- 5 Agent Foundations for Aligning Machine Intelligence with Human Interests: A Technical Research Agenda -- 5.1 Introduction -- 5.1.1 Why These Problems? -- 5.2 Highly Reliable Agent Designs -- 5.2.1 Realistic World-Models -- 5.2.2 Decision Theory -- 5.2.3 Logical Uncertainty -- 5.2.4 Vingean Reflection -- 5.3 Error-Tolerant Agent Designs -- 5.4 Value Specification -- 5.5 Discussion -- 5.5.1 Toward a Formal Understanding of the Problem -- 5.5.2 Why Start Now? -- References -- 6 Risk Analysis and Risk Management for the Artificial Superintelligence Research and Development Process -- 6.1 Introduction -- 6.2 Key ASI R&D Risk and Decision Issues -- 6.3 Risk Analysis Methods -- 6.3.1 Fault Trees -- 6.3.2 Event Trees -- 6.3.3 Estimating Parameters for Fault Trees and Event Trees -- 6.3.4 Elicitation of Expert Judgment -- 6.3.5 Aggregation of Data Sources -- 6.4 Risk Management Decision Analysis Methods -- 6.5 Evaluating Opportunities for Future Research -- 6.6 Concluding Thoughts -- Acknowledgements -- References -- 7 Diminishing Returns and Recursive Self Improving Artificial Intelligence -- 7.1 Introduction -- 7.2 Self-improvement -- 7.2.1 Evolutionary Algorithms -- 7.2.2 Learning Algorithms -- 7.3 Limits of Recursively Improving Intelligent Algorithms -- 7.3.1 Software Improvements -- 7.3.2 Hardware Improvements -- 7.4 The Takeaway -- References -- 8 Energy, Complexity, and the Singularity -- 8.1 A Contradiction -- 8.2 Challenges -- 8.2.1 Climate Change -- 8.2.2 Biodiversity and Ecosystem Services -- 8.2.3 Energy-or, Where's My Jetsons Car? -- 8.2.4 The Troubles with Science -- 8.3 Energy and Complexity -- 8.4 Exponentials and Feedbacks -- 8.5 Ingenuity, not Data Processing -- 8.6 In Summary -- Acknowledgements -- References
    Abstract: 9 Computer Simulations as a Technological Singularity in the Empirical Sciences -- 9.1 Introduction -- 9.2 The Anthropocentric Predicament -- 9.3 The Reliability of Computer Simulations -- 9.3.1 Verification and Validation Methods -- 9.4 Final Words -- References -- 10 Can the Singularity Be Patented? (And Other IP Conundrums for Converging Technologies) -- 10.1 Introduction -- 10.2 A Singular Promise -- 10.3 Intellectual Property -- 10.3.1 Some General IP Problems in Converging Technologies -- 10.3.2 Some Gaps in IP Relating to the Singularity -- 10.4 Limits to Ownership and Other Monopolies -- 10.5 Owning the Singularity -- 10.6 Ethics, Patents and Artificial Agents -- 10.7 The Open Alternative -- References -- 11 The Emotional Nature of Post-Cognitive Singularities -- 11.1 Technological Singularity: Key Concepts -- 11.1.1 Tools and Methods -- 11.1.2 Singularity: Main Hypotheses -- 11.1.3 Implications of Post-singularity Entities with Advanced, Meta-cognitive Intelligence Ruled by Para-emotions -- 11.2 Post-cognitive Singularity Entities and their Physical Nature -- 11.2.1 Being a Singularity Entity -- 11.2.1.1 Super-intelligent Entities -- 11.2.1.2 Transhumans -- 11.2.2 Post Singularity Entities as Living Systems? -- 11.3 Para-emotional Systems -- 11.4 Conclusions -- Acknowledgements -- References -- 12 A Psychoanalytic Approach to the Singularity: Why We Cannot Do Without Auxiliary Constructions -- 12.1 Introduction -- 12.2 AI and Intelligence -- 12.3 Consciousness -- 12.4 Reason and Emotion -- 12.5 Psychoanalysis -- 12.6 Conclusion -- References -- Reflections on the Journey -- 13 Reflections on the Singularity Journey -- 13.1 Introduction -- 13.2 Eliezer Yudkowsky -- 13.2.1 The Event Horizon -- 13.2.2 Accelerating Change -- 13.2.3 The Intelligence Explosion -- 13.2.4 MIRI and LessWrong -- 13.3 Scott Aaronson -- 13.4 Stuart Armstrong
    Abstract: 13.5 Too Far in the Future -- 13.6 Scott Siskind -- 13.6.1 Wireheading -- 13.6.2 Work on AI Safety Now -- 14 Singularity Blog Insights -- 14.1 Three Major Singularity Schools -- 14.2 AI Timeline Predictions: Are We Getting Better? -- 14.3 No Time Like the Present for AI Safety Work -- 14.4 The Singularity Is Far -- Appendix -- The Coming Technological Singularity: How to Survive in the Post-human Era (reprint) -- References -- References -- Titles in this Series
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  • 33
    Online Resource
    Online Resource
    Rochester : Boydell & Brewer
    ISBN: 9781782049227
    Language: English
    Pages: 1 Online-Ressource (265 pages)
    Series Statement: Eastman Studies in Music v.Volume 138
    Parallel Title: Print version Green, Emily H Consuming Music : Individuals, Institutions, Communities, 1730-1830
    Parallel Title: Erscheint auch als Consuming music
    DDC: 780.9/033
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    Keywords: Electronic books ; Aufsatzsammlung ; Musikmarkt ; Musikleben ; Geistesleben ; Kulturleben ; Geschichte 1730-1830
    Abstract: This collection of nine essays investigates the consumption of music during the long eighteenth century, providing insights into the activities of composers, performers, patrons, publishers, theorists, impresarios, and critics
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  • 34
    ISBN: 9783518751732
    Language: German
    Pages: 1 Online Ressource (308 Seiten)
    Edition: 1. Auflage
    Parallel Title: Erscheint auch als Mau, Steffen, 1968 - Das metrische Wir
    DDC: 370
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    Keywords: Information technology Social aspects ; Data mining ; Big data ; Gesellschaft ; Entwicklung ; Sozioökonomischer Wandel ; Datenerhebung ; Datensammlung ; Sozialverhalten ; Wert ; Wirkung ; Auswirkung ; Staat ; Lebensstil ; Kontrolle ; Überwachung ; Wettbewerb ; Electronic books ; Education-Congresses ; Big Data ; Datenanalyse ; Data Mining ; Ranking ; Soziale Ungleichheit ; Ungerechtigkeit ; Gesellschaft ; Individuum ; Selbstoptimierung ; Sozialverhalten ; Klassifikation ; Sozialer Wandel ; Soziometrie
    Abstract: [Cover] -- [Informationen zum Buch/Autor] -- [Titel] -- [Impressum] -- Inhalt -- Einleitung -- 1. Die Vermessung des Sozialen -- Was bedeutet Quantifizierung? -- Die kalkulativen Praktiken des Marktes -- Der Staat als Datenmanager -- Zahlentreiber: Digitalisierung und Ökonomisierung -- 2. Statuswettbewerb und die Macht der Zahlen -- Vergleichsdispositive -- Kommensurabilität und Inkommensurabilität -- Neue Vergleichshorizonte -- Register des Vergleichs und investive Statusarbeit -- 3. Hierarchisierung: Rankings und Ratings -- Visibilisierung und Erzeugung von Differenz -- Plätze einnehmen! -- Universitätsrankings -- Treppauf, treppab: Die Marktmacht der Ratingagenturen -- 4. Klassifizierung: Scorings und Screenings -- Kreditscoring -- Der quantifizierte Gesundheitsstatus -- Mobilitätswertigkeit -- »Boost your score« - Statusmarker in der Wissenschaft -- Ermittlungen sozialer Wertigkeit -- 5. Bewertungskult: Sterne und Punkte -- Zufriedenheitsfeedbacks -- Bewertungsportale als Selektoren -- Peer-to-Peer-Bewertungen -- Professionen im Bewertungsfokus -- Gefällt-mir-Reputation in den sozialen Medien -- 6. Quantifizierung des Selbst: Balken und Kurven -- Gesundheit, Bewegung, Stimmungen -- Der kollektive Körper -- Motivationstechniken -- 7. Benennungsmacht -- Die Benennungsmacht des Staates -- Leistungsmessung und die Inszenierung von Wettbewerb -- Benennungsmacht der Experten -- Algorithmische Autorität -- Kritik der Benennungsmacht -- 8. Risiken und Nebenwirkungen -- Reaktive Messungen -- Verlust professioneller Kontrolle -- Zeit- und Energieverluste -- Monokultur versus Diversität -- 9. Transparenz und Disziplinierung -- Normativer und politischer Druck -- Die Macht des Feedbacks -- Technologische Überwachung in der Arbeitswelt -- Die neuen Tarifsysteme -- Die Verquickung von Selbst- und Fremdüberwachung.
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  • 35
    Online Resource
    Online Resource
    London : Reaktion Books Ltd
    ISBN: 9781780237879
    Language: English
    Pages: 1 Online-Ressource (208 Seiten)
    Parallel Title: Erscheint auch als Boast, Robin The machine in the ghost
    DDC: 303.4833
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    Keywords: Information technology--Social aspects ; Electronic books ; Digitalisierung ; Alltag ; Gesellschaft
    Abstract: We live in a digital age, buy and sell in a digital economy, and consume--oh do we consume--digital media. The digital lies at the heart of our contemporary, information-heavy, media-saturated lives, and although we may talk about the digital as a cultural phenomenon, the thing itself--digitality--is often hidden to us, a technology that someone else has invented and that lives buried inside our computers, tablets, and smartphones. In this book, Robin Boast follows the video streams and social media posts to their headwaters in order to ask: What, exactly, is the digital? Boast tackles this fundamental question by exploring the origins of the digital and showing how digital technology works. He goes back to 1874, when a French telegraph engineer, Jean-Maurice-Émile Baudot, invented the first means of digital communication, the Baudot code. From this simple 5-bit code, Boast takes us to the first electronic computers, to the earliest uses of graphics and information systems in the 1950s, our interactions with computers through punch cards and programming languages, and the rise of digital media in the 1970s.Via various and sometimes unanticipated historical routes, he reveals the foundations of digitality and how it has flourished in today's explosion of technologies and the forms of communication and media they enable, making real the often intangible force that guides so much of our lives.
    Abstract: Cover -- The Machine in the Ghost: Digitality and its Consequences -- Imprint Page -- Contents -- Introduction -- 1. Digital Codes, Ticker Tape, Punched Cards and Teleprinting: On the Origin of Digitality -- 2. Data Encoding and Storage Before the Computer -- 3. Revisiting Computation: Computation Doesn't Need to be Digital -- 4. Back to Content: From Computation to Media -- 5. Media Clones, Multiple Renderings: The Consequences of the Digital -- Glossary -- References -- Select Bibliography -- Acknowledgements -- Photo Acknowledgements -- Index
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  • 36
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press | The Hague : OAPEN Foundation
    ISBN: 9780472122660
    Language: English
    Pages: 1 Online-Ressource (xi, 311 Seiten) , Illustrationen
    Series Statement: Social history, popular culture, and politics in Germany
    DDC: 306.4/8425094309042
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    Keywords: Kultur ; Jazz ; Modernität ; Ethnische Beziehungen ; Deutschland ; Electronic books ; Criticism, interpretation, etc ; History ; Electronic book ; Electronic book ; Criticism, interpretation, etc. ; History ; Electronic books.
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    URL: JSTOR
    URL: OAPEN
    URL: OAPEN
    URL: Image  (Thumbnail cover image)
    URL: FULL  ((Currently Only Available on Campus))
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  • 37
    ISBN: 9781787141124
    Language: English
    Pages: 1 Online-Ressource (200 Seiten)
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 302.3
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    Keywords: Electronic books ; Soziometrie ; Soziales Netzwerk ; Soziometrie ; Netzwerkanalyse
    Abstract: Sociometrics and Human Relationships translates the latest academic research into practical business strategies and techniques for social network analysis. This essential new title is key reading for students and practitioners across marketing, design, sociology, psychology and the humanities, and comes with a free academic license of Condor.
    Abstract: Front Cover -- Sociometrics and Human Relationships -- Copyright Page -- Contents -- Acknowledgments -- 1 Introduction -- 1.1. Roadmap -- 1.1.1. Part I - Trend Prediction by Analyzing Social Networks -- 1.1.2. Part II - Analyzing Structure, Dynamics, and Content of Networks with Condor -- 1.1.3. Part III - Automatic Media Insights COIN Assessment (AMICA) -- 1.1.4. Part IV - Appendix - Useful Machine Learning and Graph Analysis Tools -- 1.2. Key Takeaways of This Book -- 1.3. Study Plan for a One-Semester Course -- 1.4. Sample Course Syllabus -- Part I. Trend Prediction by Measuring Social Networks -- 2 Coolfarming Organizations -- 2.1. Knowledge Flow Optimization through Organizational Social Network Analysis -- 2.2. The Coolfarming Data Collection and Analysis Process -- 2.2.1. Assessing the Organization's Communication Patterns -- 2.2.2. Benchmarking the Organization's Communication Patterns against Those Seen in Other Organizations -- 2.2.3. Correlating Communication Patterns against Performance Metrics -- 2.2.4. Virtual Mirroring -- 3 Coolhunting and Trend Forecasting on the Web -- 3.1. Measuring Collective Awareness -- 3.2. The Coolhunting Process - Finding Trends by Finding Trendsetter -- 4 The Six Honest Signals of Collaboration -- 4.1. The Honest Signals Have Different Meanings for Different Organizations -- 4.2. Virtual Mirroring Leads to Change -- 4.3. Dealing with Privacy Concerns -- 4.4. How to Apply Knowledge Flow Optimization -- 4.5. Four Examples -- 4.6. Areas of E-Mail-Based SNA -- 4.7. Improving Financial Capital through Optimizing Social Capital -- 5 Essentials of Social Network Analysis and Statistics -- 5.1. Basics of Social Network Analysis (SNA) -- 5.2. Basics of Statistics -- 6 How Ideas Spread in Online Social Networks - Readings -- 6.1. Theories of Information Diffusion -- 6.2. Spreading Ideas on Facebook.
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  • 38
    ISBN: 9783791036670
    Language: German
    Pages: 1 Online-Ressource (XIII, 253 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Schlaepfer, Karla Das dynamische Unternehmen
    DDC: 650
    RVK:
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    Keywords: Management ; Unternehmenskultur ; Innovation ; Kreativität ; Interne Kommunikation ; Innovations--Aspect social ; Innovations ; Aspect social ; Electronic books ; Management ; Innovationsmanagement ; Wertwandel
    Abstract: Cover -- Titel -- Impressum -- Vorwort -- Inhaltsverzeichnis -- Abbildungsverzeichnis -- Einleitung: Auf dem Weg zu einem dynamischen Unternehmen -- Teil 1: Unternehmenskultur -- 1 Führungskultur -- 1.1 Klimawandel -- 1.2 Dynamisches Selbstbild -- 1.3 Kohärenzmodell im dynamischen Unternehmen -- 2 Motivationskultur -- 2.1 Mehr Begeisterung -- 2.2 Bedeutsamkeit -- 2.3 Impulse zur Aktivierung in der Unternehmenskultur -- 3 Vertrauenskultur -- 3.1 Der Pygmalion-Effekt -- 3.2 Ohne Vertrauen geht es nicht -- 3.3 Partizipative Führung -- 3.4 Impulse zur Aktivierung in der Unternehmenskultur -- 4 Fehlerkultur -- 4.1 Das Fehlerparadoxon -- 4.2 Lernende Haltung -- 4.3 Impulse zur Aktivierung in der Unternehmenskultur -- 5 Feedbackkultur -- 5.1 Bloß kein Feedback -- 5.2 Ich sehe was, was du nicht siehst -- 5.3 Impulse zur Aktivierung in der Unternehmenskultur -- Teil 2: Entwicklung -- 6 Innovative Lösungen -- 6.1 Innovieren wie die Weltmeister -- 6.2 Neue Impulse im Innovationsprozess setzen -- 7 Kundenfokussierung -- 7.1 Mehr Qualität -- 7.2 Verstehen, was begeistert -- 7.3 Denkweisen ändern -- 8 Kreativität -- 8.1 Kreativität als Haltung und Bereitschaft -- 8.2 Kreativität zwischen Anspruch und Wirklichkeit -- 8.3 Impulse zur Aktivierung in der Unternehmensentwicklung -- 9 Prototypen testen -- 9.1 Innovative Ideen erlebbar machen -- 9.2 Vom Prototyp zur innovativen Lösung -- 9.3 Impulse zur Aktivierung in der Unternehmensentwicklung -- 10 Design Thinking -- 10.1 Design Thinking kommt -- 10.2 Design Thinking: Ein Name - viele Bedeutungen -- 10.3 Design Thinking: 3 Blickwinkel -- 10.4 Impulse zur Aktivierung in der Unternehmensentwicklung -- Teil 3: Organisation -- 11 Digitalisierung -- 11.1 Unser digitales Leben -- 11.2 Konsequenzen für die Arbeit der Zukunft -- 12 Kommunikation und Kollaboration
    Abstract: 12.1 Vom Konsumieren zum Gestalten -- 12.2 Kollaboration 2.0 -- 12.3 Impulse zur Aktivierung in der Unternehmensorganisation -- 13 Selbstorganisierte Teams -- 13.1 Dream-Teams -- 13.2 Teamkultur ist Führungskultur -- 13.3 Dream-Teams der Zukunft -- 13.4 Impulse zur Aktivierung in der Unternehmensorganisation -- 14 Future of Work -- 14.1 ArbeitsPLATZ -- 14.2 5 Anforderungen an den digitalen Arbeitsplatz -- 14.3 Impulse zur Aktivierung in der Unternehmensorganisation -- Schlussbemerkung: Positive Visionen in Zeiten des gesellschaftlichen Wertewandels -- Anhang -- Interviewpartner -- Danksagung -- Literaturverzeichnis -- Stichwortverzeichnis -- Über die Autoren
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  • 39
    Online Resource
    Online Resource
    Stuttgart : J.B. Metzler Verlag
    ISBN: 9783476054807
    Language: German
    Pages: 1 Online-Ressource (VII, 392 Seiten)
    Parallel Title: Erscheint auch als Global Pop
    DDC: 780
    RVK:
    Keywords: Culture Study and teaching ; Music ; Cultural and Media Studies ; Popular music ; Weltmusik ; Popular music ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Hochschulschrift ; Aufsatzsammlung
    Abstract: Intro -- Inhalt -- Einleitung -- Mut zur Lücke: Zu diesem Buch -- Global Pop oder The art formerly known as world music -- Audiotopia -- Danksagung -- I. Konzepte und Anschlüsse -- 01 Weltmusik: Ein politisch umstrittener Begriff -- Eine Frage von Macht -- Die Spannungen zwischen Wissenschaft und dem Musikmarkt -- Kritik -- Neueste wissenschaftliche Betrachtung der Weltmusik -- 02 Von Fusion und Crossover zur Weltmusik Eine Begriffsund Ideologie kritik -- Crossover -- Hybridität und Hyperkultur -- 03 Volksmusik und Folklore -- Volksmusikforschung -- Folkloristik -- Volksmusikdiskurs und Ideologiegeschichte -- Akteure -- Gattungen und Stile europäischer Volksmusik -- Volksmusikbezogene Erneuerungs bewe gungen (Revival, Folklorismus, »Pflege«) -- 04 Musikethnologie -- Forschungstraditionen -- Wandel der Untersuchungsobjekte -- Weltmusik -- 05 Musik und Religion/ Spiritualität -- Die Gesänge der Synagoge -- Musik unter christlichen Vorzeichen -- Säkularisation und Re-Sakralisierung -- Musik im Islam -- Sufismus -- Animismus -- Tibetischer Buddhismus -- Klang und Ritual in China -- Indische Klangkosmologie und ihre säkulare Relativierung -- Musik jenseits religiöser Konfessionen -- Evolutionstheorien und Psychologie -- Musik und Religion als universale Kulturfähigkeiten -- Spirituelle Qualitäten von Musik an sich? -- 06 Interund Transkulturalität -- Interkulturalität -- Transkulturalität -- 07 Postkolonialismus und Orientalismus -- Edward Said: Orientalismus -- Gegendiskurse, Subversion und Widerstand -- 08 Popmusikkulturen: Ent wicklung und Verständnis -- Herangehensweisen -- Transformationen des Pop -- Populäre Kultur als Programm -- 09 Sampling: Ästhetik der Zitate oder Piraterie? -- Sampling im Studio - und vor Gericht -- Kulturwissenschaftliche Perspektiven und Problematisierungen -- II. Akteure und Projekte -- 10 Archive der Musik der Welt.
    Abstract: Sammeln, Archivieren, Klassifizieren -- Herders Projekt und die Folgen: Zum Archiv der Musiken der Welt -- Weltmusik 2.0: Musikarchivein Zeiten des Internet -- 11 Marcel Cellier: Ein Vermittler der frühen Weltmusik -- Bedeutung und Einfluss -- Kulturwissenschaftliche Einordnung -- 12 Ry Cooder: Sammler, Archivar, Visionär -- Raga-Blues und Mali-Blues -- Buena Vista Social Club -- Von Irland nach Mexiko -- 13 A World of Music Arts and Dance: Peter Gabriel und Real World Records -- Festivals: Von der Pleite bis zum Welterfolg -- Peter Gabriel & Youssou N'Dour -- Von Music and Rhythm zu Real World -- 14 Alan Bern und das Klezmer-Revival -- Klezmer-Revival in den USA -- Klezmer in Deutschland -- Brave Old World (BOW) -- Klezmer-Revival in Israel -- The Other Europeans -- Other Music Academy -- 15 Manu Chao: Weltbürger mit Attitude -- Mano Negra -- Solokarriere -- 16 Damon Albarn: Netz werker des Global Pop -- Africa Express: Das Netzwerk - die Aktionen -- Mali Music und Kinshasa One Two -- Politik der gleichen Augenhöhe -- 17 Brian Shimkovitz: Awe some Tapes from Africa -- Kassettenkultur in Afrika -- Informelle Ökonomie und Urheberrecht -- Im Spannungsfeld von Postkolonialismus und Entexotisierung -- 18 Der Soundtrack der Migration, oder: Hungrige Vögel singen schöner -- Opaganda - Propaganda: Musik der Roma als Modell -- Wechselgesang -- Nostalgia, oder: Sprung in der Platte? -- Rembetiko - Der griechische Blues -- Widerstand -- Sons of Gastarbeita -- III. Infrastrukturen und Instrumente -- 19 Weltmusik als Markt und Marke -- Der Pop-Intellektuelle als Mäzen -- Global Player im Weltmusik-Markt -- Die Hauptstadt der Weltmusik -- Der deutsche Zweig der Weltmusik-Szene -- Die Spur der Goldschürfer -- Multiplikatoren in den Medien -- Was von der Weltmusik geblieben ist -- Weltmusik 2.0: Eine neue Generation
    Abstract: 20 Weltmusik: Musikwirt-schaftliche Annäherungen -- Weltmusik als Repertoirekategorie, Genrebezeichnung und Markt -- Vermessungen des Marktes für Weltmusik -- 21 Messen, Wettbewerbe, Auszeichnungen -- Messen: WOMEX & Co -- creole - Weltmusik / Globale Musik aus Deutschland -- Der Preis der deutschen Schallplattenkritik -- RUTH - Der deutsche Weltmusikpreis -- 22 Zwischen Kulturpolitik und Kreativwirtschaft: Weltmusik in Deutschland -- Globale Musik als kulturpolitische Herausforderung -- Zur Geschichte der Selbstorganisation des Weltmusik-Bereichs -- Charta der Weltmusik und Künstlermobilität -- 23 Wa(h)re Weltmusik: Diskurse des Global Pop -- David Byrne: Why I hate World Music -- Joe Boyd: Wie Stalin die Weltmusik erfand -- Klaus Frederking: Was ist Weltmusik -- Thomas Burkhalter: Weltmusik -- 24 Tourismus -- Musik-Event-Tourismus -- Tourismus und Globalisierung -- Weitere Dimensionen der Musiktourismusforschung -- Musiktourismus und Weltmusik -- 25 Weltmusikfestivals und Festivalisierung der Weltmusik -- Vorläufer und Entstehung von Weltmusikfestivals -- Aspekte der Festivalisierung -- Kontroverse Weltmusikfestivals -- 26 Die Wiederkehr der Ukulele -- Spaßfaktor und Widerstandssymbol -- Mitbringsel aus Madeira -- Erfolgswellen -- Rock Killed the Ukulele-Star -- Die Beatles und der neue Boom -- Uke Goes Online -- 27 Weltmusik studieren - unterrichten - vermitteln -- Weltmusik studieren -- Weltmusik unterrichten -- Weltmusik vermitteln -- IV. Sound und Raum -- 28 Sounds like World Music: Zur klanglichen Konstruktion räumlicher Ordnungen -- Klanglichkeit und deren Bedeutung -- Medientechnologische Transformationsprozesse -- Seismographische Klänge -- 29 Folk in den USA, Europa und Deutschland -- Folk in den -- Folk in Großbritannien und Irland -- Folk in Südeuropa -- Folk im übrigen Europa -- Folk in Deutschland
    Abstract: 30 Neue Volksmusik: Alpine Klanglabore in Deutschland, Österreich und der Schweiz -- Kratzen an den Fundamenten der Tradition -- Musik ohne Genre -- Sonderfall Blasmusik -- Akademisierung einer Laienkultur -- 31 Pop, Politik und musikalische Peripherie -- Die Entdeckung Südafrikas -- Kein Entkommen vor der Politik -- Der Sound der Rebellion -- Ausblick -- 32 Turbofolk: Politik und Weltmusik -- Von der »neukomponierten Volksmusik« zum Turbofolk -- Die akademische Kontroverse -- Turbofolk als »Weltmusik 2.0«? -- 33 Balkanmusik auf dem westeuropäischen World Music-Markt -- Die Entdeckung der Musik der Roma in Südosteuropa -- Blasmusik der Roma: Zentraler Topos der Balkanmusik -- Gypsy Music als Kategorie: Vermarktung der Klischees -- Balkanpartys und Balkanpop -- Institutionalisierung von Balkanmusik in der World Music -- 34 Von der Sitar zum Laptop: Indien und der Westen -- Die Sitar als Symbol -- Weltmusik 2.0 -- 35 Highlife transnational: Moderne westafrikanische Populärmusik 1950-1965 -- Spezifische Merkmale des Highlife und musikhistorische Berührungspunkte -- Highlife und Calypso -- Ghanaisch-nigerianische musikalische Interaktion als transnationales Vermächtnis des Highlife -- Präkolonialer Preisgesang und Pop in den jungen Nationen -- Gerappte Opposition, Unabhängigkeits-nostalgie und neue Bedrohungen -- 36 Westafrikanische Musik:Vom Preisgesang zum Pop -- Präkolonialer Preisgesang und Pop in den jungen Nationen -- Gerappte Opposition, Unabhängigkeitsnostalgieund neue Bedrohungen -- 37 J-Pop: Warum populäre Musik aus Japan nicht unbedingt japanisch klingt -- 38 Das globale Mestizo-Dorf -- Der Begriff »mestizo« und seine ambivalenten Hintergründe -- Die alten und die neuen musikalischen »mestizos« -- Die Mestizo-Pioniere des 20. Jahrhunderts und ihre Vorläufer -- Barcelona - Relaisstation der Mestizos
    Abstract: Die markantesten Bestandteile der Mestizo-Rezeptur -- Wichtige Standorte und Gralshüter der »música mestiza« -- Diskrepanzen und Grenzen der grenzenlosen Mestizo-Musik -- 39 Südafrikas Musik zwischen Popularität und Politisierung -- Mbube und Isicathamiya - die populäre Chormusik Südafrikas -- Miriam Makeba und der Kampf gegen die Apartheid -- Brenda Fassie und der Bubblegum -- Die Postapartheidgeneration: Kwaito und House -- 40 »Das Schweigen brechen« - vom Raï zum HipHop in Algerien -- Die Vorläufer der algerischen Raï-Musik -- Oran - Drehscheibe des Raï -- Der Raï im politischen Spannungsfeld -- Der Siegeszug des Raï in Westeuropa -- »Aufschrei gegen das Schweigen« - Rap in Algerien -- Lokaler und globaler »Sound of Protest« -- Raï, Reggae, Rap -- Flucht ins Exil -- 41 Dub - Vom Remix zur Produktionsmethode -- Dub in Jamaika: Der engineer als Musiker -- Dub-Alben -- Dub als Remix und als Produktionsmethode: King Tubby und Lee Perry -- Dub-Diaspora -- Dub als Virus -- 42 Neue Formen von Hybridität in der populären Musik Brasiliens -- Samba: Vorläufer und Variationen -- Rock Nacional / Crossover / Heavy Metal -- HipHop und Funk Carioca -- 43 Madagassischer Heavy Metal - globale oder lokale Praxis? -- »Global Metal« und seine Lesart -- Metal in Madagaskar - Der Kampf um den Sound -- 44 Bikutsi: Kameruner Popmusik abseits der Weltmusik -- Bikutsi-Pop in Kamerun -- Bikutsi als Weltmusik -- Getrennte Bikutsi-Welten: Europa und Kamerun -- Die Autorinnen und Autoren -- Register
    Note: Literaturangaben
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  • 40
    ISBN: 9780128004784 , 9780128000069
    Language: English
    Pages: 1 online resource (xxi, 166 pages)
    Parallel Title: Erscheint auch als Pirc, John Threat forecasting
    DDC: 303.49
    RVK:
    Keywords: Computer security ; Big data Security measures ; Forecasting ; Computer security. ; Big data Security measures. ; Forecasting ; Electronic books ; Big Data ; Computersicherheit
    Abstract: Front Cover -- Threat Forecasting: Leveraging Big Data for Predictive Analysis -- Copyright -- Contents -- About the Authors -- Foreword -- Why Threat Forecasting is Relevant -- What You Will Learn and How You Will Benefit -- Preface -- Book Organization and Structure -- Closing Thoughts -- Acknowledgments -- Chapter 1: Navigating Todays Threat Landscape -- Introduction -- Why Threat Forecasting -- The Effects of a Data Breach -- Barriers to Adopting Threat Forecasting Practices -- Going Beyond Historical Threat Reporting -- Timing -- Generalization -- The State of Regulatory Compliance -- Industry Specific Guidelines -- Healthcare Institutions -- Financial Institutions -- Cyber Security Information Sharing Legislation: Watch this Space -- Best Practices, Standards, and Frameworks -- PCI DSS -- NIST Cyber Security Framework -- Defense in Depth -- Tier 1 Security Technologies -- Tier 2 Security Technologies -- Update and Evaluate Security Products and Technologies -- Cyber Security and the Human Factor -- Today's Information Assurance Needs -- Chapter 2: Threat Forecasting -- Synopsis -- Introduction -- Threat Forecasting -- Dangers of Technology Sprawl -- High Speed Big Data Collection and Surveillance -- Threat Epidemiology -- High Frequency Security Algorithms -- Summary -- Chapter 3: Security Intelligence -- Synopsis -- Introduction -- Security Intelligence -- Information Vetting -- KPIs -- Programs -- Scripts -- Shortcuts -- Other -- Office Macros -- Do It Yourself (DIY) Security Intelligence -- Build -- Buy -- Partner -- Key Indicator Attributes -- Dissemination of Intelligence -- Summary -- Chapter 4: Identifying Knowledge Elements -- Synopsis -- Introduction -- Defining Knowledge Elements -- Intelligence Versus Information -- A Quick Note About the Signal-to-Noise Ratio Metaphor -- A Brief Note on IOCs and IOIs.
    Note: Includes bibliographical references and index , Zielgruppe - Audience: Specialized
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  • 41
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    ISBN: 9781137402042
    Language: English
    Pages: 1 Online-Ressource (X, 206 p)
    Series Statement: Pop Music, Culture and Identity
    Parallel Title: Erscheint auch als
    DDC: 306.01
    RVK:
    Keywords: Culture Study and teaching ; Music ; Historiography ; Emotions ; Interview ; Electronic books
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  • 42
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press | [Berlin] : BiblioLabs
    ISBN: 9780472902385
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Tracking Pop
    DDC: 782.42166092/2
    RVK:
    Keywords: Wilson, Brian ; The Beach Boys ; Geschichte ; Electronic books ; Electronic books ; Electronic books
    Abstract: Good Vibrations brings together scholars with a variety of expertise, from music to cultural studies to literature, to assess the full extent of the contributions to popular culture and popular music of one the most successful and influential pop bands of the twentieth century. The book covers the full fifty-year history of the Beach Boys' music, from essays on some of the group's best-known music-such as their hit single "Good Vibrations" -to their mythical unfinished masterpiece, Smile. Throughout, the book places special focus on the individual whose creative vision brought the whole enterprise to life, Brian Wilson, advancing our understanding of his gifts as a songwriter, arranger, and producer
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  • 43
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    Online Resource
    Ann Arbor : University of Michigan Press | Berlin : Knowledge Unlatched
    ISBN: 9780472121649 , 9780472902378
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Tracking pop
    Parallel Title: Erscheint auch als Graham, Stephen, 1982 - Sounds of the Underground
    DDC: 781.64
    RVK:
    Keywords: Underground music Social aspects ; Underground music Political aspects ; Underground music History and criticism ; Subculture ; Music ; Music / Ethnomusicology ; Electronic books ; Electronic books ; Electronic books ; Underground ; Musiker ; Musikleben ; Soziale Funktion
    Abstract: In this book, Stephen Graham examines the largely unexplored terrain of underground music-exploratory forms of music-making, such as noise, free improvisation, and extreme metal, that exist outside or on the fringes of mainstream culture, generally independent from both the market and from traditional high-art institutions. Until now there has been little scholarly discussion of underground music and its cultural, political, and aesthetic importance. In addition to providing a much-needed historical outline of this diverse scene, Stephen Graham focuses on the digital age, showing the underground and its fringes as based largely in radical anti-capitalist politics and aesthetics, tied to the political contexts and structures of late-capitalism. Sounds of the Underground explores these various ideas of separation and capture through interviews and analysis, developing a critical account of both the music and its political and cultural economy
    Note: Literaturverzeichnis: Seite 269-289
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  • 44
    Online Resource
    Online Resource
    London : Palgrave Macmillan
    ISBN: 9781137497802
    Language: English
    Pages: 1 Online-Ressource (XI, 228 Seiten)
    Series Statement: Palgrave studies in the history of subcultures and popular music
    Parallel Title: Erscheint auch als
    DDC: 941
    RVK:
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    Keywords: History ; Music ; Great Britain / History ; Civilization / History ; History of Britain and Ireland ; Cultural History ; Geschichte ; Musik ; Politik ; Musik ; Postpunk ; Kultur ; Großbritannien ; Großbritannien ; Electronic books ; Großbritannien ; Kultur ; Musik ; Postpunk ; Großbritannien ; Postpunk ; Politik
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  • 45
    ISBN: 9781317587255 , 9781315742816
    Language: English
    Pages: 1 Online-Ressource (xv, 369 Seiten)
    Series Statement: Routledge studies in popular music 12
    Parallel Title: Erscheint auch als
    DDC: 781.66
    RVK:
    Keywords: Gesellschaft ; Musik ; Heavy metal (Music) / History and criticism ; Music / Social aspects ; Kulturwissenschaften ; Heavy Metal ; Aufsatzsammlung ; Electronic books ; Electronic books ; Aufsatzsammlung ; Heavy Metal ; Kulturwissenschaften
    Note: Includes bibliographical references and index
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  • 46
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    ISBN: 9781137554413
    Language: English
    Pages: 1 Online-Ressource (IX, 184 p. 9 illus., 8 illus. in color)
    Series Statement: Pop Music, Culture and Identity
    Parallel Title: Erscheint auch als
    DDC: 302.23
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    Keywords: Culture Study and teaching ; Communication ; Music ; Feminist anthropology ; Sociology ; Sex (Psychology) ; Gender expression ; Gender identity ; Geschlechterrolle ; Hard Rock ; Weiblicher Fan ; Heavy Metal ; Großbritannien ; Electronic books ; Großbritannien ; Hard Rock ; Heavy Metal ; Weiblicher Fan ; Geschlechterrolle
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  • 47
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    Online Resource
    Stuttgart : J. B. Metzler'sche Verlagsbuchhandlung & Carl Ernst Poeschel GmbH
    ISBN: 9783476055064
    Language: German
    Pages: 1 online resource (471 pages)
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    RVK:
    Keywords: Opera ; Electronic books
    Abstract: Intro -- Inhalt -- Vorwort -- Technische Hinweise -- Dank -- I Sichtweisen -- Der Zuschauer -- Der Fachmann für öffentliche -- Verwaltung -- Die Sängerin -- II Rahmenbedingungen -- Geld und Münzen -- Reisen und Geld -- Wechsel und Creditbriefe -- Bezahlung der Sänger -- Wechselgeschäfte der Impresari -- Reichstaler -- Lire und Zecchini -- Pfund Sterling -- Französische Livres und Francs -- Louis d'or, Doppia di Spagna, Pistole -- Einheitliche Währungen -- Reisen -- Reisebedingungen -- Reisen im 18. Jahrhundert -- Reisen im 19. Jahrhundert -- Reisen im 20. Jahrhundert -- III Organisations-formen -- Einleitendes -- Unternehmeroper -- Kommerzielle Oper und Impresario-System in Italien -- Londoner Opernhäuser -- USA: Metropolitan Opera -- Opéra Comique und die kollektive Theaterleitung in Frankreich -- Die Hamburger »Oper am Gänsemarkt« -- Mobile Opernund Schauspieltruppen -- Die Stadttheater in Deutschland und Frankreich -- Hofund Staatsoper -- Die Pariser Opéra -- Deutsche Hofoper -- IV Rechtsfragen -- Theaterrecht -- Prozesse -- Kontraktbruch -- »Theatergesetze« -- Gefängnis -- Armenabgabe -- Zensur -- Volljährigkeit bei Sängern und Sängerinnen -- Die rechtliche Stellung von Sängerinnen -- V Die Sänger -- Symbolisches Kapital -- Gagen und symbolisches Kapital -- »Gage« -- Die Gagen der Sänger im 18. Jahrhundert -- Gehälter an den deutschen Höfen -- Kastraten -- Die Gehälter an der Pariser Opéra -- Die Sängergehälter im 19. Jahrhundert -- Die Sängergehälter im 20. Jahrhundert -- Gagen im 21. Jahrhundert -- Sängergehälter im Vergleich -- Die Einnahmen -- Altersversorgung -- Die Solisten an den kleinen Theatern -- Agenten -- VI Autoren -- Komponisten, Librettisten und die Oper als Aufführung -- Urheberrecht und »Werk« -- Der Operndirigent -- Angelo Mariani -- Die verlorene Macht des Komponisten -- VII Das Opern-publikum.
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  • 48
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    Online Resource
    Oxford, England : Oxford University Press
    ISBN: 9780191069659
    Language: English
    Pages: 1 online resource (439 pages)
    Parallel Title: Hanson, Robin, 1959 - The age of EM
    DDC: 006.301
    RVK:
    Keywords: Roboter ; Künstliche Intelligenz ; Sozialer Wandel ; Prognose ; Social change--Forecasting ; Technological innovations ; Artificial intelligence Forecasting ; Artificial intelligence Philosophy ; Social change ; Forecasting ; Social change Forecasting ; Electronic books ; Künstliche Intelligenz ; Roboter
    Abstract: Robots may one day rule the world, but what is a robot-ruled Earth like? Many think that the first truly smart robots will be brain emulations or "ems." Robin Hanson draws on decades of expertise in economics, physics, and computer science to paint a detailed picture of this next great era in human (and machine) evolution - the age of em.
    Abstract: Cover -- Half-Title Page -- Title Page -- Copyright Page -- PREFACE TO HARDBACK -- PREFACE TO PAPERBACK -- ACKNOWLEDGEMENTS -- CONTENTS -- INTRODUCTION -- PART I: Basics -- CHAPTER 1. Start -- OVERVIEW -- SUMMARY -- CHAPTER 2. Modes -- PRECEDENTS -- PRIOR ERAS -- OUR ERA -- ERA VALUES -- DREAMTIME -- LIMITS -- CHAPTER 3. Framing -- MOTIVATION -- FORECASTING -- SCENARIOS -- CONSENSUS -- SCOPE -- BIASES -- CHAPTER 4. Assumptions -- BRAINS -- EMULATIONS -- ANTHROPOMORPHIZE -- COMPLEXITY -- ARTIFICIAL INTELLIGENCE -- CHAPTER 5. Implementation -- MINDREADING -- HARDWARE -- SECURITY -- PARALLELISM -- PART II: Physics -- CHAPTER 6. Scales -- SPEEDS -- BODIES -- LILLIPUT -- MEETINGS -- ENTROPY -- MISERLY MINDS -- CHAPTER 7. Infrastructure -- CLIMATE -- COOLING -- AIR AND WATER -- BUILDINGS -- MANUFACTURING -- CHAPTER 8. Appearances -- VIRTUAL REALITY -- COMFORT -- SHARED SPACES -- MERGING REAL AND VIRTUAL -- CHAPTER 9. Information -- VIEWS -- RECORDS -- FAKERY -- SIMULATIONS -- CHAPTER 10. Existence -- COPYING -- RIGHTS -- MANY EMS -- SURVEILLANCE -- CHAPTER 11. Farewells -- FRAGILITY -- RETIREMENT -- GHOSTS -- WAYS TO END -- DEFINING DEATH -- SUICIDE -- PART III: Economics -- CHAPTER 12. Labor -- SUPPLY AND DEMAND -- MALTHUSIAN WAGES -- FIRST EMS -- SELECTION -- ENOUGH EMS -- CHAPTER 13. Efficiency -- CLAN CONCENTRATION -- COMPETITION -- PRODUCTIVITY -- ELITENESS -- QUALITIES -- MOTIVATION -- CHAPTER 14. Work -- WORK HOURS -- SPURS -- SPUR USES -- SOCIAL POWER -- CHAPTER 15. Business -- INSTITUTIONS -- NEW INSTITUTIONS -- COMBINATORIAL AUCTIONS -- PREDICTION MARKETS -- CHAPTER 16. Growth -- FASTER GROWTH -- GROWTH ESTIMATE -- GROWTH MYTHS -- FINANCE -- CHAPTER 17. Lifecycle -- CAREERS -- PEAK AGE -- MATURITY -- PREPARATION -- TRAINING -- CHILDHOOD -- PART IV: Organization -- CHAPTER 18. Clumping -- CITIES -- CITY STRUCTURE -- CITY AUCTIONS.
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  • 49
    Online Resource
    Online Resource
    New Haven, CT : Yale University Press
    ISBN: 9780300219432
    Language: English
    Pages: 1 Online-Ressource (297 pages)
    Parallel Title: Erscheint auch als Fairclough, Pauline, 1970 - Classics for the masses
    DDC: 306.4842809470904
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    Keywords: Music - Soviet Union - History and criticism ; Electronic books ; Sowjetunion ; Musikpolitik ; Nationalismus ; Musikleben ; Kulturelle Identität ; Geschichte 1917-1953
    Abstract: Cover page -- Halftitle page -- Title page -- Copyright page -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGEMENTS -- NOTE ON TRANSLITERATION AND ARCHIVAL SOURCES -- SOVIET ACRONYMS AND ABBREVIATIONS -- INTRODUCTION -- Postscript -- CHAPTER ONE PROPAGANDIZING THE CLASSICS 1917-1929 -- After 1917 -- Shaping the Canon: The Russian Classics -- Marketing the Western Classics -- Narkompros -- Composer Societies in the 1920s -- Mass Work in the 1920s: Amateur Groups -- The Modernism Question: Repertoire Politics in the Leningrad and Moscow Philharmonias, 1921-8 -- The Church Music Problem -- CHAPTER TWO CULTURAL REVOLUTION, REPERTOIRE POLITICS AND THE CLASSICS -- The All-Union Conferences, 1929-31 -- Repertoire Politics during the 'Great Break' -- Final Attacks on Church Music -- End of an Era -- The Campaign against RAPM -- CHAPTER THREE INTERNATIONALISM, MODERNISM AND THE 'STALINIST ENLIGHTENMENT' 1932-1941 -- The End of RAPM? -- Internationalism and Modernism -- Narratives of Enlightenment, 1932-41 -- The Soviet Bach Revival -- Pergolesi, Mozart and Beethoven -- Anti-fascism and Wagner -- Classics versus Moderns -- CHAPTER FOUR TURNING INWARDS: THE RISE OF RUSSIAN NATIONALISM 1937-1941 -- The Philharmonia Purges -- Nationalism and Repertoire -- Old Faces, New Scapegoats -- The End of Internationalism? -- Reinventing the Russian Musical Past -- Musorgskiy and the Kuchka -- CHAPTER FIVE FROM THE GREAT PATRIOTIC WAR TO THE ZHDANOVSHCHINA 1941-1953 -- The Radio Committee Orchestra in Blockaded Leningrad, 1941-4 -- Allied 'Internationalism' -- Restoring the Orthodox Church: The Return of Russian Sacred Music? -- The 'Rehabilitation' of Rakhmaninov -- The 'Iron Curtain' Descends: 1944-7 -- Background to the Zhdanovshchina -- 'Weary of False Notes': The Gol'denveyzer Affair -- The End of Internationalism: Late Stalinist Stagnation
    Abstract: Wagner Revisited and New Soviet Music -- Attitudes to the West in Post-war Soviet Scholarship -- CONCLUSION -- BIOGRAPHIES -- NOTES -- SELECT BIBLIOGRAPHY -- INDEX
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  • 50
    ISBN: 9780754699408
    Language: English
    Pages: 1 online resource (218 pages)
    Edition: 1st ed.
    Parallel Title: Erscheint auch als
    DDC: 306.4/87
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    Keywords: Video games Social aspects ; Video games ; Video games ; Social aspects ; Video games ; Electronic books
    Abstract: Ethnographies of the Videogame uses the medium of the videogame to explore wider significant sociological issues around new media, interaction, identity, performance, memory and mediation. Addressing questions of how we interpret, mediate and use media texts, particularly in the face of claims about the power of new media to continuously shift the parameters of lived experience, gaming is employed as a 'tool' through which we can understand the gendered and socio-culturally constructed phenomenon of our everyday engagement with media. The book is particularly concerned with issues of agency and power, identifying strong correlations between perceptions of gaming and actual gaming practices, as well as the reinforcement, through gaming, of established (gendered, sexed, and classed) power relationships within households. As such, it reveals the manner in which existing relations re-emerge through engagement with new technology. Offering an empirically grounded understanding of what goes on when we mediate technology and media in our everyday lives Ethnographies of the Videogame is more than a timely intervention into game studies. It provides pertinent and reflexive commentary on the relationship between text and audience, highlighting the relationships of gender and power in gaming practice. As such, it will appeal to scholars interested in media and new media, gender and class, and the sociology of leisure.
    Abstract: Cover -- Contents -- List of Figures -- Acknowledgements -- 1 Introductions: Videogames, Gender, Ethnography -- 2 Constructing a Gendered Gaming Identity -- 3 Articulating Pleasure: Gender, Technology and Power -- 4 The Practices of Gameplay -- 5 Bodies and Action -- 6 Pleasure and the Imagined Gamer -- 7 Conclusions: Towards a Theory of Domestic Videogaming -- Appendix 1: Index and Statistics of Houses and Household Members -- Appendix 2: Index of Interviews -- Bibliography -- Index.
    Description / Table of Contents: Cover; Contents; List of Figures; Acknowledgements; 1 Introductions: Videogames, Gender, Ethnography; 2 Constructing a Gendered Gaming Identity; 3 Articulating Pleasure: Gender, Technology and Power; 4 The Practices of Gameplay; 5 Bodies and Action; 6 Pleasure and the Imagined Gamer; 7 Conclusions: Towards a Theory of Domestic Videogaming; Appendix 1: Index and Statistics of Houses and Household Members; Appendix 2: Index of Interviews; Bibliography; Index;
    Note: Description based on publisher supplied metadata and other sources
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  • 51
    ISBN: 9781137582904
    Language: English
    Pages: 1 Online-Ressource (xiii, 251 Seiten) , Illustrationen
    Series Statement: Pop music, culture and identity
    Parallel Title: Print version Nowak, Raphaël Networked Music Cultures : Contemporary Approaches, Emerging Issues
    Parallel Title: Erscheint auch als Networked music cultures
    DDC: 306.4842
    RVK:
    Keywords: Music ; Electronic books ; Electronic books ; Aufsatzsammlung ; Musik ; Musikwirtschaft
    Abstract: "Contents" -- "Contributor Biographies" -- "List of Figures" -- "List of Tables" -- "Chapter 1: Editorsâ Introduction" -- "1.1 Music and Digital Technologies" -- "1.2 Networked Music Cultures" -- "1.3 Outline of the Book" -- "Bibliography" -- "Chapter 2: The Peopleâs Mixtape: Peer-to-Peer File Sharing without the Internet in Contemporary Cuba" -- "2.1 Prologue" -- "2.2 âThe Peopleâs Internetâ: Foreign Texts in Cuba" -- "2.3 Static and Hiss: Contextualising USB Use in Cuba" -- "2.4 Getting the Content, Getting the Devices" -- "2.5 Extra-textual Data Loss: File Sharing and/as Collective Identity" -- "2.6 Conclusion: The Future of File Sharing" -- "2.7 Epilogue" -- "Notes" -- "Bibliography" -- "Chapter 3: Musica Analytica: The Datafication of Listening" -- "3.1 Spotify: The Echo Nest" -- "3.2 Pandora Internet Radio: The Music Genome Project" -- "3.3 Data-Driven Advertising on Pandora" -- "3.4 Political Ad Targeting" -- "3.5 Conclusion" -- "Notes" -- "Bibliography" -- "Chapter 4: The Legacy of Napster" -- "4.1 Control, Format and Content" -- "4.2 Not Quite P2P" -- "4.3 Legal Cat and Mouse: Not a Technical Necessity" -- "4.4 Commercial Cat and Mouse Too" -- "4.5 Spotify: The Taming of âFreeâ or Its Triumph?" -- "4.6 Who Pays and Who Gets Paid?" -- "4.7 Parallel Economies of Free and Paid Access" -- "4.8 The Counterfactual Case of Digital Sports Broadcasting" -- "4.9 Conclusion" -- "Bibliography" -- "Chapter 5: Streaming Music in Japan: Corporate Cultures as Determinants of Listening Practice" -- "Bibliography" -- "Chapter 6: Making Sense of Acquiring Music in Mexico City" -- "6.1 Data Collection" -- "6.2 Music, Technology and Musical Practices" -- "6.3 Un-blackboxing Mexican Piracy" -- "6.4 The Heterogeneous Know-How of Downloading" -- "6.5 The Right Practices of Music".
    Note: Description based upon print version of record
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  • 52
    ISBN: 9783839433874
    Language: German
    Pages: 1 online resource (369 pages)
    Edition: 1st ed.
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    DDC: 781.64309000000003
    RVK:
    Keywords: Blues (Music) ; Germany ; History and criticism ; Electronic books
    Abstract: Cover. Ein Klang - zwei Welten -- Inhalt -- Schalt bloß diesen Lärm aus ... -- Einleitung -- Kalter Schnitt und schöner Schein -- Woher wir wissen, was der Blues ist -- Early in the Morning: Aufbruch -- Im Kraftfeld der Hot-Club-Bewegung -- B.O.A.S.: Blues Overseas American Service -- Jazz- und Bluesrezeption in der DDR -- Die Eroberung der medialen Grauzonen -- Archaische Typen: Blues auf der Bühne -- Get off of My Cloud: Emanzipation -- Idee und Design der American Folk Blues Festivals -- Logistik, Marketing und künstlerische Profile -- Die zweite Staffel der American Folk Blues Festivals -- Das American Folk Blues Festival in der DDR -- Bluesdiskurse: Topoi, Deutungsmuster und Klischees -- Standing at the Crossroads: Expansion -- Zwischen Pop und politischem Protest -- Die Stimme des ›anderen Amerika‹ -- Der Blues als offizielle Kultur in der DDR -- Auf Deutsch: Blues und Muttersprache -- Fernab des Mainstreams: L+R Records -- I'm Drifting and Drifting: Alltag -- Nischen und Biotope: Aktionsräume der Szene -- Das Selbstverständnis des German Blues Circle -- Nur ein ›Schwarzer‹ kann den Blues singen -- Metamorphosen: Blues und Hippiekult in der DDR -- Fans im Visier von Staat und Geheimdienst -- ...dreh doch mal lauter -- Resümee -- Abkürzungen -- Literatur -- Bildnachweis -- Dank -- Personen- und Bandregister.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
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  • 53
    Online Resource
    Online Resource
    Bonn : Rheinwerk Verlag
    ISBN: 9783836239271
    Language: German
    Pages: 1 online resource (493 pages)
    Edition: 1st ed.
    Parallel Title: Erscheint auch als
    DDC: 302.231
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    Keywords: Electronic books ; Internet marketing.. ; Internet advertising ; YouTube (Electronic resource)
    Abstract: Intro -- 1 Vorhang auf! -- 1.1 YouTube - bewegte Bilder im 21. Jahrhundert -- 1.1.1 Wie alles begann -- 1.1.2 Die Bewegtbildlandschaft im Wandel -- 1.1.3 Das YouTube-Geschäftsmodell -- 1.2 Was bringt YouTube Ihrem Unternehmen? -- 1.2.1 Wie GoPro mit YouTube zum Milliardenunternehmen wurde -- 1.2.2 YouTube als Instrument im Marketing 3.0 -- 1.2.3 Mit YouTube junge Zielgruppen besser erreichen -- 1.2.4 Messbarkeit -- 1.2.5 Alle Gründe für einen YouTube-Kanal nochmal zusammengefasst -- 2 Ihre individuelle YouTube-Strategie -- 2.1 Worst Case: Wie YouTube-Marketing scheitert -- 2.2 Der Planungszyklus Ihrer YouTube-Strategie -- 2.3 Wo steht Ihr Unternehmen zurzeit? -- 2.3.1 Mit der SWOT-Analyse die aktuelle Lage prüfen -- 2.3.2 Trends und Entwicklungen beobachten -- 2.4 Welches Ziel haben Sie vor Augen? -- 2.4.1 Brand Awareness - die Markenbekanntheit steigern -- 2.4.2 Brand Loyality - treue Kunden binden -- 2.4.3 Leads generieren -- 2.4.4 Upselling - höherwertige Produkte schmackhaft machen -- 2.4.5 Service und Support bieten -- 2.4.6 Marktforschung und Produktoptimierung betreiben -- 2.4.7 Deutungshoheit im eigenen Segment gewinnen -- 2.5 Wie sieht Ihre Zielgruppe aus? -- 2.5.1 Ist Ihre Zielgruppe auf YouTube überhaupt vertreten? -- 2.5.2 Soziodemografische und psychografische Merkmale herausfinden -- 2.5.3 Persona entwickeln -- 2.6 Die Strategie entwickeln -- 2.6.1 YouTube in das Marketing integrieren -- 2.6.2 Die verschiedenen Phasen der Customer Journey Map -- 2.6.3 Zeichnen Sie eine Customer Journey Map -- 2.7 Ressourcen zuteilen -- 2.7.1 Wie groß ist Ihr Budget? -- 2.7.2 Wer übernimmt welche Aufgaben? -- 2.7.3 Wie pflegen Sie den Kontakt zur Community? -- 2.7.4 Erfolg kontrollieren und nachbessern -- 3 Das Kanalkonzept -- 3.1 Inhalte auf dem Kanal strukturieren -- 3.1.1 Inhalte planen mit dem Content Creation Framework von YouTube.
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  • 54
    ISBN: 9789004314986
    Language: English
    Pages: 1 online resource (397 pages) , illustrations, photographs.
    Series Statement: Intersections Volume 43
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Identities, Intertextuality and Performance in Song Culture (2012 : Amsterdam) Identity, intertextuality, and performance in early modern song culture
    DDC: 782.0094
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    Keywords: Autograph albums History 16th century ; Music Social aspects 16th century ; History ; Music Social aspects 17th century ; History ; Music Social aspects 18th century ; History ; Music Social aspects 19th century ; History ; Vocal music History and criticism 16th century ; Vocal music History and criticism 17th century ; Vocal music History and criticism 18th century ; Vocal music History and criticism 19th century ; Vocal music ; Europe ; 16th century ; History and criticism ; Vocal music ; Europe ; 17th century ; History and criticism ; Vocal music ; Europe ; 18th century ; History and criticism ; Vocal music ; Europe ; 19th century ; History and criticism ; Music ; Social aspects ; Europe ; History ; 16th century ; Music ; Social aspects ; Europe ; History ; 17th century ; Music ; Social aspects ; Europe ; History ; 18th century ; Music ; Social aspects ; Europe ; History ; 19th century ; Autograph albums ; Netherlands ; History ; 16th century ; Electronic books ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift Identity, intertextuality, and performance in early modern song culture 17.10.2012-19.10.2012 ; Vokalmusik ; Volkslied ; Liederbuch ; Geschichte 1450-1850
    Abstract: Contents -- Acknowledgements -- Notes on the Editors -- Notes on the Contributors -- List of Illustrations -- Chapter 1 Introduction -- Chapter 2 Local and Religious Identity in Swedish Popular Hymn Singing during the Seventeenth and Eighteenth Centuries -- Chapter 3 Performing Pietism in the Peatlands: Songs in the Manuscript Miscellany of a Village Schoolmaster in the Dutch Republic between 1750 and 1800 -- Chapter 4 Guilielmus Bolognino's Den Gheestelijcken Leeuwercker: The Collected Songs of a Counter-Reformation Champion -- Chapter 5 Songs and Identities: Handwritten Secular Songbooks in German-Speaking Areas of the Fifteenth and Sixteenth Centuries -- Chapter 6 'Social Networking is in Our Dna': Women's Alba Amicorum as Places to Build and Affirm Group Identities -- Chapter 7 The Many Shades of Love: Possessors and Inscribers of Sixteenth-Century Women's Alba -- Chapter 8 Exploring Love's Options: Song and Youth Culture in the Sixteenth Century Netherlands -- Chapter 9 Oppositional Political Identity in the Song Culture of the Vormärz and the 1848 Revolution in Germany -- Chapter 10 The Perils of Performance: From Political Songs to National Airs in Romantic-Era Wales (1790-1820) -- Chapter 11 Folksongs, Conflicts and Social Protest in Early Modern France -- chapter 12 "Fortune My Foe": The Circulation of an English Super-Tune -- Chapter 13 Samuel Pepys and the Making of Ballad Publics -- Chapter 14 Slave Orchestras and Rainbow Balls: Colonial Culture and Creolisation at the Cape of Good Hope, 1750-1838 -- Index Nominum
    Note: Includes bibliographical references at the end of each chapters and index. Description based on print version record
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  • 55
    Online Resource
    Online Resource
    Wiesbaden : Springer Fachmedien Wiesbaden GmbH
    ISBN: 9783658138400
    Language: German
    Pages: 1 online resource (330 pages)
    Series Statement: Edition Centaurus - Beiträge Zur Kultur- und Sozialgeschichte der Musik Ser.
    Parallel Title: Erscheint auch als
    DDC: 305.3
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    Keywords: Composers--Germany--Biography ; Electronic books ; Hochschulschrift ; Hochschulschrift
    Abstract: sdfdsf.
    Abstract: Intro -- Inhaltsverzeichnis -- Vorwort -- 1. Einleitung: Die Frage an einen Ästhetiker - eine Frauenfrage? -- 2. Die Ordnung der Geschlechter und die Ordnung der Musik -- 2.1 Konzepte von Weiblichkeit und Männlichkeit -- 2.2 Geschlechter-Dualismen in der Musik -- 2.2.1 Typologisierungen von Musikausübenden und -produzierenden -- 2.2.1.1 Das Genie -- 2.2.1.2 Der Dilettant -- 2.2.2 Musik verschriftlicht: Das Männliche und das Weibliche -- 2.2.3 Doing gender in den musikästhetischen Kategorien Ausdruck und Charakter -- 3. Musikkritik und "Frauenzimmer-Compositionen -- 3.1 Vorüberlegungen -- 3.1.1 Musikkritiken als Quellen -- 3.1.2 Die Anzahl von Frauen unter den Tonsetzern -- 3.2 Rezensionen in Musikzeitschriften des ausgehenden 18. Jh. -- 3.2.1 Werkbesprechungen 1780 - 1798: Die Etablierung einer Textsorte -- 3.2.2 Zwischenergebnis: Die verschiedenen Ebenen der Bewertung -- 3.3 Musikkritik in den ersten Jahrzehnten des 19. Jahrhunderts -- 3.3.1 Die Suche nach Kriterien der Beurteilung von Musik -- 3.3.2 Sophie Westenholz' Werke für Klavier - ein Kritikerstreit? -- 3.3.3 Personenabhängige Kritik -- 3.3.4 Zielgruppenkritik -- 3.3.5 Musikimmanente Kritik: Zu Gattung, Grammatik und Ausdruck -- 3.3.5.1 Die Beurteilung von Klavier- und Kammermusik -- 3.3.5.2 Die Bewertung von Liedern -- 3.4 Rezensionen als Spiegel zeitgenössischer Rezeption -- 3.5 ...und wenn der Komponist eine Frau ist? Adolf Bernhard Marx und Felix Mendelssohn Bartholdys Lieder op. 8 -- 4. Corona Schröter -- 4.1. Corona Schröter: Komponistin -- 4.1.1 Musikalischer Werdegang -- 4.1.2 Komponieren -- 4.2 Corona Schröter: Iphigenie - Proserpina - Juno? -- 4.2.1 Iphigenie auf Tauris - "Die Rolle des Lebens7"? -- 4.2.2 Schröters Selbstinszenierung: Kleidungsgewohnheiten -- 4.3 Das Denkmal: "Miedings Tod -- 5. Louise Reichardt -- 5.1 Musizieren -- 5.2 Komponieren.
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    URL: Cover
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  • 56
    ISBN: 9781501302299 , 9781628920062
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als The organic globalizer
    DDC: 306.2
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    Keywords: Social movements ; Hip-hop Political aspects ; Political participation ; Social action ; Youth Political activity ; Popular culture Political aspects ; Music Political aspects ; Politics and culture ; Electronic books ; Electronic books ; Hip-Hop ; Politische Bewegung ; Globalisierung
    Abstract: "The Organic Globalizer is a collection of critical essays which takes the position that hip-hop holds political significance through an understanding of its ability to at once raise cultural awareness, expand civil society's focus on social and economic justice through institution building, and engage in political activism and participation. Collectively, the essays assert hip hop's importance as an "organic globalizer:" no matter its pervasiveness or reach around the world, hip-hop ultimately remains a grassroots phenomenon that is born of the community from which it permeates. Hip hop, then, holds promise through three separate but related avenues: (1) through cultural awareness and identification/recognition of voices of marginalized communities through music and art; (2) through social creation and the institutionalization of independent alternative institutions and non-profit organizations in civil society geared toward social and economic justice; and (3) through political activism and participation in which demands are articulated and made on the state. "--Bloomsbury Publishing
    Abstract: Machine generated contents note: -- About the Cover Art Contributors1. The organic globalizer Christopher Malone; George Martinez, Jr.2. No church in the wild: Politics, morality, and hip hop in the political science classroomCraig Douglas Albert3. (Re)building the cypher: Fulfilling the promise of hip hop for liberation Paul Kuttner; Mariama White-Hammond4. Men or monsters? The applied uses of the commercial rap artist Joy Boggs5. Copyright outlaws and hip hop moguls: Intellectual property law and the development of hip hop musicRichard Schur6. Whirl Trade: The peculiar image of hip hop in the global economiesFahamu Pecou7. Liberation hip hop: Palestinian hip hop and peaceful resistance Denise DeGarmo; E. Duff Wrobbel8. Asserting identity through music: Indigenous hip hop and self-empowerment Anne Flaherty9. Hip hop and the dialects of political awareness: Between branding banality and authenticity in Central European rap Barbara Franz10. Representations of Chinese-ness in Afro-Cuban hip hop during post-Soviet era Cuba Angela Ju11. The politics of violence, hustling, and contempt in the Oakland, CA rap music scene H. Lavar Pope12. The belly of the beast Keesha M. Middlemass13. All day, all week, occupy all streets! Race, class, and hip hop in the occupy movement Christopher Malone; George Martinez, Jr.; Davina AndersonIndex.
    Note: Includes bibliographical references and index
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  • 57
    ISBN: 9783839407301
    Language: German
    Pages: 1 online resource (153 pages)
    Edition: 1st ed.
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    DDC: 781.64094299999999
    RVK:
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    Keywords: Popular music ; Germany ; History and criticism ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Cover Pop Insights -- Inhalt -- Das NOW-Projekt - Zur Entstehung dieser Publikation -- Musikland Deutschland - Zwischen Bach und Baglama -- Zum Verhältnis von Pop und Politik - Ein Streifzug von den 1960er-Jahren bis heute -- Heimatklänge - Lokale Popmusik und transkulturative Prozesse -- Persönlichkeit und Verhalten der Fans von Hard Rock, Punk und Gangsta Rap. Eine Gegenüberstellung empirisch-sozialpsychologischer Befunde und kulturwissenschaftlicher Erkenntnisse -- „Seeing Is Believing" - Zur Rolle von Musik in den Medien -- M(y)TV - Bekenntnisse und Erkenntnisse eines TV-Produzenten -- Musik und Mobile Entertainment -- Texte zur Zeit - Gegenwart und Gegenwärtigkeit in der Literatur -- NOW: - Theologische Zugänge zu einer popkulturellen Kategorie -- Wen oder was sucht Deutschland? -- Register -- Autoren.
    Note: Description based on publisher supplied metadata and other sources
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  • 58
    Online Resource
    Online Resource
    Hoboken : Taylor and Francis
    ISBN: 9781138831742
    Language: English
    Pages: Online-Ressource (148 p)
    Series Statement: Routledge Studies in Anthropology
    Series Statement: Routledge Studies in Anthropology Ser.
    Parallel Title: Print version An Anthropology of Robots and AI : Annihilation Anxiety and Machines
    Parallel Title: Erscheint auch als Richardson, Kathleen An anthropology of robots and AI
    DDC: 629.8/92
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    Keywords: TECHNOLOGY & ENGINEERING / Robotics ; TECHNOLOGY & ENGINEERING / Robotics ; Electronic books ; Electronic books ; Robotik ; Künstliche Intelligenz
    Abstract: This book explores the making of robots in labs at the Massachusetts Institute of Technology (MIT). It examines the cultural ideas that go into the making of robots, and the role of fiction in co-constructing the technological practices of the robotic scientists. The book engages with debates in anthropological theorizing regarding the way that robots are reimagined as intelligent, autonomous and social and weaved into lived social realities. Richardson charts the move away from the "worker" robot of the 1920s to the "social" one of the 2000s, as robots are reimagined as companions, friends an
    Description / Table of Contents: Cover; Title; Copyright; Dedication; Contents; Acknowledgments; Introduction: Annihilation Anxiety and Machines; 1 Revolutionary Robots; 2 Out of Body Minds; 3 Social Robots; 4 The Gender of the Geek; 5 The Dissociated Robot; 6 Fantasy and Robots; Conclusion: Loving the Attachment Wounded Robot; Index
    Note: Description based upon print version of record
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  • 59
    ISBN: 978-3-8394-3109-2 , 978-3-8376-3109-8
    Language: German
    Pages: 1 Online-Ressource (300 Seiten) : , Illustrationen.
    Series Statement: Postcolonial studies 22
    Series Statement: Postcolonial studies
    Parallel Title: Erscheint auch als
    Dissertation note: Teilw. zugl.: Heidelberg, Univ., Diss., 2014
    DDC: 000
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    Keywords: Homophobie ; Rassismus ; Karibik ; Jamaika ; Postkolonialismus ; Popkultur ; Geschlecht ; Popmusik ; Queer Theory ; Cultural Studies ; Kulturwissenschaft ; Popular Culture ; Homophobia ; Racism ; Caribbean ; Jamaica ; Postcolonialism ; Gender ; Pop Music ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Electronic books ; Hochschulschrift ; Electronic books
    Abstract: Erstmalig wird in diesem Buch die mediale Kontroverse um Dancehall-Musik und Homophobie im Jahr 2004 analysiert und in den historischen, politischen und kulturellen Kontext des postkolonialen jamaikanischen Staates eingeordnet. Ein umfangreicher Querschnitt durch die Geschichte der Insel beleuchtet die vielfältigen Widerstandskulturen von den Maroons und den Rastafari bis zu den »Gangstern« der zeitgenössischen Dancehall-Musik. Patrick Helber betont die Präsenz und politische Arbeit von sexuellen Minderheiten auf Jamaika und veranschaulicht, inwiefern bei internationalen Kampagnen gegen Homophobie im globalen Süden neokoloniale Machtkonstellationen und Alterisierungsprozesse eine Rolle spielen
    Abstract: Dancehall: cool vibes with homophobic lyrics? Reflections on a controversy between the recognition of sexual minorities and neocolonial power relations
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  • 60
    ISBN: 9780262284257
    Language: English
    Pages: 1 online resource (330 pages)
    Series Statement: The MIT Press Ser
    Parallel Title: Erscheint auch als Stefik, Mark The internet edge
    DDC: 306.4/6
    RVK:
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    Keywords: Internet -- Social aspects ; Computers and civilization ; Information society ; Computers and civilization ; Information society ; Internet ; Social aspects ; Electronic books ; Internet ; Sozialer Wandel
    Abstract: This book is an eagle's eye view of the Internet edge. It is about the experiences of those who encountered similar issues as they built precursors to the Net such as videotext, teletext, and the Source.
    Abstract: The Internet Edge -- Contents -- Acknowledgments -- Introduction -- The Internet Edge: Change and Connections -- The Portable Network: Away from the -- Desktop and into the World -- The Digital Wallet and the Copyright Box: -- The Coming Arms Race in Trusted Systems -- The Bit and the Pendulum: Balancing the -- Interests of Stakeholders in Digital Publishing -- Focusing the Light: Making Sense in the -- Information Explosion -- The Next Knowledge Medium: Networks -- and Knowledge Ecologies -- The Edge of Chaos: Coping with Rapid -- Change -- The Digital Keyhole: Privacy Rights and -- Trusted Systems -- Strangers in the Net: Access, Diversity, and -- Borders -- Indistinguishable from Magic: The Real, the -- Magic, and the Virtual -- Epilogue: The Next Edge and Discovering -- Ourselves -- About the Author -- References -- Suggestions for Further Reading -- Credits -- Index.
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  • 61
    ISBN: 9783319219530
    Language: English
    Pages: Online-Ressource (186 p)
    Series Statement: Human–Computer Interaction Series
    Series Statement: Human-Computer Interaction Ser.
    Parallel Title: Print version Deconstructing Ethnography : Towards a Social Methodology for Ubiquitous Computing and Interactive Systems Design
    DDC: 004
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    Keywords: Social sciences_xData processing ; Electronic books ; Electronic books ; Ethnomethodologie ; Design Thinking ; Wissenschaftskritik
    Abstract: Intro -- Acknowledgements -- Contents -- About the Authors -- Chapter 1: Introduction -- 1.1 Ethnography Considered Harmful -- 1.2 Deconstructing Ethnography -- 1.3 Volume Structure and Content -- References -- Chapter 2: Building the Social into Systems Design -- 2.1 Systems Design and Social Science -- 2.2 The Turn to Ethnography -- 2.3 Why Should Systems Designers Care? -- References -- Chapter 3: Ethnography as Cultural Theory -- 3.1 New Calls, Old Ways -- 3.2 The Beginnings of Ethnography in Anthropology -- 3.3 Social Structure and Culture -- 3.4 Consequences -- 3.5 Social Science Is Not Privileged -- References -- Chapter 4: 'New' Ethnography and Ubiquitous Computing -- 4.1 Ethnography as Cultural Tourism -- 4.2 Old and New Visions for Ubiquitous Computing -- 4.3 Messiness and Infrastructure -- References -- Chapter 5: Interpretation, Reflexivity and Objectivity -- 5.1 Observation and Interpretation -- 5.2 Reflexivity in Ethnographic Observation -- 5.3 Objectivity and Realism -- References -- Chapter 6: The Missing What of Ethnographic Studies -- 6.1 Scenic Description -- 6.2 The Missing Interactional What -- 6.3 The Ongoing Relevance of the Missing What -- References -- Chapter 7: Ethnography, Ethnomethodology and Design -- 7.1 Ethnography and Ethnomethodology -- 7.2 Social Science and Common-Sense -- 7.3 Common-Sense in Its Own Right -- 7.4 Anchoring Systems Design in the Social -- References -- Chapter 8: Members' Not Ethnographers' Methods -- 8.1 Ethnomethodology and Design -- 8.2 Members' Methods as a Design Resource -- 8.3 Members' Methods and Ubiquitous Computing -- 8.4 Conclusion: Eyeless in Gaza -- References.
    Description / Table of Contents: Acknowledgements; Contents; About the Authors; Chapter 1: Introduction; 1.1 Ethnography Considered Harmful; 1.2 Deconstructing Ethnography; 1.3 Volume Structure and Content; References; Chapter 2: Building the Social into Systems Design; 2.1 Systems Design and Social Science; 2.2 The Turn to Ethnography; 2.3 Why Should Systems Designers Care?; References; Chapter 3: Ethnography as Cultural Theory; 3.1 New Calls, Old Ways; 3.2 The Beginnings of Ethnography in Anthropology; 3.3 Social Structure and Culture; 3.4 Consequences; 3.5 Social Science Is Not Privileged; References
    Description / Table of Contents: Chapter 4: 'New' Ethnography and Ubiquitous Computing4.1 Ethnography as Cultural Tourism; 4.2 Old and New Visions for Ubiquitous Computing; 4.3 Messiness and Infrastructure; References; Chapter 5: Interpretation, Reflexivity and Objectivity; 5.1 Observation and Interpretation; 5.2 Reflexivity in Ethnographic Observation; 5.3 Objectivity and Realism; References; Chapter 6: The Missing What of Ethnographic Studies; 6.1 Scenic Description; 6.2 The Missing Interactional What; 6.3 The Ongoing Relevance of the Missing What; References; Chapter 7: Ethnography, Ethnomethodology and Design
    Description / Table of Contents: 7.1 Ethnography and Ethnomethodology7.2 Social Science and Common-Sense; 7.3 Common-Sense in Its Own Right; 7.4 Anchoring Systems Design in the Social; References; Chapter 8: Members' Not Ethnographers' Methods; 8.1 Ethnomethodology and Design; 8.2 Members' Methods as a Design Resource; 8.3 Members' Methods and Ubiquitous Computing; 8.4 Conclusion: Eyeless in Gaza; References
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  • 62
    ISBN: 9780470544600
    Language: English
    Pages: 1 Online-Resource (xiv, 308 pages) , col. illustrations, portraits (some color)
    Parallel Title: Erscheint auch als
    DDC: OS 609./05
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    Keywords: Technological forecasting ; Twenty-first century Forecasts ; Engineering Forecasting ; Künstliche Intelligenz ; Evolution ; Computersimulation ; Prognose ; Technischer Fortschritt ; Evolutionärer Algorithmus ; Electronic books ; Technischer Fortschritt ; Prognose ; Künstliche Intelligenz ; Evolutionärer Algorithmus ; Computersimulation ; Künstliche Intelligenz ; Computersimulation ; Evolution
    Abstract: Featuring copious introductory material by distinguished scientist Dr. David B. Fogel, this formidable collection of 30 landmark papers spans the entire history of evolutionary computation--from today's investigations back to its very origins more than 40 years ago. Chapter by chapter, Fogel highlights how early ideas have developed into current thinking and how others have been lost and await rediscovery. The introductions to each chapter reflect Fogel's one-on-one conversations with the authors and their colleagues, conducted over a period of four years. Evolutionary Computation: The Fossil Record provides in-depth historical information and technical detail that is simply unmatched in the field. This volume is complete with an extensive bibliography of related literature. Evolutionary Computation: The Fossil Record will be of particular interest to researchers and students in need of a comprehensive resource on this fascinating area of computer science. Historians will also find the book thoroughly engaging
    Note: Includes index , Description based on PDF viewed 12/21/2015
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  • 63
    ISBN: 9462391416
    Language: English
    Pages: Online-Ressource (xxvi, 301 Seiten)
    Series Statement: Atlantis ambient and pervasive intelligence volume 10
    Series Statement: Atlantis ambient and pervasive intelligence
    Parallel Title: Print version The Shaping of Ambient Intelligence and the Internet of Things : Historico-epistemic, Socio-cultural, Politico-institutional and Eco-environmental Dimensions
    DDC: 004
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    Keywords: Science_xPhilosophy ; Science_xPhilosophy ; Electronic books ; Electronic books ; Ambient Intelligence ; Internet der Dinge
    Abstract: Recent advances in ICT have given rise to new socially disruptive technologies: AmI and the IoT, marking a major technological change which may lead to a drastic transformation of the technological ecosystem in all its complexity, as well as to a major alteration in technology use and thus daily living. Yet no work has systematically explored AmI and the IoT as advances in science and technology (ST) and sociotechnical visions in light of their nature, underpinning, and practices along with their implications for individual and social wellbeing and for environmental health. AmI and the IoT raise new sets of questions: In what way can we conceptualize such technologies? How can we evaluate their benefits and risks? How should science-based technology and society's politics relate? Are science-based technology and society converging in new ways? It is with such questions that this book is concerned. Positioned within the research field of Science and Technology Studies (STS), which encourages analyses whose approaches are drawn from a variety of disciplinary perspectives, this book amalgamates an investigation of AmI and the IoT technologies based on a unique approach to cross-disciplinary integration; their ethical, social, cultural, political, and environmental effects; and a philosophical analysis and evaluation of the implications of such effects.An interdisciplinary approach is indeed necessary to understand the complex issue of scientific and technological innovations that ST are not the only driving forces of the modern, high-tech society, as well as to respond holistically, knowledgeably, reflectively, and critically to the most pressing issues and significant challenges of the modern world.This book is the first systematic study on how AmI and the IoT applications of scientific discovery link up with other developments in the spheres of the European society, including culture, politics, policy, ethics and ecological philosophy. It situates AmI and the IoT developments and innovations as modernist science-based technology enterprises in a volatile and tense relationship with an inherently contingent, heterogeneous, fractured, conflictual, plural, and reflexive postmodern social world.The issue's topicality results in a book of interest to a wide readership in science, industry, politics, and policymaking, as well as of recommendation to anyone interested in learning the sociology, philosophy, and history of AmI and the IoT technologies, or to those who would like to better understand some of the ethical, environmental, social, cultural, and political dilemmas to what has been labeled the technologies of the 21st century. Simon E. Bibri is a PhD Candidate at the Norwegian University of Science and Technology (NTNU), Trondheim, Norway. He has a true passion for academic and lifelong learning and a natural thirst for knowledge. Having above all been intrigued by the relationship between scientific knowledge, technological systems, and society, he has wittingly and voluntarily chosen to pursue an unusual academic journey by embarking on studying a diverse range of subject areas - at the interaction of Science, Technology, and Society. His intellectual pursuits and endeavors have resulted, hitherto, in an educational background encompassing knowledge from, and meta-knowledge about, different academic disciplines. He holds a Bachelor of Science in computer engineering with a major in ICT strategy, a research-based Master of Science in computer science with a focus on Ambient Intelligence and ICT for sustainability, a Master of Science in computer science with a major in informatics, a Master of Science in entrepreneurship and innovation with a focus on new venture creation, a Master of Science in strategic leadership towards sustainability, a Master of Science in sustainable urban planning and development, a Master of Social Science with a major in business administration (MBA), a Master of Arts in communication and media for social change and a postgraduate degree in management and economics. In addition, he has a number of certificates, including innovation science, economics of innovation, teaching for sustainability, corporate entrepreneurship, project management, and policy in the European Union. He has received his Master's degrees and certificates from different universities in Sweden, namely Lund University, West University, Blekinge Institute of Technology, Malmö University, and Halmstad University.Before starting his Master studies' endeavor, Bibri worked as an ICT strategist. In 2004, he founded a small business and consulting firm where he served as a sustainability and green ICT strategist and consultant. Over the last few years, he has been involved in a number of research and consulting projects pertaining to the IoT, green ICT strategy, strategic sustainability innovations, circular business model innovation, clean and energy efficiency technology, sustainable urban planning, and sustainable urban models (eco-city, smart city, and compact city). Since his graduation in June 2014, he has been working as a freelance consultant in his areas of expertise and a research associate, giving lectures on specialized topics, and writing his second book.Bibri has a genuine interest in interdisciplinary and transdisciplinary research. In light of his varied academic background, his research interests include AmI, the IoT, social shaping of science-based technology, philosophy and sociology of scientific knowledge, sustainability transitions and innovations, urban sustainability, eco-city and smart city, governance of sociotechnical changes in technological innovation systems, green and knowledge-intensive innovation, clean and energy efficiency technology, green and circular economy, and ST and innovation policy.
    Description / Table of Contents: Preface: A Study in Science, Technology,and Society (STS); Acknowledgments; Contents; About the Author; 1 Introduction; Abstract; 1.1 AmI and the IoT in Modern Society: Socio-Politico-Cultural Specificity and Historico-Epistemic Conditionality; 1.1.1 Sociotechnical Imaginaries---Visions of a Next Wave in ICT with Societal Implications; 1.1.2 Introducing and Describing the Concepts of `AmI' and the `IoT'; 1.1.3 Socio-Politico-Cultural Specificity and Historical Contingency of Science-Based AmI and the IoT Technologies
    Description / Table of Contents: 1.1.4 Underpinnings, Inconsistencies, and Ends of Sociotechnical Visions---AmI and the IoT1.2 Opportunities and Risks of AmI and the IoT; 1.2.1 Benefits and Application Areas; 1.2.2 Threats and Challenges Pertaining to AmI and the IoT; 1.3 The What of the STS Research in This Book; 1.4 The Structure of the Book and Its Contents; References; 2 Understanding the Research and Academic Field of STS; Abstract; 2.1 Key Emphases, Aims, and Premises of STS; 2.2 Michel Foucault and Thomas Kuhn's Contribution to STS; 2.3 Methodological and Analytical Orientations; 2.4 Multi-disciplinary Perspectives
    Description / Table of Contents: 2.5 Interdisciplinary Approach---Justification and Characterization2.6 STS in Higher Education; References; 3 Conceptual Background, Theoretical Framework, Academic Discourses, and Research Methodologies; Abstract; 3.1 Introduction; 3.2 Background Definition of Thematic Notions and Related Fields and Subfields; 3.2.1 Information and Communication Technology (ICT); 3.2.2 Computing; 3.2.3 Computer Science, Computer Engineering, and Artificial Intelligence; 3.2.4 Defining Characteristics of and Overlaps Between AmI and the IoT
    Description / Table of Contents: 3.2.5 Human-Directed Sciences in AmI and the IoT: Fields, Subfields, and Their Relationships3.2.5.1 Cognitive Psychology; 3.2.5.2 Cognitive Science; 3.2.5.3 Neuroscience and Cognitive Neuroscience; 3.2.5.4 Linguistics: Single and Interdisciplinary Subfields; 3.2.5.5 Human Communication; 3.2.5.6 Philosophy; 3.2.5.7 Sociology and Anthropology (Social, Cultural, and Cognitive); 3.3 Theoretical Framework: Concepts, Theories, and Discourses; 3.3.1 Discourse; 3.3.2 Statements and the Governing Rules of Construction; 3.3.3 Discursive Truth; 3.3.4 Power as Productive and Constitutive Force
    Description / Table of Contents: 3.3.5 The Relationship Between Power, Knowledge, and Truth3.3.6 Discourse Subjects; 3.3.7 Discursivity of Social Practice; 3.3.8 Interdiscursivity; 3.3.9 Episteme and Historical a Priori (or Positivities); 3.3.10 Paradigm and Paradigm Shift; 3.3.11 Social Constructionism and Its Key Premises and Relation to Discourse; 3.3.12 Constructivism and Its Key Premises; 3.3.13 The Link Between Constructivism, Paradigm, and Discourse; 3.3.14 Relevant Academic Discourses; 3.3.14.1 Sustainability Discourse: Environmental, Economic, and Social Dimensions; 3.3.14.2 Sustainable Development Discourse
    Description / Table of Contents: 3.3.14.3 Ecological Modernization Discourse
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  • 64
    ISBN: 9781137463388
    Language: English
    Pages: 1 Online-Ressource (262 Seiten)
    Series Statement: Pop music, culture and identity
    Parallel Title: Erscheint auch als Relocating popular music
    Parallel Title: Erscheint auch als Relocating popular music
    DDC: 301
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    Keywords: Arts ; Electronic books ; Electronic books
    Abstract: Pages:1 to 25 -- Pages:26 to 50 -- Pages:51 to 75 -- Pages:76 to 100 -- Pages:101 to 125 -- Pages:126 to 150 -- Pages:151 to 175 -- Pages:176 to 200 -- Pages:201 to 225 -- Pages:226 to 250 -- Pages:251 to 262
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  • 65
    Online Resource
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    Urbana : University of Illinois Press
    ISBN: 9780252097331 , 0252097335
    Language: English
    Pages: Online Ressource (xiii, 560 pages)
    Edition: Third edition
    Parallel Title: Erscheint auch als Nettl, Bruno, 1930 - 2020 The study of ethnomusicology
    Parallel Title: Print version Nettl, Bruno, 1930- Study of ethnomusicology
    DDC: 780.89
    RVK:
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    Keywords: Ethnomusicology ; Ethnomusicology ; MUSIC / General ; Music ; Ethnomusicology ; Musikethnologie ; Music ; Electronic books ; Aufsatzsammlung ; Musikethnologie
    Abstract: Known affectionately as The Red Book, Bruno Nettl's The Study of Ethnomusicology became a classic upon its original publication in 1983. Scholars and students alike have hailed it not just for its insights but for a disarming, witty style able to engage and entertain even casual readers while providing essential grounding in the field. In this third edition, Nettl revises the text throughout, adding new chapters and discussions that take into account recent developments across the field and reflecting on how his thinking has changed or even reversed itself during his sixty-year career. An updated bibliography rounds out the volume
    Note: Includes bibliographical references and index. - Print version record
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  • 66
    ISBN: 9783837627749 , 9783839427743
    Language: German , English
    Pages: 1 Online-Ressource (269 S.) , Ill.
    Series Statement: Studien zur Popularmusik
    DDC: 346.4
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    Keywords: Popmusikerin ; Strategie ; Vermarktung ; Frau ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Popmusikerin ; Vermarktung ; Strategie ; Popmusik ; Frau ; Vermarktung ; Strategie
    Note: Beitr. teilw. dt., teilw. engl.
    URL: Cover
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  • 67
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781316181478 , 9781107100862 , 9781107498297
    Language: English
    Pages: 1 online resource (xii, 287 pages) , digital, PDF file(s).
    Series Statement: Cambridge cultural social studies
    Parallel Title: Erscheint auch als
    DDC: 306.4842#n/a
    RVK:
    Keywords: Music Competitions ; History ; Music ; Competitions ; History ; Electronic books ; Electronic books ; Klassische Musik ; Wettbewerb
    Abstract: Although competitions in classical music have a long history, the number of contests has risen dramatically since the Second World War, all of them aiming to launch young artists' careers. This is not the symptom of marketization that it might appear to be. Despite the establishment of an international governing body, competitions are plagued by rumors of corruption, and even the most mathematically sophisticated voting system cannot quell accusations that the best talent is overlooked. Why do musicians take part? Why do audiences care so much about who wins? Performing Civility is the first book to address these questions. In this groundbreaking study, Lisa McCormick draws from firsthand observations of contests in Europe and the US, in-depth interviews with competitors, jurors and directors, as well as blog data from competition observers to argue that competitions have endured because they are not only about music, they are also about civility.
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  • 68
    Online Resource
    Online Resource
    Lanham : Lexington Books
    ISBN: 9780739192658
    Language: English
    Pages: 1 online resource (143 pages)
    Parallel Title: Erscheint auch als
    DDC: 302.231
    RVK:
    Keywords: Social media ; Electronic books
    Abstract: Social Media: Principles and Applications thoroughly examines social media in interpersonal, mass-mediated, educational, organizational, and political settings. Sheldon provides a must-have survival tool for communication, psychology, and social media scholars.
    Abstract: Intro -- Contents -- Introduction -- I: Principles of Social Media -- Chapter One: Social Media and Traditional Interpersonal Communication Theories -- Chapter Two: Social Media and Theories of Mass Communication -- Chapter Three: Psychology of Social Media -- II: Applications of Social Media -- Chapter Four: Social Media in Politics -- Chapter Five: Social Media Privacy and Security -- Chapter Six: Social Media in Education -- Chapter Seven: Social Media and Disaster Communication -- Chapter Eight: Social Media and Advertising -- Chapter Nine: Social Media Addiction -- Appendix -- Index -- About the Author.
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  • 69
    Online Resource
    Online Resource
    [s.l.] : Springer-Verlag
    ISBN: 3642416918
    Language: German
    Pages: Online Ressource (5153 KB, 223 S.)
    Edition: 1. Aufl.
    Parallel Title: Erscheint auch als Stadler Elmer, Stefanie, 1956 - Kind und Musik
    Parallel Title: Print version Kind und Musik : Das Entwicklungspotenzial erkennen und verstehen
    DDC: 150
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    Keywords: Music and children ; Musical ability in children ; Musikpsychologie Kind ; Musik ; Music ; Psychological aspects.. ; Music and children.. ; Creative ability in children ; Testing ; Electronic books ; Electronic books ; Kind ; Musikalität ; Entwicklungspsychologie ; Musikalität ; Kind ; Entwicklung
    Abstract: Sind alle Kinder musikalisch? Was ist Musik? Was ist angeboren? Wie können Kinder am besten gefördert werden? Der Begriff Musik löst oft Missverständnisse aus. Vielfach werden unklare oder hohe Ansprüche damit verbunden. Dieses Buch zeigt auf, was kleine Kinder von Natur aus an Musikalität mitbringen und in welcher Weise die musikalischen Grundkompetenzen bei allen Menschen vorhanden sind: Bei der Geburt ist der Säugling bestens vorbereitet, um sich an die Musik und die Sprache seiner Umgebung anzupassen. Er kann hören und die Stimme verwenden und nutzt vor allem die musikalischen Eigenschaften, um innerhalb von zwei bis drei Jahren singen und sprechen zu lernen. Dazu benötigt das Kind eine anregende Umgebung. Welche Art von Musikverständnis ist förderlich für ein Kind? Im Unterschied zur Musiktheorie, definiert dieses Werk den Begriff 'Musik' ausgehend von elementaren Erfahrungen und Funktionen. Die Leserin und der Leser finden hier wertvolle Hinweise, nach welchen Prinzipien die musikalischen Grundeigenschaften geordnet werden können und warum unsere kulturellen Regeln nicht immer gelten. Die Ausführungen zu den Funktionen von Musik zeigen auf, in welcher Weise Musik seit jeher ein wichtiges kulturelles Mittel ist, um das Zusammenleben der Menschen zu gestalten. Diese praxisorientierte Darstellung bietet mit anschaulichen Illustrationen und Fallbeispielen einen aktuellen und leicht verständlichen Überblick über diese Thematik. Prof. Dr. Stefanie Stadler Elmer lehrt Entwicklungspsychologie an der Universität Zürich und ist international bekannt für ihre Forschungen zur sprach-musikalischen Entwicklung. Seit mehr als 30 Jahren interessiert sie sich vor allem für die Entstehung des Singens und Sprechens, das vokale Lernen, für akustisch-basierte Analysen von Vokalisationen und für die Anwendung von Forschungsergebnissen in der Bildung. Ihre Theorie der vokalen Entwicklung fokussiert die sprach-musikalischen Strukturen, die Kommunikation und die psychischen und kulturellen Funktionen. Sie beteiligt sich an nationalen und internationalen Forschungsprojekten (EU, Kanada) und hat an Universitäten in verschiedenen Ländern gelehrt, so in Deutschland, Finnland, Ungarn, Estland, Lettland und Litauen. Ihre Veröffentlichungen über die musikalische Entwicklung haben sich im deutschsprachigen Raum als interdisziplinäre Standardliteratur in verschiedenen Studiengängen etabliert.
    Description / Table of Contents: Geleitwort; Vorwort ; Inhaltsverzeichnis; Kapitel-1; Quatsch und Hopp, hopp, Pferdchen; 1.1Quatsch oder Musik?; 1.2Warum es Konventionen braucht; 1.3Was beobachten?; 1.4Wie kommt Musik in die Stimme, in den Körper?; 1.5Frühes Liedersingen, Bewegen und Hören; 1.6Grundannahmen und Leitfrage; 1.7 Übersicht zu den Kapitel; Literatur; Kapitel-2; Warum machen Menschen Musik?; 2.1.1Das Formen von Gefühlen; 2.1Kultur und Musik; 2.1.2Symbole und Vorstellungen; 2.1.3Spiel; 2.1.4Instrumentelle und rituelle Kultur; 2.1.5Kulturelle Identität; 2.1.6Zusammenfassung; 2.2Wozu dienen Rituale, Kunst und Musik?
    Description / Table of Contents: 2.3Wandel der Musikerziehung2.3.1Von Kirche und Religion hin zum Web; 2.3.2Normen und Ziele aushandeln; 2.4Schlussfolgerungen; Literatur; Musik - die begrifflichen Grundlagen; Kapitel-3; 3.1Die Suche nach Ordnung; 3.2Physikalische Grundlagen von Musik und Sprache; 3.2.1Schall und Schallwahrnehmung; 3.2.2Eigenschaften von Schall in Bezug auf Musik und Sprache; 3.3Generative Systeme; 3.3.1Ordnungsprinzip; 3.4Tonhöhe; 3.4.1Die Dimension hoch - tief; 3.3.2Geordnete Ereignisse; 3.4.2Diskretisierung von Tonhöhe; 3.4.3Kulturelle Konventionen; 3.5Zeit; 3.5.1Gerichtetheit von Zeit
    Description / Table of Contents: 3.5.2Einheiten und hierarchische Organisation3.5.3Zeitliche Organisation - Rhythmus; 3.5.4Diskretisierung der kontinuierlichen zur musikalischen Zeit; 3.5.5Verwendungen des Begriffs »Rhythmus«; 3.6Gemeinsamkeiten und Übergänge von Musik und Sprache; 3.6.1Laute und Silben; 3.6.2Betonungsmuster in der Sprache; 3.6.3Poetische Sprache; 3.6.4Singen und Sprechen; 3.7Generatives Handlungssystem; Literatur; Kapitel-4; Einfach und zugleich komplex: Das Kinderlied; 4.1Kinderleichtes Spiel?; 4.1.1Schlicht und einfach; 4.1.2Drei Typen von Kinderliedern; 4.1.3Gibt es Regeln für Kinderlieder?
    Description / Table of Contents: 4.2Grammatik des Kinderliedes4.2.1Sieben Bauprinzipien des Liedes; 4.2.2Beispiel eines Kinderliedes; 4.2.3Regeln zur zeitlichen Gliederung; 4.2.4Regeln zur tonalen Struktur, der Melodie; 4.2.5Regeln zum Liedtext; 4.3Vom Umgang mit musikalischen Spielregeln; 4.3.1Spielregeln und Freiräume; 4.3.2Variationen; 4.3.3Wann sind welche Regeln wichtig?; 4.4Musikalische Intuition und Verstehen; 4.4.1 Schnelles und langsames Handeln ; 4.4.2 Über den Nutzen der Kinderliedgrammatik ; Literatur; Kapitel-5; Anfänge von Musikalität; 5.1Biologische Grundlagen; 5.1.1Gibt es angeborene Musikalität?
    Description / Table of Contents: 5.1.2Gehirnentwicklung und Musikalität5.2Elementare Aktivitäten - musikalische Grundkompetenzen; 5.2.1Schallwahrnehmung; 5.2.2Vokalisation; 5.2.3Motorik; 5.3Soziale Interaktion; 5.3.1Intuitive elterliche Fürsorge und frühe Lernförderung; 5.3.2Kindgerichtetes Singen; 5.3.3Frühe musikalische Anregung und »musikalische Begabung«; 5.4Mikroanalyse eines Übergangs vom Sprechen zum Singen; 5.4.1Kontext; 5.4.2Analyse des Verlaufs; 5.4.3Wohlgeformtes Lied; 5.4.4Wie unterscheidet das Kind zwischen Sprechen und Singen?; 5.5Schlussfolgerungen; Literatur; Kapitel-6
    Description / Table of Contents: Die weitere musikalische Entwicklung: Erwerb von Spielregeln und Konventionen
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
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