ISBN:
9786162151064
,
6162151069
Sprache:
Englisch
Seiten:
208 Seiten
,
Illustrationen
,
22 cm
DDC:
781.6/3/09593
Schlagwort(e):
Geschichte 1960-2015
;
Popular music / Thailand
;
Music and state / Thailand
;
Music / Thailand, Northeastern / History and criticism
;
Music
;
Music and state
;
Popular music
;
Kulturpolitik
;
Musikleben
;
Popmusik
;
Geschichte
;
Musik
;
Musikleben
;
Musiksoziologie
;
Luk Thung
;
Kulturpolitik
;
Unterhaltungsmusik
;
Thailand, Northeastern / Music / History
;
Thailand
;
Thailand, Northeastern
;
Thailand
;
Isan
;
Thailand
;
Hochschulschrift
;
Hochschulschrift
;
Thailand Nordost
;
Unterhaltungsmusik
;
Musikleben
;
Kulturpolitik
;
Musiksoziologie
;
Geschichte 1960-2015
;
Thailand Nordost
;
Luk Thung
;
Geschichte 1960-2015
Kurzfassung:
"Since the 1960s, the hybrid popular music called luk thung has embodied the aspirations, frustrations, and sorrows of Thailand's working class. Global scholarship, however, has been slow in examining this seminal genre. In this pioneering book, ethnomusicologist James Mitchell explores the many facets of luk thung through ethnographic research with singers, songwriters, fans, and other professionals. The groundbreaking final chapter refutes the widespread opinion that luk thung is an apolitical genre by examining its role in recent political turmoil and tracing currents of protest and sociopolitical commentary back to the music's origins."
Anmerkung:
Based on author's doctoral thesis, Macquarie University, Faculty of Arts, Department of Media, Music, Communication and Cultural Studies, 2012
,
Includes bibliographical references (pages 199-204) and index
,
Luk thung : a Thai story, an Isan story -- A musical analysis of luk thung's form and development -- Soraphet Phinyo, Isan songwriter -- Fans, Isan identity, and the contemporary luk thung scene -- Luk thung and political expression -- Coda -- Appendix I : Who's who -- Appendix II : Important dates
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