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  • HeBIS  (3)
  • HU Berlin
  • GBV
  • MPI-MMG
  • 2005-2009  (3)
  • 1985-1989
  • 1980-1984
  • 1965-1969
  • 1960-1964
  • 2008
  • 2007  (3)
  • 1984
  • 1965
  • Ann Arbor, Michigan : ProQuest  (3)
  • Cambridge [u.a.] : Cambridge Univ. Press
  • Konstanz : UVK-Verl.-Ges.
  • Politik  (3)
  • Soziolinguistik
  • Soziologie
  • Musikwissenschaft  (3)
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  • HeBIS  (3)
  • HU Berlin
  • GBV
  • MPI-MMG
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  • 2005-2009  (3)
  • 1985-1989
  • 1980-1984
  • 1965-1969
  • 1960-1964
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  • 2008
  • 2007  (3)
  • 1984
  • 1965
  • 2009  (1)
  • 1
    ISBN: 9780754683155
    Sprache: Englisch
    Seiten: 1 Online-Ressource (268 pages)
    Serie: Ashgate Popular and Folk Music Ser.
    DDC: 306.48423
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    Schlagwort(e): Musik ; Gesellschaft ; Popmusik ; Popkultur ; Identität ; Politik ; Globalisierung ; Aufsatzsammlung
    Kurzfassung: How are national identities constructed and articulated through music? Popular music has long been associated with political dissent, and the nation state has consistently demonstrated a determination to seek out and procure for itself a stake in the management of 'its' popular musics. Similarly, popular musics have been used 'from the ground up' as sites for both populist and popular critiques of nationalist sentiment, from the position of both a globalizing and a 'local' vernacular culture. The contributions in this book arrive at a critical moment in the development of the study of national cultures and musicology. The book ranges from considerations of the ideological focus of cultural nationalism through to analyses of musical hybridity and musical articulations of other kinds of identities at odds with national identity. The processes of global homogenization are thereby shown to have brought about a transitional crisis for national cultural identities: the evolution of these identities, particularly with reference to the concept of 'authenticity' in music, is situated within broader debates on power, political economy and constructions of the self. Theorizations of practice are employed after the manner of Bourdieu, Gramsci, Goffman, Gadamer, Habermas, Bhabha, Lacan and Zizek. Each contribution acts as a case study to characterize the strategies through which differing modes of musical discourse engage, critique or obscure discourses on national identity. The studies include discussions of: musical representations of Irishness; the relationship between Afropop and World Music; Norwegian club music; the revival of traditional music in Serbia; resistance to cultural homogeneity in Brazil; contemporary Uyghur song in Northwest China; rap and race in French society; technobanda from the barrios of Los Angeles, and Spanish/Moroccan raï. In...
    Kurzfassung: this way, the book seeks to characterize the ideological configurations that help to activate and sustain hegemonic, amb.
    Anmerkung: Description based on publisher supplied metadata and other sources
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    Lanham : Scarecrow Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780810866775
    Sprache: Englisch
    Seiten: 1 Online-Ressource (461 pages)
    Serie: Europea: Ethnomusicologies and Modernities
    DDC: 781.6309496
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    Schlagwort(e): Volksmusik ; Gesellschaft ; Politik ; Balkanhalbinsel ; Türkei ; Aufsatzsammlung ; CD-ROM
    Kurzfassung: Rooted in ethnographic analysis, these eleven case studies examine the interplay between the musicians and popular music styles of the Balkan states during the late 1990s.
    Anmerkung: Description based on publisher supplied metadata and other sources
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    Berkeley : University of California Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780520940000
    Sprache: Englisch
    Seiten: 1 Online-Ressource (368 pages)
    Ausgabe: 1st ed.
    Serie: American Crossroads v.22
    DDC: 781.642
    RVK:
    Schlagwort(e): Geschichte 1900-2000 ; Politik ; Countrymusic ; Popkultur ; Kalifornien
    Kurzfassung: Proud to Be an Okie brings to life the influential country music scene that flourished in and around Los Angeles from the Dust Bowl migration of the 1930s to the early 1970s. The first work to fully illuminate the political and cultural aspects of this intriguing story, the book takes us from Woody Guthrie's radical hillbilly show on Depression-era radio to Merle Haggard's "Okie from Muskogee" in the late 1960s. It explores how these migrant musicians and their audiences came to gain a sense of identity through music and mass media, to embrace the New Deal, and to celebrate African American and Mexican American musical influences before turning toward a more conservative outlook. What emerges is a clear picture of how important Southern California was to country music and how country music helped shape the politics and culture of Southern California and of the nation.
    Anmerkung: Description based on publisher supplied metadata and other sources
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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