Note: Lizenzpflichtig

Note: Includes bibliographical references and index

Note: Includes bibliographical references and index

Note: Includes bibliographical references and index , "Hier auch später erschienene, unveränderte Nachdrucke"

Note: Online resource; title from title screen (viewed June 27, 2019)

Note: Literaturangaben

Note: Literaturangaben

Note: Enth. 23 Beitr , Literatur- und URL-Angaben

Note: Literaturangaben

Note: Includes bibliographical references and index , Evolution and Victorian fiction , Between specimen and imagination : photography in the age of evolution , Early cinema and evolution , Evolution and victorian art , "I'm evolving!" : varieties of evolution on the Victorian stage , Dance and evolutionary thought in late Victorian discourse , The "non-Darwinian" revolution and the great chain of musical being , Development and display : progressive evolution in British Victorian architecture and architectural theory , Dramas of development : exhibitions and evolution in Victorian Britain , The popularization of evolution and victorian culture

Note: Enth. 18 Beitr

Note: Lizenz des Transcript-Verl., Bielefeld

Note: "Originally published as Philippe Descola, Par-delà nature et culture (Paris: Editions Gallimard, 2005) © Editions Gallimard, Paris, 2005"--title page verso , Literaturverzeichnis: Seiten [429]-449

Note: Revised thesis , Hugo Cháves Frías (1954-2013), President of Venezuela , Includes bibliographical references (p. [281]-320)

Note: Beitr. dt. und franz , Text in dt. und franz.

Note: Revised thesis , Hugo Cháves Frías (1954-2013), President of Venezuela , Includes bibliographical references (p. [281]-320)

Note: Literaturverz. S. [279] - 306

Note: Literaturverzeichnis: Seite [270]-283

Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)

Note: Literaturangaben

Note: Literaturverz. S. 93 - 97

Note: Literaturangaben

Note: Literaturangaben

Note: Literaturverz. S. 221 - 228

Note: Literaturverz. S. [225] - 253 , Überarbeitete Fassung der Dissertation

Note: Lizenzpflichtig

Note: Lizenzpflichtig

Note: Includes bibliographical references and index

Note: Literaturangaben

Note: Thirty-plus years of the Iranian revolution: culture and contestation , Part 1. Social context and sexualityIran's green movement in context , Tehrani cultural bricolage: local traditions and global styles of Tehran's non-conformist youth , Social and cultural change and the women's rights movement in Iran , Emerging forms of masculinity in the Islamic Republic of Iran , Part 2. Performing arts and cinemaContemporary Iranian theatre: the emergence of an autonomous space , Dance and the borders of public and private life in post-revolution Iran , Beyond gender: women filmmakers and sociopolitical critique , Part 3. Music'I am an original Iranian man': identity and expression in Tehran's unofficial rock music , Neither 'Islamic' nor a 'Republic': discourses in music , Part 4. RepresentationDigital heroes: identity construction in Iranian video games , Satire in the Iranian media: development and diversity , Gendered taboos in Iran's text message jokes , Iranian mural painting: new trends , From the pen to the rotary press: women book publishers in post-revolutionary Iran , Part 5. Beyond bordersThe other shore: Iranians in the United Arab emirates between visibility and invisibility

Note: "Originally published as Philippe Descola, Par-delà nature et culture (Paris: Editions Gallimard, 2005) © Editions Gallimard, Paris, 2005"--title page verso

Note: Literaturverzeichnis ungezählte Seite 674 , Literaturangaben , Mit Register , pt. 1 Expansions : There are no visual media , pt. 1 Expansions :There are no visual media , The (in)human spatial condition : a visual essay ; Mapping non-conformity : post-bubble urban strategies , X-reality : interview with the virtual cannibal , On software, or the persistence of visual knowledge , Notes on the photographic image , Queer faces : photography and subcultural lives , Currents of worldmaking in contemporary art , Sublimated with mineral fury : prelim notes on sounding pandemonium Asia , The sea and the land : biopower and visuality from slavery to Katrina , pt. 2 Globalization, war and visual economy : (a) War and violence : The archaeology of violence : the king's head , On the actuarial gaze : from 9/11 to Abu Ghraib , American military imaginaries and Iraqi cities , Zeroing in : overhead imagery, infrastructure ruins, and datalands in Afghanistan and Iraq , What Greg Roberts saw : visuality, intelligibility, and sovereignty : 36,000km over the equator , Media and martyrdom , Live true life or die trying , (b) Attention and visualizing economy : Kino-I, Kino-world : notes on the cinematic mode of production , On virtuosity , Faking globalization , Creativity and the problem of free labor , It's easier to imagine the end of the world than the end of capitalism , Do it yourself geo-politics , pt. 3 The body, coloniality and visuality : (a) Bodies and minds : Optics , Blindness and visual culture : an eye witness account , Reduplicative desires , The persistence of vision , The body and/in representation , Forever modern : Mami Wata visual culture and history in Africa , (b) Histories and memories : The mobilized and virtual gaze in modernity : fl(c)Øneur/fl(c)Øneuse ; Tourism and "sacred ground" : the space of ground zero , Maps, mother/goddesses, and martyrdom in modern India , Museums in late democracies , The fact of blackness , The case of blackness , (c) (Post/de/neo)colonial visualities : Orientalism and the exhibitionary order , from The colonial harem , Vodun art, social history and the slave trade , Between cult and culture : Bamiyan, Islamic iconoclasm and the museum , The postcolonial constellation : contemporary art in a state of permanent transition , Urban warfare : walking through walls , pt. 4 Media and mediations : U.S. operating systems at midcentury : the intertwining of race and unix , Rethinking the digital age , The unworkable interface , On the superiority of the analog , Digital racial formations and networked images of the body , Imagination, multimodality and embodied interaction : a discussion of sound and movement in two cases of laboratory and clinical magnetic resonance imaging , The (in)human spatial condition : a visual essay ; Mapping non-conformity : post-bubble urban strategies , X-reality : interview with the virtual cannibal , On software, or the persistence of visual knowledge , Notes on the photographic image , Queer faces : photography and subcultural lives , Currents of worldmaking in contemporary art , Sublimated with mineral fury : prelim notes on sounding pandemonium Asia , The sea and the land : biopower and visuality from slavery to Katrina , pt. 2 Globalization, war and visual economy : (a) War and violence :The archaeology of violence : the king's head , On the actuarial gaze : from 9/11 to Abu Ghraib , American military imaginaries and Iraqi cities , Zeroing in : overhead imagery, infrastructure ruins, and datalands in Afghanistan and Iraq , What Greg Roberts saw : visuality, intelligibility, and sovereignty : 36,000km over the equator , Media and martyrdom , Live true life or die trying , (b) Attention and visualizing economy :Kino-I, Kino-world : notes on the cinematic mode of production , On virtuosity , Faking globalization , Creativity and the problem of free labor , It's easier to imagine the end of the world than the end of capitalism , Do it yourself geo-politics , pt. 3 The body, coloniality and visuality : (a) Bodies and minds :Optics , Blindness and visual culture : an eye witness account , Reduplicative desires , The persistence of vision , The body and/in representation , Forever modern : Mami Wata visual culture and history in Africa , (b) Histories and memories :The mobilized and virtual gaze in modernity : flâneur/flâneuse ; Tourism and "sacred ground" : the space of ground zero , Maps, mother/goddesses, and martyrdom in modern India , Museums in late democracies , The fact of blackness , The case of blackness , (c) (Post/de/neo)colonial visualities :Orientalism and the exhibitionary order , fromThe colonial harem , Vodun art, social history and the slave trade , Between cult and culture : Bamiyan, Islamic iconoclasm and the museum , The postcolonial constellation : contemporary art in a state of permanent transition , Urban warfare : walking through walls , pt. 4 Media and mediations :U.S. operating systems at midcentury : the intertwining of race and unix , Rethinking the digital age , The unworkable interface , On the superiority of the analog , Digital racial formations and networked images of the body , Imagination, multimodality and embodied interaction : a discussion of sound and movement in two cases of laboratory and clinical magnetic resonance imaging

Note: Literaturverz. S. [231] - 244