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  • GBV  (5,464)
  • DNB  (18)
  • English  (5,423)
  • Undetermined  (48)
  • American Studies  (3,132)
  • Art History  (1,538)
  • Computer Science  (817)
Datasource
Material
Language
Subjects(RVK)
  • 1
    Language: English
    Series Statement: Lecture notes in computer science
    RVK:
    Keywords: Konferenzschrift
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  • 2
    Language: Undetermined
    DDC: 305.896073
    RVK:
    Keywords: Black persons Social conditions ; History ; United States ; Anthologie ; Du Bois, William E. B. 1868-1963 ; Rede
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  • 3
    ISSN: 1020-5543
    Language: English , French , Spanish
    Dates of Publication: 1.1995 -
    Former Title: Cahiers d'étude
    Former Title: Cahiers d'étude
    DDC: 050
    RVK:
    Keywords: Zeitschrift ; Museum ; Zeitschrift ; Museumskunde ; Zeitschrift
    Note: 2. Parallelsacht. ab 10.2002
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  • 4
    Language: English , German
    Parallel Title: Ausg. im Verl. Arcade Press, Brussels u.d.T. Corpus Rubenianum Ludwig Burchard
    Parallel Title: Ausg. im Verl. Phaidon, London [u.a.] u.d.T. Corpus Rubenianum Ludwig Burchard
    Parallel Title: Elektronische Reproduktion Corpus Rubenianum Ludwig Burchard
    Former Title: ... in 26 parts
    Former Title: ... in twenty-seven parts
    RVK:
    Keywords: Werkverzeichnis ; Rubens, Peter Paul 1577-1640
    Note: Anfangs hrsg. vom Nationaal Centrum voor de Plastische Kunsten van de XVIde en XVIIde Eeuw
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  • 5
    Journal/Serial
    Journal/Serial
    Heidelberg : Universitätsverlag Winter | München : Fink ; 55.1983 -
    ISSN: 0178-1987
    Language: English
    Dates of Publication: 55.1983 -
    Additional Information: 62=2 von Charles-Sealsfield-Gesellschaft Schriftenreihe der Charles-Sealsfield-Gesellschaft Stuttgart : Verl. d. Charles-Sealsfield-Ges., 1986 0932-5069
    Parallel Title: Erscheint auch als American studies
    Former Title: Vorg. Amerikastudien / Eine Schriftenreihe
    DDC: 050
    RVK:
    Keywords: Monografische Reihe ; Nordamerika ; Zeitschrift
    Note: Unter diesem Titel ersch. auch spätere Aufl. einzelner Bd. d. Vorg.
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  • 6
    Book
    Book
    Münster [usw.] : Waxmann
    ISBN: 3893257179
    Language: Undetermined
    Pages: 547 S. , zahlr. Ill.
    Series Statement: Beiträge zur Volkskultur in Nordwestdeutschland 100
    RVK:
    RVK:
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    Keywords: Verzeichnis ; Verzeichnis
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  • 7
    ISSN: 0169-8133
    Language: English
    Dates of Publication: Nachgewiesen 10.1973 -
    DDC: 290
    RVK:
    RVK:
    Keywords: Monografische Reihe
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  • 8
    Journal/Serial
    Journal/Serial
    Berlin : de Gruyter Saur | Berlin : Dt. Zentraldr. | Frankfurt, M. : Art-Adress-Verl. Müller | München [u.a.] : Saur | Berlin : de Gruyter ; [2.]1952/53(1952); 3.1954/55(1954) - 25.2000/01(2000); 26.2002 -
    Show associated volumes/articles
    ISSN: 0074-4565 , 2699-8769 , 2699-8769
    Language: German , English
    Pages: 24 cm
    Dates of Publication: [2.]1952/53(1952); 3.1954/55(1954) - 25.2000/01(2000); 26.2002 -
    Additional Information: Regionalausgabe Kunstadressbuch für die Bundesrepublik Deutschland Frankfurt, M. : Art Address Verl., 1977
    Additional Information: Regionalausgabe Art address regional Frankfurt, M. : Art Address Verl., 1979 0172-7885
    Additional Information: Regionalausgabe Art address Frankfurt, M. : Art Address Verl., 1985 0172-7885
    Additional Information: Regionalausgabe Kunstadressbuch Berlin : De Gruyter Saur, 1989 0937-5775
    Series Statement: Teils: Edition art address
    Parallel Title: Erscheint auch als International directory of arts & museums of the world
    Parallel Title: Erscheint auch als International directory of arts
    Former Title: Vorg. Deutsches Kunst-Adressbuch
    Former Title: Internationales Kunst-Adressbuch
    Former Title: Annuario internazionale delle belle arti
    Former Title: Annuaire international des beaux-arts
    Former Title: Anuario internacional de las artes
    DDC: 700
    RVK:
    RVK:
    RVK:
    Keywords: Adressbuch ; Kunst ; Museum ; Zeitschrift ; Verzeichnis ; Adressbuch ; Kunst ; Kunst ; Kunst
    Note: 7.1963/64 - 22.1995/96 inhaltliche Gliederung in Bd. 1: Museen u. Galerien, Bildende Künstler, Restauratoren, Sammler, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandlungen, Kunstverleger, Experten; ab 23.1997/98 in Bd. 1: Museen und öffentliche Galerien, Universitäten, Akademien, Schulen, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandel, Numismatik, Galerien, Auktionatoren, Restauratoren, Kunstverleger, Kunstzeitschriften, Antiquariate und Kunstbuchhandlungen; Bd. 3: Register; ab 33.2009 in Bd. 1: Museums and public galleries, universities, associations; Bd. 2: Antiques and numismatics, fairs, galleries, auctioneers, restorers, publishers, periodicals, booksellers; Bd. 3: Index , Hrsg. anfangs: Helmut Rauschenbusch , Ersch. anfangs alle 2 Jahre, später jährl.
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  • 9
    Journal/Serial
    Journal/Serial
    Denville, NJ : Artforum | New York, NY ; 1.1962/63 -
    ISSN: 0004-3532 , 1086-7058
    Language: English
    Pages: 27 x 27 cm
    Dates of Publication: 1.1962/63 -
    Additional Information: Beil. Bookforum
    Additional Information: In Beziehung stehendes Werk The Artforum Archive [Ann Arbor, Mich.] : ProQuest, 2022
    Parallel Title: Erscheint auch als Artforum International
    Former Title: Artforum international
    DDC: 700
    RVK:
    Keywords: Zeitschrift ; Kunst ; Zeitschrift
    Note: Erscheint zehnmal jährlich; Vol. 59.2020/21 mit 8 Heften komplett , 42.2003/04,7 fälschlich als Jg. 43 bez.
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  • 10
    ISBN: 386922522X , 9783869225227
    Language: English , German
    Series Statement: Himalayan traditions and culture series 9
    DDC: 390
    RVK:
    RVK:
    RVK:
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  • 11
    Journal/Serial
    Journal/Serial
    Berlin : de Gruyter Saur | Berlin : Dt. Zentraldr. | Frankfurt, M. : Art-Adress-Verl. Müller | München [u.a.] : Saur | Berlin : de Gruyter ; [2.]1952/53(1952); 3.1954/55(1954) - 25.2000/01(2000); 26.2002 -
    Show associated volumes/articles
    ISSN: 0074-4565 , 2699-8769 , 2699-8769
    Language: German , English
    Pages: 24 cm
    Dates of Publication: [2.]1952/53(1952); 3.1954/55(1954) - 25.2000/01(2000); 26.2002 -
    Additional Information: Regionalausgabe Kunstadressbuch für die Bundesrepublik Deutschland Frankfurt, M. : Art Address Verl., 1977
    Additional Information: Regionalausgabe Art address regional Frankfurt, M. : Art Address Verl., 1979 0172-7885
    Additional Information: Regionalausgabe Art address Frankfurt, M. : Art Address Verl., 1985 0172-7885
    Additional Information: Regionalausgabe Kunstadressbuch Berlin : De Gruyter Saur, 1989 0937-5775
    Series Statement: Teils: Edition art address
    Parallel Title: Erscheint auch als International directory of arts & museums of the world
    Parallel Title: Erscheint auch als International directory of arts
    Former Title: Vorg. Deutsches Kunst-Adressbuch
    Former Title: Internationales Kunst-Adressbuch
    Former Title: Annuario internazionale delle belle arti
    Former Title: Annuaire international des beaux-arts
    Former Title: Anuario internacional de las artes
    DDC: 700
    RVK:
    RVK:
    RVK:
    Keywords: Adressbuch ; Kunst ; Museum ; Zeitschrift ; Verzeichnis ; Adressbuch ; Kunst ; Kunst ; Kunst
    Note: 7.1963/64 - 22.1995/96 inhaltliche Gliederung in Bd. 1: Museen u. Galerien, Bildende Künstler, Restauratoren, Sammler, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandlungen, Kunstverleger, Experten; ab 23.1997/98 in Bd. 1: Museen und öffentliche Galerien, Universitäten, Akademien, Schulen, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandel, Numismatik, Galerien, Auktionatoren, Restauratoren, Kunstverleger, Kunstzeitschriften, Antiquariate und Kunstbuchhandlungen; Bd. 3: Register; ab 33.2009 in Bd. 1: Museums and public galleries, universities, associations; Bd. 2: Antiques and numismatics, fairs, galleries, auctioneers, restorers, publishers, periodicals, booksellers; Bd. 3: Index , Hrsg. anfangs: Helmut Rauschenbusch , Ersch. anfangs alle 2 Jahre, später jährl.
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  • 12
    Journal/Serial
    Journal/Serial
    Berlin, Germany : Springer | Berlin : Springer ; 1.1973 -
    ISSN: 0302-9743 , 1611-3349 , 1611-3349
    Language: English
    Pages: 24 cm
    Dates of Publication: 1.1973 -
    Parallel Title: Erscheint auch als Lecture notes in computer science
    Former Title: LNAI
    Former Title: LNBI
    Former Title: LNCS-LNAI
    Former Title: LNCS-LNBI
    Former Title: LNCS-ARCoSS
    DDC: 004
    RVK:
    Keywords: Monografische Reihe
    Note: Ersch. teils auch als CD-ROM-Ausgabe , Das Gesamtwerk gliedert sich in: Lecture notes in artificial intelligence; Lecture notes in bioinformatics; Journal subline; Advanced research in computing and software science; FoLLI publications on logic, language and information , Ersch. unregelmäßig
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  • 13
    Journal/Serial
    Journal/Serial
    New York, NY : Textiles Asia | Hong Kong : Textiles Asia ; Volume 1, issue 1 (June 2009)-
    ISSN: 2225-0190
    Language: English
    Dates of Publication: Volume 1, issue 1 (June 2009)-
    DDC: 700
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
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    Keywords: Zeitschrift ; Asien ; Traditionale Kultur ; Textilien ; Textilien ; Textilkunst ; Asien
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  • 14
    Journal/Serial
    Journal/Serial
    [s.l.] : Cultural Heritage Administration, Republic of Korea ; Vol. 01, [no. 1] (summer 2008)-vol. 10, no. 4 (winter 2017) ; vol. 40 (spring 2018)-
    ISSN: 2005-0151
    Language: English
    Dates of Publication: Vol. 01, [no. 1] (summer 2008)-vol. 10, no. 4 (winter 2017) ; vol. 40 (spring 2018)-
    Parallel Title: Erscheint auch als Korean heritage
    DDC: 390
    RVK:
    RVK:
    RVK:
    Keywords: Zeitschrift ; Korea ; Traditionale Kultur ; Korea ; Sachkultur ; Korea ; Kunst ; Korea ; Geschichte
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  • 15
    Journal/Serial
    Journal/Serial
    New York, NY : Textiles Asia | Hong Kong : Textiles Asia ; Volume 1, issue 1 (June 2009)-
    ISSN: 2225-0190
    Language: English
    Dates of Publication: Volume 1, issue 1 (June 2009)-
    DDC: 700
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Zeitschrift ; Asien ; Traditionale Kultur ; Textilien ; Textilien ; Textilkunst ; Asien
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  • 16
    Book
    Book
    Mysore : Directorate of Archaeology & Museums
    Language: English
    Pages: 28 cm
    Edition: 1. ed.
    Series Statement: Vijayanagara Research Centre series 5
    RVK:
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    Keywords: Architecture ; India ; Hampī ; Themes, motives
    Note: Erschienen: 1 - 2
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  • 17
    Journal/Serial
    Journal/Serial
    Princeton, NJ : Princeton Univ. Press | London [u.a.] : Routledge & Kegan Paul | New York, NY : Pantheon Book ; 1.1943 -
    Language: English
    Pages: 21 cm
    Dates of Publication: 1.1943 -
    Additional Information: 35 zugl. alle Bd. von The A. W. Mellon lectures in the fine arts New York, NY [u.a.] : Univ. Press, 1955 0065-0129
    Additional Information: 65,1=1; 65,2=2; 65,3=3; 65,4=4 von Archetypal images in Greek religion Princeton, NJ : Univ. Pr., 1959
    Parallel Title: Erscheint auch als Bollingen series
    DDC: 290
    RVK:
    Keywords: Monografische Reihe
    Note: Ersch. unregelmäßig
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  • 18
    Journal/Serial
    Journal/Serial
    Princeton, NJ : Princeton Univ. Press | London [u.a.] : Routledge & Kegan Paul | New York, NY : Pantheon Book ; 1.1943 -
    Language: English
    Pages: 21 cm
    Dates of Publication: 1.1943 -
    Additional Information: 35 zugl. alle Bd. von The A. W. Mellon lectures in the fine arts New York, NY [u.a.] : Univ. Press, 1955 0065-0129
    Additional Information: 65,1=1; 65,2=2; 65,3=3; 65,4=4 von Archetypal images in Greek religion Princeton, NJ : Univ. Pr., 1959
    Parallel Title: Erscheint auch als Bollingen series
    DDC: 290
    RVK:
    Keywords: Monografische Reihe
    Note: Ersch. unregelmäßig
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  • 19
    Journal/Serial
    Journal/Serial
    Paddington, NSW [u.a.] : Aspect Publ. ; Nachgewiesen 1975 - 5.1981,4; Nr. 21.1981 -
    ISSN: 0159-3358
    Language: English
    Pages: Bände , 25 cm
    Dates of Publication: Nachgewiesen 1975 - 5.1981,4; Nr. 21.1981 -
    DDC: 800
    RVK:
    Keywords: Zeitschrift
    Note: Anfangs ohne Zählung
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  • 20
    Book
    Book
    Bonn : Bier
    Language: English
    Series Statement: JapanArchiv 5
    RVK:
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    Keywords: Konferenzschrift ; Japan ; Kunst ; Kunsthandwerk ; Sammlung ; Europa ; Museum
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  • 21
    Journal/Serial
    Journal/Serial
    München : Verlag Georg D.W. Callwey GmbH & Co. KG ; No. 1-
    Language: German , English
    Pages: Bände , 30 cm
    Dates of Publication: No. 1-
    Additional Information: Supplement zu Restauro
    Former Title: Restauro. Spezial
    DDC: 702.8805
    RVK:
    Keywords: Zeitschrift ; Zeitschrift ; Museum ; Restaurierung ; Künstlerische Technik ; Gemälderestaurierung ; Maltechnik
    Note: Ab No. 2 Text auf Deutsch, Abstracts auf Englisch
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  • 22
    ISSN: 0931-7198
    Language: German , English
    Dates of Publication: 1.1987 -
    Former Title: mit den Mitteilungen des Deutschen Restauratorenverbandes e.V.
    Former Title: Kunsttechnologie, Konservierung
    DDC: 702.8805
    RVK:
    Keywords: Deutscher Restauratoren-Verband ; Zeitschrift ; Restaurierung ; Kunstwerk ; Konservierung ; Kunst ; Künstlerische Technik ; Deutscher Restauratoren-Verband
    Note: Parallelsacht. ab 19.2005 , Ersch. 2x jährl.; 2020 nicht erschienen , Index 1/10.1987/96 in: 11.1997,1
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  • 23
    ISSN: 0931-7198
    Language: German , English
    Dates of Publication: 1.1987 -
    Former Title: mit den Mitteilungen des Deutschen Restauratorenverbandes e.V.
    Former Title: Kunsttechnologie, Konservierung
    DDC: 702.8805
    RVK:
    Keywords: Deutscher Restauratoren-Verband ; Zeitschrift ; Restaurierung ; Kunstwerk ; Konservierung ; Kunst ; Künstlerische Technik ; Deutscher Restauratoren-Verband
    Note: Parallelsacht. ab 19.2005 , Ersch. 2x jährl.; 2020 nicht erschienen , Index 1/10.1987/96 in: 11.1997,1
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  • 24
    ISSN: 0931-7198
    Language: German , English
    Dates of Publication: 1.1987 -
    Former Title: mit den Mitteilungen des Deutschen Restauratorenverbandes e.V.
    Former Title: Kunsttechnologie, Konservierung
    DDC: 702.8805
    RVK:
    Keywords: Deutscher Restauratoren-Verband ; Zeitschrift ; Restaurierung ; Kunstwerk ; Konservierung ; Kunst ; Künstlerische Technik ; Deutscher Restauratoren-Verband
    Note: Parallelsacht. ab 19.2005 , Ersch. 2x jährl.; 2020 nicht erschienen , Index 1/10.1987/96 in: 11.1997,1
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  • 25
    ISBN: 9781538192214 , 9781538148952
    Language: English
    Pages: xxi, 277 Seiten , Illustrationen, Diagramme
    Edition: Paperback edition
    DDC: 303.48/33
    RVK:
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    Keywords: Informationsgesellschaft ; Krieg ; Informationstechnik ; Geschichte 1914-2021
    Abstract: Many of what we think of as Information Age tools and media – computers, cell phones, the internet, encryption, and more – evolved directly out of modern warfare. These tools started with World War I (which began not with arms, but with England cutting off underwater cables to Germany and isolating it), accelerated through World War II and the Cold War, and now play a center role in both declared and non-declared conflicts like election interference and cyberbattles. We buy phones and smart speakers because they are new and unlock great potential. Voice assistants like Siri and Alexa help us do our work and answer that one piece of trivia that bugs us. Yet these devices are data gatherers. They collect, repackage, and monetize our questions, purchases, photographs, web surfing to form a data industry now larger than the oil industry. Well over 100 years ago the data industry put in place a business model that trades our attention for news and entertainment. That model has evolved into a complex art and science of message targeting and content ownership that has splintered communities while simultaneously concentrating media ownership to a few massive corporations. Forged in War takes a critical look at the systems we use and how we ended up in a society that values data over personal liberty and commerce over the public good. It tells a compelling and previously story of how our ideas of information and knowledge reflect the century of war that has militarized our worldview. Author David Lankes’s work has been funded by organizations such as The MacArthur Foundation, The Institute for Library and Museum Services, NASA, The U.S. Department of Education, The U.S. Department of Defense, The National Science Foundation, and The U.S. State Department. This, his latest book will help all of us learn how war has shaped our world and how to begin to create an agenda to stand down weaponized data and a media that seeks to own our personal, even intimate data like one owns a gold mine.
    Note: Enthält ein Literaturverzeichnis und ein Register
    URL: Cover
    URL: Cover
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  • 26
    ISBN: 9783839467107
    Language: English
    Pages: 1 Online-Ressource (318 Seiten)
    Series Statement: Edition Museum 74
    Series Statement: Edition Museum
    Parallel Title: Erscheint auch als AI in Museums
    RVK:
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    Keywords: ART / Museum Studies ; ART059000 ; Artificial intelligence ; COMPUTERS / Artificial Intelligence ; COMPUTERS / Computer Science ; Computer-Anwendungen in Kunst und Geisteswissenschaften ; Information technology: general issues ; Künstliche Intelligenz ; Museology & heritage studies ; Museums- und Denkmalkunde ; Artificial Intelligence ; Culture ; Digital Media ; Digitality ; Digitalization ; Museology ; Science ; Technology ; Aufsatzsammlung ; Digitalisierung ; Neue Medien ; Künstliche Intelligenz ; Museumskunde ; Maschinelles Lernen ; Deep learning
    Abstract: Artificial intelligence is becoming an increasingly important topic in the cultural sector. While museums have long focused on building digital object databases, the existing data can now become a field of application for machine learning, deep learning and foundation model approaches. This goes hand in hand with new artistic practices, curation tools, visitor analytics, chatbots, automatic translations and tailor-made text generation. With a decidedly interdisciplinary approach, the volume brings together a wide range of critical reflections, practical perspectives and concrete applications of artificial intelligence in museums and offers an overview of the current state of the debate.
    Abstract: Artificial intelligence is becoming an increasingly important topic in the cultural sector. While museums have long focused on building digital object databases, the existing data can now become a field of application for machine learning, deep learning and foundation model approaches. This goes hand in hand with new artistic practices, curation tools, visitor analytics, chatbots, automatic translations and tailor-made text generation. With a decidedly interdisciplinary approach, the volume brings together a wide range of critical reflections, practical perspectives and concrete applications of artificial intelligence in museums, and provides an overview of the current state of the debate.
    URL: Cover  (lizenzpflichtig)
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  • 27
    ISBN: 9781478093718
    Language: English
    Pages: 1 Online-Ressource (568 p.)
    Parallel Title: Erscheint auch als Future/present
    RVK:
    Keywords: Anti-racism History 21st century ; Arts and society History 21st century ; Arts Political aspects 21st century ; History ; ART / American / General ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity.Selected contributors. Dahlak Brathwaite, adrienne maree brown, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu
    Note: Frontmatter , CONTENTS , INTRODUCTION , The Call , vestibular mantra (or radical virtuosities for a brave new dance) , PART 1 / CULTURAL PRESENCE: PLACEKEEPING AND BELONGING , Introduction , Aqui Estoy , Beauty, Justice, and the Ritual of Performance , An Accumulation of Things That Refuse to Be Discarded , Counting Coup on the Compartmentalization of Indigenous-Made Rap Music , Cultural Resiliency in the Face of Crisis: Learning from New Orleans , Collectively Directing the Current , The New Eagle Creek Saloon , Notes from Technotopia 3.0: On the "Creative City" Gone Wrong-an Antigentrification Philosophical Tantrum, 2012 - 2016 , "Building Temples for Tomorrow": Cultural Workers as Construction Crews , Invasive Species , Sunny and 150 Years of Placekeeping in Little Tokyo , Local Fruit Still Life , Stage One: Establishing Community , Red 40 , More Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next , PART 2 / DISMANTLING BORDERS, BUILDING BRIDGES: MIGRATION AND DIASPORAS , Introduction , Mano Poderosa , A Cosmos of Dis/Joints , Cross-Border Citizens , Indian Alley, Where Art Is Healing , Vessels: A Conversation , Fence , A Touch of Otherness , Harmattan Haze , Who Is the #EmergingUS? , Justice and Equity: We're Coming for It All , building bricks for communal healing , We Never Needed Documents to Thrive , prop·er , Alongside: On Chinese Students in the United States and the Fight for Black Lives , Love Spirals: Notes on Brown Feelings , PART 3 / CREATING A WORLD WITHOUT PRISONS: CULTURE AND THE CARCERAL STATE , Introduction , To Create in Prison , A Measure of Joy , There Is No Abolition or Liberation without Disability Justice , HOGAR , I Remember , Coming Home , Singing Our Way to Abolition , Standing in the Gap: Music as First Responder , Locked in a Dark Calm , As Crazy as the World Is, I Do Believe , Jumpsuit Project , The Bonds of Aloha: Connecting to Culture Can Free Us , The Nail That Sticks Out , Art Is a Trojan Horse: Reclaiming Our Narratives , Try/Step/Trip (Excerpt) , The Evanesced Series (2016 - ) , PART 4 / EMBODIED CARTOGRAPHIES: RENEGOTIATING RELATIONSHIPS WITH LAND , Introduction , Kiksuya , America Doesn't Exist , Between the Real and the Imagined: A Conversation with Lyla June and Tanaya Winder , Sopa de Ostión , Island Earth: Water, Wayfinding, and the Currents That Connect Us , ACCESS DENIED: Creating New Spatial Understandings , Essential Economy , Earth Mama II , We Are Part of This Land , Mauka House , Withholding an Image: Disciplinary Disobedience and Reciprocity in the Field , Thinking through Fragments: Speculative Archives, Contested Histories, and a Tale of the Palestine Archaeological Museum , Secrets That the Wind Carries Away , Ohiŋniyaŋ ded wati kte: This Place Will Always Be Home , Ballers , PART 5 / LIVING OUR LEGACY: ANCESTRAL KNOWLEDGE AS RADICAL FUTURITY , Introduction , These Roots Run Deep , The Future Is Ancient , Being in Oneness: Conversations with Nobuko Miyamoto, Kamau Ayubbi, and Asiyah Ayubbi , 1619 , Encircling the Circle: Blood Memory and Making the Village-a Conversation between Cleo Parker Robinson and Malik Robinson , Culture and Tradition: A Monument to Our Resilience , Español , Apsáalooke Feminist #4 , Mother's Words and Grandmother's Thoughts: Living the Right Way (a Conversation) , The AIM Song , Gullah/Geechee Sea Island Reflections of Futurity , For Paradise , What Is the New Basket That We're Going to Weave? , I ka wā ma mua, i ka wā ma hope: 'Ōiwi Orientations toward a Radical Futurity , The Art of Peer Pressure: Black Fire UVA! , PART 6 / CURRENTS BEYOND: ARTISTS SHIFTING PARADIGMS OF INEQUITY , Introduction , Bang Bang , The Cultural New Deal for Cultural and Racial Justice , We Begin by Listening , EMERGENYC: An Artistic Home for Emerging Artists , Listening through Dance , Scenes & Takes , Feminist Coalition and Queer Movements across Time: A Conversation between Alok Vaid-Menon and Urvashi Vaid , What Would Upski Think? , all organizing is science fiction , Rebirth Garments , A Call to Action , Huliau , SOVEREIGN , Flexing Hope Is a Practice , Azadi , AFTERWORD , emergence (after adrienne maree brown) , Acknowledgments , In English
    URL: Cover  (lizenzpflichtig)
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  • 28
    ISBN: 9781666904727
    Language: English
    Pages: xiii, 264 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Flanagan, Brenda Women's artistic dissent
    DDC: 305.42094371
    RVK:
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    Keywords: Švankmajerová, Eva ; Kriseová, Eda ; Dissenters, Artistic ; Women artists ; Women political activists ; Czechoslovakia History 1968-1989 ; Tschechoslowakei ; Künstlerin ; Dissidentin ; Geschichte 1968-1989 ; Švankmajerová, Eva 1940-2005 ; Kriseová, Eda 1940-
    Abstract: "This book explores the creative work and dissent activities of Czech surrealist Eva Švankmajerová and writer Eda Kriseová, examining the ways in which the women wrote, painted, sculpted, and supported each other while struggling to survive the totalitarian communist regime from the late 1960s to the fall of the Iron Curtain in 1989"--
    Description / Table of Contents: Exegeses -- Eva Švankmajerová: Surrealist. Dissident -- Eda Kriseová: Art of Living. Art of Dissent. -- Dissent in Women's Voices.
    Note: Includes bibliographical references and index
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  • 29
    ISBN: 9781478025160 , 9781478020271
    Language: English
    Pages: 554 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Alvarez, Daniela Future/present
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    RVK:
    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Description / Table of Contents: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references
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  • 30
    ISBN: 9781478027256
    Language: English
    Pages: 1 online resource (569 pages)
    Edition: 1st ed.
    Parallel Title: Erscheint auch als Future/present
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: ART / American / General ; ART / American / Asian American & Pacific Islander ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: Building on five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism in the art world, FUTURE/PRESENT includes a range of poetry, essays and criticism, visual and performance art, artist manifestos, interviews, and reflections on community practice.
    Abstract: Cover -- Contents -- Introduction / Roberta Uno -- The Call / Jeff Chang -- vestibular mantra (or radical virtuosities for a brave new dance) / taisha paggett -- Part 1 / Cultural Presence: Placekeeping and Belonging -- Introduction / Daniela Alvarez -- Aqui Estoy / Jose Ramirez -- Beauty, Justice, and the Ritual of Performance / Patricia Berne and Nomy Lamm -- An Accumulation of Things That Refuse to Be Discarded / Kiyan Williams -- Counting Coup on the Compartmentalization of Indigenous-Made Rap Music / Talon Bazille Ducheneaux -- Cultural Resiliency in the Face of Crisis: Learning from New Orleans / Carol Bebelle and Carol Zou -- Collectively Directing the Current / Halima Afi Cassells -- The New Eagle Creek Saloon / Sadie Barnette -- Notes from Technotopia 3.0: On the "Creative City" Gone Wrong-an Antigentrification Philosophical Tantrum, 2012-2016 / Guillermo Gómez-Peña -- Building Temples for Tomorrow": Cultural Workers as Construction Crews / Alesia Montgomery -- Invasive Species / Aaron McIntosh -- Sunny and 150 Years of Placekeeping in Little Tokyo / Scott Oshima -- Local Fruit Still Life / Daniel Andres Alcazar -- Stage One: Establishing Community / Garrett McQueen -- Red 40 / Jazmín Urrea -- More Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next / Devin Kenny -- Part 2 / Dismantling Borders, Building Bridges: Migration and Diasporas -- Introduction / Sarah Sophia Yanni -- Mano Poderosa / Rosalie López -- A Cosmos of Dis/Joints / Vinhay Keo -- Cross-Border Citizens / Teddy Cruz and Fonna Forman -- Indian Alley, Where Art Is Healing / Pamela J. Peters -- Vessels: A Conversation / Chanice Holmes, Mykia Jovan, Rebecca Mwase, and Mahalia Abéo Tibbs -- Fence / Belise Nishimwe -- A Touch of Otherness / Hayv Kahraman -- Harmattan Haze / Njideka Akunyili Crosby -- Who Is the #EmergingUS? / Jose Antonio Vargas.
    Note: Description based on publisher supplied metadata and other sources
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  • 31
    ISBN: 9788833403779 , 9788833404141
    Language: English
    Pages: 399 Seiten , Illustrationen , 30 cm
    Parallel Title: Parallele Sprachausgabe Gli ebrei, i Medici e il ghetto di Firenze
    DDC: 709
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    Keywords: Ausstellungskatalog Galleria degli Uffizi 24.10.2023-28.01.2024 ; Ausstellungskatalog Galleria degli Uffizi 24.10.2023-28.01.2024 ; Florenz ; Juden ; Medici Familie : 13.-18. Jahrhundert ; Getto ; Geschichte
    Note: Rückseite Titelblatt: "The Jews, the Medici and the Ghetto of Florenze. History, identity, Culture, and Segregation', Florence, Uffizi Galleries, Palazzo Pitti October 24, 2023-January 28, 2024"
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  • 32
    ISBN: 9780252044960 , 9780252087103
    Language: English
    Pages: xiii, 252 Seiten , Illustrationen
    Series Statement: The new Black studies series
    Parallel Title: Erscheint auch als Freeman Marshall, Jennifer L., 1968- Ain't I an anthropologist
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    Keywords: Hurston, Zora Neale Criticism and interpretation ; Hurston, Zora Neale Knowledge and learning ; Anthropology ; Anthropologie ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; LITERARY CRITICISM / American / African American & Black ; Hurston, Zora Neale 1891-1960
    Abstract: "Iconic as a novelist and popular cultural figure, Zora Neale Hurston remains underappreciated as an anthropologist. Is it inevitable that Hurston's literary authority should eclipse her anthropological authority? If not, what sociocultural and institutional values and processes shape the different ways we read her work? Jennifer L. Freeman Marshall considers the polar receptions to two of Hurston's areas of achievement by examining the critical response to her work across both fields. Drawing on a wide range of readings, Freeman Marshall explores Hurston's popular appeal as iconography, her elevation into the literary canon, her concurrent marginalization in anthropology despite her significant contributions, and her place within constructions of Black feminist literary traditions. Perceptive and original, Ain't I an Anthropologist is a long-awaited reassessment of Zora Neale Hurston's place in American cultural and intellectual life"--
    Note: Includes bibliographical references and index
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  • 33
    ISBN: 9783882701333
    Language: English
    Pages: 53 Seiten
    RVK:
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    Keywords: Katalog ; Bildband
    Note: Published on the occasion of the new presentation of the Ethiopian collection at the Ikonenmuseum in Frankfurt/Main in June 2023
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  • 34
    Online Resource
    Online Resource
    London : Bloomsbury Publishing Plc | Ann Arbor, Michigan : ProQuest
    ISBN: 9781350031654
    Language: English
    Pages: 1 Online-Ressource (305 pages)
    DDC: 304.20941
    RVK:
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    Keywords: Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 35
    ISBN: 9783110713916 , 3110713918
    Language: German , English
    Pages: VIII, 240 Seiten , Illustrationen , 23 cm, 375 g
    Series Statement: Sozialwissenschaftliche Einführungen Band 4
    Parallel Title: Erscheint auch als Soziale Robotik
    Parallel Title: Erscheint auch als
    DDC: 306.46
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    Keywords: Robotik ; Künstliche Intelligenz ; Sozialität ; Techniksoziologie ; Aufsatzsammlung ; Lehrbuch ; Aufsatzsammlung
    Note: Literaturangaben
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 36
    Book
    Book
    Boca Raton : CRC Press, Taylor & Francis Group
    ISBN: 9781032371993 , 9781032305097
    Language: English
    Pages: xii, 174 Seiten
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 303.4834
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    Keywords: Artificial intelligence ; COMPUTERS / Computer Science ; COMPUTERS / General ; COMPUTERS / History ; COMPUTERS / Neural Networks ; COMPUTERS / Social Aspects / General ; COMPUTERS / Social Aspects / Human-Computer Interaction ; Digital- und Informationstechnologien: soziale und ethische Aspekte ; Ethical & social aspects of IT ; Human-computer interaction ; Impact of science & technology on society ; Künstliche Intelligenz ; Mensch-Computer-Interaktion ; PHI038000 ; PSYCHOLOGY / Cognitive Psychology ; PSYCHOLOGY / Social Psychology ; Robotics ; Robotik ; TECHNOLOGY & ENGINEERING / Social Aspects ; Wissenschaft, Technologie und Gesellschaft ; Künstliche Intelligenz ; Maschinelles Lernen
    Abstract: - The author is one of the most influential AI reseachers of recent decades.- Written in an accessible language, the book provides a probing account of AI today and proposes a new narrative to connect and make sense of events that happened in the recent tumultuous past and enable us to think soberly about the road ahead.- The book is divided into ten carefully crafted and easily-digestible chapters, each grapples with an important question for AI, ranging from the scientific concepts that underpin the technology to wider implications for society, using real examples wherever possible
    Description / Table of Contents: ABOUT THE AUTHOR. PROLOGUE. 1 The Search for Intelligence. 2 The Shortcut. 3 Finding Order in the World. 4 Lady Lovelace Was Wrong. 5 Unintended Behaviour. 6 Microtargeting and Mass Persuasion. 7 The Feedback Loop. 8 The Glitch. 9 Social Machines. 10 Regulating, Not Unplugging. EPILOGUE. BIBLIOGRAPHY. INDEX.
    Note: Literaturverzeichnis: Seite 165-171
    URL: Cover  (lizenzpflichtig)
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  • 37
    ISBN: 9780374609900
    Language: English
    Pages: 244 Seiten , Illustrationen , 22 cm
    Edition: First edition
    DDC: 305.868073
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    Keywords: Soziale Situation ; Ethnische Identität ; Einwanderung ; Lateinamerikaner ; USA ; Hispanic Americans / Ethnic identity ; Hispanic Americans / Social conditions ; Immigrants / United States / Social conditions ; United States / Race relations ; HISTORY / United States / General ; Hispanic Americans / Ethnic identity ; Hispanic Americans / Social conditions ; Immigrants / Social conditions ; Race relations ; United States ; Lateinamerikaner ; Soziale Situation ; USA ; Einwanderung ; Ethnische Identität
    Abstract: "A new book by the Pulitzer Prize-winning writer about the twenty-first-century Latino experience and identity"--
    Abstract: "Latino" is the most open-ended and loosely defined of the major race categories in the United States. Our Migrant Souls: A Meditation on Race and the Meanings and Myths of "Latino" assembles the Pulitzer Prize winner Héctor Tobar's personal experiences as the son of Guatemalan immigrants and the stories told to him by his Latinx students to offer a spirited rebuke to racist ideas about Latino people. Our Migrant Souls decodes the meaning of "Latino" as a racial and ethnic identity in the modern United States, and seeks to give voice to the angst and anger of young Latino people who have seen Latinidad transformed into hateful tropes about "illegals" and have faced insults, harassment, and division based on white insecurities and economic exploitation
    Description / Table of Contents: Prologue: Our migrant souls -- Part I: Our country -- Empires ; Walls ; Beginnings ; Cities ; Race ; Intimacies ; Secrets ; Ashes ; Lies ; Part II: Our journey's home -- Light ; Home ; Conclusion: Utopias
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  • 38
    ISBN: 9781350245266
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 174.90904
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    Keywords: Electronic data processing-Moral and ethical aspects ; Electronic data processing-Social aspects ; Human-computer interaction ; Electronic books
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  • 39
    Online Resource
    Online Resource
    New York : Routledge, Taylor & Francis Group
    ISBN: 9781003099628
    Language: English
    Pages: 1 Online-Ressource (x, 173 Seiten) , Illustrationen
    Series Statement: Routledge critical junctures in global early modernities
    Parallel Title: Erscheint auch als Madar, Heather Albrecht Dürer and the depiction of cultural differences in Renaissance Europe
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    Keywords: Dürer, Albrecht Criticism and interpretation ; Ethnology in art ; Other (Philosophy) in art ; Art and society History ; ART / History / General ; ART / History / Renaissance ; Dürer, Albrecht 1471-1528 ; Fremdheit ; Muslim ; Afrikaner ; Das Andere ; Kulturkontakt
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  • 40
    ISBN: 0691245452 , 9780691245454
    Language: English
    Pages: 175 Seiten , 26 cm
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    Keywords: 2000-2099 ; Indian art Exhibitions. 21st century ; Indigenous art Exhibitions. 21st century ; Art, American Exhibitions. 21st century ; Art, American ; Indian art ; Indigenous art ; Exhibition catalogs ; United States ; Bildband ; Ausstellungskatalog National Gallery of Art 22.09.2023-15.01.2024 ; Ausstellungskatalog New Britain Museum of American Art 18.04.2024-15.09.2024 ; USA ; Indianer ; Indigenes Volk ; Kunst ; Geschichte 2000-
    Abstract: A groundbreaking survey of contemporary Indigenous art and its enduring connections to the landThe Land Carries Our Ancestors: Contemporary Art by Native Americans brings together works by many of today s most boldly innovative Native American artists. Jaune Quick-to-See Smith, one of the leading artists and curators of her generation, has carefully chosen some fifty works across a diversity of practices-including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video-that share the common thread of the land.
    Note: Seite [176]: "Exhibition dates: National Gallery of Art, Washington, September 22, 2023-January 15, 2024; New Britain Museum of American Art, April 18-September 15, 2024"--Colophon , Includes bibliographical references and index
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  • 41
    ISBN: 9780774890649
    Language: English
    Pages: 255 Seiten , Illustrationen , 28 cm
    DDC: 704.03/96071
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    Keywords: Art, Black ; Artists, Black History ; Black people History ; Art museums Curatorship ; Social aspects ; Art noir - Canada ; Artistes noirs - Canada - Histoire ; Personnes noires - Canada - Histoire ; Musées d'art - Conservation - Aspect social - Canada ; Art, Black ; Artists, Black ; Black people ; History ; Canada ; Canada History ; Aufsatzsammlung ; Canada History ; Aufsatzsammlung ; Kanada ; Kunst ; Künstler ; Person of Color ; Geschichte 2000- ; Kanada ; Schwarze ; Kunst ; Schwarzenbild ; Museum ; Kulturelle Einrichtung ; Kunstgeschichtsschreibung ; Geschichte
    Abstract: "Making History is an unprecedented reflection on the positioning of Black history and art within the Canadian cultural landscape. Featuring boundary-breaking artists and others from the art world, Making History brings together poems, artist statements, and art portfolios that showcase a careful and thoughtful understanding of Black aesthetics. This beautifully illustrated book also discusses the presence of Black contemporary art in Canadian institutions and offers artistic perspectives on contemporary and historical art practices. The many voices and points of view within this publication present ideas that corroborate the state of cultural emergency in which we are living, where museums are rethinking and rewriting the stories of their collections. The book explores alternate ways of approaching the relationship between institutions, artists, and audiences, emphasizing the significance of collaboration, resisting hierarchical and hegemonic curatorial practices, and making room for multiple perspectives to bring about transformative change. Through powerful essays and striking visual art, Making History highlights the dynamism and complexity of African and diasporic experiences seen through the lens of museological interventions and artistic practices at large."--
    Note: Includes bibliographical references , Of Africa: A Reflection on "Speaking Back" / , Opening Spaces: Of Africa, Hauntings, Hesitations, and Possible Futures / , The Into the Heart of Africa Exhibition and the Coalition for the Truth about Africa: A Personal Journey / , Lessons Learned from the Heart of Afro-Canada: Into the Heart of Africa 30 Years Later / , A Life in the Day of an Object / , Here We Are Here: Creating in the Black Atlantic / , Sweet Childhood, Art, and Memory / , From Souvenir to How She Read: The Poetry behind the Design / , Between Absence and Presence: The Politics and Poetics of (In)Visibility in the Work of Sandra Brewster / , On Sucking Teeth / , Hoodies and Regimentals: Black Attire and Access in the Canadian Art Museum / , What to Wear in Canada in Winter / , Longing and Belonging: A Personal Journey through Art and Identity / , Singularity and Strangeness: One-on-One with Eddy Firmin / , On Quiet Happiness, Charcoal, Wood, and Metal: Charmaine Lurch's Being, Belonging and Grace / , Esmaa Mohamoud: Playing the Game / , Twisted Together: The Sweet Ironies of Belonging in the Art of Bushra Junaid / , A Self-Portrait of Creation: Depi m sòti nan Ginen / , Digging Us: Making Visible Black Canadian Narratives / , Travelling Exhibition: Here We Are Here at the Montreal Museum of Fine Arts / , Why Are There No Famous Black Canadian Artists? Here We Are Here and How Diversity and Inclusion Trump Aesthetic Critique / , The Pervasive Persistence of Primitivism: Face-to-Face and Exhibition Practices in the 21st Century /
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  • 42
    ISBN: 9780262377249 , 0262377241 , 9780262377256 , 026237725X
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: The MIT Press
    Parallel Title: Erscheint auch als An anthology of blackness
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    Keywords: Graphic arts Social aspects ; Commercial art Social aspects ; African American graphic artists ; White privilege (Social structure) ; USA ; Schwarze ; Gebrauchsgrafik ; Intersektionalität
    Abstract: "Shows why the design field has consistently failed to attract Black professionals, how Eurocentric hegemony impacts Black designers & how to create an antiracist, pro-Black design industry instead"--
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  • 43
    ISBN: 9789462625389
    Language: English
    Pages: 135 Seiten , Illustrationen , 29 cm
    Additional Material: 1 Beilage
    DDC: 700
    RVK:
    Keywords: Ausstellungskatalog Staatliche Kunstsammlungen Dresden ; 06.05.2023-10.09.2023 ; Ausstellungskatalog Museum de Fundatie ; 14.10.2023-28.01.2024 ; Aufsatzsammlung ; Staatliche Kunstsammlungen Dresden ; Fotografie ; Ausstellung ; Geschichte 2023 ; Ukraine ; Kunst ; Geschichte 1920-2023
    Note: Ausstellungsdaten der Dresdner Ausstellung im Internet ermittelt: "Kaleidoscope of (Hi)stories. Ukrainian Art 1912–2023", 06/05/2023—10/09/2023 , Seite 134: This book is published to accompany the eponymous exhibition in Museum de Fundatie Zwolle from October 14, 2023 to January 28, 2024
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  • 44
    ISBN: 9783837666762 , 383766676X
    Language: English
    Pages: 210 Seiten , Illustrationen , 22.5 cm x 14.8 cm, 393 g
    Series Statement: Digital society volume 61
    Series Statement: Digital society
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Potsdam 2022
    DDC: 302.23101
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    Keywords: Leiblichkeit ; Virtuelle Realität ; Medienphilosophie ; Phenomenology ; Post-Phenomenology ; Virtual Reality ; Cognition ; Philosophy of Technology ; Neuro-Phenomenology ; Digitalization ; Aesthetics ; Media Philosophy ; Digital Media ; Media Aesthetics ; Media Studies ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Virtuelle Realität ; Leiblichkeit ; Medienphilosophie
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  • 45
    Book
    Book
    Lüneburg : meson press
    ISBN: 9783957960436
    Language: English
    Pages: 247 Seiten , Illustrationen , 17.8 cm x 12.7 cm
    Series Statement: Configurations of film
    DDC: 302.23101
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    Keywords: Digital-, Video- und New Media-Kunst ; Digitale- oder Internetökonomie ; Film, Kino ; Internet und digitale Medien: Kunst und Performance ; Künstliche Intelligenz ; Medienwissenschaften: Internet, digitale Medien und Gesellschaft ; Robotik ; Soziale Medien / Soziale Netzwerke ; Vernetzte smarte Technologien ; Virtuelle Realität ; Artificial intelligence ; Bodies ; Capitalism ; Embodiment ; Robotics ; Virtual Reality ; Wearables ; aesthetics ; algorithms ; media technologies ; Embodiment ; Neue Medien ; Künstliche Intelligenz ; Virtuelle Realität ; Robotik ; Embodiment ; Neue Medien ; Künstliche Intelligenz ; Virtuelle Realität ; Robotik
    Abstract: How is human embodiment transformed in an age of algorithms? How do post-cinematic media technologies such as AI, VR, and robotics target and re-shape our bodies? Post-Cinematic Bodies grapples with these questions by attending both to mundane devices-such as smartphones, networked exercise machines, and smart watches and other wearables equipped with heartrate sensors-as well as to new media artworks that rework such equipment to reveal to us the ways that our fleshly existences are increasingly up for grabs. Through an equally philosophical and interpretive analysis, the book aims to develop a new aesthetics of embodied experience that is attuned to a new age of predictive technology and metabolic capitalism
    Note: Literaturverzeichnis: Seite 235-242
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 46
    Online Resource
    Online Resource
    Oxford : Oxford University Press, Incorporated
    ISBN: 9780192688934
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Parallel Title: Erscheint auch als Cave, Stephen Imagining AI
    DDC: 303.4834
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    Keywords: Konzeption ; Künstliche Intelligenz ; Narrativ ; Informationsethik ; Neue Technologie ; Kulturelles System ; Idee ; Aufsatzsammlung ; Künstliche Intelligenz ; Neue Technologie ; Konzeption ; Idee ; Narrativ ; Kulturelles System ; Informationsethik
    Abstract: Imagining AI draws attention to the range and variety of visions of a future with intelligent machines and their potential significance for the research, regulation, and implementation of AI. The book is structured geographically, with each chapter presenting insights into how a specific region or culture imagines intelligent machines
    Note: Description based on publisher supplied metadata and other sources
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  • 47
    ISBN: 9781804290422
    Language: English
    Pages: 308 Seiten , illustrations , 20 cm
    Edition: Updated edition
    DDC: 303.483
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    Keywords: Technology Social aspects ; Big data Social aspects ; Artificial intelligence Social aspects ; Social change
    Note: Previous edition: 2018 , Includes index
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  • 48
    Online Resource
    Online Resource
    Cambridge, Massachusetts ; London, England : The MIT Press
    ISBN: 9780262374668 , 9780262374651
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 303.48/34
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    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 49
    ISBN: 9781119882879
    Language: English
    Pages: 264 Seiten
    Parallel Title: Erscheint auch als Marr, Bernard Future internet
    Parallel Title: Erscheint auch als Marr, Bernard The future internet
    DDC: 302.23/1
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    Keywords: Internet Social aspects ; Business enterprises Technological innovations ; Metaverse Social aspects ; Blockchains (Databases) Social aspects
    Abstract: "The book will focus on the next, the third evolution of the internet. Web1 gave us static websites (and a world dominated by Google), Web2 gave us a participative internet (dominated by companies such as Facebook and Tencent), Web3 will give us a more immersive and a decentralised internet. The future internet will be driven by two tech innovations: blockchain (to give us the decentralised part) and AR/VR (to give us a more immersive internet experience)"--
    Note: Enthält Literaturangaben und Index
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  • 50
    ISBN: 9780300272963
    Language: English
    Pages: 263 Seiten
    DDC: 702.81/20973
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    Keywords: African American collage Exhibitions 21st century ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; USA ; Collage ; Person of Color ; Geschichte 1960- ; USA ; Schwarze ; Collage ; Geschichte 1980-2023
    Abstract: "The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"--
    Description / Table of Contents: Hurston's Law, or a Philosophy of Display / Richard J. Powell, PhD -- Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists / Patricia Hills -- Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories / Rebecca VanDiver, PhD -- Pon tu mano con la mía: Rhizomatic Pathways and Collage / María Elena Ortiz -- Meditations on the Multivalence of Black Womanhood / Valerie Cassel Oliver -- Minor Figures, Continuous Tension / Tiffany E. Barber, PhD -- also also also and and and: Digital Stitches and the Collage as Glitch / Anita N. Bateman, PhD.
    Note: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references
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  • 51
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9789048555444
    Language: English
    Pages: 1 Online-Ressource (291 pages)
    Edition: 1st ed.
    Series Statement: MediaMatters Ser.
    DDC: 306.46
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    Keywords: Electronic books
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Cover  (lizenzpflichtig)
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  • 52
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    Memphis, Tennessee : Dixon Gallery and Gardens | New Haven : Yale University Press
    ISBN: 9780300273465
    Language: English
    Pages: 143 Seiten , Illustrationen , 29 cm
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    Keywords: Porter, James A Exhibitions ; Simpson, Merton D Exhibitions ; African American art Exhibitions 20th century ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Kunst ; Schwarze ; Geschichte 1950-1980
    Abstract: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Description / Table of Contents: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone.
    Note: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index
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  • 53
    ISBN: 9780262048668
    Language: English
    Pages: xvii, 243 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als Anthology of Blackness
    Parallel Title: Erscheint auch als An anthology of Blackness
    DDC: 744.089/96073
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    Keywords: Graphic arts Social aspects ; Commercial art Social aspects ; African American graphic artists ; White privilege (Social structure) ; USA ; Schwarze ; Gebrauchsgrafik ; Intersektionalität
    Abstract: "Shows why the design field has consistently failed to attract Black professionals, how Eurocentric hegemony impacts Black designers & how to create an antiracist, pro-Black design industry instead"--
    Description / Table of Contents: An Introduction to Black Design Industry + Organizations / Terresa Moses and Omari Souza -- Design's Ledger of White Supremacy: Constructing a Critical Race Pedagogy to Shape Design Futures / Pierce Otlhogile-Gordon -- Amplifying Accessibility & Abolishing Ableism: Designing to Embolden Black Disability Visual Culture / Jennifer White-Johnson.
    Note: Bibliographie (Seite 234 - 243)
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  • 54
    ISBN: 9780691236162
    Language: English
    Pages: 279 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Crow, Thomas The Artist in the Counterculture
    Parallel Title: Erscheint auch als Crow, Thomas E., 1948 - The Artist in the Counterculture
    DDC: 701/.03
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    Keywords: Art and society History 20th century ; Counterculture ; Kalifornien ; Kunst ; Kunstsoziologie ; Gegenkultur ; Geschichte 1960-1980
    Abstract: "An examination of the counterculture movement in California and how it both influenced and was influenced by art"--
    Note: Includes bibliographical references and index
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  • 55
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    Washington : National Gallery of Art | New Haven : Yale University Press
    ISBN: 9780300267105
    Language: English
    Pages: 356 Seiten , Illustrationen , 29 cm
    Series Statement: Studies in the history of art 83
    Series Statement: Symposium papers 60
    Series Statement: Studies in the history of art
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    Keywords: Snowden, Sylvia - 1942- ; Stovall, Lou - 1937- ; Thomas, Alma - 1891-1978 ; Donaldson, Jeff - 1932-2004 ; Porter, James A. (James Amos) - 1905-1970 ; Burwell, Lilian Thomas - 1927- ; Coleman, Floyd W - 1939- ; Driskell, David C - 1931-2020 ; Gilliam, Sam - 1933-2022 ; Morrison, Keith - 1942- ; Puryear, Martin - 1941- ; Howard University - United States ; The Phillips Collection - United States ; African American Art - United States ; Konferenzschrift National Gallery of Art, Washington, DC ; Konferenzschrift National Gallery of Art, Washington, DC ; Washington, DC ; Schwarze ; Kunst ; Ästhetik ; Geschichte 1920-
    Abstract: In a twentieth century during which modern art largely abandoned beauty as its imperative, a group of Black artists from Washington, DC, made beauty the center of their art making. This book highlights these influential artists, including David C. Driskell, Sam Gilliam, Lois Mailou Jones, and Alma Thomas, in the context of what Jeffrey C. Stewart describes as the Washington Black Renaissance. Vibrant histories of key District institutions and the city's communities of educators, critics, and collectors animate a nuanced consideration of the evolution of an aesthetic dialectic from the 1920s up to the present day. The fifteen essays in the volume are grounded by voices from a live artist panel at the National Gallery of Art in 2017, which included Lilian Thomas Burwell, Floyd Coleman, David C. Driskell, Sam Gilliam, Keith Morrison, Martin Puryear, Sylvia Snowden, and Lou Stovall
    Note: Titelblattrückseite: This volume includes proceedings of the symposium "The African American Art World in Twentieth-Century Washington, DC", organized by the Center for Advanced Study in the Visual Arts, National gallery of Art, and sponsored by the Wyeth Foundation for American Art and the Arthur Vining Davis Foundations. The symposium was held March 16-17, 2017, in Washington , Includes bibliography and index , English
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  • 56
    ISBN: 1912520958 , 9781912520954
    Language: English
    Pages: 141 Seiten
    DDC: 700.8996073
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    Keywords: 1900-1999 ; African American art Exhibitions ; Artists, Black Exhibitions ; ART / General ; African American art ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; USA ; Künstler ; Person of Color ; Geschichte 1960- ; Schwarze ; Kunst
    Abstract: "For generations, Black artists from the American South have forged a unique art tradition. Working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, recycled and cast-off objects that articulate America's painful past -- the inhuman practice of enslavement, the cruel segregationist policies of the Jim Crow era, and institutionalised racism. Their works date from the early 20th century to today and respond to issues ranging from economic inequality, oppression and social marginalisation, to sexuality, the influence of place and ancestral memory. Among the sculptures, paintings, reliefs and drawings included here are works by Thornton Dial, Lonnie Holley, Ronald Lockett, Hawkins Bolden, Bessie Harvey, Charles Williams, Mary T. Smith, Purvis Young, Mose Tolliver, Nellie Mae Rowe, Mary Lee Bendolph, Marlene Bennett Jones, Martha Jane Pettway, Loretta Pettway, and Henry and Georgia Speller. Also featured are the celebrated quiltmakers of Gee's Bend, Alabama, and the neighbouring communities of Rehoboth and Alberta."--Page four of cover
    Note: Titelblattrückseite: ... published in occasion of the exhibition "Souls Grown Deep like the Rivers: Black Artists from the American South", Royal Academy of Arts, 17 March-18 June 2023 , Includes bibliographical references and index
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  • 57
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    Athens : The University of Georgia Press
    ISBN: 9780820360478
    Language: English
    Pages: xii, 233 Seiten , Illustrationen
    DDC: 700.89/96073
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    Keywords: African American art 20th century ; African American art 21st century ; Art and society History 20th century ; Art and society History 21st century ; USA ; Kunstsoziologie ; Kunst ; Schwarze ; Geschichte 1985-2015
    Abstract: "Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1990 to the present. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come. Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams"--
    Note: Includes bibliographical references and index
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  • 58
    ISBN: 9780691202723
    Language: English
    Pages: xii, 274 Seiten , Illustrationen, Karten
    DDC: 720/.483094731
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    Keywords: Stalinskie Vysotki (Moscow, Russia) ; Skyscrapers ; Architecture Composition, proportion, etc ; Communism and architecture ; Architecture and society ; Moscow (Russian Federation) Buildings, structures, etc ; Moskau ; Stalinismus ; Städtebau ; Hochhaus ; Architektur ; Monumentalarchitektur ; Stadtleben ; Geschichte 1947-1956
    Abstract: "An in-depth history of the Stalinist skyscraper"--
    Note: Includes bibliographical references and index , Quellen- und Literaturverzeichnis: Seite 249-261. - Register
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  • 59
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    New Haven : Yale University Press
    ISBN: 9780300259247
    Language: English
    Pages: xvii, 517 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    DDC: 306.094309045
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    Keywords: 20. Jahrhundert (1900 bis 1999 n. Chr.) ; Europäische Geschichte ; Geschichte allgemein und Weltgeschichte ; HISTORY / Europe / Germany ; HISTORY / Modern / 20th Century ; HISTORY / Social History ; History ; Sozial- und Kulturgeschichte ; Deutschland ; Westdeutschland ; Sozialgeschichte ; Kultur ; Geschichte 1900-1999 ; Westdeutschland ; Künste ; Gesellschaft ; Geschichte 1945-1990
    Abstract: "After World War II a mood of despair and impotence pervaded the arts in West Germany. The culture and institutions of the Third Reich were abruptly dismissed, yet there was no immediate return to the Weimar period's progressive ideals. In this moment of cultural stasis, how could West Germany's artists free themselves from their experiences of Nazism? Moving from 1945 to reunification, Michael H. Kater explores West German culture as it emerged from the darkness of the Third Reich. Examining periods of denial and complacency as well as attempts to reckon with the past, he shows how all postwar culture was touched by the vestiges of National Socialism. From the literature of Günter Grass to the happenings of Joseph Beuys and Karlheinz Stockhausen's innovations in electronic music, Kater shows how it was only through the reinvigoration of the cultural scene that West Germany could contend with its past - and eventually allow democracy to reemerge"--
    Abstract: A wide-ranging, insightful history of culture in West Germany-from literature, film, and music to theater and the visual arts
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 60
    ISBN: 9789464363395 , 9464363398
    Language: English , Dutch
    Pages: 260 Seiten
    Edition: First edition
    DDC: 745.4
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    Keywords: Bildband ; Bildband ; Antwerpen ; Gegenkultur ; Geschichte 1998-2013 ; Scheld'Apen ; Gebrauchsgrafik ; Plakat ; Ephemera
    Abstract: From 1998 till 2013, a former railwaycanteen on d'Herbouvillekaai in Antwerp that was transformed into a cultural hub by youthful idealists, hoodlums and enthousiasts who called themselves Scheld'apen, was home to an eclectic stream of artists, with over 1300 events occurring in those 15 years, before inevitably being demolished by city expansion plans. All those events produced a flux of visual communication, an enormous flow of printed media that fascinated artists and Scheld?apen aficionados Benny Van den Meulengracht-Vrancx and Bent Vande Sompele. Collecting items and building upon an already existing physical archive, they decided to pour a selection of works into a book: Graphic Design of Scheld?apen.00?Graphic Design of Scheld?apen? is the result of two years of collecting, three archival residencies at Het Bos (the new home of the still existing Scheld?apen organisation) and a short scanning residency at Frans Masereel Centrum. The book contains over 200 graphical works from a variety of different artists, a preface by Pieter Willems and texts by Roel Griffioen and Pia Jacques
    Note: Vorwort niederländisch, Text englisch
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  • 61
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    New Brunswick ; Camden ; Newark ; London ; Oxford : Rutgers University Press
    ISBN: 9781978824652 , 9781978824669
    Language: English
    Pages: xv, 161 Seiten
    Uniform Title: The souls of black folk
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.8960730207
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    Keywords: Soziale Situation ; Rassendiskriminierung ; Schwarze ; USA ; Comic ; Comic ; Comic ; Comic ; Comic ; USA ; Rassendiskriminierung ; Schwarze ; Soziale Situation
    Abstract: With Souls of Black Folk (first published in 1903), W.E.B. Du Bois famously set forth his analysis of the folk culture, including religious folk culture, that would be the basis for future progress. In doing so, he pleaded for education and a new sensibility. But he made clear that the promise of these would not come from the outside
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  • 62
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    Book
    Cheltenham, UK ; Northampton, MA, USA : Edward Elgar Publishing
    ISBN: 9781803928555
    Language: English
    Pages: xviii, 922 Seiten , Illustrationen, Diagramme
    Parallel Title: Erscheint auch als
    DDC: 303.4834
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    Keywords: Künstliche Intelligenz ; Technikbewertung ; Aufsatzsammlung ; Künstliche Intelligenz ; Technikbewertung
    Note: Index Seiten 890-922
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  • 63
    ISBN: 9781119882893 , 9781119882909 , 1119882907
    Language: English
    Pages: 1 Online-Ressource (v, 264 pages)
    Parallel Title: Erscheint auch als Marr, Bernard The future internet
    DDC: 302.23/1
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    Keywords: Internet Social aspects ; Business enterprises Technological innovations ; Metaverse Social aspects ; Blockchains (Databases) Social aspects ; Business enterprises - Technological innovations ; Internet - Social aspects
    Abstract: "The book will focus on the next, the third evolution of the internet. Web1 gave us static websites (and a world dominated by Google), Web2 gave us a participative internet (dominated by companies such as Facebook and Tencent), Web3 will give us a more immersive and a decentralised internet. The future internet will be driven by two tech innovations: blockchain (to give us the decentralised part) and AR/VR (to give us a more immersive internet experience)"--
    Description / Table of Contents: Part I: The Future Internet and the Next Digital Revolution. Chapter 1: The Metaverse and a More Immersive Online Experience. Chapter 2: Web3 and the Rise of Decentralization. Chapter 3: When and How will this Future Internet Play Out? Exploring Timelines, Future Trends and Challenges -- Part II: How the Future Internet will Change Our World. Chapter 4: How Creative and Entertainment Industries are Finding New Ways to Engage with their Audiences. Chapter 5: How Fashion and Retail Brands are Preparing for a More Immersive World. Chapter 6: Overhauling How We Learn (At All Stages of Life). Chapter 7: Disrupting Finance, IT and Other Service Industries. Chapter 8: Metaverse Hospitals and More: Healthcare in the Future Internet. Chapter 9: Innovating Industry, Streamlining Supply Chains: What the Future Looks Like for Manufacturing, Energy and Other Industrial Organizations. Chapter 10: How Governments and Public Services will Harness the Future Internet. Chapter 11: Everyday Life and Leisure in the Future Internet -- Part III: Leveraging the Future Internet in Your Business. Chapter 12: Rethinking Products and Services. Chapter 13: Rethinking Business Operations. Chapter 14: Attracting, Developing and Retaining the Right Skills for the Future Internet. Chapter 15: Creating the Right Culture for Success. Chapter 16: Developing a Future Internet Strategy. Chapter 17: Final Words.
    Note: Includes bibliographical references and index
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  • 64
    ISBN: 9783837663464 , 3837663469
    Language: English
    Pages: 268 Seiten , 22.5 cm x 14.8 cm, 468 g
    Series Statement: Lettre
    Parallel Title: Erscheint auch als Lieber, Marlon, 1986 - Reading race relationally
    Dissertation note: Dissertation Goethe-Universität Frankfurt am Main 2018
    DDC: 813.54
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    Keywords: Hochschulschrift ; Hochschulschrift ; Whitehead, Colson 1969- ; Roman ; Ethnische Identität ; Rassismus ; Whitehead, Colson 1969- ; Roman ; Ethnische Identität
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 65
    ISBN: 9783111060590
    Language: English
    Pages: 1 Online-Ressource (X, 286 p.)
    Edition: Issued also in print
    Series Statement: Buchreihe der Anglia / Anglia Book Series 82
    Parallel Title: Erscheint auch als
    DDC: 302.4
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    Keywords: American literary history ; network model ; relational epistemology ; USA ; Literatur ; Netzwerk ; Geschichte 1800-2023 ; USA ; Literatur ; Vernetzung ; Netzwerktheorie
    Abstract: Spider Web, Labyrinth, Tightrope Walk explores the shifting functions of the network as a metaphor, model, and as an epistemological framework in US American literature and culture from the 19th century until today. The book critically inquires into the literary, cultural, philosophical, and scientific rhetoric, values, and ideological underpinnings that have given rise to the network concept. Literature and culture play a major role in the ways in which networks have been imagined and how they have evolved as conceptual models. This study regards networks as historically emergent and culturally constructed formations closely tied with the development of knowledge technologies in the process of modernization as well as with an increasingly critical awareness of network technologies and infrastructures. While the rise of the network in scientific, philosophical, political and sociological discourses has received wide attention, this book contributes an important cultural and historical perspective to network theory by demonstrating how US American literature and culture have been key sites for thinking in and about networks in the past two centuries
    Note: Frontmatter , Contents , Acknowledgements , Permissions Spider Web, Labyrinth, Tightrope Walk , 1 Introduction: The Network in US American Literature and Culture , 2 Project(ing an) Interconnected America: Nineteenth Century Visions of Material Networks, Transcendental Links, and Alternative Communities , 3 “A Movement Toward Expanded Connectedness” – Networks of Evolution in Pragmatist and Naturalist Literature , 4 Mapping Alternatives: Postwar Networks and the Forking Paths of Knowledge , 5 Recentering the Human: Contemporary Fiction and the Popularization of the Network , 6 Conclusion , Works Cited , Index , Issued also in print , In English
    URL: Cover  (lizenzpflichtig)
    URL: Cover
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  • 66
    Book
    Book
    New York : New York University Press
    ISBN: 9781479829828 , 9781479820733
    Language: English
    Pages: xii, 435 Seiten, 16 ungezählte Seiten , Illustrationen , Breite 152 mm, Hoehe 229 mm
    DDC: 306.76
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    Keywords: Geschichte 1970-1991 ; Frauenbewegung ; Geschlechtsidentität ; Homosexuellenbewegung ; LGBT ; Massenmedien ; USA
    Abstract: In this book, Ramzi Fawaz explores how the central values of 1970s movements for women's and gay liberation-including consciousness-raising, separatism, and coming out of the closet-were translated into a range of American popular culture forms. Throughout this period, feminist and gay activists fought social and political battles to expand, transform, or wholly explode definitions of so-called "normal" gender and sexuality. In doing so, they inspired artists, writers, and filmmakers to invent new ways of formally representing, or giving shape to, non-normative genders and sexualities. This included placing women, queers, and gender outlaws of all stripes into exhilarating new environments-from the streets of an increasingly gay San Francisco to a post-apocalyptic commune, from an upper-East Side New York City apartment to an all-female version of Earth-and finding new ways to formally render queer genders and sexualities by articulating them to figures, outlines, or icons that could be imagined in the mind's eye and interpreted by diverse publics. Surprisingly, such creative attempts to represent queer gender and sexuality often appeared in a range of traditional, or seemingly generic, popular forms including the sequential format of comic strip serials, the token figures of science fiction genre, the narrative conventions of film melodrama, and the serialized rhythm of installment fiction. Through studies of queer and feminist cultural productions including Mart Crowley's The Boys in the Band (1970), Armistead Maupin's Tales of the City (1976-1983), Lizzy Borden's Born in Flames (1983), and Tony Kushner's Angels in America (1989-1991), Fawaz show how artists innovated in many popular mediums and genres to make the experience of gender and sexual non-conformity recognizable to mass audiences in the modern US. Ultimately, Queer Forms tells the pre-history of the contemporary renaissance in feminist and LGBTQ political cultures by developing a genealogy of late twentieth-century artifacts that projected images of gender and sexual rebellion, which came to infuse the American popular imagination in the 1970s and after.
    Note: Literaturverzeichnis Seite 407-421
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  • 67
    Book
    Book
    New Haven ; London : Yale University Press
    ISBN: 9780300248142
    Language: English
    Pages: 316 Seiten , Illustrationen, Diagramme
    DDC: 302.231209
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    Keywords: Geschichte ; SOCIAL SCIENCE / Sociology / General ; Online chat group History ; Computer bulletin boards History ; Internet Social aspects ; Webforum ; Computerunterstützte Kommunikation ; Rechnernetz ; Social Media ; World Wide Web ; Chatten ; Babillards électroniques / Histoire ; Internet / Aspect social ; World Wide Web ; Chatten ; Rechnernetz ; Computerunterstützte Kommunikation ; Webforum ; Social Media ; Geschichte
    Abstract: Fifteen years before the commercialization of the internet, millions of amateurs across North America created more than 100,000 small-scale computer networks. The people who built and maintained these dial-up bulletin board systems (BBSs) in the 1980s laid the groundwork for millions of others who would bring their lives online in the 1990s and beyond. From ham radio operators to HIV/AIDS activists, these modem enthusiasts developed novel forms of community moderation, governance, and commercialization. The Modem World tells an alternative origin story for social media, centered not in the office parks of Silicon Valley or the meeting rooms of military contractors, but rather on the online communities of hobbyists, activists, and entrepreneurs. Over time, countless social media platforms have appropriated the social and technical innovations of the BBS community. How can these untold stories from the internet's past inspire more inclusive visions of its future?
    Note: Literaturverzeichnis Seite 267-300
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  • 68
    ISBN: 9783030935504 , 3030935507
    Language: English
    Pages: x, 287 Seiten , Illustrationen , 21 cm
    Parallel Title: Erscheint auch als
    DDC: 810.9355
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    Keywords: American literature History and criticism 19th century ; American literature History and criticism 20th century ; American literature History and criticism 21st century ; Social change in literature ; Sociology in literature ; American literature ; Civilization ; Social change in literature ; Social conditions ; Sociology in literature ; Criticism, interpretation, etc ; United States Civilization ; United States Social conditions ; United States ; Bourdieu, Pierre 1930-2002 ; Elias, Norbert 1897-1990 ; USA ; Literatur ; Literatursoziologie
    Note: Enthält Literaturangaben und Index
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  • 69
    ISBN: 9783837657630 , 3837657639
    Language: English
    Pages: 377 Seiten , Illustrationen , 22.5 cm x 14.8 cm, 453 g
    Series Statement: Digital society volume 37
    Series Statement: Digitale Gesellschaft
    Parallel Title: Erscheint auch als (Dis)Obedience in digital societies
    DDC: 303.483
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    Keywords: Aufsatzsammlung ; Informationsgesellschaft ; Digitalisierung ; Informationstechnik ; Algorithmus ; Soziale Ungleichheit ; Diskriminierung ; Elektronische Überwachung ; Widerstand ; Gesellschaft ; Digitalisierung ; Kritik ; Gesellschaft ; Digitalisierung ; Einfluss ; Manipulation ; Algorithmus ; Einfluss ; Politik ; Gesellschaft
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  • 70
    Language: English
    Pages: 1 Online-Ressource
    Dissertation note: Dissertation Universität Leipzig 2022
    DDC: 000
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    Keywords: Hochschulschrift
    URL: Volltext  (kostenfrei)
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  • 71
    ISBN: 9781000421170
    Language: English
    Pages: 1 online resource (237 pages)
    Parallel Title: Erscheint auch als Zanghellini, Aleardo Imaginative resistance, queer fiction and the law
    DDC: 306.76
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    Keywords: English fiction-20th century-History and criticism ; American fiction-20th century-History and criticism ; Homosexuality and literature ; Electronic books ; Geschichte 1946-1961 ; Geschichte 1946-1961 ; Englisch ; Literatur ; Homosexualität ; Queer-Theorie
    Abstract: Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- List of figures -- Acknowledgements -- Introduction -- 1. Imaginative resistance in and beyond fiction -- 2. Same sex desire in Britain and the United States in the postwar years -- 3. Charles Jackson's The Fall of Valor (1946) -- 4. Gillian Freeman's The Leather Boys (1961) -- 5. Patricia Highsmith's The Price of Salt (1952) and The Talented Mr Ripley (1955) -- Conclusions -- Index.
    Note: Description based on publisher supplied metadata and other sources
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  • 72
    Book
    Book
    New York : Penguin Press
    ISBN: 9780735217959
    Language: English
    Pages: 370 Seiten
    DDC: 306.0973/09049
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    Keywords: Popular culture History 20th century ; United States Civilization 1970- ; United States Social life and customs 1971- ; United States Intellectual life 20th century ; USA ; Alltagskultur ; Pop-Kultur ; Geschichte 1990-2000
    Abstract: It was long ago, but not as long as it seems: The Berlin Wall fell and the Twin Towers collapsed. In between, one presidential election was allegedly decided by Ross Perot while another was plausibly decided by Ralph Nader. In the beginning, almost every name and address was listed in a phone book, and everyone answered their landlines because you didn’t know who it was. By the end, exposing someone’s address was an act of emotional violence, and nobody picked up their new cell phone if they didn’t know who it was. The 90s brought about a revolution in the human condition we’re still groping to understand. Happily, Chuck Klosterman is more than up to the job. Beyond epiphenomena like "Cop Killer" and Titanic and Zima, there were wholesale shifts in how society was perceived: the rise of the internet, pre-9/11 politics, and the paradoxical belief that nothing was more humiliating than trying too hard. Pop culture accelerated without the aid of a machine that remembered everything, generating an odd comfort in never being certain about anything. On a 90’s Thursday night, more people watched any random episode of Seinfeld than the finale of Game of Thrones. But nobody thought that was important; if you missed it, you simply missed it. It was the last era that held to the idea of a true, hegemonic mainstream before it all began to fracture, whether you found a home in it or defined yourself against it. In The Nineties, Chuck Klosterman makes a home in all of it: the film, the music, the sports, the TV, the politics, the changes regarding race and class and sexuality, the yin/yang of Oprah and Alan Greenspan. In perhaps no other book ever written would a sentence like, “The video for ‘Smells Like Teen Spirit’ was not more consequential than the reunification of Germany” make complete sense. Chuck Klosterman has written a multi-dimensional masterpiece, a work of synthesis so smart and delightful that future historians might well refer to this entire period as Klostermanian.
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Enthält Literaturangaben und ein Register
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  • 73
    ISBN: 9780691209272 , 0691209278
    Language: English
    Pages: 133 Seiten , 29 cm
    DDC: 709.73
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    Keywords: African Americans Exhibitions Violence against ; Black people Exhibitions Violence against ; African Americans in art Exhibitions ; Black people in art Exhibitions ; Violence in art Exhibitions ; African Americans Exhibitions Social conditions ; African American art Exhibitions 20th century ; African American art Exhibitions 21st century ; Racism Exhibitions History ; Art Exhibitions Political aspects ; Art, American Exhibitions 20th century ; Art, American Exhibitions 21st century ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; USA ; Schwarze ; Engagierte Kunst ; Rassismus ; Gewalt
    Abstract: Preface / Huey Copeland -- A site of struggle / Janet Dees -- Making racial violence visible / Leslie M. Harris -- Functional abstractions : sensorial afterlives of the Black body / Sampada Aranke -- Black redaction, Black evidence : another testimony of Black life / LaCharles Ward -- Pausing at the threshold / Courtney R. Baker.
    Abstract: Examines the vast array of art produced by African Americans in response to the continuing impact of anti-Black violence and how it is used to protest, process, mourn and memorialize those events
    Note: Impressum: This publication accompanies the exhibition "A Site of Struggle: American Art against Anti-Black Violence", organized by the Mary and Leigh Block Museum of Art, Northwestern University, on view at the Block January 26-July 10, 2022, and the Montgomery Museum of Fine Arts, August 13-November 6, 2022 , Includes bibliographical references (pages 127-131)
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  • 74
    Online Resource
    Online Resource
    New Haven :Yale University Press,
    ISBN: 978-0-300-26512-5
    Language: English
    Pages: 1 Online-Ressource (vii, 316 Seiten).
    Parallel Title: Erscheint auch als
    DDC: 302.231209
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    Keywords: Geschichte ; Online chat group History ; Computer bulletin boards History ; Internet Social aspects ; World Wide Web. ; Chatten ; Rechnernetz. ; Computerunterstützte Kommunikation. ; Webforum. ; Social Media. ; Electronic books ; World Wide Web ; Chatten ; Rechnernetz ; Computerunterstützte Kommunikation ; Webforum ; Social Media ; Geschichte
    Abstract: The untold story about how the internet became social, and why this matters for its future
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 75
    ISBN: 9783825349271
    Language: English
    Pages: 563 Seiten , Illustrationen , 21 cm x 13.5 cm
    Series Statement: American Studies - a monograph series volume 318
    Series Statement: American Studies - a monograph series
    Parallel Title: Erscheint auch als
    DDC: 306.0973
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    Keywords: Popular culture studies ; Popkultur ; Massenkultur ; USA ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 2019 ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 2019 ; USA ; Massenkultur ; Popkultur ; USA ; Popkultur
    Note: S.20: "This volume would not exist without the conference 'U.S.-American Culture as Popular Culture' (...) took place from June 13-15,2019 at the University of Hamburg."
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 76
    ISBN: 9783990202289
    Language: German , English
    Pages: 118 Seiten
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    Keywords: Nuku, George ; Gebrauchtware ; Kunst ; Maori ; Neuseeland ; Ausstellungskatalog ; Bildband ; Ausstellungskatalog Weltmuseum 23.06.2022-31.01.2023
    Note: Rückseite des Titelblattes: Dieses Buch erscheint anlässlich der Ausstellung Oceans. Collections. Reflections. Georg Nuku, Weltmuseum Wien, 23. Juni 2022 bis 31. Januar 2023
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  • 77
    ISBN: 978-3-95679-563-3
    Language: English
    Pages: 230 Seiten.
    Series Statement: On the antipolitical volume 2
    Series Statement: On the antipolitical
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    Keywords: Künstliche Intelligenz. ; Algorithmus. ; Diskriminierung. ; Rassismus. ; Maschinelles Lernen. ; Computerunterstütztes Lernen. ; Statistik. ; Wissenschaftlichkeit. ; Künstliche Intelligenz ; Algorithmus ; Diskriminierung ; Rassismus ; Rassismus ; Maschinelles Lernen ; Computerunterstütztes Lernen ; Statistik ; Wissenschaftlichkeit
    Abstract: To impair the racial ordering of the world, The Black Technical Object introduces the history of statistical analysis and "scientific" racism into research on machine learning. Computer programming designed for taxonomic patterning, machine learning offers useful insights into racism and racist behavior, but its connection to the racial history of science and the Black lived experience has yet to be developed. In this book, Ramon Amaro explores how the history of data and statistical analysis informs the complex relationship between race and machine learning. He juxtaposes a practical analysis of this type of computerized learning with a theory of Black alienation in order to inspire alternative approaches to contemporary algorithmic practice. In doing so, Amaro contemplates the abstruse nature of programming and mathematics, as well as the deep incursion of racial hierarchies.
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  • 78
    ISBN: 9781541647176
    Language: English
    Pages: vii, 405 Seiten , Illustrationen , 25 cm
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 305.420907471
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    Keywords: Glaspell, Susan ; Heterodoxy ; Geschichte 1912 ; Feminismus ; Künstlerinnenvereinigung ; New York- Greenwich Village ; Heterodoxy (Club) / History ; Feminism / New York (State) / New York / History / 20th century ; Greenwich Village (New York, N.Y.) / History / 20th century ; Féminisme / New York (État) / New York / Histoire / 20e siècle ; Heterodoxy (Club) ; Feminism ; New York (State) / New York ; New York (State) / New York / Greenwich Village ; SOCIAL SCIENCE / Sociology / General ; 1900-1999 ; History ; Glaspell, Susan 1876-1948 ; New York- Greenwich Village ; Heterodoxy ; Feminismus ; Künstlerinnenvereinigung ; Geschichte 1912
    Abstract: "On a Saturday afternoon in New York in late 1912, around the plain wooden tables of Polly's Restaurant in Greenwich Village, a group of women gathered, all of them convinced that they were going to change the world. It was the first meeting of "Heterodoxy," a secret supper club. The goals of the group were simple: They would meet to talk about their lives, their politics, and the still-not widely recognized idea that women were fundamentally equal to men. In a move of liberation, they kept no records of their meetings, leaving them free to discuss a new term borrowed from the French: feminism. Together, the women of Heterodoxy fostered not only a community, but a movement. The club became a defining agent within the Greenwich Village radical scene in the 1910s. Its members were passionate advocates of free love, equal marriage, and easier divorce; several lived openly in same-sex relationships.
    Abstract: The friendships of Heterodoxy made their unconventional lives possible, through its reassurance that other women felt differently about the world and wanted more from it than they had been raised to expect. Wealthy hostess Mabel Dodge invited artists to mingle with socialites and socialists at her apartment near Washington Square Park. Feminist rabble-rouser Henrietta Rodman turned the Liberal Club's headquarters into a home for plays, parties, and politics. Playwright Susan Glaspell launched the groundbreaking theater collective the Provincetown Players out of the summer home of her Heterodoxy friend Mary Heaton Vorse. For these women, everything from the way they dressed to the causes they championed was self-consciously new, and the daily pursuit of a future they were trying to imagine into being was exhausting. They needed each other; as inspiration and support, as friends and lovers.
    Abstract: Perfect for readers of The Barbizon and At The Existentialist Café, Hotbed is the never-before-told story of the bold women whose radical ideas, unruly lives, and extraordinary friendships blazed the trail for female ambition"--
    Description / Table of Contents: Introduction: a little world for us -- Way down south in Greenwich Village -- The type has changed -- The rebel girls and the mink brigade -- The new abolitionists -- What we want is a revolution -- To dynamite New York -- Femi-what? -- "That Mr. Freud, does he live in Greenwich Village?" -- Suppressed desires -- "The baby is the great problem" -- How long must we wait? -- A woman's war against war -- Pacifism versus patriotism -- Red scare, red summer -- The future of feminism
    Note: Includes bibliographical references and index
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  • 79
    Online Resource
    Online Resource
    New York : New York University Press
    ISBN: 9781479893782
    Language: English
    Pages: 1 online resource (449 pages)
    Edition: 1st ed.
    Parallel Title: Erscheint auch als
    DDC: 306.76
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    Abstract: No detailed description available for "Queer Forms".
    Abstract: Cover -- Title Page -- Copyright -- Dedication -- Contents -- Introduction: Queer Forms -- 1. Stepford Wives and Female Men: The Radical Equality of Female Replicants -- 2. Entering the Vortex: Breaching the Boundaries of the Lesbian Separatist Frontier in Avant-Garde Science Fiction Film -- 3. "Beware the Hostile Fag": Acidic Intimacies and the Gay Male Consciousness-Raising Circle in The Boys in the Band -- 4. Queer Love on Barbary Lane: The Serial Experience of Coming Out of the Closet with Armistead Maupin's Tales of the City -- 5. Stripped to the Bone: Sequencing Sexual Pluralism in the Comic Strip Work of Joe Brainard and David Wojnarowicz -- 6. "I Cherish My Bile Duct as Much as Any Other Organ": Political Disgust and the Digestive Life of AIDS in Tony Kushner's Angels in America -- Conclusion: "Something Else to Be": On Friendship's Queer Forms -- Acknowledgments -- Notes -- Bibliography -- Index -- About the Author.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
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  • 80
    ISBN: 9780141998213
    Language: English
    Pages: xxviii, 316 Seiten , 19 cm
    Series Statement: Penguin classics
    Series Statement: Art & design
    Parallel Title: Erscheint auch als
    DDC: 704.039604109048
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    Keywords: Art, Black History 20th century ; Artists, Black History 20th century ; Art, British 20th century ; Aufsatzsammlung ; Großbritannien ; Kunst ; Schwarze ; Geschichte 1981-1989
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  • 81
    ISBN: 9780231205023 , 9780231205030
    Language: English
    Pages: xi, 287 Seiten , Illustrationen
    Series Statement: Literature now
    Parallel Title: Erscheint auch als Brooks, John, - 1989- The racial unfamiliar
    DDC: 810.9/896073
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    Keywords: American literature African American authors ; History and criticism ; African American art 21st century ; African Americans Race identity ; Race in literature ; Race in art ; African Americans in literature ; African Americans in art ; African Americans Intellectual life 21st century ; Literary criticism ; USA ; Literatur ; Kunst ; Schwarze ; Ästhetik ; Abstraktion
    Abstract: "Through what strategies might contemporary artists confront cultural assumptions about race? In what ways can the devices that make race feel familiar-such as stereotypes or strategic essentialism-be used to make race feel unfamiliar? What new perspectives might emerge out of such disorienting confrontations? In The Racial Unfamiliar, John Brooks argues that twenty-first-century African American artists have turned to abstractionist aesthetics to complicate and illuminate how we think and see race. Brooks shows that established categories of cultural production-such as "African American art" or "Black history"-reproduce familiar but confining ideas about race, and that some audiences assume such ideas reflect a "truth" about Black identity or Black experience in the United States. Instead of countering representations of race with "authentic" portrayals of African American identity and experience, recent artists have begun exaggerating and overemphasizing them. By inflating and abstracting clichéd representations and stereotypes, these artists expose the incongruities that underlie racist attitudes and refute the idea that any single African American experience exists to be represented. Through the production of illegible misrepresentations of a multitude of black experiences, the literary and visual works considered in this book insist that blackness exceeds categorical representation. Brooks traces the disorienting effects of this experimental aesthetic through a broad array of recent artworks, from novels and plays by Percival Everett and Suzan-Lori Parks to photography by Roy DeCarava and installation art by Kara Walker, to show how contemporary African American cultural production can be understood as an operation in abstracting and upending the cultural determinants that make racial Blackness intelligible"--
    Note: Includes bibliographical references and index
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  • 82
    ISBN: 9781469667867
    Language: English
    Pages: xi, 160 Seiten , Illustrationen
    Series Statement: A Ferris and Ferris book
    DDC: 709.2
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    Keywords: Bearden, Romare ; Bearden, Romare Family ; African American artists Biography ; African American artists ; Middle class African Americans ; Biografie ; Bearden, Romare 1914-1988
    Abstract: Love in slavery and freedom -- Home and away -- The price of the ticket -- Bearden's Harlem Renaissance -- Lost in abstraction -- From darkness to light -- Round-trip ticket.
    Abstract: "Romare Bearden (1911-1988), one of the most prolific, original, and acclaimed American artists of the twentieth century, richly depicted scenes and figures rooted in the American South and the Black experience. Bearden hailed from North Carolina but was forced to relocate to the North when a white mob harassed [his family] in the 1910s. His family story is a compelling, complicated saga of Black middle-class achievement in the face of relentless waves of white supremacy. It is also a narrative of the generational trauma that slavery and racism inflicted over decades. But as Glenda Gilmore reveals in this trenchant reappraisal of Bearden's life and art, his work reveals his deep imagination, extensive training and rich knowledge of art history"--
    Note: Includes bibliographical references
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  • 83
    Online Resource
    Online Resource
    Cambridge : The MIT Press | The Hague : OAPEN FOUNDATION
    ISBN: 9780262368865 , 9780262046664
    Language: English
    Pages: 1 Online-Ressource (200 p.)
    DDC: 303.4833
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    Keywords: Advertising & society ; Machine learning ; Algorithms & data structures ; Media studies ; Artificial intelligence ; Algorithms and data structures ; Electronic books
    Abstract: A proposal that we think about digital technologies such as machine learning not in terms of artificial intelligence but as artificial communication. Algorithms that work with deep learning and big data are getting so much better at doing so many things that it makes us uncomfortable. How can a device know what our favorite songs are, or what we should write in an email? Have machines become too smart? In Artificial Communication, Elena Esposito argues that drawing this sort of analogy between algorithms and human intelligence is misleading. If machines contribute to social intelligence, it will not be because they have learned how to think like us but because we have learned how to communicate with them. Esposito proposes that we think of “smart” machines not in terms of artificial intelligence but in terms of artificial communication. To do this, we need a concept of communication that can take into account the possibility that a communication partner may be not a human being but an algorithm—which is not random and is completely controlled, although not by the processes of the human mind. Esposito investigates this by examining the use of algorithms in different areas of social life. She explores the proliferation of lists (and lists of lists) online, explaining that the web works on the basis of lists to produce further lists; the use of visualization; digital profiling and algorithmic individualization, which personalize a mass medium with playlists and recommendations; and the implications of the “right to be forgotten.” Finally, she considers how photographs today seem to be used to escape the present rather than to preserve a memory.
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  • 84
    Image
    Image
    Winnenden : Eigenverlag Nunnemann
    ISBN: 9783000708701 , 3000708707
    Language: English
    Pages: 248 Seiten , Illustrationen, Karte
    Edition: First edition
    DDC: 720
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    Keywords: Bildband
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 85
    ISBN: 9780367536534 , 9780367554170
    Language: English
    Pages: xxii, 320 Seiten , Diagramme, Karten , 24 cm
    DDC: 303.4834
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    Keywords: Computers and civilization ; Artificial intelligence Social aspects ; Artificial intelligence Economic aspects ; Online identities
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  • 86
    ISBN: 9789493246126 , 9493246124
    Language: English , Sami
    Pages: 120, 72, 56 Seiten , Illustrationen
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    Keywords: Ausstellungskatalog La Biennale di Venezia, Nordic Pavilion 23.04.2022-27.11.2022 ; Ausstellungskatalog La Biennale di Venezia, Nordic Pavilion 23.04.2022-27.11.2022 ; Samen ; Kunst ; Geschichte 2022
    Note: Umschlagtitel , Spiralbindung , Seite 120: "The Sámi Pavilion"in the Nordic Pavilion at the 59th International Art Exhibition, La Biennale di Venezia, 23 April-27 November 2022 , Text englisch, einzelne Beiträge in Samisch
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  • 87
    Online Resource
    Online Resource
    New York : Cambridge University Press
    ISBN: 9781108804905
    Language: English
    Pages: 1 online resource (276 pages)
    Parallel Title: Erscheint auch als
    DDC: 302.231
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    Keywords: Electronic books
    Abstract: As we interact online, we create new kinds of community and knowledge. How are these communities formed? How do we know whether to trust them as sources of information? What can we as internet users and designers do to help the internet to bring out the best in us all?.
    Note: Description based on publisher supplied metadata and other sources
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  • 88
    Book
    Book
    London : Rock the boat | Oxford, UK : Oneworld Publications
    ISBN: 9781786079060
    Language: English
    Pages: 494 Seiten
    Edition: Mass market paperback edition
    Series Statement: Fiction
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    Keywords: Witnesses Juvenile fiction ; Murder Juvenile fiction ; Undercover operations Juvenile fiction ; Deception Juvenile fiction ; Ojibwa Indians Juvenile fiction ; Young adult fiction ; Drugs Juvenile fiction ; Families Juvenile fiction ; Caregivers Juvenile fiction Family relationships ; Racially mixed people Juvenile fiction ; Indians of North America Juvenile fiction ; Detective and mystery stories
    Abstract: Strong Ojibwe women are like the ride, reminding us of forces too powerful to control. Weak people fear that strength. Eighteen-year-old Daunis's mixed heritage has always made her feel like an outsider, both in her hometown and on the nearby Ojibwe reservation. When she witnesses a shocking murder, she reluctantly agrees to be part of a covert FBI operation into a series of drug related deaths. But the deceptions - and deaths - keep piling up and soon the threat strikes too close to home. Now Daunis must decide what it means to be a strong Anishinaabe kwe (Ojibwe woman) and how far she'll go to protect her community, even if it tears apart the only world she's ever known.
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  • 89
    ISBN: 9783031170157
    Language: English
    Pages: xxii, 324 Seiten , Illustrationen , 21 cm
    Series Statement: Palgrave gothic
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Olson, Danel Gothic War on Terror
    DDC: 306.09730905
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    Keywords: 2000-2099 ; Popular culture History 21st century ; Motion pictures History 21st century ; American fiction History and criticism 21st century ; War on Terrorism, 2001-2009, in motion pictures ; War on Terrorism, 2001-2009, in literature ; War on Terrorism, 2001-2009, in popular culture ; Post-traumatic stress disorder in motion pictures ; Post-traumatic stress disorder in literature ; Post-traumatic stress disorder in popular culture ; Gothic fiction (Literary genre), American History and criticism 21st century ; American fiction ; Gothic fiction (Literary genre), American ; Motion pictures ; Popular culture ; Post-traumatic stress disorder in literature ; Post-traumatic stress disorder in motion pictures ; War on Terrorism (2001-2009) in literature ; Criticism, interpretation, etc ; History ; United States
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  • 90
    Online Resource
    Online Resource
    New York, NY : Columbia University Press
    ISBN: 9780231555807
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Literature Now
    DDC: 810.9/896073
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    Keywords: LITERARY CRITICISM / American / African-American
    Abstract: The works of African American authors and artists are too often interpreted through the lens of authenticity. They are scrutinized for "positive" or "negative" representations of Black people and Black culture or are assumed to communicate some truth about Black identity or the "Black experience." However, many contemporary Black artists are creating works that cannot be slotted into such categories. Their art resists interpretation in terms of conventional racial discourse; instead, they embrace opacity, uncertainty, and illegibility.John Brooks examines a range of abstractionist, experimental, and genre-defying works by Black writers and artists that challenge how audiences perceive and imagine race. He argues that literature and visual art that exceed the confines of familiar conceptions of Black identity can upend received ideas about race and difference. Considering photography by Roy DeCarava, installation art by Kara Walker, novels by Percival Everett and Paul Beatty, drama by Suzan-Lori Parks, and poetry by Robin Coste Lewis, Brooks pinpoints a shared aesthetic sensibility. In their works, the devices that typically make race feel familiar are instead used to estrange cultural assumptions about race. Brooks contends that when artists confound expectations about racial representation, the resulting disorientation reveals the incoherence of racial ideologies. By showing how contemporary literature and art ask audiences to question what they think they know about race, The Racial Unfamiliar offers a new way to understand African American cultural production
    Note: In English
    URL: Cover  (lizenzpflichtig)
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  • 91
    ISBN: 9781438488424 , 9781438488431
    Language: English
    Pages: xv, 326 Seite , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als Madden, Etta M., 1962- Engaging Italy
    Parallel Title: Erscheint auch als Madden, Etta M., 1962 - Engaging Italy
    DDC: 305.420945
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    Keywords: Women History 19th century ; Americans History 19th century ; Italy Politics and government 1849-1870 ; Italien ; Amerikanerin ; Zeithintergrund ; Geschichte 1860-1880
    Abstract: "Traces literary and social connections among three American women navigating the changing political landscape of 1860s and '70s Italy"--
    Note: Literaturverzeichnis: Seite 291-310
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  • 92
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781108780704
    Language: English
    Pages: 1 Online-Ressource (xiii, 260 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 302.23/1
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    Keywords: Wikipedia ; Online social networks ; Knowledge, Theory of ; Internet users / Psychology ; Internet / Psychological aspects ; Internet / Social aspects ; Wissensproduktion ; Online-Community ; Wikipedia ; Wissensproduktion ; Online-Community
    Abstract: As we interact online we are creating new kinds of knowledge and community. How are these communities formed? How do we know whether to trust them as sources of information? In other words, Should we believe Wikipedia? This book explores what community is, what knowledge is, how the internet facilitates new kinds of community, and how knowledge is shaped through online collaboration and conversation. Along the way the author tackles issues such as how we represent ourselves online and how this shapes how we interact, why there is so much bad behavior online and what we can do about it. And the most important question of all: What can we as internet users and designers do to help the internet to bring out the best in us all?
    Note: Title from publisher's bibliographic system (viewed on 13 Jan 2022) , Are online "communities" really communities? -- What can online collaboration accomplish? -- Should you believe Wikipedia? -- How does the internet change how we think? -- How do people express identity online, and why is this important for online interaction? -- What is bad online behavior, and what can we do about it? -- How do business models shape online communities? -- How can we help the internet to bring out the best in us all?
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 93
    ISBN: 9781839766121
    Language: English
    Pages: xi, 261 Seiten
    Edition: Paperback edition
    DDC: 305.89604
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    Keywords: Geistesgeschichte ; Geschichte 1900-1950 ; Geistesleben ; Kultur ; Schwarze ; USA ; USA ; Geistesleben ; Schwarze ; USA ; Schwarze ; Kultur ; Geschichte 1900-1950 ; Schwarze ; Geistesgeschichte
    Note: First published in the United Kingdom by Verso 1993
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  • 94
    ISBN: 9781773102245 , 1773102249
    Language: English
    Pages: 447 Seiten , Illustrationen
    DDC: 700.89/009113
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    Keywords: Arts ; Arts ; Arts ; Indigenous art ; Indigenous art ; Indigenous art ; Art, Arctic ; Art, Sami ; Art, Arctic ; Art, Sami ; Arts ; Indigenous art ; Arctic Regions ; Northern Canada ; Scandinavia ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Arktis ; Polargebiete ; Eskimo ; Samen ; Kunst
    Abstract: "Qummut Qukiria! celebrates art and culture within and beyond traditional Inuit and Sámi homelands in the Circumpolar Arctic — from the recovery of traditional practices such as storytelling and skin sewing to the development of innovative new art forms such as throatboxing (a hybrid of traditional Inuit throat singing and beatboxing). In this illuminating book, curators, scholars, artists, and activists from Inuit Nunangat, Kalaallit Nunaat, Sápmi, Canada, and Scandinavia address topics as diverse as Sámi rematriation and the revival of the ládjogahpir (a traditional woman’s headgear), the experience of bringing Inuit stone carving to a workshop for inner-city youth, and the decolonizing potential of Traditional Knowledge and its role in contemporary design and beyond. Qummut Qukiria! showcases the thriving art and culture of the Indigenous Circumpolar peoples in the present and demonstrates its importance for the revitalization of language, social well-being, and cultural identity."--
    Note: Includes bibliographical references
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  • 95
    ISBN: 9783943770681
    Language: German , English
    Pages: 71 Seiten , Illustrationen
    Additional Information: Ergänzung zu Chic! Schmuck. Macht. Leute. Chemnitz : smac - Staatliches Museum für Archäologie Chemnitz, 2022 9783943770674
    DDC: 730
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    Keywords: Führer ; Führer ; Schmuck ; Kunst ; Vor- und Frühgeschichte ; Archäologie ; Siedlungsarchäologie ; Funde ; Schmuck ; Ausstellung ; Chemnitz ; Geschichte 2022
    Abstract: Das Bedürfnis, den menschlichen Körper zu schmücken, reicht weit in die Vergangenheit zurück und ist geprägt von Vielfalt und Wandel, Extravaganz und Ausgrenzung ... Führer durch die Ausstellung "Chic! Schmuck. Macht. Leute." (aus dem Text der 4. Umschlagseite)
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  • 96
    ISBN: 9781487509316
    Language: English
    Pages: 1 Online-Ressource (197 ungezählte Seiten) , Illustrationen
    Series Statement: Toronto Iberic
    Parallel Title: Erscheint auch als Infante, Catherine The arts of encounter
    DDC: 860.93823823
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    Keywords: Electronic books ; Spanien ; Christentum ; Islam ; Kulturaustausch ; Kunst ; Geschichte 1400-1700
    Abstract: The Arts of Encounter uncovers the significant role of religious images in literature, offering a new approach to understanding Christian-Muslim relations in early modern Spain.
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  • 97
    ISBN: 9783030999438
    Language: English
    Pages: xiv, 224 Seiten , 21 cm
    Series Statement: African American philosophy and the African diaspora
    Parallel Title: Erscheint auch als
    DDC: 305.8
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    Keywords: Racism ; USA ; Literatur ; Antirassismus ; Philosophie
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  • 98
    ISBN: 1734248513 , 9781734248517
    Language: English
    Pages: 269 Seiten , 27 cm
    Edition: First edition
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    Keywords: Taylor, Breonna Exhibitions ; Racism Exhibitions History 21st century ; Social movements in art Exhibitions ; African Americans Exhibitions Social conditions 21st century ; African American artists Exhibitions ; African American artists ; African Americans ; Social conditions ; Race relations ; Racism ; Social movements in art ; Exhibition catalogs ; Exhibition catalogs ; Louisville (Ky.) Exhibitions Race relations 21st century ; History ; Kentucky ; Louisville ; United States ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Kentucky ; Kunst ; Rassismus ; Protestbewegung ; Geschichte 2020- ; Louisville, Ky. ; Rassismus ; Polizei ; Gewalttätigkeit ; Schwarze Frau ; Geschichte 2020-2022 ; Rezeption ; Kunst ; Taylor, Breonna 1993-2020
    Abstract: The New York Times called the Speed Art Museum's Promise, Witness, Remembrance--centered around artist Amy Sherald's portrait of Breonna Taylor and originally commissioned by Ta-Nehisi Coates for the cover of Vanity Fair magazine--one of the best art exhibitions of 2021. In the words of critic Holland Cotter, "the show was assembled in four months--warp speed in museum-time--and created a prototype for institutional responses to history-as-it's-happening." This breathtaking book documents not just the 32 works featured in the exhibition, but also the process by which the Speed used this opportunity to memorialize the life of Breonna Taylor, who was killed by Louisville police in March 2020, and to serve its community through art, featuring real-time quotations from Curator Allison Glenn, Community Engagement Strategist Toya Northington, Director Stephen Reily, Tamika Palmer (Breonna Taylor's mother), artist Amy Sherald, and others. With 200 photos, featuring work by 22 Black artists, including Sam Gilliam, Lorna Simpson, Kerry James Marshall, Hank Willis Thomas, and Theaster Gates, Promise, Witness, Remembrance is a vital addition to the canon of Black American art
    Note: Titelblattrückseite: Published to document the exhibition "Promise, Witness, Remembrance", organized by the Speed Art Museum in Louisville, Kentucky, on view from April 7 to June 13, 2021 , Includes bibliographical references
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  • 99
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469671567 , 1469671565 , 9781469671550 , 1469671557
    Language: English
    Pages: 1 Online-Ressource (291 pages)
    Parallel Title: Erscheint auch als Hutchins, Zachary McLeod Before Equiano
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    Keywords: Slave narratives History and criticism ; Slavery History 17th century ; American newspapers History 17th century ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; USA ; Sklave ; Zeitung ; Berichterstattung ; Autobiografie ; Geschichte 1690-1789
    Abstract: Introduction. Slavery and the Newspaper: A Foreign Affair -- Sewall's Secret: The Selling of More than Two Dozen Black Africans -- Daniel and the Scotts: The Serialized Stories of Serial Runaways -- Royalty Enslaved: Of Princes, Pretenders, and Politics -- Fighting for, and against, the English: Briton Hammon and the Power of Black Africans' Allegiance -- Narratives of Slavery and the Stamp Act: Dickinson and Crèvecoeur Debate the Racial Limits of a Genre -- Conclusion. After Equiano: The Medium and the Message.
    Abstract: "In the antebellum United States, formerly enslaved men and women who told their stories and advocated for abolition helped establish a new genre with widely recognized tropes: the slave narrative. This book investigates how enslaved black Africans conceived of themselves and their stories before the War of American Independence and the genre's development in the nineteenth century. Zachary McLeod Hutchins argues that colonial newspapers were pivotal in shaping popular understandings of both slavery and the black African experience well before the slave narrative's proliferation. Introducing the voices and art of black Africans long excluded from the annals of literary history, Hutchins shows how the earliest life writing by and about enslaved black Africans established them as political agents in an Atlantic world defined by diplomacy, war, and foreign relations. In recovering their stories, Hutchins sheds new light on how black Africans became Black Americans; how the earliest accounts of enslaved life were composed editorially from textual fragments rather than authored by a single hand; and how the public discourse of slavery shifted from the language of just wars and foreign policy to a heritable, race-based system of domestic oppression."--
    Note: Includes bibliographical references and index
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  • 100
    ISBN: 9781793608567
    Language: English
    Pages: xvi, 165 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Tsangaris, Michael Radical communications
    DDC: 751.7/30949512
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    Keywords: Graffiti ; Street art ; Communication Social aspects ; Athens (Greece) Social conditions 20th century ; Athens (Greece) Social conditions 21st century ; Athen ; Streetart ; Graffito ; Kommunikation ; Stadt ; Gesellschaft
    Abstract: Alternative media and the city -- Reflexing on unauthorized urban graphics -- Understanding unauthorized urban graphics -- Recuperation of unauthorized urban graphics -- Unauthorized urban graphics and gender -- A psychogeographic research.
    Abstract: "Radical Communications explores unauthorized messages we see in the cities we live in and their impact on the construction of social reality. The author treats the city as a text and examines the political slogans, graffiti, and street art of Athens as complex visual signs in an alternative communication system"--
    Note: Includes bibliographical references and index
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