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  • 1
    ISBN: 9789052603797
    Language: English
    Pages: 1 Online-Ressource (400 p.)
    Keywords: Sociology & anthropology ; Population & demography
    Abstract: Historical demographers since Malthus have characterized the West-European and Chinese demographic regimes as systems under low and high pressure, respectively. This volume examines the operation of the positive check at the two ends of the Eurasian continent by taking the Netherlands and Taiwan as representatives of the West-European and Chinese mortality regimes. Are these cases as different as the low and high pressure contrast implies? The volume opens with a cluster of chapters dealing with long term trends in mortality and the accompanying changes in causes of death (Chapters 1 through 4 ). Both Taiwan and the Netherlands witnessed steady improvements in public health, disease prevention, medical care, and living conditions in the periods described; these trends are discussed in Chapters 5 though 8. The third cluster of chapters analyzes the factors affecting maternal and infant mortality (Chapters 9 through 12). Finally, in Chapter 13, the accuracy of Taiwan's censuses and death reporting is assessed
    Abstract: In dit boek beschrijven auteurs uit de VS, Nederland en Taiwan de historische ontwikkeling van de sterfte in Taiwan en Nederland. De auteurs gebruiken die twee landen als representatief voor de demografische regimes in West Europa en Azië. Volgens de beroemde econoom en demograaf Thomas Malthus is het hoge sterftecijfer in China te verklaren door een structurele overbevolking; de dood als 'positieve check' om de bevolkingsgroei af te remmen. Deze bundel tracht antwoord te geven op deze stelling . Aan bod komen de lange termijn ontwikkeling van sterfte en sterfteoorzaken. Speciale aandacht is er voor de verbetering van de gezondheidszorg in de twee landen en voor de moeder- en kindersterfte. De empirische bijdragen laten de verwachte verschillen zien, maar stuiten ook op opvallende overeenkomsten
    Note: English
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  • 2
    ISBN: 9780415075480
    Language: English
    Pages: Online-Ressource (243 p)
    Series Statement: International Library of Sociology
    Parallel Title: Print version Relocating Cultural Studies : Developments in Theory and Research
    DDC: 306
    Keywords: Electronic books
    Abstract: This volume demonstrates how cultural studies has diffused from Britain into other English-speaking countries, and how its original concerns have been renegotiated and changed. It is an unrivalled guide to international cultural studies
    Description / Table of Contents: Cover; Title Page; Copyright Page; Table of Contents; Notes on the contributors; Acknowledgements; Editors' introduction; Part I: Wars of positions; 1. THE FORMATIONS OF CULTURAL STUDIES: An American in Birmingham; 2. USEFUL CULTURE; 3. SHIFTING BOUNDARIES, LINES OF DESCENT: Cultural Studies and Institutional Realignments; Part II: Power and empowerment; 4. TRUE VOICES AND REAL PEOPLE: The 'Problem' of the Autobiographical in Cultural Studies; 5. WHY ARE THERE NO GREAT WOMEN POSTMODERNISTS?; Part III: Cultural Studies and the local; 6. POSTCARDS OF MY PAST: The Indian as Artefact
    Description / Table of Contents: 7. VALUE AND POWER IN MUSIC: An English Canadian Perspective8. WEATHERING THE NORTH: Climate, Colonialism, and the Mediated Body; Name index; Subject index
    Note: Description based upon print version of record
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  • 3
    Online Resource
    Online Resource
    Hoboken : Taylor and Francis
    ISBN: 9780415855464
    Language: English
    Pages: Online-Ressource (403 p)
    Parallel Title: Print version The Routledge Reader on the Sociology of Music
    DDC: 306.4/842
    Keywords: Electronic books
    Abstract: The Routledge Reader on the Sociology of Music offers the first collection of source readings and new essays on the latest thinking in the sociology of music. Interest in music sociology has increased dramatically over the past decade, yet there is no anthology of essential and introductory readings. The volume includes a comprehensive survey of the field's history, current state and future research directions. It offers six source readings, thirteen popular contemporary essays, and sixteen fresh, new contributions, along with an extended Introduction by the editors. The Routledge Reader on th
    Description / Table of Contents: Cover; Title Page; Copyright Page; Table of Contents; PREFACE; ACKNOWLEDGMENTS; Introduction: Music and the Sociological Imagination- Pasts and Prospects; Section I Source Readings: Forerunners and Founding Figures; Chapter 1 The Origin and Function of Music; Chapter 2 Psychological and Ethnological Studies on Music; Chapter 3 Rational and Social Foundations of Music; Chapter 4 Musical Taste and How it is Formed; Chapter 5 Making Music Together: A Study in Social Relationship; Chapter 6 Sociology of Music; Section II Approaches, Sites, and Debates; A The Music Itself
    Description / Table of Contents: Chapter 7 Music as Social MeaningChapter 8 Music, the Body, and Signifying Practice; Chapter 9 Music and the Sociological Gaze; B Creation; Chapter 10 Ethnography and Interaction; Chapter 11 Performance Perspectives; Chapter 12 Production Perspectives; C Consumption; Chapter 13 Identity: Music, Community, and Self; Chapter 14 Taste as Distinction; Chapter 15 Taste as Performance; Section III Politics, Social Issues, and Musical Cultures; Chapter 16 Resistance and Social Movements; Chapter 17 Gender and Sexuality; Chapter 18 Hip Hop and Race
    Description / Table of Contents: Chapter 19 Cultural Globalization: Pop-Rock and Musical CosmopolitanismChapter 20 Music Criticism and Taste Cultures; Chapter 21 Art Music and Social Class; Chapter 22 Cityscapes; Chapter 23 The Body and Dance; Section IV Industries and Institutions; Chapter 24 Recorded Music; Chapter 25 Live Music; Chapter 26 Cultural Policy and the Creative Industries; Chapter 27 Copyright; Section V Technology and Mediation; Chapter 28 Instruments and Innovation; Chapter 29 Radio; Chapter 30 Music and the Moving Image: A Case Study of Hans Zimmer; Chapter 31 Digitalization; Section VI New Directions
    Description / Table of Contents: Chapter 32 After AdornoChapter 33 Bourdieu and Beyond; Chapter 34 Mediation Theory; Chapter 35 From Signification to Affect; LIST OF CONTRIBUTORS; INDEX
    Note: Description based upon print version of record
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  • 4
    ISBN: 9780415063685
    Language: English
    Pages: Online-Ressource (323 p)
    Series Statement: Culture: Policy and Politics
    Parallel Title: Print version Rock and Popular Music : Politics, Policies, Institutions
    DDC: 306.4
    Keywords: Electronic books
    Abstract: A unique collection of new essays which make suggestions for the new directions for the study of contemporary popular musics. There is comparative analysis of the relationship between the state and the popular music industries
    Description / Table of Contents: ROCK AND POPULARMUSIC Politics, Policies, Institutions; Copyright; Contents; Notes on contributors; Series editors' preface; Preface; Acknowledgements; Introduction; Part I Government and rock; Introduction; 1 Popular Music and the Local State; 2 'The Cabaret is Dead': Rock Culture as State Enterprise-the Political Organization of Rock in East Germany; 3 Popular Music Policy: A Contested Area-the Dutch Experience; 4 The English Canadian Recording Industry Since 1970; 5 Making Music Local; 6 Who Fought the Law? The American Music Industry and the Global Popular Music Market
    Description / Table of Contents: Part II Broadcasting: music, policies, cultures and communitiesIntroduction; 7 Radio Space and Industrial Time:The Case of Music Formats; 8 Policing French-Language Music on Canadian Radio:The Twilight of the Popular Record Era?; 9 Who Killed the Radio Star?The Death of Teen Radio in Australia; 10 From State Monopoly to Commerical Oligopoly,European Broadcasting Policies and Popular Music Output Over the Airwaves; Part III Rock and politics; Introduction; 11 Feminist Musical Practice: Problems and Contradications; 12 The Framing of Rock: Rock and the New Conservatism; 13 Beat in the System
    Description / Table of Contents: 14 Black Popular Music:Crossing Over or Going Under?15 Aboriginal Rock Music: Space and Place; Afterword: Music Policy,Aesthetic and Social Difference; Name index; Subject index
    Note: Description based upon print version of record
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