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  • 1
    Online Resource
    Online Resource
    Hoboken : Taylor and Francis
    ISBN: 9780415855464
    Language: English
    Pages: Online-Ressource (403 p)
    Parallel Title: Print version The Routledge Reader on the Sociology of Music
    DDC: 306.4/842
    Keywords: Electronic books
    Abstract: The Routledge Reader on the Sociology of Music offers the first collection of source readings and new essays on the latest thinking in the sociology of music. Interest in music sociology has increased dramatically over the past decade, yet there is no anthology of essential and introductory readings. The volume includes a comprehensive survey of the field's history, current state and future research directions. It offers six source readings, thirteen popular contemporary essays, and sixteen fresh, new contributions, along with an extended Introduction by the editors. The Routledge Reader on th
    Description / Table of Contents: Cover; Title Page; Copyright Page; Table of Contents; PREFACE; ACKNOWLEDGMENTS; Introduction: Music and the Sociological Imagination- Pasts and Prospects; Section I Source Readings: Forerunners and Founding Figures; Chapter 1 The Origin and Function of Music; Chapter 2 Psychological and Ethnological Studies on Music; Chapter 3 Rational and Social Foundations of Music; Chapter 4 Musical Taste and How it is Formed; Chapter 5 Making Music Together: A Study in Social Relationship; Chapter 6 Sociology of Music; Section II Approaches, Sites, and Debates; A The Music Itself
    Description / Table of Contents: Chapter 7 Music as Social MeaningChapter 8 Music, the Body, and Signifying Practice; Chapter 9 Music and the Sociological Gaze; B Creation; Chapter 10 Ethnography and Interaction; Chapter 11 Performance Perspectives; Chapter 12 Production Perspectives; C Consumption; Chapter 13 Identity: Music, Community, and Self; Chapter 14 Taste as Distinction; Chapter 15 Taste as Performance; Section III Politics, Social Issues, and Musical Cultures; Chapter 16 Resistance and Social Movements; Chapter 17 Gender and Sexuality; Chapter 18 Hip Hop and Race
    Description / Table of Contents: Chapter 19 Cultural Globalization: Pop-Rock and Musical CosmopolitanismChapter 20 Music Criticism and Taste Cultures; Chapter 21 Art Music and Social Class; Chapter 22 Cityscapes; Chapter 23 The Body and Dance; Section IV Industries and Institutions; Chapter 24 Recorded Music; Chapter 25 Live Music; Chapter 26 Cultural Policy and the Creative Industries; Chapter 27 Copyright; Section V Technology and Mediation; Chapter 28 Instruments and Innovation; Chapter 29 Radio; Chapter 30 Music and the Moving Image: A Case Study of Hans Zimmer; Chapter 31 Digitalization; Section VI New Directions
    Description / Table of Contents: Chapter 32 After AdornoChapter 33 Bourdieu and Beyond; Chapter 34 Mediation Theory; Chapter 35 From Signification to Affect; LIST OF CONTRIBUTORS; INDEX
    Note: Description based upon print version of record
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