ISBN:
9048527554
,
9789048527557
,
9789089648914
,
9089648917
,
9089648917
Language:
English
Pages:
1 Online-Ressource
Series Statement:
Film culture in transition
Series Statement:
IKKM books volume 25
Uniform Title:
Film als Theorie
Keywords:
Farocki, Harun
;
Godard, Jean-Luc
;
Motion picture producers and directors
;
Farocki, Harun
;
Godard, Jean-Luc
;
Farocki, Harun
;
Godard, Jean-Luc
;
Bibel
;
ART ; General
;
PERFORMING ARTS ; Reference
;
Film theory and criticism
;
Film, TV and radio
;
Films, cinema
;
The arts
;
Motion picture producers and directors
;
Filmästhetik
;
Electronic book
Abstract:
""What an Editing Room is: Interface""""Montage, toujours: JLG/JLG""; ""5. Taking pictures-Photography and Film""; ""Displacing: The Carabineers""; ""Rendering: Before Your Eyes Vietnam""; ""Surveying: Images of the World and the Inscription of War""; ""6. Two or Three Ways of Speaking with the Hands""; ""Asking Oneself: La Chinoise / Vent d'est""; ""Offering Oneself: Nouvelle vague""; ""Expressing Oneself: Georg K. Glaser / The Expression of Hands""; "" Conclusion""; "" Bibliography""; "" Acknowledgments""; "" Illustration Credits""; "" Index of Film Titles""; "" Index of Names""
Abstract:
""Cover""; ""Contents""; "" Preface to the English Edition""; "" Introduction""; ""Two Image Researchers""; ""1. Le film qui pense""; ""Image, Theory, Practice""; ""Film as a "Concrete Medium"""; ""Film Theories / Film as Theory""; ""Difference and Theory""; ""Montage and Cinematic Thinking""; ""2. The Camera as Brush-Film and Painting""; ""Narrating with Images: Breathless""; ""Exploding the Museum: Pierrot le fou""; ""Arranging Things: Still Life""; ""Processing Images: Passion""; ""3. Deviation as Norm-Notes on the Essay Film""; ""4. Cut-Interlude in the Editing Room""
Abstract:
"This book brings together two major filmmakers-French New Wave master Jean-Luc Godard and German avant-gardist Harun Farocki-to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create 'film as theory'"--Back cover
Note:
Includes bibliographical references and index
,
English
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